Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Spanish Theater). Showing records 1 – 30 of 97 total matches.

[1] [2] [3] [4]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Languages

Country

▼ Search Limiters


University of Oxford

1. Grunnah, Sarah Anne. Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'.

Degree: PhD, 2019, University of Oxford

 This study analyses gender in three of Tirso de Molina's comedias urbanas and their subsequent performances on the modern, English-language stage. Using case studies of… (more)

Subjects/Keywords: Theatre; Spanish Golden Age drama

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grunnah, S. A. (2019). Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:6bb78808-651e-4b7b-8169-1d4dd40b535c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.800011

Chicago Manual of Style (16th Edition):

Grunnah, Sarah Anne. “Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'.” 2019. Doctoral Dissertation, University of Oxford. Accessed April 22, 2021. http://ora.ox.ac.uk/objects/uuid:6bb78808-651e-4b7b-8169-1d4dd40b535c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.800011.

MLA Handbook (7th Edition):

Grunnah, Sarah Anne. “Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'.” 2019. Web. 22 Apr 2021.

Vancouver:

Grunnah SA. Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'. [Internet] [Doctoral dissertation]. University of Oxford; 2019. [cited 2021 Apr 22]. Available from: http://ora.ox.ac.uk/objects/uuid:6bb78808-651e-4b7b-8169-1d4dd40b535c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.800011.

Council of Science Editors:

Grunnah SA. Performing gender on the English-language stage : Tirso de Molina's 'comedia urbana'. [Doctoral Dissertation]. University of Oxford; 2019. Available from: http://ora.ox.ac.uk/objects/uuid:6bb78808-651e-4b7b-8169-1d4dd40b535c ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.800011


University of South Florida

2. Allen, Philip. Estudio y edición de La más constante mujer de Juan Pérez de Montalbán.

Degree: 2015, University of South Florida

 La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and published for the first time in… (more)

Subjects/Keywords: Theater; Drama; Golden Age; Spain; Spanish Literature; Theatre History

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Allen, P. (2015). Estudio y edición de La más constante mujer de Juan Pérez de Montalbán. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allen, Philip. “Estudio y edición de La más constante mujer de Juan Pérez de Montalbán.” 2015. Thesis, University of South Florida. Accessed April 22, 2021. https://scholarcommons.usf.edu/etd/5815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allen, Philip. “Estudio y edición de La más constante mujer de Juan Pérez de Montalbán.” 2015. Web. 22 Apr 2021.

Vancouver:

Allen P. Estudio y edición de La más constante mujer de Juan Pérez de Montalbán. [Internet] [Thesis]. University of South Florida; 2015. [cited 2021 Apr 22]. Available from: https://scholarcommons.usf.edu/etd/5815.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allen P. Estudio y edición de La más constante mujer de Juan Pérez de Montalbán. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5815

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

3. Ruiz-Fabrega, Dolores. Funny Girls: A study of the Graciosa in Four Early Modern Plays.

Degree: Spanish and Portuguese, 2014, University of New Mexico

 This study centers on the graciosa, the female stock comic figure of early modern Spanish theater. It focuses on the comical discourse of this character… (more)

Subjects/Keywords: Early Modern Spanish Theater; Graciosa

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ruiz-Fabrega, D. (2014). Funny Girls: A study of the Graciosa in Four Early Modern Plays. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/24342

Chicago Manual of Style (16th Edition):

Ruiz-Fabrega, Dolores. “Funny Girls: A study of the Graciosa in Four Early Modern Plays.” 2014. Doctoral Dissertation, University of New Mexico. Accessed April 22, 2021. http://hdl.handle.net/1928/24342.

MLA Handbook (7th Edition):

Ruiz-Fabrega, Dolores. “Funny Girls: A study of the Graciosa in Four Early Modern Plays.” 2014. Web. 22 Apr 2021.

Vancouver:

Ruiz-Fabrega D. Funny Girls: A study of the Graciosa in Four Early Modern Plays. [Internet] [Doctoral dissertation]. University of New Mexico; 2014. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1928/24342.

Council of Science Editors:

Ruiz-Fabrega D. Funny Girls: A study of the Graciosa in Four Early Modern Plays. [Doctoral Dissertation]. University of New Mexico; 2014. Available from: http://hdl.handle.net/1928/24342


University of Cincinnati

4. Coma Diaz, Marina. La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan.

Degree: PhD, Arts and Sciences: Romance Languages and Literatures, 2016, University of Cincinnati

 The objective of this dissertation is to analyze the perpetuation of the Golden Age sexual discourse in contemporary Spanish plays that reimagine the figure of… (more)

Subjects/Keywords: Theater; Golden Age Theatre; Spanish Theatre; Don Juan; Erotic Capital; Sexual Discourse

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coma Diaz, M. (2016). La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593107

Chicago Manual of Style (16th Edition):

Coma Diaz, Marina. “La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan.” 2016. Doctoral Dissertation, University of Cincinnati. Accessed April 22, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593107.

