Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Stage direction). Showing records 1 – 30 of 32 total matches.

[1] [2]

Search Limiters

Last 2 Years | English Only

Country

▼ Search Limiters

1. Barut, Benoît. Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco.

Degree: Docteur es, Littérature française, 2014, Université Sorbonne Nouvelle – Paris III

Parce qu’elle se donne comme un discours ancillaire chargé d’actualiser le dialogue et de construire la représentation, parce qu’elle semble empiéter sur le terrain réservé… (more)

Subjects/Keywords: Didascalie; Indication scénique; Paratexte; Régie; Mise en scène; Poétique; Didaskalia; Stage direction; Paratext; Staging; Poetics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barut, B. (2014). Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2014PA030134

Chicago Manual of Style (16th Edition):

Barut, Benoît. “Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco.” 2014. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 16, 2019. http://www.theses.fr/2014PA030134.

MLA Handbook (7th Edition):

Barut, Benoît. “Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco.” 2014. Web. 16 Nov 2019.

Vancouver:

Barut B. Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2014PA030134.

Council of Science Editors:

Barut B. Un Spectacle dans un fauteuil. Poétiques et pratiques didascaliques d'Axël à Zucco : A Show from an Easy Chair. Practices and Poetics of stage directions from Axël to Zucco. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. Available from: http://www.theses.fr/2014PA030134

2. Akrout, Souad. La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art.

Degree: Docteur es, Littérature française, 2015, Sorbonne Paris Cité

L’écriture théâtrale de Giraudoux est une traversée du miroir. Elle donne à l’évanescence du reflet les contours définis d’une réalité nouvelle. Il suffit d’ailleurs de… (more)

Subjects/Keywords: Giraudoux; Jouvet; Écriture théâtrale; Mise en scène; Giraudoux; Jouvet; Playwriting; Stage direction; 842.910 9

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akrout, S. (2015). La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2015USPCA193

Chicago Manual of Style (16th Edition):

Akrout, Souad. “La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art.” 2015. Doctoral Dissertation, Sorbonne Paris Cité. Accessed November 16, 2019. http://www.theses.fr/2015USPCA193.

MLA Handbook (7th Edition):

Akrout, Souad. “La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art.” 2015. Web. 16 Nov 2019.

Vancouver:

Akrout S. La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2015. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2015USPCA193.

Council of Science Editors:

Akrout S. La traversée du miroir : le théâtre de Giraudoux, écritures et théâtralité : Through the looking glass : giraudoux’s dramatic art. [Doctoral Dissertation]. Sorbonne Paris Cité; 2015. Available from: http://www.theses.fr/2015USPCA193


Université Paris-Sorbonne – Paris IV

3. Aufort, Frédérique. Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process.

Degree: Docteur es, Lettres, 2012, Université Paris-Sorbonne – Paris IV

Basée sur l’hypothèse que le théâtre est susceptible d’intervenir sur le « vivre-ensemble » des hommes, cette étude prend la mesure du bouleversement à l’œuvre… (more)

Subjects/Keywords: Théâtre; Scène; Mise en scène; Spectales; Metteurs en scène de théâtre; Georges Bataille; Michel Foucault; Acteurs; Theatre; Philosophy; Theory; Stage; Stage direction; Performances; 2005-2008; Stage directors; 21st century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Aufort, F. (2012). Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040018

Chicago Manual of Style (16th Edition):

Aufort, Frédérique. “Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed November 16, 2019. http://www.theses.fr/2012PA040018.

MLA Handbook (7th Edition):

Aufort, Frédérique. “Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process.” 2012. Web. 16 Nov 2019.

Vancouver:

Aufort F. Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2012PA040018.

Council of Science Editors:

Aufort F. Le théâtre de l’accord. Le spectateur d’une scène a-dialectique, partenaire d’un acteur de la mise en question : The theatre of agreement. Spectators of an a-dialectical stage as partners of actors in the questioning process. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040018

4. Hayashi, Masakazu. Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928].

Degree: Docteur es, Théâtre et arts du spectacle, 2010, Université Sorbonne Nouvelle – Paris III

Cette thèse examine et réévalue l’oeuvre théâtrale d’Osanai Kaoru qui a joué un rôle fondamental pour instaurer le théâtre moderne dit shingeki au Japon et… (more)

Subjects/Keywords: Osanai Kaoru; Shingeki; Traduction; Mise en scène; Tradition; Kabuki; Osanai Kaoru; Shingeki; Translation; Stage direction; Tradition; Kabuki

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hayashi, M. (2010). Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928]. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2010PA030026

Chicago Manual of Style (16th Edition):

Hayashi, Masakazu. “Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928].” 2010. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 16, 2019. http://www.theses.fr/2010PA030026.

MLA Handbook (7th Edition):

Hayashi, Masakazu. “Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928].” 2010. Web. 16 Nov 2019.

