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You searched for subject:(Stravinsky). Showing records 1 – 30 of 92 total matches.

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The Ohio State University

1. Nohl, Roger Trent. The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka.

Degree: PhD, Graduate School, 1978, The Ohio State University

Subjects/Keywords: Music; Stravinsky

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APA (6th Edition):

Nohl, R. T. (1978). The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487079464017584

Chicago Manual of Style (16th Edition):

Nohl, Roger Trent. “The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka.” 1978. Doctoral Dissertation, The Ohio State University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487079464017584.

MLA Handbook (7th Edition):

Nohl, Roger Trent. “The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka.” 1978. Web. 17 Feb 2020.

Vancouver:

Nohl RT. The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka. [Internet] [Doctoral dissertation]. The Ohio State University; 1978. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487079464017584.

Council of Science Editors:

Nohl RT. The musical textures of Stravinsky's Three Movements from Petrouchka, for piano : a comparative study of the transcription with other versions of Petrouchka. [Doctoral Dissertation]. The Ohio State University; 1978. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487079464017584


The Ohio State University

2. McKay, Janis LaFaye. L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky.

Degree: PhD, Graduate School, 1993, The Ohio State University

Subjects/Keywords: Dance; Stravinsky

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APA (6th Edition):

McKay, J. L. (1993). L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487842372896592

Chicago Manual of Style (16th Edition):

McKay, Janis LaFaye. “L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky.” 1993. Doctoral Dissertation, The Ohio State University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487842372896592.

MLA Handbook (7th Edition):

McKay, Janis LaFaye. “L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky.” 1993. Web. 17 Feb 2020.

Vancouver:

McKay JL. L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky. [Internet] [Doctoral dissertation]. The Ohio State University; 1993. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487842372896592.

Council of Science Editors:

McKay JL. L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky. [Doctoral Dissertation]. The Ohio State University; 1993. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487842372896592


University of Arizona

3. Templin, Aaron. The Structure and Syntax of Stravinsky's Neoclassical Cadential Language .

Degree: 2014, University of Arizona

 The neoclassical compositions of Igor Stravinsky have long provided scholars with a wealth of analytical possibilities. Many approaches to Stravinsky's neoclassical music have revolved around… (more)

Subjects/Keywords: Neoclassical; Stravinsky; Music; Cadence

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APA (6th Edition):

Templin, A. (2014). The Structure and Syntax of Stravinsky's Neoclassical Cadential Language . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/312625

Chicago Manual of Style (16th Edition):

Templin, Aaron. “The Structure and Syntax of Stravinsky's Neoclassical Cadential Language .” 2014. Doctoral Dissertation, University of Arizona. Accessed February 17, 2020. http://hdl.handle.net/10150/312625.

MLA Handbook (7th Edition):

Templin, Aaron. “The Structure and Syntax of Stravinsky's Neoclassical Cadential Language .” 2014. Web. 17 Feb 2020.

Vancouver:

Templin A. The Structure and Syntax of Stravinsky's Neoclassical Cadential Language . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10150/312625.

Council of Science Editors:

Templin A. The Structure and Syntax of Stravinsky's Neoclassical Cadential Language . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/312625


University of Utah

4. Bowman, Marcel. The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird.

Degree: PhD, School of Music, 2015, University of Utah

 In The Firebird, Stravinsky followed the Russian convention of sharply contrasting the music of the human characters against that of the supernatural characters. Most theorists… (more)

Subjects/Keywords: Firebird; Harmonic; Human; Princesses; Stravinsky; Supernatural

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APA (6th Edition):

Bowman, M. (2015). The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3849/rec/2542

Chicago Manual of Style (16th Edition):

Bowman, Marcel. “The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird.” 2015. Doctoral Dissertation, University of Utah. Accessed February 17, 2020. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3849/rec/2542.

MLA Handbook (7th Edition):

Bowman, Marcel. “The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird.” 2015. Web. 17 Feb 2020.

Vancouver:

Bowman M. The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird. [Internet] [Doctoral dissertation]. University of Utah; 2015. [cited 2020 Feb 17]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3849/rec/2542.

