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You searched for subject:(Sociology of art). Showing records 1 – 30 of 102 total matches.

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University of the Arts London

1. McDonnell, Amy. Artists' collectives and collectivities : a curatorial investigation into assembling the social.

Degree: PhD, 2016, University of the Arts London

 This thesis begins with an examination of collective art practices in Cuba in relation to the wider collectivised society. This acts as a counterbalance for… (more)

Subjects/Keywords: Sociology; History of Art

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APA (6th Edition):

McDonnell, A. (2016). Artists' collectives and collectivities : a curatorial investigation into assembling the social. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12061/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738012

Chicago Manual of Style (16th Edition):

McDonnell, Amy. “Artists' collectives and collectivities : a curatorial investigation into assembling the social.” 2016. Doctoral Dissertation, University of the Arts London. Accessed September 20, 2019. http://ualresearchonline.arts.ac.uk/12061/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738012.

MLA Handbook (7th Edition):

McDonnell, Amy. “Artists' collectives and collectivities : a curatorial investigation into assembling the social.” 2016. Web. 20 Sep 2019.

Vancouver:

McDonnell A. Artists' collectives and collectivities : a curatorial investigation into assembling the social. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2019 Sep 20]. Available from: http://ualresearchonline.arts.ac.uk/12061/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738012.

Council of Science Editors:

McDonnell A. Artists' collectives and collectivities : a curatorial investigation into assembling the social. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12061/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738012


University of Edinburgh

2. Myers, Fiona Anne. Face to face : sociology looks at the art object : the case of portraiture.

Degree: PhD, 2016, University of Edinburgh

 The thesis emerged from two streams. First, from an interest in portraiture. Both the portrait as an art object and portraiture as a social process… (more)

Subjects/Keywords: sociology of art; portraiture

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APA (6th Edition):

Myers, F. A. (2016). Face to face : sociology looks at the art object : the case of portraiture. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/30985

Chicago Manual of Style (16th Edition):

Myers, Fiona Anne. “Face to face : sociology looks at the art object : the case of portraiture.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed September 20, 2019. http://hdl.handle.net/1842/30985.

MLA Handbook (7th Edition):

Myers, Fiona Anne. “Face to face : sociology looks at the art object : the case of portraiture.” 2016. Web. 20 Sep 2019.

Vancouver:

Myers FA. Face to face : sociology looks at the art object : the case of portraiture. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/1842/30985.

Council of Science Editors:

Myers FA. Face to face : sociology looks at the art object : the case of portraiture. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/30985


University of the Arts London

3. McDonnell, Amy. Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social.

Degree: 2016, University of the Arts London

 This thesis begins with an examination of collective art practices in Cuba in relation to the wider collectivised society. This acts as a counterbalance for… (more)

Subjects/Keywords: Sociology; History of Art

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APA (6th Edition):

McDonnell, A. (2016). Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12061/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McDonnell, Amy. “Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social.” 2016. Thesis, University of the Arts London. Accessed September 20, 2019. http://ualresearchonline.arts.ac.uk/12061/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McDonnell, Amy. “Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social.” 2016. Web. 20 Sep 2019.

Vancouver:

McDonnell A. Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Sep 20]. Available from: http://ualresearchonline.arts.ac.uk/12061/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McDonnell A. Artists’ Collectives and Collectivities: A Curatorial Investigation into Assembling the Social. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12061/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

4. Zhang, Linzhi. Contemporary Art and the Exhibitionary System: China as a Case Study .

Degree: 2019, University of Cambridge

 The challenge of contemporary art, unlike in art history, has only recently been identified in sociology. Furthermore, an overly philosophical orientation, has undermined sociological expla-… (more)

Subjects/Keywords: sociology of art; contemporary art; exhibitions; sociology of exhibitions

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APA (6th Edition):

Zhang, L. (2019). Contemporary Art and the Exhibitionary System: China as a Case Study . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/289428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Linzhi. “Contemporary Art and the Exhibitionary System: China as a Case Study .” 2019. Thesis, University of Cambridge. Accessed September 20, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Linzhi. “Contemporary Art and the Exhibitionary System: China as a Case Study .” 2019. Web. 20 Sep 2019.

Vancouver:

Zhang L. Contemporary Art and the Exhibitionary System: China as a Case Study . [Internet] [Thesis]. University of Cambridge; 2019. [cited 2019 Sep 20]. Available from: https://www.repository.cam.ac.uk/handle/1810/289428.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang L. Contemporary Art and the Exhibitionary System: China as a Case Study . [Thesis]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/289428

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Connecticut

5. Umsted, Natalie K. The Art of Commerce: Self-Stratification on Etsy.

Degree: MA, Sociology, 2014, University of Connecticut

  Scholars have long shown that there are gendered hierarchies within art worlds. This research examines how those hierarchies are forming on the online marketplace… (more)

Subjects/Keywords: Art; Sociology; Sociology of Art; Artists; Women Artists; Etsy; Social Media

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APA (6th Edition):

Umsted, N. K. (2014). The Art of Commerce: Self-Stratification on Etsy. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/545

Chicago Manual of Style (16th Edition):

Umsted, Natalie K. “The Art of Commerce: Self-Stratification on Etsy.” 2014. Masters Thesis, University of Connecticut. Accessed September 20, 2019. https://opencommons.uconn.edu/gs_theses/545.

