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You searched for subject:(Sherman Cindy 1954 ). Showing records 1 – 30 of 503 total matches.

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University of Iceland

1. Helga Arnbjörg Pálsdóttir 1982-. Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP .

Degree: 2013, University of Iceland

 Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP, fjallar um ljósmyndaverk bandarísku myndlistarkonunnar Cindy Sherman sem hefur á ferli sínum skapað sér margskonar hlutverk í ljósmyndaseríum… (more)

Subjects/Keywords: Listfræði; Sherman, Cindy, 1954-; Ljósmyndarar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

1982-, H. A. P. (2013). Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP . (Thesis). University of Iceland. Retrieved from http://hdl.handle.net/1946/15002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1982-, Helga Arnbjörg Pálsdóttir. “Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP .” 2013. Thesis, University of Iceland. Accessed March 04, 2021. http://hdl.handle.net/1946/15002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1982-, Helga Arnbjörg Pálsdóttir. “Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP .” 2013. Web. 04 Mar 2021.

Vancouver:

1982- HAP. Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP . [Internet] [Thesis]. University of Iceland; 2013. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1946/15002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1982- HAP. Hlutverkaleikur Cindy Sherman: Íslandssería í tískutímaritinu POP . [Thesis]. University of Iceland; 2013. Available from: http://hdl.handle.net/1946/15002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

2. Moura, Lazaro Elizeu, 1964-. O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials.

Degree: 2020, Universidade Estadual de Campinas

 Abstract: This doctoral research presents my investigation on the concepts and interpretations about the beautiful and the ugly, within the realm of the visual arts,… (more)

Subjects/Keywords: Sherman, Cindy, 1954-; Artes; Fotografia; Estética; Arte - Filosofia; Sherman, Cindy, 1954-; Arts; Photography; Beauty; Ugliness; Aesthetics; Art - Philosophy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moura, Lazaro Elizeu, 1. (2020). O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials. (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/337651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moura, Lazaro Elizeu, 1964-. “O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials.” 2020. Thesis, Universidade Estadual de Campinas. Accessed March 04, 2021. http://repositorio.unicamp.br/jspui/handle/REPOSIP/337651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moura, Lazaro Elizeu, 1964-. “O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials.” 2020. Web. 04 Mar 2021.

Vancouver:

Moura, Lazaro Elizeu 1. O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials. [Internet] [Thesis]. Universidade Estadual de Campinas; 2020. [cited 2021 Mar 04]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/337651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moura, Lazaro Elizeu 1. O atrativo estranhamento nos simulacros e nas provocações de Cindy Sherman: The attractive strangeness in Cindy Sherman's simulations and trials. [Thesis]. Universidade Estadual de Campinas; 2020. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/337651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

3. Duguay-Patenaude, Lysanne. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.

Degree: 2012, Université du Québec à Montréal

 Ce mémoire porte sur la question du stéréotype féminin dans sa valeur construite et normative. Plus spécifiquement, nous aborderons ce type de catégorisation d'identité de… (more)

Subjects/Keywords: Sherman Cindy 1954-; Sherman Cindy 1954- Fashion; Art contemporain; Féminisme; Féminité; Femme; Grotesque (Esthétique); Humour; Identité féminine; Image de la femme; Mode; Photographie de mode; Représentation; Stéréotype

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Duguay-Patenaude, L. (2012). La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/5085/1/M12585.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duguay-Patenaude, Lysanne. “La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.” 2012. Thesis, Université du Québec à Montréal. Accessed March 04, 2021. http://www.archipel.uqam.ca/5085/1/M12585.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duguay-Patenaude, Lysanne. “La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.” 2012. Web. 04 Mar 2021.

Vancouver:

Duguay-Patenaude L. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2021 Mar 04]. Available from: http://www.archipel.uqam.ca/5085/1/M12585.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duguay-Patenaude L. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://www.archipel.uqam.ca/5085/1/M12585.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

4. Duguay-Patenaude, Lysanne. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.

Degree: 2012, Université du Québec à Montréal

 Ce mémoire porte sur la question du stéréotype féminin dans sa valeur construite et normative. Plus spécifiquement, nous aborderons ce type de catégorisation d'identité de… (more)

Subjects/Keywords: Sherman Cindy 1954-; Sherman Cindy 1954- Fashion; Art contemporain; Féminisme; Féminité; Femme; Grotesque (Esthétique); Humour; Identité féminine; Image de la femme; Mode; Photographie de mode; Représentation; Stéréotype

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Duguay-Patenaude, L. (2012). La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5085/1/M12585.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duguay-Patenaude, Lysanne. “La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.” 2012. Thesis, Université du Québec à Montréal. Accessed March 04, 2021. http://archipel.uqam.ca/5085/1/M12585.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duguay-Patenaude, Lysanne. “La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque.” 2012. Web. 04 Mar 2021.

