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You searched for subject:(Tarkovsky). Showing records 1 – 23 of 23 total matches.

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1. Μitsou, Ioannis. Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης.

Degree: 2020, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The dissertation explores the philosophical perspectives of Andrei Tarkovsky's work, focusing on the aesthetic priority of the Transcendence, both as an idea and as a… (more)

Subjects/Keywords: Ταρκόφσκι; Υπέρβαση; Tarkovsky; Transcendence

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APA (6th Edition):

Μitsou, I. (2020). Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/47344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μitsou, Ioannis. “Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης.” 2020. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed February 28, 2021. http://hdl.handle.net/10442/hedi/47344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μitsou, Ioannis. “Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης.” 2020. Web. 28 Feb 2021.

Vancouver:

Μitsou I. Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2020. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10442/hedi/47344.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μitsou I. Φιλοσοφικές προοπτικές στο έργο του Αντρέι Ταρκόφσκι: η έννοια της υπέρβασης. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2020. Available from: http://hdl.handle.net/10442/hedi/47344

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

2. Brant, Nataliya Borisovna. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.

Degree: 2014, University of Georgia

 There are few twentieth century films that have successfully inspired a complex combination of awe and controversy when socially and critically received. Among them are… (more)

Subjects/Keywords: Tarkovsky; Rublyov; Russian Iconography; Medieval Russia; Mongol

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APA (6th Edition):

Brant, N. B. (2014). The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/20730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brant, Nataliya Borisovna. “The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.” 2014. Thesis, University of Georgia. Accessed February 28, 2021. http://hdl.handle.net/10724/20730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brant, Nataliya Borisovna. “The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov.” 2014. Web. 28 Feb 2021.

Vancouver:

Brant NB. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10724/20730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brant NB. The birth of art and genius in Andrei Tarkovsky's Andrei Rublyov. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/20730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

3. Mladenovic, Sanja. The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice .

Degree: 2017, University of Sydney

 This dissertation is an exploration of the philosophical notion of becoming-child in respect to the films of the Russian director, Andréi Tarkovsky. Children, the image… (more)

Subjects/Keywords: Deleuze; becoming; minor; literature; Tarkovsky; cinema

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APA (6th Edition):

Mladenovic, S. (2017). The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16690

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mladenovic, Sanja. “The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice .” 2017. Thesis, University of Sydney. Accessed February 28, 2021. http://hdl.handle.net/2123/16690.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mladenovic, Sanja. “The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice .” 2017. Web. 28 Feb 2021.

Vancouver:

Mladenovic S. The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice . [Internet] [Thesis]. University of Sydney; 2017. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/2123/16690.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mladenovic S. The Notion of Becoming-Child: A Deleuzian becoming-child of Tarkovsky’s cinematic practice . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16690

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

4. Montgomery, Jesse Ambrose. What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker.

Degree: MA, English, 2015, Vanderbilt University

 This thesis explores contemporary debates regarding the artistic and philosophical responses to global climate change through a close reading of Andrei Tarkovsky’s 1979 science fiction… (more)

Subjects/Keywords: climate change; catastrophe; Stalker; Tarkovsky; anthropocene; climate change; eco-criticism; film

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APA (6th Edition):

Montgomery, J. A. (2015). What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/14659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Montgomery, Jesse Ambrose. “What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker.” 2015. Thesis, Vanderbilt University. Accessed February 28, 2021. http://hdl.handle.net/1803/14659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Montgomery, Jesse Ambrose. “What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker.” 2015. Web. 28 Feb 2021.