MLA Handbook (7th Edition):

Umsted, Natalie K. “The Art of Commerce: Self-Stratification on Etsy.” 2014. Web. 20 Sep 2019.

Vancouver:

Umsted NK. The Art of Commerce: Self-Stratification on Etsy. [Internet] [Masters thesis]. University of Connecticut; 2014. [cited 2019 Sep 20]. Available from: https://opencommons.uconn.edu/gs_theses/545.

Council of Science Editors:

Umsted NK. The Art of Commerce: Self-Stratification on Etsy. [Masters Thesis]. University of Connecticut; 2014. Available from: https://opencommons.uconn.edu/gs_theses/545


Brunel University

6. Ecevit, Emek Can. A study on institutionalisation of contemporary art from Turkey.

Degree: PhD, 2016, Brunel University

 This doctoral study is concerned with identifying the determinants of the institutionalisation of art (IoA) in general and institutionalisation of contemporary art (IoCA) in particular.… (more)

Subjects/Keywords: 709.05; Artworld; Art market; Institutional theory; Criticism of modern art; Sociology of art

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APA (6th Edition):

Ecevit, E. C. (2016). A study on institutionalisation of contemporary art from Turkey. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/13247 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694889

Chicago Manual of Style (16th Edition):

Ecevit, Emek Can. “A study on institutionalisation of contemporary art from Turkey.” 2016. Doctoral Dissertation, Brunel University. Accessed September 20, 2019. http://bura.brunel.ac.uk/handle/2438/13247 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694889.

MLA Handbook (7th Edition):

Ecevit, Emek Can. “A study on institutionalisation of contemporary art from Turkey.” 2016. Web. 20 Sep 2019.

Vancouver:

Ecevit EC. A study on institutionalisation of contemporary art from Turkey. [Internet] [Doctoral dissertation]. Brunel University; 2016. [cited 2019 Sep 20]. Available from: http://bura.brunel.ac.uk/handle/2438/13247 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694889.

Council of Science Editors:

Ecevit EC. A study on institutionalisation of contemporary art from Turkey. [Doctoral Dissertation]. Brunel University; 2016. Available from: http://bura.brunel.ac.uk/handle/2438/13247 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694889


University of the Arts London

7. Nunez Adaid, German Alfonso. Between technophilia, Cold War and rationality : a social and cultural history of digital art.

Degree: PhD, 2015, University of the Arts London

 Evoking his early personal experiences, computer art pioneer Paul Brown wrote in the mid-1990s that to work with computers was akin to a ‘kiss of… (more)

Subjects/Keywords: 776; Sociology of Science and Technology; History of Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nunez Adaid, G. A. (2015). Between technophilia, Cold War and rationality : a social and cultural history of digital art. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12017/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704575

Chicago Manual of Style (16th Edition):

Nunez Adaid, German Alfonso. “Between technophilia, Cold War and rationality : a social and cultural history of digital art.” 2015. Doctoral Dissertation, University of the Arts London. Accessed September 20, 2019. http://ualresearchonline.arts.ac.uk/12017/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704575.

MLA Handbook (7th Edition):

Nunez Adaid, German Alfonso. “Between technophilia, Cold War and rationality : a social and cultural history of digital art.” 2015. Web. 20 Sep 2019.

Vancouver:

Nunez Adaid GA. Between technophilia, Cold War and rationality : a social and cultural history of digital art. [Internet] [Doctoral dissertation]. University of the Arts London; 2015. [cited 2019 Sep 20]. Available from: http://ualresearchonline.arts.ac.uk/12017/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704575.

Council of Science Editors:

Nunez Adaid GA. Between technophilia, Cold War and rationality : a social and cultural history of digital art. [Doctoral Dissertation]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12017/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704575


University of the Arts London

8. Nunez, G. Alfonso. Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art.

Degree: 2015, University of the Arts London

 Evoking his early personal experiences, computer art pioneer Paul Brown wrote in the mid-1990s that to work with computers was akin to a ‘kiss of… (more)

Subjects/Keywords: Sociology of Science and Technology; History of Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nunez, G. A. (2015). Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/10772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nunez, G Alfonso. “Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art.” 2015. Thesis, University of the Arts London. Accessed September 20, 2019. http://ualresearchonline.arts.ac.uk/10772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nunez, G Alfonso. “Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art.” 2015. Web. 20 Sep 2019.

