subject:(Simulacrum)

University of Debrecen

1. Derecichei, Eszter. Simulacra and Simulation in Bret Easton Ellis' Glamorama .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

► The present thesis aims to examine Bret Easton Ellis’ Glamorama (1998) in the light of Jean Baudrillard’s theory of simulacra and simulation, which has been… (more)

Subjects/Keywords: knowledge; adaptation; simulacrum

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APA (6^th Edition):

Derecichei, E. (2013). Simulacra and Simulation in Bret Easton Ellis' Glamorama . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/162339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Derecichei, Eszter. “Simulacra and Simulation in Bret Easton Ellis' Glamorama .” 2013. Thesis, University of Debrecen. Accessed July 21, 2019. http://hdl.handle.net/2437/162339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Derecichei, Eszter. “Simulacra and Simulation in Bret Easton Ellis' Glamorama .” 2013. Web. 21 Jul 2019.

Vancouver:

Derecichei E. Simulacra and Simulation in Bret Easton Ellis' Glamorama . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/2437/162339.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Derecichei E. Simulacra and Simulation in Bret Easton Ellis' Glamorama . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/162339

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

2. Szabó, Orsolya Zsuzsanna. Just Turn it Around .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/162015

► It is my intention in this paper to present an analysis about the Osbournes and The Osbournes deconstructing gender on different levels of their existence.… (more)

Subjects/Keywords: reality show; gender; simulacrum

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APA (6^th Edition):

Szabó, O. Z. (2013). Just Turn it Around . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/162015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Szabó, Orsolya Zsuzsanna. “Just Turn it Around .” 2013. Thesis, University of Debrecen. Accessed July 21, 2019. http://hdl.handle.net/2437/162015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Szabó, Orsolya Zsuzsanna. “Just Turn it Around .” 2013. Web. 21 Jul 2019.

Vancouver:

Szabó OZ. Just Turn it Around . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/2437/162015.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szabó OZ. Just Turn it Around . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/162015

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

3. Vrede, Marissa van de. The Benben-stone: a Study Concerning its Enigmatic Nature.

Degree: 2015, Leiden University

URL: http://hdl.handle.net/1887/34491

► This thesis is meant to shed some light on the subject of the benben-stone. To find an answer to the research question 'Can the benben-stone… (more)

Subjects/Keywords: benben-stone; pareidolia; simulacrum; pyramidion; capstone; Heliopolis

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APA (6^th Edition):

Vrede, M. v. d. (2015). The Benben-stone: a Study Concerning its Enigmatic Nature. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/34491

Chicago Manual of Style (16^th Edition):

Vrede, Marissa van de. “The Benben-stone: a Study Concerning its Enigmatic Nature.” 2015. Masters Thesis, Leiden University. Accessed July 21, 2019. http://hdl.handle.net/1887/34491.

MLA Handbook (7^th Edition):

Vrede, Marissa van de. “The Benben-stone: a Study Concerning its Enigmatic Nature.” 2015. Web. 21 Jul 2019.

Vancouver:

Vrede Mvd. The Benben-stone: a Study Concerning its Enigmatic Nature. [Internet] [Masters thesis]. Leiden University; 2015. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/1887/34491.

Council of Science Editors:

Vrede Mvd. The Benben-stone: a Study Concerning its Enigmatic Nature. [Masters Thesis]. Leiden University; 2015. Available from: http://hdl.handle.net/1887/34491

Universidade Federal de Sergipe

4. Rômulo Marcelo dos Santos Correia. O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo.

Degree: 2012, Universidade Federal de Sergipe

URL: http://bdtd.ufs.br/tde_busca/arquivo.php?codArquivo=808

► Esta dissertação parte de uma leitura da contemporaneidade baseada principalmente nas ideias de sociedade do espetáculo, de Guy Debord, e do mundo regido pelos simulacros,… (more)

Subjects/Keywords: Narcisismo; espetáculo; simulacro; psicanálise; PSICOLOGIA SOCIAL; Narcissism; spectacle; simulacrum; psychoanalysis

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APA (6^th Edition):

Correia, R. M. d. S. (2012). O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo. (Thesis). Universidade Federal de Sergipe. Retrieved from http://bdtd.ufs.br/tde_busca/arquivo.php?codArquivo=808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Correia, Rômulo Marcelo dos Santos. “O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo.” 2012. Thesis, Universidade Federal de Sergipe. Accessed July 21, 2019. http://bdtd.ufs.br/tde_busca/arquivo.php?codArquivo=808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Correia, Rômulo Marcelo dos Santos. “O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo.” 2012. Web. 21 Jul 2019.

Vancouver:

Correia RMdS. O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo. [Internet] [Thesis]. Universidade Federal de Sergipe; 2012. [cited 2019 Jul 21]. Available from: http://bdtd.ufs.br/tde_busca/arquivo.php?codArquivo=808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Correia RMdS. O SILÊNCIO DE NARCISO: uma leitura sobre as implicações do espetáculo e do simulacro no narcisismo contemporâneo. [Thesis]. Universidade Federal de Sergipe; 2012. Available from: http://bdtd.ufs.br/tde_busca/arquivo.php?codArquivo=808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Mahatma Gandhi University

5. Abraham, Varughese C. Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -.

Degree: English Literature, 2004, Mahatma Gandhi University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/6799

None

Bibliography p.235-243

Advisors/Committee Members: Harris, V C.

Subjects/Keywords: Transgressing Hege; Simulacrum; English Literature

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APA (6^th Edition):

Abraham, V. C. (2004). Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -. (Thesis). Mahatma Gandhi University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/6799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Abraham, Varughese C. “Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -.” 2004. Thesis, Mahatma Gandhi University. Accessed July 21, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/6799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Abraham, Varughese C. “Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -.” 2004. Web. 21 Jul 2019.

Vancouver:

Abraham VC. Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -. [Internet] [Thesis]. Mahatma Gandhi University; 2004. [cited 2019 Jul 21]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/6799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abraham VC. Words,voices and silences: Games the author plays, astudy of the novels of Samuel Beckett; -. [Thesis]. Mahatma Gandhi University; 2004. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/6799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Vilnius University

6. Radavičiūtė, Jūratė. Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame.

Degree: PhD, Philology, 2011, Vilnius University

URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142131-12871 ;

►

The dissertation investigates the postmodern features of Salman Rushdie’s novels Shame and Midnight’s Children within the theoretical framework of postmodernism. The inward-directed approach to a… (more)

▼

The dissertation investigates the postmodern features of Salman Rushdie’s novels Shame and Midnight’s Children within the theoretical framework of postmodernism. The inward-directed approach to a literary text, which has been chosen as a basis for the research, incorporates the body of texts by the famous theorists of postmodernism Jacques Derrida, Michel Foucault, Roland Barthes, Ihab Hassan, Jean Baudrillard and others. With the view to the indeterminacy of the approach, the concept of decentering, embracing such terms as the elimination of the transcendental signified, supplement, simulacrum, indeterminacy, the death of the author, has been chosen as a key concept to discuss text-oriented propositions. The analysis of Salman Rushdie’s novel Midnight’s Children explores the undermining of the traditional connotations of synecdoche. The interpretation of the text reveals how the strategy of play is employed to incorporate traditional images into the postmodern narrative of the novel. The connotations attributed to different images are constantly subjected to subversion and undermining in the text. The investigation of the concept indeterminacy with the view to the narrative of Midnight’s Children focuses on the imagery related to the concept of the void and its supplements. The analysis of Salman Rushdie’s novel Shame draws on the concept of the image as a simulacrum/supplement, employing J. Derrida and J. Baudrillard’s theoretical propositions. It uncovers the detachment of... [to full text]

Disertacijos tyrimo objektu pasirinktos postmodernizmo apraiškos Salman Rushdie romanuose Vidurnakčio vaikai ir Gėda. Tyrimo teoriniu pagrindu buvo pasirinktas į tekstą orientuotas požiūris, atstovaujamas šių mokslininkų: Michel Foucault, Jacques Derrida, Roland Barthes, Ihab Hassan, Jean Baudrillard ir kt. Atsižvelgiant į pasirinkto požiūrio neapibrėžtumą, pagrindine teorine sąvoka buvo pasirinkta išcentrinimo sąvoka, kuri yra sietina su šiais terminais: transcendentalinio subjekto nesatis, suplementas, simuliakras, neapibrėžtumas, autoriaus mirtis. Salman Rushdie romano Vidurnakčio vaikai interpretacijoje tiriama tradicinių sinekdochos reikšmių transformacija. Analizuojant atskleidžiama, kaip rašytojas naudoja žaidimo strategiją tradicinių įvaizdžių panaudojimui postmoderniame kūrinyje, nuolat transformuodamas ir neigdamas įvaizdžių reikšmes. Romano Vidurnakčio vaikai naratyvas analizuojamas neapibrėžtumo sąvokos pagrindu. Pagrindinis dėmesys šioje interpretacijoje skiriamas įvaizdžiams, siejamiems su tuštumos ir suplemento sąvokomis. Salman Rushdie romano Gėda interpretacijoje dėmesys skiriamas postmodernaus įvaizdžio kaip simuliakro/suplemento sampratos analizei. Teorinis interpretacijos pagrindas- J. Derrida ir J. Baudrillard veikalai. Analizė atskleidžia postmodernaus įvaizdžio ir realybės santykio nesatį bei realybės suplementų pažeidžiamumą. Apibendrinant, Salman Rushdei romanų interpretacija atskleidžia išcentrinimo sąvokos sudėtingumą ir neapibrėžtumą, bei bendrą... [toliau žr. visą tekstą]

Advisors/Committee Members: Krūminienė, Jadvyga (Doctoral dissertation committee chair), Geniušienė, Izolda Gabrielė (Doctoral dissertation committee member), Poliakovas, Olegas (Doctoral dissertation committee member), Keturakis, Saulius (Doctoral dissertation committee member), Žakevičienė, Indrė (Doctoral dissertation committee member), Stulov, Jurij (Doctoral dissertation opponent), Žindžiuvienė, Ingrida Eglė (Doctoral dissertation opponent), Geeniušienė, Izolda Gabrielė (Doctoral dissertation supervisor).

