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You searched for subject:(Steve Reich). Showing records 1 – 22 of 22 total matches.

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University of Ottawa

1. Mileusnic-Plecas, Anja. Taking Reich’s Pulse: Putting New Music into Context .

Degree: 2018, University of Ottawa

 Premiered on November 1st 2016, Steve Reich’s new work Pulse: For Winds, Strings, Piano and Electric Bass epitomizes 51 years of compositional development. Understandably, no… (more)

Subjects/Keywords: Steve Reich; Pulse; Music; Orchestra

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APA (6th Edition):

Mileusnic-Plecas, A. (2018). Taking Reich’s Pulse: Putting New Music into Context . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/37839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mileusnic-Plecas, Anja. “Taking Reich’s Pulse: Putting New Music into Context .” 2018. Thesis, University of Ottawa. Accessed January 22, 2020. http://hdl.handle.net/10393/37839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mileusnic-Plecas, Anja. “Taking Reich’s Pulse: Putting New Music into Context .” 2018. Web. 22 Jan 2020.

Vancouver:

Mileusnic-Plecas A. Taking Reich’s Pulse: Putting New Music into Context . [Internet] [Thesis]. University of Ottawa; 2018. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10393/37839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mileusnic-Plecas A. Taking Reich’s Pulse: Putting New Music into Context . [Thesis]. University of Ottawa; 2018. Available from: http://hdl.handle.net/10393/37839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

2. Menino, Fernando Bueno. Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich .

Degree: 2015, Universidade do Rio Grande do Norte

 This study aims to identify, according to the literature and discography, new performance possibilities for minimalist works of American composer Steve Reich, written between 1972… (more)

Subjects/Keywords: Steve Reich; Minimalismo; Percussão; Dispositivos eletrônicos

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APA (6th Edition):

Menino, F. B. (2015). Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich . (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/22174

Chicago Manual of Style (16th Edition):

Menino, Fernando Bueno. “Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich .” 2015. Masters Thesis, Universidade do Rio Grande do Norte. Accessed January 22, 2020. http://repositorio.ufrn.br/handle/123456789/22174.

MLA Handbook (7th Edition):

Menino, Fernando Bueno. “Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich .” 2015. Web. 22 Jan 2020.

Vancouver:

Menino FB. Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich . [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2015. [cited 2020 Jan 22]. Available from: http://repositorio.ufrn.br/handle/123456789/22174.

Council of Science Editors:

Menino FB. Possibilidades interpretativas envolvendo instrumentos de percussão e recursos tecnológicos na obra Clapping Music (1972), de Steve Reich . [Masters Thesis]. Universidade do Rio Grande do Norte; 2015. Available from: http://repositorio.ufrn.br/handle/123456789/22174


Universiteit Utrecht

3. Linden, K.W.F. van der. Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961).

Degree: 2010, Universiteit Utrecht

 The main objectives of this thesis are to show how minimal music has been described in musicological literature and to provide an analysis of a… (more)

Subjects/Keywords: Letteren; minimal music, steve reich, music for string orchestra

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APA (6th Edition):

Linden, K. W. F. v. d. (2010). Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179325

Chicago Manual of Style (16th Edition):

Linden, K W F van der. “Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961).” 2010. Masters Thesis, Universiteit Utrecht. Accessed January 22, 2020. http://dspace.library.uu.nl:8080/handle/1874/179325.

MLA Handbook (7th Edition):

Linden, K W F van der. “Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961).” 2010. Web. 22 Jan 2020.

Vancouver:

Linden KWFvd. Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961). [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2020 Jan 22]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179325.

Council of Science Editors:

Linden KWFvd. Searching for Harmony in All the Wrong Places: Steve Reich's Music for String Orchestra (1961). [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179325


UCLA

4. Schnurr, Andrew Alan. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.

Degree: Music, 2013, UCLA

 For centuries, the potential connections between music and speech have captivated the imagination of vast numbers of researchers, theorists, and musicians alike. My inquiry into… (more)

Subjects/Keywords: Music; Philosophy; metaphor; mimesis; music composition; prosody; speech melody; Steve Reich

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APA (6th Edition):

Schnurr, A. A. (2013). Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/7gr3m16t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schnurr, Andrew Alan. “Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.” 2013. Thesis, UCLA. Accessed January 22, 2020. http://www.escholarship.org/uc/item/7gr3m16t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schnurr, Andrew Alan. “Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech.” 2013. Web. 22 Jan 2020.

