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You searched for subject:(Statuary). Showing records 1 – 19 of 19 total matches.

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1. Taiuti, Aurora. Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic.

Degree: Docteur es, Théorie et pratique de l'archéologie, 2019, Sorbonne université; Università degli studi La Sapienza (Rome)

La production statuaire féminine de la fin de la République et du début de l’époque impériale se révèle être bien plus variée que ce que… (more)

Subjects/Keywords: Sculpture romaine; Femmes; Types statuaires; Variantes statuaires; République; Provinces occidentales; Roman sculptures; Women; Statuary types; Statuary variants; Republic; Occidentals provinces

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APA (6th Edition):

Taiuti, A. (2019). Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic. (Doctoral Dissertation). Sorbonne université; Università degli studi La Sapienza (Rome). Retrieved from http://www.theses.fr/2019SORUL090

Chicago Manual of Style (16th Edition):

Taiuti, Aurora. “Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic.” 2019. Doctoral Dissertation, Sorbonne université; Università degli studi La Sapienza (Rome). Accessed September 22, 2020. http://www.theses.fr/2019SORUL090.

MLA Handbook (7th Edition):

Taiuti, Aurora. “Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic.” 2019. Web. 22 Sep 2020.

Vancouver:

Taiuti A. Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic. [Internet] [Doctoral dissertation]. Sorbonne université; Università degli studi La Sapienza (Rome); 2019. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2019SORUL090.

Council of Science Editors:

Taiuti A. Représenter la femme à la fin de la République : Representing Women at the end of the Roman Republic. [Doctoral Dissertation]. Sorbonne université; Università degli studi La Sapienza (Rome); 2019. Available from: http://www.theses.fr/2019SORUL090


Universidade de Lisboa

2. Araújo, Luís Manuel de, 1949-. Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.).

Degree: Letras, 1998, Universidade de Lisboa

Subjects/Keywords: Sculpture in general. Statuary

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APA (6th Edition):

Araújo, Luís Manuel de, 1. (1998). Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.). (Doctoral Dissertation). Universidade de Lisboa. Retrieved from http://dited.bn.pt:80/30282

Chicago Manual of Style (16th Edition):

Araújo, Luís Manuel de, 1949-. “Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.).” 1998. Doctoral Dissertation, Universidade de Lisboa. Accessed September 22, 2020. http://dited.bn.pt:80/30282.

MLA Handbook (7th Edition):

Araújo, Luís Manuel de, 1949-. “Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.).” 1998. Web. 22 Sep 2020.

Vancouver:

Araújo, Luís Manuel de 1. Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.). [Internet] [Doctoral dissertation]. Universidade de Lisboa; 1998. [cited 2020 Sep 22]. Available from: http://dited.bn.pt:80/30282.

Council of Science Editors:

Araújo, Luís Manuel de 1. Estatuetas funerárias egípcias da XXI dinastia (1970-945 a. C.). [Doctoral Dissertation]. Universidade de Lisboa; 1998. Available from: http://dited.bn.pt:80/30282


Université de Lorraine

3. Switalska, Justyna. La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes.

Degree: Docteur es, Histoire, 2015, Université de Lorraine

 Ma thèse est consacrée à la sculpture à Troyes et en Champagne méridionale à la fin du XVe et au XVIe siècle. Le thème étant… (more)

Subjects/Keywords: Statuaire; Sculpture; Saint-Pantaléon; Statuary; Sculpture; Saint-Pantaléon; 944.331

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APA (6th Edition):

Switalska, J. (2015). La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes. (Doctoral Dissertation). Université de Lorraine. Retrieved from http://www.theses.fr/2015LORR0301

Chicago Manual of Style (16th Edition):

Switalska, Justyna. “La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes.” 2015. Doctoral Dissertation, Université de Lorraine. Accessed September 22, 2020. http://www.theses.fr/2015LORR0301.

MLA Handbook (7th Edition):

Switalska, Justyna. “La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes.” 2015. Web. 22 Sep 2020.

Vancouver:

Switalska J. La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes. [Internet] [Doctoral dissertation]. Université de Lorraine; 2015. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2015LORR0301.