Council of Science Editors:

Bowman M. The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird. [Doctoral Dissertation]. University of Utah; 2015. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/3849/rec/2542


University of Rochester

5. Dowdakin, James Daniel. An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky.

Degree: M.M., 2011, University of Rochester

 On the back cover of the long playing recording of the Dumbarton Oaks Concerto, Ingolf Dahl has given the following information about its composition: This… (more)

Subjects/Keywords: Stravinsky; Igor; 1882-1971. Concertos; orchestra; E♭.

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APA (6th Edition):

Dowdakin, J. D. (2011). An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky. (Masters Thesis). University of Rochester. Retrieved from http://hdl.handle.net/1802/17394

Chicago Manual of Style (16th Edition):

Dowdakin, James Daniel. “An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky.” 2011. Masters Thesis, University of Rochester. Accessed February 17, 2020. http://hdl.handle.net/1802/17394.

MLA Handbook (7th Edition):

Dowdakin, James Daniel. “An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky.” 2011. Web. 17 Feb 2020.

Vancouver:

Dowdakin JD. An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky. [Internet] [Masters thesis]. University of Rochester; 2011. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1802/17394.

Council of Science Editors:

Dowdakin JD. An analysis of the Dumbarton Oaks concerto for chamber orchestra by Igor Stravinsky. [Masters Thesis]. University of Rochester; 2011. Available from: http://hdl.handle.net/1802/17394


University of Cincinnati

6. Johnson, Eric Thomas. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.

Degree: MM, College-Conservatory of Music : Theory, 2008, University of Cincinnati

  This study examines the influence of early seventeenth-century Russian polyphonic chant on Stravinsky’s <i>Ave Maria</i>, <i>Symphony of Psalms</i>, and <i>Mass</i>. While some scholars have… (more)

Subjects/Keywords: Music; Stravinsky; Russian; Sacred; Polyphony; Chant; Znamenny

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APA (6th Edition):

Johnson, E. T. (2008). Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824

Chicago Manual of Style (16th Edition):

Johnson, Eric Thomas. “Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.” 2008. Masters Thesis, University of Cincinnati. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824.

MLA Handbook (7th Edition):

Johnson, Eric Thomas. “Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.” 2008. Web. 17 Feb 2020.

Vancouver:

Johnson ET. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824.

Council of Science Editors:

Johnson ET. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824


Penn State University

7. Grant, Aaron Benjamin. Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914).

Degree: MA, Music, 2011, Penn State University

 Igor Stravinsky’s opera The Nightingale (1908-1914), based on a fairy tale by the Danish author Hans Christian Andersen (1805-1875), provides a unique example of the… (more)

Subjects/Keywords: Stravinsky; dualities; compositional process; The Nightingale; Sketches

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APA (6th Edition):

Grant, A. B. (2011). Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914). (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/11933

Chicago Manual of Style (16th Edition):

Grant, Aaron Benjamin. “Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914).” 2011. Masters Thesis, Penn State University. Accessed February 17, 2020. https://etda.libraries.psu.edu/catalog/11933.

MLA Handbook (7th Edition):

Grant, Aaron Benjamin. “Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914).” 2011. Web. 17 Feb 2020.

Vancouver:

Grant AB. Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914). [Internet] [Masters thesis]. Penn State University; 2011. [cited 2020 Feb 17]. Available from: https://etda.libraries.psu.edu/catalog/11933.

Council of Science Editors:

Grant AB. Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914). [Masters Thesis]. Penn State University; 2011. Available from: https://etda.libraries.psu.edu/catalog/11933


University of Connecticut

8. Brandt, Penny R. S. Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916.

Degree: MA, Music, 2013, University of Connecticut

Stravinsky's music was introduced into the United States in a variety of ways throughout the 1910s: in newspapers, through early concert performances of both… (more)

Subjects/Keywords: Stravinsky Reception Firebird Petrushka Ballet Russes

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APA (6th Edition):

Brandt, P. R. S. (2013). Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/472

Chicago Manual of Style (16th Edition):

Brandt, Penny R S. “Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916.” 2013. Masters Thesis, University of Connecticut. Accessed February 17, 2020. https://opencommons.uconn.edu/gs_theses/472.

MLA Handbook (7th Edition):

Brandt, Penny R S. “Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916.” 2013. Web. 17 Feb 2020.

