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You searched for subject:(The Royal Shakespeare Company). Showing records 1 – 30 of 53662 total matches.

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The Ohio State University

1. Ritter, Christina. On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe.

Degree: PhD, Theatre, 2007, The Ohio State University

 The Shakespeare Memorial Festival, the Royal Shakespeare Company (RSC) and Shakespeare’s Globe all have shared the unique characteristic of being located in places of significance… (more)

Subjects/Keywords: Theater; Royal Shakespeare Company; Shakespeare's Globe; Shakespeare Memorial Festival; Stratford-upon-Avon; London Southwark; sacred space

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APA (6th Edition):

Ritter, C. (2007). On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799

Chicago Manual of Style (16th Edition):

Ritter, Christina. “On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe.” 2007. Doctoral Dissertation, The Ohio State University. Accessed January 26, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799.

MLA Handbook (7th Edition):

Ritter, Christina. “On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe.” 2007. Web. 26 Jan 2020.

Vancouver:

Ritter C. On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe. [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2020 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799.

Council of Science Editors:

Ritter C. On hallowed ground: the significance of geographic location and architectural space in the indenties of the Royal Shakespeare Company and Shakespeare's Globe. [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1188510799


Royal Holloway, University of London

2. Buckingham, John F. "The dangerous edge of things" : John Webster's Bosola in context & performance.

Degree: PhD, 2011, Royal Holloway, University of London

 This thesis argues that there is an enigma at the heart of Webster's The Duchess of Malfi; a disjunction between the critical history of the… (more)

Subjects/Keywords: 820.9003; John Webster; "The Duchess of Malfi"; Bosola; Early Modern Theatre and Performance; John Lowin; John Buckingham; The theatrical Malcontent; Performance analysis; Royal Shakespeare Company; Royal National Theatre; Manchester Royal Exchange Theatre Company; Cheek By Jowl Theatre Company; Bob Hoskins; Nigel Terry; Michael Bryant; George Anton; Lorcan Cranitch; Tom Mannion; Stephen Boxer; Gale Edwards; Declan Donnellan; Adrian Noble; Phyllida Lloyd; Bill Alexander; James McTaggart; Teddington Theatre Club; Blackfriars Theatre; Globe Theatre

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APA (6th Edition):

Buckingham, J. F. (2011). "The dangerous edge of things" : John Webster's Bosola in context & performance. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-dangerous-edge-of-things(63b9e486-4948-4f3b-8429-9a3c315d8ca8).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542421

Chicago Manual of Style (16th Edition):

Buckingham, John F. “"The dangerous edge of things" : John Webster's Bosola in context & performance.” 2011. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 26, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-dangerous-edge-of-things(63b9e486-4948-4f3b-8429-9a3c315d8ca8).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542421.

MLA Handbook (7th Edition):

Buckingham, John F. “"The dangerous edge of things" : John Webster's Bosola in context & performance.” 2011. Web. 26 Jan 2020.

Vancouver:

Buckingham JF. "The dangerous edge of things" : John Webster's Bosola in context & performance. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2011. [cited 2020 Jan 26]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-dangerous-edge-of-things(63b9e486-4948-4f3b-8429-9a3c315d8ca8).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542421.

Council of Science Editors:

Buckingham JF. "The dangerous edge of things" : John Webster's Bosola in context & performance. [Doctoral Dissertation]. Royal Holloway, University of London; 2011. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-dangerous-edge-of-things(63b9e486-4948-4f3b-8429-9a3c315d8ca8).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542421


Brigham Young University

3. Burt, Elizabeth Marie. Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002.

Degree: MA, 2005, Brigham Young University

 Structures of feeling represent the interaction between personal lived experience and fixed social values and meanings, which are found in interpretations of works of art.… (more)

Subjects/Keywords: The Winter's Tale; Shakespeare; structure of feeling; Raymond Williams; National Theatre; Royal Shakespeare Company; RSC; NT; theatre; performance; English Language and Literature

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APA (6th Edition):

Burt, E. M. (2005). Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1576&context=etd

Chicago Manual of Style (16th Edition):

Burt, Elizabeth Marie. “Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002.” 2005. Masters Thesis, Brigham Young University. Accessed January 26, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1576&context=etd.

MLA Handbook (7th Edition):

Burt, Elizabeth Marie. “Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002.” 2005. Web. 26 Jan 2020.

Vancouver:

Burt EM. Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002. [Internet] [Masters thesis]. Brigham Young University; 2005. [cited 2020 Jan 26]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1576&context=etd.