Vancouver:

Montgomery JA. What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker. [Internet] [Thesis]. Vanderbilt University; 2015. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/1803/14659.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Montgomery JA. What is the Zone and Are We in It? Visions of the Anthropocene in Andrei Tarkovsky’s Stalker. [Thesis]. Vanderbilt University; 2015. Available from: http://hdl.handle.net/1803/14659

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

5. Guzman, Maria Jimena. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.

Degree: 2013, Penn State University

 Taking the uncanny tone of Maurice Merleau-Ponty’s concept of the “flesh of the world” as its point of departure, this thesis bridges film and architecture… (more)

Subjects/Keywords: Space; Film; Architecture; Andrei Tarkovsky; Nostalghia; phenomenology; kino-eye

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APA (6th Edition):

Guzman, M. J. (2013). Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/19853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guzman, Maria Jimena. “Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.” 2013. Thesis, Penn State University. Accessed February 28, 2021. https://submit-etda.libraries.psu.edu/catalog/19853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guzman, Maria Jimena. “Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia.” 2013. Web. 28 Feb 2021.

Vancouver:

Guzman MJ. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. [Internet] [Thesis]. Penn State University; 2013. [cited 2021 Feb 28]. Available from: https://submit-etda.libraries.psu.edu/catalog/19853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guzman MJ. Spatial Perception and Imagination through Andrei Tarkovsky's Nostalghia. [Thesis]. Penn State University; 2013. Available from: https://submit-etda.libraries.psu.edu/catalog/19853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Aletras, Angelos. Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky.

Degree: 2017, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ)

The aim of this dissertation is to highlight the concept of the uncanny as the centre of Andrei Tarkovsky’s cinematic poetics. Through detailed analysis of… (more)

Subjects/Keywords: Ταρκόφσκι; Ανοίκειο; Ανοικείωση; Φορμαλισμός; Κινηματογραφικός χώρος; Tarkovsky; Uncanny; Defamiliarization; Formalism; Cinematic space

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APA (6th Edition):

Aletras, A. (2017). Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky. (Thesis). National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Retrieved from http://hdl.handle.net/10442/hedi/42336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aletras, Angelos. “Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky.” 2017. Thesis, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Accessed February 28, 2021. http://hdl.handle.net/10442/hedi/42336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aletras, Angelos. “Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky.” 2017. Web. 28 Feb 2021.

Vancouver:

Aletras A. Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky. [Internet] [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2017. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10442/hedi/42336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aletras A. Χωρικότητες του ανοίκειου: η κινηματογραφική ποιητική του Andrei Tarkovsky. [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2017. Available from: http://hdl.handle.net/10442/hedi/42336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

7. Lanzoni, Pablo Alberto. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.

Degree: 2016, Universidade do Rio Grande do Sul

Esta tese concentra-se sobre o silêncio e o modo como ele catalisa atmosferas em um conjunto de filmes específicos, a partir do conceito de Stimmung,… (more)

Subjects/Keywords: Tarkovski, Andrei, 1932-1986 : Crítica e interpretação; Silence; Silêncio no cinema; Atmosphere; Cinema : Técnica; Stimmung; Tarkovsky

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APA (6th Edition):

Lanzoni, P. A. (2016). Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/151316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lanzoni, Pablo Alberto. “Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.” 2016. Thesis, Universidade do Rio Grande do Sul. Accessed February 28, 2021. http://hdl.handle.net/10183/151316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lanzoni, Pablo Alberto. “Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski.” 2016. Web. 28 Feb 2021.

Vancouver:

Lanzoni PA. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2016. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10183/151316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lanzoni PA. Efeitos atmosféricos : o silêncio na filmografia de Andrei Tarkovski. [Thesis]. Universidade do Rio Grande do Sul; 2016. Available from: http://hdl.handle.net/10183/151316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

8. Jones, Daniel O. The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky.

Degree: PhD, Comparative Arts (Fine Arts), 2007, Ohio University

  This dissertation examines the films and philosophy of Andrei Tarkovsky in relationship to the artists that influenced him and in the context of the… (more)

Subjects/Keywords: Tarkovsky; Film Aesthetics; Russian Cinema; Cinema; Art Film

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APA (6th Edition):

Jones, D. O. (2007). The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1194999476

Chicago Manual of Style (16th Edition):

Jones, Daniel O. “The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky.” 2007. Doctoral Dissertation, Ohio University. Accessed February 28, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1194999476.

MLA Handbook (7th Edition):

Jones, Daniel O. “The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky.” 2007. Web. 28 Feb 2021.