Vancouver:

Hayashi M. Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928]. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2010PA030026.

Council of Science Editors:

Hayashi M. Le théâtre japonais face au théâtre occidental et à la tradition : l'oeuvre théâtrale d'Osanai Kaoru [1881-1928] : The Japanese theatre in face of occidental theatre and tradition : the theatrical works of Osanai Kaoru [1881-1928]. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. Available from: http://www.theses.fr/2010PA030026

5. Chardonnet-Darmaillacq, Damien. Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors.

Degree: Docteur es, Arts du spectacle – études théâtrales, 2012, Université Paris X – Nanterre

Ce travail a pour objet de comprendre les évolutions majeures de la pratique théâtrale au XVIIIe siècle,à travers l’analyse de sources manuscrites inédites du Comédien-Français… (more)

Subjects/Keywords: LeKain; Comédien; Théâtre; Mise en scène; Panoptique; Système; Registre; Gouverner; LeKain; Actor; Theatre; Stage direction; Panopticon; System; Registre; To lead

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chardonnet-Darmaillacq, D. (2012). Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2012PA100089

Chicago Manual of Style (16th Edition):

Chardonnet-Darmaillacq, Damien. “Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors.” 2012. Doctoral Dissertation, Université Paris X – Nanterre. Accessed November 16, 2019. http://www.theses.fr/2012PA100089.

MLA Handbook (7th Edition):

Chardonnet-Darmaillacq, Damien. “Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors.” 2012. Web. 16 Nov 2019.

Vancouver:

Chardonnet-Darmaillacq D. Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2012. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2012PA100089.

Council of Science Editors:

Chardonnet-Darmaillacq D. Gouverner la scène : le système panoptique du comédien LeKain : Tense-Aspect Morphology in the Advanced English L2 Variety : exploring Semantic, Discourse and Cross-linguistic Factors. [Doctoral Dissertation]. Université Paris X – Nanterre; 2012. Available from: http://www.theses.fr/2012PA100089

6. Osborne, Kathryn. Pushing Techniques Used by Midwives When Providing Second Stage Labor Care.

Degree: 2010, Marquette University

 A growing body of evidence suggests that spontaneous pushing during the second stage of labor results in better outcomes than directed pushing, which usually involves… (more)

Subjects/Keywords: Midwifery; Childbirth; Maternal health services; Nursing; direction; labor; midwives; pushing; second stage; support; Medicine and Health Sciences; Nursing

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Osborne, K. (2010). Pushing Techniques Used by Midwives When Providing Second Stage Labor Care. (Thesis). Marquette University. Retrieved from https://epublications.marquette.edu/dissertations_mu/44

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Osborne, Kathryn. “Pushing Techniques Used by Midwives When Providing Second Stage Labor Care.” 2010. Thesis, Marquette University. Accessed November 16, 2019. https://epublications.marquette.edu/dissertations_mu/44.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Osborne, Kathryn. “Pushing Techniques Used by Midwives When Providing Second Stage Labor Care.” 2010. Web. 16 Nov 2019.

Vancouver:

Osborne K. Pushing Techniques Used by Midwives When Providing Second Stage Labor Care. [Internet] [Thesis]. Marquette University; 2010. [cited 2019 Nov 16]. Available from: https://epublications.marquette.edu/dissertations_mu/44.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Osborne K. Pushing Techniques Used by Midwives When Providing Second Stage Labor Care. [Thesis]. Marquette University; 2010. Available from: https://epublications.marquette.edu/dissertations_mu/44

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

7. Colness, Robert Cedric. Broadway musical| A guide to high school production.

Degree: MM, 1963, Montana Tech

Subjects/Keywords: Amateur theater; Theater Production and direction; Musicals Stage guides

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Colness, R. C. (1963). Broadway musical| A guide to high school production. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/1712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Colness, Robert Cedric. “Broadway musical| A guide to high school production.” 1963. Thesis, Montana Tech. Accessed November 16, 2019. https://scholarworks.umt.edu/etd/1712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Colness, Robert Cedric. “Broadway musical| A guide to high school production.” 1963. Web. 16 Nov 2019.

