subject:(Textual Criticism)

Vanderbilt University

1. Whitcomb, Kelly Ann. Religious and communal practices in three traditions of Esther: practices in texts and contexts.

Degree: PhD, Religion, 2013, Vanderbilt University

URL: http://hdl.handle.net/1803/10931

► Dissertation under the direction of Professor Douglas A. Knight The story of Esther has a complex history of transmission and interpretation. This project examines the… (more)

▼ Dissertation under the direction of Professor Douglas A. Knight The story of Esther has a complex history of transmission and interpretation. This project examines the Hebrew (Masoretic Text) and Greek versions (Septuagint and Alpha Text) in order to understand how and why the texts depict the practices of fasting, prayer and circumcision differently. The lenses of historical criticism, literary criticism and Pierre Bourdieu's theory of practice shed light on the relationship of the texts both to one another and to their ancient socio-historical contexts. Both practices and religious texts play important roles in an individual's and group's identity and relationship to others, and the versions of Esther indicate different understandings of Judean/Jewish identity in the Diaspora. Each main body chapter highlights a particular practice related to Judean/Jewish identity and religion: fasting, prayer and circumcision. After engaging historical criticism in order to understand how the versions relate to each other developmentally, investigations of ideology and identity point to different perspectives associated with positions and power relations within the empires of the Hellenistic and Roman periods. In general, the history of redaction of each version is complex, so that the Masoretic Text, for example, is more developed than the Greek versions in some places in the text and less developed in others. Concerning ideology and identity, the Masoretic Text displays an interest in allegiance within the empire, making no explicit claims about God or Torah. In contrast, the Greek versions retain an interest in this allegiance, but observance of Torah is also vital to Judean/Jewish identity. Yet, each Greek version developed in different times and places, so they also differ with regard to allegiance and the roles the practices play. Ultimately, each version makes different claims about fasting, prayer and circumcision within larger narrative complexes espousing different notions of Judean/Jewish identity which developed out of different socio-historical contexts in the Second Temple period. Advisors/Committee Members: Annalisa Azzoni (committee member), Ted A. Smith (committee member), Kathy L. Gaca (committee member), Herbert Marbury (committee member), Jack M. Sasson (committee member), Douglas A. Knight (Committee Chair).

Subjects/Keywords: gender; Hellenism; genre; textual criticism

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APA (6^th Edition):

Whitcomb, K. A. (2013). Religious and communal practices in three traditions of Esther: practices in texts and contexts. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/10931

Chicago Manual of Style (16^th Edition):

Whitcomb, Kelly Ann. “Religious and communal practices in three traditions of Esther: practices in texts and contexts.” 2013. Doctoral Dissertation, Vanderbilt University. Accessed January 17, 2021. http://hdl.handle.net/1803/10931.

MLA Handbook (7^th Edition):

Whitcomb, Kelly Ann. “Religious and communal practices in three traditions of Esther: practices in texts and contexts.” 2013. Web. 17 Jan 2021.

Vancouver:

Whitcomb KA. Religious and communal practices in three traditions of Esther: practices in texts and contexts. [Internet] [Doctoral dissertation]. Vanderbilt University; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1803/10931.

Council of Science Editors:

Whitcomb KA. Religious and communal practices in three traditions of Esther: practices in texts and contexts. [Doctoral Dissertation]. Vanderbilt University; 2013. Available from: http://hdl.handle.net/1803/10931

University College Cork

2. Doran, Michelle Therese. Textual criticism and medieval Irish studies.

Degree: 2015, University College Cork

URL: http://hdl.handle.net/10468/2162

► Many textual scholars will be aware that the title of the present thesis has been composed in a conscious revisionary relation to Tim William Machan’s… (more)

Subjects/Keywords: Scholarly editing; Textual criticism

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APA (6^th Edition):

Doran, M. T. (2015). Textual criticism and medieval Irish studies. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/2162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Doran, Michelle Therese. “Textual criticism and medieval Irish studies.” 2015. Thesis, University College Cork. Accessed January 17, 2021. http://hdl.handle.net/10468/2162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Doran, Michelle Therese. “Textual criticism and medieval Irish studies.” 2015. Web. 17 Jan 2021.

Vancouver:

Doran MT. Textual criticism and medieval Irish studies. [Internet] [Thesis]. University College Cork; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10468/2162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doran MT. Textual criticism and medieval Irish studies. [Thesis]. University College Cork; 2015. Available from: http://hdl.handle.net/10468/2162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Finn, Patrick James. Pre-codex to post-codex : editorial theory in the second incunabulum.

Degree: Department of English, 2017, University of Victoria

URL: http://hdl.handle.net/1828/7918

► This project studies the ways recent changes in cultural theory and information technology are influencing the delivery of texts, and how these changes signal a… (more)

▼ This project studies the ways recent changes in cultural theory and information technology are influencing the delivery of texts, and how these changes signal a need for innovation in editing practice. The word incunabulum describes the material objects produced in the early stages of the development of a technology; most commonly, it refers to printing during the period just before the turn of the sixteenth century when material textuality in the west was changing from a manuscript to a print base. According to critics of digital culture like Janet Murray the current shift to digital media entails many of the same changes. Following this, I will refer to this period as the second incunabulum. Given the limitations of HTML and SGML markup and storage technologies used in early digitization projects, scholars realize that the second incunabular period, much like the first, will not be a simple linear change succession. Just as the shift from manuscript to print involved a multifaceted series of complex social and practical transformations over decades, our current technological transition generates a wide variety of communicative, cultural, and political implications. As a critical point of entry, the comparison of the first and second incunabular periods offers insight into the ways in which past practices can help us approach our textual future. As a broad study of highly particular textual practices, the current work presents something of a paradox. However, through a series of focused historical readings and formal applications, this trans-historical study provokes questions that may lead to effective new work in the field. In Theories of the Text, leading editorial theorist D.C. Greetham points out the need to study the same three projects that I examine: William Langland's Piers Plowman, The Oxford Shakespeare, and James Joyce's Ulysses. By examining the editorial practices underlying each work, I develop a theory of editing based on a form of philological critique that engages with problems faced by many current research projects and which provides suggestions for further research. Advisors/Committee Members: Kerby-Fulton, Kathryn (supervisor).

Subjects/Keywords: Editing; Criticism, textual; Scholarly publishing

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APA (6^th Edition):

Finn, P. J. (2017). Pre-codex to post-codex : editorial theory in the second incunabulum. (Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/7918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Finn, Patrick James. “Pre-codex to post-codex : editorial theory in the second incunabulum.” 2017. Thesis, University of Victoria. Accessed January 17, 2021. http://hdl.handle.net/1828/7918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Finn, Patrick James. “Pre-codex to post-codex : editorial theory in the second incunabulum.” 2017. Web. 17 Jan 2021.

Vancouver:

Finn PJ. Pre-codex to post-codex : editorial theory in the second incunabulum. [Internet] [Thesis]. University of Victoria; 2017. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1828/7918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Finn PJ. Pre-codex to post-codex : editorial theory in the second incunabulum. [Thesis]. University of Victoria; 2017. Available from: http://hdl.handle.net/1828/7918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade Federal da Bahia

4. Marta Maria da Silva Brasil. Edition of the some poems published and unpublished by Godofredo Filho.

Degree: 2006, Universidade Federal da Bahia

URL: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=451

►

Edição de alguns dos poemas de Godofredo Filho, éditos, publicados em jornais e revistas, e inéditos. Tecem-se breves considerações sobre o Acervo do escritor. Traça-se… (more)

Subjects/Keywords: textual criticism; Godofredo Filho; crítica textual; poesia; Godofredo Filho; LINGUISTICA; poetry

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APA (6^th Edition):

Brasil, M. M. d. S. (2006). Edition of the some poems published and unpublished by Godofredo Filho. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brasil, Marta Maria da Silva. “Edition of the some poems published and unpublished by Godofredo Filho.” 2006. Thesis, Universidade Federal da Bahia. Accessed January 17, 2021. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brasil, Marta Maria da Silva. “Edition of the some poems published and unpublished by Godofredo Filho.” 2006. Web. 17 Jan 2021.

Vancouver:

Brasil MMdS. Edition of the some poems published and unpublished by Godofredo Filho. [Internet] [Thesis]. Universidade Federal da Bahia; 2006. [cited 2021 Jan 17]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brasil MMdS. Edition of the some poems published and unpublished by Godofredo Filho. [Thesis]. Universidade Federal da Bahia; 2006. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Nelson Mandela Metropolitan University

5. Mostert, Linda Ann. Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works.

Degree: MA, Faculty of Arts, 2011, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/1371

► According to Lewis Seifert, “Fairy tales are obsessed with femininity … These narratives are concerned above all else with defining what makes women different from… (more)

Subjects/Keywords: English literature – Criticism, Textual; Feminism and literature

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APA (6^th Edition):

Mostert, L. A. (2011). Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works. (Masters Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/1371

Chicago Manual of Style (16^th Edition):

Mostert, Linda Ann. “Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works.” 2011. Masters Thesis, Nelson Mandela Metropolitan University. Accessed January 17, 2021. http://hdl.handle.net/10948/1371.