Council of Science Editors:

Burt EM. Such a Deal of Wonder: Structures of Feeling and Performances of The Winter's Tale from 1981 to 2002. [Masters Thesis]. Brigham Young University; 2005. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1576&context=etd

4. Woolbert, Elizabeth Tyrrell. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.

Degree: Theatre Program, 2015, University of Houston

 One way of approaching an argumentative, academic essay is to conceive of two parts: a site, or subject of examination, and a lens, the context… (more)

Subjects/Keywords: William Shakespeare; Bertolt Brecht; Peter Brook; Verfremdung; Estrangement; A Midsummer Night's Dream; The Royal Shakespeare Company; Theatre

…Dream for the Royal Shakespeare Company. The success of this and other “Brechtian Shakespeares… …Shakespeare Company, where Peter Brook’s work with the iconic playwright bears comparison to that of… …was its application to the works of William Shakespeare. Peter Brook’s work for the Royal… …Introduction     What is it saying about the German conception of Shakespeare? What… …had never before been so conscious of the unique bridge that Shakespeare formed between… 

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APA (6th Edition):

Woolbert, E. T. (2015). The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/1146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woolbert, Elizabeth Tyrrell. “The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.” 2015. Thesis, University of Houston. Accessed January 26, 2020. http://hdl.handle.net/10657/1146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woolbert, Elizabeth Tyrrell. “The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange.” 2015. Web. 26 Jan 2020.

Vancouver:

Woolbert ET. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. [Internet] [Thesis]. University of Houston; 2015. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10657/1146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woolbert ET. The Strange and the Familiar: Shakespeare as a Point of Anglo-Germanic Cultural Exchange. [Thesis]. University of Houston; 2015. Available from: http://hdl.handle.net/10657/1146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

5. Csar, Michael. The rules of art.

Degree: 2010, University of Vienna

 Die vorliegende Arbeit behandelt, ausgehend von Pierre Bourdieus Modell vom literarischen Feld, die strukturellen und künstlerischen Entwicklungen in der Londoner Theaterlandschaft zwischen 1956 und 1976.… (more)

Subjects/Keywords: 24.01 Darstellende Künstler; 24.04 Ausbildung, Beruf, Organisationen; 24.06 Theatergeschichte; 24.08 Theatersoziologie, Theaterpsychologie; 24.12 Regie, Dramaturgie; 24.29 Theater: Sonstiges; 24.00 Theater, Film, Musik: Allgemeines; 10.03 Methoden und Techniken der geisteswissenschaftlichen Forschung; 10.04 Ausbildung, Beruf, Organisationen; Bourdieu / London / England / subventioniertes Theater / Feld / Habitus / Royal Shakespeare Company / Royal Court / English Stage Company / National Theatre / Peter Hall / Kenneth Tynan / George Devine / Laurence Olivier / John Osborne / Look Back in Anger; Bourdieu / Habitus / Field / London / Theatre / Theater / subsidised / subsidized / Royal Shakespeare Company / National Theatre / Royal Court / English Stage Company / Peter Hall / Kenneth Tynan / George Devine / Laurence Olivier / New Wave / Osborne / Angry Young Men / Look Back in Anger

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APA (6th Edition):

Csar, M. (2010). The rules of art. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/9087/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Csar, Michael. “The rules of art.” 2010. Thesis, University of Vienna. Accessed January 26, 2020. http://othes.univie.ac.at/9087/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Csar, Michael. “The rules of art.” 2010. Web. 26 Jan 2020.

Vancouver:

Csar M. The rules of art. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 26]. Available from: http://othes.univie.ac.at/9087/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Csar M. The rules of art. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/9087/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

6. Navarro, Kristen Marie. Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest.

Degree: MA, English, 2013, Vanderbilt University

 The significant role remembrance has to play throughout the text of Shakespeareâs The Tempest has been critically well established. This thesis identifies two distinct configurations… (more)

Subjects/Keywords: the tempest; shakespeare

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APA (6th Edition):

Navarro, K. M. (2013). Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest. (Masters Thesis). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu//available/etd-07162013-143306/ ;

Chicago Manual of Style (16th Edition):

Navarro, Kristen Marie. “Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest.” 2013. Masters Thesis, Vanderbilt University. Accessed January 26, 2020. http://etd.library.vanderbilt.edu//available/etd-07162013-143306/ ;.

MLA Handbook (7th Edition):

Navarro, Kristen Marie. “Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest.” 2013. Web. 26 Jan 2020.

Vancouver:

Navarro KM. Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest. [Internet] [Masters thesis]. Vanderbilt University; 2013. [cited 2020 Jan 26]. Available from: http://etd.library.vanderbilt.edu//available/etd-07162013-143306/ ;.

Council of Science Editors:

Navarro KM. Remembrance "Rich and Strange": Ariel and Reiterative Resistance in Shakespeare's The Tempest. [Masters Thesis]. Vanderbilt University; 2013. Available from: http://etd.library.vanderbilt.edu//available/etd-07162013-143306/ ;


The Ohio State University

7. Blasenak, Andrew Michael. Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame.

Degree: PhD, Theatre, 2012, The Ohio State University

 This dissertation examines the artistic and managerial visions of six "non-profit" theatre companies which have been dedicated to the revitalization of Shakespeare’s plays in performance… (more)

Subjects/Keywords: Theater; theatre; theater; Shakespeare; Shakespeare company; actor training; ensemble; rehearsal; performance

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APA (6th Edition):

Blasenak, A. M. (2012). Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1354047834

Chicago Manual of Style (16th Edition):

Blasenak, Andrew Michael. “Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame.” 2012. Doctoral Dissertation, The Ohio State University. Accessed January 26, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1354047834.