Vancouver:

Colness RC. Broadway musical| A guide to high school production. [Internet] [Thesis]. Montana Tech; 1963. [cited 2019 Nov 16]. Available from: https://scholarworks.umt.edu/etd/1712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colness RC. Broadway musical| A guide to high school production. [Thesis]. Montana Tech; 1963. Available from: https://scholarworks.umt.edu/etd/1712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Technical University of Lisbon

8. Costal, Tatiana Alexandra Pedroso. Relatório final de estágio realizado na Escola Secundária de Caneças.

Degree: 2017, Technical University of Lisbon

Neste relatório é apresentado o período de estágio realizado na Escola Secundária de Caneças, durante o ano letivo 2015/2016, sendo esta a última e uma… (more)

Subjects/Keywords: Desporto escolar; Direção de turma; Educação física; Estágio pedagógico; Investigação; Class direction; Investigation; PE; Pedagogical stage Investigation; School sports

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Costal, T. A. P. (2017). Relatório final de estágio realizado na Escola Secundária de Caneças. (Thesis). Technical University of Lisbon. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/14060

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costal, Tatiana Alexandra Pedroso. “Relatório final de estágio realizado na Escola Secundária de Caneças.” 2017. Thesis, Technical University of Lisbon. Accessed November 16, 2019. https://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/14060.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costal, Tatiana Alexandra Pedroso. “Relatório final de estágio realizado na Escola Secundária de Caneças.” 2017. Web. 16 Nov 2019.

Vancouver:

Costal TAP. Relatório final de estágio realizado na Escola Secundária de Caneças. [Internet] [Thesis]. Technical University of Lisbon; 2017. [cited 2019 Nov 16]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/14060.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costal TAP. Relatório final de estágio realizado na Escola Secundária de Caneças. [Thesis]. Technical University of Lisbon; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/14060

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Fargier, Noémie. Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power.

Degree: Docteur es, Études théâtrales, 2018, Sorbonne Paris Cité

Cette thèse propose une réflexion sur la relation entre scène et salle se tissant à travers l’écoute. Dépassant le modèle activité/passivité auquel pourrait être rattachée… (more)

Subjects/Keywords: Spectacle vivant contemporain; Mise en scène; Son; Écoute; Spectateur; Expérience; Contemporary theater; Stage direction; Sound; Listening; Audience; Experience

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fargier, N. (2018). Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA152

Chicago Manual of Style (16th Edition):

Fargier, Noémie. “Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed November 16, 2019. http://www.theses.fr/2018USPCA152.

MLA Handbook (7th Edition):

Fargier, Noémie. “Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power.” 2018. Web. 16 Nov 2019.

Vancouver:

Fargier N. Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2018USPCA152.

Council of Science Editors:

Fargier N. Expériences sonores et intersubjectivité dans le spectacle vivant contemporain. L'inter[o]ralité, entre désir et pouvoirs : Sonic experience and intersubjectivity in contemporary theatre. Inter[o]rality, between desire and power. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA152

10. Pereira, Cheila Alexandra Matias Duarte. Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva.

Degree: 2012, Instituto Politécnico do Porto

O projecto Russian Roulette foi realizado em residência artística no Centre for Contemporary Art Ujazdowski Castle em Varsóvia, na Polónia (entre Abril e Maio de… (more)

Subjects/Keywords: Criação e encenação colectiva; Processos criativos; Espectador/performer; Comunidades de intervenção; Autoria individual e colectiva; Collective stage direction and creation; Creative process; Public/performer; Intervention communities; Individual and collective authorship

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, C. A. M. D. (2012). Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Cheila Alexandra Matias Duarte. “Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva.” 2012. Thesis, Instituto Politécnico do Porto. Accessed November 16, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Cheila Alexandra Matias Duarte. “Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva.” 2012. Web. 16 Nov 2019.

Vancouver:

Pereira CAMD. Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva. [Internet] [Thesis]. Instituto Politécnico do Porto; 2012. [cited 2019 Nov 16]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira CAMD. Russian Roulette: entre o teatro e a performance: detecção dos processos criativos num projecto de criação colectiva. [Thesis]. Instituto Politécnico do Porto; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Billaut, Manon. André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928).

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2017, Sorbonne Paris Cité

Célèbre dans l’histoire du théâtre pour avoir fondé en 1887 le Théâtre-Libre et ainsi révolutionné la mise en scène moderne, André Antoine a consacré la… (more)

Subjects/Keywords: André Antoine; Réalisme; Cinéma muet; Archives; Expérimentation; Mise en scène; Théâtre; Naturalisme; Correspondances; André Antoine; Realism; Silent cinema; Archives; Experimentation; Stage direction; Theatre; Naturalism; Letters

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Billaut, M. (2017). André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928). (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2017USPCA170

Chicago Manual of Style (16th Edition):

Billaut, Manon. “André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928).” 2017. Doctoral Dissertation, Sorbonne Paris Cité. Accessed November 16, 2019. http://www.theses.fr/2017USPCA170.

MLA Handbook (7th Edition):

Billaut, Manon. “André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928).” 2017. Web. 16 Nov 2019.

Vancouver:

Billaut M. André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928). [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2017. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2017USPCA170.