Council of Science Editors:

Switalska J. La statuaire médiévale et Renaissance de l’église Saint-Pantaléon de Troyes : The medieval and Renaissance sculpture of the Saint-Pantaléon church in Troyes. [Doctoral Dissertation]. Université de Lorraine; 2015. Available from: http://www.theses.fr/2015LORR0301

4. Lepoittevin, Anne. La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention.

Degree: Docteur es, Histoire de l'Art, 2013, Université François-Rabelais de Tours

La thèse établit l’histoire comparative des différents Sacri Monti italiens dans un but précis : étudier la transformation d’ « architectures » qui étaient des… (more)

Subjects/Keywords: Sculpture; Sacri Monti; Statuaire; Varallo; Varèse; Orta; Contre-Réforme; Physiognomie; Sculpture; Sacri Monti; Statuary; Varallo; Varèse; Orta; Counter-Reformation; Physiognomy

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APA (6th Edition):

Lepoittevin, A. (2013). La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2013TOUR2012

Chicago Manual of Style (16th Edition):

Lepoittevin, Anne. “La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention.” 2013. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed September 22, 2020. http://www.theses.fr/2013TOUR2012.

MLA Handbook (7th Edition):

Lepoittevin, Anne. “La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention.” 2013. Web. 22 Sep 2020.

Vancouver:

Lepoittevin A. La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2013. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2013TOUR2012.

Council of Science Editors:

Lepoittevin A. La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne : the most catholic statuary of the italian Sacri monti (1490-1680) : genesis, history and destinity of a modern invention. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2013. Available from: http://www.theses.fr/2013TOUR2012

5. Correa-Calleja, Elka Margarita. Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν.

Degree: Docteur es, Mondes arabe, musulman et sémitique, 2014, Aix Marseille Université

Cette recherche porte sur la vie et l’œuvre de Mahmûd Mukhtâr, gloire de l’art égyptien, dont le travail prit naissance à une époque où les… (more)

Subjects/Keywords: Egypte; Histoire; Art; Statuaire publique; Nationalisme; Modernisme; Art déco; Egypt; History; Art; Public statuary; Nationalism; Modernism; Art deco

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APA (6th Edition):

Correa-Calleja, E. M. (2014). Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2014AIXM3118

Chicago Manual of Style (16th Edition):

Correa-Calleja, Elka Margarita. “Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν.” 2014. Doctoral Dissertation, Aix Marseille Université. Accessed September 22, 2020. http://www.theses.fr/2014AIXM3118.

MLA Handbook (7th Edition):

Correa-Calleja, Elka Margarita. “Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν.” 2014. Web. 22 Sep 2020.

Vancouver:

Correa-Calleja EM. Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν. [Internet] [Doctoral dissertation]. Aix Marseille Université 2014. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2014AIXM3118.

Council of Science Editors:

Correa-Calleja EM. Nationalisme et modernisme à travers l'oeuvre de Mahmud Mukhtar (1891-1934) : Edition, Translation and Commentary of the Pseudo-Aristotle's Περὶ ἀτόμων γραμμῶν. [Doctoral Dissertation]. Aix Marseille Université 2014. Available from: http://www.theses.fr/2014AIXM3118

6. Cressent, Mélanie. La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty.

Degree: Docteur es, Égyptologie, 2013, Lille 3

Cent vingt-sept statues privées de la XXVe dynastie au début de la XXVIIe dynastie ont été recensées, dont neuf raccords, auxquelles s'ajoutent cinquante-neuf monuments qui… (more)

Subjects/Keywords: Statuaire tardive; Memphis; Dynastie kouchite; XXVe dynastie; Dynastie saïte; XXVIe dynastie; Private statuary; Memphis; Late Period; Archaïsm

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APA (6th Edition):

Cressent, M. (2013). La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2013LIL30018

Chicago Manual of Style (16th Edition):

Cressent, Mélanie. “La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty.” 2013. Doctoral Dissertation, Lille 3. Accessed September 22, 2020. http://www.theses.fr/2013LIL30018.

