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You searched for subject:(Skinhead culture). Showing records 1 – 2 of 2 total matches.

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1. FALGÉN, GUSTAV. NUMERIS PELLISCAPITIS UNIFORMIS.

Degree: Swedish School of Textiles, 2013, University of Borås

The general motive of this work will be to try to develop an new way of using mathematics in a fashion design process.By using mathematics in order to make a way to calculate what will be a part of the collection and what it will look like. The background for this work is mathematics, deconstruction and the skinhead uniform consisting of a bomber jacket, shirt and denim jeans. The aim is to explore a mathematical formula as a design method for new expression in menswear. A mathematic formula which decides what garment, material and construction-method to use in an outfit. Using the formula to give me the parts/ingredients, a construction-method and fabric that I can use to make the outfit, after that I use my ingredients/parts to create new shapes out of the parts given to me by the formula. A strive for a more controlled and distanced relationship to your work is something that I tried to developed in my work by using a mathematical formula as a tool. There are potentials in using a mathematical formula in designing a collection. But also obstacles to pass in order to have a focused outcome.

Program: Modedesignutbildningen

Subjects/Keywords: Mathematics; design; fashion; art; uniform; stereotype; culture; deconstruction; skinhead; bomber jacket; denim; violence; Design; Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FALGÉN, G. (2013). NUMERIS PELLISCAPITIS UNIFORMIS. (Thesis). University of Borås. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FALGÉN, GUSTAV. “NUMERIS PELLISCAPITIS UNIFORMIS.” 2013. Thesis, University of Borås. Accessed October 31, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FALGÉN, GUSTAV. “NUMERIS PELLISCAPITIS UNIFORMIS.” 2013. Web. 31 Oct 2020.

Vancouver:

FALGÉN G. NUMERIS PELLISCAPITIS UNIFORMIS. [Internet] [Thesis]. University of Borås; 2013. [cited 2020 Oct 31]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FALGÉN G. NUMERIS PELLISCAPITIS UNIFORMIS. [Thesis]. University of Borås; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

2. Wilson, James. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).

Degree: MA, Religion, 2008, University of Florida

Although there has been a great deal of academic analysis of both the punk/alternative subculture(s) and western (re)interpretation of Hindu religious traditions, to date no major work has delved at length into the intersection of these strains of thought and practice save the recent analysis of one element of the Hindu-oriented punk and post-punk subculture(s), the 'Krishnacore' phenomenon, currently being carried out by Associate Professor of Religious Studies Sarah Pike, at California State University at Chico. The notion of punk and post-punk as (a) revolutionary postmodern social movement(s) (supported by Curry Mallott and Milagros Pena, among others) provides a template for understanding the negotiatory tactics employed by adherents to punk ethos. This thesis, then, will explore one of those tactics (the attempt to synthesize ostensibly Hindu elements and punk identity/ies) along the way illustrating punk/alternative subcultural modalities (practical and ideological) which have coalesced in such ways as to dovetail with existing, negotiated, or perceived Hindu religious worldviews. In so doing, this thesis will further support extant theories regarding postmodern approaches to religion via illustration of (re)negotiation of identity via religious tropes, and expose the practices and ideologies of a small but vibrant, religious subculture. ( en ) Advisors/Committee Members: Narayanan, Vasudha R. (committee chair), Pena, Milagros (committee member), Sanford, Ann Whitney (committee member).