Council of Science Editors:

Billaut M. André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928) : André Antoine, director of the reality. An experimentation applied to Cinema (1915-1928). [Doctoral Dissertation]. Sorbonne Paris Cité; 2017. Available from: http://www.theses.fr/2017USPCA170

12. Edy, Delphine. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.

Degree: Docteur es, Littérature comparée, 2018, Sorbonne université

Les mises en scène récentes de T. Ostermeier explorent les liens entre littérature et art théâtral pour questionner, à l’aide d’un réalisme complexe qu’il réinvente,… (more)

Subjects/Keywords: Thomas Ostermeier; Réalisme; Spectralité; Mise en scène; Dramaturgie; Actualisation; Traduction; Théâtre contemporain; Thomas Ostermeier; Realism; Spectrality; Stage direction; Dramaturgy; Actualization; Translation; Contemporary theatre

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Edy, D. (2018). Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL150

Chicago Manual of Style (16th Edition):

Edy, Delphine. “Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.” 2018. Doctoral Dissertation, Sorbonne université. Accessed November 16, 2019. http://www.theses.fr/2018SORUL150.

MLA Handbook (7th Edition):

Edy, Delphine. “Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.” 2018. Web. 16 Nov 2019.

Vancouver:

Edy D. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2018SORUL150.

Council of Science Editors:

Edy D. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL150


Montana Tech

13. Murphy, James Joseph. Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity.

Degree: MA, 1966, Montana Tech

Subjects/Keywords: Theater Stage-setting and scenery; Theater; Theater Production and direction

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, J. J. (1966). Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/3310

Chicago Manual of Style (16th Edition):

Murphy, James Joseph. “Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity.” 1966. Masters Thesis, Montana Tech. Accessed November 16, 2019. https://scholarworks.umt.edu/etd/3310.

MLA Handbook (7th Edition):

Murphy, James Joseph. “Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity.” 1966. Web. 16 Nov 2019.

Vancouver:

Murphy JJ. Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity. [Internet] [Masters thesis]. Montana Tech; 1966. [cited 2019 Nov 16]. Available from: https://scholarworks.umt.edu/etd/3310.

Council of Science Editors:

Murphy JJ. Problem of continuity in the production of the multi-scenic show| Techniques and devices for achieving continuity. [Masters Thesis]. Montana Tech; 1966. Available from: https://scholarworks.umt.edu/etd/3310


Université Paris-Sorbonne – Paris IV

14. Laferrière, Aude. « […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres.

Degree: Docteur es, Langue française, 2013, Université Paris-Sorbonne – Paris IV

L’incise de citation a mauvaise réputation dans le champ narratif, où elle est pourtant fort utile pour indiquer la source des répliques : elle soulève… (more)

Subjects/Keywords: Citation; Diachronie; Dialogue; Discours rapportés; Incise; Norme; Ponctuation; Récit; Quotation; Conflict; Diachrony; Dialogue; Stage direction; Indirect speech; Epistemology; Interpolated clause; Insert; Interlocution; 840

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Laferrière, A. (2013). « […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040211

Chicago Manual of Style (16th Edition):

Laferrière, Aude. “« […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed November 16, 2019. http://www.theses.fr/2013PA040211.

MLA Handbook (7th Edition):

Laferrière, Aude. “« […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres.” 2013. Web. 16 Nov 2019.

Vancouver:

Laferrière A. « […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2013PA040211.

Council of Science Editors:

Laferrière A. « […] sans m’arrêter un seul instant de débiter mes dit-il, et se dit-il, et demanda-t-il, et répondit-il, certaines formules des plus prometteuses […]. » (S. Beckett, L’Innommable) : L’incise de citation dans les genres narratifs : “[…] without ceasing for an instant to emit my "he said", and "he said to himself", and "he asked", and "he answered", a certain number of highly promising formulae […].” (S. Beckett, The Unnamable) : Interpolated clauses in narrative genres. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040211


Virginia Commonwealth University

15. Brien, Timothy A. Searching For the Impossible Dream, Staging the Impossible Script.

Degree: MFA, Theatre, 2003, Virginia Commonwealth University

 This thesis is an exploration of the novella The Malady of Death by Marguerite Duras and my subsequent production of this book. It covers Duras'… (more)

Subjects/Keywords: stage direction; Duras; Malady of Death; Arts and Humanities; Theatre and Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brien, T. A. (2003). Searching For the Impossible Dream, Staging the Impossible Script. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brien, Timothy A. “Searching For the Impossible Dream, Staging the Impossible Script.” 2003. Thesis, Virginia Commonwealth University. Accessed November 16, 2019. https://scholarscompass.vcu.edu/etd/923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brien, Timothy A. “Searching For the Impossible Dream, Staging the Impossible Script.” 2003. Web. 16 Nov 2019.