Subjects/Keywords: Postmodernism; Decentering; Indeterminacy; Supplement; Simulacrum; Postmodernizmas; Išcentrinimas; Neapibrėžtumas; Suplementas; Simuliakras

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Radavičiūtė, J. (2011). Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame. (Doctoral Dissertation). Vilnius University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142131-12871 ;

Chicago Manual of Style (16^th Edition):

Radavičiūtė, Jūratė. “Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame.” 2011. Doctoral Dissertation, Vilnius University. Accessed July 21, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142131-12871 ;.

MLA Handbook (7^th Edition):

Radavičiūtė, Jūratė. “Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame.” 2011. Web. 21 Jul 2019.

Vancouver:

Radavičiūtė J. Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame. [Internet] [Doctoral dissertation]. Vilnius University; 2011. [cited 2019 Jul 21]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142131-12871 ;.

Council of Science Editors:

Radavičiūtė J. Postmodernism in Salman Rushdie’s Novels Midnight’s Children and Shame. [Doctoral Dissertation]. Vilnius University; 2011. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142131-12871 ;

Vilnius University

7. Radavičiūtė, Jūratė. Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame.

Degree: Dissertation, Philology, 2011, Vilnius University

URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026 ;

►

The dissertation investigates the postmodern features of Salman Rushdie’s novels Shame and Midnight’s Children within the theoretical framework of postmodernism. The inward-directed approach to a… (more)

▼

The dissertation investigates the postmodern features of Salman Rushdie’s novels Shame and Midnight’s Children within the theoretical framework of postmodernism. The inward-directed approach to a literary text, which has been chosen as a basis for the research, incorporates the body of texts by the famous theorists of postmodernism Jacques Derrida, Michel Foucault, Roland Barthes, Ihab Hassan, Jean Baudrillard and others. With the view to the indeterminacy of the approach, the concept of decentering, embracing such terms as the elimination of the transcendental signified, supplement, simulacrum, indeterminacy, the death of the author, has been chosen as a key concept to discuss text-oriented propositions. The analysis of Salman Rushdie’s novel Midnight’s Children explores the undermining of the traditional connotations of synecdoche. The interpretation of the text reveals how the strategy of play is employed to incorporate traditional images into the postmodern narrative of the novel. The connotations attributed to different images are constantly subjected to subversion and undermining in the text. The investigation of the concept indeterminacy with the view to the narrative of Midnight’s Children focuses on the imagery related to the concept of the void and its supplements. The analysis of Salman Rushdie’s novel Shame draws on the concept of the image as a simulacrum/supplement, employing J. Derrida and J. Baudrillard’s theoretical propositions. It uncovers the detachment of... [to full text]

Disertacijos tyrimo objektu pasirinktos postmodernizmo apraiškos Salman Rushdie romanuose Vidurnakčio vaikai ir Gėda. Tyrimo teoriniu pagrindu buvo pasirinktas į tekstą orientuotas požiūris, atstovaujamas šių mokslininkų: Michel Foucault, Jacques Derrida, Roland Barthes, Ihab Hassan, Jean Baudrillard ir kt. Atsižvelgiant į pasirinkto požiūrio neapibrėžtumą, pagrindine teorine sąvoka buvo pasirinkta išcentrinimo sąvoka, kuri yra sietina su šiais terminais: transcendentalinio subjekto nesatis, suplementas, simuliakras, neapibrėžtumas, autoriaus mirtis. Salman Rushdie romano Vidurnakčio vaikai interpretacijoje tiriama tradicinių sinekdochos reikšmių transformacija. Analizuojant atskleidžiama, kaip rašytojas naudoja žaidimo strategiją tradicinių įvaizdžių panaudojimui postmoderniame kūrinyje, nuolat transformuodamas ir neigdamas įvaizdžių reikšmes. Romano Vidurnakčio vaikai naratyvas analizuojamas neapibrėžtumo sąvokos pagrindu. Pagrindinis dėmesys šioje interpretacijoje skiriamas įvaizdžiams, siejamiems su tuštumos ir suplemento sąvokomis. Salman Rushdie romano Gėda interpretacijoje dėmesys skiriamas postmodernaus įvaizdžio kaip simuliakro/suplemento sampratos analizei. Teorinis interpretacijos pagrindas- J. Derrida ir J. Baudrillard veikalai. Analizė atskleidžia postmodernaus įvaizdžio ir realybės santykio nesatį bei realybės suplementų pažeidžiamumą. Apibendrinant, Salman Rushdei romanų interpretacija atskleidžia išcentrinimo sąvokos sudėtingumą ir neapibrėžtumą, bei bendrą... [toliau žr. visą tekstą]

Advisors/Committee Members: Krūminienė, Jadvyga (Doctoral dissertation committee chair), Geniušienė, Izolda Gabrielė (Doctoral dissertation committee member), Poliakovas, Olegas (Doctoral dissertation committee member), Keturakis, Saulius (Doctoral dissertation committee member), Žakevičienė, Indrė (Doctoral dissertation committee member), Stulov, Jurij (Doctoral dissertation opponent), Žindžiuvienė, Ingrida Eglė (Doctoral dissertation opponent), Geniušienė, Izolda Gabrielė (Doctoral dissertation supervisor).

Subjects/Keywords: Postmodernism; Decentering; Indeterminacy; Supplement; Simulacrum; Postmodernizmas; Išcentrinimas; Neapibrėžtumas; Suplementas; Simuliakras

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Radavičiūtė, J. (2011). Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame. (Doctoral Dissertation). Vilnius University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026 ;

Chicago Manual of Style (16^th Edition):

Radavičiūtė, Jūratė. “Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame.” 2011. Doctoral Dissertation, Vilnius University. Accessed July 21, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026 ;.

MLA Handbook (7^th Edition):

Radavičiūtė, Jūratė. “Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame.” 2011. Web. 21 Jul 2019.

Vancouver:

Radavičiūtė J. Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame. [Internet] [Doctoral dissertation]. Vilnius University; 2011. [cited 2019 Jul 21]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026 ;.

Council of Science Editors:

Radavičiūtė J. Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame. [Doctoral Dissertation]. Vilnius University; 2011. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026 ;

University of Cincinnati

8. Perichon, Gael E. L. In the Pursuit of a Time-Image.

Degree: M. Arch., Design, Architecture, Art and Planning: Architecture, 2016, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593014

► In pursuing a time-image, a series of thoughts were considered that together comprise the journey documented here. On the outset it was stated that conventional… (more)

Subjects/Keywords: Architecture; Theater; Time image; Deleuze; Cincinnati; Film; Simulacrum; Memory

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APA (6^th Edition):

Perichon, G. E. L. (2016). In the Pursuit of a Time-Image. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593014

Chicago Manual of Style (16^th Edition):

Perichon, Gael E L. “In the Pursuit of a Time-Image.” 2016. Masters Thesis, University of Cincinnati. Accessed July 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593014.

MLA Handbook (7^th Edition):

Perichon, Gael E L. “In the Pursuit of a Time-Image.” 2016. Web. 21 Jul 2019.

Vancouver:

Perichon GEL. In the Pursuit of a Time-Image. [Internet] [Masters thesis]. University of Cincinnati; 2016. [cited 2019 Jul 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593014.

Council of Science Editors:

Perichon GEL. In the Pursuit of a Time-Image. [Masters Thesis]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1461593014

Leiden University

9. Bruijninckx, Paul. Trauma & Closure.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/52538

► This thesis consists of three chapters, each built up around a case study. The three chapters are divided in temporal sense. In the first chapter… (more)

Subjects/Keywords: Drive; Desire; Trauma; Closure; Denouement; Simulacrum; Apparatus Theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bruijninckx, P. (2017). Trauma & Closure. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52538

Chicago Manual of Style (16^th Edition):

Bruijninckx, Paul. “Trauma & Closure.” 2017. Masters Thesis, Leiden University. Accessed July 21, 2019. http://hdl.handle.net/1887/52538.

MLA Handbook (7^th Edition):

Bruijninckx, Paul. “Trauma & Closure.” 2017. Web. 21 Jul 2019.

Vancouver:

Bruijninckx P. Trauma & Closure. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/1887/52538.