Subjects/Keywords: Asians; Hinduism; Hindus; Musical aesthetics; Musical forms; Religion; Skinhead culture; Straightedges; Subcultures; Vegetarianism; absurdists, african, age, alienated, alienation, america, anarchy, androgynous, animal, apache, ardhanari, ardhanarishvara, asia, asian, aurobindo, austin, babaji, baby, bally, band, bands, beat, beatles, beats, bhagavad, bhaktivedanta, bisexual, blackmore, bourdieu, bredren, britain, britpop, buddhist, candomble, cappo, caste, catholic, cbgb, cccs, cd, certeau, chaitanya, cheb, chidester, chrissie, christ, christian, christianity, church, churches, cornershop, crispian, cromags, cult, currie, dada, dadaist, dance, dasa, dawkins, dc, debord, defex, demoniac, demonic, desi, desis, deva, devi, dharma, dicks, dischord, discordian, doctrine, dogen, donaldson, doxa, dub, durkheim, durkheimian, east, eastern, easwaran, edward, electronic, electronica, emerson, empowerment, enoch, essentialist, ethnomusicology, europe, family, feminism, feminist, francisco, gaudiya, gay, geeta, gender, georgetown, gita, goddess, gods, gopal, goth, gothic, grrrl, gurdjieff, habitus, haidakhan, haidakkan, hardcore, hare, heavy, hijra, hindu, hinduism, hindustani, hindustva, hippie, hippies, hippy, homophile, homosexuality, hooliganism, huq, hutnyk, hybrid, hybridity, hynde, ian, icon, iconographic, iconographically, iggy, immigration, india, indian, indians, indic, indopagan, industrial, ishtalinga, iskcon, islam, istalinga, jah, jamaican, jati, jesus, jew, jewish, kali, kalra, karene, kesava, keshava, kigen, kominas, krishna, krishnacore, krishnamu, kriya, kula, labels, lesbian, lgbqt, liberation, lingayat, lingayatism, logic, london, lora, los, ludwig, lydon, magick, mahabharata, mahadevi, mallott, mantra, marx, marxian, mckaye, mclaren, meera, meierhenry, meme, memetic, milagros, mills, minor, mods, morrissey, mother, movement, murti, music, muslim, narayanan, natalia, negotiation, negotiatory, neo, neopagan, nervous, new, nrm, occult, ogd, omkara, oreintalized, orient, orientalism, orishas, oto, pagan, paki, paramahansa, paramatma, parampara, parvati, pena, phansigar, pistols, plur, poly, pop, posicore, posrip, postcolonial, postmodern, postpunk, practice, prana, praxis, pretenders, priest, prison, production, proletariat, protestant, prubhupada, psychick, puja, pujari, punjab, punjabi, punk, purana, queer, ram, ramayana, rape, rastafarian, rave, raver, ravers, ray, record, recording, reggae, religion, religious, resemblance, riot, ritual, rivethead, rock, romanticists, rushdie, sabbah, sagoo, salman, sampradaya, sanatana, santeria, sect, sects, sex, shaiva, shaivism, shaker, shakta, shakti, shaktism, shankara, shelter, shiva, siddhanta, sikh, singer, situationalist, ska, skinhead, smiths, soho, soteriological, soteriology, soto, spex, spr, squip, stapleton, stooges, straightedge, styrene, subculture, subgenius, swastika, swingjugend, syncretic, syncretism, tantra, taqwacore, tatalia, techno, texas, thealogy, theology, theravada, thoreau, thugee, thugs, tirtha, tomas, transcendentalism, transcendentalists, transgendered, tribal, utilitarian, vaishnava, vaishnavism, vasudha, veda, vedanta, vedantic, vedas, vedic, veerashaiva, veerashaivism, vegetarian, vietnam, vipashyana, vipasyana, virashaivism, virinder, vishnu, vivienne, voodoo, voudou, washington, wave, weber, weberian, wegrzyn, west, western, wicca, wittgenstein, wittgensteinian, womanism, womanist, yippie, yippies, yoga, yogananada, yoni, york, yoruba, youth, zen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, J. (2008). Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0024095

Chicago Manual of Style (16th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Masters Thesis, University of Florida. Accessed October 31, 2020. https://ufdc.ufl.edu/UFE0024095.

MLA Handbook (7th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Web. 31 Oct 2020.

Vancouver:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Internet] [Masters thesis]. University of Florida; 2008. [cited 2020 Oct 31]. Available from: https://ufdc.ufl.edu/UFE0024095.

Council of Science Editors:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Masters Thesis]. University of Florida; 2008. Available from: https://ufdc.ufl.edu/UFE0024095

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