Vancouver:

Nunez GA. Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2019 Sep 20]. Available from: http://ualresearchonline.arts.ac.uk/10772/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nunez GA. Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art. [Thesis]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/10772/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

9. Shaw, Samuel Clayton. Off Center: Art Careers in Peripheral Places.

Degree: PhD, Sociology, 2014, Vanderbilt University

 Visual artists benefit from resources historically concentrated in few urban âcenters.â This dissertation uses ethnographic observation and 76 in-depth interviews with visual artists and related… (more)

Subjects/Keywords: Sociology of Art; Urban Sociology; Cultural Production; Place; Work and Occupations; Fields

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APA (6th Edition):

Shaw, S. C. (2014). Off Center: Art Careers in Peripheral Places. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;

Chicago Manual of Style (16th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Doctoral Dissertation, Vanderbilt University. Accessed September 20, 2019. http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

MLA Handbook (7th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Web. 20 Sep 2019.

Vancouver:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Internet] [Doctoral dissertation]. Vanderbilt University; 2014. [cited 2019 Sep 20]. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

Council of Science Editors:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Doctoral Dissertation]. Vanderbilt University; 2014. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;

10. Dimitrov, Eduardo. Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano.

Degree: PhD, Antropologia Social, 2014, University of São Paulo

Artistas pernambucanos que iniciaram suas carreiras ainda na primeira metade do século XX foram facilmente classificados pela crítica, ou pelos pares, como regionalistas. Por vezes… (more)

Subjects/Keywords: Anthropology of art; Antropologia da arte; Art from Pernambuco; Arte pernambucana; Modernism; Modernismo; Regionalism; Regionalismo; Sociologia da arte; Sociology of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dimitrov, E. (2014). Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08052014-104648/ ;

Chicago Manual of Style (16th Edition):

Dimitrov, Eduardo. “Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano.” 2014. Doctoral Dissertation, University of São Paulo. Accessed September 20, 2019. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08052014-104648/ ;.

MLA Handbook (7th Edition):

Dimitrov, Eduardo. “Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano.” 2014. Web. 20 Sep 2019.

Vancouver:

Dimitrov E. Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2019 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08052014-104648/ ;.

Council of Science Editors:

Dimitrov E. Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8134/tde-08052014-104648/ ;


Columbia University

11. Kondo, Jennifer Mari. The spatial and temporal diffusion of museums in New York City, 1910-2010.

Degree: 2013, Columbia University

 The aim of this dissertation is to understand and analyze the museum location decision, defined as where museum founders choose to establish or relocate their… (more)

Subjects/Keywords: Art museums; Sociology; Arts – Management; Museum of Modern Art (New York, N.Y.); Whitney Museum of American Art

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APA (6th Edition):

Kondo, J. M. (2013). The spatial and temporal diffusion of museums in New York City, 1910-2010. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8W9589F

Chicago Manual of Style (16th Edition):

Kondo, Jennifer Mari. “The spatial and temporal diffusion of museums in New York City, 1910-2010.” 2013. Doctoral Dissertation, Columbia University. Accessed September 20, 2019. https://doi.org/10.7916/D8W9589F.

MLA Handbook (7th Edition):

Kondo, Jennifer Mari. “The spatial and temporal diffusion of museums in New York City, 1910-2010.” 2013. Web. 20 Sep 2019.

Vancouver:

Kondo JM. The spatial and temporal diffusion of museums in New York City, 1910-2010. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2019 Sep 20]. Available from: https://doi.org/10.7916/D8W9589F.

Council of Science Editors:

Kondo JM. The spatial and temporal diffusion of museums in New York City, 1910-2010. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8W9589F

12. Dos Santos Paes, Isabela. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].

Degree: Docteur es, Sciences de gestion, 2011, Evry, Institut national des télécommunications

Pour Boltanski et Chiapello (1999), la critique artiste a été récupérée par le capitalisme. La motivation repose aujourd’hui grandement sur certains principes au nom desquels… (more)

Subjects/Keywords: Sociologie de l'art; Critique artistique; Méthode ethnographique; Sociology of art; Art criticism; Ethnographic Methodology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dos Santos Paes, I. (2011). Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. (Doctoral Dissertation). Evry, Institut national des télécommunications. Retrieved from http://www.theses.fr/2010TELE0033

Chicago Manual of Style (16th Edition):

Dos Santos Paes, Isabela. “Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].” 2011. Doctoral Dissertation, Evry, Institut national des télécommunications. Accessed September 20, 2019. http://www.theses.fr/2010TELE0033.

MLA Handbook (7th Edition):

Dos Santos Paes, Isabela. “Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].” 2011. Web. 20 Sep 2019.

Vancouver:

Dos Santos Paes I. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. [Internet] [Doctoral dissertation]. Evry, Institut national des télécommunications; 2011. [cited 2019 Sep 20]. Available from: http://www.theses.fr/2010TELE0033.