MLA Handbook (7^th Edition):

Mostert, Linda Ann. “Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works.” 2011. Web. 17 Jan 2021.

Vancouver:

Mostert LA. Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works. [Internet] [Masters thesis]. Nelson Mandela Metropolitan University; 2011. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10948/1371.

Council of Science Editors:

Mostert LA. Feminist appropriations of Hans Christian Andersen's "The little mermaid" and the ways in which stereotypes of women are subverted or sustained in selected works. [Masters Thesis]. Nelson Mandela Metropolitan University; 2011. Available from: http://hdl.handle.net/10948/1371

University of Oxford

6. Elliott, James Keith. An examination of the Greek text of the Epistles to Timothy and Titus.

Degree: PhD, 1967, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:1a50b4bf-b587-4a41-a4ac-e35c5c0989e3 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580736

► To my knowledge there has been no thoroughgoing eclectic study of the text of any New Testament book, although the principles of eclectic textual criticism… (more)

▼ To my knowledge there has been no thoroughgoing eclectic study of the text of any New Testament book, although the principles of eclectic textual criticism have been applied to individual readings. This thesis attempts to provide a study of all the known variant readings in the Greek text of the Pastoral Epistles. To this end, a full critical apparatus has been compiled and a discussion on each variant reading is provided with the object of establishing the original text and of explaining how variants arose. The theory, on which these discussions are based is found in an introductory chapter. This introduction begins by arguing that previous methods of textual criticism based largely on the "cult of the best manuscript" are untenable and unreliable nowadays- due partly to the growing realisation that no one manuscript or group of manuscripts contains the original text. Many scholars realise that the original reading may be found in any given manuscript. The implication of this is of course that the peculiar readings of every manuscript must (ultimately) be examined. The principles for such an eclectic study then follow. These emphasise the need for an awareness of how scribes worked and how palaeography often caused variation in a text. It is also shown how Atticism was sometimes responsible for variant readings. This section of the Introduction also indicates how scribes often made deliberate alterations in a text they were copying in order to avoid a theological or grammatical expression they found offensive. It is also argued in this section how an awareness of the author's style can often enable the textual critic to reestablish the original text. The Introduction closes with a discussion of the positive advantages of the eclectic method of textual criticism. Among these advantages are (l) that the original text is established independently of purely documentary evidence, (2) that a full commentary on the critical apparatus is written, and (3) that the behaviour and reliability of manuscripts can be seen. There then follows a discussion on all the variant readings in "I Timothy","II Timothy" and "Titus". The variants are arranged in verse order with the exception of the variants involving δε, Καϲ and the Divine Names, which are discussed for convenience in Appendices. Each page of variants is headed by a critical apparatus showing Greek, Versional and Patristic evidence. Beneath each apparatus appears a discussion on the variant: this discussion is based on the principles outlined in the introductory chapter, and without regard to the "weight" of the manuscript support. In Appendix I the author's use of the Divine Names ΙϹ ΧϹ, ΚϹ and ΘϹ is established and a discussion on the variants involving these titles follows. It is, for instance, argued that strict grammatical regulations governed the author in his use of arthrous or anarthrous ΚϹ and ΘϹ, and in the order of writing ΙϹ ΧϹ. Appendix II contains the discussion of variants involving the addition and omission of Και. It is argued that many instances of are…

Subjects/Keywords: 230; Criticism; Textual

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APA (6^th Edition):

Elliott, J. K. (1967). An examination of the Greek text of the Epistles to Timothy and Titus. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1a50b4bf-b587-4a41-a4ac-e35c5c0989e3 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580736

Chicago Manual of Style (16^th Edition):

Elliott, James Keith. “An examination of the Greek text of the Epistles to Timothy and Titus.” 1967. Doctoral Dissertation, University of Oxford. Accessed January 17, 2021. http://ora.ox.ac.uk/objects/uuid:1a50b4bf-b587-4a41-a4ac-e35c5c0989e3 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580736.

MLA Handbook (7^th Edition):

Elliott, James Keith. “An examination of the Greek text of the Epistles to Timothy and Titus.” 1967. Web. 17 Jan 2021.

Vancouver:

Elliott JK. An examination of the Greek text of the Epistles to Timothy and Titus. [Internet] [Doctoral dissertation]. University of Oxford; 1967. [cited 2021 Jan 17]. Available from: http://ora.ox.ac.uk/objects/uuid:1a50b4bf-b587-4a41-a4ac-e35c5c0989e3 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580736.

Council of Science Editors:

Elliott JK. An examination of the Greek text of the Epistles to Timothy and Titus. [Doctoral Dissertation]. University of Oxford; 1967. Available from: http://ora.ox.ac.uk/objects/uuid:1a50b4bf-b587-4a41-a4ac-e35c5c0989e3 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580736

University of Edinburgh

7. Smith, William Andrew. Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands.

Degree: PhD, 2013, University of Edinburgh

URL: http://hdl.handle.net/1842/9738

► The fifth-century manuscript known as the Codex Alexandrinus contains the entirety of the Greek Old and New Testaments and is a landmark in the history… (more)

▼ The fifth-century manuscript known as the Codex Alexandrinus contains the entirety of the Greek Old and New Testaments and is a landmark in the history of the Bible. Though Alexandrinus represents a primary witness to the biblical text, no modern palaeographical or codicological analysis of the manuscript has been performed: the most in-depth studies of the codex pre-date the great papyrological finds of the 20th century. By executing both palaeographical and codicological analyses of the manuscript in light of a modern understanding of the textual history of the Bible and of Hellenistic Greek, and by additionally introducing statistical analysis into what has traditionally been a subjective field of research, this dissertation processes the textual and paratextual data of the manuscript to a degree previously unattained. The focus of the analysis is on the Gospels, which are quite unique in Alexandrinus: they stand at the headwaters of the Byzantine text form; they contain the earliest extant implementation of the Old Greek chaptering system; and the interaction between the unit delimitation and the Eusebian Apparatus in the Gospels is unique among the great uncial manuscripts. However, the analyses extend to both the Old and New Testaments to provide a context in which to study the Gospels. Among the discoveries made in this dissertation, this study overturns the view that a single scribe was responsible for copying the canonical New Testament books and demonstrates that the orthography of the Gospels can no longer be used to argue for the Egyptian provenance of the codex. As the first in-depth study of unit delimitation in the Gospels of Alexandrinus, this work reveals the complex relationship between the paragraphing system, the chaptering structure, and the incorporation of the Eusebian Apparatus from a separate exemplar. Finally, one result of the examination of the Eusebian Apparatus introduces the cascading error as a newly identified category of scribal error.

Subjects/Keywords: 226; Codex Alexandrinus; Alexandrinus; textual criticism

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APA (6^th Edition):

Smith, W. A. (2013). Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9738

Chicago Manual of Style (16^th Edition):

Smith, William Andrew. “Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands.” 2013. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2021. http://hdl.handle.net/1842/9738.

MLA Handbook (7^th Edition):

Smith, William Andrew. “Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands.” 2013. Web. 17 Jan 2021.

Vancouver:

Smith WA. Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands. [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1842/9738.

Council of Science Editors:

Smith WA. Study of the Gospels in Codex Alexandrinus : codicology, palaeography, and scribal hands. [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/9738

8. Milonia, Stefano. Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music.

Degree: Docteur es, Etudes occitanes langues et cultures des pays d'oc, 2018, Paris Sciences et Lettres (ComUE); Università degli studi La Sapienza (Rome)

URL: http://www.theses.fr/2018PSLEP010

►

La thèse vise à fournir une nouvelle édition critique des poèmes de Peirol d’Alvergne, un troubadour vécu pendant l’époque dorée de la lyrique occitane. En… (more)

▼

La thèse vise à fournir une nouvelle édition critique des poèmes de Peirol d’Alvergne, un troubadour vécu pendant l’époque dorée de la lyrique occitane. En raison du nombre de mélodies attestées dans sa tradition manuscrite, l’œuvre de Peirol mérite d’être étudiée de façon plus approfondie de ce qui a été fait jusqu’à présent, surtout si on considère que la poésie et la musique étaient à ce moment-là indissolubles et que, dans les chansonniers des troubadours, la présence de mélodies est plutôt rare. Par conséquent, on propose une édition des seize compositions d’amour pourvues de notation musicale qui sont attribuées à ce poète. Le travail éditorial constitue un défi en soi. Si, d’une part, chaque attestation manuscrite doit être considérée singulièrement comme un « Texte », avec sa propre valeur historique, de l’autre part, une édition qui ne compare pas de façon minutieuse les données fournies par l’ensemble de la tradition renonce à approfondir notre connaissance de la littérature médiévale. Fort de ces constats, cette recherche vise alors à dépasser les méthodes d’édition traditionnelles, c’est à dire celle bédiériste et celle lachmannienne, en fournissant, à côté des textes, une analyse soigneuse de plus de trente sources, pour ce qui concerne soit leurs aspects codicologiques soit leurs relations génétiques, et un commentaire relatif aux choix éditoriaux et des questions d’ordre littéraire. En outre, le lecteur aura à sa disposition les éditions interprétatives de chaque témoin, ainsi que les autres étapes du procès philologique : les transcriptions diplomatiques et les collations. On fournit, enfin, les éditions des mélodies.