MLA Handbook (7th Edition):

Blasenak, Andrew Michael. “Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame.” 2012. Web. 26 Jan 2020.

Vancouver:

Blasenak AM. Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2020 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1354047834.

Council of Science Editors:

Blasenak AM. Six Companies in Search of Shakespeare: Rehearsal, Performance, and Management Practices by The Oregon Shakespeare Festival, The Stratford Shakespeare Festival, The Royal Shakespeare Company, Shakespeare and Company, Shakespeare’s Globe and The Ame. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1354047834


University of Exeter

8. McCourt, Sarah Louise Elizabeth. The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre.

Degree: PhD, 2015, University of Exeter

 The adaptation of Shakespeare’s plays in England continues to be complicated by his canonical status. This has led to the authority and value of productions… (more)

Subjects/Keywords: 792; Shakespeare; cultural materialism; performing arts; adaptation; case studies; English touring theatre; Filter Theatre; Frantic Assembly; The Pantaloons; Red Shift Theatre Company

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APA (6th Edition):

McCourt, S. L. E. (2015). The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/21033

Chicago Manual of Style (16th Edition):

McCourt, Sarah Louise Elizabeth. “The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre.” 2015. Doctoral Dissertation, University of Exeter. Accessed January 26, 2020. http://hdl.handle.net/10871/21033.

MLA Handbook (7th Edition):

McCourt, Sarah Louise Elizabeth. “The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre.” 2015. Web. 26 Jan 2020.

Vancouver:

McCourt SLE. The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre. [Internet] [Doctoral dissertation]. University of Exeter; 2015. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10871/21033.

Council of Science Editors:

McCourt SLE. The observable effects of constraints identified in the conditions attending the adaptation of Othello by Frantic Assembly, Macbeth by The Pantaloons and Twelfth Night by Filter Theatre. [Doctoral Dissertation]. University of Exeter; 2015. Available from: http://hdl.handle.net/10871/21033


Virginia Commonwealth University

9. Johnson, Matthew. DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION.

Degree: MFA, Theatre, 2013, Virginia Commonwealth University

 The thesis focuses on the development of a fully accredited Masters of Fine Arts in Classical Performance degree program for Cincinnati Shakespeare Company (CSC). Chapter… (more)

Subjects/Keywords: MFA; Cincinnati Shakespeare Company; Classical Performance; Young Company; Arts and Humanities; Theatre and Performance Studies

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APA (6th Edition):

Johnson, M. (2013). DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/3013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Matthew. “DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION.” 2013. Thesis, Virginia Commonwealth University. Accessed January 26, 2020. https://scholarscompass.vcu.edu/etd/3013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Matthew. “DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION.” 2013. Web. 26 Jan 2020.

Vancouver:

Johnson M. DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION. [Internet] [Thesis]. Virginia Commonwealth University; 2013. [cited 2020 Jan 26]. Available from: https://scholarscompass.vcu.edu/etd/3013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson M. DEVELOPING A MASTERS OF FINE ARTS IN CLASSICAL PERFORMANCE FOR CINCINNATI SHAKESPEARE COMPANY: THE TRANSFORMATION OF AN EDUCATION DEPARTMENT INTO AN EDUCATION. [Thesis]. Virginia Commonwealth University; 2013. Available from: https://scholarscompass.vcu.edu/etd/3013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

10. Occhietti, Raphaelle. La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier .

Degree: 2012, Université de Montréal

 Notre analyse de l’imposante toile de Francisco Goya L’Assemblée de la Compagnie Royale des Philippines dite La Junte des Philippines (1815) vise à sortir cette… (more)

Subjects/Keywords: Histoire de l’art; XIXe siècle – Espagne; Francisco Goya y Lucientes; Compagnie Royale des Philippines; Imaginaire des colonies; Bourgeoisie libérale; Salle de finances; Art history; 19th century – Spain; Francisco Goya y Lucientes; Royal Company of the Philippines; Colonial imaginary; Liberal bourgeoisie; Finance room

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APA (6th Edition):

Occhietti, R. (2012). La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Occhietti, Raphaelle. “La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier .” 2012. Thesis, Université de Montréal. Accessed January 26, 2020. http://hdl.handle.net/1866/8513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Occhietti, Raphaelle. “La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier .” 2012. Web. 26 Jan 2020.

Vancouver:

Occhietti R. La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier . [Internet] [Thesis]. Université de Montréal; 2012. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1866/8513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Occhietti R. La Junte des Philippines de Goya (1815) : regard sur le pouvoir colonial espagnol et le capitalisme financier . [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/8513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

11. Chen, Jie. Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage.

Degree: Docteur es, Littérature et civilisation française, 2015, Université Paris-Sorbonne – Paris IV

Nous avons étudié dans ce travail les manières concrètes dont s’expriment les rapports entre le pouvoir et le théâtre au XVIIe siècle, époque où cet… (more)

Subjects/Keywords: Comédiens du roi; Confrérie de la Passion; Hôtel de Bourgogne; Théâtre du Marais; Condé; Richelieu; Jean Chapelain; Patronage littéraire; Actors of royal company; Confraternity of the Passion; Hôtel de Bourgogne; Marais Theater; Great Condé; Richelieu; Jean Chapelain; Dedicatory epistle

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APA (6th Edition):

Chen, J. (2015). Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040076

Chicago Manual of Style (16th Edition):

Chen, Jie. “Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 26, 2020. http://www.theses.fr/2015PA040076.