Council of Science Editors:

Dos Santos Paes I. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. [Doctoral Dissertation]. Evry, Institut national des télécommunications; 2011. Available from: http://www.theses.fr/2010TELE0033

13. Dos Santos Paes, Isabela. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].

Degree: Docteur es, Sciences de gestion, 2011, Evry, Institut national des télécommunications

Pour Boltanski et Chiapello (1999), la critique artiste a été récupérée par le capitalisme. La motivation repose aujourd’hui grandement sur certains principes au nom desquels… (more)

Subjects/Keywords: Sociologie de l'art; Critique artistique; Méthode ethnographique; Sociology of art; Art criticism; Ethnographic Methodology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dos Santos Paes, I. (2011). Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. (Doctoral Dissertation). Evry, Institut national des télécommunications. Retrieved from http://www.theses.fr/2011TELE0033

Chicago Manual of Style (16th Edition):

Dos Santos Paes, Isabela. “Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].” 2011. Doctoral Dissertation, Evry, Institut national des télécommunications. Accessed September 20, 2019. http://www.theses.fr/2011TELE0033.

MLA Handbook (7th Edition):

Dos Santos Paes, Isabela. “Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret].” 2011. Web. 20 Sep 2019.

Vancouver:

Dos Santos Paes I. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. [Internet] [Doctoral dissertation]. Evry, Institut national des télécommunications; 2011. [cited 2019 Sep 20]. Available from: http://www.theses.fr/2011TELE0033.

Council of Science Editors:

Dos Santos Paes I. Mouvement : individuation et transformation : une approche ethnographique de l'Odin Teatret : [Movement : individuation and transformation : an ethnographic approach of Odin Teatret]. [Doctoral Dissertation]. Evry, Institut national des télécommunications; 2011. Available from: http://www.theses.fr/2011TELE0033


Uniwersytet im. Adama Mickiewicza w Poznaniu

14. Szymańska-Palaczyk, Agnieszka. Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce .

Degree: 2019, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Podstawowym celem pracy jest zrekonstruowanie sposobów powstawania i funkcjonowania marek artystycznych w dwóch sferach życia społecznego: w świecie sztuki i w otoczeniu świata sztuki. Marką… (more)

Subjects/Keywords: marka artystyczna; sztuka współczesna; socjologia sztuki; świat sztuki; artistic brand; contemporary art; sociology of art; art world

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APA (6th Edition):

Szymańska-Palaczyk, A. (2019). Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/24882

Chicago Manual of Style (16th Edition):

Szymańska-Palaczyk, Agnieszka. “Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce .” 2019. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed September 20, 2019. http://hdl.handle.net/10593/24882.

MLA Handbook (7th Edition):

Szymańska-Palaczyk, Agnieszka. “Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce .” 2019. Web. 20 Sep 2019.

Vancouver:

Szymańska-Palaczyk A. Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/10593/24882.

Council of Science Editors:

Szymańska-Palaczyk A. Marka artystyczna jako fenomen społeczny. Tworzenie, zróżnicowanie i role marek artystycznych we współczesnej Polsce . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. Available from: http://hdl.handle.net/10593/24882


University of Colorado

15. Ingraham, Chris. Affective Ecologies: The Cultural Public Sphere in a Digital World.

Degree: PhD, Communication, 2015, University of Colorado

  We live in a time when varieties of aesthetic mediation saturate our everyday lives. Personal expressions of taste, too, are nearly ubiquitous. In the… (more)

Subjects/Keywords: Affect; Art; Creativity; Digital Culture; Rhetoric; Vernacular; Rhetoric; Social Media; Sociology of Culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ingraham, C. (2015). Affective Ecologies: The Cultural Public Sphere in a Digital World. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/coml_gradetds/21

Chicago Manual of Style (16th Edition):

Ingraham, Chris. “Affective Ecologies: The Cultural Public Sphere in a Digital World.” 2015. Doctoral Dissertation, University of Colorado. Accessed September 20, 2019. http://scholar.colorado.edu/coml_gradetds/21.

MLA Handbook (7th Edition):

Ingraham, Chris. “Affective Ecologies: The Cultural Public Sphere in a Digital World.” 2015. Web. 20 Sep 2019.

Vancouver:

Ingraham C. Affective Ecologies: The Cultural Public Sphere in a Digital World. [Internet] [Doctoral dissertation]. University of Colorado; 2015. [cited 2019 Sep 20]. Available from: http://scholar.colorado.edu/coml_gradetds/21.