Council of Science Editors:

Bruijninckx P. Trauma & Closure. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52538

Vytautas Magnus University

10. Stanevičiūtė, Dovilė. Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as).

Degree: Master, Philosophy, 2008, Vytautas Magnus University

URL: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_112734-24177 ;

►

Šiame darbe pristatoma viena aktualiausių šių dienų filosofijos temų – tikrovės ir simuliakrų santykis postmodernioje kultūroje, remiantis Jeano Baudrillard‘o filosofija. Šiandieninėje kultūroje tikrovės ir iliuzijos… (more)

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Šiame darbe pristatoma viena aktualiausių šių dienų filosofijos temų – tikrovės ir simuliakrų santykis postmodernioje kultūroje, remiantis Jeano Baudrillard‘o filosofija. Šiandieninėje kultūroje tikrovės ir iliuzijos perskyra praranda savo reikšmę, nes dėl simuliakrų įsigalėjimo nebelieka tikrovės objektyvumo kriterijų. Dėl to Baudrillard‘as pasiūlo „hipertikrovės“ terminą, kurio pagalba yra konstruojamas naujas tikrovės modelis, nereikalaujantis objektyvaus realumo pagrindimo. Pirmojoje darbo dalyje yra apžvelgiamos Platono ir Friedricho Nietzsches tikrovės sampratos. Platono tikrovė tai – nekintamas idėjų pasaulis, tikrojo pažinimo objektas, nieko bendra neturintis su empirine tikrove ir jos suvokimu. Platonizmui priešinga pozicija būtų Nietzsches pozicija, kuomet tikrovė aiškiausiai iškyla meno kūrinyje, ir pasaulis suvokiamas per estetinį reiškinį. Pereinant prie Baudrillard‘o „simuliakro“ teorijos nagrinėjimo trumpai pristatoma Gilles‘o Deleuze‘o filosofijoje pasirodanti „simuliakro“ sąvoka, apjungianti Platono ir Nietzsches pozicijas. Antrojoje darbo dalyje analizuojama Baudrillard‘o „simuliakro“ samprata. Baudrillard‘ui simuliacija ir simuliakras nėra nei kopija, nei modelis, nei reprodukcija. Šiame darbe per simuliakro sampratą nusakomas kultūros ir visuomenės santykis su jos objektais, panaikinus prasmingo ženklo kaip originalo galimybę. Trečiojoje darbo dalyje atkreipiamas dėmesys į šiuolaikinį istorijos supratimą ir individo situaciją simuliacijų valdomojoje... [toliau žr. visą tekstą]

This study deals with one of the topical problem of contemporary philosophy - the problem of reality in post-modern culture, as it is represented in terms of „simulacrum“, and „hiperreality“, in philosophy of Jean Baudrillard. In contemporary culture, the opposition between reality and illusion has lost its significance, since because of the dominance of simulacra, there are no criteria left of objective reality. This is why the term „hiperreality“, proposed by Baudrillard, becomes important as used for construction of the new model of reality, which does not need objective justification. In the first part of the thesis, Plato and Friedrich Nietzsche‘s conceptions of reality are surveyed. These two philosophers are chosen as representing different ontological conceptions, both relevant to contemporary consideration of reality. While Plato’s reality is the ideal non-empirical word, the object of true knowledge, for Nietzsche reality is truly conceived in the work of art. Also the term „simulacrum“, introduced into post-modern philosophy by Gilles Deleuze, makes its appearance. The second part of the thesis analyses the main notion of „simulacrum“ in philosophy of Jean Baudrillard. In the third part, the status of history and person in the non-referential reality is analysed. History has been always considered an objective science. Today history needs objective justification once again. Finally, in the fourth part of the thesis, an attempt is made to explain the terms of... [to full text]

Advisors/Committee Members: Oniščik, Marija (Master’s thesis supervisor), Karoblis, Gediminas (Master’s thesis reviewer), Jonkus, Dalius (Master’s degree committee chair).

Subjects/Keywords: Tikrovė; Simuliakras; Hipertikrovė; Virtualumas; Iliuzija; Reality; Simulacrum; Hiperreality; Virtuality; Illusion

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APA (6^th Edition):

Stanevičiūtė, Dovilė. (2008). Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as). (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_112734-24177 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

Stanevičiūtė, Dovilė. “Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as).” 2008. Masters Thesis, Vytautas Magnus University. Accessed July 21, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_112734-24177 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

Stanevičiūtė, Dovilė. “Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as).” 2008. Web. 21 Jul 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Stanevičiūtė, Dovilė. Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as). [Internet] [Masters thesis]. Vytautas Magnus University; 2008. [cited 2019 Jul 21]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_112734-24177 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Stanevičiūtė, Dovilė. Tikrovė ir simuliakras postmodernybės kultūroje (Jeanas Baudrillard'as). [Masters Thesis]. Vytautas Magnus University; 2008. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2008~D_20080804_112734-24177 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of Notre Dame

11. Mohamed Wajdi Ben Hammed. On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>.

Degree: MA, English, 2016, University of Notre Dame

URL: https://curate.nd.edu/show/fn106w94c19

► In this thesis, I analyze the theme of subject formation in the novel entitled In the Country of Men by the Libyan author Hisham… (more)

Subjects/Keywords: regime of simulacrum; literary theory; subject formation; trauma; Jamahiriya; ambivalence

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hammed, M. W. B. (2016). On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/fn106w94c19

Chicago Manual of Style (16^th Edition):

Hammed, Mohamed Wajdi Ben. “On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>.” 2016. Masters Thesis, University of Notre Dame. Accessed July 21, 2019. https://curate.nd.edu/show/fn106w94c19.

MLA Handbook (7^th Edition):

Hammed, Mohamed Wajdi Ben. “On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>.” 2016. Web. 21 Jul 2019.

Vancouver:

Hammed MWB. On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>. [Internet] [Masters thesis]. University of Notre Dame; 2016. [cited 2019 Jul 21]. Available from: https://curate.nd.edu/show/fn106w94c19.

Council of Science Editors:

Hammed MWB. On Postcolonial Libya: The Structure of Ambivalence and the Ambivalence of the Structure in Hisham Matar's In the Country of Men </h1>. [Masters Thesis]. University of Notre Dame; 2016. Available from: https://curate.nd.edu/show/fn106w94c19

University of Kentucky

12. Rímolo de Rienzi, Mirta. SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000.

Degree: 2013, University of Kentucky

URL: https://uknowledge.uky.edu/hisp_etds/12

► This project focuses on science fiction literature of Spain and Argentina produced in the last twenty years (1990-2010). It hypothesizes that in this period a… (more)

Subjects/Keywords: Science Fiction; Simulacrum; Hiperreality; Post-humanism; Latin American Literature; Spanish Literature

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APA (6^th Edition):

Rímolo de Rienzi, M. (2013). SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/hisp_etds/12

Chicago Manual of Style (16^th Edition):

Rímolo de Rienzi, Mirta. “SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000.” 2013. Doctoral Dissertation, University of Kentucky. Accessed July 21, 2019. https://uknowledge.uky.edu/hisp_etds/12.

MLA Handbook (7^th Edition):

Rímolo de Rienzi, Mirta. “SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000.” 2013. Web. 21 Jul 2019.

Vancouver:

Rímolo de Rienzi M. SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000. [Internet] [Doctoral dissertation]. University of Kentucky; 2013. [cited 2019 Jul 21]. Available from: https://uknowledge.uky.edu/hisp_etds/12.

Council of Science Editors:

Rímolo de Rienzi M. SIMULACRO, HIPERREALIDAD Y POS-HUMANISMO: LA CIENCIA FICCIÓN EN ARGENTINA Y ESPAÑA EN TORNO AL 2000. [Doctoral Dissertation]. University of Kentucky; 2013. Available from: https://uknowledge.uky.edu/hisp_etds/12

13. Eduardo Pinto da Silva. Instâncias da representação imagética hiper-real.

Degree: 2012, Universidade Federal do Rio Grande do Norte

URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4960 ; http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=5012

► A abordagem que empreende este trabalho gira em torno da emergência de estruturas icônicas, reflexionando sobre o sentido de diferentes modalidades de representação imagética por… (more)

▼ A abordagem que empreende este trabalho gira em torno da emergência de estruturas icônicas, reflexionando sobre o sentido de diferentes modalidades de representação imagética por meio das quais a contemporaneidade se revela. À partida, três aspectos são considerados para uma analítica em busca da ontologia do ato da representação imagética: a transição da representação nas sociedades de cultura oral para a escrita; destas para a tecnologia tipográfica e, finalmente, a constituição de dispositivo de representação fotográfica. Recorre-se, portanto, à argumentação por meio de alguns pontos de referência genealógica de que instâncias tecnológicas como a escrita, a tipografia e a fotografia, na evolução desse processo, correspondem, per si, a uma viragem técnica consequente, em relação a cada representação precedente. No domínio da imagem, o aspecto mais proeminente dessa mudança no decurso avançado consiste na emergência da hiper-realidade: das instâncias de representação hiper-realista. No contexto ocidental, a simulação do mundo ideia essencial da mimesis - é obra de um sistema autônomo e convencional. Sublinha-se, então, o fato de que, no âmbito irreflexivo das sociedades pós-industriais, a imagem mass-midiática se reveste com o falso código de natural ou inclusive de acordo com Baudrillard tende a substituir o mundo real na perpetuação de uma larga cadeia de simulacros. Daí, na modernidade, em plena sociedade pós-industrial, decorrer a crise do regime de representação e de percepção, centrado no referente. Neste limite instauram-se novas configurações estéticas de representações imagéticas na cultura contemporânea: instituindo espaços da simulação [Jean Baudrillard], do espetáculo [Guy Debord] e da hipermodernidade [Gilles Lipovetsky] em que operam. A estes agenciamentos, acode a emersão das Instâncias de Representação Hiper-real vistas neste estudo como ocorrências estéticas a configurarem itinerários de uma nova sensibilidade. É da natureza dessa prática signo-icônica, incrustada na criação da expressão artística atual, que esta pesquisa se ocupou em perscrutar: a configuração hiper-realista, tomando como suporte empírico central a produção imagética contemporânea, em formatos diversificados da representação analógica. Advisors/Committee Members: Alexsandro Galeno Araújo Dantas, Lisabete Coradini, Francisco Ivan da Silva, João de Lima Gomes, Maria da Conceição da Costa Golobovante, Gilmar Santana.

Subjects/Keywords: Representação; Hiper-real; Imagem; Simulacro; Estética.; CIENCIAS SOCIAIS APLICADAS; Representation; Hyper-reality; Image; Simulacrum; Aesthetics.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Silva, E. P. d. (2012). Instâncias da representação imagética hiper-real. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4960 ; http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=5012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real.” 2012. Thesis, Universidade Federal do Rio Grande do Norte. Accessed July 21, 2019. http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4960 ; http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=5012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real.” 2012. Web. 21 Jul 2019.