Vancouver:

Brien TA. Searching For the Impossible Dream, Staging the Impossible Script. [Internet] [Thesis]. Virginia Commonwealth University; 2003. [cited 2019 Nov 16]. Available from: https://scholarscompass.vcu.edu/etd/923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brien TA. Searching For the Impossible Dream, Staging the Impossible Script. [Thesis]. Virginia Commonwealth University; 2003. Available from: https://scholarscompass.vcu.edu/etd/923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Pace, Janyce Johnson. The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide.

Degree: Master of arts, Music and Drama, 1979, Texas Woman's University

Subjects/Keywords: Stage management; Amateur theater; Production and direction; Musicals; College and school drama

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pace, J. J. (1979). The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/8788

Chicago Manual of Style (16th Edition):

Pace, Janyce Johnson. “The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide.” 1979. Masters Thesis, Texas Woman's University. Accessed November 16, 2019. http://hdl.handle.net/11274/8788.

MLA Handbook (7th Edition):

Pace, Janyce Johnson. “The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide.” 1979. Web. 16 Nov 2019.

Vancouver:

Pace JJ. The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide. [Internet] [Masters thesis]. Texas Woman's University; 1979. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/11274/8788.

Council of Science Editors:

Pace JJ. The complete production guide to the high school musical comedy using Fiddler on the Roof as a guide. [Masters Thesis]. Texas Woman's University; 1979. Available from: http://hdl.handle.net/11274/8788


University of Central Florida

17. Davis, Nona Lee. The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement.

Degree: 2011, University of Central Florida

 The study of stage combat is designed to fabricate the illusion of physical combat without causing harm to the performers. Most research in this field… (more)

Subjects/Keywords: Acting; Movement (Acting); Stage fighting; Theater  – Production and direction; Theatre and Performance Studies; Arts and Humanities  – Dissertations, Academic, Dissertations, Academic  – Arts and Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Davis, N. L. (2011). The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/2029

Chicago Manual of Style (16th Edition):

Davis, Nona Lee. “The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement.” 2011. Masters Thesis, University of Central Florida. Accessed November 16, 2019. https://stars.library.ucf.edu/etd/2029.

MLA Handbook (7th Edition):

Davis, Nona Lee. “The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement.” 2011. Web. 16 Nov 2019.

Vancouver:

Davis NL. The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement. [Internet] [Masters thesis]. University of Central Florida; 2011. [cited 2019 Nov 16]. Available from: https://stars.library.ucf.edu/etd/2029.

Council of Science Editors:

Davis NL. The Anatomy Of A Fight Scene Characterization Through Stage Combat And Movement. [Masters Thesis]. University of Central Florida; 2011. Available from: https://stars.library.ucf.edu/etd/2029

18. Beaudoin, Antoine. Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda.

Degree: Docteur es, Arts : plastiques, spectacle, musiques, 2018, Université Paris X – Nanterre

Le mouvement de construction de théâtres en plein air sous le Troisième Reich ou Thingbewegung est un aspect relativement méconnu de la politique culturelle national-socialiste.… (more)

Subjects/Keywords: Architecture théâtrale; Mise en scène moderne; Mouvement Thing; National-Socialisme; Propagande; Théâtre de masse; Theatre design; Modern stage direction; Thing movement; National Socialism; Propaganda; Mass theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beaudoin, A. (2018). Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2018PA100133

Chicago Manual of Style (16th Edition):

Beaudoin, Antoine. “Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda.” 2018. Doctoral Dissertation, Université Paris X – Nanterre. Accessed November 16, 2019. http://www.theses.fr/2018PA100133.

MLA Handbook (7th Edition):

Beaudoin, Antoine. “Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda.” 2018. Web. 16 Nov 2019.

Vancouver:

Beaudoin A. Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2018. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2018PA100133.

Council of Science Editors:

Beaudoin A. Theâtre et architecture sous le Troisième Reich : les scènes de plein air au service de la propagande de masse : Theatre and architecture under the Third Reich : open-air theaters in the service of mass propaganda. [Doctoral Dissertation]. Université Paris X – Nanterre; 2018. Available from: http://www.theses.fr/2018PA100133


Portland State University

19. Dodele, Kathryn C. Approaches to composition in selected directing texts: a structural analysis and assessment.

Degree: MA, Theater Arts, 1976, Portland State University

  Directing texts are inadequate in their various approaches to teaching the concepts of stage-composition. The goal of this thesis was to show that, for… (more)

Subjects/Keywords: Theaters  – Stage-setting and scenery; Theater  – Production and direction  – Textbooks; Theater  – Production and direction; Other Theatre and Performance Studies; Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dodele, K. C. (1976). Approaches to composition in selected directing texts: a structural analysis and assessment. (Masters Thesis). Portland State University. Retrieved from http://pdxscholar.library.pdx.edu/open_access_etds/2470

Chicago Manual of Style (16th Edition):

Dodele, Kathryn C. “Approaches to composition in selected directing texts: a structural analysis and assessment.” 1976. Masters Thesis, Portland State University. Accessed November 16, 2019. http://pdxscholar.library.pdx.edu/open_access_etds/2470.

