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You searched for subject:(Sound synthesis). Showing records 1 – 30 of 91 total matches.

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Queen Mary, University of London

1. Moffat, David James. Evaluation of synthesised sound effects.

Degree: PhD, 2019, Queen Mary, University of London

 The current fi eld of sound synthesis research presents a range of methods and approaches for synthesising a given sound. Sounds are synthesised to facilitate… (more)

Subjects/Keywords: Sound synthesis research; Synthesised sound effects

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moffat, D. J. (2019). Evaluation of synthesised sound effects. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/61315 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.791874

Chicago Manual of Style (16th Edition):

Moffat, David James. “Evaluation of synthesised sound effects.” 2019. Doctoral Dissertation, Queen Mary, University of London. Accessed September 29, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/61315 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.791874.

MLA Handbook (7th Edition):

Moffat, David James. “Evaluation of synthesised sound effects.” 2019. Web. 29 Sep 2020.

Vancouver:

Moffat DJ. Evaluation of synthesised sound effects. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2019. [cited 2020 Sep 29]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/61315 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.791874.

Council of Science Editors:

Moffat DJ. Evaluation of synthesised sound effects. [Doctoral Dissertation]. Queen Mary, University of London; 2019. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/61315 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.791874


Cornell University

2. An, Steven. Sound Synthesis For Nonlinearly Deformable Bodies.

Degree: PhD, Computer Science, 2013, Cornell University

 The computer graphics community has made great advances in rendering the visual appearance and dynamic motion of real world phenomena, but relatively little has been… (more)

Subjects/Keywords: sound synthesis simulation graphics

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APA (6th Edition):

An, S. (2013). Sound Synthesis For Nonlinearly Deformable Bodies. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/33945

Chicago Manual of Style (16th Edition):

An, Steven. “Sound Synthesis For Nonlinearly Deformable Bodies.” 2013. Doctoral Dissertation, Cornell University. Accessed September 29, 2020. http://hdl.handle.net/1813/33945.

MLA Handbook (7th Edition):

An, Steven. “Sound Synthesis For Nonlinearly Deformable Bodies.” 2013. Web. 29 Sep 2020.

Vancouver:

An S. Sound Synthesis For Nonlinearly Deformable Bodies. [Internet] [Doctoral dissertation]. Cornell University; 2013. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1813/33945.

Council of Science Editors:

An S. Sound Synthesis For Nonlinearly Deformable Bodies. [Doctoral Dissertation]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/33945


University of Rochester

3. Sterling, Mark (1980 - ). Empirical physical modeling methods for bowed-string and wind instruments.

Degree: PhD, 2011, University of Rochester

 An empirical approach for the physical modeling synthesis of musical instrument sounds is presented and demonstrated for the Violin, Bassoon, and Clarinet. The physical models… (more)

Subjects/Keywords: Physical modeling; Sound synthesis

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APA (6th Edition):

Sterling, M. (. -. ). (2011). Empirical physical modeling methods for bowed-string and wind instruments. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/14181

Chicago Manual of Style (16th Edition):

Sterling, Mark (1980 - ). “Empirical physical modeling methods for bowed-string and wind instruments.” 2011. Doctoral Dissertation, University of Rochester. Accessed September 29, 2020. http://hdl.handle.net/1802/14181.

MLA Handbook (7th Edition):

Sterling, Mark (1980 - ). “Empirical physical modeling methods for bowed-string and wind instruments.” 2011. Web. 29 Sep 2020.

Vancouver:

Sterling M(-). Empirical physical modeling methods for bowed-string and wind instruments. [Internet] [Doctoral dissertation]. University of Rochester; 2011. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1802/14181.

Council of Science Editors:

Sterling M(-). Empirical physical modeling methods for bowed-string and wind instruments. [Doctoral Dissertation]. University of Rochester; 2011. Available from: http://hdl.handle.net/1802/14181

4. Wan Rosli, Muhammad Hafiz. Spatiotemporal Granulation.

Degree: 2017, University of California – eScholarship, University of California

 This document introduces a novel theory and technique called Spatiotemporal Granulation. Through the use of spatially encoded signals, the algorithm segments spatial and temporal information,… (more)

Subjects/Keywords: Music; Acoustics; Performing arts; Analysis-Synthesis; Microsound; Sound Synthesis; Sound Transformation; Spatialization; Spatial Sound

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APA (6th Edition):

Wan Rosli, M. H. (2017). Spatiotemporal Granulation. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/0d87604q

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wan Rosli, Muhammad Hafiz. “Spatiotemporal Granulation.” 2017. Thesis, University of California – eScholarship, University of California. Accessed September 29, 2020. http://www.escholarship.org/uc/item/0d87604q.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wan Rosli, Muhammad Hafiz. “Spatiotemporal Granulation.” 2017. Web. 29 Sep 2020.