Vancouver:

Schnurr AA. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Jan 22]. Available from: http://www.escholarship.org/uc/item/7gr3m16t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schnurr AA. Mimetic Transpositions: An Aesthetic Theory of Composition Linking Music and Speech. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/7gr3m16t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tennessee – Knoxville

5. Guy, Liahna Rochelle. Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music".

Degree: MM, Music, 2012, University of Tennessee – Knoxville

  Beat-class analysis is a model of rhythm employed by Richard Cohn and John Roeder to analyze textural form in the compositions of Steve Reich(more)

Subjects/Keywords: beat class; steve reich; music theory; Music Theory

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APA (6th Edition):

Guy, L. R. (2012). Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music". (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/1332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guy, Liahna Rochelle. “Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music".” 2012. Thesis, University of Tennessee – Knoxville. Accessed January 22, 2020. https://trace.tennessee.edu/utk_gradthes/1332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guy, Liahna Rochelle. “Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music".” 2012. Web. 22 Jan 2020.

Vancouver:

Guy LR. Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music". [Internet] [Thesis]. University of Tennessee – Knoxville; 2012. [cited 2020 Jan 22]. Available from: https://trace.tennessee.edu/utk_gradthes/1332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guy LR. Beat-Class Tonic Modulation as a Formal Device in Steve Reich's "The Desert Music". [Thesis]. University of Tennessee – Knoxville; 2012. Available from: https://trace.tennessee.edu/utk_gradthes/1332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Linnaeus University

6. Engdahl, Anton. Minimalism och pop : Pop-produktioner inspirerade av Steve Reich.

Degree: Music and Art, 2018, Linnaeus University

  Det här är ett konstnärligt arbete som handlar om att producera popmusik influerad av Steve Reichs minimalistiska verk. Det inleddes med en analys av… (more)

Subjects/Keywords: Steve Reich; minimalism; popmusik; pop; musikproduktion; harmonik; rytm; klangfärg; Music; Musik

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APA (6th Edition):

Engdahl, A. (2018). Minimalism och pop : Pop-produktioner inspirerade av Steve Reich. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Engdahl, Anton. “Minimalism och pop : Pop-produktioner inspirerade av Steve Reich.” 2018. Thesis, Linnaeus University. Accessed January 22, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Engdahl, Anton. “Minimalism och pop : Pop-produktioner inspirerade av Steve Reich.” 2018. Web. 22 Jan 2020.

Vancouver:

Engdahl A. Minimalism och pop : Pop-produktioner inspirerade av Steve Reich. [Internet] [Thesis]. Linnaeus University; 2018. [cited 2020 Jan 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Engdahl A. Minimalism och pop : Pop-produktioner inspirerade av Steve Reich. [Thesis]. Linnaeus University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

7. Phillips, Ariana S. For such a time as this : classical music and 9/11.

Degree: Music., 2012, Baylor University

 This thesis takes as a foundational principle the conviction that music is a vital component of the process of mourning. From this foundation, I focus… (more)

Subjects/Keywords: Classical music.; 9/11.; Adams, John (1947-); Corigliano, John (1938-); Reich, Steve (1936-)

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APA (6th Edition):

Phillips, A. S. (2012). For such a time as this : classical music and 9/11. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8509

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phillips, Ariana S. “For such a time as this : classical music and 9/11. ” 2012. Thesis, Baylor University. Accessed January 22, 2020. http://hdl.handle.net/2104/8509.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phillips, Ariana S. “For such a time as this : classical music and 9/11. ” 2012. Web. 22 Jan 2020.

