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You searched for subject:(Still life). Showing records 1 – 30 of 79 total matches.

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Universiteit Utrecht

1. Jansen, E.T. The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context.

Degree: 2013, Universiteit Utrecht

 Only around 1600 can we speak of still lifes as ‘representations of objects which lack the ability to move and which for artistic purposes are… (more)

Subjects/Keywords: still life; golden age painting

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APA (6th Edition):

Jansen, E. T. (2013). The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/282493

Chicago Manual of Style (16th Edition):

Jansen, E T. “The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context.” 2013. Masters Thesis, Universiteit Utrecht. Accessed October 22, 2019. http://dspace.library.uu.nl:8080/handle/1874/282493.

MLA Handbook (7th Edition):

Jansen, E T. “The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context.” 2013. Web. 22 Oct 2019.

Vancouver:

Jansen ET. The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2019 Oct 22]. Available from: http://dspace.library.uu.nl:8080/handle/1874/282493.

Council of Science Editors:

Jansen ET. The Flourishing of Truth and Beauty: Dutch seventeenth-century still-life painting in its socio-historical context. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/282493


Massey University

2. Stewart-MacDonald, Bonny. Beyond Pa Hill : a photographic synthesis of remembrance & construction.

Degree: MFA, 2011, Massey University

 How can archival and constructed photographs be synthesised to make the sensual and spatial memories of home tangible? Drawing on phenomenological memories of a particular… (more)

Subjects/Keywords: Memories in photography; Still-life photography

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APA (6th Edition):

Stewart-MacDonald, B. (2011). Beyond Pa Hill : a photographic synthesis of remembrance & construction. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2436

Chicago Manual of Style (16th Edition):

Stewart-MacDonald, Bonny. “Beyond Pa Hill : a photographic synthesis of remembrance & construction.” 2011. Masters Thesis, Massey University. Accessed October 22, 2019. http://hdl.handle.net/10179/2436.

MLA Handbook (7th Edition):

Stewart-MacDonald, Bonny. “Beyond Pa Hill : a photographic synthesis of remembrance & construction.” 2011. Web. 22 Oct 2019.

Vancouver:

Stewart-MacDonald B. Beyond Pa Hill : a photographic synthesis of remembrance & construction. [Internet] [Masters thesis]. Massey University; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10179/2436.

Council of Science Editors:

Stewart-MacDonald B. Beyond Pa Hill : a photographic synthesis of remembrance & construction. [Masters Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2436

3. Chapman, Jonathan. Positioning still life by means of reference.

Degree: PhD, 2012, University of Northampton

Subjects/Keywords: ND1390 Still life

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APA (6th Edition):

Chapman, J. (2012). Positioning still life by means of reference. (Doctoral Dissertation). University of Northampton. Retrieved from http://nectar.northampton.ac.uk/8851/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697954

Chicago Manual of Style (16th Edition):

Chapman, Jonathan. “Positioning still life by means of reference.” 2012. Doctoral Dissertation, University of Northampton. Accessed October 22, 2019. http://nectar.northampton.ac.uk/8851/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697954.

MLA Handbook (7th Edition):

Chapman, Jonathan. “Positioning still life by means of reference.” 2012. Web. 22 Oct 2019.

Vancouver:

Chapman J. Positioning still life by means of reference. [Internet] [Doctoral dissertation]. University of Northampton; 2012. [cited 2019 Oct 22]. Available from: http://nectar.northampton.ac.uk/8851/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697954.

Council of Science Editors:

Chapman J. Positioning still life by means of reference. [Doctoral Dissertation]. University of Northampton; 2012. Available from: http://nectar.northampton.ac.uk/8851/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.697954

4. Haikala, Eeva-Mari. An attempt to mirror the painterly and stillness in autobiographical visual practice.

Degree: PhD, 2016, University of Roehampton

 An Attempt to Mirror the Painterly and Stillness in Autobiographical Visual Practice is a practice-as-research project consisting of a portfolio of videos, photographs, and the… (more)

Subjects/Keywords: 792; still life; brackets; visual arts; autobiography

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APA (6th Edition):

Haikala, E. (2016). An attempt to mirror the painterly and stillness in autobiographical visual practice. (Doctoral Dissertation). University of Roehampton. Retrieved from https://pure.roehampton.ac.uk/portal/en/studentthesis/an-attempt-to-mirror-the-painterly-and-stillness-in-autobiographical-visual-practice(9573f5c6-22c2-46d2-a871-e6425fecf397).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.684976

Chicago Manual of Style (16th Edition):

Haikala, Eeva-Mari. “An attempt to mirror the painterly and stillness in autobiographical visual practice.” 2016. Doctoral Dissertation, University of Roehampton. Accessed October 22, 2019. https://pure.roehampton.ac.uk/portal/en/studentthesis/an-attempt-to-mirror-the-painterly-and-stillness-in-autobiographical-visual-practice(9573f5c6-22c2-46d2-a871-e6425fecf397).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.684976.