Vancouver:

Duguay-Patenaude L. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2021 Mar 04]. Available from: http://archipel.uqam.ca/5085/1/M12585.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duguay-Patenaude L. La mise en relief du caractère construit et normatif de la figure féminine dans les images de mode de Cindy Sherman par l'utilisation de stratégies du grotesque. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/5085/1/M12585.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

5. Dumas, Catherine. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.

Degree: 2011, Université du Québec à Montréal

 La scène théâtrale postdramatique, telle qu'Hans-Thies Lehmann la décrit, a souvent recours à la mise en place d'éléments de réel et de fiction qu'elle proclame… (more)

Subjects/Keywords: Sherman Cindy 1954- Untitled Films Stills; Théâtre (Spectacle); Théâtre postdramatique; Réalité; Fiction

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dumas, C. (2011). Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/4326/1/M12249.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dumas, Catherine. “Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.” 2011. Thesis, Université du Québec à Montréal. Accessed March 04, 2021. http://www.archipel.uqam.ca/4326/1/M12249.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dumas, Catherine. “Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.” 2011. Web. 04 Mar 2021.

Vancouver:

Dumas C. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2021 Mar 04]. Available from: http://www.archipel.uqam.ca/4326/1/M12249.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dumas C. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://www.archipel.uqam.ca/4326/1/M12249.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

6. Dumas, Catherine. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.

Degree: 2011, Université du Québec à Montréal

 La scène théâtrale postdramatique, telle qu'Hans-Thies Lehmann la décrit, a souvent recours à la mise en place d'éléments de réel et de fiction qu'elle proclame… (more)

Subjects/Keywords: Sherman Cindy 1954- Untitled Films Stills; Théâtre (Spectacle); Théâtre postdramatique; Réalité; Fiction

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dumas, C. (2011). Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/4326/1/M12249.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dumas, Catherine. “Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.” 2011. Thesis, Université du Québec à Montréal. Accessed March 04, 2021. http://archipel.uqam.ca/4326/1/M12249.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dumas, Catherine. “Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives.” 2011. Web. 04 Mar 2021.

Vancouver:

Dumas C. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2021 Mar 04]. Available from: http://archipel.uqam.ca/4326/1/M12249.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dumas C. Still untitled = Encore sans titre : création scénique inspirée d'une partie de la série photographique Untitled films stills de Cindy Sherman, suivie d'une réflexion sur les caractéristiques stylistiques postdramatiques et performatives. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://archipel.uqam.ca/4326/1/M12249.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

7. Umbelino, Ana Patricia Romão Barreira, 1977-. Publicidade e pós-modernismo.

Degree: 2012, Universidade de Lisboa

Tese de mestrado, Estudos curatoriais, Universidade de Lisboa, Faculdade de Belas Artes, 2012

In the late seventies and extending to the eighties of the twentieth… (more)

Subjects/Keywords: Kruger, Barbara, 1945-; Prince, Richard, 1949-; Sherman, Cindy, 1954-; Publicidade; Fotografia; Pós-modernismo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Umbelino, Ana Patricia Romão Barreira, 1. (2012). Publicidade e pós-modernismo. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Umbelino, Ana Patricia Romão Barreira, 1977-. “Publicidade e pós-modernismo.” 2012. Thesis, Universidade de Lisboa. Accessed March 04, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Umbelino, Ana Patricia Romão Barreira, 1977-. “Publicidade e pós-modernismo.” 2012. Web. 04 Mar 2021.

Vancouver:

Umbelino, Ana Patricia Romão Barreira 1. Publicidade e pós-modernismo. [Internet] [Thesis]. Universidade de Lisboa; 2012. [cited 2021 Mar 04]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Umbelino, Ana Patricia Romão Barreira 1. Publicidade e pós-modernismo. [Thesis]. Universidade de Lisboa; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

8. Dolan, Kimberly Kathleen. The threshold of ambiguity in Cindy Sherman's Unititled film stills.

Degree: MA, Art History, 2011, University of Texas – Austin

Cindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The series is comprised of discrete single-frame narratives, which Sherman rendered in… (more)

Subjects/Keywords: Cindy Sherman; Film stills; Narrative

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dolan, K. K. (2011). The threshold of ambiguity in Cindy Sherman's Unititled film stills. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-12-4943

Chicago Manual of Style (16th Edition):

Dolan, Kimberly Kathleen. “The threshold of ambiguity in Cindy Sherman's Unititled film stills.” 2011. Masters Thesis, University of Texas – Austin. Accessed March 04, 2021. http://hdl.handle.net/2152/ETD-UT-2011-12-4943.