Vancouver:

Wan Rosli MH. Spatiotemporal Granulation. [Internet] [Thesis]. University of California – eScholarship, University of California; 2017. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/0d87604q.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wan Rosli MH. Spatiotemporal Granulation. [Thesis]. University of California – eScholarship, University of California; 2017. Available from: http://www.escholarship.org/uc/item/0d87604q

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

5. Jaroszewicz, Martin. Compositional Strategies in Spectral Spatialization.

Degree: Music, 2015, University of California – Riverside

 The use of space as a structural part of a composition is a complex issue that involves rethinking the idea of the sound object -… (more)

Subjects/Keywords: Music; Computer Music; Sound Synthesis; Spatialization

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APA (6th Edition):

Jaroszewicz, M. (2015). Compositional Strategies in Spectral Spatialization. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/7wm025g7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jaroszewicz, Martin. “Compositional Strategies in Spectral Spatialization.” 2015. Thesis, University of California – Riverside. Accessed September 29, 2020. http://www.escholarship.org/uc/item/7wm025g7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jaroszewicz, Martin. “Compositional Strategies in Spectral Spatialization.” 2015. Web. 29 Sep 2020.

Vancouver:

Jaroszewicz M. Compositional Strategies in Spectral Spatialization. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/7wm025g7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jaroszewicz M. Compositional Strategies in Spectral Spatialization. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/7wm025g7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Reykjavík University

6. Hendrik Tómasson 1986-. Speaker Localization and Identification .

Degree: 2012, Reykjavík University

 Hljóðgreining nýtist fólki ýmist í samskiptum eða til að bregðast við áreiti úr umhverfinu. Vélmenni ættu að vera jafn góð ef ekki betri en menn… (more)

Subjects/Keywords: Rafmagnsverkfræði; Hljóð; Talgervlar; Sound; Speech synthesis

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APA (6th Edition):

1986-, H. T. (2012). Speaker Localization and Identification . (Thesis). Reykjavík University. Retrieved from http://hdl.handle.net/1946/12717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1986-, Hendrik Tómasson. “Speaker Localization and Identification .” 2012. Thesis, Reykjavík University. Accessed September 29, 2020. http://hdl.handle.net/1946/12717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1986-, Hendrik Tómasson. “Speaker Localization and Identification .” 2012. Web. 29 Sep 2020.

Vancouver:

1986- HT. Speaker Localization and Identification . [Internet] [Thesis]. Reykjavík University; 2012. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1946/12717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1986- HT. Speaker Localization and Identification . [Thesis]. Reykjavík University; 2012. Available from: http://hdl.handle.net/1946/12717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

7. Niemela, Douglas Martin. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.

Degree: 2016, University of Washington

 Concatenative Sound Synthesis (CSS) has undergone software tool development for composition in non-realtime use in the MATLAB (Sturm, 2006) and Max/MSP (Schwarz, 2003) programming environments.… (more)

Subjects/Keywords: Computer Music; Concatenative Synthesis; Music Composition; Music Synthesis; Sound; Music; music

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APA (6th Edition):

Niemela, D. M. (2016). PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/35270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Niemela, Douglas Martin. “PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.” 2016. Thesis, University of Washington. Accessed September 29, 2020. http://hdl.handle.net/1773/35270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Niemela, Douglas Martin. “PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics.” 2016. Web. 29 Sep 2020.

Vancouver:

Niemela DM. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. [Internet] [Thesis]. University of Washington; 2016. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1773/35270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Niemela DM. PNW: A musical composition for Narrator, Tenor Saxophone, and Live Computer Electronics. [Thesis]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/35270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

8. Gutiérrez Parera, Pablo. Optimization and improvements in spatial sound reproduction systems through perceptual considerations .

Degree: 2020, Universitat Politècnica de València

 [ES] La reproducción de las propiedades espaciales del sonido es una cuestión cada vez más importante en muchas aplicaciones inmersivas emergentes. Ya sea en la… (more)

Subjects/Keywords: Spatial sound; Perception of sound; Perceptual test; Headphones; Binaural; HRTF; Wave-Field Synthesis; VBAP

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gutiérrez Parera, P. (2020). Optimization and improvements in spatial sound reproduction systems through perceptual considerations . (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/142696

Chicago Manual of Style (16th Edition):

Gutiérrez Parera, Pablo. “Optimization and improvements in spatial sound reproduction systems through perceptual considerations .” 2020. Doctoral Dissertation, Universitat Politècnica de València. Accessed September 29, 2020. http://hdl.handle.net/10251/142696.

MLA Handbook (7th Edition):

Gutiérrez Parera, Pablo. “Optimization and improvements in spatial sound reproduction systems through perceptual considerations .” 2020. Web. 29 Sep 2020.