This work aims to offer a new, reliable edition of Peirol d’Alvergne’s poetry. A troubadour of the “Golden Age” of Old Occitan lyric, Peirol was an extremely successful poet during his time, as the abundance of manuscript witnesses proves. Moreover, while at the origins of vernacular lyric text and music were considered indissoluble, extant troubadour melodies are exceedingly rare. As Peirol is one of the few poets whose texts survive largely accompanied by musical notation, the edition is devoted specifically to this part of his corpus. The edition strives to go beyond the so-called Bédierian and Lachmannian perspectives of Medieval text editing: if each manuscript witness has the dignity of a «Text» that existed in time, it is also true that an edition that neglects a scrupulous study of the manuscript tradition is abandoning all efforts of deepening our knowledge of Medieval literature. For these reasons, on the one hand the text provides an extensive argumentation regarding the more than thirty manuscripts sources – both in their material aspects and in their mutual genetic relationships – and a commentary on literary issues and philological critical nodes; on the other, the reader will be able to consult the interpretative edition of all witnesses, along with every component of the philological process: diplomatic transcriptions, collations and edition of the melodies.

Advisors/Committee Members: Zinelli, Fabio (thesis director), Canettieri, Paolo (thesis director).

Subjects/Keywords: Occitan; Auvergne; Ecdotique; Occitan; Auvergne; Textual Criticism

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APA (6^th Edition):

Milonia, S. (2018). Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music. (Doctoral Dissertation). Paris Sciences et Lettres (ComUE); Università degli studi La Sapienza (Rome). Retrieved from http://www.theses.fr/2018PSLEP010

Chicago Manual of Style (16^th Edition):

Milonia, Stefano. “Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music.” 2018. Doctoral Dissertation, Paris Sciences et Lettres (ComUE); Università degli studi La Sapienza (Rome). Accessed January 17, 2021. http://www.theses.fr/2018PSLEP010.

MLA Handbook (7^th Edition):

Milonia, Stefano. “Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music.” 2018. Web. 17 Jan 2021.

Vancouver:

Milonia S. Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music. [Internet] [Doctoral dissertation]. Paris Sciences et Lettres (ComUE); Università degli studi La Sapienza (Rome); 2018. [cited 2021 Jan 17]. Available from: http://www.theses.fr/2018PSLEP010.

Council of Science Editors:

Milonia S. Il trovatore Peirol d'Alvergne : edizione critica delle canzoni e vers d'amore con musica : The Troubadour Peirol d'Alvergne : critical edition of the love songs and vers with music. [Doctoral Dissertation]. Paris Sciences et Lettres (ComUE); Università degli studi La Sapienza (Rome); 2018. Available from: http://www.theses.fr/2018PSLEP010

9. Fares Filho, Edgard Murano. Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago.

Degree: Mestrado, Filologia e Língua Portuguesa, 2014, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-20052015-154807/ ;

►

Os rascunhos do romance O Ano da Morte de Ricardo Reis (1984), do escritor português José Saramago (1922-2010), oferecem uma boa oportunidade para o estudo… (more)

Subjects/Keywords: Crítica genética; Crítica literária; Crítica textual; Filologia; Genetic criticism; Literary criticism; Literatura; Literatura portuguesa; Literature; Philology; Portuguese literature; Textual criticism

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APA (6^th Edition):

Fares Filho, E. M. (2014). Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8142/tde-20052015-154807/ ;

Chicago Manual of Style (16^th Edition):

Fares Filho, Edgard Murano. “Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago.” 2014. Masters Thesis, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-20052015-154807/ ;.

MLA Handbook (7^th Edition):

Fares Filho, Edgard Murano. “Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago.” 2014. Web. 17 Jan 2021.

Vancouver:

Fares Filho EM. Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-20052015-154807/ ;.

Council of Science Editors:

Fares Filho EM. Os rascunhos de O ano da morte de Ricardo Reis:os movimentos na escrita de José Saramago. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-20052015-154807/ ;

10. Borges, Maria Aparecida Mendes. Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros.

Degree: PhD, Filologia e Língua Portuguesa, 2011, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19042012-131035/ ;

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Esta pesquisa tem como objetivos: a) reproduzir o manuscrito Diario da Navegaçaõ de Theotonio Joze Juzarte (testemunho do museu paulista/Ipiranga) com as edições fac-similar e… (more)

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Esta pesquisa tem como objetivos: a) reproduzir o manuscrito Diario da Navegaçaõ de Theotonio Joze Juzarte (testemunho do museu paulista/Ipiranga) com as edições fac-similar e paleográfica, justalinearmente; b) apontar as variantes semântico-sintáticas e semânticolexicais da edição Uspiana Brasil 500 anos em relação ao manuscrito supracitado; e da cópia em Portugal (Biblioteca Nacional de Portugal) em relação ao documento no Brasil. Para atingir tais objetivos, orientou-se pelos preceitos teórico-metodológicos da Crítica Textual em Cambraia (2005) e Spina (1997); adentrou-se no contexto histórico; fizeram-se as análises codicológica e paleográfica, sucintamente; escanearam-se fotos; digitalizou-se todo o manuscrito, conforme as regras da edição paleográfica; fez-se o levantamento das variantes que interferem no sentido do texto manuscrito do Brasil, comentando-as. Essas variantes ocorreram, principalmente, por omissão ou por substituição de grafemas, palavras, sintagmas e frases erros de leitura do modelo (paleográficos); de memorização (retenção do texto), de ditado interior. A pesquisa revelou uma série de variantes (semântico-sintáticas e semânticolexicais) que possibilitaram uma diversidade de comentários, comprovando que ainda há dificuldades na elaboração de edições, no Brasil.

This research aims to: a) reproduce the manuscript Diario de navegação of Theotonio Joze Juzarte with facsimile and paleographic editions, line by line; b) point out the semanticsyntactic and semantic-lexical variants of the Uspiana Brasil 500 anos issue as related to the above manuscript, and the copy in Portugal (Biblioteca Nacional de Portugal) relative to the document in Brazil. To achieve these objectives, guided by the theoretical and methodological principles of textual criticism - in Cambraia (2005) and Spina (1997), the historical context was investigated; the codicological and paleographic analysis was briefly proceeded; pictures were scanned; the whole manuscript was scanned, according to the paleographic rules edition; the survey of the variants that affect the meaning of the text in Brazil was performed and commentated. These variants occur mostly by omission or by substitution of graphemes, words, syntagms, and phrases - model reading errors (paleographic); memorization (text retention) of prior dictation. The research revealed a number of variants (semantic, syntactic, and semantic-lexical) that enabled a variety of comments, proving that rigor is still missing in the preparation of editions in Brazil.

Advisors/Committee Members: Almeida, Manoel Mourivaldo Santiago.

Subjects/Keywords: Crítica Textual; Filologia; locus criticus; Lugar-Crítico; philology; textual criticism; Variantes; variants

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Borges, M. A. M. (2011). Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19042012-131035/ ;

Chicago Manual of Style (16^th Edition):

Borges, Maria Aparecida Mendes. “Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros.” 2011. Doctoral Dissertation, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19042012-131035/ ;.

MLA Handbook (7^th Edition):

Borges, Maria Aparecida Mendes. “Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros.” 2011. Web. 17 Jan 2021.

Vancouver:

Borges MAM. Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros. [Internet] [Doctoral dissertation]. University of São Paulo; 2011. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19042012-131035/ ;.

Council of Science Editors:

Borges MAM. Diário de Navegação: edição e estudo de variantes dos manuscritos luso-brasileiros. [Doctoral Dissertation]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-19042012-131035/ ;

11. Brito, Emanuel França de. O nobre poeta por si mesmo: Dante e o Convívio.

Degree: PhD, Língua e Literatura Italiana, 2015, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/ ;

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Esta pesquisa propõe um mergulho no Convívio texto que Dante Alighieri redigiu nos primeiros anos do século XIV de modo a destacar a sua importância… (more)

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Esta pesquisa propõe um mergulho no Convívio texto que Dante Alighieri redigiu nos primeiros anos do século XIV de modo a destacar a sua importância dentro da obra dantesca e das letras italianas. Para isso, em um primeiro momento, são apresentados e discutidos alguns dos problemas que envolvem a obra, como, principalmente, a língua de sua composição, as odes à filosofia como salvadora do homem, e o combate ao senso comum a respeito da nobreza do indivíduo. Optou-se por privilegiar a perspectiva do autor, que estrutura o texto a partir de um autocomentário a três de suas canções doutrinárias compostas na juventude e reapresentadas por ele nos primeiros anos de exílio político. Num segundo momento, este trabalho apresenta uma tradução integral do Convívio, sempre com a intenção de que prevaleça a suposta voz de Dante na maior parte das questões acima mencionadas. Por ser esse o texto dantesco que mais provoca discussões quanto ao seu estabelecimento, a tradução se dá a partir da edição crítica de Franca Brambilla Ageno (1995), mas destacando em nota as principais variantes textuais defendidas, principalmente nos séculos XIX e XX, por outros estudiosos e editores. Assim, tal trabalho visa sugerir a importância da discussão filológica no campo dos estudos dantescos feitos no Brasil, discussão essencial pela ausência de testemunhos originais que atestem o verdadeiro teor das palavras de Dante.