MLA Handbook (7th Edition):

Chen, Jie. “Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage.” 2015. Web. 26 Jan 2020.

Vancouver:

Chen J. Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2015PA040076.

Council of Science Editors:

Chen J. Le théâtre et le pouvoir au XVIIe siècle : le patronage en question : The theater and the power in the seventeenth century : the question of patronage. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040076


Duke University

12. Cowan, Jacqueline Laurie. No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat .

Degree: 2015, Duke University

  When debating the structure of the cosmos, Raphael delivers to Adam perhaps Milton's most famous line: "be lowly wise." With the promise to "justify… (more)

Subjects/Keywords: Literature; History of science; British and Irish literature; Bacon; Early Modern Literature; History of Science; Milton; Royal Society; Shakespeare

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APA (6th Edition):

Cowan, J. L. (2015). No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/9897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cowan, Jacqueline Laurie. “No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat .” 2015. Thesis, Duke University. Accessed January 26, 2020. http://hdl.handle.net/10161/9897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cowan, Jacqueline Laurie. “No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat .” 2015. Web. 26 Jan 2020.

Vancouver:

Cowan JL. No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat . [Internet] [Thesis]. Duke University; 2015. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10161/9897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cowan JL. No "Idle Fancy:" The Imagination's Work in Poetry and Natural Philosophy from Sidney to Sprat . [Thesis]. Duke University; 2015. Available from: http://hdl.handle.net/10161/9897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Bretz, Michèle. De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité).

Degree: Docteur es, Histoire moderne, 2016, Sorbonne Paris Cité

L'objet de cette thèse est l'édition critique des relations de captivité des religieuses de port-royal, enlevées de leur monastère le 26 août 1664 par les… (more)

Subjects/Keywords: Religieuses de Port-Royal; Jansénisme; Relations de captivité; Unigenitus (bulle); The nuns of Royal Port; Jansenism; The captivity accounts; Unigenitus (bubble)

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APA (6th Edition):

Bretz, M. (2016). De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité). (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2016USPCD004

Chicago Manual of Style (16th Edition):

Bretz, Michèle. “De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité).” 2016. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 26, 2020. http://www.theses.fr/2016USPCD004.

MLA Handbook (7th Edition):

Bretz, Michèle. “De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité).” 2016. Web. 26 Jan 2020.

Vancouver:

Bretz M. De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité). [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2016. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2016USPCD004.

Council of Science Editors:

Bretz M. De Port-Royal au jansénisme à travers les Relations de captivité : From Port-Royal to jansenism through the captivity accounts (the Relations de Captivité). [Doctoral Dissertation]. Sorbonne Paris Cité; 2016. Available from: http://www.theses.fr/2016USPCD004


Universidade Federal da Bahia

14. Marcos Barbosa de Albuquerque. Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare.

Degree: 2008, Universidade Federal da Bahia

Aborda-se centralmente nesta pesquisa um trabalho de tradução (e a tradução em si) dapeça histórica Ricardo III, de William Shakespeare. Aqui entendida como um fenômeno… (more)

Subjects/Keywords: TEATRO; mímesis; tradução; Ricardo Terceiro; William Shakespeare; mimesis; translation; Richard the Third; William Shakespeare

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APA (6th Edition):

Albuquerque, M. B. d. (2008). Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2653

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Albuquerque, Marcos Barbosa de. “Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare.” 2008. Thesis, Universidade Federal da Bahia. Accessed January 26, 2020. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2653.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Albuquerque, Marcos Barbosa de. “Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare.” 2008. Web. 26 Jan 2020.

Vancouver:

Albuquerque MBd. Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare. [Internet] [Thesis]. Universidade Federal da Bahia; 2008. [cited 2020 Jan 26]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2653.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Albuquerque MBd. Reflexo de sombras :mímesis e jogo em uma tradução de A Tragédia de Ricardo Terceiro de William Shakespeare. [Thesis]. Universidade Federal da Bahia; 2008. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=2653

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Thomas, François. L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century.