Vancouver:

Gutiérrez Parera P. Optimization and improvements in spatial sound reproduction systems through perceptual considerations . [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2020. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/10251/142696.

Council of Science Editors:

Gutiérrez Parera P. Optimization and improvements in spatial sound reproduction systems through perceptual considerations . [Doctoral Dissertation]. Universitat Politècnica de València; 2020. Available from: http://hdl.handle.net/10251/142696


University of Washington

9. Freire, Joaquim Ribeiro. Consonance A computer generated composition.

Degree: 2017, University of Washington

 Consonance is a computer generated composition using Csound not only to construct the instruments but also to explore some of its innumerous possibilities to modeling… (more)

Subjects/Keywords: algorithmic music composition; composition; computer generated sound; csound; sound synthesis; Music; Computer science; Acoustics; Music

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APA (6th Edition):

Freire, J. R. (2017). Consonance A computer generated composition. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Thesis, University of Washington. Accessed September 29, 2020. http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Web. 29 Sep 2020.

Vancouver:

Freire JR. Consonance A computer generated composition. [Internet] [Thesis]. University of Washington; 2017. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freire JR. Consonance A computer generated composition. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

10. Hsu, Jennifer S. Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications.

Degree: Music, 2019, University of California – San Diego

 This dissertation introduces a physically-informed, abstract synthesis method that applies loopback frequency modulation (FM) to real-time parametric synthesis of percussive sounds. Loopback FM is a… (more)

Subjects/Keywords: Music; Engineering; Acoustics; Computer music; Digital signal processing; Frequency modulation; Percussion sound synthesis; Physical modeling; Sound synthesis

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APA (6th Edition):

Hsu, J. S. (2019). Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3bt848xs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hsu, Jennifer S. “Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications.” 2019. Thesis, University of California – San Diego. Accessed September 29, 2020. http://www.escholarship.org/uc/item/3bt848xs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hsu, Jennifer S. “Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications.” 2019. Web. 29 Sep 2020.

Vancouver:

Hsu JS. Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications. [Internet] [Thesis]. University of California – San Diego; 2019. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/3bt848xs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hsu JS. Physically-informed Percussion Synthesis with Nonlinearities for Real-time Applications. [Thesis]. University of California – San Diego; 2019. Available from: http://www.escholarship.org/uc/item/3bt848xs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

11. Donahue, Christopher James. Extensions to Convolution for Generalized Cross-Synthesis.

Degree: Music, 2016, University of California – San Diego

 Cross-synthesis is the process of blending two or more audio signals to produce a hybrid signal with timbral characteristics of the originals. There are a… (more)

Subjects/Keywords: Music; convolution; cross-synthesis; digital signal processing; rfs1k; sound manipulation

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APA (6th Edition):

Donahue, C. J. (2016). Extensions to Convolution for Generalized Cross-Synthesis. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3rq0g07d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Donahue, Christopher James. “Extensions to Convolution for Generalized Cross-Synthesis.” 2016. Thesis, University of California – San Diego. Accessed September 29, 2020. http://www.escholarship.org/uc/item/3rq0g07d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Donahue, Christopher James. “Extensions to Convolution for Generalized Cross-Synthesis.” 2016. Web. 29 Sep 2020.

Vancouver:

Donahue CJ. Extensions to Convolution for Generalized Cross-Synthesis. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/3rq0g07d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Donahue CJ. Extensions to Convolution for Generalized Cross-Synthesis. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/3rq0g07d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. McGee, Ryan Michael. Scanning Spaces: Paradigms for Spatial Sonification and Synthesis.

Degree: 2015, University of California – eScholarship, University of California

 In 1962 Karlheinz Stockhausen’s “Concept of Unity in Electronic Music” introduced a connection between the parameters of intensity, duration, pitch, and timbre using an accelerating… (more)

Subjects/Keywords: Music; Computer science; modulation; sonification; sound; spatial; spatialization; synthesis

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APA (6th Edition):

McGee, R. M. (2015). Scanning Spaces: Paradigms for Spatial Sonification and Synthesis. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/2n0779jw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGee, Ryan Michael. “Scanning Spaces: Paradigms for Spatial Sonification and Synthesis.” 2015. Thesis, University of California – eScholarship, University of California. Accessed September 29, 2020. http://www.escholarship.org/uc/item/2n0779jw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGee, Ryan Michael. “Scanning Spaces: Paradigms for Spatial Sonification and Synthesis.” 2015. Web. 29 Sep 2020.