Vancouver:

Silva EPd. Instâncias da representação imagética hiper-real. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2012. [cited 2019 Jul 21]. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4960 ; http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=5012.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva EPd. Instâncias da representação imagética hiper-real. [Thesis]. Universidade Federal do Rio Grande do Norte; 2012. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4960 ; http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=5012

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade do Rio Grande do Norte

14. Silva, Eduardo Pinto da. Instâncias da representação imagética hiper-real .

Degree: 2012, Universidade do Rio Grande do Norte

URL: http://repositorio.ufrn.br/handle/123456789/13787

► The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through… (more)

▼ The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through which the contemporaneity reveals itself. At baseline, three aspects are considered looking for an analytical ontology of the act of representation and imagery: the transition of representation in the oral culture of societies for writing, from these to typography, and finally the creation of a representation device. Resorted to, therefore, the argument by some genealogy reference points that technological instances such as writing, printing and photography, the evolution of this process, correspond, in itself, a consequent shift technique, for each representation precedent. In the area of the image, the most salient aspect of this change in foward process is the emergence of hyper-reality: the instances of hyper-realistic representation. In the Western context, the 'simulation of the world' - essential idea of mimesis is the work of an autonomous an conventional system. It should be noted, then the fact that under unreflective of the post-industrial societies, the mass-media image is coating with natural or fake code including - according to Baudrillard - tends to replace the real world in the "perpetuation of a large chain of simulacra." Hence in modern times, in the postindustrial society, during the crisis of the representation regimen and perception, centered in the referent. In this limit, new settings are established by aesthetic representations of imagery in contemporary culture: establishing spaces of simulation [Jean Baudrillard] the spectacle [Guy Debord] and hypermodernity [Gilles Lipovetsky] in which they operate. In these assemblages, saps the emergence of Hyper-reality Representation Instances - as seen in this study aesthetic events to configure itineraries of a new sensibility. It is the nature of this practice sign-iconic, ingrained in the creation of current artistic expression, which this research engaged in peering: the hyper-realistic setting, taking empirical support central to contemporary imagery production, diverse formats of analog representation. Advisors/Committee Members: Coradini, Lisabete (advisor), CPF:43751199004 (advisor), http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8 (advisor).

Subjects/Keywords: Representação; Hiper-real; Imagem; Simulacro; Estética.; Representation; Hyper-reality; Image; Simulacrum; Aesthetics.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Silva, E. P. d. (2012). Instâncias da representação imagética hiper-real . (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/13787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real .” 2012. Thesis, Universidade do Rio Grande do Norte. Accessed July 21, 2019. http://repositorio.ufrn.br/handle/123456789/13787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real .” 2012. Web. 21 Jul 2019.

Vancouver:

Silva EPd. Instâncias da representação imagética hiper-real . [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2012. [cited 2019 Jul 21]. Available from: http://repositorio.ufrn.br/handle/123456789/13787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva EPd. Instâncias da representação imagética hiper-real . [Thesis]. Universidade do Rio Grande do Norte; 2012. Available from: http://repositorio.ufrn.br/handle/123456789/13787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Naiara Denicolo. A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006).

Degree: 2006, Universidade Católica de Goiás

URL: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=303

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Este estudo tem como objetivo analisar, numa perspectiva comparativa, a hospedagem em uma cidade turística Pirenópolis e na capital do estado de Goiás Goiânia, procurando… (more)

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Este estudo tem como objetivo analisar, numa perspectiva comparativa, a hospedagem em uma cidade turística Pirenópolis e na capital do estado de Goiás Goiânia, procurando contextualizar a autenticidade ou o simulacro desses espaços. Os procedimentos metodológicos por nós utilizados foram a pesquisa bibliográfica e a pesquisa de campo, com entrevistas aos proprietários dos diferentes empreendimentos, sendo três pousadas em Pirenópolis e um hotel em Goiânia. Percorremos uma análise histórica sobre a formação da cultura goiana, com a evolução dos diferentes meios de hospedagem, bem como buscamos entender os fatores motivacionais, tais como o lazer ou os negócios, que atraem os turistas aos diferentes espaços locais que são autênticos e, portanto, guardiões de uma identidade, ou que simulam um resgate cultural. Tais espaços representam a cordialidade e a hospitalidade, ou, ainda, espaços padronizados que seguem uma normatização internacional ou que sugerem um simulacro, necessitando, de uma reconstrução. Concluímos que o turismo em Pirenópolis se faz guardião de um legado históricocultural, ao passo que, em Goiânia, a metrópole, o turismo acontece com a mesma dinâmica da cidade, de forma frenética, sem muito tempo para contemplações, atendendo a outro segmento de turista. Em suma, a pretensão deste trabalho não é esgotar o assunto, ao contrário, acreditamos que estudar a hospedagem significa refletir sobre uma das necessidades fisiológicas inerentes ao ser humano.

This study is aimed at analyzing, in a comparative perspective, the hosting in a tourist city Pirenópolis and in the capital city of Goiás Goiânia, trying to contextualize the authenticity or the simulacrum of these spaces. The methodological procedures employed for such analysis were bibliographical research and field research, with interviews with the owners of different enterprises, which were three inns in Pirenópolis and a hotel in Goiânia. We proceeded to the analysis of the history of Goiáss culture formation, with the evolution of the various types of hotels, and we also attempted to understand the motivational factors, such as leisure or business, that attract tourists to different spaces spaces that are authentic and, therefore, guardians of an identity, or spaces that simulate some sort of cultural rescue. Such spaces represent either cordiality and hospitality or standardized places that follow international laws or suggest a simulacrum. In this last case, the cultural legacy needf reconstruction. We concluded that the tourism in Pirenópolis is representative of a historic and cultural legacy, whereas in Goiânia the metropolis tourism takes place with the same dynamics as the city, in a frantic way, without giving room to contemplations, meeting the needs of another tourist segment. In sum, the present research does not aim at exhausting the subject; on the contrary, we believe that the study of hosting means reflecting on one of the physiological needs that are innate in human beings.

Advisors/Committee Members: HELIANE PRUDENTE NUNES.

Subjects/Keywords: hosting; authentic; autenticidade; ANTROPOLOGIA; simulacro; Goiáss culture; identidade; reconstruction; hospedagem; simulacrum; cultura goiana; identity; reconstrução

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Denicolo, N. (2006). A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006). (Thesis). Universidade Católica de Goiás. Retrieved from http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=303

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Denicolo, Naiara. “A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006).” 2006. Thesis, Universidade Católica de Goiás. Accessed July 21, 2019. http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=303.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Denicolo, Naiara. “A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006).” 2006. Web. 21 Jul 2019.

Vancouver:

Denicolo N. A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006). [Internet] [Thesis]. Universidade Católica de Goiás; 2006. [cited 2019 Jul 21]. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=303.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Denicolo N. A HOSPEDAGEM EM PIRENOPÓLIS E GOIÂNIA: ESPAÇOS DE PRESERVAÇÃO E DIVULGAÇÃO DO PATRIMÔNIO CULTURAL DE GOIÁS (1989-2006). [Thesis]. Universidade Católica de Goiás; 2006. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=303

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Giselle Aparecida Piragis. CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL.

Degree: 2008, UNIVERSIDADE TUIUTI DO PARANÁ

URL: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=312

►

Este estudo teve como principal objetivo analisar o índio na representação do bem ou mal pela imprensa avaliando a intenção em significá-lo desta forma. Para… (more)

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Este estudo teve como principal objetivo analisar o índio na representação do bem ou mal pela imprensa avaliando a intenção em significá-lo desta forma. Para isto, partiu-se da hipótese de que a representação do índio seja conseqüência das histórias de viajantes e romances de séculos passados e que a imprensa utiliza, de forma consciente, os conceitos estabelecidos a partir destas representações na produção do material informativo, reforçando conceitos culturais negativos ou positivos sobre eles, dependendo do enfoque desejado. Como referencial teórico, este estudo está estruturado nas teorias sobre cultura e não-cultra, da Semiótica da Cultura, e do semioticista Ivan Bystrina sobre a estrutura dos códigos terciários, seguido das contribuições dos sociólogos Edgar Morin, Jean Baudrillard e Sergio Buarque de Holanda, além do situacionista Guy Debord e de teorias da antropologia de Claude Levi-Struss e Darcy Ribeiro. Para o estudo de caso foram selecionados os casos dos índios Paulinho Paiakan, acusado de estupro por uma estudante nãoindígena, em 1992, e Galdino, queimado em um ponto de ônibus em Brasília por cinco jovens de classe média, em 1997. Para analise dos objetos, foram selecionados os jornais Folha de São Paulo e O Estado de São Paulo, e a revista Veja. Este estudo concluiu que a imprensa utiliza os códigos culturais a seu favor, não considerando os eventuais prejuízos que podem causar aos índios por esta representação, no entanto, ela não age com a intenção de prejudicá-los, apenas reproduz os códigos já existentes, nos quais os índios são representados como personagens, índios-símbolos, e não índios-sígnos

This study had as the main goal to examine the indians in the representation of the good or bad done by the press evaluating their intention to represent them like that. For this, started from the assumption that the indian representation is the result of the travelers stories and past centuries novels that are used by the press, in a aware way, the concepts established from these representations in the production of information material, reinforcing negative or positive cultural concepts about them, depending on the desired focus. As theoretical reference, this study is structured on theories about culture and non-cultra, Semiotics of Culture, and the semioticist Ivan Bystrina about structure of tertiary codes, followed by contributions from sociologists Edgar Morin, Jean Baudrillard and Sergio Buarque de Holanda, beyond the situationist Guy Debord and theories of anthropology of Claude Levi-Struss and Darcy Ribeiro. For case study were selected cases of Indians Paulinho Paiakan, accused of rape by a non-indigenous student in 1992, and Galdino, burned in buse stop in Brasilia by five young man from middle class in 1997. For the objects analysis, were selected the Folha de Sao Paulo and O Estado de Sao Paulo newspapers, and Veja magazine. This study concluded that the press uses the cultural codes in their favour, not considering the potential damage that can cause to the Indians by this…

Advisors/Committee Members: Alberto Carlos Augusto Klein.