MLA Handbook (7th Edition):

Coma Diaz, Marina. “La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan.” 2016. Web. 22 Apr 2021.

Vancouver:

Coma Diaz M. La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan. [Internet] [Doctoral dissertation]. University of Cincinnati; 2016. [cited 2021 Apr 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593107.

Council of Science Editors:

Coma Diaz M. La Perpetuacion de los Discursos Sexuales en el Teatro Hispano a Traves de la Figura de Don Juan. [Doctoral Dissertation]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593107


Queen Mary, University of London

5. Wilson, Anna Elisabeth. Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities.

Degree: PhD, 2013, Queen Mary, University of London

 This thesis examines the impact of Argentine theatre on Barcelona’s stage culture in the twenty-first century. Catalan theatre is caught up in conflicting cultural discourses… (more)

Subjects/Keywords: 792; Drama; Catalan theatre; Spanish theatre; Argentine theatre

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, A. E. (2013). Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667217

Chicago Manual of Style (16th Edition):

Wilson, Anna Elisabeth. “Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities.” 2013. Doctoral Dissertation, Queen Mary, University of London. Accessed April 22, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667217.

MLA Handbook (7th Edition):

Wilson, Anna Elisabeth. “Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities.” 2013. Web. 22 Apr 2021.

Vancouver:

Wilson AE. Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2013. [cited 2021 Apr 22]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667217.

Council of Science Editors:

Wilson AE. Argentine theatre in twenty-first century Barcelona : cultural exchange and (trans)national identities. [Doctoral Dissertation]. Queen Mary, University of London; 2013. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8679 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667217


University of Victoria

6. Makalima, Teboho. Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain.

Degree: Department of Hispanic and Italian Studies, 2015, University of Victoria

 This thesis explores the various manners in which schadenfreude – taking pleasure in the misfortunes of others – functions in the theatrical works of Golden-Age… (more)

Subjects/Keywords: Golden-Age Spanish theatre; Theater; Don Juan; Schadenfreude; Seventeenth-century; Donjuanismo; Don Juanism; Schadenfroh

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Makalima, T. (2015). Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/6568

Chicago Manual of Style (16th Edition):

Makalima, Teboho. “Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain.” 2015. Masters Thesis, University of Victoria. Accessed April 22, 2021. http://hdl.handle.net/1828/6568.

MLA Handbook (7th Edition):

Makalima, Teboho. “Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain.” 2015. Web. 22 Apr 2021.

Vancouver:

Makalima T. Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain. [Internet] [Masters thesis]. University of Victoria; 2015. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1828/6568.

Council of Science Editors:

Makalima T. Schadenfreude and the Don Juan Archetype in the Theatrical Works of Seventeenth-Century Spain. [Masters Thesis]. University of Victoria; 2015. Available from: http://hdl.handle.net/1828/6568


Boston College

7. Perez Serrano, Pilar. La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido.

Degree: PhD, Romance Languages and Literatures, 2011, Boston College

 This study is an analysis of the theatre of the Spanish contemporary playwright Raúl Hernández Garrido. It explores in depth his tragedy Los engranajes and… (more)

Subjects/Keywords: Contemporary Spanish Theatre; Ethics; Responsibility; Tragedy; Trauma

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perez Serrano, P. (2011). La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:101259

Chicago Manual of Style (16th Edition):

Perez Serrano, Pilar. “La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido.” 2011. Doctoral Dissertation, Boston College. Accessed April 22, 2021. http://dlib.bc.edu/islandora/object/bc-ir:101259.

MLA Handbook (7th Edition):

Perez Serrano, Pilar. “La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido.” 2011. Web. 22 Apr 2021.

Vancouver:

Perez Serrano P. La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido. [Internet] [Doctoral dissertation]. Boston College; 2011. [cited 2021 Apr 22]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:101259.

Council of Science Editors:

Perez Serrano P. La Rebelión de Los Esclavos: Tragedia y posibilidad en el teatro de Raúl Hernández Garrido. [Doctoral Dissertation]. Boston College; 2011. Available from: http://dlib.bc.edu/islandora/object/bc-ir:101259


University of Bristol

8. Boyd, Jade. The experience of colour in the theatre of Federico García Lorca.

Degree: PhD, 2020, University of Bristol

 Colour in the theatre of Federico García Lorca (1898-1936) is a powerful and equivocal force which is centred on his aesthetic concerns and on the… (more)

Subjects/Keywords: colour; Lorca; theatre; Spanish theatre; twentieth century; experience; affect; materiality

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, J. (2020). The experience of colour in the theatre of Federico García Lorca. (Doctoral Dissertation). University of Bristol. Retrieved from http://hdl.handle.net/1983/4401b977-6c07-454c-bb40-1572e09eeb11

Chicago Manual of Style (16th Edition):

Boyd, Jade. “The experience of colour in the theatre of Federico García Lorca.” 2020. Doctoral Dissertation, University of Bristol. Accessed April 22, 2021. http://hdl.handle.net/1983/4401b977-6c07-454c-bb40-1572e09eeb11.