MLA Handbook (7th Edition):

Dolan, Kimberly Kathleen. “The threshold of ambiguity in Cindy Sherman's Unititled film stills.” 2011. Web. 04 Mar 2021.

Vancouver:

Dolan KK. The threshold of ambiguity in Cindy Sherman's Unititled film stills. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-12-4943.

Council of Science Editors:

Dolan KK. The threshold of ambiguity in Cindy Sherman's Unititled film stills. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-12-4943


Pontifícia Universidade Católica de São Paulo

9. Celso Martins Rosa. As construções estéticas de Cindy Sherman em Untitled Film Stills.

Degree: 1997, Pontifícia Universidade Católica de São Paulo

 Untitled Film Stills - Black and White (1975-1980) é a primeira série de auto-retratos fotográficos criados pela artista performática norte-americana Cindy Sherman. Composta de 69… (more)

Subjects/Keywords: Sherman, Cindy 1954-  – Auto-retratos  – Critica e interpretacao; COMUNICACAO; Comunicacao e Semiotica

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rosa, C. M. (1997). As construções estéticas de Cindy Sherman em Untitled Film Stills. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosa, Celso Martins. “As construções estéticas de Cindy Sherman em Untitled Film Stills.” 1997. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed March 04, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosa, Celso Martins. “As construções estéticas de Cindy Sherman em Untitled Film Stills.” 1997. Web. 04 Mar 2021.

Vancouver:

Rosa CM. As construções estéticas de Cindy Sherman em Untitled Film Stills. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 1997. [cited 2021 Mar 04]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6877.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosa CM. As construções estéticas de Cindy Sherman em Untitled Film Stills. [Thesis]. Pontifícia Universidade Católica de São Paulo; 1997. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=6877

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Unitec New Zealand

10. Abercrombie, Yvonne. Self discovery through figurative painting.

Degree: 2017, Unitec New Zealand

 Narrative painting through allegorical figuration For the initial stages of my master’s project I embarked on a series of works that were a tentative step… (more)

Subjects/Keywords: narrative painting; allegory in painting; Condo, George, (1957-); self-portraits; Sherman, Cindy, (1954-); male gaze; nude; 190502 Fine Arts (incl. Sculpture and Painting)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Abercrombie, Y. (2017). Self discovery through figurative painting. (Thesis). Unitec New Zealand. Retrieved from http://hdl.handle.net/10652/3832

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abercrombie, Yvonne. “Self discovery through figurative painting.” 2017. Thesis, Unitec New Zealand. Accessed March 04, 2021. http://hdl.handle.net/10652/3832.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abercrombie, Yvonne. “Self discovery through figurative painting.” 2017. Web. 04 Mar 2021.

Vancouver:

Abercrombie Y. Self discovery through figurative painting. [Internet] [Thesis]. Unitec New Zealand; 2017. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10652/3832.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abercrombie Y. Self discovery through figurative painting. [Thesis]. Unitec New Zealand; 2017. Available from: http://hdl.handle.net/10652/3832

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

11. Bieger, Isabel Cristina, 1979-. Paradigmas do feminismo e da educação pela arte.

Degree: 2011, Universidade de Lisboa

Tese de mestrado, Educação artística, Universidade de Lisboa, Faculdade de Belas Artes, 2011

This research project is about the art work of Joana Vasconcelos, intends… (more)

Subjects/Keywords: Vasconcelos, Joana, 1971-; Claudel, Camille, 1864-1943; Kahlo, Frida 1907-1954; Abramovic, Marina, 1946-; Goldin, Nan, 1953-; Dijkstra, Rineke, 1959-; Sherman, Cindy, 1954-; Varejão, Adriana, 1964-; Emin, Tracey, 1963-; ORLAN, 1947-; Feminismo; Educação artística

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bieger, Isabel Cristina, 1. (2011). Paradigmas do feminismo e da educação pela arte. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/4853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bieger, Isabel Cristina, 1979-. “Paradigmas do feminismo e da educação pela arte.” 2011. Thesis, Universidade de Lisboa. Accessed March 04, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/4853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bieger, Isabel Cristina, 1979-. “Paradigmas do feminismo e da educação pela arte.” 2011. Web. 04 Mar 2021.