Subjects/Keywords: representação; índios; códigos culturais; simulacro; imprensa; COMUNICACAO; Indians; representation; cultural codes; simulacrum; press

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Piragis, G. A. (2008). CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL. (Thesis). UNIVERSIDADE TUIUTI DO PARANÁ. Retrieved from http://tede.utp.br/tde_busca/arquivo.php?codArquivo=312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Piragis, Giselle Aparecida. “CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL.” 2008. Thesis, UNIVERSIDADE TUIUTI DO PARANÁ. Accessed July 21, 2019. http://tede.utp.br/tde_busca/arquivo.php?codArquivo=312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Piragis, Giselle Aparecida. “CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL.” 2008. Web. 21 Jul 2019.

Vancouver:

Piragis GA. CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL. [Internet] [Thesis]. UNIVERSIDADE TUIUTI DO PARANÁ; 2008. [cited 2019 Jul 21]. Available from: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piragis GA. CÓDIGOS CULTURAIS E IMPRENSA : O ÍNDIO NA REPRESENTAÇÃO DO BEM E DO MAL. [Thesis]. UNIVERSIDADE TUIUTI DO PARANÁ; 2008. Available from: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Victoria

17. Shohadaei, Setareh. The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials.

Degree: Dept. of Political Science, 2011, University of Victoria

URL: http://hdl.handle.net/1828/3511

► This work looks at the 2009 Iranian show-trials through modern discourses of biopolitics, sovereignty, and history. I argue that, understood as a theatrical phenomenon, the… (more)

Subjects/Keywords: Biopolitics; Confession; Iran; Green Movement; Show-Trial; Sovereignty; History; Simulacrum; Hauntology; Political Theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Shohadaei, S. (2011). The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/3511

Chicago Manual of Style (16^th Edition):

Shohadaei, Setareh. “The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials.” 2011. Masters Thesis, University of Victoria. Accessed July 21, 2019. http://hdl.handle.net/1828/3511.

MLA Handbook (7^th Edition):

Shohadaei, Setareh. “The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials.” 2011. Web. 21 Jul 2019.

Vancouver:

Shohadaei S. The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials. [Internet] [Masters thesis]. University of Victoria; 2011. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/1828/3511.

Council of Science Editors:

Shohadaei S. The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials. [Masters Thesis]. University of Victoria; 2011. Available from: http://hdl.handle.net/1828/3511

Universidade do Rio Grande do Norte

18. Silva, Eduardo Pinto da. Inst?ncias da representa??o imag?tica hiper-real .

Degree: 2012, Universidade do Rio Grande do Norte

URL: http://repositorio.ufrn.br/handle/123456789/13787

► The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through… (more)

▼ The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through which the contemporaneity reveals itself. At baseline, three aspects are considered looking for an analytical ontology of the act of representation and imagery: the transition of representation in the oral culture of societies for writing, from these to typography, and finally the creation of a representation device. Resorted to, therefore, the argument by some genealogy reference points that technological instances such as writing, printing and photography, the evolution of this process, correspond, in itself, a consequent shift technique, for each representation precedent. In the area of the image, the most salient aspect of this change in foward process is the emergence of hyper-reality: the instances of hyper-realistic representation. In the Western context, the 'simulation of the world' - essential idea of mimesis is the work of an autonomous an conventional system. It should be noted, then the fact that under unreflective of the post-industrial societies, the mass-media image is coating with natural or fake code including - according to Baudrillard - tends to replace the real world in the "perpetuation of a large chain of simulacra." Hence in modern times, in the postindustrial society, during the crisis of the representation regimen and perception, centered in the referent. In this limit, new settings are established by aesthetic representations of imagery in contemporary culture: establishing spaces of simulation [Jean Baudrillard] the spectacle [Guy Debord] and hypermodernity [Gilles Lipovetsky] in which they operate. In these assemblages, saps the emergence of Hyper-reality Representation Instances - as seen in this study aesthetic events to configure itineraries of a new sensibility. It is the nature of this practice sign-iconic, ingrained in the creation of current artistic expression, which this research engaged in peering: the hyper-realistic setting, taking empirical support central to contemporary imagery production, diverse formats of analog representation. Advisors/Committee Members: Coradini, Lisabete (advisor), CPF:43751199004 (advisor), http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8 (advisor).

Subjects/Keywords: Representa??o; Hiper-real; Imagem; Simulacro; Est?tica.; Representation; Hyper-reality; Image; Simulacrum; Aesthetics.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Silva, E. P. d. (2012). Inst?ncias da representa??o imag?tica hiper-real . (Doctoral Dissertation). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/13787

Chicago Manual of Style (16^th Edition):

Silva, Eduardo Pinto da. “Inst?ncias da representa??o imag?tica hiper-real .” 2012. Doctoral Dissertation, Universidade do Rio Grande do Norte. Accessed July 21, 2019. http://repositorio.ufrn.br/handle/123456789/13787.

MLA Handbook (7^th Edition):

Silva, Eduardo Pinto da. “Inst?ncias da representa??o imag?tica hiper-real .” 2012. Web. 21 Jul 2019.

Vancouver:

Silva EPd. Inst?ncias da representa??o imag?tica hiper-real . [Internet] [Doctoral dissertation]. Universidade do Rio Grande do Norte; 2012. [cited 2019 Jul 21]. Available from: http://repositorio.ufrn.br/handle/123456789/13787.

Council of Science Editors:

Silva EPd. Inst?ncias da representa??o imag?tica hiper-real . [Doctoral Dissertation]. Universidade do Rio Grande do Norte; 2012. Available from: http://repositorio.ufrn.br/handle/123456789/13787

Universidade do Rio Grande do Norte

19. Silva, Eduardo Pinto da. Instâncias da representação imagética hiper-real .

Degree: 2012, Universidade do Rio Grande do Norte

URL: http://repositorio.ufrn.br/handle/123456789/13787

► The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through… (more)

▼ The approach that undertakes this work revolves around the emergence of iconic structures on reflecting about the meaning of different methods of image representation through which the contemporaneity reveals itself. At baseline, three aspects are considered looking for an analytical ontology of the act of representation and imagery: the transition of representation in the oral culture of societies for writing, from these to typography, and finally the creation of a representation device. Resorted to, therefore, the argument by some genealogy reference points that technological instances such as writing, printing and photography, the evolution of this process, correspond, in itself, a consequent shift technique, for each representation precedent. In the area of the image, the most salient aspect of this change in foward process is the emergence of hyper-reality: the instances of hyper-realistic representation. In the Western context, the 'simulation of the world' - essential idea of mimesis is the work of an autonomous an conventional system. It should be noted, then the fact that under unreflective of the post-industrial societies, the mass-media image is coating with natural or fake code including - according to Baudrillard - tends to replace the real world in the "perpetuation of a large chain of simulacra." Hence in modern times, in the postindustrial society, during the crisis of the representation regimen and perception, centered in the referent. In this limit, new settings are established by aesthetic representations of imagery in contemporary culture: establishing spaces of simulation [Jean Baudrillard] the spectacle [Guy Debord] and hypermodernity [Gilles Lipovetsky] in which they operate. In these assemblages, saps the emergence of Hyper-reality Representation Instances - as seen in this study aesthetic events to configure itineraries of a new sensibility. It is the nature of this practice sign-iconic, ingrained in the creation of current artistic expression, which this research engaged in peering: the hyper-realistic setting, taking empirical support central to contemporary imagery production, diverse formats of analog representation. Advisors/Committee Members: Coradini, Lisabete (advisor), CPF:43751199004 (advisor), http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8 (advisor).

Subjects/Keywords: Representação; Hiper-real; Imagem; Simulacro; Estética.; Representation; Hyper-reality; Image; Simulacrum; Aesthetics.

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Silva, E. P. d. (2012). Instâncias da representação imagética hiper-real . (Doctoral Dissertation). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/13787

Chicago Manual of Style (16^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real .” 2012. Doctoral Dissertation, Universidade do Rio Grande do Norte. Accessed July 21, 2019. http://repositorio.ufrn.br/handle/123456789/13787.

MLA Handbook (7^th Edition):

Silva, Eduardo Pinto da. “Instâncias da representação imagética hiper-real .” 2012. Web. 21 Jul 2019.

Vancouver:

Silva EPd. Instâncias da representação imagética hiper-real . [Internet] [Doctoral dissertation]. Universidade do Rio Grande do Norte; 2012. [cited 2019 Jul 21]. Available from: http://repositorio.ufrn.br/handle/123456789/13787.