Vancouver:

Brandt PRS. Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916. [Internet] [Masters thesis]. University of Connecticut; 2013. [cited 2020 Feb 17]. Available from: https://opencommons.uconn.edu/gs_theses/472.

Council of Science Editors:

Brandt PRS. Stravinsky as Art and Entertainment: Performances of his music in the United States, 1910 - 1916. [Masters Thesis]. University of Connecticut; 2013. Available from: https://opencommons.uconn.edu/gs_theses/472


Kansas State University

9. Worcester, Benjamin. Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work.

Degree: MM, Department of Music, 2010, Kansas State University

 Igor Stravinsky used a compositional technique that researchers have termed cut-and-paste. During the compositional process, Stravinsky would write notes on carbon paper, then cut the… (more)

Subjects/Keywords: Music; Composition technique; Igor Stravinsky; Music (0413)

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APA (6th Edition):

Worcester, B. (2010). Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/4616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Worcester, Benjamin. “Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work.” 2010. Thesis, Kansas State University. Accessed February 17, 2020. http://hdl.handle.net/2097/4616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Worcester, Benjamin. “Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work.” 2010. Web. 17 Feb 2020.

Vancouver:

Worcester B. Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work. [Internet] [Thesis]. Kansas State University; 2010. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2097/4616.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Worcester B. Stravinsky’s cut-and-paste compositional technique with commentary on whither no one knows, an original work. [Thesis]. Kansas State University; 2010. Available from: http://hdl.handle.net/2097/4616

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Corah, Breanna. Neoclassical Pioneers: Neoclassicism Before Stravinsky.

Degree: M.M., Music, 2016, U of Denver

  For a century and a half composers have been inspired by the classic works of composers from the Baroque and Classical periods. Composers who… (more)

Subjects/Keywords: Before Stravinsky; Neoclassical music; Neoclassicism; Music

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APA (6th Edition):

Corah, B. (2016). Neoclassical Pioneers: Neoclassicism Before Stravinsky. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/1157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Corah, Breanna. “Neoclassical Pioneers: Neoclassicism Before Stravinsky.” 2016. Thesis, U of Denver. Accessed February 17, 2020. https://digitalcommons.du.edu/etd/1157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Corah, Breanna. “Neoclassical Pioneers: Neoclassicism Before Stravinsky.” 2016. Web. 17 Feb 2020.

Vancouver:

Corah B. Neoclassical Pioneers: Neoclassicism Before Stravinsky. [Internet] [Thesis]. U of Denver; 2016. [cited 2020 Feb 17]. Available from: https://digitalcommons.du.edu/etd/1157.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Corah B. Neoclassical Pioneers: Neoclassicism Before Stravinsky. [Thesis]. U of Denver; 2016. Available from: https://digitalcommons.du.edu/etd/1157

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

11. Fikry, Mona. Stravinsky and the ballet.

Degree: Master of Art, Music, 1962, Boston University

Subjects/Keywords: Ballet; Stravinsky, Igor

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APA (6th Edition):

Fikry, M. (1962). Stravinsky and the ballet. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/28018

Chicago Manual of Style (16th Edition):

Fikry, Mona. “Stravinsky and the ballet.” 1962. Masters Thesis, Boston University. Accessed February 17, 2020. http://hdl.handle.net/2144/28018.

MLA Handbook (7th Edition):

Fikry, Mona. “Stravinsky and the ballet.” 1962. Web. 17 Feb 2020.

Vancouver:

Fikry M. Stravinsky and the ballet. [Internet] [Masters thesis]. Boston University; 1962. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2144/28018.

Council of Science Editors:

Fikry M. Stravinsky and the ballet. [Masters Thesis]. Boston University; 1962. Available from: http://hdl.handle.net/2144/28018

12. Lee, SunHwa. Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works.

Degree: 2012, University of Oregon

 This thesis examines Stravinsky’s aesthetics of objectivism, as described in his own book and displayed in three different genres from his neoclassical period: Symphonies of… (more)

Subjects/Keywords: Igor Stravinsky

…that made Stravinsky create this original and innovative music?” Through my research on his… …Stravinsky rejected the expression of feelings or emotions in music and pursued objective musical… …story, text-painting. 1 Igor Stravinsky, Poetics of Music in The Form of Six Lessons (… …Cambridge: Harvard University Press, 2003): Igor Stravinsky wrote the book, Harvard… …Hindemith, and Stravinsky attempted to return to the music of the past, a movement called… 

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APA (6th Edition):

Lee, S. (2012). Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/12469

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, SunHwa. “Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works.” 2012. Thesis, University of Oregon. Accessed February 17, 2020. http://hdl.handle.net/1794/12469.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, SunHwa. “Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works.” 2012. Web. 17 Feb 2020.