This reasearch proposes an in depth analysis of Convivio a work which Dante Alighieri wrote in the first years of the XIV century in order to show its importance in the Dantesque work and in the Italian literature. In a first moment, some problems concerning the work are presented, such as the language of its composition, the odes to philosophy as mans saviour and the battle against common sense in respect to the nobility of the individual. We chose to give privilege to the authors perspective, which builds the text from a self-comment to three of his doctrinal songs composed in his youth and brought back to the public eye in his first years of political exhile. In a second moment, this work presents a full translation of Convivio, always aiming at keeping Dantes supposed voice in most part of the matters stated above. Since this is the Dantesque text that brings more discussions as far as its establishment is concerned, the translation is carried out from the critical edition of Franca Brambilla Ageno (1995). However, notes were written to show the main textual variations defended by other students of Dantes work and editors, especially in the XIX and XX centuries. Therefore, the present work aims at suggesting the importance of the philological discussion in the field of the Dantesque studies carried out in Brazil, which is essential due to the absence of original statements that confirm the real intention of Dantes words.

Advisors/Committee Members: Dias, Mauricio Santana.

Subjects/Keywords: Crítica textual; Dante Alighieri; Dante Alighieri; Filosofia; Philosophy; Poesia; Poetry; Textual criticism; Tradução; Translation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brito, E. F. d. (2015). O nobre poeta por si mesmo: Dante e o Convívio. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/ ;

Chicago Manual of Style (16^th Edition):

Brito, Emanuel França de. “O nobre poeta por si mesmo: Dante e o Convívio.” 2015. Doctoral Dissertation, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/ ;.

MLA Handbook (7^th Edition):

Brito, Emanuel França de. “O nobre poeta por si mesmo: Dante e o Convívio.” 2015. Web. 17 Jan 2021.

Vancouver:

Brito EFd. O nobre poeta por si mesmo: Dante e o Convívio. [Internet] [Doctoral dissertation]. University of São Paulo; 2015. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/ ;.

Council of Science Editors:

Brito EFd. O nobre poeta por si mesmo: Dante e o Convívio. [Doctoral Dissertation]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/ ;

12. Oliveira, Daniel Vieira Soares de. O hebraico israeliano e o texto de Oseias.

Degree: Mestrado, Língua Hebraica, Literatura e Cultura Judaicas, 2011, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8152/tde-05042012-104621/ ;

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O objetivo desta pesquisa é tentar contribuir para a definição do melhor método de solução dos difíceis problemas críticos-textuais que o livro de Oseias apresenta… (more)

Subjects/Keywords: crítica textual; Hebraico israeliano; Hosea; Israelian Hebrew; linguística; linguistics; Oseias; profetas; prophets; textual criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Oliveira, D. V. S. d. (2011). O hebraico israeliano e o texto de Oseias. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8152/tde-05042012-104621/ ;

Chicago Manual of Style (16^th Edition):

Oliveira, Daniel Vieira Soares de. “O hebraico israeliano e o texto de Oseias.” 2011. Masters Thesis, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-05042012-104621/ ;.

MLA Handbook (7^th Edition):

Oliveira, Daniel Vieira Soares de. “O hebraico israeliano e o texto de Oseias.” 2011. Web. 17 Jan 2021.

Vancouver:

Oliveira DVSd. O hebraico israeliano e o texto de Oseias. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8152/tde-05042012-104621/ ;.

Council of Science Editors:

Oliveira DVSd. O hebraico israeliano e o texto de Oseias. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8152/tde-05042012-104621/ ;

Universidade Federal da Bahia

13. Ludmila Antunes de Jesus. A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar.

Degree: 2008, Universidade Federal da Bahia

URL: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3123

► Edição Crítica de textos teatrais de João Augusto. Reuniram-se para esta edição quatro textos, a saber: A Chegada de Lampião no inferno, Antônio, meu santo,… (more)

Subjects/Keywords: crítica textual; texto teatral; literatura dramática; censura; textual criticism; theatrical text; dramatically literature; censure; LETRAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jesus, L. A. d. (2008). A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jesus, Ludmila Antunes de. “A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar.” 2008. Thesis, Universidade Federal da Bahia. Accessed January 17, 2021. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jesus, Ludmila Antunes de. “A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar.” 2008. Web. 17 Jan 2021.

Vancouver:

Jesus LAd. A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar. [Internet] [Thesis]. Universidade Federal da Bahia; 2008. [cited 2021 Jan 17]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jesus LAd. A dramaturgia de João Augusto : edição crítica de textos produzidos na época da ditadura militar. [Thesis]. Universidade Federal da Bahia; 2008. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Costa, Renata Ferreira. Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796.

Degree: PhD, Filologia e Língua Portuguesa, 2012, University of São Paulo

URL: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-11012013-120603/ ;

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Esta tese indica as fontes textuais de Memória Histórica da Capitania de São Paulo e analisa os procedimentos de modificação textual operados por Manuel Cardoso… (more)

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Esta tese indica as fontes textuais de Memória Histórica da Capitania de São Paulo e analisa os procedimentos de modificação textual operados por Manuel Cardoso de Abreu na adaptação dessas fontes para a elaboração de sua obra. A Memória Histórica, de Manuel Cardoso de Abreu, oficial maior da Secretaria da Capitania de São Paulo, é um manuscrito do século XVIII preservado no Arquivo do Estado de São Paulo, composto principalmente a partir de textos dos historiadores setecentistas Pedro Taques de Almeida Paes Leme História da Capitania de São Vicente; Notícia Histórica da Expulsão dos Jesuítas do Colégio de São Paulo e Nobiliarquia Paulistana Histórica e Genealógica e Frei Gaspar da Madre de Deus Memórias para a História da Capitania de São Vicente. Apesar da comprovação da reprodução integral de muitos trechos e parágrafos de tais obras, o manuscrito não se configura como uma cópia literal de suas fontes, uma vez que Manuel Cardoso interveio intencionalmente nos textos que lhe serviram de modelo para a construção de sua Memória, operando, para tanto, uma série de alterações, que deram origem a um novo texto. No início do século XX, depois da aquisição dessa obra pelo Arquivo do Estado, historiadores como Capistrano de Abreu e, especialmente, Afonso dEscragnolle Taunay, levantaram a questão da sua autenticidade, amparados nas noções de autoria e propriedade intelectual. Assim, a Memória Histórica foi julgada como um caso de plágio, sem que, contudo, houvesse uma discussão em torno da motivação e finalidade dessa apropriação textual, da relação desse texto com os seus textos-fonte e das práticas de escrita e de cópia à época. Este trabalho, que se fundamenta nos princípios teóricos e metodológicos da Crítica de Fontes, da Filologia e da Crítica Textual, parte da pesquisa, exame e colação das fontes da Memória Histórica, com o objetivo de estabelecer a categorização dos mecanismos de filtragem de tais fontes. Desse modo, objetiva-se identificar quais as modificações, voluntárias e involuntárias, operadas por Manuel Cardoso de Abreu no processo de elaboração de sua obra.

This work through the establishment of the sources used on the paper titled Memória Histórica da Capitania de São Paulo, seeks to analyze the textual transformation in the passage from one text to another. The Memória Histórica, of Manuel Cardoso de Abreu, higher official of the Secretariat of the Province of São Paulo, is an eighteenth century manuscript deposited in the Archive of the State of São Paulo, composed mainly of texts of the eighteenth century texts written by historians, as Pedro Taques de Almeida Paes Leme Leme História da Capitania de São Vicente; Notícia Histórica da Expulsão dos Jesuítas do Colégio de São Paulo e Nobiliarquia Paulistana Histórica e Genealógica and Frei Gaspar da Madre de Deus Memórias para a História da Capitania de São Vicente. Despite the confirmation of the full reproduction of many sections and paragraphs of such works, the manuscript is not configured as a literal copy of his sources, since Manuel Cardoso…

Advisors/Committee Members: Toledo Neto, Sílvio de Almeida.