Vancouver:

McGee RM. Scanning Spaces: Paradigms for Spatial Sonification and Synthesis. [Internet] [Thesis]. University of California – eScholarship, University of California; 2015. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/2n0779jw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGee RM. Scanning Spaces: Paradigms for Spatial Sonification and Synthesis. [Thesis]. University of California – eScholarship, University of California; 2015. Available from: http://www.escholarship.org/uc/item/2n0779jw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

13. Valsamakis, Nikolas. Non-standard sound synthesis with dynamic models.

Degree: PhD, 2013, University of Plymouth

 This Thesis proposes three main objectives: (i) to provide the concept of a new generalized non-standard synthesis model that would provide the framework for incorporating… (more)

Subjects/Keywords: 781; non-standard sound synthesis; microsound; dynamical systems

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APA (6th Edition):

Valsamakis, N. (2013). Non-standard sound synthesis with dynamic models. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/2841

Chicago Manual of Style (16th Edition):

Valsamakis, Nikolas. “Non-standard sound synthesis with dynamic models.” 2013. Doctoral Dissertation, University of Plymouth. Accessed September 29, 2020. http://hdl.handle.net/10026.1/2841.

MLA Handbook (7th Edition):

Valsamakis, Nikolas. “Non-standard sound synthesis with dynamic models.” 2013. Web. 29 Sep 2020.

Vancouver:

Valsamakis N. Non-standard sound synthesis with dynamic models. [Internet] [Doctoral dissertation]. University of Plymouth; 2013. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/10026.1/2841.

Council of Science Editors:

Valsamakis N. Non-standard sound synthesis with dynamic models. [Doctoral Dissertation]. University of Plymouth; 2013. Available from: http://hdl.handle.net/10026.1/2841


Queen Mary, University of London

14. Heinrichs, Christian. Human expressivity in the control and integration of computationally generated audio.

Degree: PhD, 2018, Queen Mary, University of London

 While physics-based synthesis offers a wide range of benefits in the real-time generation of sound for interactive environments, it is difficult to incorporate nuanced and… (more)

Subjects/Keywords: Centre for Digital Music; Computationally Generated Audio; sound synthesis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heinrichs, C. (2018). Human expressivity in the control and integration of computationally generated audio. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/33924 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766108

Chicago Manual of Style (16th Edition):

Heinrichs, Christian. “Human expressivity in the control and integration of computationally generated audio.” 2018. Doctoral Dissertation, Queen Mary, University of London. Accessed September 29, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/33924 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766108.

MLA Handbook (7th Edition):

Heinrichs, Christian. “Human expressivity in the control and integration of computationally generated audio.” 2018. Web. 29 Sep 2020.

Vancouver:

Heinrichs C. Human expressivity in the control and integration of computationally generated audio. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2018. [cited 2020 Sep 29]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/33924 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766108.

Council of Science Editors:

Heinrichs C. Human expressivity in the control and integration of computationally generated audio. [Doctoral Dissertation]. Queen Mary, University of London; 2018. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/33924 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.766108

15. Swords, Edward. Virtual bass synthesis and balancing bass in pop music.

Degree: Communication and Education, 2019, Luleå University of Technology

  A bass enhancement technique using the missing fundamental called VBS is presented. There are Several different approaches for using VBS in different applications. The… (more)

Subjects/Keywords: VBS; Virtual Bass Synthesis; Sound engineer; Media Engineering; Mediateknik

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APA (6th Edition):

Swords, E. (2019). Virtual bass synthesis and balancing bass in pop music. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74121

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swords, Edward. “Virtual bass synthesis and balancing bass in pop music.” 2019. Thesis, Luleå University of Technology. Accessed September 29, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74121.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swords, Edward. “Virtual bass synthesis and balancing bass in pop music.” 2019. Web. 29 Sep 2020.

Vancouver:

Swords E. Virtual bass synthesis and balancing bass in pop music. [Internet] [Thesis]. Luleå University of Technology; 2019. [cited 2020 Sep 29]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74121.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swords E. Virtual bass synthesis and balancing bass in pop music. [Thesis]. Luleå University of Technology; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74121

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Toivonen, Arvi. Synteettinen ääni äänisuunnittelun työkaluna.

Degree: 2019, Theseus

Opinnäytetyössä esitellään syntetisaattorin toimintaa, siihen liittyviä työkaluja ja miten niitä käytetään. Lisäksi kerrotaan erilaisten äänisynteesien muodoista, hyödyistä ja käyttökohteista. Työssä annetaan käytännön esimerkkejä siitä, kuinka… (more)

Subjects/Keywords: äänisynteesi; synteettinen ääni; sound design; synthesizers; synthesis; films; games

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APA (6th Edition):

Toivonen, A. (2019). Synteettinen ääni äänisuunnittelun työkaluna. (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/169178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toivonen, Arvi. “Synteettinen ääni äänisuunnittelun työkaluna.” 2019. Thesis, Theseus. Accessed September 29, 2020. http://www.theseus.fi/handle/10024/169178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toivonen, Arvi. “Synteettinen ääni äänisuunnittelun työkaluna.” 2019. Web. 29 Sep 2020.