MLA Handbook (7th Edition):

Cressent, Mélanie. “La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty.” 2013. Web. 22 Sep 2020.

Vancouver:

Cressent M. La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty. [Internet] [Doctoral dissertation]. Lille 3; 2013. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2013LIL30018.

Council of Science Editors:

Cressent M. La statuaire privée memphite de la XXVe dynastie au début de la XXVIIe dynastie : Private statuary from the Memphite area from XXVth Dynasty to the beginning of XXVIIth Dynasty. [Doctoral Dissertation]. Lille 3; 2013. Available from: http://www.theses.fr/2013LIL30018

7. Castelle, Manon. Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660.

Degree: Docteur es, Histoire, histoire de l'art et archéologie, 2016, Université Paris-Saclay (ComUE)

 A partir de la fin de l’Antiquité, les grands bronzessont peu à peu délaissés puis abandonnés. Il faudra attendre laseconde moitié du XVIème siècle pour… (more)

Subjects/Keywords: Statuaire; Bronze; Époque moderne; Études technologiques; Procédés; Matériaux; Bronze statuary; Modern period; Technological studiess; Casting process; Materials; 735.21

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APA (6th Edition):

Castelle, M. (2016). Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660. (Doctoral Dissertation). Université Paris-Saclay (ComUE). Retrieved from http://www.theses.fr/2016SACLV097

Chicago Manual of Style (16th Edition):

Castelle, Manon. “Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660.” 2016. Doctoral Dissertation, Université Paris-Saclay (ComUE). Accessed September 22, 2020. http://www.theses.fr/2016SACLV097.

MLA Handbook (7th Edition):

Castelle, Manon. “Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660.” 2016. Web. 22 Sep 2020.

Vancouver:

Castelle M. Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660. [Internet] [Doctoral dissertation]. Université Paris-Saclay (ComUE); 2016. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2016SACLV097.

Council of Science Editors:

Castelle M. Les techniques de fabrication de la grande statuaire en bronze 1540-1660 en France : Fabrication processes of large bronze statues in France 1540-1660. [Doctoral Dissertation]. Université Paris-Saclay (ComUE); 2016. Available from: http://www.theses.fr/2016SACLV097

8. Barbotin, Christophe. Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis.

Degree: Docteur es, Archéologie, 2017, Université de Strasbourg

Le musée du Louvre conserve 302 statues égyptiennes du Nouvel Empire, une collection suffisamment riche pour obtenir certains résultats susceptibles d’être extrapolés à l’ensemble de… (more)

Subjects/Keywords: Louvre; Statuaire; Nouvel Empire; Image; Écriture; Aspective; Perspective; Louvre; Statuary; New Kingdom; Image; Writing; Aspective; Perspective; 932

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APA (6th Edition):

Barbotin, C. (2017). Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2017STRAG015

Chicago Manual of Style (16th Edition):

Barbotin, Christophe. “Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis.” 2017. Doctoral Dissertation, Université de Strasbourg. Accessed September 22, 2020. http://www.theses.fr/2017STRAG015.

MLA Handbook (7th Edition):

Barbotin, Christophe. “Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis.” 2017. Web. 22 Sep 2020.

Vancouver:

Barbotin C. Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2017. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2017STRAG015.

Council of Science Editors:

Barbotin C. Les statues égyptiennes du Nouvel Empire au Louvre : une synthèse : The Egyptian statues of the New Kingdom in Louvre : a synthesis. [Doctoral Dissertation]. Université de Strasbourg; 2017. Available from: http://www.theses.fr/2017STRAG015

9. Zinai, Kenza. Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity.

Degree: Docteur es, Archéologie, 2014, Paris 1

Cette thèse est consacrée à l’étude du décor des édifices balnéaires publics et privés dans les cités antiques de l’Algérie, entre le Ile et le… (more)

Subjects/Keywords: Architecture; Décor; Iconographie; Mosaïque; Peinture murale; Statuaire; Thermes; Algérie; Architecture; Decoration; Iconography; Mosaic; Mural painting; Statuary; Baths; Algeria; Thermae; 930.1; 722

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APA (6th Edition):

Zinai, K. (2014). Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2014PA010525

Chicago Manual of Style (16th Edition):

Zinai, Kenza. “Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity.” 2014. Doctoral Dissertation, Paris 1. Accessed September 22, 2020. http://www.theses.fr/2014PA010525.