Council of Science Editors:

Silva EPd. Instâncias da representação imagética hiper-real . [Doctoral Dissertation]. Universidade do Rio Grande do Norte; 2012. Available from: http://repositorio.ufrn.br/handle/123456789/13787

Universidade do Rio Grande do Sul

20. Oliveira, Andreia Machado. Corpos associados : interatividade e tecnicidade nas paisagens da arte.

Degree: 2010, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/27965

►

A presente tese aborda os graus de interatividade presentes na experiência com e na obra de arte. O ato de experienciar na obra de arte… (more)

▼

A presente tese aborda os graus de interatividade presentes na experiência com e na obra de arte. O ato de experienciar na obra de arte nos mostra que qualquer experiência se constitui por relações intensivas entre corpos e meios em processos de interatividade. Constata-se que há diferentes graus de interatividade na experiência, sendo: misturas, atrações, incorporações e percepções. As misturas são as afecções voluntárias e involuntárias entre corpos em meios associados. A compreensão sobre as misturas dos corpos está relacionada às diferentes concepções filosóficas sobre imanência. As atrações falam de uma arte animal que nos ensina a potência do meio e os afectos dos corpos. O corpo que se menciona, aqui, não se restringe ao humano, mas também ao não humano – animal, tecnológico, imaterial – formado de velocidades e lentidões da matéria-tomando-forma. Tais corpos incorporam a vida via tecnologias dos fazeres e suas tecnicidades que não dissociam natural e artificial, analógico e digital, matéria e forma. As (im)percepções produzem paisagens efêmeras no sistema metaestável obra-humano-meio. As paisagens oscilam entre panoramas, presos a ilusionismos e representações miméticas; e simulacros que se formam no encontro das dessemelhanças e produzem realidades inventadas. Tais idéias são fundamentadas nas filosofias de Benetithus Espinosa, Gilbert Simondon e Gilles Deleuze. Ainda, são levadas para o campo da Arte Interativa, uma vez que estas obras se efetuam e se modificam ao longo da experiência artista/espectador/obra/meio. Deste modo, entende-se que os processos de interatividade direcionam-se para uma Ética da potência de agir dos corpos, ou seja, o quanto pode um corpo na experiência a partir das dinâmicas dos graus de interatividade na obra de arte. Tal investigação resulta na produção teórica da tese e na produção da videoinstalação “CorposAssociados” e da série de fotografias “Incorporações”.

This thesis addresses the degrees of interactivity produced with and within an artwork. The act of experiencing an artwork shows that any experience is made up of relations of intensity within processes of interactivity between bodies and milieus. It is maintained that there are various degrees of interactivity in experience: mixtures, attractions, incorporations, embodiments and perceptions. Mixtures are the voluntary and involuntary affects between bodies in associated milieus. The understanding of mixtures of bodies is related to various philosophical conceptions of immanence. Attractions speak of an animal art that shows us the potential of the milieu and the affects of bodies. The body referred to includes not only the human but non-human others as well—animal, technological, immaterial—formed by the speed or slowness of matter-taking-form. Such bodies embody life through technics and technicities which do not dissociate the natural and the artificial, the analog and the digital, matter and form. The (mis)perceptions produces an ephemeral landscapeness within the metastable system constituted by the…

Advisors/Committee Members: Fonseca, Tania Mara Galli.

Subjects/Keywords: Associated milieu; Interatividade; Arte; Body; Technicity; Corpo; Imagem; Landscapeness-simulacrum; Artwork-humanmilieu system; Artista; Degrees of interactivity; Espectador

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Oliveira, A. M. (2010). Corpos associados : interatividade e tecnicidade nas paisagens da arte. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/27965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Oliveira, Andreia Machado. “Corpos associados : interatividade e tecnicidade nas paisagens da arte.” 2010. Thesis, Universidade do Rio Grande do Sul. Accessed July 21, 2019. http://hdl.handle.net/10183/27965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Oliveira, Andreia Machado. “Corpos associados : interatividade e tecnicidade nas paisagens da arte.” 2010. Web. 21 Jul 2019.

Vancouver:

Oliveira AM. Corpos associados : interatividade e tecnicidade nas paisagens da arte. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2010. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/10183/27965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira AM. Corpos associados : interatividade e tecnicidade nas paisagens da arte. [Thesis]. Universidade do Rio Grande do Sul; 2010. Available from: http://hdl.handle.net/10183/27965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Pontifícia Universidade Católica de São Paulo

21. Maria Anderlina Antonio. Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais.

Degree: 2013, Pontifícia Universidade Católica de São Paulo

URL: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16594 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16604 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16605

► Esta pesquisa tem por objetivo delinear os simulacros de Brasil, no que tange suas relações com os países lusófonos Angola e Moçambique edificados no programa… (more)

▼ Esta pesquisa tem por objetivo delinear os simulacros de Brasil, no que tange suas relações com os países lusófonos Angola e Moçambique edificados no programa Atividades da Presidenta, da TVNBR. O corpus da investigação é composto por quatro audiovisuais que fazem a cobertura da visita da representante do Brasil à África em outubro de 2011. A partir da política do Brasil na África e da investigação desses enunciados, buscou-se compreender como os enunciados em análise constroem as representações de Brasil na imprensa. Para isso foram estudados: 1) as figuratividades que configuram os simulacros de ação do Brasil nesses territórios; 2) os papéis temáticos que o Brasil assume dentro desses veículos de comunicação; 3) os valores em circulação no nível axiológico desses discursos; 4) o modo pelo qual é sancionado o fazer de Brasil nos textos da mídia em análise; 5) o modo pelo qual estão postos os processos de convencimento que se dão entre enunciador e enunciatário desses discursos; 6) como esses discursos são construídos no sentido de criarem os efeitos de veridicção; 7) o modo pelo qual as projeções da enunciação desses discursos contribuem para o efeito de sentido que neles se apresentam. Baseamo-nos em Pimentel, Saraiva, Visentini &Pereira quando afirmam que a política de Brasil em África se faz sob fortes interesses econômicos, mostrando-se, logo, uma estratégia política bastante polêmica, que destoa dos discursos que geralmente circulam sobre as relações que permeiam a lusofonia, os quais mais evidentemente apontam aproximações culturais e língua comum. Faz-se, assim, hipótese de nossa pesquisa que uma análise dos textos que são componentes do corpus possa trazer construções de representações de Brasil que permitam legitimar as atuações de Brasil nesses territórios. Como base teórica de nossa análise temos a teoria semiótica edificada por Algirdas Julien Greimas e Eric Landowski. Ainda, por serem nossos textos enunciados sincréticos, tomaremos como referencial para a investigação Jean Marie-Floch e Ana Claudia de Oliveira, dentre outros Advisors/Committee Members: Ana Claudia Mei Alves de Oliveira.

Subjects/Keywords: COMUNICACAO; Televisão; TVNBR; Países lusófonos; Simulacro; Figuratividade; Sincretismo da expressão; Television; Lusophone countries; Simulacrum; Figurativity; Syncretism of expression

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Antonio, M. A. (2013). Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16594 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16604 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16605

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Antonio, Maria Anderlina. “Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais.” 2013. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed July 21, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16594 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16604 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16605.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Antonio, Maria Anderlina. “Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais.” 2013. Web. 21 Jul 2019.

Vancouver:

Antonio MA. Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. [cited 2019 Jul 21]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16594 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16604 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16605.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Antonio MA. Territórios lusófonos e os simulacros de Brasil na TVNBR: atualizações de relações coloniais. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16594 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16604 ; http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16605

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Pontifícia Universidade Católica de São Paulo

22. Eduardo Paes de Barros. A construção do sucesso na Revista Veja.

Degree: 2010, Pontifícia Universidade Católica de São Paulo

URL: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=10942

►

This research intends to examine the discursive construction ways of figures of professional success in news coverage of the Brazilian weekly magazine Veja between 1968… (more)

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This research intends to examine the discursive construction ways of figures of professional success in news coverage of the Brazilian weekly magazine Veja between 1968 and 2007. Those figures are individuals and companies of solid success highlighted by the announcer because of competence, high position in acting area, steady financial condition and so on. Using discourse analysis, this study aims to analyze how Veja establishes themes and figures of success, outlining, through the magazine speaker perspective, the communication contract established between the magazine and readers. From the narrative point of view, this work investigates which are the subjects and their valuable goods and how specificities are build (how to become a figure of success, how to reach that stage, what it means to be such a figure, etc.), and trace the passionate way of the characters of the narrative, linking such analysis to the figurative and thematic construction, to finally understand the reason for the prominence of the character and the kind of success made visible by the media, from the examination of the simulacra of success actually built by the reports

Esta pesquisa busca examinar os modos de construção discursiva das figuras do sucesso profissional nas reportagens de capa da revista semanal Veja, da Editora Abril, entre 1968 e 2007. São consideradas figuras de sucesso as pessoas físicas e jurídicas destacadas pelo enunciador tendo em vista a competência, alta posição na área de atuação, elevada condição financeira etc. Utilizando o método de discurso, esta pesquisa visa analisar como Veja constrói os temas e as figuras do sucesso, delineando, pela perspectiva do enunciador da revista, os contratos de comunicação estabelecidos com os leitores. Do ponto de vista narrativo, trata-se de investigar quais os sujeitos e seus objetos de valor e como são construídas as modalizações (como se tornar uma figura de sucesso, como fazer para chegar a esse patamar, o que significa ser tal figura etc.), e traçar o percurso passional dos sujeitos da narrativa, ligando tal análise à construção figurativa e temática, para entender finalmente a razão do destaque da personagem e o tipo de sucesso tornado visível pela mídia, a partir do exame dos simulacros de sucesso efetivamente construídos pelas reportagens

Advisors/Committee Members: José Luiz Aidar Prado.

Subjects/Keywords: Veja magazine; Success; Simulacrum; Weekly media; Mídia semanal; Sucesso; Comunicacao de massa; Simulacros; Veja (Revista); COMUNICACAO; Media discourse; Agenda midiática

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Barros, E. P. d. (2010). A construção do sucesso na Revista Veja. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=10942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Barros, Eduardo Paes de. “A construção do sucesso na Revista Veja.” 2010. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed July 21, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=10942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Barros, Eduardo Paes de. “A construção do sucesso na Revista Veja.” 2010. Web. 21 Jul 2019.