MLA Handbook (7th Edition):

Boyd, Jade. “The experience of colour in the theatre of Federico García Lorca.” 2020. Web. 22 Apr 2021.

Vancouver:

Boyd J. The experience of colour in the theatre of Federico García Lorca. [Internet] [Doctoral dissertation]. University of Bristol; 2020. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1983/4401b977-6c07-454c-bb40-1572e09eeb11.

Council of Science Editors:

Boyd J. The experience of colour in the theatre of Federico García Lorca. [Doctoral Dissertation]. University of Bristol; 2020. Available from: http://hdl.handle.net/1983/4401b977-6c07-454c-bb40-1572e09eeb11


University of Bristol

9. Boyd, Jade. The experience of colour in the theatre of Federico García Lorca.

Degree: PhD, 2020, University of Bristol

 Colour in the theatre of Federico García Lorca (1898-1936) is a powerful and equivocal force which is centred on his aesthetic concerns and on the… (more)

Subjects/Keywords: colour; Lorca; theatre; Spanish theatre; twentieth century; experience; affect; materiality

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, J. (2020). The experience of colour in the theatre of Federico García Lorca. (Doctoral Dissertation). University of Bristol. Retrieved from https://research-information.bris.ac.uk/en/studentTheses/4401b977-6c07-454c-bb40-1572e09eeb11 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.801545

Chicago Manual of Style (16th Edition):

Boyd, Jade. “The experience of colour in the theatre of Federico García Lorca.” 2020. Doctoral Dissertation, University of Bristol. Accessed April 22, 2021. https://research-information.bris.ac.uk/en/studentTheses/4401b977-6c07-454c-bb40-1572e09eeb11 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.801545.

MLA Handbook (7th Edition):

Boyd, Jade. “The experience of colour in the theatre of Federico García Lorca.” 2020. Web. 22 Apr 2021.

Vancouver:

Boyd J. The experience of colour in the theatre of Federico García Lorca. [Internet] [Doctoral dissertation]. University of Bristol; 2020. [cited 2021 Apr 22]. Available from: https://research-information.bris.ac.uk/en/studentTheses/4401b977-6c07-454c-bb40-1572e09eeb11 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.801545.

Council of Science Editors:

Boyd J. The experience of colour in the theatre of Federico García Lorca. [Doctoral Dissertation]. University of Bristol; 2020. Available from: https://research-information.bris.ac.uk/en/studentTheses/4401b977-6c07-454c-bb40-1572e09eeb11 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.801545


University of Washington

10. Ramis, Anna Gabriela. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.

Degree: PhD, 2013, University of Washington

 The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater is a semiotic study that, resorting to the contribution of the… (more)

Subjects/Keywords: Katona Jozsef Theatre; Linguistics; Odin Teatret; Russian formalism & Prague Linguistic Circle; Semiotics of theater; Spanish & Latin American theater; Theater; Theater history; Performing arts; drama

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramis, A. G. (2013). The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/22542

Chicago Manual of Style (16th Edition):

Ramis, Anna Gabriela. “The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.” 2013. Doctoral Dissertation, University of Washington. Accessed April 22, 2021. http://hdl.handle.net/1773/22542.

MLA Handbook (7th Edition):

Ramis, Anna Gabriela. “The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater.” 2013. Web. 22 Apr 2021.

Vancouver:

Ramis AG. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. [Internet] [Doctoral dissertation]. University of Washington; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1773/22542.

Council of Science Editors:

Ramis AG. The Strength of the Few: Dominant and Subdominant in the Poetic Function of Theater. [Doctoral Dissertation]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/22542


Vanderbilt University

11. Parker, Jason Thomas. From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid.

Degree: PhD, Spanish, 2011, Vanderbilt University

 This dissertation contextualizes the formal innovations and social critique of twentieth-century Spanish avant-garde theater by reconstructing two important elements of the nineteenth-century cultural landscape from… (more)

Subjects/Keywords: Theater; Drama; Newspapers; Print Media; Journalism; Spanish Theater; Género chico

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parker, J. T. (2011). From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/11029

Chicago Manual of Style (16th Edition):

Parker, Jason Thomas. “From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid.” 2011. Doctoral Dissertation, Vanderbilt University. Accessed April 22, 2021. http://hdl.handle.net/1803/11029.

MLA Handbook (7th Edition):

Parker, Jason Thomas. “From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid.” 2011. Web. 22 Apr 2021.