Vancouver:

Toivonen A. Synteettinen ääni äänisuunnittelun työkaluna. [Internet] [Thesis]. Theseus; 2019. [cited 2020 Sep 29]. Available from: http://www.theseus.fi/handle/10024/169178.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toivonen A. Synteettinen ääni äänisuunnittelun työkaluna. [Thesis]. Theseus; 2019. Available from: http://www.theseus.fi/handle/10024/169178

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

17. Desvages, Charlotte Genevieve Micheline. Physical modelling of the bowed string and applications to sound synthesis.

Degree: PhD, 2018, University of Edinburgh

 This work outlines the design and implementation of an algorithm to simulate two-polarisation bowed string motion, for the purpose of realistic sound synthesis. The algorithm… (more)

Subjects/Keywords: string instruments; finite difference method; sound synthesis; modelling; physical modelling

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APA (6th Edition):

Desvages, C. G. M. (2018). Physical modelling of the bowed string and applications to sound synthesis. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/31273

Chicago Manual of Style (16th Edition):

Desvages, Charlotte Genevieve Micheline. “Physical modelling of the bowed string and applications to sound synthesis.” 2018. Doctoral Dissertation, University of Edinburgh. Accessed September 29, 2020. http://hdl.handle.net/1842/31273.

MLA Handbook (7th Edition):

Desvages, Charlotte Genevieve Micheline. “Physical modelling of the bowed string and applications to sound synthesis.” 2018. Web. 29 Sep 2020.

Vancouver:

Desvages CGM. Physical modelling of the bowed string and applications to sound synthesis. [Internet] [Doctoral dissertation]. University of Edinburgh; 2018. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1842/31273.

Council of Science Editors:

Desvages CGM. Physical modelling of the bowed string and applications to sound synthesis. [Doctoral Dissertation]. University of Edinburgh; 2018. Available from: http://hdl.handle.net/1842/31273

18. Silva, Marcio José da. Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis.

Degree: Mestrado, Processos de Criação Musical, 2014, University of São Paulo

Buscando-se a aplicação prática da teoria de Wave Field Synthesis (WFS) na música, foi feita uma pesquisa visando à modelagem de um sistema de sonorização… (more)

Subjects/Keywords: áudio espacial, síntese de campo sonoro; auralização musical; dynamic programming; espacialização sonora; music auralization; programação dinâmica; sound field synthesis; sound spatialization; spatial audio; Wave Field Synthesis; Wave Field Synthesis

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APA (6th Edition):

Silva, M. J. d. (2014). Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-18052015-163521/ ;

Chicago Manual of Style (16th Edition):

Silva, Marcio José da. “Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis.” 2014. Masters Thesis, University of São Paulo. Accessed September 29, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-18052015-163521/ ;.

MLA Handbook (7th Edition):

Silva, Marcio José da. “Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis.” 2014. Web. 29 Sep 2020.

Vancouver:

Silva MJd. Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2020 Sep 29]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-18052015-163521/ ;.

Council of Science Editors:

Silva MJd. Modelagem de um sistema para auralização musical utilizando Wave Field Synthesis. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-18052015-163521/ ;

19. Conan, Simon. Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors.

Degree: Docteur es, Acoustique, 2014, Ecole centrale de Marseille

Un des enjeux actuels de la synthèse sonore est le contrôle perceptif (i.e. à partir d’évocations) des processus de synthèse. En effet, les modèles de… (more)

Subjects/Keywords: Sons d'interaction; Perception des sons; Controle intuitif de la synthèse sonore; Interaction sounds; Sound perception; Intuitive control of sound synthesis

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APA (6th Edition):

Conan, S. (2014). Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors. (Doctoral Dissertation). Ecole centrale de Marseille. Retrieved from http://www.theses.fr/2014ECDM0012

Chicago Manual of Style (16th Edition):

Conan, Simon. “Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors.” 2014. Doctoral Dissertation, Ecole centrale de Marseille. Accessed September 29, 2020. http://www.theses.fr/2014ECDM0012.

MLA Handbook (7th Edition):

Conan, Simon. “Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors.” 2014. Web. 29 Sep 2020.

Vancouver:

Conan S. Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors. [Internet] [Doctoral dissertation]. Ecole centrale de Marseille; 2014. [cited 2020 Sep 29]. Available from: http://www.theses.fr/2014ECDM0012.