Vancouver:

Barros EPd. A construção do sucesso na Revista Veja. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2010. [cited 2019 Jul 21]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=10942.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barros EPd. A construção do sucesso na Revista Veja. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2010. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=10942

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Pontifícia Universidade Católica de São Paulo

23. Sílvia Sampaio de Alencar. Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital.

Degree: 2012, Pontifícia Universidade Católica de São Paulo

URL: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14967

►

O objetivo deste trabalho é examinar como os modos de presença da figura da prostituta Daspu estão sendo presentemente reestruturados na comunicação jornalística nacional, sob… (more)

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O objetivo deste trabalho é examinar como os modos de presença da figura da prostituta Daspu estão sendo presentemente reestruturados na comunicação jornalística nacional, sob o impacto do website da marca de moda homônima. Tratase de perguntar se houve, desde o surgimento do site, mudanças na produção de sentidos dos simulacros das prostitutas figurativizadas pela grife tais como são presentificados na imprensa jornalística atual. Operamos com a hipótese principal de que a presença da figura da prostituta Daspu teria promovido uma alteração na visibilidade social das prostitutas atreladas à marca na mídia jornalística. Tomandose como referencial teórico os postulados da teoria semiótica greimasiana, entendemos por figura da prostituta Daspu as configurações semânticas que são discursivamente reiteradas nos textos áudio-verbo-visuais do website institucional da marca e nos textos jornalísticos que os repercutem. Adotamos também a noção de simulacro de Landowski, que o define como o conjunto dos traços (linguísticos ou não) pertinentes para a atribuição de uma significação inscrita por um destinador, em um texto, para ser apreendida por um destinatário. As determinações sintáxicas e semânticas mantidas entre destinador e destinatário contribuem para forjar a imagem da prostituta que os parceiros enviam um ao outro no ato da comunicação. O corpus da pesquisa compreende o website institucional da marca Daspu, acessável em www.daspu.com.br, e um recorte dentre as reportagens extraídas dos diversos cadernos do jornal Folha de S. Paulo que trazem manifestações do simulacro da prostituta Daspu no período de janeiro de 2005 a dezembro de 2010. A seleção da abrangente variedade de reportagens objetiva oferecer subsídios para a investigação dos tipos de simulacros manifestos nos textos jornalísticos. O resultado mostra que as representações da prostituta nas pautas jornalísticas tem seus simulacros edificados sobre as mesmas bases de valores daquelas levantadas e analisadas no referido website. Depreendemos assim que os sentidos produzidos são re-enunciados entre o meio impresso e o digital, antes que somente enunciados do segundo para o primeiro

This researchs objective is to investigate the ways by which the modes of presence of Daspus prostitutes figures are being restructured in the national journalistic communication under the impact of the homonymous fashion brands website. Its about questioning if there were, since the websites appearance, any changes in the sense production of the prostitutes simulacrua they were figurativized by the brand in the same way they were made present in the current journalistic press. Our main hypothesis is that the presence of Daspus prostitute figure would have promoted a change in the social visibility of the prostitutes linked with the brand in journalistic press. The theoretical references adopted were the postulates of Greimas semiotic theory. Through them we understand Daspus prostitutes figures as semantic configurations that are discursively reiterated in audio-verbal-visual…

Advisors/Committee Members: Ana Claudia Mei Alves de Oliveira.

Subjects/Keywords: Digital media; COMUNICACAO; Prostitutas Daspu; Meio impresso; Digital; Simulacro; Visibilidade midiática; Sociossemiótica; Daspu prostitutes; Press media; Simulacrum; Mediatic visibility; Sociosemiotics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Alencar, S. S. d. (2012). Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14967

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Alencar, Sílvia Sampaio de. “Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital.” 2012. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed July 21, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14967.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Alencar, Sílvia Sampaio de. “Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital.” 2012. Web. 21 Jul 2019.

Vancouver:

Alencar SSd. Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. [cited 2019 Jul 21]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14967.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alencar SSd. Prostitutas reconfiguradas: artimanhas da marca Daspu na visibilidade dos meios impresso e digital. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14967

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Pontifícia Universidade Católica de São Paulo

24. Cíntia Dal Bello. Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu.

Degree: 2009, Pontifícia Universidade Católica de São Paulo

URL: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=9410

► A presente Dissertação de Mestrado aborda a relação entre cibercultura e subjetividade. Seu objeto principal de estudo é a identidade projetada no perfil do Orkut… (more)

▼ A presente Dissertação de Mestrado aborda a relação entre cibercultura e subjetividade. Seu objeto principal de estudo é a identidade projetada no perfil do Orkut - plataforma virtual que possibilita ao usuário publicizar o seu eu numa rede social/comunitária de amigos. A prática da construção de perfis que conferem singularidade e visibilidade às subjetividades atuantes no cyberspace, estabelecendo fronteiras para o quem sou eu, é marcada pela problemática da articulação entre representação e simulação, na porosa interface entre real, virtual e hiper-real, além de envolver conceitos em crise, tais como identidade e sujeito. A partir da constatação de que o cyberspace compõe novos processos de subjetivação ao engendrar virtualização e glocalização da existência e de que as redes sociais, em particular o Orkut, propiciam novas formas de experimentar as dimensões de ser, estar e relacionar-se, o estudo, no que tange à problemática mencionada, estabeleceu as seguintes questões: (1) o perfil de um usuário do Orkut corresponde a sua identidade?; e (2) quais as implicações da congruência entre perfil, identidade e sujeito na cibercultura? Para tais questões foram formuladas três hipóteses: (1) o Orkut constitui um interessante espaço discursivo de enunciação e circunscrição do eu nos fluxos informacionais; (2) as identidades/perfis detêm, no cyberspace, status equivalente ao do corpo próprio como instrumento dinâmico de individuação; e (3) a experiência cotidiana nos corpos-sígnicos conduz à dissolução dos espaços concretos de vivência e fomenta as estratégias de gerenciamento cibercultural da existência que provocam impacto direto na realidade físicobiológica do corpo e do território. Com o objetivo de observar, descrever e analisar as estratégias de construção e projeção da identidade na virtualidade, refletir sobre a congruência ou sobreposição entre identidade, sujeito e perfil nos processos de hiperespetacularização do eu e apresentar o consequente gerenciamento ciberespacial correlato ao fenômeno invisível de indexação sígnica das identidades-conteúdos, foram selecionados, como corpus, os termos de contratação e uso dos serviços gratuitos prestados pelo Orkut, além de telas de cadastro, construção, manutenção e apresentação de perfis e comunidades. O plano de fundamentação da pesquisa no pós-modernismo, na semiótica da cultura, na sociodromologia e nos estudos culturais, entre outras teorias compatíveis, forneceu os referenciais teórico-epistemológicos necessários para a análise do objeto (a identidade/perfil), para a checagem das hipóteses e para a resolução do problema de pesquisa. O conjunto de estratégias metodológicas adotado ao longo do processo de trabalho incorporou também o método netnográfico para orientar o levantamento exploratório no ambiente virtual, a coleta e a interpretação de dados, a observação participante e a realização de entrevistas. Com essas características, que inserem, de modo interdisciplinar, a Dissertação de Mestrado à área de Comunicação, pretende-se contribuir para o desenvolvimento… Advisors/Committee Members: Eugênio Trivinho.

Subjects/Keywords: COMUNICACAO; Cibercultura; Identidade; Visibilidade mediática; Hiperespetáculo; Simulacro; Computadores e civilizacao; Subjetividade; Orkut (Conversacao eletronica); Cyberculture; Subjectivity; Identity; Mediatic visibility; Hyperspectacle; Simulacrum

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bello, C. D. (2009). Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=9410

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bello, Cíntia Dal. “Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu.” 2009. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed July 21, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=9410.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bello, Cíntia Dal. “Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu.” 2009. Web. 21 Jul 2019.

Vancouver:

Bello CD. Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2009. [cited 2019 Jul 21]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=9410.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bello CD. Cibercultura e subjetividade: uma investigação sobre a identidade em plataformas virtuais de hiperespetacularização do eu. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2009. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=9410

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universiteit Utrecht

25. Klomp, H.M. The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process.

Degree: 2013, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/282478

Subjects/Keywords: performance capture; semblance; simulacrum; schizo-image; diagram

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Klomp, H. M. (2013). The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/282478

Chicago Manual of Style (16^th Edition):

Klomp, H M. “The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process.” 2013. Masters Thesis, Universiteit Utrecht. Accessed July 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/282478.

MLA Handbook (7^th Edition):

Klomp, H M. “The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process.” 2013. Web. 21 Jul 2019.

Vancouver:

Klomp HM. The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2019 Jul 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/282478.

Council of Science Editors:

Klomp HM. The Simulacrum, Semblance, and the New Imagery in the Performance Capture Process. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/282478

Universiteit Utrecht

26. Rooij, Jeroen van. Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun.

Degree: 2008, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/30031

Een theoretisch en praktisch onderzoek naar hoe het begrip authenticiteit functioneert in de (waardering van) literatuur. Advisors/Committee Members: Buelens, Geert.

Subjects/Keywords: Letteren; Authenticiteit; Modern Dutch literature; Willem Kloos; Kluun; Martinus Nijhoff; Jan Wolkers; Simulacrum; Vorm of vent; Joseph-Désiré Mobutu; Bertolli Pastasaus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rooij, J. v. (2008). Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/30031

Chicago Manual of Style (16^th Edition):

Rooij, Jeroen van. “Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun.” 2008. Masters Thesis, Universiteit Utrecht. Accessed July 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/30031.

MLA Handbook (7^th Edition):

Rooij, Jeroen van. “Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun.” 2008. Web. 21 Jul 2019.

Vancouver:

Rooij Jv. Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2019 Jul 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/30031.