Vancouver:

Phillips AS. For such a time as this : classical music and 9/11. [Internet] [Thesis]. Baylor University; 2012. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/2104/8509.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phillips AS. For such a time as this : classical music and 9/11. [Thesis]. Baylor University; 2012. Available from: http://hdl.handle.net/2104/8509

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

8. Flickinger, Kelly Lawrence. Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich.

Degree: Music, 2012, UCLA

Steve Reich's phase pieces Drumming and Piano Phase continue to test performers. Challenges include developing a successful phase, determining audible and visual checkpoints, and defining… (more)

Subjects/Keywords: Music; Performing arts; Music education; Drumming; minimalism; phase; phasing; Piano Phase; Steve Reich

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APA (6th Edition):

Flickinger, K. L. (2012). Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6m41k45h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flickinger, Kelly Lawrence. “Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich.” 2012. Thesis, UCLA. Accessed January 22, 2020. http://www.escholarship.org/uc/item/6m41k45h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flickinger, Kelly Lawrence. “Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich.” 2012. Web. 22 Jan 2020.

Vancouver:

Flickinger KL. Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich. [Internet] [Thesis]. UCLA; 2012. [cited 2020 Jan 22]. Available from: http://www.escholarship.org/uc/item/6m41k45h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flickinger KL. Music as a Gradual Lostness: A Performer's Guide to the Phase Music of Steve Reich. [Thesis]. UCLA; 2012. Available from: http://www.escholarship.org/uc/item/6m41k45h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

9. Benoit, Hannah. Rhythmic maximal evenness: rhythm in voice-leading space.

Degree: MM, Music Theory, 2019, Boston University

 Maximal evenness was first introduced in the music theory domain by John Clough and Jack Douthett. Later, the concept was explored by others such as… (more)

Subjects/Keywords: Music theory; György Ligeti; Maximal evenness; Music theory; Rhythmic voice leading; Steve Reich

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APA (6th Edition):

Benoit, H. (2019). Rhythmic maximal evenness: rhythm in voice-leading space. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/36041

Chicago Manual of Style (16th Edition):

Benoit, Hannah. “Rhythmic maximal evenness: rhythm in voice-leading space.” 2019. Masters Thesis, Boston University. Accessed January 22, 2020. http://hdl.handle.net/2144/36041.

MLA Handbook (7th Edition):

Benoit, Hannah. “Rhythmic maximal evenness: rhythm in voice-leading space.” 2019. Web. 22 Jan 2020.

Vancouver:

Benoit H. Rhythmic maximal evenness: rhythm in voice-leading space. [Internet] [Masters thesis]. Boston University; 2019. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/2144/36041.

Council of Science Editors:

Benoit H. Rhythmic maximal evenness: rhythm in voice-leading space. [Masters Thesis]. Boston University; 2019. Available from: http://hdl.handle.net/2144/36041


Cornell University

10. Loiacono, Loren Elexis. A Portfolio of Two Essays .

Degree: 2019, Cornell University

 The two essays in this portfolio share a concern with how American composers have defined themselves in the 20th century, focusing specifically on Steve Reich(more)

Subjects/Keywords: Eight Lines; Henry Cowell; Leo Ornstein; Steve Reich; Tehillim; Tone Clusters; Musical composition

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APA (6th Edition):

Loiacono, L. E. (2019). A Portfolio of Two Essays . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/67314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loiacono, Loren Elexis. “A Portfolio of Two Essays .” 2019. Thesis, Cornell University. Accessed January 22, 2020. http://hdl.handle.net/1813/67314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loiacono, Loren Elexis. “A Portfolio of Two Essays .” 2019. Web. 22 Jan 2020.

Vancouver:

Loiacono LE. A Portfolio of Two Essays . [Internet] [Thesis]. Cornell University; 2019. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/1813/67314.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loiacono LE. A Portfolio of Two Essays . [Thesis]. Cornell University; 2019. Available from: http://hdl.handle.net/1813/67314

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

11. Saccomano, Mark. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis.

Degree: 2015, Columbia University

 Affect reorients our approach to expressivity in music. Instead of searching for emotions embedded in the music, we can consider the moment of reception and… (more)

Subjects/Keywords: Music; Repetition in music; Musical analysis; Affect (Psychology); Music theory; Ikeda, Ryoji, 1966-; Feldman, Morton, 1926-1987; Reich, Steve, 1936-

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APA (6th Edition):

Saccomano, M. (2015). Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/d8-be7n-r404

Chicago Manual of Style (16th Edition):

Saccomano, Mark. “Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis.” 2015. Masters Thesis, Columbia University. Accessed January 22, 2020. https://doi.org/10.7916/d8-be7n-r404.