Vancouver:

Jones DO. The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky. [Internet] [Doctoral dissertation]. Ohio University; 2007. [cited 2021 Feb 28]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1194999476.

Council of Science Editors:

Jones DO. The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky. [Doctoral Dissertation]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1194999476


Universidade de Lisboa

9. Serra, Rui Alexandre Rosa Grincho, 1970-. Vox Dei:metáfora(s) da espiritualidade.

Degree: 2014, Universidade de Lisboa

Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2014

Esta tese de Doutoramento em Belas-Artes, especialidade de Pintura, consiste na articulação de… (more)

Subjects/Keywords: Teses de doutoramento - 2014; Pintura; Espiritualidade; Metáfora; Deus; Alquimia; Chafes, Rui, 1966-; Rothko, Mark, 1903-1970; Tarkovsky, Andrei, 1932-1986; Jung, Carl Gustav, 1875-1961

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APA (6th Edition):

Serra, Rui Alexandre Rosa Grincho, 1. (2014). Vox Dei:metáfora(s) da espiritualidade. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Serra, Rui Alexandre Rosa Grincho, 1970-. “Vox Dei:metáfora(s) da espiritualidade.” 2014. Thesis, Universidade de Lisboa. Accessed February 28, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Serra, Rui Alexandre Rosa Grincho, 1970-. “Vox Dei:metáfora(s) da espiritualidade.” 2014. Web. 28 Feb 2021.

Vancouver:

Serra, Rui Alexandre Rosa Grincho 1. Vox Dei:metáfora(s) da espiritualidade. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Feb 28]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Serra, Rui Alexandre Rosa Grincho 1. Vox Dei:metáfora(s) da espiritualidade. [Thesis]. Universidade de Lisboa; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/10543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Schweiger, Robert Junior. Posthumanism in late Soviet science fiction.

Degree: 2017, Leiden University

 Becoming posthuman does not mean letting go of all human ethics. Rather, the posthuman turn is about a pluralisation of perspectives, which does not mean… (more)

Subjects/Keywords: Soviet Union; science fiction; posthumanism; Tarkovsky; Strugatsky; Lem

…these novels by the Russian filmmaker Andrei Tarkovsky (Solyaris (1972) and… …filmmakers Boris Nirenburg (Solyaris (1968)) and Andrei Tarkovsky (… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Schweiger, R. J. (2017). Posthumanism in late Soviet science fiction. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/45799

Chicago Manual of Style (16th Edition):

Schweiger, Robert Junior. “Posthumanism in late Soviet science fiction.” 2017. Masters Thesis, Leiden University. Accessed February 28, 2021. http://hdl.handle.net/1887/45799.

MLA Handbook (7th Edition):

Schweiger, Robert Junior. “Posthumanism in late Soviet science fiction.” 2017. Web. 28 Feb 2021.

Vancouver:

Schweiger RJ. Posthumanism in late Soviet science fiction. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/1887/45799.

Council of Science Editors:

Schweiger RJ. Posthumanism in late Soviet science fiction. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/45799


Universidade de Lisboa

11. Rieger, Maja Luisa Escher, 1990-. Monte, um primeiro habitar : a construção de um lugar.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Arte multimédia - Especialização em Audiovisuais, Universidade de Lisboa, Faculdade de Belas Artes, 2014

A Tese possui um filme - Monte, um… (more)

Subjects/Keywords: Augé, Marc, 1935-; Bachelard, Gaston, 1884-1962; Heidegger, Martin, 1889-1976; Carneiro, Alberto, 1937-; Tarkovsky, Andrei, 1932-1986; Imagem; Lugares; Habitar; Tempo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rieger, Maja Luisa Escher, 1. (2014). Monte, um primeiro habitar : a construção de um lugar. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rieger, Maja Luisa Escher, 1990-. “Monte, um primeiro habitar : a construção de um lugar.” 2014. Thesis, Universidade de Lisboa. Accessed February 28, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rieger, Maja Luisa Escher, 1990-. “Monte, um primeiro habitar : a construção de um lugar.” 2014. Web. 28 Feb 2021.