MLA Handbook (7th Edition):

Haikala, Eeva-Mari. “An attempt to mirror the painterly and stillness in autobiographical visual practice.” 2016. Web. 22 Oct 2019.

Vancouver:

Haikala E. An attempt to mirror the painterly and stillness in autobiographical visual practice. [Internet] [Doctoral dissertation]. University of Roehampton; 2016. [cited 2019 Oct 22]. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/an-attempt-to-mirror-the-painterly-and-stillness-in-autobiographical-visual-practice(9573f5c6-22c2-46d2-a871-e6425fecf397).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.684976.

Council of Science Editors:

Haikala E. An attempt to mirror the painterly and stillness in autobiographical visual practice. [Doctoral Dissertation]. University of Roehampton; 2016. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/an-attempt-to-mirror-the-painterly-and-stillness-in-autobiographical-visual-practice(9573f5c6-22c2-46d2-a871-e6425fecf397).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.684976


University of Southern California

5. Seal, John, Edward. The inspiration towards which the work we see the evidence of: labor and the unknown in painting.

Degree: MFA, Fine Arts, 2011, University of Southern California

 This thesis attempts to explore the space of labor and the traces it leaves behind as the central site of ideology and ethics in painting.… (more)

Subjects/Keywords: Barnett Newman; Ambrosius Bosschaert; still life; labor

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APA (6th Edition):

Seal, John, E. (2011). The inspiration towards which the work we see the evidence of: labor and the unknown in painting. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/617792/rec/6894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seal, John, Edward. “The inspiration towards which the work we see the evidence of: labor and the unknown in painting.” 2011. Thesis, University of Southern California. Accessed October 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/617792/rec/6894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seal, John, Edward. “The inspiration towards which the work we see the evidence of: labor and the unknown in painting.” 2011. Web. 22 Oct 2019.

Vancouver:

Seal, John E. The inspiration towards which the work we see the evidence of: labor and the unknown in painting. [Internet] [Thesis]. University of Southern California; 2011. [cited 2019 Oct 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/617792/rec/6894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seal, John E. The inspiration towards which the work we see the evidence of: labor and the unknown in painting. [Thesis]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/617792/rec/6894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

6. Allen, Kate Elizabeth. How beautiful is thy dwelling.

Degree: MFA (Master of Fine Arts), Art, 2015, University of Iowa

  This work focuses on the cross-section between classic still-life art and complex personal issues. It uses traditional and nontraditional still life photography to tell… (more)

Subjects/Keywords: publicabstract; memory; photography; still life; Art Practice

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APA (6th Edition):

Allen, K. E. (2015). How beautiful is thy dwelling. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1530

Chicago Manual of Style (16th Edition):

Allen, Kate Elizabeth. “How beautiful is thy dwelling.” 2015. Masters Thesis, University of Iowa. Accessed October 22, 2019. https://ir.uiowa.edu/etd/1530.

MLA Handbook (7th Edition):

Allen, Kate Elizabeth. “How beautiful is thy dwelling.” 2015. Web. 22 Oct 2019.

Vancouver:

Allen KE. How beautiful is thy dwelling. [Internet] [Masters thesis]. University of Iowa; 2015. [cited 2019 Oct 22]. Available from: https://ir.uiowa.edu/etd/1530.

Council of Science Editors:

Allen KE. How beautiful is thy dwelling. [Masters Thesis]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1530


Brno University of Technology

7. Zapletal, Aleš. Kouzelná dobrodružství rozmarného vtělení .

Degree: 2013, Brno University of Technology

 Prezentuji sérii maleb středních a velkých formátů. Základem těchto figurálních kompozic jsou zátiší z běžně používaných předmětů a potravin, které na malbách oživuji jejich přetvořením… (more)

Subjects/Keywords: malba; zátiší; ilustrace; painting; illustration; still life

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APA (6th Edition):

Zapletal, A. (2013). Kouzelná dobrodružství rozmarného vtělení . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/25796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapletal, Aleš. “Kouzelná dobrodružství rozmarného vtělení .” 2013. Thesis, Brno University of Technology. Accessed October 22, 2019. http://hdl.handle.net/11012/25796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapletal, Aleš. “Kouzelná dobrodružství rozmarného vtělení .” 2013. Web. 22 Oct 2019.