MLA Handbook (7th Edition):

Saccomano, Mark. “Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis.” 2015. Web. 22 Jan 2020.

Vancouver:

Saccomano M. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis. [Internet] [Masters thesis]. Columbia University; 2015. [cited 2020 Jan 22]. Available from: https://doi.org/10.7916/d8-be7n-r404.

Council of Science Editors:

Saccomano M. Repetition, Reception, Response: Minimal Music and the Use of Affect in Analysis. [Masters Thesis]. Columbia University; 2015. Available from: https://doi.org/10.7916/d8-be7n-r404


University of North Texas

12. Vaughn, Mark. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".

Degree: 2017, University of North Texas

 Reference to a regular pulse is one of the most common ways of measuring time in music. As the basis for tempo, meter, subdivisions, and… (more)

Subjects/Keywords: Mark Vaughn; Pulse; Steve Reich; György Ligeti; Conlon Nancarrow; MIDI piano; electronics; Pierrot ensemble; composition; Music

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APA (6th Edition):

Vaughn, M. (2017). "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1011853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughn, Mark. “"Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".” 2017. Thesis, University of North Texas. Accessed January 22, 2020. https://digital.library.unt.edu/ark:/67531/metadc1011853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughn, Mark. “"Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics".” 2017. Web. 22 Jan 2020.

Vancouver:

Vaughn M. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". [Internet] [Thesis]. University of North Texas; 2017. [cited 2020 Jan 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughn M. "Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics". [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1011853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

13. Wilson, Stephanie Elizabeth. Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach.

Degree: Education, 1999, University of New South Wales

 This dissertation examines pattern perception and temporality in the music of Steve Reich. The research was based on the thesis that the temporal experience of… (more)

Subjects/Keywords: Music of Steve Reich; Auditory perception; Thesis Digitisation Program

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APA (6th Edition):

Wilson, S. E. (1999). Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/44991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8288/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Wilson, Stephanie Elizabeth. “Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach.” 1999. Doctoral Dissertation, University of New South Wales. Accessed January 22, 2020. http://handle.unsw.edu.au/1959.4/44991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8288/SOURCE02?view=true.

MLA Handbook (7th Edition):

Wilson, Stephanie Elizabeth. “Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach.” 1999. Web. 22 Jan 2020.

Vancouver:

Wilson SE. Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach. [Internet] [Doctoral dissertation]. University of New South Wales; 1999. [cited 2020 Jan 22]. Available from: http://handle.unsw.edu.au/1959.4/44991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8288/SOURCE02?view=true.

Council of Science Editors:

Wilson SE. Pattern perception and temporality in the music of Steve Reich: an interdisciplinary approach. [Doctoral Dissertation]. University of New South Wales; 1999. Available from: http://handle.unsw.edu.au/1959.4/44991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8288/SOURCE02?view=true


University of Arizona

14. Fisher, Sarah Lynn. "The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' .

Degree: 2007, University of Arizona

 This thesis examines _The Desert Music_ by Steve Reich in the context of the composer's artistic perspective and advocates studying the subjective listening experience as… (more)

Subjects/Keywords: Steve Reich; The Desert Music; meaning; listening analysis

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APA (6th Edition):

Fisher, S. L. (2007). "The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/193300

Chicago Manual of Style (16th Edition):

Fisher, Sarah Lynn. “"The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' .” 2007. Masters Thesis, University of Arizona. Accessed January 22, 2020. http://hdl.handle.net/10150/193300.

MLA Handbook (7th Edition):

Fisher, Sarah Lynn. “"The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' .” 2007. Web. 22 Jan 2020.