Vancouver:

Rieger, Maja Luisa Escher 1. Monte, um primeiro habitar : a construção de um lugar. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Feb 28]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rieger, Maja Luisa Escher 1. Monte, um primeiro habitar : a construção de um lugar. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Gothenburg / Göteborgs Universitet

12. Eriksson, Patrik. Melankoliska fragment: om essäfilm och tänkande.

Degree: 2019, University of Gothenburg / Göteborgs Universitet

This artistic doctoral dissertation comprises the essay film Melancholy Fragments (73 min.) and the book Melancholy Fragments: On Essay Film and Thinking. In making the… (more)

Subjects/Keywords: artistic research; essay film; filmmaking; artistic filmmaking practice; cinematic way of thinking; film as thinking; work story; reflection; melancholy; Robert Burton; Magnus Bärtås; Andrei Tarkovsky; E.M. Cioran; Hannah Arendt

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eriksson, P. (2019). Melankoliska fragment: om essäfilm och tänkande. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/61696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eriksson, Patrik. “Melankoliska fragment: om essäfilm och tänkande.” 2019. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed February 28, 2021. http://hdl.handle.net/2077/61696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eriksson, Patrik. “Melankoliska fragment: om essäfilm och tänkande.” 2019. Web. 28 Feb 2021.

Vancouver:

Eriksson P. Melankoliska fragment: om essäfilm och tänkande. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/2077/61696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eriksson P. Melankoliska fragment: om essäfilm och tänkande. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2019. Available from: http://hdl.handle.net/2077/61696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

13. Neide Jallageas. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.

Degree: 2007, Pontifícia Universidade Católica de São Paulo

Essa tese propõe estudar estratégias de construção no cinema do cineasta russo (soviético) Andriêi Arsiénievitch Tarkóvski, estabelecendo o campo de análise nos sete longas-metragens realizados… (more)

Subjects/Keywords: Comunicação; Arts; Cronotopia; Socialist (Soviet) Realism; Arte; Andrei Tarkovsky; Cinema - Semiotica; Realismo socialista na arte; Andriêi Tarkóvski; Reverse Perspective; Tarkovski, Andrei  – 1932-1986  – Critica e interpretacao; Russian Cinema; Cinema russo; Great Time; COMUNICACAO; Communication; Realismo Socialista (Soviético); Perspectiva Inversa; Cinema russo; Chronotopy; Grande Tempo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jallageas, N. (2007). Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed February 28, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jallageas, Neide. “Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento.” 2007. Web. 28 Feb 2021.

Vancouver:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. [cited 2021 Feb 28]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jallageas N. Estratégias de construção no cinema de Andriêi Tarkóvski: a perspectiva inversa como procedimento. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4369

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

14. Gonçalves, David Paulo Martins, 1990-. Paulo Nozolino : a fotografia em ruína.

Degree: 2017, Universidade de Lisboa

 The practice of photography creates a dialogue as an object of social analysis, beyond that of it's technical and formal specificities. An image holds a… (more)

Subjects/Keywords: Nozolino, Paulo, 1955-; Benjamin, Walter, 1892-1940; Nietzsche, Friedrich, 1844-1900; Heidegger, Martin, 1889-1976; Tarkovsky, Andrei, 1932-1986; Tarr, Béla, 1955-; Al Berto, pseud., 1948-1997; Nunes, Rui; Baião, Rui; Fotografia; Ruínas; Fragmentos; Morte; Preto e branco; Crítica, curadoria e teorias da arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gonçalves, David Paulo Martins, 1. (2017). Paulo Nozolino : a fotografia em ruína. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonçalves, David Paulo Martins, 1990-. “Paulo Nozolino : a fotografia em ruína.” 2017. Thesis, Universidade de Lisboa. Accessed February 28, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonçalves, David Paulo Martins, 1990-. “Paulo Nozolino : a fotografia em ruína.” 2017. Web. 28 Feb 2021.