Subjects/Keywords: Appropriation of textual sources; Apropriação de fontes textuais; Crítica de fontes; Crítica textual; Critical sources; Filologia; Philology; Plagiarism; Plágio; Textual criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Costa, R. F. (2012). Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8142/tde-11012013-120603/ ;

Chicago Manual of Style (16^th Edition):

Costa, Renata Ferreira. “Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796.” 2012. Doctoral Dissertation, University of São Paulo. Accessed January 17, 2021. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-11012013-120603/ ;.

MLA Handbook (7^th Edition):

Costa, Renata Ferreira. “Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796.” 2012. Web. 17 Jan 2021.

Vancouver:

Costa RF. Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2021 Jan 17]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-11012013-120603/ ;.

Council of Science Editors:

Costa RF. Um caso de apropriação de fontes textuais: memória histórica da capitania de São paulo, de Manuel Cardoso de Abreu, 1796. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-11012013-120603/ ;

Universitat de Barcelona

15. Parera Rodriguez, Caterina. Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953).

Degree: 2016, Universitat de Barcelona

URL: http://hdl.handle.net/10803/393883

► At a time marked by controversy over the resumption of the novel and the beginning of Proust's influence in Catalonia in the late twenties, Xavier… (more)

▼ At a time marked by controversy over the resumption of the novel and the beginning of Proust's influence in Catalonia in the late twenties, Xavier Benguerel's early novels are marked by these coordinates and also represent the efforts of a young writer to draw an own style. The author starts from his own literary and cultural tradition that is brought by his fami I y, school and social environment, and incorporates several innovative elements, among which he can find an especially valid psychological model, to evocate and recreate a world that he knows is going to become extinct. Popular culture, their most personal experiences and symbolist poetry come to enrich their literary possibilities always in Catalan. Precisely the study and analysis of the development in the first eight novels is the subject of my thesis in order to see the way he works, the constants in his early production, his consolidation as a creator of novels and the reception of his works among his readers. With his first novel, Pagines d'un adolescent, he begins to outline his personal knowledge of the world through a series of autobiographical elements and a style steeped in lyricism that constitute the bases of his novels. In La vida d'Olga, El teu secret and Suburbi, Benguerel continues the work begun on the construction of the novel of formation, with poetic style, autobiographical elements and a progressive evolution within the framework of the psychological novel. In the forties, when he minimally saves the vicissitudes of war and exile, he resumes writing and offers titles such as La mascara, L'home dins el mirall, La familia Rouquier and La veritat del foc. At the end of exile, with Rouquier Family, characterized by a retrospective view rooted in the past before the Civil War and by the narrative tendencies of Catalan literature in the first decades of the twentieth century, Benguerel recovers the memory of his lost world, eluding the reality of exile. In conclusion, Benguerel’s aesthetic thinking and novel work, 1929-1953, draw two major stages, training and renewal of literary, marked by the deep crisis that involves walking in exile. However, the studied novel corpus shows some common and uniform features which coincide to form a psychologist set with a poetic and an autobiographical backdrop. Advisors/Committee Members: Universitat de Barcelona. Facultat de Filologia, [email protected] (authoremail), false (authoremailshow), Cabré, Rosa, 1945- (director), true (authorsendemail).

Subjects/Keywords: Novel·la; Novela; Fiction; Crítica literària; Crítica literaria; Literary criticism; Crítica textual; Crítica textual; Textual criticism; Benguerel, Xavier, 1905-1990; Ciències Humanes i Socials; 82

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Parera Rodriguez, C. (2016). Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953). (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/393883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Parera Rodriguez, Caterina. “Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953).” 2016. Thesis, Universitat de Barcelona. Accessed January 17, 2021. http://hdl.handle.net/10803/393883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Parera Rodriguez, Caterina. “Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953).” 2016. Web. 17 Jan 2021.

Vancouver:

Parera Rodriguez C. Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953). [Internet] [Thesis]. Universitat de Barcelona; 2016. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10803/393883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parera Rodriguez C. Xavier Benguerel i Llobet. Obra novel·lística de la primera etapa (1929-1953). [Thesis]. Universitat de Barcelona; 2016. Available from: http://hdl.handle.net/10803/393883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oxford

16. Mason, Henry Charles. The Hesiodic Aspis : introduction and commentary on vv. 139-237.

Degree: PhD, 2015, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711842

► This thesis is concerned with the pseudo-Hesiodic Aspis, also known as the Scutum or Shield of Herakles (Heracles). It is divided into two halves: the… (more)

▼ This thesis is concerned with the pseudo-Hesiodic Aspis, also known as the Scutum or Shield of Herakles (Heracles). It is divided into two halves: the Introduction, consisting of four chapters, is followed by detailed line-by-line commentary on a portion of the Greek text. Chapter I surveys the evidence for the poem's origins and dating before moving on to its scholarly reception since Wolf. It then argues that, for a proper understanding of the Aspis, the methodologies of oral poetics must be balanced with an awareness of its responses to fixed texts (in particular the Iliad). Chapter II examines the author as a poet within the oral tradition, focussing on: narrative style and structuring; type-scenes; similes; poetic ethos; the poem's position relative to the Hesiodic corpus; the use of formular language; and the growth of the poem in the author's hands. These problems are most fruitfully approached by taking account of the interplay of tradition on the one hand and of allusion to specific texts on the other. Wider points about the advanced stages of the oral tradition also emerge; in particular, from an analysis of narrative inconsistencies in the Aspis it is suggested that writing played a role in the poem's composition. Chapter III positions the poet within the literary tradition: his interactions with other songs and tales are sometimes sophisticated engagements of a kind more often detected in Hellenistic and Roman poetry. The presentation of the protagonist of the Aspis evinces the poet's skilful handling of myth, here manipulated for political purposes. Chapter III concludes with a survey of the poem's reception in early art and in literature up to Byzantine times. In Chapter IV the central section of the poem, the description of Herakles' shield (vv. 139-320), is examined in detail, both in relation to the Homeric Shield of Achilles and within the context of the Aspis. The second half of the thesis comprises a critical edition of and lemmatic commentary on vv. 139-237.

Subjects/Keywords: 883; Epic poetry; Greek – Criticism; Textual; Epic poetry; Greek – History and criticism

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APA (6^th Edition):

Mason, H. C. (2015). The Hesiodic Aspis : introduction and commentary on vv. 139-237. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711842

Chicago Manual of Style (16^th Edition):

Mason, Henry Charles. “The Hesiodic Aspis : introduction and commentary on vv. 139-237.” 2015. Doctoral Dissertation, University of Oxford. Accessed January 17, 2021. http://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711842.

MLA Handbook (7^th Edition):

Mason, Henry Charles. “The Hesiodic Aspis : introduction and commentary on vv. 139-237.” 2015. Web. 17 Jan 2021.

Vancouver:

Mason HC. The Hesiodic Aspis : introduction and commentary on vv. 139-237. [Internet] [Doctoral dissertation]. University of Oxford; 2015. [cited 2021 Jan 17]. Available from: http://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711842.

Council of Science Editors:

Mason HC. The Hesiodic Aspis : introduction and commentary on vv. 139-237. [Doctoral Dissertation]. University of Oxford; 2015. Available from: http://ora.ox.ac.uk/objects/uuid:05a4c022-03d0-4508-800c-9e68e8429999 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711842

University of Oxford

17. Buglass, Abigail Kate. Repetition and internal allusion in Lucretius' 'De Rerum Natura'.

Degree: PhD, 2015, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712482

► This thesis aims to solve the apparent problem of the frequent repetitions in Lucretius' De Rerum Natura (DRN). Verbal repetitions of many different lengths pervade… (more)

Subjects/Keywords: 880.09; Classical literature – Criticism; Textual; Repetition in literature; Didactic poetry; Classical – History and criticism

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APA (6^th Edition):

Buglass, A. K. (2015). Repetition and internal allusion in Lucretius' 'De Rerum Natura'. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712482

Chicago Manual of Style (16^th Edition):

Buglass, Abigail Kate. “Repetition and internal allusion in Lucretius' 'De Rerum Natura'.” 2015. Doctoral Dissertation, University of Oxford. Accessed January 17, 2021. http://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712482.

MLA Handbook (7^th Edition):

Buglass, Abigail Kate. “Repetition and internal allusion in Lucretius' 'De Rerum Natura'.” 2015. Web. 17 Jan 2021.

Vancouver:

Buglass AK. Repetition and internal allusion in Lucretius' 'De Rerum Natura'. [Internet] [Doctoral dissertation]. University of Oxford; 2015. [cited 2021 Jan 17]. Available from: http://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712482.