MLA Handbook (7th Edition):

Zinai, Kenza. “Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity.” 2014. Web. 22 Sep 2020.

Vancouver:

Zinai K. Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity. [Internet] [Doctoral dissertation]. Paris 1; 2014. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2014PA010525.

Council of Science Editors:

Zinai K. Le décor des thermes dans l'Algérie antique : Decoration of baths (thermae) in Algerie in Antiquity. [Doctoral Dissertation]. Paris 1; 2014. Available from: http://www.theses.fr/2014PA010525


Universidade dos Açores

10. Oliveira, Carolina Maria. Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores.

Degree: 2018, Universidade dos Açores

Dissertação de Mestrado, Património, Museologia e Desenvolvimento, 02 de maio de 2018, Universidade dos Açores.

A presente dissertação constitui um trabalho de investigação focalizado nas… (more)

Subjects/Keywords: Conservação Preventiva; Escultura Pública; Estatuária; Ilha de São Miguel (Açores); Açores; Preventive Conservation; Public Statuary; Azores; Domínio/Área Científica::Humanidades::História e Arqueologia; Domínio/Área Científica::Humanidades::Outras Humanidades

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APA (6th Edition):

Oliveira, C. M. (2018). Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores. (Thesis). Universidade dos Açores. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.uac.pt:10400.3/4787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Carolina Maria. “Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores.” 2018. Thesis, Universidade dos Açores. Accessed September 22, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.uac.pt:10400.3/4787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Carolina Maria. “Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores.” 2018. Web. 22 Sep 2020.

Vancouver:

Oliveira CM. Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores. [Internet] [Thesis]. Universidade dos Açores; 2018. [cited 2020 Sep 22]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.uac.pt:10400.3/4787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira CM. Evocações em Pedra e em Bronze : um estudo para a conservação preventiva da estatuária pública do Centro Histórico de Ponta Delgada, S. Miguel, Açores. [Thesis]. Universidade dos Açores; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.uac.pt:10400.3/4787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

11. Chezum, Tiffany. On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture.

Degree: PhD, 2014, University of Oxford

 The aim of this thesis is to examine changes in the status of traditional Egyptian religious culture during the Ptolemaic and Roman periods, from 331… (more)

Subjects/Keywords: 932; Egyptology; Materials studies (archaeology); History of the ancient world; Religions of antiquity; Egyptian religious culture; Graeco-Roman Egypt; Egyptian numismatics; hard-stone statuary; Egyptian temples; Alexandrian tombs; Egyptian priests

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APA (6th Edition):

Chezum, T. (2014). On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d6bee2aa-49a5-42db-9617-394ea1f73cf5 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682694

Chicago Manual of Style (16th Edition):

Chezum, Tiffany. “On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture.” 2014. Doctoral Dissertation, University of Oxford. Accessed September 22, 2020. http://ora.ox.ac.uk/objects/uuid:d6bee2aa-49a5-42db-9617-394ea1f73cf5 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682694.

MLA Handbook (7th Edition):

Chezum, Tiffany. “On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture.” 2014. Web. 22 Sep 2020.

Vancouver:

Chezum T. On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2020 Sep 22]. Available from: http://ora.ox.ac.uk/objects/uuid:d6bee2aa-49a5-42db-9617-394ea1f73cf5 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682694.