Vancouver:

Gonçalves, David Paulo Martins 1. Paulo Nozolino : a fotografia em ruína. [Internet] [Thesis]. Universidade de Lisboa; 2017. [cited 2021 Feb 28]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonçalves, David Paulo Martins 1. Paulo Nozolino : a fotografia em ruína. [Thesis]. Universidade de Lisboa; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

15. Tavares, Rita Costa, 1990-. Uma raposa no jardim : da fotografia e do onírico.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2014

Going through three distinct paths, Visual Arts/Photography, the invention of the Essay and… (more)

Subjects/Keywords: Warburg, Aby, 1866-1929; Lynch, David, 1946-; Tarkovsky, Andrei, 1932-1986; Marker, Chris, 1921-; Blaufuks, Daniel, 1963-; Mekas, Jonas; Principe, André, 1976-; Benjamin, Walter, 1892-1940; Lispector, Clarice, 1925-1977; Fotografia; Arquivo; Memória; Onirismo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tavares, Rita Costa, 1. (2014). Uma raposa no jardim : da fotografia e do onírico. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Thesis, Universidade de Lisboa. Accessed February 28, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tavares, Rita Costa, 1990-. “Uma raposa no jardim : da fotografia e do onírico.” 2014. Web. 28 Feb 2021.

Vancouver:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2021 Feb 28]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tavares, Rita Costa 1. Uma raposa no jardim : da fotografia e do onírico. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

16. SUPARKA, KRISHNAMURTI. The future, today: notes on a changing world.

Degree: 2012, University of Melbourne

 We live in a time where everything, everywhere seems to be happening simultaneously, and indeterminately. Worldwide events expose themselves to us 24/7, from the major… (more)

Subjects/Keywords: modern art 21st century; modern civilization 21st century; drawing; writing; writing in art; words in art; distraction; noise; stillness; the sublime; metamodernism; culture and globalization; information society; speed social aspects; time sociological aspects; spirituality in art; Robert Bresson; Michael Haneke; Andrei Tarkovsky; Agnes Martin; Robert Walser

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

SUPARKA, K. (2012). The future, today: notes on a changing world. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37351

Chicago Manual of Style (16th Edition):

SUPARKA, KRISHNAMURTI. “The future, today: notes on a changing world.” 2012. Masters Thesis, University of Melbourne. Accessed February 28, 2021. http://hdl.handle.net/11343/37351.

MLA Handbook (7th Edition):

SUPARKA, KRISHNAMURTI. “The future, today: notes on a changing world.” 2012. Web. 28 Feb 2021.

Vancouver:

SUPARKA K. The future, today: notes on a changing world. [Internet] [Masters thesis]. University of Melbourne; 2012. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/11343/37351.

Council of Science Editors:

SUPARKA K. The future, today: notes on a changing world. [Masters Thesis]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37351

17. Usas, James Anthony. ANIMA ÜRBEM.

Degree: 2014, University of Waterloo

 In 1916 the macrocosmic tensions of global conflict became focused on the microcosm of Berlin, Ontario. The nationalistic turmoil of the First World War incited… (more)

Subjects/Keywords: Kitchener; Berlin; Fire; Schneider's Creek; Psychogeography; House of the Gathering; Andrei Tarkovsky

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APA (6th Edition):

Usas, J. A. (2014). ANIMA ÜRBEM. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/8648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Usas, James Anthony. “ANIMA ÜRBEM.” 2014. Thesis, University of Waterloo. Accessed February 28, 2021. http://hdl.handle.net/10012/8648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Usas, James Anthony. “ANIMA ÜRBEM.” 2014. Web. 28 Feb 2021.