MLA Handbook (7th Edition):

Dodele, Kathryn C. “Approaches to composition in selected directing texts: a structural analysis and assessment.” 1976. Web. 16 Nov 2019.

Vancouver:

Dodele KC. Approaches to composition in selected directing texts: a structural analysis and assessment. [Internet] [Masters thesis]. Portland State University; 1976. [cited 2019 Nov 16]. Available from: http://pdxscholar.library.pdx.edu/open_access_etds/2470.

Council of Science Editors:

Dodele KC. Approaches to composition in selected directing texts: a structural analysis and assessment. [Masters Thesis]. Portland State University; 1976. Available from: http://pdxscholar.library.pdx.edu/open_access_etds/2470


University of North Carolina – Greensboro

20. Sokol, Renee Janette. Staging and production : a proposal to develop a computer software program for opera and theatre directors.

Degree: 2006, University of North Carolina – Greensboro

 "The production of a play, musical or opera can be compared to the manufacture of any complicated process or product. At present, there is no… (more)

Subjects/Keywords: Opera – Production and direction – Software; Theater – Production and direction – Software; Stage management – Computer programs

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sokol, R. J. (2006). Staging and production : a proposal to develop a computer software program for opera and theatre directors. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=980

Chicago Manual of Style (16th Edition):

Sokol, Renee Janette. “Staging and production : a proposal to develop a computer software program for opera and theatre directors.” 2006. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed November 16, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=980.

MLA Handbook (7th Edition):

Sokol, Renee Janette. “Staging and production : a proposal to develop a computer software program for opera and theatre directors.” 2006. Web. 16 Nov 2019.

Vancouver:

Sokol RJ. Staging and production : a proposal to develop a computer software program for opera and theatre directors. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2006. [cited 2019 Nov 16]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=980.

Council of Science Editors:

Sokol RJ. Staging and production : a proposal to develop a computer software program for opera and theatre directors. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2006. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=980

21. Papakosta, Alexia. Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους.

Degree: 2015, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

 The purpose of this study is to define the communication codes in theatre audience forunderage viewers, as well as examine their operations and their relations.… (more)

Subjects/Keywords: Θέατρο για παιδιά; Κώδικες επικοινωνίας; Ανήλικο κοινό; Υποκριτική; Σκηνοθεσία; Σκηνογραφία; Μουσική; Φωτισμός; Παιδί-θεατής; Αποστασιοποίηση; Συμμετοχικό θέατρο; Σωματικό θέατρο; Παράσταση; Παιδαγωγική; Theater for children; Communication codes; Underage audience; Acting; Stage direction; Stage setting; Sound; Lighting; Child viewer; DETACHMENT; Interactive theater; Physical theater; Performance; Pedagogic

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Papakosta, A. (2015). Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/43857

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papakosta, Alexia. “Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους.” 2015. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed November 16, 2019. http://hdl.handle.net/10442/hedi/43857.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papakosta, Alexia. “Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους.” 2015. Web. 16 Nov 2019.

Vancouver:

Papakosta A. Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2015. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10442/hedi/43857.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Papakosta A. Κώδικες επικοινωνίας στο θέατρο για παιδιά και νέους. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2015. Available from: http://hdl.handle.net/10442/hedi/43857

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

22. O'Connor, Lorney Roland. Directing and designing Shakespeare's The Tempest.

Degree: MAin Interdisciplinary Studies, Interdisciplinary Studies, 2004, California State University – San Bernardino

The purpose of this project is to assess the production level one person can achieve when directing, designing, and managing all aspects of a major theatrical production. It will identify strategies and techniques which are crucial for success in the areas of theatrical design and management.

Subjects/Keywords: William Shakespeare  – Dramatic production; Mt. San Jacinto College Theater Department; Theater  – Production and direction; Theaters  – Stage-setting and scenery; Costume design; Stage management; Theatre and Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Connor, L. R. (2004). Directing and designing Shakespeare's The Tempest. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd-project/2581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Connor, Lorney Roland. “Directing and designing Shakespeare's The Tempest.” 2004. Thesis, California State University – San Bernardino. Accessed November 16, 2019. http://scholarworks.lib.csusb.edu/etd-project/2581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Connor, Lorney Roland. “Directing and designing Shakespeare's The Tempest.” 2004. Web. 16 Nov 2019.