Council of Science Editors:

Conan S. Contrôle intuitif de la synthèse sonore d’interactions solidiennes : vers les métaphores sonores : Intuitive control of solid-interaction sound synthesis : toward sonic metaphors. [Doctoral Dissertation]. Ecole centrale de Marseille; 2014. Available from: http://www.theses.fr/2014ECDM0012


Brno University of Technology

20. Vaňků, Nikita. Generátor hudby a zvukové efekty: Generator of Music and Sound Effects.

Degree: 2019, Brno University of Technology

 The aim of this work is to design digital synthesizer and modulator on embedded sys- tems. Work is exploring existing digital synthesizer and modulators in… (more)

Subjects/Keywords: Syntéza zvuku; Syntetizátor; MIDI; Simulátor; FPGA; Zvukové efekty; Wavetable; Sampler.; Sound synthesis; Synthesizer; MIDI; Simulator; FPGA; Sound effects; Wavetable; Sampler.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vaňků, N. (2019). Generátor hudby a zvukové efekty: Generator of Music and Sound Effects. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/84999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaňků, Nikita. “Generátor hudby a zvukové efekty: Generator of Music and Sound Effects.” 2019. Thesis, Brno University of Technology. Accessed September 29, 2020. http://hdl.handle.net/11012/84999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaňků, Nikita. “Generátor hudby a zvukové efekty: Generator of Music and Sound Effects.” 2019. Web. 29 Sep 2020.

Vancouver:

Vaňků N. Generátor hudby a zvukové efekty: Generator of Music and Sound Effects. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/11012/84999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaňků N. Generátor hudby a zvukové efekty: Generator of Music and Sound Effects. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/84999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

21. Mohd Norowi, Noris. An artificial intelligence approach to concatenative sound synthesis.

Degree: PhD, 2013, University of Plymouth

 Technological advancement such as the increase in processing power, hard disk capacity and network bandwidth has opened up many exciting new techniques to synthesise sounds,… (more)

Subjects/Keywords: 006.5; artificial intelligence, concatenative sound synthesis, order dependent feature selection, homosonic segments, equidistant segments, basis of sound similarity

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APA (6th Edition):

Mohd Norowi, N. (2013). An artificial intelligence approach to concatenative sound synthesis. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/1606

Chicago Manual of Style (16th Edition):

Mohd Norowi, Noris. “An artificial intelligence approach to concatenative sound synthesis.” 2013. Doctoral Dissertation, University of Plymouth. Accessed September 29, 2020. http://hdl.handle.net/10026.1/1606.

MLA Handbook (7th Edition):

Mohd Norowi, Noris. “An artificial intelligence approach to concatenative sound synthesis.” 2013. Web. 29 Sep 2020.

Vancouver:

Mohd Norowi N. An artificial intelligence approach to concatenative sound synthesis. [Internet] [Doctoral dissertation]. University of Plymouth; 2013. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/10026.1/1606.

Council of Science Editors:

Mohd Norowi N. An artificial intelligence approach to concatenative sound synthesis. [Doctoral Dissertation]. University of Plymouth; 2013. Available from: http://hdl.handle.net/10026.1/1606


University of Plymouth

22. Serquera, Jaime. Sound synthesis with cellular automata.

Degree: PhD, 2012, University of Plymouth

 This thesis reports on new music technology research which investigates the use of cellular automata (CA) for the digital synthesis of dynamic sounds. The research… (more)

Subjects/Keywords: 511.35; sound synthesis : cellular automata : histogram mapping synthesis : additive synthesis : subtractive synthesis : music technology : computer music : digital signal processing : cellular automata control : mapping

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Serquera, J. (2012). Sound synthesis with cellular automata. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/1189

Chicago Manual of Style (16th Edition):

Serquera, Jaime. “Sound synthesis with cellular automata.” 2012. Doctoral Dissertation, University of Plymouth. Accessed September 29, 2020. http://hdl.handle.net/10026.1/1189.

MLA Handbook (7th Edition):

Serquera, Jaime. “Sound synthesis with cellular automata.” 2012. Web. 29 Sep 2020.

Vancouver:

Serquera J. Sound synthesis with cellular automata. [Internet] [Doctoral dissertation]. University of Plymouth; 2012. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/10026.1/1189.

Council of Science Editors:

Serquera J. Sound synthesis with cellular automata. [Doctoral Dissertation]. University of Plymouth; 2012. Available from: http://hdl.handle.net/10026.1/1189


University of Rochester

23. Dong, Xiaoxiao. Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments.

Degree: PhD, 2008, University of Rochester

 A digital implementation of an empirical physical modeling scheme is presented with the goal of creating a new form of music capture and re-synthesis with… (more)

Subjects/Keywords: Sound synthesis; Music representation; Physical modeling

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APA (6th Edition):

Dong, X. (2008). Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/5857

Chicago Manual of Style (16th Edition):

Dong, Xiaoxiao. “Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments.” 2008. Doctoral Dissertation, University of Rochester. Accessed September 29, 2020. http://hdl.handle.net/1802/5857.