Council of Science Editors:

Buglass AK. Repetition and internal allusion in Lucretius' 'De Rerum Natura'. [Doctoral Dissertation]. University of Oxford; 2015. Available from: http://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712482

18. Hixson, Elijah Michael. Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus.

Degree: 2013, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/4294

► This study seeks to gain an understanding about the scribal tendencies observed in the Fourth Gospel in Codex Alexandrinus using the method of isolating and… (more)

Subjects/Keywords: Alexandrinus; Fourth Gospel; Greek manuscripts; scribal habits; singular readings; textual criticism

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APA (6^th Edition):

Hixson, E. M. (2013). Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/4294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hixson, Elijah Michael. “Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus.” 2013. Thesis, Southern Baptist Theological Seminary. Accessed January 17, 2021. http://hdl.handle.net/10392/4294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hixson, Elijah Michael. “Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus.” 2013. Web. 17 Jan 2021.

Vancouver:

Hixson EM. Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10392/4294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hixson EM. Scribal Tendencies in the Fourth Gospel in Codex Alexandrinus. [Thesis]. Southern Baptist Theological Seminary; 2013. Available from: http://hdl.handle.net/10392/4294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Beshears, Kyle Robert. Davidic references in the Book of Mormon as evidence against its historicity.

Degree: 2016, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/5176

► This thesis critiques contemporary Latter-day Saint scholarly efforts to validate the historicity of the Book of Mormon through textual criticism by presupposing its historic authenticity,… (more)

Subjects/Keywords: Book of Mormon – Criticism, Textual – Controversial literature.; David, King of Israel.

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APA (6^th Edition):

Beshears, K. R. (2016). Davidic references in the Book of Mormon as evidence against its historicity. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/5176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Beshears, Kyle Robert. “Davidic references in the Book of Mormon as evidence against its historicity.” 2016. Thesis, Southern Baptist Theological Seminary. Accessed January 17, 2021. http://hdl.handle.net/10392/5176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Beshears, Kyle Robert. “Davidic references in the Book of Mormon as evidence against its historicity.” 2016. Web. 17 Jan 2021.

Vancouver:

Beshears KR. Davidic references in the Book of Mormon as evidence against its historicity. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2016. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10392/5176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beshears KR. Davidic references in the Book of Mormon as evidence against its historicity. [Thesis]. Southern Baptist Theological Seminary; 2016. Available from: http://hdl.handle.net/10392/5176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Penn State University

20. Fulton, Deirdre Noelle. Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 .

Degree: 2011, Penn State University

URL: https://submit-etda.libraries.psu.edu/catalog/12545

► This dissertation is an examination of the MT and LXX versions of Nehemiah 11-12. Nehemiah 11-12 includes material that focuses on the people who settled… (more)

▼ This dissertation is an examination of the MT and LXX versions of Nehemiah 11-12. Nehemiah 11-12 includes material that focuses on the people who settled in Jerusalem, a catalog of settlements around the region of Judah, and lists of temple personnel in Jerusalem. These chapters in Nehemiah also contain a narrative of the dedication of the walls as well as a description of the people connected to the dedication ceremony in Jerusalem. Scholars have noted that the lists in Nehemiah 11-12 are particularly problematic when compared to other lists in Ezra and Nehemiah, such as Ezra 2//Nehemiah 7, and Nehemiah 3, since much of the material is unique to these two chapters. Thus, several scholars have attempted to reconcile the textual discrepancies between Nehemiah 11-12 and other lists in Ezra and Nehemiah. Little is said, however, concerning the textual divergences that are present within Nehemiah 11-12. The material is preserved in the Hebrew Masoretic Text (MT) of Nehemiah and the Greek Septuagint (LXX) of 2 Esdras, of which the MT preserves the longer version. These textual divergences are significant since Nehemiah 11-12 contain names and positions of temple personnel, areas of settlement, and a narrative of the events surrounding the rededication of the walls, which are commonly used in modern scholarly discussions of Jerusalem during the Persian period. In fact, any discussion of the cultic institutions in Jerusalem, during this important period in Judean history, must consider the lists in Nehemiah 11-12. In this study, I examine the lists in MT and LXX Nehemiah 11-12 for the purpose of ascertaining the base lists, or what reflects the earliest traditions of these different types of lists and genealogies. This investigation has two main components: A detailed study of the texts and a detailed study of the archaeological sites. As a result of this analysis, I argue that the various lists within Nehemiah 11-12, as fully developed in the MT, reflect a Maccabean reality retrojected into Persian Period Judah. The LXX retains aspects of late-Persian and Hellenistic period lists since key genealogies continue for several generations. But ultimately, the LXX preserves the earlier material. This research is significant for any scholars studying lists in Ezra and Nehemiah. It is also significant for any scholarly examination attempting to reconstruct the composition of the books of Ezra and Nehemiah. Advisors/Committee Members: Dr Gary Knoppers, Dissertation Advisor/Co-Advisor, Gerald Neil Knoppers, Committee Chair/Co-Chair, Baruch Halpern, Committee Member, Paul B Harvey, Committee Member, Ann Eloise Killebrew, Committee Member, Kenneth Gale Hirth, Committee Member.

Subjects/Keywords: Early Judaism; Textual Criticism; Persian Period; Hebrew Bible; Hellenistic Period; Jerusalem

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APA (6^th Edition):

Fulton, D. N. (2011). Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 . (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/12545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fulton, Deirdre Noelle. “Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 .” 2011. Thesis, Penn State University. Accessed January 17, 2021. https://submit-etda.libraries.psu.edu/catalog/12545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fulton, Deirdre Noelle. “Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 .” 2011. Web. 17 Jan 2021.

Vancouver:

Fulton DN. Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 . [Internet] [Thesis]. Penn State University; 2011. [cited 2021 Jan 17]. Available from: https://submit-etda.libraries.psu.edu/catalog/12545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fulton DN. Mapping Early Jewish Tradition: The Case of MT and LXX Nehemiah 11-12 . [Thesis]. Penn State University; 2011. Available from: https://submit-etda.libraries.psu.edu/catalog/12545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

21. Selva, Umberto. The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary.

Degree: 2014, Leiden University

URL: http://hdl.handle.net/1887/32280

► This thesis aims to present a new critical edition of the first section (anuvāka) of book (kāṇḍa) 17 of the Atharvaveda Paippalāda, a corpus of… (more)

Subjects/Keywords: Vedic; Sanskrit; Atharvaveda; Paippalāda; Textual criticism; Manuscript studies; Philology; Indology

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APA (6^th Edition):

Selva, U. (2014). The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/32280

Chicago Manual of Style (16^th Edition):

Selva, Umberto. “The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary.” 2014. Masters Thesis, Leiden University. Accessed January 17, 2021. http://hdl.handle.net/1887/32280.

MLA Handbook (7^th Edition):

Selva, Umberto. “The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary.” 2014. Web. 17 Jan 2021.

Vancouver:

Selva U. The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1887/32280.

Council of Science Editors:

Selva U. The Paippalādasaṃhitā of the Atharvaveda, Kāṇḍa 17, First Anuvāka (PS 17.1-6), “To the Earth” - A New Critical Edition with Metrical Analysis, Translation and Commentary. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/32280

Baylor University

22. CroweTipton, Vaughn Eric. Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis.

Degree: PhD, Religion., 2013, Baylor University

URL: http://hdl.handle.net/2104/8559

► This study is an exercise in biblical interpretation that focuses on the concepts of readers and meaning. Through the use of both literary and sociological… (more)

▼ This study is an exercise in biblical interpretation that focuses on the concepts of readers and meaning. Through the use of both literary and sociological models this study takes a particular given context for Codex Bezae and reads the manuscript in light of that context with three distinct yet intertwined horizons in view: the innertexture, the intertexture, and the extratexture. The innertexture focuses on the level of the text itself and how the text teaches the authorial audience to read. The intertexture focuses on the use of significant intertexts, progenitors that have both influenced and were adapted by Codex Bezae and the authorial audience. The extratexture focuses on the cultural and social texts – social norms – that comprise the baggage the authorial audience brings to the reading process. These three horizons are intertwined to provide a holistic reading that attempts to account for each of these unique levels reading response. After an introductory chapter to explain the purpose, approach, and scope of this study, chapter two develops the areas of the authorial audience's competency into two areas: (1) external knowledge the reader is expected to bring to the text; and (2) internal knowledge the reader gains during the reading process. This chapter then traces the historical economy of knowledge of the authorial audience. Chapter three develops the authorial audience's narrative economy of and concludes with an assessment of the reader and proposal for the exegetical work of this project. Chapters four and five set the reading methodology into practice by examining the major character in the first half of Acts: Peter. These two chapters examine how the authorial audience would respond in a cumulative reading to this significant character and his role in the text given a cumulative reading strategy. Chapter six concludes this project by summarizing the findings of the previous chapters. Advisors/Committee Members: Parsons, Mikeal Carl, 1957- (advisor).

Subjects/Keywords: Peter, the Apostle, Saint.; Bible. N.T. Acts – Criticism, Textual.; Codex Bezae.

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APA (6^th Edition):

CroweTipton, V. E. (2013). Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis. (Doctoral Dissertation). Baylor University. Retrieved from http://hdl.handle.net/2104/8559

Chicago Manual of Style (16^th Edition):

CroweTipton, Vaughn Eric. “Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis.” 2013. Doctoral Dissertation, Baylor University. Accessed January 17, 2021. http://hdl.handle.net/2104/8559.

