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You searched for subject:(Slow Cinema). Showing records 1 – 11 of 11 total matches.

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Universidade Nova

1. Florêncio, Pedro Miguel Ferreira. Memória do projecto cinco lugares. No exercício da sua função.

Degree: 2014, Universidade Nova

 Esta Memória de Projecto Cinco Lugares – No exercício da sua função funciona como um fluxo de ideias livres e inevitavelmente dispersas, que não são… (more)

Subjects/Keywords: Cinema; Realismo; Estruturalismo; Imagem-Tempo; Slow Cinema; Realism; Structuralism; Time-Image; Slow Cinema

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APA (6th Edition):

Florêncio, P. M. F. (2014). Memória do projecto cinco lugares. No exercício da sua função. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Florêncio, Pedro Miguel Ferreira. “Memória do projecto cinco lugares. No exercício da sua função.” 2014. Thesis, Universidade Nova. Accessed March 05, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Florêncio, Pedro Miguel Ferreira. “Memória do projecto cinco lugares. No exercício da sua função.” 2014. Web. 05 Mar 2021.

Vancouver:

Florêncio PMF. Memória do projecto cinco lugares. No exercício da sua função. [Internet] [Thesis]. Universidade Nova; 2014. [cited 2021 Mar 05]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Florêncio PMF. Memória do projecto cinco lugares. No exercício da sua função. [Thesis]. Universidade Nova; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

2. Cottrel, Adam. Cinemas of Endurance.

Degree: PhD, Communication, 2017, Georgia State University

  Cinemas of Endurance begins by questioning the way in which critics and scholars have addressed art cinema over the last decade, specifically the films… (more)

Subjects/Keywords: ACCELERATIONISM; AESTHETICS; SLOW CINEMA; ART CINEMA; STYLE; CORPOREALITY

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APA (6th Edition):

Cottrel, A. (2017). Cinemas of Endurance. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/87

Chicago Manual of Style (16th Edition):

Cottrel, Adam. “Cinemas of Endurance.” 2017. Doctoral Dissertation, Georgia State University. Accessed March 05, 2021. https://scholarworks.gsu.edu/communication_diss/87.

MLA Handbook (7th Edition):

Cottrel, Adam. “Cinemas of Endurance.” 2017. Web. 05 Mar 2021.

Vancouver:

Cottrel A. Cinemas of Endurance. [Internet] [Doctoral dissertation]. Georgia State University; 2017. [cited 2021 Mar 05]. Available from: https://scholarworks.gsu.edu/communication_diss/87.

Council of Science Editors:

Cottrel A. Cinemas of Endurance. [Doctoral Dissertation]. Georgia State University; 2017. Available from: https://scholarworks.gsu.edu/communication_diss/87


University of St. Andrews

3. Popa, Emilia Diana. The specificity of the aesthetics of slowness in contemporary Romanian cinema .

Degree: 2018, University of St. Andrews

 Contemporary Romanian cinema, particularly in its internationally successful instances, displays formal characteristics that have often led to its being seen in terms of the so-called… (more)

Subjects/Keywords: Slow cinema; Slowness; Aesthetics of slowness; Romanian cinema; Tension; Contemplation; Communism; Post-communism

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APA (6th Edition):

Popa, E. D. (2018). The specificity of the aesthetics of slowness in contemporary Romanian cinema . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/14124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Popa, Emilia Diana. “The specificity of the aesthetics of slowness in contemporary Romanian cinema .” 2018. Thesis, University of St. Andrews. Accessed March 05, 2021. http://hdl.handle.net/10023/14124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Popa, Emilia Diana. “The specificity of the aesthetics of slowness in contemporary Romanian cinema .” 2018. Web. 05 Mar 2021.

Vancouver:

Popa ED. The specificity of the aesthetics of slowness in contemporary Romanian cinema . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10023/14124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Popa ED. The specificity of the aesthetics of slowness in contemporary Romanian cinema . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/14124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Morales Junior, Wagner Perez. O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville.