Vancouver:

Bieger, Isabel Cristina 1. Paradigmas do feminismo e da educação pela arte. [Internet] [Thesis]. Universidade de Lisboa; 2011. [cited 2021 Mar 04]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/4853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bieger, Isabel Cristina 1. Paradigmas do feminismo e da educação pela arte. [Thesis]. Universidade de Lisboa; 2011. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/4853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Bertinato, Flávia Tresinari. A construção da cena: Cindy Sherman e Stan Douglas.

Degree: Mestrado, Teoria, Ensino e Aprendizagem, 2013, University of São Paulo

Esta pesquisa tenciona investigar a produção artística de Cindy Sherman (1954-) e Stan Douglas (1960-), partindo da observação dos procedimentos por eles adotados para a… (more)

Subjects/Keywords: building procedures; Cindy Sherman; Cindy Sherman; looping; Looping; montage; Montagem; Procedimentos de construções; Repetição; repetition; Stan Douglas; Stan Douglas

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APA (6th Edition):

Bertinato, F. T. (2013). A construção da cena: Cindy Sherman e Stan Douglas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27160/tde-21092015-124000/ ;

Chicago Manual of Style (16th Edition):

Bertinato, Flávia Tresinari. “A construção da cena: Cindy Sherman e Stan Douglas.” 2013. Masters Thesis, University of São Paulo. Accessed March 04, 2021. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-21092015-124000/ ;.

MLA Handbook (7th Edition):

Bertinato, Flávia Tresinari. “A construção da cena: Cindy Sherman e Stan Douglas.” 2013. Web. 04 Mar 2021.

Vancouver:

Bertinato FT. A construção da cena: Cindy Sherman e Stan Douglas. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2021 Mar 04]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27160/tde-21092015-124000/ ;.

Council of Science Editors:

Bertinato FT. A construção da cena: Cindy Sherman e Stan Douglas. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27160/tde-21092015-124000/ ;

13. Majerič, Karmen. Cindy Sherman: Nenaslovljeni filmski kader21.

Degree: 2018, Univerza v Mariboru

Osrednja tema magistrske naloge je umetniško delo ameriške umetnice Cindy Sherman z naslovom Untitled Film Still21, 1978 (prevod: Nenaslovljeni filmski kader #21), ki je del… (more)

Subjects/Keywords: Cindy Sherman; portret; avtoportret; postmodernizem; fotografija; Cindy Sherman; portrait; self-portrait; postmodernism; photography; info:eu-repo/classification/udc/77.041.5Sherman C.(043.2)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Majerič, K. (2018). Cindy Sherman: Nenaslovljeni filmski kader21. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=71942 ; https://dk.um.si/Dokument.php?id=128647&dn= ; https://plus.si.cobiss.net/opac7/bib/24165128?lang=sl

Chicago Manual of Style (16th Edition):

Majerič, Karmen. “Cindy Sherman: Nenaslovljeni filmski kader21.” 2018. Masters Thesis, Univerza v Mariboru. Accessed March 04, 2021. https://dk.um.si/IzpisGradiva.php?id=71942 ; https://dk.um.si/Dokument.php?id=128647&dn= ; https://plus.si.cobiss.net/opac7/bib/24165128?lang=sl.

MLA Handbook (7th Edition):

Majerič, Karmen. “Cindy Sherman: Nenaslovljeni filmski kader21.” 2018. Web. 04 Mar 2021.

Vancouver:

Majerič K. Cindy Sherman: Nenaslovljeni filmski kader21. [Internet] [Masters thesis]. Univerza v Mariboru; 2018. [cited 2021 Mar 04]. Available from: https://dk.um.si/IzpisGradiva.php?id=71942 ; https://dk.um.si/Dokument.php?id=128647&dn= ; https://plus.si.cobiss.net/opac7/bib/24165128?lang=sl.

Council of Science Editors:

Majerič K. Cindy Sherman: Nenaslovljeni filmski kader21. [Masters Thesis]. Univerza v Mariboru; 2018. Available from: https://dk.um.si/IzpisGradiva.php?id=71942 ; https://dk.um.si/Dokument.php?id=128647&dn= ; https://plus.si.cobiss.net/opac7/bib/24165128?lang=sl


Pontifícia Universidade Católica de São Paulo

14. Sofia Porto Naves. Armadilhas do olhar nas imagens de Cindy Sherman.

Degree: 1998, Pontifícia Universidade Católica de São Paulo

 Fazer avançar a linha de pesquisa da semiótica psicanalítica, o que significa articular psicanálise e suas conexões culturais, é a marca central desta pesquisa. Ao… (more)

Subjects/Keywords: Psicanalise; Corpo e linguagem; Sherman, Cindy 1954-  – Critica e interpretacao; Feminismo; Fotografia; COMUNICACAO; Arte contemporanea; Arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Naves, S. P. (1998). Armadilhas do olhar nas imagens de Cindy Sherman. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Naves, Sofia Porto. “Armadilhas do olhar nas imagens de Cindy Sherman.” 1998. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed March 04, 2021. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Naves, Sofia Porto. “Armadilhas do olhar nas imagens de Cindy Sherman.” 1998. Web. 04 Mar 2021.