Council of Science Editors:

Rooij Jv. Oorspronkelijke mensen : authenticiteit in de moderne Nederlandse literatuur van Kloos tot Kluun. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/30031

Universiteit Utrecht

27. Sluimer, S.N. DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester.

Degree: 2011, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/209805

► In deze thesis wordt onderzocht in hoeverre de lichamelijke performancepraktijk van 21e eeuws popfenomeen Lady Gaga aansluiting vindt bij de postmoderne, utopische genderbending poppraktijk uit… (more)

Subjects/Keywords: popcultuur; feminisme; gender; simulacrum; groteske; lichaam; Bakhtin; Baudrillard; Butler; Madonna; Lady Gaga; Anneke Smelik; postmodernisme; utopisme

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sluimer, S. N. (2011). DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/209805

Chicago Manual of Style (16^th Edition):

Sluimer, S N. “DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester.” 2011. Masters Thesis, Universiteit Utrecht. Accessed July 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/209805.

MLA Handbook (7^th Edition):

Sluimer, S N. “DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester.” 2011. Web. 21 Jul 2019.

Vancouver:

Sluimer SN. DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester. [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2019 Jul 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/209805.

Council of Science Editors:

Sluimer SN. DE ULTIEME CONSEQUENTIE VAN DE POSTMODERNE POPPRAKTIJK Een onderzoek naar een devoted jester. [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/209805

28. Bénit, Bernard. Deleuze : la pensée sans image : Deleuze : thought without image.

Degree: Docteur es, Philosophie, 2017, Université Paris X – Nanterre

URL: http://www.theses.fr/2017PA100002

►

Dans ses premières œuvres, Deleuze recherche une "pensée sans image", inséparable de la critique de "l'image de la pensée", c'est-à -dire de la représentation. Le… (more)

▼

Dans ses premières œuvres, Deleuze recherche une "pensée sans image", inséparable de la critique de "l'image de la pensée", c'est-à -dire de la représentation. Le problème, organisant alors la philosophie de Deleuze, est celui du rapport de la pensée avec l'image, problème qui est repris .et déplacé, de Nietzsche et la philosophie à Différence et répétition. Pour "décrire" les actes d'une pensée sans image, Deleuze procède en trois étapes : "le point de départ" est la critique de l'image de la pensée, la dénonciation de la représentation et de ses présupposés, qui emprisonnent et dénaturent la pensée. "Le véritable commencement" consiste, dès lors, à dégager les conditions, non de l'expérience possible comme dans la représentation, mais de l'expérience réelle, c'est-à-dire une nouvelle image de la pensée qui la libère de la représentation. A l'image représentative de la pensée, Deleuze substitue donc une nouvelle image de la pensée qui est l'ensemble des conditions d'une pensée sans image. Enfin, la troisième étape, "l'authentique répétition", est la mise à jour d'une pensée sans image, sub-représentative. Loin d'être naturelle, donnée à un penseur de bonne volonté, comme recognition, la pensée sans image est création de penser dans la pensée, pensée sauvage, nomade, qui nait sans modèle préalable, ni ressemblance : elle surgit de la rencontre violente avec le signe qui la force à penser. Autrement dit, la pensée sans image, c'est le système du simulacre.

In his early works, Deleuze looks for a "thought without image", inseparable from the critique of the "image of thought", i.e. of representation. The problem, organizing Deleuze's philosophy, is the relation of thought with the image problem that is picked up and moved, from Nietzsche and phi/osophy to Difference and repetition. To "describe" the acts of a thought without image, Deleuze proceeds in three steps: "the starting point" is the criticism of the image of thought, the denunciation of representation and its presuppositions, which trap and distort the thought. "The real beginning" consists, therefore, in identifying the conditions, not of experience possible such in the representation, but the actual experience, which is a new image of thought that frees it from the representation. The representative image of thought, Deleuze substitute to a new image of thought which is the set of conditions for a thought without image. Finally, the third step, "the authentic repetition", is the update of a thought without image, sub representative. Far from being natural, given to a thinker of goodwill, like recognition, the thought without image is creation of thinking in thought, thought wild, nomadic, who was born without prior model, or likeness: it arises from the violent encounter with the sign that forces it to think. In other words, the thought without image, is the system of the simulacrum.

Advisors/Committee Members: Sauvagnargues, Anne (thesis director).

Subjects/Keywords: Critique; Image; Image de la pensée; Représentation; Pensée sans image; Simulacre; Critical; Image; Image of thought; Representation; Thought without image; Simulacrum

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bénit, B. (2017). Deleuze : la pensée sans image : Deleuze : thought without image. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2017PA100002

Chicago Manual of Style (16^th Edition):

Bénit, Bernard. “Deleuze : la pensée sans image : Deleuze : thought without image.” 2017. Doctoral Dissertation, Université Paris X – Nanterre. Accessed July 21, 2019. http://www.theses.fr/2017PA100002.

MLA Handbook (7^th Edition):

Bénit, Bernard. “Deleuze : la pensée sans image : Deleuze : thought without image.” 2017. Web. 21 Jul 2019.

Vancouver:

Bénit B. Deleuze : la pensée sans image : Deleuze : thought without image. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2017. [cited 2019 Jul 21]. Available from: http://www.theses.fr/2017PA100002.

Council of Science Editors:

Bénit B. Deleuze : la pensée sans image : Deleuze : thought without image. [Doctoral Dissertation]. Université Paris X – Nanterre; 2017. Available from: http://www.theses.fr/2017PA100002

University of South Africa

29. Swart, Johanna Christina Maria. Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity .

Degree: 2018, University of South Africa

URL: http://hdl.handle.net/10500/25567

► This study is a practice-led research that visually examines how the sense of self and identity are experienced within the complexity and multiplicity of selves… (more)

▼ This study is a practice-led research that visually examines how the sense of self and identity are experienced within the complexity and multiplicity of selves in a technologically saturated culture. This dissertation, “Deconstructing consciousness in contemporary hyperreality: The multiphrenic self and identity”, is the theoretical component of this research which underpins and discusses the visual works that comprise of three multimedia installations that focus on images of the fractured self, the re-imagining of faces behind facial recognition programmes, and the embodiment of space and aesthetic significance within re-appropriation of images within social media platforms. The practical component falls within multi-media art often associated with video art and installation art within contemporary art. By recognising postmodern identity theories, this study investigates the postmodern subject’s concept of self and identity formation within a world that is influenced by the constant glare of technology and viral1 media exposure. How the development and proliferation of technology in the contemporary world, shapes one’s sense of self and identity. The fragmented postmodern subject exists within this context of “viral media” that describes the endless parasitism and dominance of media, where information is perpetuated as part of representation. Due to the perpetual state of virtual re-invention of the “self” within this realm, a digital footprint of identity and traces of personal information are available to others publicly and globally. This context generates a fractured postmodern self that globally exists within a perpetual sense of the present. This research visually and theoretically reflects on the concepts of postmodern schizophrenia and the multiphrenic self, in relation to identity and how participation on social media platforms can enhance a feeling of fragmented self. To address the main argument, it is the contention of the research to deliberate that identity formation is continually and compulsively shaped and reshaped through adapting to specific social environments. The study further argues that the multitude of digital networks (and the everyday practices occurring within and between them) form a different kind of platform and space that affects identity formation.

Subjects/Keywords: Self; Identity; Multiplicity; Multiphrenia; Postmodern schizophrenia; Selfie; Anti-face; Media; Technology; Refraction; Projection; Reflection; Simulacrum; Hyperreality; Facebook.; Performance identity; Rhizome

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Swart, J. C. M. (2018). Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/25567

Chicago Manual of Style (16^th Edition):

Swart, Johanna Christina Maria. “Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity .” 2018. Masters Thesis, University of South Africa. Accessed July 21, 2019. http://hdl.handle.net/10500/25567.

MLA Handbook (7^th Edition):

Swart, Johanna Christina Maria. “Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity .” 2018. Web. 21 Jul 2019.

Vancouver:

Swart JCM. Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity . [Internet] [Masters thesis]. University of South Africa; 2018. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/10500/25567.

Council of Science Editors:

Swart JCM. Deconstructing consciousness in contemporary hyperrality: the multiphrenic self and identity . [Masters Thesis]. University of South Africa; 2018. Available from: http://hdl.handle.net/10500/25567

Universidade do Rio Grande do Sul

30. Mello, Jamer Guterres de. Insensato : um experimento em arte, ciência e educação.

Degree: 2010, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/27050

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Este trabalho apresenta uma proposta de discussão sobre a questão dos métodos aplicados à pesquisa científica na área das ciências humanas. Buscou-se identificar os pontos… (more)

Subjects/Keywords: Deleuze, Gilles 1925-1995.; Art; Science; Arte; Powers of the false; Ciência; Burroughs, William; Simulacrum; Image; Cut-up method; Burroughs; William S. Deleuze; Gilles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mello, J. G. d. (2010). Insensato : um experimento em arte, ciência e educação. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/27050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mello, Jamer Guterres de. “Insensato : um experimento em arte, ciência e educação.” 2010. Thesis, Universidade do Rio Grande do Sul. Accessed July 21, 2019. http://hdl.handle.net/10183/27050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mello, Jamer Guterres de. “Insensato : um experimento em arte, ciência e educação.” 2010. Web. 21 Jul 2019.

Vancouver:

Mello JGd. Insensato : um experimento em arte, ciência e educação. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2010. [cited 2019 Jul 21]. Available from: http://hdl.handle.net/10183/27050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mello JGd. Insensato : um experimento em arte, ciência e educação. [Thesis]. Universidade do Rio Grande do Sul; 2010. Available from: http://hdl.handle.net/10183/27050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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