Vancouver:

Usas JA. ANIMA ÜRBEM. [Internet] [Thesis]. University of Waterloo; 2014. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10012/8648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Usas JA. ANIMA ÜRBEM. [Thesis]. University of Waterloo; 2014. Available from: http://hdl.handle.net/10012/8648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

18. Soares, Stela Maria dos Santos, 1970-. O espaço pictural em Heidegger.

Degree: 2009, Universidade de Lisboa

Tese de Mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2009

The present essay tries to put forward a pictorial space perception in Heidegger’s… (more)

Subjects/Keywords: Pintura; Criação artística; Heidegger, Martin, 1889-1976; Brunelleschi, Filippo, 1377-1446; Velazquez, Diego, 1599-1660; Friedrich, Caspar David, 1774-1840; Manet, Edouard, 1832-1883; Cézanne, Paul, 1839-1906; Soulages, Pierre, 1919-; Rothko, Mark, 1903-1970; Sousa, Ângelo de, 1938-; Michaux, Henri, 1899-1984; Twombly, Cy, 1928-; Tarkovsky, Andrei, 1932-1986

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soares, Stela Maria dos Santos, 1. (2009). O espaço pictural em Heidegger. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Soares, Stela Maria dos Santos, 1970-. “O espaço pictural em Heidegger.” 2009. Thesis, Universidade de Lisboa. Accessed February 28, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Soares, Stela Maria dos Santos, 1970-. “O espaço pictural em Heidegger.” 2009. Web. 28 Feb 2021.

Vancouver:

Soares, Stela Maria dos Santos 1. O espaço pictural em Heidegger. [Internet] [Thesis]. Universidade de Lisboa; 2009. [cited 2021 Feb 28]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soares, Stela Maria dos Santos 1. O espaço pictural em Heidegger. [Thesis]. Universidade de Lisboa; 2009. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/1979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stockholm University

19. Klöfver, Christian. Dikterna i Andrej Tarkovskijs Spegeln.

Degree: Slavic Languages, 2016, Stockholm University

Subjects/Keywords: Mirror; Zerkalo; Tarkovsky; Andrei; Arseny; poems; Solaris; poetry; film; Spegeln; Zerkalo; Tarkovskij; Andrej; Arsenij; dikter; Solaris; poesi; film; Specific Languages; Studier av enskilda språk

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Klöfver, C. (2016). Dikterna i Andrej Tarkovskijs Spegeln. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Klöfver, Christian. “Dikterna i Andrej Tarkovskijs Spegeln.” 2016. Thesis, Stockholm University. Accessed February 28, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Klöfver, Christian. “Dikterna i Andrej Tarkovskijs Spegeln.” 2016. Web. 28 Feb 2021.

Vancouver:

Klöfver C. Dikterna i Andrej Tarkovskijs Spegeln. [Internet] [Thesis]. Stockholm University; 2016. [cited 2021 Feb 28]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Klöfver C. Dikterna i Andrej Tarkovskijs Spegeln. [Thesis]. Stockholm University; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-125586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

20. Taylor, C. J. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .

Degree: 2017, Australian National University

 My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis… (more)

Subjects/Keywords: time; temporality; South Australia; photography; video; multimodality; archives; elastic photography; video; memory; history; narrative; reality; illusion; digital; analogue; wet plate collodion; Australian; landscape; Colonel William Light; museums; practice-led PhD; hinterlands; bioavidity; collapsible time; whyalla art prize; bergson; deleuze; duration; duress; 3D; 2.5D; stereoscopes; parallax; time-pressure; tarkovsky; Ross Gibson; cinema; expanded photography; z-space; CJ Taylor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, C. J. (2017). Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/131791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, C J. “Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .” 2017. Thesis, Australian National University. Accessed February 28, 2021. http://hdl.handle.net/1885/131791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, C J. “Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands .” 2017. Web. 28 Feb 2021.

Vancouver:

Taylor CJ. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . [Internet] [Thesis]. Australian National University; 2017. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/1885/131791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor CJ. Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/131791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Pua, Phoebe. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .

Degree: 2013, Australian National University

 This thesis examines seven films from the cinemas of Ingmar Bergman and Andrei Tarkovsky—Bergman’s The Seventh Seal (1957), Through a Glass Darkly (1961), Winter Light… (more)

Subjects/Keywords: film studies; film sound; silence; existentialism; religion; silence of God; death of God; Ingmar Bergman; Andrei Tarkovsky; The Seventh Seal; Through a Glass Darkly; Winter Light; The Silence; Stalker; Nostalghia; The Sacrifice

…Bergman and Tarkovsky essentially hear the same silence but decipher it in different ways. What… …x29;. In Part Two, I argue that Tarkovsky was equally concerned with the silence of God… …belonging to a particular religion. Since Tarkovsky regarded spirituality as immanent, his films… …Tarkovsky interpreted this metaphysical silence in a positive way. For him, silence does not… …one to exercise and assert faith. Yet, while insisting on the need for faith, Tarkovsky also… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pua, P. (2013). Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/11794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pua, Phoebe. “Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .” 2013. Thesis, Australian National University. Accessed February 28, 2021. http://hdl.handle.net/1885/11794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pua, Phoebe. “Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky .” 2013. Web. 28 Feb 2021.

Vancouver:

Pua P. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . [Internet] [Thesis]. Australian National University; 2013. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/1885/11794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pua P. Compositions of crisis: Sound and silence in the films of Bergman and Tarkovsky . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/11794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Ghazi Asadollahi, Sara. Concrete Poetry.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2019, Washington University in St. Louis

  This text addresses my work as an artist and defines it in the context of the following subjects: The concept of ruins, which highlights… (more)

Subjects/Keywords: Brutalism; Stalker; Since-Fiction; Andrei Tarkovsky; Architectural History and Criticism; Art and Design; Film and Media Studies; Landscape Architecture; Modern Art and Architecture; Philosophy; Urban, Community and Regional Planning

…fiction genre in cinema, with particular reference to the 1979 film Stalker by Andrei Tarkovsky… …16 As a director, Tarkovsky is recognized for “the illusion of reality” in his films.17… …switches to color. When watching Stalker, we cannot merely rely on our senses. Tarkovsky… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ghazi Asadollahi, S. (2019). Concrete Poetry. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Thesis, Washington University in St. Louis. Accessed February 28, 2021. https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ghazi Asadollahi, Sara. “Concrete Poetry.” 2019. Web. 28 Feb 2021.

Vancouver:

Ghazi Asadollahi S. Concrete Poetry. [Internet] [Thesis]. Washington University in St. Louis; 2019. [cited 2021 Feb 28]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ghazi Asadollahi S. Concrete Poetry. [Thesis]. Washington University in St. Louis; 2019. Available from: https://openscholarship.wustl.edu/samfox_art_etds/120

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Tech

23. Baumbach, Robert Warren. Architecture: In the Line of Economy.

Degree: M. Arch., Architecture, 1997, Virginia Tech

 Three houses are presented in this book. Each house has been designed with distinct site parameters with the expectation that obvious differences in form would… (more)

Subjects/Keywords: vernacular; architecture; foundation; modern foundation; modern; ceramic lamp; ceramic; lamp; table; nettie; entry hall table; picture frame; traditional architecture; three houses; Tarkovsky; style; humanity; carl; beauty; essential; order; substance; Emerson; alley; field; hillside; Baumbach; LD5655.V855 1997.B386

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APA (6th Edition):

Baumbach, R. W. (1997). Architecture: In the Line of Economy. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/9580

Chicago Manual of Style (16th Edition):

Baumbach, Robert Warren. “Architecture: In the Line of Economy.” 1997. Masters Thesis, Virginia Tech. Accessed February 28, 2021. http://hdl.handle.net/10919/9580.

MLA Handbook (7th Edition):

Baumbach, Robert Warren. “Architecture: In the Line of Economy.” 1997. Web. 28 Feb 2021.

Vancouver:

Baumbach RW. Architecture: In the Line of Economy. [Internet] [Masters thesis]. Virginia Tech; 1997. [cited 2021 Feb 28]. Available from: http://hdl.handle.net/10919/9580.

Council of Science Editors:

Baumbach RW. Architecture: In the Line of Economy. [Masters Thesis]. Virginia Tech; 1997. Available from: http://hdl.handle.net/10919/9580

.