Vancouver:

Zapletal A. Kouzelná dobrodružství rozmarného vtělení . [Internet] [Thesis]. Brno University of Technology; 2013. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11012/25796.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapletal A. Kouzelná dobrodružství rozmarného vtělení . [Thesis]. Brno University of Technology; 2013. Available from: http://hdl.handle.net/11012/25796

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

8. Bivalacqua, Matthew J. Picturing Things.

Degree: M.F.A., Fine Arts, 2019, University of New Orleans

  My creative process is a ritual I use to examine my personal narrative. Digital photography is a way for me to mine an object… (more)

Subjects/Keywords: Picuture; surface; painting; asethetic; still life; Painting

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APA (6th Edition):

Bivalacqua, M. J. (2019). Picturing Things. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bivalacqua, Matthew J. “Picturing Things.” 2019. Thesis, University of New Orleans. Accessed October 22, 2019. https://scholarworks.uno.edu/td/2586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bivalacqua, Matthew J. “Picturing Things.” 2019. Web. 22 Oct 2019.

Vancouver:

Bivalacqua MJ. Picturing Things. [Internet] [Thesis]. University of New Orleans; 2019. [cited 2019 Oct 22]. Available from: https://scholarworks.uno.edu/td/2586.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bivalacqua MJ. Picturing Things. [Thesis]. University of New Orleans; 2019. Available from: https://scholarworks.uno.edu/td/2586

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

9. Wilson, RA. Song in a strange land: an investigation, in paint, into the music of Arauco Libre.

Degree: 2018, University of Tasmania

 The central research question underlying this project is ‘How to express in visual form, the music of Arauco Libre and its role in their migration… (more)

Subjects/Keywords: Still life painting; music and refugees

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APA (6th Edition):

Wilson, R. (2018). Song in a strange land: an investigation, in paint, into the music of Arauco Libre. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/30682/1/Wilson_whole_thesis.pdf ; Wilson, RA ORCID: 0000-0002-5656-6279 <https://orcid.org/0000-0002-5656-6279> 2018 , 'Song in a strange land: an investigation, in paint, into the music of Arauco Libre', Research Master thesis, University of Tasmania.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, RA. “Song in a strange land: an investigation, in paint, into the music of Arauco Libre.” 2018. Thesis, University of Tasmania. Accessed October 22, 2019. https://eprints.utas.edu.au/30682/1/Wilson_whole_thesis.pdf ; Wilson, RA ORCID: 0000-0002-5656-6279 <https://orcid.org/0000-0002-5656-6279> 2018 , 'Song in a strange land: an investigation, in paint, into the music of Arauco Libre', Research Master thesis, University of Tasmania..

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, RA. “Song in a strange land: an investigation, in paint, into the music of Arauco Libre.” 2018. Web. 22 Oct 2019.

Vancouver:

Wilson R. Song in a strange land: an investigation, in paint, into the music of Arauco Libre. [Internet] [Thesis]. University of Tasmania; 2018. [cited 2019 Oct 22]. Available from: https://eprints.utas.edu.au/30682/1/Wilson_whole_thesis.pdf ; Wilson, RA ORCID: 0000-0002-5656-6279 <https://orcid.org/0000-0002-5656-6279> 2018 , 'Song in a strange land: an investigation, in paint, into the music of Arauco Libre', Research Master thesis, University of Tasmania..

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson R. Song in a strange land: an investigation, in paint, into the music of Arauco Libre. [Thesis]. University of Tasmania; 2018. Available from: https://eprints.utas.edu.au/30682/1/Wilson_whole_thesis.pdf ; Wilson, RA ORCID: 0000-0002-5656-6279 <https://orcid.org/0000-0002-5656-6279> 2018 , 'Song in a strange land: an investigation, in paint, into the music of Arauco Libre', Research Master thesis, University of Tasmania.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

10. Behrens, Monika. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.

Degree: Art, 2017, University of New South Wales

 This research project reads seventeenth century Dutch still life through the lens of a contemporary painting practice. I contribute to the field of traditional seventeenth-century… (more)

Subjects/Keywords: Contemporary Painting; Painting; 17th Century Dutch Still Life; Composition; Still Life Painting; Art History

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APA (6th Edition):

Behrens, M. (2017). Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/58810 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:47621/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Behrens, Monika. “Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.” 2017. Doctoral Dissertation, University of New South Wales. Accessed October 22, 2019. http://handle.unsw.edu.au/1959.4/58810 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:47621/SOURCE02?view=true.

MLA Handbook (7th Edition):

Behrens, Monika. “Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.” 2017. Web. 22 Oct 2019.