Council of Science Editors:

Ingraham C. Affective Ecologies: The Cultural Public Sphere in a Digital World. [Doctoral Dissertation]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/coml_gradetds/21


Universidade Federal da Bahia

16. João Paulo Gill de Barros de Machado Aires. "Mostra a nossa voz"!.

Degree: 2011, Universidade Federal da Bahia

Esta dissertação é uma reflexão sobre a história de vida dos indivíduos que aproveitam o lixo como forma de subsistência: os catadores de materiais recicláveis.… (more)

Subjects/Keywords: Sociology of art; art: Mediation; symbolic interactions - Bahia; ARTES PLASTICAS; Sociologia da arte; arte: mediação; interações simbólicas Bahia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Aires, J. P. G. d. B. d. M. (2011). "Mostra a nossa voz"!. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=4131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aires, João Paulo Gill de Barros de Machado. “"Mostra a nossa voz"!.” 2011. Thesis, Universidade Federal da Bahia. Accessed September 20, 2019. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=4131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aires, João Paulo Gill de Barros de Machado. “"Mostra a nossa voz"!.” 2011. Web. 20 Sep 2019.

Vancouver:

Aires JPGdBdM. "Mostra a nossa voz"!. [Internet] [Thesis]. Universidade Federal da Bahia; 2011. [cited 2019 Sep 20]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=4131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aires JPGdBdM. "Mostra a nossa voz"!. [Thesis]. Universidade Federal da Bahia; 2011. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=4131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

17. David da Costa Aguiar de Souza. O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil.

Degree: PhD, 2013, Universidade do Estado do Rio de Janeiro

A Tese a seguir, apresentada ao IESP/UERJ como pré-requisito para obtenção do grau de Doutor em Sociologia, demonstra a forma como o estilo pictórico grafite… (more)

Subjects/Keywords: Grafite; Mundo artístico; Sociologia da Arte; Microssociologia Urbana; Graffiti; Art world; Sociology of Art; Urban Microsociology; SOCIOLOGIA

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Souza, D. d. C. A. d. (2013). O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil. (Doctoral Dissertation). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6125 ;

Chicago Manual of Style (16th Edition):

Souza, David da Costa Aguiar de. “O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil.” 2013. Doctoral Dissertation, Universidade do Estado do Rio de Janeiro. Accessed September 20, 2019. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6125 ;.

MLA Handbook (7th Edition):

Souza, David da Costa Aguiar de. “O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil.” 2013. Web. 20 Sep 2019.

Vancouver:

Souza DdCAd. O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil. [Internet] [Doctoral dissertation]. Universidade do Estado do Rio de Janeiro; 2013. [cited 2019 Sep 20]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6125 ;.

Council of Science Editors:

Souza DdCAd. O olho ocidental e o gosto: uma leitura sociológica do processo de legitimação do grafite como expressão artística no Brasil. [Doctoral Dissertation]. Universidade do Estado do Rio de Janeiro; 2013. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6125 ;


Université de Montréal

18. Plante, Louis-Philippe. Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques .

Degree: 2015, Université de Montréal

 Ce mémoire propose une analyse du rôle qu’exerce le collectionneur d’art, un acteur ayant une capacité accrue à agir concrètement sur une part importante du… (more)

Subjects/Keywords: Sociologie de l’art; Mondes de l’art; Méga-collectionneur; Charles Saatchi; Médiations; Branding; Sociology of art; Art Worlds; Supercollector; Mediations

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Plante, L. (2015). Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11496

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Plante, Louis-Philippe. “Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques .” 2015. Thesis, Université de Montréal. Accessed September 20, 2019. http://hdl.handle.net/1866/11496.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Plante, Louis-Philippe. “Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques .” 2015. Web. 20 Sep 2019.

Vancouver:

Plante L. Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/1866/11496.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Plante L. Charles Saatchi, prototype du nouveau collectionneur : une analyse de l’influence du méga-collectionneur sur la production et la consommation des biens symboliques . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/11496

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

19. Ramos, Alexandre Dias. A função social dos vernissages no campo da arte.

Degree: 2012, Universidade do Rio Grande do Sul

O objetivo geral desta pesquisa é estudar os dispositivos de atuação dos agentes no campo das artes através dos vernissages, estes eventos sociais aglutinadores que… (more)

Subjects/Keywords: Sociologia da arte; Etiquette; Vernissage; Taste; Public; Museologia; Museology; Público; Arte : Exposições; Sociology of art; Art openings; Arte : Apreciação; Função social

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramos, A. D. (2012). A função social dos vernissages no campo da arte. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/67628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramos, Alexandre Dias. “A função social dos vernissages no campo da arte.” 2012. Thesis, Universidade do Rio Grande do Sul. Accessed September 20, 2019. http://hdl.handle.net/10183/67628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramos, Alexandre Dias. “A função social dos vernissages no campo da arte.” 2012. Web. 20 Sep 2019.