Vancouver:

O'Connor LR. Directing and designing Shakespeare's The Tempest. [Internet] [Thesis]. California State University – San Bernardino; 2004. [cited 2019 Nov 16]. Available from: http://scholarworks.lib.csusb.edu/etd-project/2581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Connor LR. Directing and designing Shakespeare's The Tempest. [Thesis]. California State University – San Bernardino; 2004. Available from: http://scholarworks.lib.csusb.edu/etd-project/2581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Drane, Sharon S. An Analysis and Production of The Music Man.

Degree: 1979, North Texas State University

 This investigation was based on a production performed by the Irving, Texas, Community Theatre in March, 1978, directed by the author of this thesis. The… (more)

Subjects/Keywords: musicals; stage guide; community theatre; Willson, Meredith, 1902-1984.  – Music man.; Irving Community Theatre, Irving, Tex.; Amateur theater  – Production and direction  – Case studies.; Musicals  – Stage guides.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drane, S. S. (1979). An Analysis and Production of The Music Man. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798344/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drane, Sharon S. “An Analysis and Production of The Music Man.” 1979. Thesis, North Texas State University. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc798344/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drane, Sharon S. “An Analysis and Production of The Music Man.” 1979. Web. 16 Nov 2019.

Vancouver:

Drane SS. An Analysis and Production of The Music Man. [Internet] [Thesis]. North Texas State University; 1979. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798344/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drane SS. An Analysis and Production of The Music Man. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc798344/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

24. Fossum, Louis Eric. Danny Daniels: A life of dance and choreography.

Degree: MAin Interdisciplinary Studies, Interdisciplinary Studies, 2003, California State University – San Bernardino

 The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny's… (more)

Subjects/Keywords: Choreographers  – United States; Dance  – Production and direction; Dance  – Stage-setting and scenery; Dancers  – United States; Performing arts  – Study and teaching; Dance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fossum, L. E. (2003). Danny Daniels: A life of dance and choreography. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd-project/2357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fossum, Louis Eric. “Danny Daniels: A life of dance and choreography.” 2003. Thesis, California State University – San Bernardino. Accessed November 16, 2019. http://scholarworks.lib.csusb.edu/etd-project/2357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fossum, Louis Eric. “Danny Daniels: A life of dance and choreography.” 2003. Web. 16 Nov 2019.

Vancouver:

Fossum LE. Danny Daniels: A life of dance and choreography. [Internet] [Thesis]. California State University – San Bernardino; 2003. [cited 2019 Nov 16]. Available from: http://scholarworks.lib.csusb.edu/etd-project/2357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fossum LE. Danny Daniels: A life of dance and choreography. [Thesis]. California State University – San Bernardino; 2003. Available from: http://scholarworks.lib.csusb.edu/etd-project/2357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

25. University of Lethbridge. Faculty of Fine Arts. From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter .

Degree: 2012, University of Lethbridge

 Michel Marc Bouchard calls his play, . a parable of lies disguised as a fable; writ in scarlet pigment, in holy wine and hemoglobin, all… (more)

Subjects/Keywords: College theater  – Alberta  – Lethbridge; Drama  – 21st century; Theater  – Production and direction  – Alberta  – Lethbridge; Drama  – Explication; The Madonna Painter; Bouchard, Michel Marc; Theatre  – Casting  – Alberta  – Lethbridge; Theaters  – Stage-setting and scenery  – Alberta  – Lethbridge

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arts, U. o. L. F. o. F. (2012). From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3700

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arts, University of Lethbridge. Faculty of Fine. “From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter .” 2012. Thesis, University of Lethbridge. Accessed November 16, 2019. http://hdl.handle.net/10133/3700.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arts, University of Lethbridge. Faculty of Fine. “From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter .” 2012. Web. 16 Nov 2019.

Vancouver:

Arts UoLFoF. From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter . [Internet] [Thesis]. University of Lethbridge; 2012. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10133/3700.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arts UoLFoF. From our sex to our souls : directing Michel Marc Bouchard’s The Madonna painter . [Thesis]. University of Lethbridge; 2012. Available from: http://hdl.handle.net/10133/3700

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

26. Sheridan, Roseann. The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues.

Degree: MFA, Theatre, 1984, Virginia Commonwealth University

 Human beings make decisions every minute of the day. These decisions are based upon need, desire, impulse, mood, and knowledge. As we grow older, we… (more)

Subjects/Keywords: performance; sonata; set design; stage; theater; direction; music; Arts and Humanities; Theatre and Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sheridan, R. (1984). The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sheridan, Roseann. “The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues.” 1984. Thesis, Virginia Commonwealth University. Accessed November 16, 2019. https://scholarscompass.vcu.edu/etd/1371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sheridan, Roseann. “The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues.” 1984. Web. 16 Nov 2019.