Council of Science Editors:

Chezum T. On the endurance of indigenous religious culture in Ptolemaic and Roman Egypt : evidence of material culture. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:d6bee2aa-49a5-42db-9617-394ea1f73cf5 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682694

12. Ben Messaoud, Fadhila. Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary.

Degree: Docteur es, Histoire, 2018, Bourgogne Franche-Comté; Université de Tunis

 À travers l’analyse des témoignages de l’épigraphie et de la statuaire relatifs à l’empereur Trajan, issus des cités des provinces occidentales, notre objectif est de… (more)

Subjects/Keywords: Trajan; Image impériale; Titulature impériale; Provinces occidentales; Incriptions latines; Pouvoir impérial; Trajan; Imperial image; Imperial title; Statuary; Latin inscriptions; Imperial power; 937

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APA (6th Edition):

Ben Messaoud, F. (2018). Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary. (Doctoral Dissertation). Bourgogne Franche-Comté; Université de Tunis. Retrieved from http://www.theses.fr/2018UBFCH035

Chicago Manual of Style (16th Edition):

Ben Messaoud, Fadhila. “Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary.” 2018. Doctoral Dissertation, Bourgogne Franche-Comté; Université de Tunis. Accessed September 22, 2020. http://www.theses.fr/2018UBFCH035.

MLA Handbook (7th Edition):

Ben Messaoud, Fadhila. “Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary.” 2018. Web. 22 Sep 2020.

Vancouver:

Ben Messaoud F. Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary. [Internet] [Doctoral dissertation]. Bourgogne Franche-Comté; Université de Tunis; 2018. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2018UBFCH035.

Council of Science Editors:

Ben Messaoud F. Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire : Titulature and power of Emperor Trajan in the provinces of the Roman West from epigraphy and statuary. [Doctoral Dissertation]. Bourgogne Franche-Comté; Université de Tunis; 2018. Available from: http://www.theses.fr/2018UBFCH035

13. Fleming, James. The Image of Antinous in Imperial Ideology .

Degree: 2019, University of Ottawa

 The statues of Antinous, Hadrian’s favourite, are often believed to be primarily products of Hadrian’s philhellenism. The easiest explanation for Antinous’ unusual historical profile is… (more)

Subjects/Keywords: Antinous; Portraiture; Ideology; Hadrian; Cult; Iconography; Philhellenism; Statuary

…well, as the two were conflated in Antinous’ statuary later on. 19 Birley, Hadrian, 241. 20 W… …has been established as a category of statuary since the Renaissance… 

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APA (6th Edition):

Fleming, J. (2019). The Image of Antinous in Imperial Ideology . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/39176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fleming, James. “The Image of Antinous in Imperial Ideology .” 2019. Thesis, University of Ottawa. Accessed September 22, 2020. http://hdl.handle.net/10393/39176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fleming, James. “The Image of Antinous in Imperial Ideology .” 2019. Web. 22 Sep 2020.

Vancouver:

Fleming J. The Image of Antinous in Imperial Ideology . [Internet] [Thesis]. University of Ottawa; 2019. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/10393/39176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fleming J. The Image of Antinous in Imperial Ideology . [Thesis]. University of Ottawa; 2019. Available from: http://hdl.handle.net/10393/39176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

14. Henrichs, Jennifer Alaine. The Riace bronzes: a comparative study in style and technique.

Degree: MA, Arts and Humanities, 2005, Louisiana State University

 Two monumental bronze statues were discovered by a diver in the remains of an ancient shipwreck in the Riace Marina off the coast of Calabria… (more)

Subjects/Keywords: shipwreck; riace; riace bronzes; bronze statuary; classical greek statues; italy; warriors

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APA (6th Edition):

Henrichs, J. A. (2005). The Riace bronzes: a comparative study in style and technique. (Masters Thesis). Louisiana State University. Retrieved from etd-04142005-184207 ; https://digitalcommons.lsu.edu/gradschool_theses/2355

Chicago Manual of Style (16th Edition):

Henrichs, Jennifer Alaine. “The Riace bronzes: a comparative study in style and technique.” 2005. Masters Thesis, Louisiana State University. Accessed September 22, 2020. etd-04142005-184207 ; https://digitalcommons.lsu.edu/gradschool_theses/2355.

MLA Handbook (7th Edition):

Henrichs, Jennifer Alaine. “The Riace bronzes: a comparative study in style and technique.” 2005. Web. 22 Sep 2020.

Vancouver:

Henrichs JA. The Riace bronzes: a comparative study in style and technique. [Internet] [Masters thesis]. Louisiana State University; 2005. [cited 2020 Sep 22]. Available from: etd-04142005-184207 ; https://digitalcommons.lsu.edu/gradschool_theses/2355.