Vancouver:

Lee S. Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works. [Internet] [Thesis]. University of Oregon; 2012. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1794/12469.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee S. Aesthetics of Objectivism in Igor Stravinsky's Neoclassical Works. [Thesis]. University of Oregon; 2012. Available from: http://hdl.handle.net/1794/12469

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Votta, Roberto. Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky.

Degree: Mestrado, Processos de Criação Musical, 2012, University of São Paulo

O balé Agon é considerado o ápice da produção conjunta entre Stravinsky e o coreógrafo russo George Balanchine, e sua concepção foi repleta de descontinuidades.… (more)

Subjects/Keywords: Agon; Agon; Análise Musical; Balanchine; Balanchine; Balé; Ballet; Musical Analysis; Serialism; Serialismo; Stravinsky; Stravinsky

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APA (6th Edition):

Votta, R. (2012). Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-095102/ ;

Chicago Manual of Style (16th Edition):

Votta, Roberto. “Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky.” 2012. Masters Thesis, University of São Paulo. Accessed February 17, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-095102/ ;.

MLA Handbook (7th Edition):

Votta, Roberto. “Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky.” 2012. Web. 17 Feb 2020.

Vancouver:

Votta R. Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Feb 17]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-095102/ ;.

Council of Science Editors:

Votta R. Pluralidade e unidade: uma análise dos processos composicionais no Balé Agon, de Igor Stravinsky. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07032013-095102/ ;


Université Paris-Sorbonne – Paris IV

14. Malhaire, Philippe. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.

Degree: Docteur es, Musique et musicologie, 2012, Université Paris-Sorbonne – Paris IV

La polytonalité relève d’une démarche compositionnelle dont la définition d’ensemble s’avère extrêmement simple : il y a polytonalité quand deux ou plusieurs tonalités sont entendues… (more)

Subjects/Keywords: Koechlin; Polymusique; Milhaud; Polyscalarité; Polyharmonie; Polytonalité; Polymodalité; Ravel; Satie; Stravinsky; Koechlin; Milhaud; Polyharmony; Polymodality; Polymusic; Polyscalarité; Polytonality; Satie; Stravinsky

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APA (6th Edition):

Malhaire, P. (2012). Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040226

Chicago Manual of Style (16th Edition):

Malhaire, Philippe. “Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed February 17, 2020. http://www.theses.fr/2012PA040226.

MLA Handbook (7th Edition):

Malhaire, Philippe. “Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.” 2012. Web. 17 Feb 2020.

Vancouver:

Malhaire P. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2020 Feb 17]. Available from: http://www.theses.fr/2012PA040226.

Council of Science Editors:

Malhaire P. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040226


NSYSU

15. Hou, Ya-Fang. Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti.

Degree: Master, Music, 2015, NSYSU

 Transcription, plays an important role in the development of the music history, reached into the climax in nineteenth century romantic period. Due to the improvement… (more)

Subjects/Keywords: Transcription; Igor Stravinsky; Lâoiseau de feu; Guido Agosti

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hou, Y. (2015). Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0029115-165645

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hou, Ya-Fang. “Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti.” 2015. Thesis, NSYSU. Accessed February 17, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0029115-165645.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hou, Ya-Fang. “Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti.” 2015. Web. 17 Feb 2020.