Vancouver:

Parker JT. From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid. [Internet] [Doctoral dissertation]. Vanderbilt University; 2011. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1803/11029.

Council of Science Editors:

Parker JT. From Page to Stage: Print Journalism, Commercial Theater and the Birth of Modern Spectatorship in Madrid. [Doctoral Dissertation]. Vanderbilt University; 2011. Available from: http://hdl.handle.net/1803/11029


Arizona State University

12. Klitzke, Jordan Alan. Revelatory Juxtaposition, Collage and Language in Contemporary Performance.

Degree: Dance, 2018, Arizona State University

 “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke along with guest artist Gina Jurek that premiered from September 6-8, 2018… (more)

Subjects/Keywords: Dance; Theater; Performing arts; Collage; Dance; Improvisation; Performance; Spanish; Theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Klitzke, J. A. (2018). Revelatory Juxtaposition, Collage and Language in Contemporary Performance. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/51616

Chicago Manual of Style (16th Edition):

Klitzke, Jordan Alan. “Revelatory Juxtaposition, Collage and Language in Contemporary Performance.” 2018. Masters Thesis, Arizona State University. Accessed April 22, 2021. http://repository.asu.edu/items/51616.

MLA Handbook (7th Edition):

Klitzke, Jordan Alan. “Revelatory Juxtaposition, Collage and Language in Contemporary Performance.” 2018. Web. 22 Apr 2021.

Vancouver:

Klitzke JA. Revelatory Juxtaposition, Collage and Language in Contemporary Performance. [Internet] [Masters thesis]. Arizona State University; 2018. [cited 2021 Apr 22]. Available from: http://repository.asu.edu/items/51616.

Council of Science Editors:

Klitzke JA. Revelatory Juxtaposition, Collage and Language in Contemporary Performance. [Masters Thesis]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/51616


Kansas State University

13. Barr, Amanda M. La génesis de Nosferatu en el cine mudo.

Degree: MA, Department of Modern Languages, 2008, Kansas State University

 This thesis analyses the play Nosferatu by the contemporary Spanish author Francisco Nieva, and more specifically focuses on its genesis in silent film, primarily German… (more)

Subjects/Keywords: Nosferatu; Francisco Nieva; Expressionist cinema; Spanish theatre; Theater (0465)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barr, A. M. (2008). La génesis de Nosferatu en el cine mudo. (Masters Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/1090

Chicago Manual of Style (16th Edition):

Barr, Amanda M. “La génesis de Nosferatu en el cine mudo.” 2008. Masters Thesis, Kansas State University. Accessed April 22, 2021. http://hdl.handle.net/2097/1090.

MLA Handbook (7th Edition):

Barr, Amanda M. “La génesis de Nosferatu en el cine mudo.” 2008. Web. 22 Apr 2021.

Vancouver:

Barr AM. La génesis de Nosferatu en el cine mudo. [Internet] [Masters thesis]. Kansas State University; 2008. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/2097/1090.

Council of Science Editors:

Barr AM. La génesis de Nosferatu en el cine mudo. [Masters Thesis]. Kansas State University; 2008. Available from: http://hdl.handle.net/2097/1090


Université Paris-Sorbonne – Paris IV

14. Bocianowski, Cécile. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.

Degree: Docteur es, Littérature comparée, 2015, Université Paris-Sorbonne – Paris IV

La thèse propose une lecture comparée de l’emploi du grotesque dans les théâtres français, polonais, belge francophone, germanophone, italien et espagnol. L’analyse comparée des écritures… (more)

Subjects/Keywords: Grotesque; Théâtre européen; XXe siècle; Théâtre polonais; Théâtre francophone; Théâtre italien; Théâtre espagnol; Théâtre allemand; Grotesque; European theatre; XXth century; Polish theatre; French theatre; Italian theatre; Spanish theatre; German theatre

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bocianowski, C. (2015). Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040066

Chicago Manual of Style (16th Edition):

Bocianowski, Cécile. “Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 22, 2021. http://www.theses.fr/2015PA040066.

MLA Handbook (7th Edition):

Bocianowski, Cécile. “Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.” 2015. Web. 22 Apr 2021.

Vancouver:

Bocianowski C. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2021 Apr 22]. Available from: http://www.theses.fr/2015PA040066.

Council of Science Editors:

Bocianowski C. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040066

15. Brew, Sarah A. "Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage.

Degree: MFA, Theater, 2012, University of Massachusetts

  Considered one of the greatest playwrights of the Spanish Golden Age, Tirso de Molina (1580?-1648) lived something of a double life, alternating—much like the… (more)

Subjects/Keywords: Theater; Translation; Adaptation; Dramaturg; Tirso de Molina; Comedia; Dramatic Literature, Criticism and Theory; Fiction; Fine Arts; Other Theatre and Performance Studies; Playwriting; Spanish Literature; Theatre History

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brew, S. A. (2012). "Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/806

Chicago Manual of Style (16th Edition):

Brew, Sarah A. “"Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage.” 2012. Masters Thesis, University of Massachusetts. Accessed April 22, 2021. https://scholarworks.umass.edu/theses/806.