Degree: Docteur es, Philosophie (métaphysique, épistémologie, esthétique), 2015, Lille 3

Cette recherche a pour point de départ l’important mouvement de traduction en Allemagne au tournant du XIXe siècle, et la critique par les penseurs allemands… (more)

Subjects/Keywords: Traduction; Romantisme allemand; Lumières; Âge classique; “Belles infidèles”; Herméneutique; Cosmopolitisme; Grammaire générale; Hospitalité; Étranger; Schleiermacher; Herder; Port-Royal; Voltaire; Marivaux; Diderot; Shakespeare; Translation; German Romanticism; Enlightenment; "Belles infidèles"; Hermeneutics; Cosmopolitism; General and rational grammar; Hospitality; Foreign cultures; Schleiermacher; Herder; Port-Royal; Voltaire; Marivaux; Diderot; Shakespeare

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APA (6th Edition):

Thomas, F. (2015). L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2015LIL30012

Chicago Manual of Style (16th Edition):

Thomas, François. “L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century.” 2015. Doctoral Dissertation, Lille 3. Accessed January 26, 2020. http://www.theses.fr/2015LIL30012.

MLA Handbook (7th Edition):

Thomas, François. “L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century.” 2015. Web. 26 Jan 2020.

Vancouver:

Thomas F. L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century. [Internet] [Doctoral dissertation]. Lille 3; 2015. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2015LIL30012.

Council of Science Editors:

Thomas F. L'art de traduire : enjeux philosophiques, éthiques et politiques de la traduction, à partir de la critique formulée par les Romantiques allemands à l'encontre des traductions françaises. : The art of translation : philosophical, ethical, and political translation issues from the historical context of the German Romantics’criticism against the French practice of translation in the 17th and 18th century. [Doctoral Dissertation]. Lille 3; 2015. Available from: http://www.theses.fr/2015LIL30012


Texas A&M University

16. Cesario, Bradley M. The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914.

Degree: PhD, History, 2016, Texas A&M University

 The three decades before the First World War were a period of intense militarism, and in the United Kingdom this meant navalism. By the late… (more)

Subjects/Keywords: navalism; Royal Navy; modern Britain; history of the press

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APA (6th Edition):

Cesario, B. M. (2016). The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/156907

Chicago Manual of Style (16th Edition):

Cesario, Bradley M. “The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914.” 2016. Doctoral Dissertation, Texas A&M University. Accessed January 26, 2020. http://hdl.handle.net/1969.1/156907.

MLA Handbook (7th Edition):

Cesario, Bradley M. “The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914.” 2016. Web. 26 Jan 2020.

Vancouver:

Cesario BM. The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914. [Internet] [Doctoral dissertation]. Texas A&M University; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1969.1/156907.

Council of Science Editors:

Cesario BM. The Admiralty, Popular Navalism, and the Journalist as Middleman, 1884-1914. [Doctoral Dissertation]. Texas A&M University; 2016. Available from: http://hdl.handle.net/1969.1/156907


Louisiana State University

17. Hathaway, Michelle L. Costume crafts an exploration through production experience.

Degree: MFA, Theatre and Performance Studies, 2010, Louisiana State University

 The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into… (more)

Subjects/Keywords: Millinery; cloche; blocked hats; The Royal Family; fascinator

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APA (6th Edition):

Hathaway, M. L. (2010). Costume crafts an exploration through production experience. (Masters Thesis). Louisiana State University. Retrieved from etd-04162010-152611 ; https://digitalcommons.lsu.edu/gradschool_theses/2152

Chicago Manual of Style (16th Edition):

Hathaway, Michelle L. “Costume crafts an exploration through production experience.” 2010. Masters Thesis, Louisiana State University. Accessed January 26, 2020. etd-04162010-152611 ; https://digitalcommons.lsu.edu/gradschool_theses/2152.

MLA Handbook (7th Edition):

Hathaway, Michelle L. “Costume crafts an exploration through production experience.” 2010. Web. 26 Jan 2020.

Vancouver:

Hathaway ML. Costume crafts an exploration through production experience. [Internet] [Masters thesis]. Louisiana State University; 2010. [cited 2020 Jan 26]. Available from: etd-04162010-152611 ; https://digitalcommons.lsu.edu/gradschool_theses/2152.

Council of Science Editors:

Hathaway ML. Costume crafts an exploration through production experience. [Masters Thesis]. Louisiana State University; 2010. Available from: etd-04162010-152611 ; https://digitalcommons.lsu.edu/gradschool_theses/2152


University of Georgia

18. King, Joshua. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.

Degree: MA, English, 2010, University of Georgia

 Using an Aristotelian model, this thesis tracks the use of probability, evidence, and belief as types of rhetorical proof in Shakespearean criticism. Probabilistic argument, largely… (more)

Subjects/Keywords: Shakespeare

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APA (6th Edition):

King, J. (2010). Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma

Chicago Manual of Style (16th Edition):

King, Joshua. “Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.” 2010. Masters Thesis, University of Georgia. Accessed January 26, 2020. http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma.

MLA Handbook (7th Edition):

King, Joshua. “Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.” 2010. Web. 26 Jan 2020.

Vancouver:

King J. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. [Internet] [Masters thesis]. University of Georgia; 2010. [cited 2020 Jan 26]. Available from: http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma.

