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You searched for subject:(South Africa Opera). Showing records 1 – 8 of 8 total matches.

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Stellenbosch University

1. Muller, Wayne. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).

Degree: PhD, 2018, Stellenbosch University

ENGLISH ABSTRACT: In this dissertation an historical narrative is constructed of the reception of opera performances in Cape Town between 1985 and 2015 as reported… (more)

Subjects/Keywords: Opera  – South Africa  – Cape Town; Opera  – South Africa  – Appreciation; Opera  – Cape Town  – Reader-response criticism  – 1985-2015

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Muller, W. (2018). A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/105193

Chicago Manual of Style (16th Edition):

Muller, Wayne. “A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).” 2018. Doctoral Dissertation, Stellenbosch University. Accessed January 27, 2020. http://hdl.handle.net/10019.1/105193.

MLA Handbook (7th Edition):

Muller, Wayne. “A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015).” 2018. Web. 27 Jan 2020.

Vancouver:

Muller W. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). [Internet] [Doctoral dissertation]. Stellenbosch University; 2018. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10019.1/105193.

Council of Science Editors:

Muller W. A reception history of opera in Cape Town : tracing the development of a distinctly South African operatic aesthetic (1985-2015). [Doctoral Dissertation]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/105193


Stellenbosch University

2. Roos, Hilde. Opera production in the Western Cape : strategies in search of indigenization.

Degree: Music, 2010, Stellenbosch University

Thesis (PhD (Music))  – Stellenbosch University, 2010.

ENGLISH ABSTRACT: During the past few decades fascinating opera productions have been staged by South African opera companies,… (more)

Subjects/Keywords: South Africa  – Opera; Music  – History  – Western Cape; South Africa  – Apartheid; Hans Huyssen. Masque; South Africa  – Apartheid; Eoan Group; South Africa  – Apartheid

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roos, H. (2010). Opera production in the Western Cape : strategies in search of indigenization. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/5207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roos, Hilde. “Opera production in the Western Cape : strategies in search of indigenization.” 2010. Thesis, Stellenbosch University. Accessed January 27, 2020. http://hdl.handle.net/10019.1/5207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roos, Hilde. “Opera production in the Western Cape : strategies in search of indigenization.” 2010. Web. 27 Jan 2020.

Vancouver:

Roos H. Opera production in the Western Cape : strategies in search of indigenization. [Internet] [Thesis]. Stellenbosch University; 2010. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10019.1/5207.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roos H. Opera production in the Western Cape : strategies in search of indigenization. [Thesis]. Stellenbosch University; 2010. Available from: http://hdl.handle.net/10019.1/5207

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

3. Meredith, Ivan. Opera in South Africa during the first democratic decade.

Degree: Image, College of Music, 2006, University of Cape Town

 The author set out to investigate operatic works that were written in South Africa between 1994 and 2004. Original works that included African elements were… (more)

Subjects/Keywords: Opera - South Africa - 20th century

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APA (6th Edition):

Meredith, I. (2006). Opera in South Africa during the first democratic decade. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/26771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meredith, Ivan. “Opera in South Africa during the first democratic decade.” 2006. Thesis, University of Cape Town. Accessed January 27, 2020. http://hdl.handle.net/11427/26771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meredith, Ivan. “Opera in South Africa during the first democratic decade.” 2006. Web. 27 Jan 2020.

Vancouver:

Meredith I. Opera in South Africa during the first democratic decade. [Internet] [Thesis]. University of Cape Town; 2006. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/11427/26771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meredith I. Opera in South Africa during the first democratic decade. [Thesis]. University of Cape Town; 2006. Available from: http://hdl.handle.net/11427/26771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

4. Onuh, Janet Atinuke. Representation of the matriarch in South African soap opera : a case study of Uzalo.

Degree: 2017, University of KwaZulu-Natal

 The portrayal of strong female characters, often known as matriarchs, is one of the conventions of the soap opera genre. The genre is considered a… (more)

Subjects/Keywords: KwaMashu.; The matriarch.; Soap opera.; South Africa.; Uzalo.; Uzalo: Blood is Forever.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Onuh, J. A. (2017). Representation of the matriarch in South African soap opera : a case study of Uzalo. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/16096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Onuh, Janet Atinuke. “Representation of the matriarch in South African soap opera : a case study of Uzalo.” 2017. Thesis, University of KwaZulu-Natal. Accessed January 27, 2020. http://hdl.handle.net/10413/16096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Onuh, Janet Atinuke. “Representation of the matriarch in South African soap opera : a case study of Uzalo.” 2017. Web. 27 Jan 2020.

Vancouver:

Onuh JA. Representation of the matriarch in South African soap opera : a case study of Uzalo. [Internet] [Thesis]. University of KwaZulu-Natal; 2017. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10413/16096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Onuh JA. Representation of the matriarch in South African soap opera : a case study of Uzalo. [Thesis]. University of KwaZulu-Natal; 2017. Available from: http://hdl.handle.net/10413/16096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

5. Kunju, Hleze Welsh. A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory.

Degree: Faculty of Humanities, School of Languages, 2013, Rhodes University

 The East Cape Opera Company was founded by Gwyneth Lloyd in 1995 and has performed in various Eastern Cape venues and festivals as well as… (more)

Subjects/Keywords: East Cape Opera Company; Operas  – Research  – South Africa  – Eastern Cape; Performing arts  – Research  – South Africa  – Eastern Cape; Multiculturalism  – South Africa  – Eastern Cape; Apartheid  – Research  – South Africa; Apartheid and art  – Research  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kunju, H. W. (2013). A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1001861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kunju, Hleze Welsh. “A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory.” 2013. Thesis, Rhodes University. Accessed January 27, 2020. http://hdl.handle.net/10962/d1001861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kunju, Hleze Welsh. “A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory.” 2013. Web. 27 Jan 2020.