MLA Handbook (7th Edition):

Brew, Sarah A. “"Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage.” 2012. Web. 22 Apr 2021.

Vancouver:

Brew SA. "Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage. [Internet] [Masters thesis]. University of Massachusetts; 2012. [cited 2021 Apr 22]. Available from: https://scholarworks.umass.edu/theses/806.

Council of Science Editors:

Brew SA. "Speak to me in vernacular, doctor": Translating and Adapting Tirso de Molina's El Amor Médico for the Stage. [Masters Thesis]. University of Massachusetts; 2012. Available from: https://scholarworks.umass.edu/theses/806


University of Colorado

16. Brady, Caitlin O’Reilly. Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700).

Degree: PhD, 2017, University of Colorado

  This project analyzes a long-neglected dimension of Early Modern Peninsular Studies: court theater. My thesis explores theoretical, political, and scenographic frameworks of court drama… (more)

Subjects/Keywords: Baroque court drama; Carlos II; court drama; court theater; early modern theater; nephew-king; Spanish and Portuguese Language and Literature; Theatre History

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brady, C. O. (2017). Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700). (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/span_gradetds/30

Chicago Manual of Style (16th Edition):

Brady, Caitlin O’Reilly. “Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700).” 2017. Doctoral Dissertation, University of Colorado. Accessed April 22, 2021. https://scholar.colorado.edu/span_gradetds/30.

MLA Handbook (7th Edition):

Brady, Caitlin O’Reilly. “Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700).” 2017. Web. 22 Apr 2021.

Vancouver:

Brady CO. Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700). [Internet] [Doctoral dissertation]. University of Colorado; 2017. [cited 2021 Apr 22]. Available from: https://scholar.colorado.edu/span_gradetds/30.

Council of Science Editors:

Brady CO. Playing the Court: Court Theater During the Reign of Carlos II of Spain (1661-1700). [Doctoral Dissertation]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/span_gradetds/30


University of California – Berkeley

17. Rodriguez Corredoira, Patricia. Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas.

Degree: Spanish, 2010, University of California – Berkeley

 This dissertation takes dramatic theater and cultural performances as objects of analysis to explore a series of discursive mechanisms by means of which a hegemonic… (more)

Subjects/Keywords: Romance literature; Theater; Identity; Misiones Pedagógicas; Nationalism; Performance theory; Second Republic; Spanish theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodriguez Corredoira, P. (2010). Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/99m096b1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodriguez Corredoira, Patricia. “Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas.” 2010. Thesis, University of California – Berkeley. Accessed April 22, 2021. http://www.escholarship.org/uc/item/99m096b1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodriguez Corredoira, Patricia. “Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas.” 2010. Web. 22 Apr 2021.

Vancouver:

Rodriguez Corredoira P. Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2021 Apr 22]. Available from: http://www.escholarship.org/uc/item/99m096b1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodriguez Corredoira P. Reinventando la identidad española durante la Segunda República: las Misiones Pedagógicas y el teatro profesional en las tablas madrileñas. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/99m096b1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

18. Conklin, Maria. The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater.

Degree: Spanish and Portuguese, 2013, University of New Mexico

 This study examines the humor employed by the stock comic figure, known as the gracioso, in the plays of Francisco de Rojas Zorrilla, a major… (more)

Subjects/Keywords: gracioso; Early Modern Spanish Theater; Siglo de Oro Theater; Carnivalesque humor; laughter

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Conklin, M. (2013). The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/23099

Chicago Manual of Style (16th Edition):

Conklin, Maria. “The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater.” 2013. Doctoral Dissertation, University of New Mexico. Accessed April 22, 2021. http://hdl.handle.net/1928/23099.

MLA Handbook (7th Edition):

Conklin, Maria. “The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater.” 2013. Web. 22 Apr 2021.

Vancouver:

Conklin M. The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater. [Internet] [Doctoral dissertation]. University of New Mexico; 2013. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1928/23099.

Council of Science Editors:

Conklin M. The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater. [Doctoral Dissertation]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/23099

19. Freeman, Elizabeth. The Theatre of Antonio Buero Vallejo.

Degree: 1966, Texas Woman's University

Subjects/Keywords: Spanish Literature; Spain theatre

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Freeman, E. (1966). The Theatre of Antonio Buero Vallejo. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/9190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freeman, Elizabeth. “The Theatre of Antonio Buero Vallejo.” 1966. Thesis, Texas Woman's University. Accessed April 22, 2021. http://hdl.handle.net/11274/9190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freeman, Elizabeth. “The Theatre of Antonio Buero Vallejo.” 1966. Web. 22 Apr 2021.