MLA Handbook (7^th Edition):

CroweTipton, Vaughn Eric. “Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis.” 2013. Web. 17 Jan 2021.

Vancouver:

CroweTipton VE. Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis. [Internet] [Doctoral dissertation]. Baylor University; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2104/8559.

Council of Science Editors:

CroweTipton VE. Ad theophilum : a socio-rhetorical reading of Peter in Acts in Codex Bezae Cantabrigiensis. [Doctoral Dissertation]. Baylor University; 2013. Available from: http://hdl.handle.net/2104/8559

University of Cambridge

23. Pepin, Ryan. Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini.

Degree: PhD, 2019, University of Cambridge

URL: https://doi.org/10.17863/CAM.52266 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.805929

► This thesis takes Contini’s 1965 study ‘Un’interpretazione di Dante’, and its discussion of repeated lines and part-lines, as its point of departure in order to… (more)

Subjects/Keywords: Dante; Rhythm; Gianfranco Contini; Metre; Textual Criticism; Orality

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APA (6^th Edition):

Pepin, R. (2019). Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.52266 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.805929

Chicago Manual of Style (16^th Edition):

Pepin, Ryan. “Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini.” 2019. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. https://doi.org/10.17863/CAM.52266 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.805929.

MLA Handbook (7^th Edition):

Pepin, Ryan. “Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini.” 2019. Web. 17 Jan 2021.

Vancouver:

Pepin R. Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2021 Jan 17]. Available from: https://doi.org/10.17863/CAM.52266 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.805929.

Council of Science Editors:

Pepin R. Rhythmical figures in Dante's 'Commedia' : a study of memory and composition after Gianfranco Contini. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://doi.org/10.17863/CAM.52266 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.805929

Brigham Young University

24. Trotter, Michael Robert. Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1.

Degree: MA, 2015, Brigham Young University

URL: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6852&context=etd

► In 1941 a large cache of papyri preserving the writings of Origen and Didymus the Blind were discovered in Tura, Egypt. 43 years later 22… (more)

Subjects/Keywords: Didymus the Blind; textual criticism; patristic; classroom; Tura; Classics; Comparative Literature

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APA (6^th Edition):

Trotter, M. R. (2015). Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6852&context=etd

Chicago Manual of Style (16^th Edition):

Trotter, Michael Robert. “Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1.” 2015. Masters Thesis, Brigham Young University. Accessed January 17, 2021. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6852&context=etd.

MLA Handbook (7^th Edition):

Trotter, Michael Robert. “Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1.” 2015. Web. 17 Jan 2021.

Vancouver:

Trotter MR. Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1. [Internet] [Masters thesis]. Brigham Young University; 2015. [cited 2021 Jan 17]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6852&context=etd.

Council of Science Editors:

Trotter MR. Reevaluating the New Testament Text of Didymus the Blind: An Examination of the New Testament References in P. BYU 1. [Masters Thesis]. Brigham Young University; 2015. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6852&context=etd

Boston University

25. Razumnaya-Seluyanova, Anna. Difficult truths in memorializing Osip Mandelstam.

Degree: PhD, Editorial Studies, 2013, Boston University

URL: http://hdl.handle.net/2144/13150

► This dissertation considers the life and art of Osip Mandelstam in the 1930s, under the aspect of a disjunction between Mandelstam's posthumous image and the… (more)

▼ This dissertation considers the life and art of Osip Mandelstam in the 1930s, under the aspect of a disjunction between Mandelstam's posthumous image and the biographical evidence that emerged between 1993 and 2010. It traces this disjunction not solely to prior lack of information but also to the moral ambiguities that complicate the reception of this biographical material. Among the chief difficulties of Mandelstam's biography is his testimony to the OGPU, in which Mandelstam gave the names of those among his friends to whom he had recited his "Stalin Epigram." Close analysis of the exact words of the interrogation protocols, along with memoir evidence, is used to establish that the protocols constitute digests of information elicited previously by coercion. This conjecture is supported by reading the relevant parts of Nadezhda Mandelstam's memoirs under the aspect of the double bind – a pathogenic social situation studied by Gregory Bateson and described in structure and in its potential for inducing psychosis. Mandelstam's composition of the "Ode" to Stalin is considered in the light of new evidence about his exile and its effects on the poet's state of mind. The dissertation proceeds largely by scrutinizing the language of witnesses and their interpreters, of poets, understood as witnesses of truths available to the creative imagination, and of critics, the interpreters of poets and witnesses of the workings of poems and language. The idea of witness literature is considered in relation to the concept of textual witnesses, in the editorial sense, and to a specific instance of the latter in the marginalia of Nadezhda Mandelstam. Because this study must find a footing in the English language while attending closely to the Russian, it makes recourse to poets and critics who wrote in English, whose judgments and sensibilities help establish a broader frame of reference for a discussion focused on Stalin's Russia. Geoffrey Hill's particular artistic engagement with Mandelstam is contemplated as an instance of a special kind of bearing witness – the witness of imagination.

Subjects/Keywords: Literature; Editing; Mandelstam; Poetry; Textual criticism; Totalitarianism; Witness literature

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APA (6^th Edition):

Razumnaya-Seluyanova, A. (2013). Difficult truths in memorializing Osip Mandelstam. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/13150

Chicago Manual of Style (16^th Edition):

Razumnaya-Seluyanova, Anna. “Difficult truths in memorializing Osip Mandelstam.” 2013. Doctoral Dissertation, Boston University. Accessed January 17, 2021. http://hdl.handle.net/2144/13150.

MLA Handbook (7^th Edition):

Razumnaya-Seluyanova, Anna. “Difficult truths in memorializing Osip Mandelstam.” 2013. Web. 17 Jan 2021.

Vancouver:

Razumnaya-Seluyanova A. Difficult truths in memorializing Osip Mandelstam. [Internet] [Doctoral dissertation]. Boston University; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2144/13150.

Council of Science Editors:

Razumnaya-Seluyanova A. Difficult truths in memorializing Osip Mandelstam. [Doctoral Dissertation]. Boston University; 2013. Available from: http://hdl.handle.net/2144/13150

26. Lampaki, Eleni. A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes.

Degree: PhD, 2014, University of Cambridge

URL: https://www.repository.cam.ac.uk/handle/1810/246286https://www.repository.cam.ac.uk/bitstream/1810/246286/3/thesis_lampaki.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/246286/4/thesis_lampaki.pdf.jpg

► In this dissertation, I investigate the textual tradition of the Cretan tragedy Erofili by Georgios Chortatsis (16th century). The play, accompanied by a set of… (more)

▼ In this dissertation, I investigate the textual tradition of the Cretan tragedy Erofili by Georgios Chortatsis (16th century). The play, accompanied by a set of four Interludes, has survived in three manuscripts and two editions, all originating from the 17th century. All the witnesses are examined and presented thoroughly, both as autonomous texts and in comparison to each other. The examination of each witness separately sheds light not only on the history of the transmission of Erofili, but also to the production of manuscripts and printed books in Crete, the Heptanese and Venice in general. As far as the condition of the text is concerned, three witnesses preserve the most reliable texts: the second edition and the two manuscripts originating from Crete. The investigation of their relationship shows that two groups can be identified: one includes the two Cretan manuscripts and another one the three other witnesses. Νo important alterations in the plot and the sequence of events are found, so the textual variation concerns mainly the phrasing. There are indications that variation among the witnesses might have resulted from revisions by the playwright himself. The evaluation of the two groups of witnesses shows that it is not possible to consider one of them as superior, and this leads to the question which would be the most appropriate editorial method. Previous editors have followed the eclectic approach, which has many positive aspects, but cannot help the readers to realize all the stages of the transmission of the play. Since various theoretical approaches have appeared during the last decades, it has been understood that no edition can be called “definitive” and that editions following different methods can address different questions and achieve different aims. Erofili, and other texts with a rich and complicated textual tradition, can be edited in various ways and each edition can offer new insight in the history of the production, transmission and reception of the work.

Subjects/Keywords: Modern Greek Studies; Textual criticism; Cretan Literature; Georgios Chortatsis; Renaissance Drama

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APA (6^th Edition):

Lampaki, E. (2014). A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/246286https://www.repository.cam.ac.uk/bitstream/1810/246286/3/thesis_lampaki.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/246286/4/thesis_lampaki.pdf.jpg

Chicago Manual of Style (16^th Edition):

Lampaki, Eleni. “A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes.” 2014. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. https://www.repository.cam.ac.uk/handle/1810/246286https://www.repository.cam.ac.uk/bitstream/1810/246286/3/thesis_lampaki.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/246286/4/thesis_lampaki.pdf.jpg.

MLA Handbook (7^th Edition):

Lampaki, Eleni. “A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes.” 2014. Web. 17 Jan 2021.