Vancouver:

Behrens M. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. [Internet] [Doctoral dissertation]. University of New South Wales; 2017. [cited 2019 Oct 22]. Available from: http://handle.unsw.edu.au/1959.4/58810 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:47621/SOURCE02?view=true.

Council of Science Editors:

Behrens M. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. [Doctoral Dissertation]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/58810 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:47621/SOURCE02?view=true


Rochester Institute of Technology

11. Bang, Jee Young. Dear Objects.

Degree: MFA, School of Photographic Arts and Sciences (CIAS), 2017, Rochester Institute of Technology

  Dear Objects, is a personal, diaristic documentation of everyday life that combines brief stories and still-life photographs. Experiencing everyday moments as a single parent… (more)

Subjects/Keywords: Daily life; Goose family; Memory; Motherhood; Objects; Still life

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APA (6th Edition):

Bang, J. Y. (2017). Dear Objects. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9459

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bang, Jee Young. “Dear Objects.” 2017. Thesis, Rochester Institute of Technology. Accessed October 22, 2019. https://scholarworks.rit.edu/theses/9459.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bang, Jee Young. “Dear Objects.” 2017. Web. 22 Oct 2019.

Vancouver:

Bang JY. Dear Objects. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2019 Oct 22]. Available from: https://scholarworks.rit.edu/theses/9459.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bang JY. Dear Objects. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9459

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

12. Wu, Yu Lun. Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products.

Degree: 2014, RMIT University

 This studio-based research project is an investigation of 17th century traditional still life painting. With a primary focus on the critic Dennis Diderot (1713-1784) and… (more)

Subjects/Keywords: Fields of Research; Still-life; Model-building; Industrial products

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APA (6th Edition):

Wu, Y. L. (2014). Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Yu Lun. “Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Yu Lun. “Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products.” 2014. Web. 22 Oct 2019.

Vancouver:

Wu YL. Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu YL. Still life: an investigation of realism in oil painting in the development of new forms derived from an observation of industrial products. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

13. Watson, SF. Silent witnesses : re-interpreting the still life tradition.

Degree: 2010, University of Tasmania

 This research investigates how simple domestic objects can be employed as visual metaphors for vulnerability, entrapment and unfulfilled expectations experienced by many women who take… (more)

Subjects/Keywords: Still-life painting; Domestic space in art; Women in art

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APA (6th Edition):

Watson, S. (2010). Silent witnesses : re-interpreting the still life tradition. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/22268/1/whole_WatsonSheilaFrances2010_thesis.pdf ; https://eprints.utas.edu.au/22268/2/whole_WatsonSheilaFrances2010Vol2_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watson, SF. “Silent witnesses : re-interpreting the still life tradition.” 2010. Thesis, University of Tasmania. Accessed October 22, 2019. https://eprints.utas.edu.au/22268/1/whole_WatsonSheilaFrances2010_thesis.pdf ; https://eprints.utas.edu.au/22268/2/whole_WatsonSheilaFrances2010Vol2_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watson, SF. “Silent witnesses : re-interpreting the still life tradition.” 2010. Web. 22 Oct 2019.

Vancouver:

Watson S. Silent witnesses : re-interpreting the still life tradition. [Internet] [Thesis]. University of Tasmania; 2010. [cited 2019 Oct 22]. Available from: https://eprints.utas.edu.au/22268/1/whole_WatsonSheilaFrances2010_thesis.pdf ; https://eprints.utas.edu.au/22268/2/whole_WatsonSheilaFrances2010Vol2_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson S. Silent witnesses : re-interpreting the still life tradition. [Thesis]. University of Tasmania; 2010. Available from: https://eprints.utas.edu.au/22268/1/whole_WatsonSheilaFrances2010_thesis.pdf ; https://eprints.utas.edu.au/22268/2/whole_WatsonSheilaFrances2010Vol2_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

14. Hoikka, Veli-Matti. I am just taking photographs.

Degree: MFA, Fine Arts, 2015, University of Southern California

 The purpose of this paper is to recognize and define aspects for the use of an object making studio practice that not only reproduce a… (more)

Subjects/Keywords: photography; still-life; technical image; Flusser; documentary photography

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APA (6th Edition):

Hoikka, V. (2015). I am just taking photographs. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/570597/rec/3301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoikka, Veli-Matti. “I am just taking photographs.” 2015. Thesis, University of Southern California. Accessed October 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/570597/rec/3301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoikka, Veli-Matti. “I am just taking photographs.” 2015. Web. 22 Oct 2019.