Vancouver:

Freeman E. The Theatre of Antonio Buero Vallejo. [Internet] [Thesis]. Texas Woman's University; 1966. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/11274/9190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freeman E. The Theatre of Antonio Buero Vallejo. [Thesis]. Texas Woman's University; 1966. Available from: http://hdl.handle.net/11274/9190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

20. Elliott, Norma Jean. Spanish American contemporary political theatre: 1959-1970 .

Degree: PhD, Graduate School, 1980, The Ohio State University

Subjects/Keywords: Literature; Spanish American drama; Theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Elliott, N. J. (1980). Spanish American contemporary political theatre: 1959-1970 . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559669411

Chicago Manual of Style (16th Edition):

Elliott, Norma Jean. “Spanish American contemporary political theatre: 1959-1970 .” 1980. Doctoral Dissertation, The Ohio State University. Accessed April 22, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559669411.

MLA Handbook (7th Edition):

Elliott, Norma Jean. “Spanish American contemporary political theatre: 1959-1970 .” 1980. Web. 22 Apr 2021.

Vancouver:

Elliott NJ. Spanish American contemporary political theatre: 1959-1970 . [Internet] [Doctoral dissertation]. The Ohio State University; 1980. [cited 2021 Apr 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559669411.

Council of Science Editors:

Elliott NJ. Spanish American contemporary political theatre: 1959-1970 . [Doctoral Dissertation]. The Ohio State University; 1980. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487091559669411


University of Colorado

21. Meadows, Harrison. The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia.

Degree: PhD, Spanish & Portuguese, 2015, University of Colorado

  Wild figures densely populate the forests of the Baroque imagination. They appear so frequently on the stages of sixteenth- and seventeenth-century Spanish theaters that… (more)

Subjects/Keywords: Early Modern; Spain; Wild Man; Callisto; Gender and Sexuality; Spanish and Portuguese Language and Literature; Spanish Literature; Theatre and Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meadows, H. (2015). The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/span_gradetds/20

Chicago Manual of Style (16th Edition):

Meadows, Harrison. “The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia.” 2015. Doctoral Dissertation, University of Colorado. Accessed April 22, 2021. https://scholar.colorado.edu/span_gradetds/20.

MLA Handbook (7th Edition):

Meadows, Harrison. “The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia.” 2015. Web. 22 Apr 2021.

Vancouver:

Meadows H. The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia. [Internet] [Doctoral dissertation]. University of Colorado; 2015. [cited 2021 Apr 22]. Available from: https://scholar.colorado.edu/span_gradetds/20.

Council of Science Editors:

Meadows H. The Fabric of the Baroque: Wildness and Ideology in the Spanish Comedia. [Doctoral Dissertation]. University of Colorado; 2015. Available from: https://scholar.colorado.edu/span_gradetds/20


Université Toulouse II – Le Mirail

22. Péran, Bruno. Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish.

Degree: Docteur es, Espagnol, 2011, Université Toulouse II – Le Mirail

La mondialisation n’est plus seulement une réalité économique et commerciale, elle concerne aussi les domaines culturels et artistiques. Dans ce contexte, la traduction joue un… (more)

Subjects/Keywords: Traduction théâtrale; Traduction audiovisuelle; Traductologie; Surtitles; Theatrical translation; Scenography; Contemporary Spanish theatre; Translation technology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Péran, B. (2011). Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2011TOU20090

Chicago Manual of Style (16th Edition):

Péran, Bruno. “Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish.” 2011. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed April 22, 2021. http://www.theses.fr/2011TOU20090.

MLA Handbook (7th Edition):

Péran, Bruno. “Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish.” 2011. Web. 22 Apr 2021.

Vancouver:

Péran B. Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2011. [cited 2021 Apr 22]. Available from: http://www.theses.fr/2011TOU20090.

Council of Science Editors:

Péran B. Le surtitrage : analyse d'une technique de traduction théâtrale et conception de nouveaux outils à partir d'un corpus de spectacles en Espagnol : Towards a study of a technique of theatrical translation and the elaboration of new tools from a corpus of plays in Spanish. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2011. Available from: http://www.theses.fr/2011TOU20090


University of Western Ontario

23. Peña-Pimentel, Miriam A. El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales.

Degree: 2011, University of Western Ontario

 This study has two equally important objectives: firstly, the design of a new methodology for analyzing literary texts that make use of new technologies to… (more)

Subjects/Keywords: Gracioso; Theatre; Digital Humanities; Calderon; Baroque; Dramatic Literature, Criticism and Theory; Spanish Literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peña-Pimentel, M. A. (2011). El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peña-Pimentel, Miriam A. “El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales.” 2011. Thesis, University of Western Ontario. Accessed April 22, 2021. https://ir.lib.uwo.ca/etd/307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peña-Pimentel, Miriam A. “El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales.” 2011. Web. 22 Apr 2021.