Vancouver:

Fisher SL. "The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' . [Internet] [Masters thesis]. University of Arizona; 2007. [cited 2020 Jan 22]. Available from: http://hdl.handle.net/10150/193300.

Council of Science Editors:

Fisher SL. "The Mind is Listening": Listening for Meaning in Steve Reich's 'The Desert Music' . [Masters Thesis]. University of Arizona; 2007. Available from: http://hdl.handle.net/10150/193300


University of Vienna

15. Toefferl, Sabine. Nicht-westliche Einflüsse in der Musik Steve Reichs.

Degree: 2010, University of Vienna

In der Diplomarbeit geht es um den amerikanischen Komponisten Steve Reich und nicht-westliche Einflüsse in dessen Werk. Sie ist in vier Kapitel gegliedert. In ersten… (more)

Subjects/Keywords: 02.99 Wissenschaft und Kultur allgemein: Sonstiges; 24.55 Komponisten, Musiker, Sänger; 24.98 Musik: Sonstiges; 73.06 Ethnographie; 73.93 Immaterielle Kultur; 73.97 Interethnische Beziehungen; Steve Reich / Drumming / Music for 18 Musicians / Tehillim / Othering / Globalisierung; Steve Reich / Drumming / Music for 18 Musicians / Tehillim / Othering / Globalization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Toefferl, S. (2010). Nicht-westliche Einflüsse in der Musik Steve Reichs. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11905/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toefferl, Sabine. “Nicht-westliche Einflüsse in der Musik Steve Reichs.” 2010. Thesis, University of Vienna. Accessed January 22, 2020. http://othes.univie.ac.at/11905/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toefferl, Sabine. “Nicht-westliche Einflüsse in der Musik Steve Reichs.” 2010. Web. 22 Jan 2020.

Vancouver:

Toefferl S. Nicht-westliche Einflüsse in der Musik Steve Reichs. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 22]. Available from: http://othes.univie.ac.at/11905/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toefferl S. Nicht-westliche Einflüsse in der Musik Steve Reichs. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11905/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

16. Weatherman, Andrea Dawn. Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process.

Degree: MA, German, 2011, Bowling Green State University

  This study examines Steve Reich's reflections on his early works in the context of Walter Benjamin's thesis in “The Work of Art in the… (more)

Subjects/Keywords: Germanic Literature; Steve Reich; Walter Benjamin; music; Minimalism; aura; fascism; technology; phasing; reproducibility; mechanical reproduction; technical reproduction; aesthetics; politicization; aestheticization; politics; art; musicology; perceptibility

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APA (6th Edition):

Weatherman, A. D. (2011). Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300577313

Chicago Manual of Style (16th Edition):

Weatherman, Andrea Dawn. “Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process.” 2011. Masters Thesis, Bowling Green State University. Accessed January 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300577313.

MLA Handbook (7th Edition):

Weatherman, Andrea Dawn. “Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process.” 2011. Web. 22 Jan 2020.

Vancouver:

Weatherman AD. Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process. [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2020 Jan 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300577313.

Council of Science Editors:

Weatherman AD. Prophecy Fulfilled? Walter Benjamin's Vision and Steve Reich's Process. [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300577313


University of Oxford

17. Venter, Carina. Experiments in postcolonial reading : music, violence, response.

Degree: PhD, 2015, University of Oxford

 This thesis is a response to a lacuna in musicology, namely the near absence of postcolonial and decolonial epistemologies. Employing both diachronic and synchronic perspectives,… (more)

Subjects/Keywords: Musicology – Research; postcolonial studies; J. M. Coetzee; minimalism; Philip Glass; truth and reconciliation; trauma; memory/memorialisation; Philip Miller; Steve Reich; colonial/imperial university

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APA (6th Edition):

Venter, C. (2015). Experiments in postcolonial reading : music, violence, response. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:7d8db9f2-a2c4-4ed2-a627-a330db30b7c9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730545

Chicago Manual of Style (16th Edition):

Venter, Carina. “Experiments in postcolonial reading : music, violence, response.” 2015. Doctoral Dissertation, University of Oxford. Accessed January 22, 2020. http://ora.ox.ac.uk/objects/uuid:7d8db9f2-a2c4-4ed2-a627-a330db30b7c9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730545.