Vancouver:

Hoikka V. I am just taking photographs. [Internet] [Thesis]. University of Southern California; 2015. [cited 2019 Oct 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/570597/rec/3301.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoikka V. I am just taking photographs. [Thesis]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/570597/rec/3301

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

15. Rotwein, Grace June. Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums.

Degree: 2017, University of Washington

 Museums are no stranger to controversy and contention surrounding exhibitions and interpretation. Curators and exhibit developers have the power, whether unintentionally or by design, to… (more)

Subjects/Keywords: Art; Exhibitition; History; Interpretation; IPOP; Still life; Museum studies; Museology

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APA (6th Edition):

Rotwein, G. J. (2017). Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/39759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rotwein, Grace June. “Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums.” 2017. Thesis, University of Washington. Accessed October 22, 2019. http://hdl.handle.net/1773/39759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rotwein, Grace June. “Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums.” 2017. Web. 22 Oct 2019.

Vancouver:

Rotwein GJ. Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums. [Internet] [Thesis]. University of Washington; 2017. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1773/39759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rotwein GJ. Who Are Art Exhibitions For?: An Investigation into Narrative Choice and Public Reaction in Art Museums. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/39759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

16. Groenhout, Edward George. Spatial illusions and still-life objects.

Degree: MFA, 1969, Montana Tech

Subjects/Keywords: Still-life painting; Optical illusions

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APA (6th Edition):

Groenhout, E. G. (1969). Spatial illusions and still-life objects. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/3631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Groenhout, Edward George. “Spatial illusions and still-life objects.” 1969. Thesis, Montana Tech. Accessed October 22, 2019. https://scholarworks.umt.edu/etd/3631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Groenhout, Edward George. “Spatial illusions and still-life objects.” 1969. Web. 22 Oct 2019.

Vancouver:

Groenhout EG. Spatial illusions and still-life objects. [Internet] [Thesis]. Montana Tech; 1969. [cited 2019 Oct 22]. Available from: https://scholarworks.umt.edu/etd/3631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Groenhout EG. Spatial illusions and still-life objects. [Thesis]. Montana Tech; 1969. Available from: https://scholarworks.umt.edu/etd/3631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

17. Haas, Charles. A Search For More Meaningful Interpretations.

Degree: School of Art (CIAS), 1967, Rochester Institute of Technology

None provided. Advisors/Committee Members: Meyer, Frederick.

Subjects/Keywords: art; canvas; painting; still-life

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APA (6th Edition):

Haas, C. (1967). A Search For More Meaningful Interpretations. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haas, Charles. “A Search For More Meaningful Interpretations.” 1967. Thesis, Rochester Institute of Technology. Accessed October 22, 2019. https://scholarworks.rit.edu/theses/3492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haas, Charles. “A Search For More Meaningful Interpretations.” 1967. Web. 22 Oct 2019.

Vancouver:

Haas C. A Search For More Meaningful Interpretations. [Internet] [Thesis]. Rochester Institute of Technology; 1967. [cited 2019 Oct 22]. Available from: https://scholarworks.rit.edu/theses/3492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haas C. A Search For More Meaningful Interpretations. [Thesis]. Rochester Institute of Technology; 1967. Available from: https://scholarworks.rit.edu/theses/3492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

18. Maines, Lauren Anne. The Nature of realism.

Degree: School of Art (CIAS), 1988, Rochester Institute of Technology

None provided. Advisors/Committee Members: Bornarth, Philip, Heischmann, Robert, Miller, Edward.

Subjects/Keywords: Still-life painting; Realist painting

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APA (6th Edition):

Maines, L. A. (1988). The Nature of realism. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4936

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maines, Lauren Anne. “The Nature of realism.” 1988. Thesis, Rochester Institute of Technology. Accessed October 22, 2019. https://scholarworks.rit.edu/theses/4936.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maines, Lauren Anne. “The Nature of realism.” 1988. Web. 22 Oct 2019.

Vancouver:

Maines LA. The Nature of realism. [Internet] [Thesis]. Rochester Institute of Technology; 1988. [cited 2019 Oct 22]. Available from: https://scholarworks.rit.edu/theses/4936.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maines LA. The Nature of realism. [Thesis]. Rochester Institute of Technology; 1988. Available from: https://scholarworks.rit.edu/theses/4936

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


George Mason University

19. Blakley, Matthew B. Violet .

Degree: 2014, George Mason University

 This thesis explores the uncertain nature of representation and focuses on the precious failures of language and memory. In doing so, remembered narratives of a… (more)

Subjects/Keywords: violet; representation; birds; ekphrasis; Vincent van Gogh; still life

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blakley, M. B. (2014). Violet . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/8733

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blakley, Matthew B. “Violet .” 2014. Thesis, George Mason University. Accessed October 22, 2019. http://hdl.handle.net/1920/8733.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blakley, Matthew B. “Violet .” 2014. Web. 22 Oct 2019.