MLA Handbook (7th Edition):

Dong, Xiaoxiao. “Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments.” 2008. Web. 29 Sep 2020.

Vancouver:

Dong X. Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments. [Internet] [Doctoral dissertation]. University of Rochester; 2008. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1802/5857.

Council of Science Editors:

Dong X. Musical sound synthesis and a new music representation based on empirical physical modeling of musical instruments. [Doctoral Dissertation]. University of Rochester; 2008. Available from: http://hdl.handle.net/1802/5857


Brno University of Technology

24. Zavřel, Petr. Vytváření zvuků z obrazových dat: Synthesis of Sound from Images.

Degree: 2020, Brno University of Technology

 This diploma thesis deals with the creation of sound from images. Before looking into the actual conversion of data, it takes into consideration the correlation… (more)

Subjects/Keywords: Vytváření zvuků; zpracování obrazu; Matlab; C++; JUCE; Synthesis of sound; image processing; Matlab; C++; JUCE

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APA (6th Edition):

Zavřel, P. (2020). Vytváření zvuků z obrazových dat: Synthesis of Sound from Images. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/189397

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zavřel, Petr. “Vytváření zvuků z obrazových dat: Synthesis of Sound from Images.” 2020. Thesis, Brno University of Technology. Accessed September 29, 2020. http://hdl.handle.net/11012/189397.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zavřel, Petr. “Vytváření zvuků z obrazových dat: Synthesis of Sound from Images.” 2020. Web. 29 Sep 2020.

Vancouver:

Zavřel P. Vytváření zvuků z obrazových dat: Synthesis of Sound from Images. [Internet] [Thesis]. Brno University of Technology; 2020. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/11012/189397.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zavřel P. Vytváření zvuků z obrazových dat: Synthesis of Sound from Images. [Thesis]. Brno University of Technology; 2020. Available from: http://hdl.handle.net/11012/189397

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

25. Liudkevich, Denis. Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument.

Degree: 2020, Brno University of Technology

 The aim of this work was to create an online platform for multi-user sound creation with original sound synthesis tools. The educational context of the… (more)

Subjects/Keywords: Online; kolaborativní; zvukový; herní; design; audio; syntéza.; Online; collaborative; sound; game; design; audio; synthesis.

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APA (6th Edition):

Liudkevich, D. (2020). Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/189401

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liudkevich, Denis. “Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument.” 2020. Thesis, Brno University of Technology. Accessed September 29, 2020. http://hdl.handle.net/11012/189401.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liudkevich, Denis. “Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument.” 2020. Web. 29 Sep 2020.

Vancouver:

Liudkevich D. Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument. [Internet] [Thesis]. Brno University of Technology; 2020. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/11012/189401.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liudkevich D. Návrh virtuálního síťového kolaborativního zvukového nástroje: Design of Net-Based Virtual Collaborative Musical Instrument. [Thesis]. Brno University of Technology; 2020. Available from: http://hdl.handle.net/11012/189401

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

26. Torin, Alberto. Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation.

Degree: PhD, 2016, University of Edinburgh

 This work is concerned with the numerical simulation of percussion instruments based on physical principles. Three novel modular environments for sound synthesis are presented: a… (more)

Subjects/Keywords: 534; percussion instruments; sound synthesis; 3D simulation; acoustics; FDTD; finite difference time domain

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Torin, A. (2016). Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/31029

Chicago Manual of Style (16th Edition):

Torin, Alberto. “Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed September 29, 2020. http://hdl.handle.net/1842/31029.

MLA Handbook (7th Edition):

Torin, Alberto. “Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation.” 2016. Web. 29 Sep 2020.

Vancouver:

Torin A. Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/1842/31029.

Council of Science Editors:

Torin A. Percussion instrument modelling in 3D : sound synthesis through time domain numerical simulation. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/31029

27. Tilbian, Joseph. Stride: A Language for Sound Synthesis, Processing, and Interaction Design.

Degree: 2018, University of California – eScholarship, University of California

 This dissertation presents Stride, a language for sound synthesis, processing, and interaction design. With a novel and unique approach for handling sampling rates as well… (more)

Subjects/Keywords: Computer science; Music; Computer Music; Embedded Systems; Microcontrollers; Programming Language; Signal Processing; Sound Synthesis

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APA (6th Edition):

Tilbian, J. (2018). Stride: A Language for Sound Synthesis, Processing, and Interaction Design. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/0sc948c2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tilbian, Joseph. “Stride: A Language for Sound Synthesis, Processing, and Interaction Design.” 2018. Thesis, University of California – eScholarship, University of California. Accessed September 29, 2020. http://www.escholarship.org/uc/item/0sc948c2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tilbian, Joseph. “Stride: A Language for Sound Synthesis, Processing, and Interaction Design.” 2018. Web. 29 Sep 2020.