MLA Handbook (7th Edition):

Venter, Carina. “Experiments in postcolonial reading : music, violence, response.” 2015. Web. 22 Jan 2020.

Vancouver:

Venter C. Experiments in postcolonial reading : music, violence, response. [Internet] [Doctoral dissertation]. University of Oxford; 2015. [cited 2020 Jan 22]. Available from: http://ora.ox.ac.uk/objects/uuid:7d8db9f2-a2c4-4ed2-a627-a330db30b7c9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730545.

Council of Science Editors:

Venter C. Experiments in postcolonial reading : music, violence, response. [Doctoral Dissertation]. University of Oxford; 2015. Available from: http://ora.ox.ac.uk/objects/uuid:7d8db9f2-a2c4-4ed2-a627-a330db30b7c9 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730545


University of North Texas

18. Isgitt, David. An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti.

Degree: 2002, University of North Texas

 The compositions of Steve Reich and György Ligeti both contain periodic rhythmic structures. Although periods are not usually easily perceived, the listener may perceive their… (more)

Subjects/Keywords: Rhythm.; Reich, Steve, 1936- Six pianos.; Ligeti, György, 1923-2006. Etudes, piano, book 1. Désordre.; Steve Reich; György Ligeti; periodicity; Olivier Messiaen; Simha Arom

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APA (6th Edition):

Isgitt, D. (2002). An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3245/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Isgitt, David. “An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti.” 2002. Thesis, University of North Texas. Accessed January 22, 2020. https://digital.library.unt.edu/ark:/67531/metadc3245/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Isgitt, David. “An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti.” 2002. Web. 22 Jan 2020.

Vancouver:

Isgitt D. An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti. [Internet] [Thesis]. University of North Texas; 2002. [cited 2020 Jan 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3245/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Isgitt D. An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3245/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

19. MacKay, John William. An analysis of musical time in selected works by George Crumb.

Degree: MA, Faculty of Music, 1979, McGill University

Subjects/Keywords: Crumb, George. Works. Selections.; Rochberg, George. Works. Selections.; Reich, Steve, 1936- Works. Selections.; Tempo (Music)

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APA (6th Edition):

MacKay, J. W. (1979). An analysis of musical time in selected works by George Crumb. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile52294.pdf

Chicago Manual of Style (16th Edition):

MacKay, John William. “An analysis of musical time in selected works by George Crumb.” 1979. Masters Thesis, McGill University. Accessed January 22, 2020. http://digitool.library.mcgill.ca/thesisfile52294.pdf.

MLA Handbook (7th Edition):

MacKay, John William. “An analysis of musical time in selected works by George Crumb.” 1979. Web. 22 Jan 2020.

Vancouver:

MacKay JW. An analysis of musical time in selected works by George Crumb. [Internet] [Masters thesis]. McGill University; 1979. [cited 2020 Jan 22]. Available from: http://digitool.library.mcgill.ca/thesisfile52294.pdf.

Council of Science Editors:

MacKay JW. An analysis of musical time in selected works by George Crumb. [Masters Thesis]. McGill University; 1979. Available from: http://digitool.library.mcgill.ca/thesisfile52294.pdf

20. Moore, Lawrence W. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Hawking Sonified is a piece composed in homage to the great cosmologist and theoretical physicist, Stephen Hawking. The piece is a four movement work… (more)

Subjects/Keywords: Stephen Hawking; Pattern Pulse Minimalism; Steve Reich; Paul Lansk; Trevor Wishart

…temporally manipulated in ways that sonically depict the subject matter discussed. 1 Steve Reich… …with the patch. In the aforementioned Steve Reich piece, Come Out, Reich uses a continuously… …aforementioned pieces, Come Out by Steve Reich and I am Sitting in a Room by Alvin Lucier, were… …of its composition. Lane’s article also addresses the Steve Reich piece, It’s Gonna Rain10… …Two women," Voiceprints, EMF EM129, 2000, CD. 10 Steve Reich, "It's Gonna… 

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APA (6th Edition):

Moore, L. W. (2012). Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Thesis, University of Miami. Accessed January 22, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Lawrence W. “Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking.” 2012. Web. 22 Jan 2020.