Vancouver:

Naves SP. Armadilhas do olhar nas imagens de Cindy Sherman. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 1998. [cited 2021 Mar 04]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naves SP. Armadilhas do olhar nas imagens de Cindy Sherman. [Thesis]. Pontifícia Universidade Católica de São Paulo; 1998. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=7741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

15. Macêdo, Nicoli Braga. O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó.

Degree: 2018, Universidade de Lisboa

Nesta dissertação analisamos os conceitos do Feminino e do Fotográfico, estabelecendo as particularidades que compõem cada um deles. Sobre o feminino realizamos um estudo objetivo… (more)

Subjects/Keywords: Sherman, Cindy, 1954-; Ventura, Júlia, 1952-; Rennó, Rosângela, 1962-; Fotógrafas - séc.20-21; Fotografia artística; Arte e fotografia; Feminismo e arte; Mulheres - Na arte; Teses de mestrado - 2018; Domínio/Área Científica::Humanidades::Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Macêdo, N. B. (2018). O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/33408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Macêdo, Nicoli Braga. “O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó.” 2018. Thesis, Universidade de Lisboa. Accessed March 04, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/33408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Macêdo, Nicoli Braga. “O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó.” 2018. Web. 04 Mar 2021.

Vancouver:

Macêdo NB. O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó. [Internet] [Thesis]. Universidade de Lisboa; 2018. [cited 2021 Mar 04]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/33408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Macêdo NB. O feminino e o fotográfico : uma visão de Sherman, Ventura e Rennó. [Thesis]. Universidade de Lisboa; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/33408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Unitec New Zealand

16. Campbell, Sheyl. 'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?].

Degree: 2020, Unitec New Zealand

 RESEARCH QUESTION: How can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?’ ABSTRACT: I am an artist… (more)

Subjects/Keywords: New Zealand; women; sexual harassment; corporate sexual harassment; feminism; organisational culture; sexual violence; rape; pornography; MeToo; #TimesUp; Todd, Yvonne (1973-); Ulman, Amalia (1989-); Lucas, Sarah (1962-); Sherman, Cindy (1954-); 190499 Performing Arts and Creative Writing not elsewhere classified

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APA (6th Edition):

Campbell, S. (2020). 'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?]. (Thesis). Unitec New Zealand. Retrieved from http://hdl.handle.net/10652/5033

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Sheyl. “'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?].” 2020. Thesis, Unitec New Zealand. Accessed March 04, 2021. http://hdl.handle.net/10652/5033.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Sheyl. “'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?].” 2020. Web. 04 Mar 2021.

Vancouver:

Campbell S. 'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?]. [Internet] [Thesis]. Unitec New Zealand; 2020. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10652/5033.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell S. 'droplet' : [how can photography as a medium be extended beyond realism to highlight recent feminist issues in New Zealand?]. [Thesis]. Unitec New Zealand; 2020. Available from: http://hdl.handle.net/10652/5033

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Lopes, Elisabete Cristina Simões. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.

Degree: 2012, Universidade Aberta

 This research aims at examining the way Sylvia Plath, Anne Sexton, Francesca Woodman and Cindy Sherman have carried out female’s body representation, in the light… (more)

Subjects/Keywords: Plath, Sylvia, 1932-1963; Sexton, Anne, 1928-1974; Sherman, Cindy, 1954-; Woodman, Francesca, 1958-1981; Literatura americana; Cultura americana; Mulheres; Corpo humano; Feminilidade; Gótico; Fotógrafos; Gothic; Female gothic; Body; Uncanny; Mirrors; Ghosts; Monsters; Horror; Death; ODS::04:Educação de Qualidade; ODS::05:Igualdade de Género

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APA (6th Edition):

Lopes, E. C. S. (2012). Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. (Doctoral Dissertation). Universidade Aberta. Retrieved from http://hdl.handle.net/10400.2/2372

Chicago Manual of Style (16th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Doctoral Dissertation, Universidade Aberta. Accessed March 04, 2021. http://hdl.handle.net/10400.2/2372.