Vancouver:

Peña-Pimentel MA. El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales. [Internet] [Thesis]. University of Western Ontario; 2011. [cited 2021 Apr 22]. Available from: https://ir.lib.uwo.ca/etd/307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peña-Pimentel MA. El Gracioso en el Teatro de Calderón: Un Análisis desde las Humanidades Digitales. [Thesis]. University of Western Ontario; 2011. Available from: https://ir.lib.uwo.ca/etd/307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

24. Acuna, Maria Virginia. The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718).

Degree: PhD, 2016, University of Toronto

 Weeping male characters dominated lamenting scenes in the mythological zarzuela during the tumultuous years surrounding the War of the Spanish Succession (1701–14). Always played by… (more)

Subjects/Keywords: Cross-Dressing; Gendered Performance; Lamenting; Seventeenth and Eighteenth Centuries; Spanish Musical Theatre; Zarzuela; 0413

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Acuna, M. V. (2016). The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718). (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/72916

Chicago Manual of Style (16th Edition):

Acuna, Maria Virginia. “The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718).” 2016. Doctoral Dissertation, University of Toronto. Accessed April 22, 2021. http://hdl.handle.net/1807/72916.

MLA Handbook (7th Edition):

Acuna, Maria Virginia. “The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718).” 2016. Web. 22 Apr 2021.

Vancouver:

Acuna MV. The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718). [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/1807/72916.

Council of Science Editors:

Acuna MV. The Spanish Lamento: Discourses of Love, Power, and Gender in the Musical Theatre (1696-1718). [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/72916


University of Arizona

25. Gutiérrez Coto, Amauri Francisco. Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz .

Degree: 2015, University of Arizona

 Social Science scholars study how the New Left - the wave of leftist governments in Latin America since 1999 - redefines leftism in the Post-Cold… (more)

Subjects/Keywords: Digital Humanities; Film Studies; New Latin American Left; Pink Tide; Theatre; Spanish; Adaptation Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gutiérrez Coto, A. F. (2015). Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/594377

Chicago Manual of Style (16th Edition):

Gutiérrez Coto, Amauri Francisco. “Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz .” 2015. Doctoral Dissertation, University of Arizona. Accessed April 22, 2021. http://hdl.handle.net/10150/594377.

MLA Handbook (7th Edition):

Gutiérrez Coto, Amauri Francisco. “Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz .” 2015. Web. 22 Apr 2021.

Vancouver:

Gutiérrez Coto AF. Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz . [Internet] [Doctoral dissertation]. University of Arizona; 2015. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/10150/594377.

Council of Science Editors:

Gutiérrez Coto AF. Homoafectividad y Nueva Izquierda en América Latina: Adaptaciones de la Obra de Senel Paz . [Doctoral Dissertation]. University of Arizona; 2015. Available from: http://hdl.handle.net/10150/594377


University of South Carolina

26. Senat, Yvonne Gabrielle. Tal Como Eres.

Degree: M.F.A., Theatre and Dance, 2013, University of South Carolina

  The purpose of this project was to write my own theatrical production which would solely include myself as the actor. I drew upon my… (more)

Subjects/Keywords: Arts and Humanities; Theatre and Performance Studies; Dancing; Europe; Singing; Solo Show; Spanish; Travel

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Senat, Y. G. (2013). Tal Como Eres. (Masters Thesis). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/1859

Chicago Manual of Style (16th Edition):

Senat, Yvonne Gabrielle. “Tal Como Eres.” 2013. Masters Thesis, University of South Carolina. Accessed April 22, 2021. https://scholarcommons.sc.edu/etd/1859.

MLA Handbook (7th Edition):

Senat, Yvonne Gabrielle. “Tal Como Eres.” 2013. Web. 22 Apr 2021.

Vancouver:

Senat YG. Tal Como Eres. [Internet] [Masters thesis]. University of South Carolina; 2013. [cited 2021 Apr 22]. Available from: https://scholarcommons.sc.edu/etd/1859.

Council of Science Editors:

Senat YG. Tal Como Eres. [Masters Thesis]. University of South Carolina; 2013. Available from: https://scholarcommons.sc.edu/etd/1859

27. Gallardo, Laurent. Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works.

Degree: Docteur es, Études hispaniques et hispano-américaines, 2015, Université Grenoble Alpes (ComUE)

José Sanchis Sinisterra met en œuvre une poétique des intercesseurs qui déborde le drame conventionnel et l'entraîne vers son dehors, là où il est possible… (more)

Subjects/Keywords: Théâtre espagnol; Frontières génériques; Théâtre et sciences; Postdramatique; Spanish theater; Frontiers of genres; Theater and science; Postdramatic; 460

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gallardo, L. (2015). Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works. (Doctoral Dissertation). Université Grenoble Alpes (ComUE). Retrieved from http://www.theses.fr/2015GREAL004

Chicago Manual of Style (16th Edition):

Gallardo, Laurent. “Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works.” 2015. Doctoral Dissertation, Université Grenoble Alpes (ComUE). Accessed April 22, 2021. http://www.theses.fr/2015GREAL004.