Vancouver:

Blakley MB. Violet . [Internet] [Thesis]. George Mason University; 2014. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1920/8733.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blakley MB. Violet . [Thesis]. George Mason University; 2014. Available from: http://hdl.handle.net/1920/8733

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

20. Brosnan, Kelsey. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).

Degree: PhD, Art History, 2018, Rutgers University

Anne Vallayer-Coster (1744–1818) was one of four académiciennes admitted to the French Royal Academy of Painting and Sculpture in the late eighteenth century. As a… (more)

Subjects/Keywords: Still-life painting; Vallayer-Coster, Anne, 1744-1818

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APA (6th Edition):

Brosnan, K. (2018). Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/58929/

Chicago Manual of Style (16th Edition):

Brosnan, Kelsey. “Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).” 2018. Doctoral Dissertation, Rutgers University. Accessed October 22, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/58929/.

MLA Handbook (7th Edition):

Brosnan, Kelsey. “Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818).” 2018. Web. 22 Oct 2019.

Vancouver:

Brosnan K. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2019 Oct 22]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/58929/.

Council of Science Editors:

Brosnan K. Seductive surfaces: the still life paintings of Anne Vallayer-Coster (1744–1818). [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/58929/


Leiden University

21. Clement, Arend Christiaan. JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE.

Degree: 2019, Leiden University

 This thesis aims to shed a new light on Torrentius’s Still Life with Roemer, Sheet Music, Flagon, Jug, Pipes, and Bridle (1614) and Watercolour with… (more)

Subjects/Keywords: Torrentius; Music; Rhetoric; Poetry; Antiquity; Still life; Watercolour

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APA (6th Edition):

Clement, A. C. (2019). JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/77233

Chicago Manual of Style (16th Edition):

Clement, Arend Christiaan. “JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE.” 2019. Masters Thesis, Leiden University. Accessed October 22, 2019. http://hdl.handle.net/1887/77233.

MLA Handbook (7th Edition):

Clement, Arend Christiaan. “JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE.” 2019. Web. 22 Oct 2019.

Vancouver:

Clement AC. JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1887/77233.

Council of Science Editors:

Clement AC. JOHANNES TORRENTIUS: AN INTERDISCIPLINARY APPROACH TO HIS OEUVRE. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/77233


Colorado State University

22. Lopez, Wendy Kathleen. Still lifes : the transformation of the everyday.

Degree: Master of Fine Arts (M.F.A.), Art, 2007, Colorado State University

 What I find of particular interest is the transformation of the mundane. Through this series of still life paintings, I convey an acceptance of and… (more)

Subjects/Keywords: Still-life in painting

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APA (6th Edition):

Lopez, W. K. (2007). Still lifes : the transformation of the everyday. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/86897

Chicago Manual of Style (16th Edition):

Lopez, Wendy Kathleen. “Still lifes : the transformation of the everyday.” 2007. Masters Thesis, Colorado State University. Accessed October 22, 2019. http://hdl.handle.net/10217/86897.

MLA Handbook (7th Edition):

Lopez, Wendy Kathleen. “Still lifes : the transformation of the everyday.” 2007. Web. 22 Oct 2019.

Vancouver:

Lopez WK. Still lifes : the transformation of the everyday. [Internet] [Masters thesis]. Colorado State University; 2007. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10217/86897.

Council of Science Editors:

Lopez WK. Still lifes : the transformation of the everyday. [Masters Thesis]. Colorado State University; 2007. Available from: http://hdl.handle.net/10217/86897


Princeton University

23. Elder, Nicole. Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett .

Degree: PhD, 2013, Princeton University

 William Harnett is best known for his incredibly realistic paintings of inanimate objects like an aged edition of Don Quixote and a Colt .44 revolver.… (more)

Subjects/Keywords: America; Nineteenth Century; Still Life; Trompe L'Oeil; William Harnett

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APA (6th Edition):

Elder, N. (2013). Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01nv935290t

Chicago Manual of Style (16th Edition):

Elder, Nicole. “Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett .” 2013. Doctoral Dissertation, Princeton University. Accessed October 22, 2019. http://arks.princeton.edu/ark:/88435/dsp01nv935290t.

MLA Handbook (7th Edition):

Elder, Nicole. “Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett .” 2013. Web. 22 Oct 2019.