Degree: Mestrado, Estudo dos Meios e da Produção Mediática, 2011, University of São Paulo

France/tour/détour/deux/enfants é uma série produzida em 1979 por Jean-Luc Godard e Anne-Marie Miéville para a televisão francesa que foi ao ar em abril de 1980… (more)

Subjects/Keywords: Anne-Marie Miéville; Anne-Marie Miéville; cinema; cinema; desvio; detour; deviation; Jean-Luc Godard; Jean-Luc Godard; slow motion; slow motion; televisão; television; video; vídeo; videoart; videoarte

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APA (6th Edition):

Morales Junior, W. P. (2011). O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27153/tde-22032012-093509/ ;

Chicago Manual of Style (16th Edition):

Morales Junior, Wagner Perez. “O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville.” 2011. Masters Thesis, University of São Paulo. Accessed March 05, 2021. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-22032012-093509/ ;.

MLA Handbook (7th Edition):

Morales Junior, Wagner Perez. “O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville.” 2011. Web. 05 Mar 2021.

Vancouver:

Morales Junior WP. O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2021 Mar 05]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27153/tde-22032012-093509/ ;.

Council of Science Editors:

Morales Junior WP. O mundo dos monstros. Estudo sobre France/tour/détour/deux/enfants, de Jean-Luc Godard e Anne-Marie Miéville. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27153/tde-22032012-093509/ ;


University of Exeter

5. Passes, D. Gone to Earth : cinematic encounters with the British rural landscape.

Degree: PhD, 2020, University of Exeter

 Through a synthesis of critical and practical research, this thesis looks beyond semiotic approaches to film landscape which consistently view the representation of countryside in… (more)

Subjects/Keywords: landscape; film realism; slow cinema; soundscape; film sound; rural space; ambient sound; field recording; embodiment; rural cinema

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APA (6th Edition):

Passes, D. (2020). Gone to Earth : cinematic encounters with the British rural landscape. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/122070

Chicago Manual of Style (16th Edition):

Passes, D. “Gone to Earth : cinematic encounters with the British rural landscape.” 2020. Doctoral Dissertation, University of Exeter. Accessed March 05, 2021. http://hdl.handle.net/10871/122070.

MLA Handbook (7th Edition):

Passes, D. “Gone to Earth : cinematic encounters with the British rural landscape.” 2020. Web. 05 Mar 2021.

Vancouver:

Passes D. Gone to Earth : cinematic encounters with the British rural landscape. [Internet] [Doctoral dissertation]. University of Exeter; 2020. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10871/122070.

Council of Science Editors:

Passes D. Gone to Earth : cinematic encounters with the British rural landscape. [Doctoral Dissertation]. University of Exeter; 2020. Available from: http://hdl.handle.net/10871/122070

6. Lindell, Björn. Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides.

Degree: Cinema Studies, 2018, Stockholm University

  Denna studie jämför de nya norska tågresefilmerna inom så kallad sakte-TV (eller Slow TV) med den tidiga filmens phantom rides. I båda fallen dominerar… (more)

Subjects/Keywords: Slow TV; sakte-TV; phantom ride; early cinema; cinema of attractions; tågresor; narration; mediearkeologi; Studies on Film; Filmvetenskap

…narrativa filmen. Han använder begreppet “cinema of attractions” (en term myntad tillsammans… …Press, 2012), 3. Ibid., 5. 23 Tom Gunning, ”The Cinema of Attractions: Early Film, Its… …Spectator and the Avant-Garde”, i ​Early cinema: space frame narrative​, red. Thomas Elsaesser… …x28;1899): G.A. Smith and the Emergence of the Edited Film in England”, i The Silent Cinema… …Narrative”, i ​Early cinema: space frame narrative​, red. Thomas Elsaesser (London: BFI… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lindell, B. (2018). Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindell, Björn. “Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides.” 2018. Thesis, Stockholm University. Accessed March 05, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindell, Björn. “Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides.” 2018. Web. 05 Mar 2021.