MLA Handbook (7th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Web. 04 Mar 2021.

Vancouver:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Internet] [Doctoral dissertation]. Universidade Aberta; 2012. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10400.2/2372.

Council of Science Editors:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Doctoral Dissertation]. Universidade Aberta; 2012. Available from: http://hdl.handle.net/10400.2/2372


University of Vermont

18. Owen, Samantha Rosemary. Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation.

Degree: Art and Art History, 2014, University of Vermont

  While the works of Cindy Sherman have been discussed at length, the goal of this thesis is to summarize the main critiques of Sherman's… (more)

Subjects/Keywords: Cindy Sherman; Pictures Generation; Postmodern; Art History; New York; Photography

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APA (6th Edition):

Owen, S. R. (2014). Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/28

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Owen, Samantha Rosemary. “Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation.” 2014. Thesis, University of Vermont. Accessed March 04, 2021. https://scholarworks.uvm.edu/hcoltheses/28.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Owen, Samantha Rosemary. “Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation.” 2014. Web. 04 Mar 2021.

Vancouver:

Owen SR. Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation. [Internet] [Thesis]. University of Vermont; 2014. [cited 2021 Mar 04]. Available from: https://scholarworks.uvm.edu/hcoltheses/28.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Owen SR. Gender and Vision Through the Lens of Cindy Sherman and the Pictures Generation. [Thesis]. University of Vermont; 2014. Available from: https://scholarworks.uvm.edu/hcoltheses/28

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

19. Stevenson, Joanne. Untitle-ing the master : harvesting language, haunting bodies and transforming self.

Degree: MA, Psychology, 2011, Massey University

 This work has no beginning so to speak of it in this way is to instill an arbitrary boundary that i do not wish to… (more)

Subjects/Keywords: Cindy Sherman; Criticism and interpretation; Women; Psychology; Foucauldian analysis; Postmodernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stevenson, J. (2011). Untitle-ing the master : harvesting language, haunting bodies and transforming self. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4066

Chicago Manual of Style (16th Edition):

Stevenson, Joanne. “Untitle-ing the master : harvesting language, haunting bodies and transforming self.” 2011. Masters Thesis, Massey University. Accessed March 04, 2021. http://hdl.handle.net/10179/4066.

MLA Handbook (7th Edition):

Stevenson, Joanne. “Untitle-ing the master : harvesting language, haunting bodies and transforming self.” 2011. Web. 04 Mar 2021.

Vancouver:

Stevenson J. Untitle-ing the master : harvesting language, haunting bodies and transforming self. [Internet] [Masters thesis]. Massey University; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10179/4066.

Council of Science Editors:

Stevenson J. Untitle-ing the master : harvesting language, haunting bodies and transforming self. [Masters Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/4066

20. Silva, Marcela Maria Dantas da. Identidades metamorfoseadas: uma perspectiva de Cindy Sherman.

Degree: 2012, Universidade de Évora

 A presente dissertação, intitulada “Identidades metamorfoseadas. Uma perspectiva de Cindy Sherman”, pretende interpretar a obra de Cindy Sherman como um mecanismo de desconcertação social, isto… (more)

Subjects/Keywords: Cindy Sherman; Fotografia; Corpo; Auto-retrato; Estereótipo; Identidades; Feminino; Queer; "O outro"; Cindy Sherman; Photography; Subversion; Body; Self-portrait; Stereotype; Identity; Feminine; Queer; "The other"

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, M. M. D. d. (2012). Identidades metamorfoseadas: uma perspectiva de Cindy Sherman. (Thesis). Universidade de Évora. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/15275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, Marcela Maria Dantas da. “Identidades metamorfoseadas: uma perspectiva de Cindy Sherman.” 2012. Thesis, Universidade de Évora. Accessed March 04, 2021. http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/15275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, Marcela Maria Dantas da. “Identidades metamorfoseadas: uma perspectiva de Cindy Sherman.” 2012. Web. 04 Mar 2021.