Council of Science Editors:

King J. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. [Masters Thesis]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma


University of Georgia

19. Presley, Erin Melinda Denise. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.

Degree: PhD, English, 2010, University of Georgia

 This dissertation examines the rhetorical relationship between Shakespeare as an appropriator and Shakespeare as a source for contemporary women novelists. Influenced by early modern pedagogy… (more)

Subjects/Keywords: Shakespeare

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APA (6th Edition):

Presley, E. M. D. (2010). The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd

Chicago Manual of Style (16th Edition):

Presley, Erin Melinda Denise. “The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.” 2010. Doctoral Dissertation, University of Georgia. Accessed January 26, 2020. http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd.

MLA Handbook (7th Edition):

Presley, Erin Melinda Denise. “The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.” 2010. Web. 26 Jan 2020.

Vancouver:

Presley EMD. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. [Internet] [Doctoral dissertation]. University of Georgia; 2010. [cited 2020 Jan 26]. Available from: http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd.

Council of Science Editors:

Presley EMD. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. [Doctoral Dissertation]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd


University of Waikato

20. Forbes, Malcolm Alexander. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .

Degree: 2011, University of Waikato

Shakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays… (more)

Subjects/Keywords: Shakespeare

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APA (6th Edition):

Forbes, M. A. (2011). “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5735

Chicago Manual of Style (16th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Masters Thesis, University of Waikato. Accessed January 26, 2020. http://hdl.handle.net/10289/5735.

MLA Handbook (7th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Web. 26 Jan 2020.

Vancouver:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10289/5735.

Council of Science Editors:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/5735

21. Lösslein, Horst. Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923).

Degree: Docteur es, Histoire, 2017, Limoges; Ludwig-Maximilians Universität (Munich, Allemagne)

 La thèse est dédiée à analyser les possibilités du pouvoir royal à l’époque des derniers Carolingiens en étudiant le règne de Charles III le Simple… (more)

Subjects/Keywords: Pouvoir royal; Réseaux; Conflits; Charles III le Simple; Royal power; Networks; Conflicts; Charles III the Simple; 944.014

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APA (6th Edition):

Lösslein, H. (2017). Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923). (Doctoral Dissertation). Limoges; Ludwig-Maximilians Universität (Munich, Allemagne). Retrieved from http://www.theses.fr/2017LIMO0012

Chicago Manual of Style (16th Edition):

Lösslein, Horst. “Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923).” 2017. Doctoral Dissertation, Limoges; Ludwig-Maximilians Universität (Munich, Allemagne). Accessed January 26, 2020. http://www.theses.fr/2017LIMO0012.

MLA Handbook (7th Edition):

Lösslein, Horst. “Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923).” 2017. Web. 26 Jan 2020.

Vancouver:

Lösslein H. Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923). [Internet] [Doctoral dissertation]. Limoges; Ludwig-Maximilians Universität (Munich, Allemagne); 2017. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2017LIMO0012.

Council of Science Editors:

Lösslein H. Possibilities of Royal Power in the Late Carolingian Age : Charles III "The Simple" : Champ d'action et marges de manoeuvre du pouvoir royal au temps des derniers Carolingiens : L'exemple de Charles III "Le Simple" (893/898 à 923). [Doctoral Dissertation]. Limoges; Ludwig-Maximilians Universität (Munich, Allemagne); 2017. Available from: http://www.theses.fr/2017LIMO0012


NSYSU

22. Chen, Yi-Fang. The Boeing Company's Development and Strategies in China.

Degree: Master, Mainland China Studies, 2008, NSYSU

 The aviation industry has more than a hundred years in history in the United States. And the industry has always been one of the important… (more)

Subjects/Keywords: Aviation Industry; Multinational Company; The Boeing Company; Globalization; Airbus

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APA (6th Edition):

Chen, Y. (2008). The Boeing Company's Development and Strategies in China. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0911108-101011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Yi-Fang. “The Boeing Company's Development and Strategies in China.” 2008. Thesis, NSYSU. Accessed January 26, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0911108-101011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Yi-Fang. “The Boeing Company's Development and Strategies in China.” 2008. Web. 26 Jan 2020.

Vancouver:

Chen Y. The Boeing Company's Development and Strategies in China. [Internet] [Thesis]. NSYSU; 2008. [cited 2020 Jan 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0911108-101011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen Y. The Boeing Company's Development and Strategies in China. [Thesis]. NSYSU; 2008. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0911108-101011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Loughborough University

23. Mahmoudzadeh-Andwari, Amir. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.

Degree: PhD, 2018, Loughborough University

 The present research deals with the application of Julia Kristeva s psychoanalytic theories of the mind to a selection of William Shakespeare s plays. Kristeva… (more)

Subjects/Keywords: Symbolic, The; Semiotic, The; Abject, The; Subject-in-process; Shakespeare, William; Kristeva, Julia

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APA (6th Edition):

Mahmoudzadeh-Andwari, A. (2018). The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/36152 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763487

Chicago Manual of Style (16th Edition):

Mahmoudzadeh-Andwari, Amir. “The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.” 2018. Doctoral Dissertation, Loughborough University. Accessed January 26, 2020. https://dspace.lboro.ac.uk/2134/36152 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763487.