Council of Science Editors:

Henrichs JA. The Riace bronzes: a comparative study in style and technique. [Masters Thesis]. Louisiana State University; 2005. Available from: etd-04142005-184207 ; https://digitalcommons.lsu.edu/gradschool_theses/2355


Macquarie University

15. Smith, Elizabeth. Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E.

Degree: 2019, Macquarie University

Theoretical thesis.

Bibliography: pages 255-291.

Introduction  – Chapter One. Scholarly considerations of head-covering practices and depictions of head-covering garments, and literature on the Large and… (more)

Subjects/Keywords: Statues  – Rome  – History; Headdresses  – Rome  – History; Women  – Rome  – Social life and customs; female; women; veil; head covering; Roman Empire; statuary; sculpture; costume; palla

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APA (6th Edition):

Smith, E. (2019). Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1271340

Chicago Manual of Style (16th Edition):

Smith, Elizabeth. “Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E.” 2019. Doctoral Dissertation, Macquarie University. Accessed September 22, 2020. http://hdl.handle.net/1959.14/1271340.

MLA Handbook (7th Edition):

Smith, Elizabeth. “Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E.” 2019. Web. 22 Sep 2020.

Vancouver:

Smith E. Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E. [Internet] [Doctoral dissertation]. Macquarie University; 2019. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/1959.14/1271340.

Council of Science Editors:

Smith E. Capite coperto/aperto in context: selected depictions of female head covering on statuary and in relief sculptures in the Large and Small Herculaneum woman types from the Roman world between the 1st century B.C.E. and 4th century C.E. [Doctoral Dissertation]. Macquarie University; 2019. Available from: http://hdl.handle.net/1959.14/1271340


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

16. Tsagkalia, Christina. Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις.

Degree: 2015, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

This thesis examines the iconographical types of three gods, Apollo, Dionysus and Hermes in the Peloponnesian coinage of the Imperial Times. It aims to investigate… (more)

Subjects/Keywords: Απόλλων; Διόνυσος; Ερμής; Επαρχιακές κοπές; Πελοπόννησος; Αγαλματικοί τύποι; Εικονογραφία; Ρώμη; Πωμαϊκό πάνθεων; Αποικίες; Τοπικές λατρείες; Παυσανίας; Apollo; Dionysos; Hermes; Provincial coinage; Peloponnese; Statuary types; Iconography; Rome; Roman panteon; Colonies; Local cults; Pausanias

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APA (6th Edition):

Tsagkalia, C. (2015). Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/42878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tsagkalia, Christina. “Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις.” 2015. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed September 22, 2020. http://hdl.handle.net/10442/hedi/42878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tsagkalia, Christina. “Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις.” 2015. Web. 22 Sep 2020.

Vancouver:

Tsagkalia C. Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2015. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/10442/hedi/42878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsagkalia C. Εικονογραφικοί τύποι του Απόλλωνα, του Διονύσου και του Ερμή στις πελοποννησιακές κοπές των αυτοκρατορικών χρόνων: η επίδραση της Ρώμης και οι τοπικές παραδόσεις. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2015. Available from: http://hdl.handle.net/10442/hedi/42878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Marinakis, Emmanouil. Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ.

Degree: 2018, University of Crete (UOC); Πανεπιστήμιο Κρήτης

The objective of this dissertation is the study of the iconography of ancient Cretan coins from the 5th cent. B.C. till the 2nd cent. A.D.… (more)

Subjects/Keywords: Νομίσματα; Κρήτη; Εικονογραφία; Μυθολογία; Αγαλματικοί τύποι; Θεοί και ήρωες; Αρχαία νομισματοκοπία; Coins; Crete; Iconography; Mythology; Statuary types; Gods and heroes; ancient coinage; Münzen; Kreta; Antike Münzprägung; Statuarische Typen; Götter und Heroen; Ikonographie; Mythologie

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APA (6th Edition):

Marinakis, E. (2018). Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ. (Thesis). University of Crete (UOC); Πανεπιστήμιο Κρήτης. Retrieved from http://hdl.handle.net/10442/hedi/42945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marinakis, Emmanouil. “Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ.” 2018. Thesis, University of Crete (UOC); Πανεπιστήμιο Κρήτης. Accessed September 22, 2020. http://hdl.handle.net/10442/hedi/42945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marinakis, Emmanouil. “Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ.” 2018. Web. 22 Sep 2020.