Vancouver:

Hou Y. Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti. [Internet] [Thesis]. NSYSU; 2015. [cited 2020 Feb 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0029115-165645.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hou Y. Stravinskyâ s Piano Transcription â Lâoiseau de feu â by Guido Agosti. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0029115-165645

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

16. Kuo, Ting-chu. The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼.

Degree: Master, Music, 2005, NSYSU

 Abstract Igro Stravinsky composedâPulcinellaâballet under the suggestion of Diaghilev in 1919. In this work, most of the melodies are based on Pergolesi as well as… (more)

Subjects/Keywords: Violin; Suite Italinne; Stravinsky

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuo, T. (2005). The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0909105-153545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuo, Ting-chu. “The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼.” 2005. Thesis, NSYSU. Accessed February 17, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0909105-153545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuo, Ting-chu. “The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼.” 2005. Web. 17 Feb 2020.

Vancouver:

Kuo T. The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼. [Internet] [Thesis]. NSYSU; 2005. [cited 2020 Feb 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0909105-153545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuo T. The interpretation and analysis of Stravinsky's Suite Italinneï¼Violin versionï¼. [Thesis]. NSYSU; 2005. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0909105-153545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

17. Copping, Roxanne Celine. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.

Degree: 2016, University of Manchester

The primary focus of this thesis is a selection of lesser-known Ballets Russes works, which, despite being largely neglected in academic studies, constitute important chapters… (more)

Subjects/Keywords: Ballets Russes; Diaghilev; Stravinsky; Tcherepnin; Hahn; Milhaud; Auric; Poulenc

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APA (6th Edition):

Copping, R. C. (2016). COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627

Chicago Manual of Style (16th Edition):

Copping, Roxanne Celine. “COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.” 2016. Doctoral Dissertation, University of Manchester. Accessed February 17, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627.

MLA Handbook (7th Edition):

Copping, Roxanne Celine. “COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS.” 2016. Web. 17 Feb 2020.

Vancouver:

Copping RC. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2020 Feb 17]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627.

Council of Science Editors:

Copping RC. COMPOSERS AND THE BALLETS RUSSES - CONVENTION, INNOVATION, AND EVOLUTION AS SEEN THROUGH THE LESSER-KNOWN WORKS. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305627


University of Manchester

18. Copping, Roxanne Celine. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.

Degree: PhD, 2016, University of Manchester

 The primary focus of this thesis is a selection of lesser-known Ballets Russes works, which, despite being largely neglected in academic studies, constitute important chapters… (more)

Subjects/Keywords: 781.5; Ballets Russes; Diaghilev; Stravinsky; Tcherepnin; Hahn; Milhaud; Auric; Poulenc

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Copping, R. C. (2016). Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788

Chicago Manual of Style (16th Edition):

Copping, Roxanne Celine. “Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.” 2016. Doctoral Dissertation, University of Manchester. Accessed February 17, 2020. https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788.

MLA Handbook (7th Edition):

Copping, Roxanne Celine. “Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works.” 2016. Web. 17 Feb 2020.

Vancouver:

Copping RC. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2020 Feb 17]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788.

Council of Science Editors:

Copping RC. Composers and the Ballets Russes : convention, innovation, and evolution as seen through the lesser-known works. [Doctoral Dissertation]. University of Manchester; 2016. Available from: https://www.research.manchester.ac.uk/portal/en/theses/composers-and-the-ballets-russes – convention-innovation-and-evolution-as-seen-through-the-lesserknown-works(1357e7f5-17c5-4d98-a32a-13f4ba8bfda1).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697788

19. Tu, Kuan-Chang. In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano.

Degree: DMA, College-Conservatory of Music: Violin, 2012, University of Cincinnati

 Igor Stravinsky always embraced the opportunity to cast his music in a different light. This is nowhere more evident than in the nine pieces for… (more)

Subjects/Keywords: Music; Stravinsky; violin; transcription

…Example 36 Stravinsky--Finale from Suite italienne, mm. 21-29 27 Example 37… …Stravinsky--Tarantella from Suite after themes, fragments and pieces by Giambattista Pergolesi, mm… …25-27 28 Example 38 Stravinsky--Tarantella from Suite italienne, mm. 25-27 28 Example… …39 Stravinsky--Sinfonia from Divertimento, Suite Symphonique, mm. 127-135 30 Example 40… …Stravinsky--Sinfonia from Divertimento for Violin and Piano, mm. 100-108 31 Example 41… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tu, K. (2012). In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337288174

Chicago Manual of Style (16th Edition):

Tu, Kuan-Chang. “In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337288174.