Vancouver:

Lindell B. Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides. [Internet] [Thesis]. Stockholm University; 2018. [cited 2021 Mar 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152352.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindell B. Ett spöke från förr : Norsk sakte-TV och den tidiga filmens phantom rides. [Thesis]. Stockholm University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152352

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

7. Tavanaye Manafi, Keyvan. Facing images: ethics, realisms, and the cinematographic eye.

Degree: Arts and Media, 2018, University of New South Wales

 This dissertation enquires into the consequences of Levinas’ philosophy of ethics for cinematic aesthetics. Levinas’ iconoclastic conception of ethics as ‘a vision without image’ famously… (more)

Subjects/Keywords: Film; Ethics; Realism; Emmanuel Levinas; Pedro Costa; The other; Subaltern; Profilmic; The body; Hospitality; Cinematographic eye; Inhuman eye; The image; The face; Andre Bazin; Automatism; Duration; Slow cinema; Chantal Akerman; Gus Van Sant

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APA (6th Edition):

Tavanaye Manafi, K. (2018). Facing images: ethics, realisms, and the cinematographic eye. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/60055 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51308/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Tavanaye Manafi, Keyvan. “Facing images: ethics, realisms, and the cinematographic eye.” 2018. Doctoral Dissertation, University of New South Wales. Accessed March 05, 2021. http://handle.unsw.edu.au/1959.4/60055 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51308/SOURCE02?view=true.

MLA Handbook (7th Edition):

Tavanaye Manafi, Keyvan. “Facing images: ethics, realisms, and the cinematographic eye.” 2018. Web. 05 Mar 2021.

Vancouver:

Tavanaye Manafi K. Facing images: ethics, realisms, and the cinematographic eye. [Internet] [Doctoral dissertation]. University of New South Wales; 2018. [cited 2021 Mar 05]. Available from: http://handle.unsw.edu.au/1959.4/60055 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51308/SOURCE02?view=true.

Council of Science Editors:

Tavanaye Manafi K. Facing images: ethics, realisms, and the cinematographic eye. [Doctoral Dissertation]. University of New South Wales; 2018. Available from: http://handle.unsw.edu.au/1959.4/60055 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51308/SOURCE02?view=true


University of Stirling

8. Mai, Nadin. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.

Degree: PhD, 2015, University of Stirling

 Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema(more)

Subjects/Keywords: film; Slow Cinema; cinema; Lav Diaz; Philippines; history; memory; trauma; PTSD; concentrationary; terror; extrajudicial killings; torture; rape; post-trauma; Death in the Land of Encantos; Melancholia; Florentina Hubaldo CTE; Trauma Cinema; Janet Walker; Roger Luckhurst; Susannah Radstone; aesthetics; duration; absence; latency period; instantaneity; flashbacks; anxiety; Cathy Caruth; Raya Morag; failed witnessing; Trauma Studies; Philippine Cinema; trauma therapy; sound; silence; framing; ghosts; haunting; Béla Tarr; Tsai Ming-liang; Apichatpong Weerasethakul; Ari Folman; Rithy Panh; Waltz with Bashir; time; long-take; colonialism; oppression; psyche; poverty; Martial Law; l’univers concentrationnaire; hamlets; speed; off-screen space; temporality; power; psychological warfare; mental paralysis; the disappeared; chronic trauma; backstory wounds; repetition; circularity; post-traumatic cinema; death; depletion; ethics; atrocity; painting; landscape painting; Rückenfigur; Chinese painting; accousmêtre; accousmatic; mourning; grief; Slow cinema; Diaz, Lav, 1958- Filmmaker; Motion picture producers and directors Philippines

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APA (6th Edition):

Mai, N. (2015). The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/22990

Chicago Manual of Style (16th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Doctoral Dissertation, University of Stirling. Accessed March 05, 2021. http://hdl.handle.net/1893/22990.

MLA Handbook (7th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Web. 05 Mar 2021.

Vancouver:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1893/22990.

Council of Science Editors:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/22990

9. Keeley, Timothy. A Phenomenological Approach to the Later Films of Terrence Malick.

Degree: MLA, Liberal Arts, 2017, Washington University in St. Louis

 The cinematic legacy of Terrence Malick, while not settled because the director still lives and makes films, is already a turbulent one. A reclusive philosophy… (more)

Subjects/Keywords: Neurocinematics, Slow Cinema, Phenomenology in Film Studies, Terrence Malick; Continental Philosophy; Film and Media Studies; Other Philosophy

…practitioners of “Slow Cinema,” the patron saints of the slow and the boring. This tag, the slow and… …culture war at the heart of slow and boring cinema, that’s difficulty somehow excludes the… …cinematography and editing patterns evoke the power of cinema to present memory as associated logic and… …only possible through non-narrative cinema. Finally, I will show how all of this makes for a… …expectations of narrative cinema and establish its own cinematic grammar. The philosophical concerns… 

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APA (6th Edition):

Keeley, T. (2017). A Phenomenological Approach to the Later Films of Terrence Malick. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/1070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keeley, Timothy. “A Phenomenological Approach to the Later Films of Terrence Malick.” 2017. Thesis, Washington University in St. Louis. Accessed March 05, 2021. https://openscholarship.wustl.edu/art_sci_etds/1070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keeley, Timothy. “A Phenomenological Approach to the Later Films of Terrence Malick.” 2017. Web. 05 Mar 2021.