Vancouver:

Elder N. Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett . [Internet] [Doctoral dissertation]. Princeton University; 2013. [cited 2019 Oct 22]. Available from: http://arks.princeton.edu/ark:/88435/dsp01nv935290t.

Council of Science Editors:

Elder N. Show and Tell: Representation, Communication, and the Still Lifes of William M. Harnett . [Doctoral Dissertation]. Princeton University; 2013. Available from: http://arks.princeton.edu/ark:/88435/dsp01nv935290t


Louisiana State University

24. Norris, John Harlan. The still beat.

Degree: MFA, Fine Arts, 2005, Louisiana State University

The Still Beat is an exhibition that combines still-life painting with original pop music in a gallery setting. This written thesis examines the process of developing these two distinct bodies of work into a unified exhibition.

Subjects/Keywords: still life paintings; pop music; the still beat

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APA (6th Edition):

Norris, J. H. (2005). The still beat. (Masters Thesis). Louisiana State University. Retrieved from etd-07132005-133401 ; https://digitalcommons.lsu.edu/gradschool_theses/4097

Chicago Manual of Style (16th Edition):

Norris, John Harlan. “The still beat.” 2005. Masters Thesis, Louisiana State University. Accessed October 22, 2019. etd-07132005-133401 ; https://digitalcommons.lsu.edu/gradschool_theses/4097.

MLA Handbook (7th Edition):

Norris, John Harlan. “The still beat.” 2005. Web. 22 Oct 2019.

Vancouver:

Norris JH. The still beat. [Internet] [Masters thesis]. Louisiana State University; 2005. [cited 2019 Oct 22]. Available from: etd-07132005-133401 ; https://digitalcommons.lsu.edu/gradschool_theses/4097.

Council of Science Editors:

Norris JH. The still beat. [Masters Thesis]. Louisiana State University; 2005. Available from: etd-07132005-133401 ; https://digitalcommons.lsu.edu/gradschool_theses/4097


Universidade Federal de Santa Maria

25. Ricardo de Pellegrin. OBJETOS MEDIADOS: PINTURAS MESTIÇAS.

Degree: 2013, Universidade Federal de Santa Maria

A presente pesquisa em Poéticas Visuais foi desenvolvida entre 2011 e 2013, como uma investigação que se estabeleceu na conjugação da prática artística a uma… (more)

Subjects/Keywords: mediação técnica; pintura; ARTES; mediation technique; still life; painting; optics; noise; ruído; óptica; natureza-morta

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APA (6th Edition):

Pellegrin, R. d. (2013). OBJETOS MEDIADOS: PINTURAS MESTIÇAS. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5208

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pellegrin, Ricardo de. “OBJETOS MEDIADOS: PINTURAS MESTIÇAS.” 2013. Thesis, Universidade Federal de Santa Maria. Accessed October 22, 2019. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5208.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pellegrin, Ricardo de. “OBJETOS MEDIADOS: PINTURAS MESTIÇAS.” 2013. Web. 22 Oct 2019.

Vancouver:

Pellegrin Rd. OBJETOS MEDIADOS: PINTURAS MESTIÇAS. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2013. [cited 2019 Oct 22]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5208.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pellegrin Rd. OBJETOS MEDIADOS: PINTURAS MESTIÇAS. [Thesis]. Universidade Federal de Santa Maria; 2013. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5208

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

26. Prates, Katia Maria Kariya. A imagem rarefeita : entre o vazio e o infinito.

Degree: 2011, Universidade do Rio Grande do Sul

A partir da minha produção de fotografias da série Paredes, este estudo investiga a representação de paredes brancas e relaciona as imagens produzidas com as… (more)

Subjects/Keywords: Background; Paredes; Wall; Arte contemporânea; Neutral; Natureza-morta : Arte; Ícone bizantino; Still-life; Byzantine icon

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Prates, K. M. K. (2011). A imagem rarefeita : entre o vazio e o infinito. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/40408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Prates, Katia Maria Kariya. “A imagem rarefeita : entre o vazio e o infinito.” 2011. Thesis, Universidade do Rio Grande do Sul. Accessed October 22, 2019. http://hdl.handle.net/10183/40408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Prates, Katia Maria Kariya. “A imagem rarefeita : entre o vazio e o infinito.” 2011. Web. 22 Oct 2019.