MLA Handbook (7th Edition):

Tu, Kuan-Chang. “In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano.” 2012. Web. 17 Feb 2020.

Vancouver:

Tu K. In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337288174.

Council of Science Editors:

Tu K. In the Fingertips: A Discussion of Stravinsky's Violin Writing in His Ballet Transcriptions for Violin and Piano. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337288174


Boston University

20. Burns, Richard Lynn. Stravinsky's use of tone rows.

Degree: MM, Music Theory, 1963, Boston University

Subjects/Keywords: Stravinsky, Igor; Music theory

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APA (6th Edition):

Burns, R. L. (1963). Stravinsky's use of tone rows. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/30087

Chicago Manual of Style (16th Edition):

Burns, Richard Lynn. “Stravinsky's use of tone rows.” 1963. Masters Thesis, Boston University. Accessed February 17, 2020. http://hdl.handle.net/2144/30087.

MLA Handbook (7th Edition):

Burns, Richard Lynn. “Stravinsky's use of tone rows.” 1963. Web. 17 Feb 2020.

Vancouver:

Burns RL. Stravinsky's use of tone rows. [Internet] [Masters thesis]. Boston University; 1963. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2144/30087.

Council of Science Editors:

Burns RL. Stravinsky's use of tone rows. [Masters Thesis]. Boston University; 1963. Available from: http://hdl.handle.net/2144/30087

21. Mueller, Peter M. Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works .

Degree: 2018, University of Arizona

 Form in Stravinsky’s music continues to be a topic of great interest and varied approaches, including blocks, stratification, juxtaposition, and displacement. This document provides another… (more)

Subjects/Keywords: analysis; formal; function; Stravinsky

…constituent types for larger forms. I also categorize several loosening agents that Stravinsky uses… …applies the theory to other works by Stravinsky and other composers, and proposes topics for… …future analysis. 11 CHAPTER 1 BACKGROUND Form in Stravinsky continues to be a topic of great… …Music of Igor Stravinsky (New Haven: Yale University Press, 1983), 63. The first… …the Sonate than those cited by van den Toorn in Petrushka. 4 Edward T. Cone, “Stravinsky… 

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APA (6th Edition):

Mueller, P. M. (2018). Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/626657

Chicago Manual of Style (16th Edition):

Mueller, Peter M. “Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works .” 2018. Doctoral Dissertation, University of Arizona. Accessed February 17, 2020. http://hdl.handle.net/10150/626657.

MLA Handbook (7th Edition):

Mueller, Peter M. “Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works .” 2018. Web. 17 Feb 2020.

Vancouver:

Mueller PM. Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works . [Internet] [Doctoral dissertation]. University of Arizona; 2018. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10150/626657.

Council of Science Editors:

Mueller PM. Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works . [Doctoral Dissertation]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/626657


University of Tennessee – Knoxville

22. Sivy, Robert. An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky.

Degree: MM, Music, 2011, University of Tennessee – Knoxville

  Igor Stravinsky's precompositional process was so methodical that his move to serialism is no surprise. After becoming acquainted with the music of Schoenberg and… (more)

Subjects/Keywords: Stravinsky; serialism; hexachord; rotation; Krenek; Musicology; Music Theory

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APA (6th Edition):

Sivy, R. (2011). An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/1025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sivy, Robert. “An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky.” 2011. Thesis, University of Tennessee – Knoxville. Accessed February 17, 2020. https://trace.tennessee.edu/utk_gradthes/1025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sivy, Robert. “An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky.” 2011. Web. 17 Feb 2020.

Vancouver:

Sivy R. An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky. [Internet] [Thesis]. University of Tennessee – Knoxville; 2011. [cited 2020 Feb 17]. Available from: https://trace.tennessee.edu/utk_gradthes/1025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sivy R. An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky. [Thesis]. University of Tennessee – Knoxville; 2011. Available from: https://trace.tennessee.edu/utk_gradthes/1025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Oh, Hyun Sun. A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972).

