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You searched for subject:(Slasher films). Showing records 1 – 5 of 5 total matches.

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Louisiana State University

1. Brewer, Chad. The stereotypic portrayal of women in slasher films: then versus now.

Degree: MMC, Mass Communication, 2009, Louisiana State University

  ABSTRACT In entertainment, the media often portray various social groups, including women, in certain negative ways and as having more negative qualities than other… (more)

Subjects/Keywords: stereotypes in slasher films; women in horror; slasher films

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brewer, C. (2009). The stereotypic portrayal of women in slasher films: then versus now. (Masters Thesis). Louisiana State University. Retrieved from etd-04092009-105427 ; https://digitalcommons.lsu.edu/gradschool_theses/56

Chicago Manual of Style (16th Edition):

Brewer, Chad. “The stereotypic portrayal of women in slasher films: then versus now.” 2009. Masters Thesis, Louisiana State University. Accessed November 14, 2019. etd-04092009-105427 ; https://digitalcommons.lsu.edu/gradschool_theses/56.

MLA Handbook (7th Edition):

Brewer, Chad. “The stereotypic portrayal of women in slasher films: then versus now.” 2009. Web. 14 Nov 2019.

Vancouver:

Brewer C. The stereotypic portrayal of women in slasher films: then versus now. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2019 Nov 14]. Available from: etd-04092009-105427 ; https://digitalcommons.lsu.edu/gradschool_theses/56.

Council of Science Editors:

Brewer C. The stereotypic portrayal of women in slasher films: then versus now. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-04092009-105427 ; https://digitalcommons.lsu.edu/gradschool_theses/56


Université de Montréal

2. Bouchard, Frédéric. Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain .

Degree: 2014, Université de Montréal

 Le cinéma d’horreur, plus particulièrement le slasher, sous-genre qui a émergé dans les années 1980, a souvent été le lieu pour l’exploration d’enjeux sexuels. Les… (more)

Subjects/Keywords: Cinéma d'horreur; Genre; Femme; Slasher; Horror films; Gender; Woman; Slasher

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bouchard, F. (2014). Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bouchard, Frédéric. “Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain .” 2014. Thesis, Université de Montréal. Accessed November 14, 2019. http://hdl.handle.net/1866/11146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bouchard, Frédéric. “Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain .” 2014. Web. 14 Nov 2019.

Vancouver:

Bouchard F. Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain . [Internet] [Thesis]. Université de Montréal; 2014. [cited 2019 Nov 14]. Available from: http://hdl.handle.net/1866/11146.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bouchard F. Terreur au féminin : érotisation, regard et pouvoir dans le cinéma d'horreur contemporain . [Thesis]. Université de Montréal; 2014. Available from: http://hdl.handle.net/1866/11146

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

3. McDougald, Melanie. Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films.

Degree: MA, English, 2009, Georgia State University

 This paper will consider the function of queer space and presence in the post modern horror film genre. Beginning with George Romero’s 1968 film Night… (more)

Subjects/Keywords: Neo-slasher films; Zombie films; Slasher films; Lacan; Psychoanalytic theory; Queer theory; Post modern horror film; English Language and Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McDougald, M. (2009). Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_theses/66

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McDougald, Melanie. “Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films.” 2009. Thesis, Georgia State University. Accessed November 14, 2019. https://scholarworks.gsu.edu/english_theses/66.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McDougald, Melanie. “Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films.” 2009. Web. 14 Nov 2019.

Vancouver:

McDougald M. Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films. [Internet] [Thesis]. Georgia State University; 2009. [cited 2019 Nov 14]. Available from: https://scholarworks.gsu.edu/english_theses/66.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McDougald M. Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films. [Thesis]. Georgia State University; 2009. Available from: https://scholarworks.gsu.edu/english_theses/66

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Christol, Florent. Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984).

Degree: Docteur es, Anglais (Cinéma et civilisation américaine), 2013, Poitiers

Le slasher est un sous-genre du film d'horreur reposant sur une figure de tueur masqué punissant en apparence la sexualité adolescente. Très populaire auprès du… (more)

Subjects/Keywords: Archétype culturel; Charivari; Sociétés Joyeuses; Slasher; « Hop-Frog »; Carnaval; Films d'horreur; Clown; Fou du roi; Crise sacrificielle; Cultural archetype; Rough music; Fool Societies; Slasher; "Hop-Frog"; Carnival; Horror film; Clown; Jester; Sacrificial crisis; 420

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Christol, F. (2013). Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984). (Doctoral Dissertation). Poitiers. Retrieved from http://www.theses.fr/2013POIT5014

Chicago Manual of Style (16th Edition):

Christol, Florent. “Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984).” 2013. Doctoral Dissertation, Poitiers. Accessed November 14, 2019. http://www.theses.fr/2013POIT5014.

MLA Handbook (7th Edition):

Christol, Florent. “Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984).” 2013. Web. 14 Nov 2019.

Vancouver:

Christol F. Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984). [Internet] [Doctoral dissertation]. Poitiers; 2013. [cited 2019 Nov 14]. Available from: http://www.theses.fr/2013POIT5014.

Council of Science Editors:

Christol F. Massacres et mascarades : « Hop-Frog » d'Edgar Poe (1849) et le film d'horreur américain contemporain (1964-1984) : Massacres and masquerades : Edgar Poe's « Hop-Frog » (1849) and the American Horror Film (1964-1984). [Doctoral Dissertation]. Poitiers; 2013. Available from: http://www.theses.fr/2013POIT5014

5. Wise, Krista Michelle. "I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension.

Degree: MA, Popular Culture, 2014, Bowling Green State University

 In this thesis I analyze the presence of mental illness, queer identity and Kristeva's theory of abjection in Alexandre Aja's 2003 film High Tension. Specifically… (more)

Subjects/Keywords: Film Studies; High Tension; Alexandre Aja; horror; slasher; slasher films; queer identity; Julia Kristeva; mental illness; queer representation; mental illness representation; cultural studies; film studies; Bowling Green State University; Krista Wise; Popular Culture

…Typically, in slasher 15 films, men are presented as the killer (Michael Meyers, Freddy… …it a little better.” -Stephen King, “Why We Crave Horror Films” The intention of King’s… …article was to explain the desire the average person has to seek out films with the intention of… …enjoyment out of these films, according to King, is to admit to being mentally illto an extent… …ill and queer in the horror genre in general, and the reasoning behind the success of films… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wise, K. M. (2014). "I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795

Chicago Manual of Style (16th Edition):

Wise, Krista Michelle. “"I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension.” 2014. Masters Thesis, Bowling Green State University. Accessed November 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795.

MLA Handbook (7th Edition):

Wise, Krista Michelle. “"I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension.” 2014. Web. 14 Nov 2019.

Vancouver:

Wise KM. "I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension. [Internet] [Masters thesis]. Bowling Green State University; 2014. [cited 2019 Nov 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795.

Council of Science Editors:

Wise KM. "I Won't Let Anyone Come Between Us" Representations of Mental Illness, Queer Identity, and Abjection in High Tension. [Masters Thesis]. Bowling Green State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395416795

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