Vancouver:

Ramos AD. A função social dos vernissages no campo da arte. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2012. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/10183/67628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramos AD. A função social dos vernissages no campo da arte. [Thesis]. Universidade do Rio Grande do Sul; 2012. Available from: http://hdl.handle.net/10183/67628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

20. Li, Qi. A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology.

Degree: 2015, Edith Cowan University

 This practice-led research project investigates a possible new interactive aesthetic of data visualisation that emphasises how traditional Chinese aesthetics might be explored and examined in… (more)

Subjects/Keywords: Data visualization; Aesthetics; Chinese aesthetics; Gesture-based technology; Kantian sublime; Taoist kinect; Art and Design; Art Practice; Illustration; Sociology of Culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Li, Q. (2015). A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/1710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Li, Qi. “A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology.” 2015. Thesis, Edith Cowan University. Accessed September 20, 2019. https://ro.ecu.edu.au/theses/1710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Li, Qi. “A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology.” 2015. Web. 20 Sep 2019.

Vancouver:

Li Q. A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology. [Internet] [Thesis]. Edith Cowan University; 2015. [cited 2019 Sep 20]. Available from: https://ro.ecu.edu.au/theses/1710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Li Q. A new approach to data visualisation through traditional Chinese aesthetics and gesture-based gaming technology. [Thesis]. Edith Cowan University; 2015. Available from: https://ro.ecu.edu.au/theses/1710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

21. Fisher, Laura. Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon.

Degree: International Studies, 2012, University of New South Wales

 Aboriginal art has come to occupy a significant space in the Australian cultural landscape. It has also achieved international recognition as one of the most… (more)

Subjects/Keywords: Sociology of art; Aboriginal art; Indigenous art; Australian cultural history; Cultural industries; Modernity; Indigenous/non-indigenous relations; Civil society; Anthropology of art; Art market; Art criticism; Art history; Postcolonial critique; Settler State politics; Reconciliation; Indigenous social justice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fisher, L. (2012). Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52270 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10942/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Fisher, Laura. “Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon.” 2012. Doctoral Dissertation, University of New South Wales. Accessed September 20, 2019. http://handle.unsw.edu.au/1959.4/52270 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10942/SOURCE01?view=true.

MLA Handbook (7th Edition):

Fisher, Laura. “Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon.” 2012. Web. 20 Sep 2019.

Vancouver:

Fisher L. Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Sep 20]. Available from: http://handle.unsw.edu.au/1959.4/52270 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10942/SOURCE01?view=true.

Council of Science Editors:

Fisher L. Hope, ethics & disenchantment: a critical sociological inquiry into the Aboriginal art phenomenon. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/52270 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10942/SOURCE01?view=true

22. Urcci, Michélle Yara. Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940.

Degree: PhD, Sociologia, 2009, University of São Paulo

 Nesta tese foi abordada a união dos pintores que estiveram juntos no Palacete Santa Helena por cerca de cinco anos, de 1935 a 1940, bem… (more)

Subjects/Keywords: Arte moderna; História da arte; History of art; Modern art; Palacete Santa Helena; Palacete Santa Helena; São Paulo; São Paulo; Sociologia da arte; Sociology of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Urcci, M. Y. (2009). Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03022010-140157/ ;

Chicago Manual of Style (16th Edition):

Urcci, Michélle Yara. “Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940.” 2009. Doctoral Dissertation, University of São Paulo. Accessed September 20, 2019. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03022010-140157/ ;.

MLA Handbook (7th Edition):

Urcci, Michélle Yara. “Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940.” 2009. Web. 20 Sep 2019.

Vancouver:

Urcci MY. Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940. [Internet] [Doctoral dissertation]. University of São Paulo; 2009. [cited 2019 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03022010-140157/ ;.

Council of Science Editors:

Urcci MY. Os pintores do Palacete Santa Helena: imagens da São Paulo entre 1935 e 1940. [Doctoral Dissertation]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03022010-140157/ ;

23. Santana, Gilmar. Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente.

Degree: PhD, Sociologia, 2007, University of São Paulo

O êxito de uma obra artística autêntica depende de vários mecanismos sociais que possibilitem sua permanência. Muito além de comprovar qualidade, o autor precisa deixar… (more)

Subjects/Keywords: Cinema; Cinema; História do cinema espanhol; History of the Spanish cinema; Pedro Almodóvar; Pedro Almodóvar; Sociologia da arte; Sociologia da cultura; Sociology of art; Sociology of culture

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APA (6th Edition):

Santana, G. (2007). Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8132/tde-14112007-142859/ ;

Chicago Manual of Style (16th Edition):

Santana, Gilmar. “Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente.” 2007. Doctoral Dissertation, University of São Paulo. Accessed September 20, 2019. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-14112007-142859/ ;.

MLA Handbook (7th Edition):

Santana, Gilmar. “Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente.” 2007. Web. 20 Sep 2019.

Vancouver:

Santana G. Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente. [Internet] [Doctoral dissertation]. University of São Paulo; 2007. [cited 2019 Sep 20]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-14112007-142859/ ;.