MLA Handbook (7th Edition):

Mahmoudzadeh-Andwari, Amir. “The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.” 2018. Web. 26 Jan 2020.

Vancouver:

Mahmoudzadeh-Andwari A. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. [Internet] [Doctoral dissertation]. Loughborough University; 2018. [cited 2020 Jan 26]. Available from: https://dspace.lboro.ac.uk/2134/36152 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763487.

Council of Science Editors:

Mahmoudzadeh-Andwari A. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. [Doctoral Dissertation]. Loughborough University; 2018. Available from: https://dspace.lboro.ac.uk/2134/36152 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763487


Loughborough University

24. Mahmoudzadeh-Andwari, Amir. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.

Degree: PhD, 2018, Loughborough University

 The present research deals with the application of Julia Kristeva s psychoanalytic theories of the mind to a selection of William Shakespeare s plays. Kristeva… (more)

Subjects/Keywords: Symbolic, The; Semiotic, The; Abject, The; Subject-in-process; Shakespeare, William; Kristeva, Julia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mahmoudzadeh-Andwari, A. (2018). The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/36152

Chicago Manual of Style (16th Edition):

Mahmoudzadeh-Andwari, Amir. “The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.” 2018. Doctoral Dissertation, Loughborough University. Accessed January 26, 2020. http://hdl.handle.net/2134/36152.

MLA Handbook (7th Edition):

Mahmoudzadeh-Andwari, Amir. “The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind.” 2018. Web. 26 Jan 2020.

Vancouver:

Mahmoudzadeh-Andwari A. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. [Internet] [Doctoral dissertation]. Loughborough University; 2018. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/2134/36152.

Council of Science Editors:

Mahmoudzadeh-Andwari A. The return of the abject : a psychoanalytic analysis of a selection of William Shakespeare's plays in the light of Julia Kristeva's theories of the mind. [Doctoral Dissertation]. Loughborough University; 2018. Available from: http://hdl.handle.net/2134/36152

25. Ripa, Elisabeth. Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew.

Degree: English, 2011, Dalarna University

  In this thesis William Shakespeare’s comedy The Taming of The Shrew is analyzed from a feminist perspective. It is argued that the female characters… (more)

Subjects/Keywords: The Taming of the Shrew; Shakespeare; irony; deconstruction; gender; language use; the Induction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ripa, E. (2011). Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew. (Thesis). Dalarna University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ripa, Elisabeth. “Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew.” 2011. Thesis, Dalarna University. Accessed January 26, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ripa, Elisabeth. “Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew.” 2011. Web. 26 Jan 2020.

Vancouver:

Ripa E. Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew. [Internet] [Thesis]. Dalarna University; 2011. [cited 2020 Jan 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ripa E. Who Is the Shrew? : Irony as deconstruction in The Taming of the Shrew. [Thesis]. Dalarna University; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-6488

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Minho

26. Silva, Paula Adriana Ferreri de Gusmão e. As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) .

Degree: 2014, Universidade do Minho

 Este trabalho tem como objetivo principal analisar a documentação da Companhia Real dos Caminhos de Ferro Portugueses, de modo a evidenciar as suas práticas contabilísticas… (more)

Subjects/Keywords: Caminho de ferro; Companhia real; Práticas contabilísticas; Relato financeiro; Railroads; Royal company; Accounting practices; Financial reporting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, P. A. F. d. G. e. (2014). As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/27981

Chicago Manual of Style (16th Edition):

Silva, Paula Adriana Ferreri de Gusmão e. “As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) .” 2014. Masters Thesis, Universidade do Minho. Accessed January 26, 2020. http://hdl.handle.net/1822/27981.

MLA Handbook (7th Edition):

Silva, Paula Adriana Ferreri de Gusmão e. “As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) .” 2014. Web. 26 Jan 2020.

Vancouver:

Silva PAFdGe. As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) . [Internet] [Masters thesis]. Universidade do Minho; 2014. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1822/27981.

Council of Science Editors:

Silva PAFdGe. As práticas contabilísticas e de relato financeiro na Companhia Real dos Caminhos de Ferro Portugueses (1860-1910) . [Masters Thesis]. Universidade do Minho; 2014. Available from: http://hdl.handle.net/1822/27981


Université Paris-Sorbonne – Paris IV

27. Daniel, Marie-Céline. Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610.

Degree: Docteur es, Études anglophones, 2009, Université Paris-Sorbonne – Paris IV

Ce travail s’intéresse à la façon dont l’actualité française des guerres de religion a eu une influence sur la manière dont les autorités anglaises ont… (more)

Subjects/Keywords: Livre; Imprimeurs; Pouvoir royal; Censure; Guerres de religion; Elisabeth I; Jacques Ier; Book; Sixteenth century; Stationers’ Company

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Daniel, M. (2009). Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2009PA040169

Chicago Manual of Style (16th Edition):

Daniel, Marie-Céline. “Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610.” 2009. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 26, 2020. http://www.theses.fr/2009PA040169.

MLA Handbook (7th Edition):

Daniel, Marie-Céline. “Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610.” 2009. Web. 26 Jan 2020.