Vancouver:

Prates KMK. A imagem rarefeita : entre o vazio e o infinito. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10183/40408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Prates KMK. A imagem rarefeita : entre o vazio e o infinito. [Thesis]. Universidade do Rio Grande do Sul; 2011. Available from: http://hdl.handle.net/10183/40408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hawaii – Manoa

27. Arata, Derrick. Objects of history.

Degree: M.F.A., 2009, University of Hawaii – Manoa

iv, 33 leaves, bound col. ill. 29 cm

People have a habit of forgetting or ignoring the past when seeking the future. Yet without the… (more)

Subjects/Keywords: Still-life painting, American  – Hawaii  – Honolulu; History in art; Toys in art

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APA (6th Edition):

Arata, D. (2009). Objects of history. (Masters Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/12090

Chicago Manual of Style (16th Edition):

Arata, Derrick. “Objects of history.” 2009. Masters Thesis, University of Hawaii – Manoa. Accessed October 22, 2019. http://hdl.handle.net/10125/12090.

MLA Handbook (7th Edition):

Arata, Derrick. “Objects of history.” 2009. Web. 22 Oct 2019.

Vancouver:

Arata D. Objects of history. [Internet] [Masters thesis]. University of Hawaii – Manoa; 2009. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10125/12090.

Council of Science Editors:

Arata D. Objects of history. [Masters Thesis]. University of Hawaii – Manoa; 2009. Available from: http://hdl.handle.net/10125/12090


RMIT University

28. Cleary, S. The nature of things: reinterpreting the still life genre in the twenty first century.

Degree: 2014, RMIT University

 The different aspects of ecology, including human ecology and the impact of &ldquo;man&rsquo;s ecological footprint&rdquo; on the natural native environment are the main themes of… (more)

Subjects/Keywords: Fields of Research; Still life; ecology; contemporary art; mixed media; craft practice; sculpture; instillation art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cleary, S. (2014). The nature of things: reinterpreting the still life genre in the twenty first century. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleary, S. “The nature of things: reinterpreting the still life genre in the twenty first century.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleary, S. “The nature of things: reinterpreting the still life genre in the twenty first century.” 2014. Web. 22 Oct 2019.

Vancouver:

Cleary S. The nature of things: reinterpreting the still life genre in the twenty first century. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleary S. The nature of things: reinterpreting the still life genre in the twenty first century. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arkansas

29. Drobnock, G J Christopher. tableau vivant [living picture].

Degree: MFA, Art (MFA), 2016, University of Arkansas

  With an overwhelming concern for functionality, the design world and industrial production have moved far beyond the pure necessity of the handmade object. With… (more)

Subjects/Keywords: Communication and the arts; Art; Art theory; Ceramics; Fine art; Functionalism; Still-life; Ceramic Arts

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APA (6th Edition):

Drobnock, G. J. C. (2016). tableau vivant [living picture]. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/1592

Chicago Manual of Style (16th Edition):

Drobnock, G J Christopher. “tableau vivant [living picture].” 2016. Masters Thesis, University of Arkansas. Accessed October 22, 2019. https://scholarworks.uark.edu/etd/1592.

MLA Handbook (7th Edition):

Drobnock, G J Christopher. “tableau vivant [living picture].” 2016. Web. 22 Oct 2019.

Vancouver:

Drobnock GJC. tableau vivant [living picture]. [Internet] [Masters thesis]. University of Arkansas; 2016. [cited 2019 Oct 22]. Available from: https://scholarworks.uark.edu/etd/1592.

Council of Science Editors:

Drobnock GJC. tableau vivant [living picture]. [Masters Thesis]. University of Arkansas; 2016. Available from: https://scholarworks.uark.edu/etd/1592


University of Plymouth

30. Ruddock, Joanna Mavis. Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century.

Degree: PhD, 2017, University of Plymouth

 The seventeenth century was an incredibly fascinating time for art in England developmentally, especially because most of the artists that were receiving the commissions from… (more)

Subjects/Keywords: 709.492; Dutch Art; Seventeenth Century; Anglo-Dutch; Anglo-Dutch interchange; Still Life; Landscape; Marine; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruddock, J. M. (2017). Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/8632

Chicago Manual of Style (16th Edition):

Ruddock, Joanna Mavis. “Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century.” 2017. Doctoral Dissertation, University of Plymouth. Accessed October 22, 2019. http://hdl.handle.net/10026.1/8632.

MLA Handbook (7th Edition):

Ruddock, Joanna Mavis. “Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century.” 2017. Web. 22 Oct 2019.

Vancouver:

Ruddock JM. Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century. [Internet] [Doctoral dissertation]. University of Plymouth; 2017. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10026.1/8632.

Council of Science Editors:

Ruddock JM. Dutch artists in England : examining the cultural interchange between England and the Netherlands in 'low' art in the seventeenth century. [Doctoral Dissertation]. University of Plymouth; 2017. Available from: http://hdl.handle.net/10026.1/8632

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