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You searched for subject:(Stanza della segnatura). Showing records 1 – 2 of 2 total matches.

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Uppsala University

1. Gustavsson, Fredrik. Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien.

Degree: Art History, 2019, Uppsala University

The aim of this essay is to examine and compare how virtue was depicted in the visual arts in medieval and renaissance Italy: why it was depicted this way; how the depiction of virtues may have differed between the two periods and, if so, what caused it to change. The essay first examines and analyses the history of virtue, beginning in classical antiquity, and the evolution of virtue through the Middle Ages and the virtues’ role in society and art. It follows with a close examination of Giotto di Bondone and his grisaille frescoes of the virtues and vices in the Scrovegni Chapel in Padua. The essay then examines the role of virtue in renaissance society and art, followed by a close examination of Raphael and his frescoes of the heavenly virtues in the Stanza della Segnatura in The Vatican Palace in Rome. The essay concludes with a discussion of how the two periods differed in their depiction of virtue and why.

Subjects/Keywords: Virtue; vice; Giotto; Raphael; Scrovegni chapel; Stanza della segnatura; medieval; Middle Ages; Renaissance; Italy; Art History; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gustavsson, F. (2019). Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gustavsson, Fredrik. “Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien.” 2019. Thesis, Uppsala University. Accessed October 16, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gustavsson, Fredrik. “Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien.” 2019. Web. 16 Oct 2019.

Vancouver:

Gustavsson F. Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien. [Internet] [Thesis]. Uppsala University; 2019. [cited 2019 Oct 16]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384842.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gustavsson F. Dygdens förändring - förändringens dygd : En komparativ studie i avbildandet av dygd i medeltidens och renässansens Italien. [Thesis]. Uppsala University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384842

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Gillespie, Jessica. Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura.

Degree: MA, Art and Design, 2013, Georgia State University

The purpose of this essay is to examine the relationship between Christian and humanistic themes within the four large frescoes that Raphael painted in the Stanza della Segnatura in the Vatican Palace. Through this examination I plan to demonstrate how the interrelation of these two seemingly contradictory themes was critical for the political aims and papal identity of the patron, Pope Julius II. I will argue that Julius commissioned the decoration of the stanza as a means of asserting his papal authority and presenting an identification of himself as the new Julius Caesar who ushered in a new Roman Golden Age. I will discuss the composition and iconography of the frescoes, the life of Pope Julius II, and Roman humanism in the Early Modern Period, in an attempt to prove that the representation and collaboration of the themes of humanism and Christianity were essential to Julius’s political strategies and identity-formation. Advisors/Committee Members: Dr. John Decker, Dr. Maria Gindhart, Dr. Melinda Hartwig.

Subjects/Keywords: Stanza della Segnatura; Pope Julius II; Roman Humanism

…46 vii LIST OF FIGURES Figure 1.1 Raphael, Stanza della Segnatura, 1508 – 1511… …ideas are interwoven in the Stanza della Segnatura, and how this relationship may have played… …to create an identity for himself, using the Stanza della Segnatura, as the new Roman… …general discussion of the Stanza della Segnatura, considering the room’s intended purpose as a… …library or study for the pope. I go on to describe the layout of the 2 Stanza della Segnatura… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gillespie, J. (2013). Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gillespie, Jessica. “Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura.” 2013. Thesis, Georgia State University. Accessed October 16, 2019. https://scholarworks.gsu.edu/art_design_theses/128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gillespie, Jessica. “Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura.” 2013. Web. 16 Oct 2019.

Vancouver:

Gillespie J. Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura. [Internet] [Thesis]. Georgia State University; 2013. [cited 2019 Oct 16]. Available from: https://scholarworks.gsu.edu/art_design_theses/128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gillespie J. Considering the Function of Humanistic Imagery within the Court of Pope Julius II: The Stanza della Segnatura. [Thesis]. Georgia State University; 2013. Available from: https://scholarworks.gsu.edu/art_design_theses/128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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