Vancouver:

Silva MMDd. Identidades metamorfoseadas: uma perspectiva de Cindy Sherman. [Internet] [Thesis]. Universidade de Évora; 2012. [cited 2021 Mar 04]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/15275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva MMDd. Identidades metamorfoseadas: uma perspectiva de Cindy Sherman. [Thesis]. Universidade de Évora; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/15275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

21. Holtzman, Dinah (1973 - ). Portrait of the postmodern artist as hysteric.

Degree: PhD, 2012, University of Rochester

 Crossover celebrity artists Cindy Sherman, Matthew Barney, and Kara Walker's creation of diegetic alter egos demonstrates how the subjective splitting once attributed to hysteria has… (more)

Subjects/Keywords: Hysteria; Contemporary art; Postmodernism; Cindy Sherman; Matthew Barney; Kara Walker; Lady Gaga; James Franco

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APA (6th Edition):

Holtzman, D. (. -. ). (2012). Portrait of the postmodern artist as hysteric. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/18670

Chicago Manual of Style (16th Edition):

Holtzman, Dinah (1973 - ). “Portrait of the postmodern artist as hysteric.” 2012. Doctoral Dissertation, University of Rochester. Accessed March 04, 2021. http://hdl.handle.net/1802/18670.

MLA Handbook (7th Edition):

Holtzman, Dinah (1973 - ). “Portrait of the postmodern artist as hysteric.” 2012. Web. 04 Mar 2021.

Vancouver:

Holtzman D(-). Portrait of the postmodern artist as hysteric. [Internet] [Doctoral dissertation]. University of Rochester; 2012. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1802/18670.

Council of Science Editors:

Holtzman D(-). Portrait of the postmodern artist as hysteric. [Doctoral Dissertation]. University of Rochester; 2012. Available from: http://hdl.handle.net/1802/18670


Karlstad University

22. Lindblom, Frida. Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram.

Degree: Religious and Cultural Studies (from 2013), 2020, Karlstad University

  This essay examines Instagrams as platforms for displaying and promoting art, this by looking at two photo artists, Arvida Byström and Cindy Sherman who… (more)

Subjects/Keywords: Instagram; social media; art Arvida Byström; Cindy Sherman; technofeminism; Cultural Studies; Kulturstudier

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lindblom, F. (2020). Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78876

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindblom, Frida. “Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram.” 2020. Thesis, Karlstad University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78876.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindblom, Frida. “Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram.” 2020. Web. 04 Mar 2021.

Vancouver:

Lindblom F. Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram. [Internet] [Thesis]. Karlstad University; 2020. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78876.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindblom F. Konstnärliga strategier på Instagram : En jämförande studie om Arvida Byström och Cindy Shermans närvaro på Instagram. [Thesis]. Karlstad University; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78876

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Linnaeus University

23. Hägertorp, Sara. Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv.

Degree: Music and Art, 2019, Linnaeus University

  Syftet med denna uppsats är att jämföra Cindy Shermans och Francesca Woodmans sätt att arbeta med temat identitet och sätta detta i relation till… (more)

Subjects/Keywords: identitet; fotografi; bildundervisning; Cindy Sherman; Francesca Woodman; Humanities and the Arts; Humaniora och konst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hägertorp, S. (2019). Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hägertorp, Sara. “Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv.” 2019. Thesis, Linnaeus University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hägertorp, Sara. “Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv.” 2019. Web. 04 Mar 2021.

Vancouver:

Hägertorp S. Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv. [Internet] [Thesis]. Linnaeus University; 2019. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hägertorp S. Fotografi som medium för att uttrycka identitet : En jämförande analys mellan Cindy Shermans och Francesca Woodmans sätt att arbeta med identitet i relation till ett didaktiskt perspektiv. [Thesis]. Linnaeus University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

24. Gailey, Augusta Mai. Reexamining Cindy Sherman's 1997 Film:.

Degree: 2018, University of Georgia

 In 1997, the film Office Killer was released to the public. Cindy Sherman, of photographic fame, had directed the film as her first foray into… (more)

Subjects/Keywords: Cindy Sherman; Office Killer; photography; Untitled Film Stills; film; horror; Disasters; Fairy Tales

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gailey, A. M. (2018). Reexamining Cindy Sherman's 1997 Film:. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/38411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gailey, Augusta Mai. “Reexamining Cindy Sherman's 1997 Film:.” 2018. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/38411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gailey, Augusta Mai. “Reexamining Cindy Sherman's 1997 Film:.” 2018. Web. 04 Mar 2021.

Vancouver:

Gailey AM. Reexamining Cindy Sherman's 1997 Film:. [Internet] [Thesis]. University of Georgia; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/38411.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gailey AM. Reexamining Cindy Sherman's 1997 Film:. [Thesis]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/38411

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

25. McKinney, Matthew R. How do I look.

Degree: 2014, University of Georgia

 Often associated with self-revelation and truth, the self portraits of contemporary Korean photographer Nikki S. Lee sit uncomfortably within this genre and raise several interesting… (more)

Subjects/Keywords: Nikki S. Lee; Photography; Snapshot; Parts series; Projects series; Masquerade; Cindy Sherman

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McKinney, M. R. (2014). How do I look. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/23683

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKinney, Matthew R. “How do I look.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/23683.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKinney, Matthew R. “How do I look.” 2014. Web. 04 Mar 2021.