Vancouver:

Kunju HW. A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory. [Internet] [Thesis]. Rhodes University; 2013. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10962/d1001861.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kunju HW. A critical and intercultural analysis of selected isiXhosa operas in the East Cape Opera Company's repertory. [Thesis]. Rhodes University; 2013. Available from: http://hdl.handle.net/10962/d1001861

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

6. Onuh, Janet Atinuke. Representation of the matriarch in South African soap opera: a case study of Uzalo.

Degree: 2017, University of KwaZulu-Natal

 The portrayal of strong female characters, often known as matriarchs, is one of the conventions of the soap opera genre. The genre is considered a… (more)

Subjects/Keywords: Theses - Centre for Communication, Media and Society.; KwaMashu.; South Africa.; Blood is Forever.; Soap opera.; Uzalo.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Onuh, J. A. (2017). Representation of the matriarch in South African soap opera: a case study of Uzalo. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/16189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Onuh, Janet Atinuke. “Representation of the matriarch in South African soap opera: a case study of Uzalo.” 2017. Thesis, University of KwaZulu-Natal. Accessed January 27, 2020. http://hdl.handle.net/10413/16189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Onuh, Janet Atinuke. “Representation of the matriarch in South African soap opera: a case study of Uzalo.” 2017. Web. 27 Jan 2020.

Vancouver:

Onuh JA. Representation of the matriarch in South African soap opera: a case study of Uzalo. [Internet] [Thesis]. University of KwaZulu-Natal; 2017. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10413/16189.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Onuh JA. Representation of the matriarch in South African soap opera: a case study of Uzalo. [Thesis]. University of KwaZulu-Natal; 2017. Available from: http://hdl.handle.net/10413/16189

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

7. Knoetze, Hannelie Marx. South African and Flemish soap opera : a critical whiteness studies perspective.

Degree: 2015, University of South Africa

 The main goal of this thesis was an investigation into the ways in which whiteness is constructed and positioned in the South African soap opera,… (more)

Subjects/Keywords: Critical Whiteness studies; Cultural studies; Public Service Broadcasting; Television; Soap opera; Whiteness; Identity; National identity; Diversity; Rrepresentation; Comparative study; Imagined community; Indigenisation; South Africa; Flanders

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knoetze, H. M. (2015). South African and Flemish soap opera : a critical whiteness studies perspective. (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/20309

Chicago Manual of Style (16th Edition):

Knoetze, Hannelie Marx. “South African and Flemish soap opera : a critical whiteness studies perspective.” 2015. Doctoral Dissertation, University of South Africa. Accessed January 27, 2020. http://hdl.handle.net/10500/20309.

MLA Handbook (7th Edition):

Knoetze, Hannelie Marx. “South African and Flemish soap opera : a critical whiteness studies perspective.” 2015. Web. 27 Jan 2020.

Vancouver:

Knoetze HM. South African and Flemish soap opera : a critical whiteness studies perspective. [Internet] [Doctoral dissertation]. University of South Africa; 2015. [cited 2020 Jan 27]. Available from: http://hdl.handle.net/10500/20309.

Council of Science Editors:

Knoetze HM. South African and Flemish soap opera : a critical whiteness studies perspective. [Doctoral Dissertation]. University of South Africa; 2015. Available from: http://hdl.handle.net/10500/20309


Royal Holloway, University of London

8. Moyo, Arifani. Indigeneity and theatre in the New South Africa.

Degree: PhD, 2016, Royal Holloway, University of London

 In recent decades, the emergence of a global indigenous peoples' movement has renewed the significance of indigeneity as a theme of pan-Africanist ethnology. This thesis… (more)

Subjects/Keywords: South Africa; indigeneity; pan-African studies; postcolonialism; critical ethnology; filiation; Interculturalism; Richard Loring; African Footprint; Mark Fleishman; Magnet Theatre; Rain in a Dead Man's Footprints; Isango Ensemble; uCarmen eKhayelitsha; Yael Farber; Mies Julie; post-apartheid; theatre studies; opera; drama; avant-garde; heritage pageantry; performance studies; cultural studies; African studies; African philosophy; indigenous peoples

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moyo, A. (2016). Indigeneity and theatre in the New South Africa. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/indigeneity-and-theatre-in-the-new-south-africa(51931ae9-1719-4ed3-a42a-101e22335909).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792466

Chicago Manual of Style (16th Edition):

Moyo, Arifani. “Indigeneity and theatre in the New South Africa.” 2016. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 27, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/indigeneity-and-theatre-in-the-new-south-africa(51931ae9-1719-4ed3-a42a-101e22335909).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792466.

MLA Handbook (7th Edition):

Moyo, Arifani. “Indigeneity and theatre in the New South Africa.” 2016. Web. 27 Jan 2020.

Vancouver:

Moyo A. Indigeneity and theatre in the New South Africa. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2016. [cited 2020 Jan 27]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/indigeneity-and-theatre-in-the-new-south-africa(51931ae9-1719-4ed3-a42a-101e22335909).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792466.

Council of Science Editors:

Moyo A. Indigeneity and theatre in the New South Africa. [Doctoral Dissertation]. Royal Holloway, University of London; 2016. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/indigeneity-and-theatre-in-the-new-south-africa(51931ae9-1719-4ed3-a42a-101e22335909).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792466

.