MLA Handbook (7th Edition):

Gallardo, Laurent. “Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works.” 2015. Web. 22 Apr 2021.

Vancouver:

Gallardo L. Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works. [Internet] [Doctoral dissertation]. Université Grenoble Alpes (ComUE); 2015. [cited 2021 Apr 22]. Available from: http://www.theses.fr/2015GREAL004.

Council of Science Editors:

Gallardo L. Le théâtre en ses dehors : la poétique des intercesseurs dans l'oeuvre de José Sanchis Sinisterra : The theatre inside and beyond : the intercessors’ poetics in José Sanchis Sinisterra’s works. [Doctoral Dissertation]. Université Grenoble Alpes (ComUE); 2015. Available from: http://www.theses.fr/2015GREAL004


Duke University

28. Rodriguez, Alejandra. Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach .

Degree: 2017, Duke University

  This dissertation explores the representation of cognition in the Spanish Golden Age theatrical genre the auto sacramental, with reference to the best known playwright… (more)

Subjects/Keywords: Theater; Philosophy; Cognitive psychology; Autos Sacramentales; Calderón de la Barca; Cognitive Literary Studies; Early Modern Spanish Literature; Philosophy of Mind; Theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodriguez, A. (2017). Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/16271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodriguez, Alejandra. “Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach .” 2017. Thesis, Duke University. Accessed April 22, 2021. http://hdl.handle.net/10161/16271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodriguez, Alejandra. “Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach .” 2017. Web. 22 Apr 2021.

Vancouver:

Rodriguez A. Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach . [Internet] [Thesis]. Duke University; 2017. [cited 2021 Apr 22]. Available from: http://hdl.handle.net/10161/16271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodriguez A. Memory, Will, and Understanding in El veneno y la triaca by Calderón de la Barca: A Cognitive Approach . [Thesis]. Duke University; 2017. Available from: http://hdl.handle.net/10161/16271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

29. White, Jared S. Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos.

Degree: Spanish, 2015, University of California – Irvine

 This dissertation investigates the rationale behind Ramón del Valle-Inclán’s culminating theatrical technique, his morbidly dark, culturally caustic, and societally damning esperpento. I am specifically interested… (more)

Subjects/Keywords: Literature; Theater; Philosophy; Decadence; esperpentos; Generación del '98; Ramón del Valle-Inclán; Spain; Spanish Literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

White, J. S. (2015). Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/69x5n27h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Jared S. “Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos.” 2015. Thesis, University of California – Irvine. Accessed April 22, 2021. http://www.escholarship.org/uc/item/69x5n27h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Jared S. “Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos.” 2015. Web. 22 Apr 2021.

Vancouver:

White JS. Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2021 Apr 22]. Available from: http://www.escholarship.org/uc/item/69x5n27h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White JS. Death and Decay: The Religious, Aesthetic, and Philosophical Underpinnings of Ramón del Valle-Inclán's esperpentos. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/69x5n27h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Michigan University

30. Carvajal-Villamar, Jerusa. El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano.

Degree: PhD, Spanish, 2017, Western Michigan University

  This dissertation explores the representations of America and Amerindians in the theater of the Spanish Golden Age over a period of sixty-six years. This… (more)

Subjects/Keywords: Spanish Golden Age Theatre; representations of the Amerindian; comedies of Peruvian theme; conquest of the Jncario Theatre; representations of the conquistador; Amerindian stereotypes in theatre; Spanish and Portuguese Language and Literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carvajal-Villamar, J. (2017). El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano. (Doctoral Dissertation). Western Michigan University. Retrieved from https://scholarworks.wmich.edu/dissertations/3114

Chicago Manual of Style (16th Edition):

Carvajal-Villamar, Jerusa. “El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano.” 2017. Doctoral Dissertation, Western Michigan University. Accessed April 22, 2021. https://scholarworks.wmich.edu/dissertations/3114.

MLA Handbook (7th Edition):

Carvajal-Villamar, Jerusa. “El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano.” 2017. Web. 22 Apr 2021.

Vancouver:

Carvajal-Villamar J. El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano. [Internet] [Doctoral dissertation]. Western Michigan University; 2017. [cited 2021 Apr 22]. Available from: https://scholarworks.wmich.edu/dissertations/3114.

Council of Science Editors:

Carvajal-Villamar J. El Amerindio Y El Conquistador en Seis Comedias Áureas de Tema Peruano. [Doctoral Dissertation]. Western Michigan University; 2017. Available from: https://scholarworks.wmich.edu/dissertations/3114

[1] [2] [3] [4]

.