Vancouver:

Marinakis E. Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ. [Internet] [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2018. [cited 2020 Sep 22]. Available from: http://hdl.handle.net/10442/hedi/42945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marinakis E. Θεοί και ήρωες στα νομίσματα της αρχαίας Κρήτης: εικονογραφικά πρότυπα, συμβολισμοί, αγαλματικοί τύποι: 5ος αι.π.Χ-2ος αι. μ.Χ. [Thesis]. University of Crete (UOC); Πανεπιστήμιο Κρήτης; 2018. Available from: http://hdl.handle.net/10442/hedi/42945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Mille, Benoit. D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC.

Degree: Docteur es, Préhistoire, 2017, Université Paris X – Nanterre

Dans une démarche pluridisciplinaire, qui emprunte aussi bien aux sciences humaines et sociales (archéologie, histoire des techniques, réexamen des textes anciens) qu’aux sciences chimiques (science… (more)

Subjects/Keywords: Fonte à la cire perdue; Statuaire métallique; Civilisation de l’Indus; Grèce; Essai de coulabilité; Bronze à fort taux de plomb; Lost-Wax casting; Metal statuary; Indus civilisation; Greece; Castability test; Highly-Leaded bronze

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mille, B. (2017). D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2017PA100057

Chicago Manual of Style (16th Edition):

Mille, Benoit. “D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC.” 2017. Doctoral Dissertation, Université Paris X – Nanterre. Accessed September 22, 2020. http://www.theses.fr/2017PA100057.

MLA Handbook (7th Edition):

Mille, Benoit. “D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC.” 2017. Web. 22 Sep 2020.

Vancouver:

Mille B. D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2017. [cited 2020 Sep 22]. Available from: http://www.theses.fr/2017PA100057.

Council of Science Editors:

Mille B. D’une amulette en cuivre aux grandes statues de bronze : évolution des techniques de fonte à la cire perdue, de l’Indus à la Méditerranée, du 5e millénaire au 5e siècle av. J.-C. : From a copper amulet to large bronze statues : evolution of lost-wax casting techniques, from the Indus to the Mediterranean, from the 5th millennium to the 5th Century BC. [Doctoral Dissertation]. Université Paris X – Nanterre; 2017. Available from: http://www.theses.fr/2017PA100057


University of Florida

19. Ganachaud, Sophie. De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien.

Degree: PhD, Romance Languages - Romance Languages and Literatures, 2008, University of Florida

 This dissertation offers an analysis of the evolution of the various representations and meanings of the human figure and body, in both post-World War II… (more)

Subjects/Keywords: Alluvial islands; Dunes; Love; Masculinity; Motion picture industry; Movies; Persona; Serge; Sons; Statues; actor, body, children, cinema, death, delon, film, french, italian, moreau, postwar, resurrection, sculpture, statuary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ganachaud, S. (2008). De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien. (Doctoral Dissertation). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0021915

Chicago Manual of Style (16th Edition):

Ganachaud, Sophie. “De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien.” 2008. Doctoral Dissertation, University of Florida. Accessed September 22, 2020. https://ufdc.ufl.edu/UFE0021915.

MLA Handbook (7th Edition):

Ganachaud, Sophie. “De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien.” 2008. Web. 22 Sep 2020.

Vancouver:

Ganachaud S. De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien. [Internet] [Doctoral dissertation]. University of Florida; 2008. [cited 2020 Sep 22]. Available from: https://ufdc.ufl.edu/UFE0021915.

Council of Science Editors:

Ganachaud S. De Pygmalion a Pinocchio Le Corps et la Statuaire dans le Cinema Francais et Italien. [Doctoral Dissertation]. University of Florida; 2008. Available from: https://ufdc.ufl.edu/UFE0021915

.