Council of Science Editors:

Santana G. Riso, lágrima, ironia e tratados: Pedro Almodóvar - genialidade e paradoxo em construção permanente. [Doctoral Dissertation]. University of São Paulo; 2007. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-14112007-142859/ ;


Université Paris-Sorbonne – Paris IV

24. Fontaine, Anne-Estelle. Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century.

Degree: Docteur es, Études germaniques et nordiques, 2014, Université Paris-Sorbonne – Paris IV

Il s’agit de montrer comment la trajectoire du peintre finlandais Helene Schjerfbeck (1862-1946) est typique de celle d’une artiste femme finlandaise à la fin du… (more)

Subjects/Keywords: Sociologie de l’art; Etudes de genre; Civilisation, culture et art nordiques; Sociology of art; Gender studies; Nordic civilization, culture and art; 700; 890

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fontaine, A. (2014). Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040037

Chicago Manual of Style (16th Edition):

Fontaine, Anne-Estelle. “Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed September 20, 2019. http://www.theses.fr/2014PA040037.

MLA Handbook (7th Edition):

Fontaine, Anne-Estelle. “Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century.” 2014. Web. 20 Sep 2019.

Vancouver:

Fontaine A. Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Sep 20]. Available from: http://www.theses.fr/2014PA040037.

Council of Science Editors:

Fontaine A. Helene Schjerfbeck (1862-1946) : être une artiste femme finlandaise à la fin du XIX° siècle et au début du XX° siècle : an artist at thHelene Schjerfbeck (1862-1946) : Being a Finnish wome end of the 19th century and at the beginning of the 20th century. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040037

25. Stocco Ferreira, Daniela. O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique.

Degree: Docteur es, Sociologie, 2016, Paris 8

Si la fascination incitée par l'art se montre incontestable, son autonomie en tant que sphère de la vie sociale, qui existe par lui-même et en… (more)

Subjects/Keywords: Sociologie de l'art; Marché des beaux-arts; Galeries d'art; Achat et vente d'œuvres d'art; Circulation des œuvres d'art; : Sociology of art; Market for fine arts; Art galleries; Purchase and sale of works of art; Circulation of works of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stocco Ferreira, D. (2016). O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2016PA080011

Chicago Manual of Style (16th Edition):

Stocco Ferreira, Daniela. “O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique.” 2016. Doctoral Dissertation, Paris 8. Accessed September 20, 2019. http://www.theses.fr/2016PA080011.

MLA Handbook (7th Edition):

Stocco Ferreira, Daniela. “O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique.” 2016. Web. 20 Sep 2019.

Vancouver:

Stocco Ferreira D. O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique. [Internet] [Doctoral dissertation]. Paris 8; 2016. [cited 2019 Sep 20]. Available from: http://www.theses.fr/2016PA080011.

Council of Science Editors:

Stocco Ferreira D. O Mercado primário de arte contemporânea no Rio de Janeiro e em São Paulo : análise sociológica : Le marché de l'art contemporain à Rio de Janeiro et São Paulo : analyse sociologique. [Doctoral Dissertation]. Paris 8; 2016. Available from: http://www.theses.fr/2016PA080011

26. Vascak, Cynthia Worthen. Composing compassion: Developing care communities via engagements in the visual arts.

Degree: PhD, 1999, University of New Hampshire

  Concerns for the development of caring communities in our schools are being increasingly expressed by parents, educators, researchers, and school administrators. Accompanying this expression… (more)

Subjects/Keywords: Education; Art; Education; Philosophy of; Education; Sociology of

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vascak, C. W. (1999). Composing compassion: Developing care communities via engagements in the visual arts. (Doctoral Dissertation). University of New Hampshire. Retrieved from https://scholars.unh.edu/dissertation/2110

Chicago Manual of Style (16th Edition):

Vascak, Cynthia Worthen. “Composing compassion: Developing care communities via engagements in the visual arts.” 1999. Doctoral Dissertation, University of New Hampshire. Accessed September 20, 2019. https://scholars.unh.edu/dissertation/2110.

MLA Handbook (7th Edition):

Vascak, Cynthia Worthen. “Composing compassion: Developing care communities via engagements in the visual arts.” 1999. Web. 20 Sep 2019.

Vancouver:

Vascak CW. Composing compassion: Developing care communities via engagements in the visual arts. [Internet] [Doctoral dissertation]. University of New Hampshire; 1999. [cited 2019 Sep 20]. Available from: https://scholars.unh.edu/dissertation/2110.

Council of Science Editors:

Vascak CW. Composing compassion: Developing care communities via engagements in the visual arts. [Doctoral Dissertation]. University of New Hampshire; 1999. Available from: https://scholars.unh.edu/dissertation/2110


Stockholm University

27. Jacobson, Malcolm. The passionate economy of graffiti and street art : Building social cohesion through art collecting.