Vancouver:

Daniel M. Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2009. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2009PA040169.

Council of Science Editors:

Daniel M. Livre politique et politique du livre : l’influence de l’actualité française des guerres de religion sur l’utilisation du livre comme instrument politique en Angleterre entre 1570 et 1610 : The influence of the French religious wars on the use of the book as a political tool in England, between 1570 and 1610. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2009. Available from: http://www.theses.fr/2009PA040169


University of Nairobi

28. Gikonyo, J. W. The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya .

Degree: 2011, University of Nairobi

 Employee retention is the strategy employed by an organization to encourage their employees to remain with the organization for the maximum period of time or… (more)

Subjects/Keywords: The British - American Insurance Company; Kenya

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gikonyo, J. W. (2011). The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya . (Thesis). University of Nairobi. Retrieved from http://hdl.handle.net/11295/96784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gikonyo, J W. “The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya .” 2011. Thesis, University of Nairobi. Accessed January 26, 2020. http://hdl.handle.net/11295/96784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gikonyo, J W. “The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya .” 2011. Web. 26 Jan 2020.

Vancouver:

Gikonyo JW. The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya . [Internet] [Thesis]. University of Nairobi; 2011. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/11295/96784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gikonyo JW. The Effectiveness Of Employee Retention Strategies At The British - American Insurance Company, Kenya . [Thesis]. University of Nairobi; 2011. Available from: http://hdl.handle.net/11295/96784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Hohler, Gregor. Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja.

Degree: 2019, Univerza v Mariboru

Spremembe se na trgu dogajajo hitreje, kot se nekatera podjetja lahko prilagodijo. Uspešna podjetja v spremembah vidijo predvsem nove priložnosti za rast ter razvoj in… (more)

Subjects/Keywords: Planiranje razvoja podjetja; proučitev podjetja; dinamično podjetje; življenjski cikel podjetja; pionirsko podjetje; rastoče podjetje; zrelo podjetje; podjetje v preobratu.; planning the company development; studying the company; dynamic company; lifecycle of the company; pioneering company; growing company; mature company; company in a reversal.; info:eu-repo/classification/udc/005.4

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hohler, G. (2019). Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=73875 ; https://dk.um.si/Dokument.php?id=135159&dn= ; https://plus.si.cobiss.net/opac7/bib/13380380?lang=sl

Chicago Manual of Style (16th Edition):

Hohler, Gregor. “Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja.” 2019. Masters Thesis, Univerza v Mariboru. Accessed January 26, 2020. https://dk.um.si/IzpisGradiva.php?id=73875 ; https://dk.um.si/Dokument.php?id=135159&dn= ; https://plus.si.cobiss.net/opac7/bib/13380380?lang=sl.

MLA Handbook (7th Edition):

Hohler, Gregor. “Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja.” 2019. Web. 26 Jan 2020.

Vancouver:

Hohler G. Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja. [Internet] [Masters thesis]. Univerza v Mariboru; 2019. [cited 2020 Jan 26]. Available from: https://dk.um.si/IzpisGradiva.php?id=73875 ; https://dk.um.si/Dokument.php?id=135159&dn= ; https://plus.si.cobiss.net/opac7/bib/13380380?lang=sl.

Council of Science Editors:

Hohler G. Proučitev podjetja capaconto d.o.o. s predlogi za zagotavljanje dinamičnosti podjetja. [Masters Thesis]. Univerza v Mariboru; 2019. Available from: https://dk.um.si/IzpisGradiva.php?id=73875 ; https://dk.um.si/Dokument.php?id=135159&dn= ; https://plus.si.cobiss.net/opac7/bib/13380380?lang=sl


University of Notre Dame

30. Seth Brian Oelbaum. fat girl [elizabethan sonnets]</h1>.

Degree: MFA, Creative Writing, 2012, University of Notre Dame

  fat girl [elizabethan sonnets] is a composed entirely of elizabethan sonnets. The poems combine children’s diction with historical scholarship. The subject matter derives from… (more)

Subjects/Keywords: sonnets; children; william shakespeare; nazis; popular culture; the holocaust

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oelbaum, S. B. (2012). fat girl [elizabethan sonnets]</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/sx61dj55c5h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oelbaum, Seth Brian. “fat girl [elizabethan sonnets]</h1>.” 2012. Thesis, University of Notre Dame. Accessed January 26, 2020. https://curate.nd.edu/show/sx61dj55c5h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oelbaum, Seth Brian. “fat girl [elizabethan sonnets]</h1>.” 2012. Web. 26 Jan 2020.

Vancouver:

Oelbaum SB. fat girl [elizabethan sonnets]</h1>. [Internet] [Thesis]. University of Notre Dame; 2012. [cited 2020 Jan 26]. Available from: https://curate.nd.edu/show/sx61dj55c5h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oelbaum SB. fat girl [elizabethan sonnets]</h1>. [Thesis]. University of Notre Dame; 2012. Available from: https://curate.nd.edu/show/sx61dj55c5h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [1789]

.