Vancouver:

Sheridan R. The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues. [Internet] [Thesis]. Virginia Commonwealth University; 1984. [cited 2019 Nov 16]. Available from: https://scholarscompass.vcu.edu/etd/1371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sheridan R. The Use of Music and Art as Directorial Tools in a Production of Kevin O'Morrison's Ladyhouse Blues. [Thesis]. Virginia Commonwealth University; 1984. Available from: https://scholarscompass.vcu.edu/etd/1371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

27. Campanella, Tonia Sina. Intimate Encounters; Staging Intimacy and Sensuality.

Degree: MFA, Theatre Pedagogy, 2006, Virginia Commonwealth University

 This text is a partial record of the conception and development of Reflections of Red in a Mirror of Desire that opened on February 20th… (more)

Subjects/Keywords: love scene; sex; movement; emotion; choreography; stage direction; Arts and Humanities; Theatre and Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campanella, T. S. (2006). Intimate Encounters; Staging Intimacy and Sensuality. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campanella, Tonia Sina. “Intimate Encounters; Staging Intimacy and Sensuality.” 2006. Thesis, Virginia Commonwealth University. Accessed November 16, 2019. https://scholarscompass.vcu.edu/etd/1071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campanella, Tonia Sina. “Intimate Encounters; Staging Intimacy and Sensuality.” 2006. Web. 16 Nov 2019.

Vancouver:

Campanella TS. Intimate Encounters; Staging Intimacy and Sensuality. [Internet] [Thesis]. Virginia Commonwealth University; 2006. [cited 2019 Nov 16]. Available from: https://scholarscompass.vcu.edu/etd/1071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campanella TS. Intimate Encounters; Staging Intimacy and Sensuality. [Thesis]. Virginia Commonwealth University; 2006. Available from: https://scholarscompass.vcu.edu/etd/1071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Moster, Thomas R. A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A.

Degree: 1971, North Texas State University

 The purpose of this study is to compare the staging of the Passion Play of Oberammergau, Germany, with the staging of The Great Passion Play… (more)

Subjects/Keywords: Passion Play; Oberammergau, Germany; stage direction; outdoor theater; Passion-plays.; Arkansas  – EurekaSprings  – History.; Germany  – Oberammergau  – History.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moster, T. R. (1971). A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798410/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moster, Thomas R. “A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A.” 1971. Thesis, North Texas State University. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc798410/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moster, Thomas R. “A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A.” 1971. Web. 16 Nov 2019.

Vancouver:

Moster TR. A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A. [Internet] [Thesis]. North Texas State University; 1971. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798410/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moster TR. A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A. [Thesis]. North Texas State University; 1971. Available from: https://digital.library.unt.edu/ark:/67531/metadc798410/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

29. Hackett, Joan. The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama.

Degree: MA, 1951, Michigan State University

Subjects/Keywords: Kaiser, Georg, English, 1878-1945; Von morgens bis mitternachts; Expressionism; Theater – Production and direction – Case studies; Theaters – Stage-setting and scenery

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hackett, J. (1951). The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:7862

Chicago Manual of Style (16th Edition):

Hackett, Joan. “The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama.” 1951. Masters Thesis, Michigan State University. Accessed November 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:7862.

MLA Handbook (7th Edition):

Hackett, Joan. “The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama.” 1951. Web. 16 Nov 2019.

Vancouver:

Hackett J. The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama. [Internet] [Masters thesis]. Michigan State University; 1951. [cited 2019 Nov 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:7862.

Council of Science Editors:

Hackett J. The direction of Georg Kaiser's From morn to midnight and an analysis of the staging problems involved in presenting an expressionistic drama. [Masters Thesis]. Michigan State University; 1951. Available from: http://etd.lib.msu.edu/islandora/object/etd:7862


Michigan State University

30. Levering, Marijean Elizabeth. Stage managing for college theatre.

Degree: MA, Department of Theatre, 1997, Michigan State University

Subjects/Keywords: Stage managers – Handbooks, manuals, etc.; College and school drama, American – Handbooks, manuals, etc.; Amateur theater – Production and direction – Handbooks, manuals, etc.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Levering, M. E. (1997). Stage managing for college theatre. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:26392

Chicago Manual of Style (16th Edition):

Levering, Marijean Elizabeth. “Stage managing for college theatre.” 1997. Masters Thesis, Michigan State University. Accessed November 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:26392.

MLA Handbook (7th Edition):

Levering, Marijean Elizabeth. “Stage managing for college theatre.” 1997. Web. 16 Nov 2019.

Vancouver:

Levering ME. Stage managing for college theatre. [Internet] [Masters thesis]. Michigan State University; 1997. [cited 2019 Nov 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:26392.

Council of Science Editors:

Levering ME. Stage managing for college theatre. [Masters Thesis]. Michigan State University; 1997. Available from: http://etd.lib.msu.edu/islandora/object/etd:26392

[1] [2]

.