Vancouver:

Lampaki E. A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes. [Internet] [Doctoral dissertation]. University of Cambridge; 2014. [cited 2021 Jan 17]. Available from: https://www.repository.cam.ac.uk/handle/1810/246286https://www.repository.cam.ac.uk/bitstream/1810/246286/3/thesis_lampaki.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/246286/4/thesis_lampaki.pdf.jpg.

Council of Science Editors:

Lampaki E. A comparative study of the manuscripts and early printed editions of the Cretan tragedy Erofili and its interludes. [Doctoral Dissertation]. University of Cambridge; 2014. Available from: https://www.repository.cam.ac.uk/handle/1810/246286https://www.repository.cam.ac.uk/bitstream/1810/246286/3/thesis_lampaki.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/246286/4/thesis_lampaki.pdf.jpg

University of Manitoba

27. Burt, Cameron Bryce. Early modern editors and the value of middle english literature.

Degree: English, Film, and Theatre, 2019, University of Manitoba

URL: http://hdl.handle.net/1993/33853

► My dissertation, “Early Modern Editors and the Value of Middle English Literature,” examines the emergence of editorial figures in sixteenth-century editions of Sir Isumbras, Robert… (more)

Subjects/Keywords: Middle english literature; Early modern book history; Codicology; Textual Criticism; Editors

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APA (6^th Edition):

Burt, C. B. (2019). Early modern editors and the value of middle english literature. (Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/33853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Burt, Cameron Bryce. “Early modern editors and the value of middle english literature.” 2019. Thesis, University of Manitoba. Accessed January 17, 2021. http://hdl.handle.net/1993/33853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Burt, Cameron Bryce. “Early modern editors and the value of middle english literature.” 2019. Web. 17 Jan 2021.

Vancouver:

Burt CB. Early modern editors and the value of middle english literature. [Internet] [Thesis]. University of Manitoba; 2019. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1993/33853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Burt CB. Early modern editors and the value of middle english literature. [Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/33853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Hoskin, Matthew James Joseph. Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts.

Degree: PhD, 2015, University of Edinburgh

URL: http://hdl.handle.net/1842/21115

► This dissertation explores the transmission of the letters of Pope Leo the Great (pope, 440-461). In Chapter 1, I set out the contours of Leo’s… (more)

▼ This dissertation explores the transmission of the letters of Pope Leo the Great (pope, 440-461). In Chapter 1, I set out the contours of Leo’s papacy from external sources and from the letters, showing the significance of these letters for understanding his papacy and its context: our vision of the mid-fifth century would be much scantier without them. After discussing the letters in context and as sources, I conclude this chapter by examining the varied editions of his letters from Giovanni Bussi in 1470, through the only full edition, that of the Ballerini brothers in the 1750s, to the partial editions of Eduard Schwartz and Carlos Silva-Tarouca in the 1930s, a tribute to Leo’s enduring importance. Chapter 2 deals in detail with the pre-Carolingian canonical collections of Leo’s letters, beginning with the earliest in the late 400s and early 500s. Through these collections, I trace the ongoing significance of Leo for canon law as well as noting the links between early Italian collections, e.g. Teatina, Sanblasiana, and Quesnelliana, and postulate that one Gallic collection, Corbeiensis, was the source of another, Pithouensis. I also question the concept of a ‘renaissance gélasienne’ while still admitting the importance of this period for canonical activity. Chapter 3 deals with the letter collections gathered in relation to the Council of Chalcedon (451) – the old Latin version, Rusticus’ version, and the later Latin text, assessing their relationships and importance for our knowledge of Leo as well. Chapter 4 is an exploration of Leo’s letters through the Carolingian and post-Carolingian Middle Ages. The Carolingian explosion of manuscripts is the most important assessed, and I deal with Leo’s various collections in the period, especially Pseudo-Isidore, and demonstrate their relationships and those between them and the earlier collections. To give the reader a sample of the editorial implications of my scholarship, I include as an appendix an edition of Ep. 167 with an apparatus detailing the most significant manuscripts and a translation of my edition as a second appendix. This popular letter exists in different recensions, so it serves an important key to Leo’s text criticism. The third appendix is a conspectus of the letters.

Subjects/Keywords: 270.2; textual criticism; Papal letters; Late Antiquity; Leo the Great

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APA (6^th Edition):

Hoskin, M. J. J. (2015). Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/21115

Chicago Manual of Style (16^th Edition):

Hoskin, Matthew James Joseph. “Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2021. http://hdl.handle.net/1842/21115.

MLA Handbook (7^th Edition):

Hoskin, Matthew James Joseph. “Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts.” 2015. Web. 17 Jan 2021.

Vancouver:

Hoskin MJJ. Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1842/21115.

Council of Science Editors:

Hoskin MJJ. Prolegomena to a critical edition of the letters of Pope Leo the Great : a study of the manuscripts. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/21115

University of Toronto

29. Tichenor, Morris. Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text.

Degree: PhD, 2019, University of Toronto

URL: http://hdl.handle.net/1807/97695

► This dissertation traces the tradition of Orator, Cicero’s late work on oratorical style, through the Middle Ages. During that time and due to mechanical losses,… (more)

Subjects/Keywords: Cicero; De oratore; Gasparino Barzizza; Manuscript Tradition; Orator; Textual Criticism; 0581

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APA (6^th Edition):

Tichenor, M. (2019). Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/97695

Chicago Manual of Style (16^th Edition):

Tichenor, Morris. “Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text.” 2019. Doctoral Dissertation, University of Toronto. Accessed January 17, 2021. http://hdl.handle.net/1807/97695.

MLA Handbook (7^th Edition):

Tichenor, Morris. “Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text.” 2019. Web. 17 Jan 2021.

Vancouver:

Tichenor M. Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text. [Internet] [Doctoral dissertation]. University of Toronto; 2019. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1807/97695.

Council of Science Editors:

Tichenor M. Cicero’s Incomplete Orator: The Transmission and Reception of the Mutilus Text. [Doctoral Dissertation]. University of Toronto; 2019. Available from: http://hdl.handle.net/1807/97695

University of Toronto

30. Ryan, Bettina. The Anonymous Musicae artis disciplina: A Critical Edition.

Degree: 2013, University of Toronto

URL: http://hdl.handle.net/1807/68961

►

Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian musico-theorectical tradition that gave birth to the anonymous Dialogus and the… (more)

▼

Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian musico-theorectical tradition that gave birth to the anonymous Dialogus and the writings of Guido of Arezzo, the treatise itself has received little scholarly attention. Perhaps this is due to the lack of a strong textual basis for the treatise; so far, the only published edition of Musica is found in Martin Gerbert’s Scriptores ecclesiastici de musica, which dates from 1784. This dissertation stands as the first complete critical edition of Musicae artis disciplina. In order to contextualize the treatise, two introductory chapters represent a thorough investigation of Musica’s theories and its rightful place in music theory of the Middle Ages. The first chapter considers notions of pitch, intervals, melodic shape, and musical grammar, as outlined in Musicae artis disciplina. I then situate the treatise within the Italian musico-theoretical school of the early eleventh century by examining the similarities in content, orientation, musical citation, and terminology, and by considering the manuscript tradition of the anonymous Dialogus, the writings of Guido of Arezzo, and Musicae artis disciplina. Contrary to current theories regarding Musica’s origin, I argue that the treatise was likely written in the mid-eleventh century, after the Dialogus and treatises of Guido of Arezzo. The third chapter features an analysis of Musica’s textual tradition, complete with a stemma textuum. Musica survives today in six known medieval manuscripts (five of which contain the complete text of the treatise) and in Gerbert’s edition, which was based on a manuscript that is no longer extant. Each of these sources is examined in detail, and a full codicological description is provided for each manuscript. An examination of common and separative errors in each witness is then used as the basis for a stemma textuum; although the lines of affiliation are somewhat indistinct due to high levels on contamination, I contend that these witnesses fall into two families, both of which stem from a single source that is no longer extant. The dissertation concludes with a complete critical edition of Musicae artis disciplina.

PhD

Advisors/Committee Members: Haines, John, Music.

Subjects/Keywords: Medieval music theory; Latin textual criticism; 0413; 0297; 0581

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ryan, B. (2013). The Anonymous Musicae artis disciplina: A Critical Edition. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/68961

Chicago Manual of Style (16^th Edition):

Ryan, Bettina. “The Anonymous Musicae artis disciplina: A Critical Edition.” 2013. Doctoral Dissertation, University of Toronto. Accessed January 17, 2021. http://hdl.handle.net/1807/68961.

MLA Handbook (7^th Edition):

Ryan, Bettina. “The Anonymous Musicae artis disciplina: A Critical Edition.” 2013. Web. 17 Jan 2021.

Vancouver:

Ryan B. The Anonymous Musicae artis disciplina: A Critical Edition. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1807/68961.

Council of Science Editors:

Ryan B. The Anonymous Musicae artis disciplina: A Critical Edition. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/68961

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Open Access Theses and Dissertations