Degree: Sociology, 2017, Stockholm University

  This study examines how social cohesion is built through exchange of urban art. Graffiti and street art are treated like dirt and washed away.… (more)

Subjects/Keywords: Economic sociology; social cohesion; boundary work; materiality; art worlds; graffiti; street art; sociology of emotions; cultural sociology; Sociology (excluding Social Work, Social Psychology and Social Anthropology); Sociologi (exklusive socialt arbete, socialpsykologi och socialantropologi)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jacobson, M. (2017). The passionate economy of graffiti and street art : Building social cohesion through art collecting. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jacobson, Malcolm. “The passionate economy of graffiti and street art : Building social cohesion through art collecting.” 2017. Thesis, Stockholm University. Accessed September 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jacobson, Malcolm. “The passionate economy of graffiti and street art : Building social cohesion through art collecting.” 2017. Web. 20 Sep 2019.

Vancouver:

Jacobson M. The passionate economy of graffiti and street art : Building social cohesion through art collecting. [Internet] [Thesis]. Stockholm University; 2017. [cited 2019 Sep 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jacobson M. The passionate economy of graffiti and street art : Building social cohesion through art collecting. [Thesis]. Stockholm University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vrije Universiteit Amsterdam

28. Woets, R. What is this?: Framing Ghanaian art from the colonial encounter to the present .

Degree: 2011, Vrije Universiteit Amsterdam

Subjects/Keywords: contemporary African art; modern African art; Ghanaian art; anthropology of art; sociology of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Woets, R. (2011). What is this?: Framing Ghanaian art from the colonial encounter to the present . (Doctoral Dissertation). Vrije Universiteit Amsterdam. Retrieved from http://hdl.handle.net/1871/23953

Chicago Manual of Style (16th Edition):

Woets, R. “What is this?: Framing Ghanaian art from the colonial encounter to the present .” 2011. Doctoral Dissertation, Vrije Universiteit Amsterdam. Accessed September 20, 2019. http://hdl.handle.net/1871/23953.

MLA Handbook (7th Edition):

Woets, R. “What is this?: Framing Ghanaian art from the colonial encounter to the present .” 2011. Web. 20 Sep 2019.

Vancouver:

Woets R. What is this?: Framing Ghanaian art from the colonial encounter to the present . [Internet] [Doctoral dissertation]. Vrije Universiteit Amsterdam; 2011. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/1871/23953.

Council of Science Editors:

Woets R. What is this?: Framing Ghanaian art from the colonial encounter to the present . [Doctoral Dissertation]. Vrije Universiteit Amsterdam; 2011. Available from: http://hdl.handle.net/1871/23953

29. Bessette, Anne. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.

Degree: Docteur es, Sociologie, 2018, Sorbonne Paris Cité

La dégradation ou la destruction volontaire de biens symboliques est un phénomène omniprésent dans l'histoire humaine. Souvent, les œuvres ont été endommagées parce qu’elles incarnaient… (more)

Subjects/Keywords: Vandalisme; Œuvres d’art; Musées; Transgression; Sociologie de l'art; Sociologie de la déviance; Vandalism; Artworks; Museums; Transgression; Sociology of art; Sociology of deviance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bessette, A. (2018). Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA120

Chicago Manual of Style (16th Edition):

Bessette, Anne. “Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed September 20, 2019. http://www.theses.fr/2018USPCA120.

MLA Handbook (7th Edition):

Bessette, Anne. “Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970.” 2018. Web. 20 Sep 2019.

Vancouver:

Bessette A. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2019 Sep 20]. Available from: http://www.theses.fr/2018USPCA120.

Council of Science Editors:

Bessette A. Du vandalisme d’œuvres d’art. Enjeux et réceptions. Destructions, dégradations et interventions dans les musées en Europe et en Amérique du Nord depuis 1970 : Art Vandalism ˸ stakes and Social Reactions. Destructions, Damages and Interventions in Museums in Europe and North America since 1970. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA120

30. Parker, Felan Stephen. Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games.

Degree: PhD, Communication & Culture, Joint Program with Ryerson University, 2015, York University

 Like other popular cultural forms before them, digital games are undergoing a process of cultural and aesthetic legitimation; the question of digital games’ legitimacy as… (more)

Subjects/Keywords: Mass communication; Aesthetics; Art history; Communication and the arts; Game studies; Media studies; Games; Digital games; Video games; Computer games; Games as art; Gaming culture; Cultural legitimation; Art and society; Popular art; Popular aesthetics; Roger Ebert; Bioshock; Art games; Game-based art; Game art; Sociology of art; Aesthetics; Assemblage; Game criticism; Cultural reception; Digital gaming

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parker, F. S. (2015). Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/28164

Chicago Manual of Style (16th Edition):

Parker, Felan Stephen. “Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games.” 2015. Doctoral Dissertation, York University. Accessed September 20, 2019. http://hdl.handle.net/10315/28164.

MLA Handbook (7th Edition):

Parker, Felan Stephen. “Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games.” 2015. Web. 20 Sep 2019.

Vancouver:

Parker FS. Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2019 Sep 20]. Available from: http://hdl.handle.net/10315/28164.

Council of Science Editors:

Parker FS. Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/28164

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