Degree: 2013, University of North Texas

 Igor Stravinsky (1882-1971), Dmitri Shostakovich (1906-1975) and Alfred Schnittke (1934-1998) were three of the most important avant-garde Russian composers of the twentieth century. Even though… (more)

Subjects/Keywords: Baroque elements; Stravinsky; Shostakovich; Schnittke; C:\Users\rjw0117\AppData\Local\Temp

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oh, H. S. (2013). A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500108/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oh, Hyun Sun. “A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972).” 2013. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc500108/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oh, Hyun Sun. “A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972).” 2013. Web. 17 Feb 2020.

Vancouver:

Oh HS. A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972). [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500108/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oh HS. A Similar Approach with Different Results: the Use of Baroque Elements in Stravinsky’s Suite Italienne (1933), Shostakovich’s Violin Sonata in G Major, Op 134 (1968) and Schnittke’s Suite in the Old Style (1972). [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc500108/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Mullins, Dustin Kyle. A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky.

Degree: 2014, University of North Texas

 À la Manière de Stravinsky is one piece in a series of works composed by Jean-Michel Defaye that written emulating the compositional styles of significant… (more)

Subjects/Keywords: Defaye; Jean-Michel; Igor Stravinsky; A la Maniere de

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APA (6th Edition):

Mullins, D. K. (2014). A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699846/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mullins, Dustin Kyle. “A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky.” 2014. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc699846/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mullins, Dustin Kyle. “A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky.” 2014. Web. 17 Feb 2020.

Vancouver:

Mullins DK. A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699846/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mullins DK. A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699846/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

25. Jones, Terrell O. Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky.

Degree: PhD, American Film Studies, 2019, Louisiana State University

  ABSTRACT The first part of my dissertation is the original music written for this dissertation, which consists of tonal music that describes my life’s… (more)

Subjects/Keywords: Copland; Stravinsky; Nadia Boulanger; Korsakov; Appalachian Springs; Rite of Spring

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jones, T. O. (2019). Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4835

Chicago Manual of Style (16th Edition):

Jones, Terrell O. “Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky.” 2019. Doctoral Dissertation, Louisiana State University. Accessed February 17, 2020. https://digitalcommons.lsu.edu/gradschool_dissertations/4835.

MLA Handbook (7th Edition):

Jones, Terrell O. “Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky.” 2019. Web. 17 Feb 2020.

Vancouver:

Jones TO. Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky. [Internet] [Doctoral dissertation]. Louisiana State University; 2019. [cited 2020 Feb 17]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4835.

Council of Science Editors:

Jones TO. Epic Beginnings: A Symphonic Work and Aaron Copland (the American Stravinsky) versus Igor Stravinsky. [Doctoral Dissertation]. Louisiana State University; 2019. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4835


Arizona State University

26. Kemp, Tyler. Fantasy for Piano and Orchestra.

Degree: Music, 2018, Arizona State University

 As with many concertante, Fantasy focuses on the interplay between the soloist and the orchestra. Contrast is a fundamental principle for creating the formal design… (more)

Subjects/Keywords: Musical composition; Concertante; Fantasy; Orchestra; Piano; Piano Concerto; Stravinsky

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APA (6th Edition):

Kemp, T. (2018). Fantasy for Piano and Orchestra. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/51731

Chicago Manual of Style (16th Edition):

Kemp, Tyler. “Fantasy for Piano and Orchestra.” 2018. Doctoral Dissertation, Arizona State University. Accessed February 17, 2020. http://repository.asu.edu/items/51731.

MLA Handbook (7th Edition):

Kemp, Tyler. “Fantasy for Piano and Orchestra.” 2018. Web. 17 Feb 2020.

Vancouver:

Kemp T. Fantasy for Piano and Orchestra. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2020 Feb 17]. Available from: http://repository.asu.edu/items/51731.

Council of Science Editors:

Kemp T. Fantasy for Piano and Orchestra. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/51731

27. Goh, Soo Khoon. Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition.

Degree: 2011, NC Docks

 The purpose of this dissertation was to create a critical edition of L'Histoire du Soldat trio. The copyist manuscript from Chester Music (JWC 222) and… (more)

Subjects/Keywords: Stravinsky; Igor; $d 1882-1971. $t Histoire du soldat

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APA (6th Edition):

Goh, S. K. (2011). Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Goh_uncg_0154D_10773.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goh, Soo Khoon. “Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition.” 2011. Thesis, NC Docks. Accessed February 17, 2020. http://libres.uncg.edu/ir/uncg/f/Goh_uncg_0154D_10773.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goh, Soo Khoon. “Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition.” 2011. Web. 17 Feb 2020.