Vancouver:

Keeley T. A Phenomenological Approach to the Later Films of Terrence Malick. [Internet] [Thesis]. Washington University in St. Louis; 2017. [cited 2021 Mar 05]. Available from: https://openscholarship.wustl.edu/art_sci_etds/1070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keeley T. A Phenomenological Approach to the Later Films of Terrence Malick. [Thesis]. Washington University in St. Louis; 2017. Available from: https://openscholarship.wustl.edu/art_sci_etds/1070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Ekenberg, Jonatan. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.

Degree: Film and Literature, 2015, Linnaeus University

  Uppsatsens syfte ligger i att undersöka huruvida filmteoretikern David Bordwells två inflytelserika berättarmodeller från 1980-talet fortfarande återfinns inom samtida filmproduktion. Jag fördjupar mig i… (more)

Subjects/Keywords: narration; art-cinema narration; David Bordwell; Slow cinema; Matthew Flanagan; Gravity; Alfonso Cuarón; classical narration; Hollywood; Berättarmodeller; David Bordwell; Slow cinema; Matthew Flanagan; Gravity; Alfonso Cuarón; klassiskt berättande; Hollywoodfilm; konstfilmsberättande; konstfilm; konventioner; normer; samspel; film; hybridfilm; dramaturgi; Studies on Film; Filmvetenskap

…formatet slow cinema inom olika områden (konstfilm eller kommersiella produktioner). En… …uppfylla mitt syfta utgår jag ifrån följande frågeställning. 1. Vad innebär slow cinema i dagens… …filmklimat? 2. Hur fungerar typiska element från slow cinema i ett klassisk- respektive… …fördjupar mig inte i att problematisera definitionen av formatet slow cinema, utan grundar min… …historiska perspektivet på utvecklingen av slow cinema, som Flanagan presenterar, kommer jag inte… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ekenberg, J. (2015). Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ekenberg, Jonatan. “Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.” 2015. Thesis, Linnaeus University. Accessed March 05, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ekenberg, Jonatan. “Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.” 2015. Web. 05 Mar 2021.

Vancouver:

Ekenberg J. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. [Internet] [Thesis]. Linnaeus University; 2015. [cited 2021 Mar 05]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ekenberg J. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. [Thesis]. Linnaeus University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Trueman, Matthew S. Slower Than Time Itself.

Degree: 2018, University of Western Ontario

 This paper is combined with my Master of Fine Art thesis exhibition, Slower Than Time Itself. There is a significant discontinuity between how duration is… (more)

Subjects/Keywords: Time; Aesthetic Slowness; Escapement; Duration; Multiplicity; Slow Cinema; Art and Design; Art Practice; Audio Arts and Acoustics; Interactive Arts; Interdisciplinary Arts and Media

…in a time based medium by utilizing the tenants of Slow Cinema which will be expanded upon… …that technology, be it books or cinema is Western Culture’s primary “act of inheritance [… …became an evolutionary pathway, there has been one long movement, initially slow, but speeding… …the cinema “in its very principle of joining, or montaging, disparate elements into a single… …one’s cultural linkage to the past. As seen earlier, even the cinema which to Stiegler… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Trueman, M. S. (2018). Slower Than Time Itself. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trueman, Matthew S. “Slower Than Time Itself.” 2018. Thesis, University of Western Ontario. Accessed March 05, 2021. https://ir.lib.uwo.ca/etd/5391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trueman, Matthew S. “Slower Than Time Itself.” 2018. Web. 05 Mar 2021.

Vancouver:

Trueman MS. Slower Than Time Itself. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2021 Mar 05]. Available from: https://ir.lib.uwo.ca/etd/5391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trueman MS. Slower Than Time Itself. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.