Vancouver:

Tilbian J. Stride: A Language for Sound Synthesis, Processing, and Interaction Design. [Internet] [Thesis]. University of California – eScholarship, University of California; 2018. [cited 2020 Sep 29]. Available from: http://www.escholarship.org/uc/item/0sc948c2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tilbian J. Stride: A Language for Sound Synthesis, Processing, and Interaction Design. [Thesis]. University of California – eScholarship, University of California; 2018. Available from: http://www.escholarship.org/uc/item/0sc948c2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


San Jose State University

28. Hanson, Jeffrey. Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.

Degree: MA, Music and Dance, 2010, San Jose State University

  This thesis investigates the ghost works of Morton Subotnick and their contribution to the world of sound art and electronic music technologies. Subotnick's work… (more)

Subjects/Keywords: Buchla; Electronic music technology; Ghost score; Morton Subotnick; Sound art; Voltage-controlled synthesis

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APA (6th Edition):

Hanson, J. (2010). Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.h6cw-5qkx ; https://scholarworks.sjsu.edu/etd_theses/3864

Chicago Manual of Style (16th Edition):

Hanson, Jeffrey. “Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.” 2010. Masters Thesis, San Jose State University. Accessed September 29, 2020. https://doi.org/10.31979/etd.h6cw-5qkx ; https://scholarworks.sjsu.edu/etd_theses/3864.

MLA Handbook (7th Edition):

Hanson, Jeffrey. “Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology.” 2010. Web. 29 Sep 2020.

Vancouver:

Hanson J. Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology. [Internet] [Masters thesis]. San Jose State University; 2010. [cited 2020 Sep 29]. Available from: https://doi.org/10.31979/etd.h6cw-5qkx ; https://scholarworks.sjsu.edu/etd_theses/3864.

Council of Science Editors:

Hanson J. Morton Subotnick's Ghost Scores: Interaction and Performance with Music Technology. [Masters Thesis]. San Jose State University; 2010. Available from: https://doi.org/10.31979/etd.h6cw-5qkx ; https://scholarworks.sjsu.edu/etd_theses/3864

29. Liao, Wei-Hsiang. Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux.

Degree: Docteur es, Informatique, télécommunications et électronique, 2015, Université Pierre et Marie Curie – Paris VI

Le traitement et la synthèse des sons environnementaux sont devenue un sujet important. Une classe des sons, qui est très important pour la constitution d'environnements… (more)

Subjects/Keywords: Textures sonores; Sons environnementaux; Analyse; Synthèse; Statistiques; Temps-Frequence; Environmental sounds; Sound texture; Synthesis; 621.3

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liao, W. (2015). Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux. (Doctoral Dissertation). Université Pierre et Marie Curie – Paris VI. Retrieved from http://www.theses.fr/2015PA066725

Chicago Manual of Style (16th Edition):

Liao, Wei-Hsiang. “Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux.” 2015. Doctoral Dissertation, Université Pierre et Marie Curie – Paris VI. Accessed September 29, 2020. http://www.theses.fr/2015PA066725.

MLA Handbook (7th Edition):

Liao, Wei-Hsiang. “Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux.” 2015. Web. 29 Sep 2020.

Vancouver:

Liao W. Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux. [Internet] [Doctoral dissertation]. Université Pierre et Marie Curie – Paris VI; 2015. [cited 2020 Sep 29]. Available from: http://www.theses.fr/2015PA066725.

Council of Science Editors:

Liao W. Modelling and transformation of sound textures and environmental sounds : Transformation et synthèse de textures sonores et sons environnementaux. [Doctoral Dissertation]. Université Pierre et Marie Curie – Paris VI; 2015. Available from: http://www.theses.fr/2015PA066725


Brno University of Technology

30. Kuczman, Petr. Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller.

Degree: 2019, Brno University of Technology

 This work contains information about physical properties of sound and briefly defines basic types of synthesis of audio signals. The more detailed view was putted… (more)

Subjects/Keywords: Zvuk; syntéza; AVR; ATmega; MIDI; PWM.; Sound; synthesis; AVR; ATmega; MIDI; PWM.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuczman, P. (2019). Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/27304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuczman, Petr. “Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller.” 2019. Thesis, Brno University of Technology. Accessed September 29, 2020. http://hdl.handle.net/11012/27304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuczman, Petr. “Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller.” 2019. Web. 29 Sep 2020.

Vancouver:

Kuczman P. Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Sep 29]. Available from: http://hdl.handle.net/11012/27304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuczman P. Jednoduchý syntezátor s osmibitovým kontrolérem: Simple synthesizer with eight-bit controller. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/27304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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