Vancouver:

Goh SK. Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition. [Internet] [Thesis]. NC Docks; 2011. [cited 2020 Feb 17]. Available from: http://libres.uncg.edu/ir/uncg/f/Goh_uncg_0154D_10773.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goh SK. Igor Stravinsky's L'Histoire du soldat trio for clarinet, violin, and piano: a critical edition. [Thesis]. NC Docks; 2011. Available from: http://libres.uncg.edu/ir/uncg/f/Goh_uncg_0154D_10773.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Murray, Christopher. Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments.

Degree: Docteur es, Lettres et arts, 2010, Université Lumière – Lyon II

Les recherches entreprises sur Olivier Messiaen présentent encore de nombreuses lacunes bien que cet artiste figure parmi les compositeurs les plus connus et les plus… (more)

Subjects/Keywords: Musique concrète; Ivan Wyschnegradsky; Pierre Henry; Pierre Schaeffer; Claude Debussy; Igor Stravinsky; André Jolivet; Ivan Wyschnegradsky; Pierre Henry; Pierre Schaeffer; Claude Debussy; Igor Stravinsky; André Jolivet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murray, C. (2010). Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2010LYO20073

Chicago Manual of Style (16th Edition):

Murray, Christopher. “Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments.” 2010. Doctoral Dissertation, Université Lumière – Lyon II. Accessed February 17, 2020. http://www.theses.fr/2010LYO20073.

MLA Handbook (7th Edition):

Murray, Christopher. “Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments.” 2010. Web. 17 Feb 2020.

Vancouver:

Murray C. Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2010. [cited 2020 Feb 17]. Available from: http://www.theses.fr/2010LYO20073.

Council of Science Editors:

Murray C. Le développement du langage musical d’Olivier Messiaen : traditions, emprunts, expériences : The development of Olivier Messiaen's musical language : traditions, borrowings, experiments. [Doctoral Dissertation]. Université Lumière – Lyon II; 2010. Available from: http://www.theses.fr/2010LYO20073

29. Hallquist, Robert N. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.

Degree: 1979, North Texas State University

 After considering Petrouchka's historical and compositional background and the orchestral revision of 1947, this thesis analyzes the composition, dealing specifically with formal, harmonic, and melodic… (more)

Subjects/Keywords: Petrouchka; Stravinsky; transcriptional procedures; Stravinsky, Igor, 1882-1971.  – Petroushka.; Music appreciation.; Arrangement (Music)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hallquist, R. N. (1979). Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hallquist, Robert N. “Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.” 1979. Thesis, North Texas State University. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc500654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hallquist, Robert N. “Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka.” 1979. Web. 17 Feb 2020.

Vancouver:

Hallquist RN. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. [Internet] [Thesis]. North Texas State University; 1979. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hallquist RN. Stravinsky and the Transcriptional Process: an Analytical and Historical Study of Petrouchka. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc500654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Drew, George Ronald. A Study of Stravinsky's Use of the Trombone in Selected Works.

Degree: 1968, North Texas State University

 The primary objectives of this paper are to deal with Stravinsky's use of the trombone and to study the different methods of scoring for the… (more)

Subjects/Keywords: Igor Stravinsky; trombone scoring; trombone music; Stravinsky, Igor, 1882-1971  – Criticism and interpretation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drew, G. R. (1968). A Study of Stravinsky's Use of the Trombone in Selected Works. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663814/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drew, George Ronald. “A Study of Stravinsky's Use of the Trombone in Selected Works.” 1968. Thesis, North Texas State University. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc663814/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drew, George Ronald. “A Study of Stravinsky's Use of the Trombone in Selected Works.” 1968. Web. 17 Feb 2020.

Vancouver:

Drew GR. A Study of Stravinsky's Use of the Trombone in Selected Works. [Internet] [Thesis]. North Texas State University; 1968. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663814/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drew GR. A Study of Stravinsky's Use of the Trombone in Selected Works. [Thesis]. North Texas State University; 1968. Available from: https://digital.library.unt.edu/ark:/67531/metadc663814/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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