Vancouver:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Jan 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore LW. Hawking Sonified: The Composition of a Pattern/Pulse Piece that Illuminates the Lectures of Stephen Hawking. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Wolfe, Julia. Embracing the Clash .

Degree: PhD, 2012, Princeton University

 In "Embracing the Clash" composer Julia Wolfe explores the origins, early years, and cultural impact of Bang on a Can, a multi-faceted music organization that… (more)

Subjects/Keywords: Bang on a Can; David Lang; Evan Ziporyn; Julia Wolfe; Michael Gordon; Steve Reich

…I submitted was more of a crossbreed between Igor Stravinsky and Steve Reich, employing… …Steve Reich's Four Organs. ! #&! One of the most gradual process pieces of the… …Lang argued that summer about music and, specifically, about their favorite works by Steve… …Reich and Philip Glass. One would think that because they ! &! were the only two young… …composers at Aspen that summer who cared about the music of Reich and Glass, they might have… 

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APA (6th Edition):

Wolfe, J. (2012). Embracing the Clash . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01j098zb140

Chicago Manual of Style (16th Edition):

Wolfe, Julia. “Embracing the Clash .” 2012. Doctoral Dissertation, Princeton University. Accessed January 22, 2020. http://arks.princeton.edu/ark:/88435/dsp01j098zb140.

MLA Handbook (7th Edition):

Wolfe, Julia. “Embracing the Clash .” 2012. Web. 22 Jan 2020.

Vancouver:

Wolfe J. Embracing the Clash . [Internet] [Doctoral dissertation]. Princeton University; 2012. [cited 2020 Jan 22]. Available from: http://arks.princeton.edu/ark:/88435/dsp01j098zb140.

Council of Science Editors:

Wolfe J. Embracing the Clash . [Doctoral Dissertation]. Princeton University; 2012. Available from: http://arks.princeton.edu/ark:/88435/dsp01j098zb140

22. MacRobbie, Danielle Elizabeth. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.

Degree: MM, Music History, 2013, Bowling Green State University

 The impact of technology upon the twentieth century and the influence it continues to exert upon the present human community is self-evident. The allure and… (more)

Subjects/Keywords: Biology; Ethics; History; Information Technology; Medical Ethics; Military History; Minority and Ethnic Groups; Music; Technology; Theology; Spirituality; Robotics; Robots; Nanotechnology; Steve Reich; Beryl Korot; Three Tales; Technology; Hindenburg zeppelin; Bikini Atoll; Cloning; electronic music; IRCAM; freeze frame sound; new music theater; Kismet; human connectedness; human isolation; technology and art; art and politics; paradox

…Publishers, 1991), 12. 6 Steve Reich and Beryl Korot, “A Theater of Ideas: Steve Reich and… …Beryl Korot on Three Tales,” interview by David Allenby, The Steve Reich Ensemble and Synergy… …Vocals, Three Tales CD and DVD. (Nonesuch Records 79662-2, 2003). 7 Steve Reich… …Three Tales,” then, “Information.” Steve Reich and Beryl Korot, “A Theater of Ideas: Steve… …Reich and Beryl Korot on Three Tales,” interview by David Allenby, The Steve Reich Ensemble… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MacRobbie, D. E. (2013). An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248

Chicago Manual of Style (16th Edition):

MacRobbie, Danielle Elizabeth. “An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.” 2013. Masters Thesis, Bowling Green State University. Accessed January 22, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248.

MLA Handbook (7th Edition):

MacRobbie, Danielle Elizabeth. “An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales.” 2013. Web. 22 Jan 2020.

Vancouver:

MacRobbie DE. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2020 Jan 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248.

Council of Science Editors:

MacRobbie DE. An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1382368248

.