Vancouver:

McKinney MR. How do I look. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/23683.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKinney MR. How do I look. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/23683

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Monica Siedler. Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA).

Degree: 2007, Universidade do Estado de Santa Catarina

 Propõem a construção da performance 1A (UMA), partindo do estudo teórico da teatralidade nos auto-retratos da artista plástica americana Cibdy Sherman. A hipótese levantada é… (more)

Subjects/Keywords: Identidade (Psicologia) na arte; Teatro (Literatura); Personagem; Tatralidade; Auto-retrato; Jogo; Cindy Sherman; Performance; corpo; TEATRO

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Siedler, M. (2007). Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA). (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siedler, Monica. “Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA).” 2007. Thesis, Universidade do Estado de Santa Catarina. Accessed March 04, 2021. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siedler, Monica. “Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA).” 2007. Web. 04 Mar 2021.

Vancouver:

Siedler M. Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA). [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2007. [cited 2021 Mar 04]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siedler M. Auto-retratos de Cindy Sherman e teatratlidade:um estudo para a composição do movimento e montagem da performance "A1" (UMA). [Thesis]. Universidade do Estado de Santa Catarina; 2007. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


North-West University

27. Bekker, Ané. 'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker .

Degree: 2008, North-West University

 In this dissertation two art works of two female artists, Cindy Sherman and Berni Searle, are analysed comparatively using a method developed in semiotics. The… (more)

Subjects/Keywords: Performance art; Cindy Sherman; Berni Searle; Identity; Postmodernism; Documentation; Untitled filmstills series; Looking back series; Semiotics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bekker, A. (2008). 'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker . (Thesis). North-West University. Retrieved from http://hdl.handle.net/10394/2310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bekker, Ané. “'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker .” 2008. Thesis, North-West University. Accessed March 04, 2021. http://hdl.handle.net/10394/2310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bekker, Ané. “'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker .” 2008. Web. 04 Mar 2021.

Vancouver:

Bekker A. 'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker . [Internet] [Thesis]. North-West University; 2008. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10394/2310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bekker A. 'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker . [Thesis]. North-West University; 2008. Available from: http://hdl.handle.net/10394/2310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

28. DANUSA DEPES PORTAS. [en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE.

Degree: 2005, Pontifical Catholic University of Rio de Janeiro

[pt] Imagens contemporâneas (do sublime) procura refletir sobre o que é a imagem hoje. Esse estudo tem por objetivo desenvolver as noções de imagem e… (more)

Subjects/Keywords: [pt] IMAGEM; [en] IMAGE; [pt] EXPERIENCIA; [en] EXPERIENCE; [pt] SUBLIME; [en] SUBLIME; [pt] CINDY SHERMAN; [en] CINDY SHERMAN

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

PORTAS, D. D. (2005). [en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7147

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PORTAS, DANUSA DEPES. “[en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE.” 2005. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed March 04, 2021. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7147.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PORTAS, DANUSA DEPES. “[en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE.” 2005. Web. 04 Mar 2021.

Vancouver:

PORTAS DD. [en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2005. [cited 2021 Mar 04]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7147.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PORTAS DD. [en] CONTEMPORARY IMAGES (OF THE SUBLIME): A STUDY OF THE AESTHETIC EXPERIENCE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2005. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7147

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maryland

29. Quick, Jennifer Eileen. Rineke Dijkstra and Contemporary Subjectivity.

Degree: Art History and Archaeology, 2008, University of Maryland

 In this thesis, I argue that the work of contemporary Dutch photographer Rineke Dijkstra (b. 1959) complicates how we understand subjectivity, or the way that… (more)

Subjects/Keywords: Art History; Cindy Sherman; identity; photographic realism; Rineke Dijkstra; subjectivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quick, J. E. (2008). Rineke Dijkstra and Contemporary Subjectivity. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/9799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quick, Jennifer Eileen. “Rineke Dijkstra and Contemporary Subjectivity.” 2008. Thesis, University of Maryland. Accessed March 04, 2021. http://hdl.handle.net/1903/9799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quick, Jennifer Eileen. “Rineke Dijkstra and Contemporary Subjectivity.” 2008. Web. 04 Mar 2021.

Vancouver:

Quick JE. Rineke Dijkstra and Contemporary Subjectivity. [Internet] [Thesis]. University of Maryland; 2008. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1903/9799.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quick JE. Rineke Dijkstra and Contemporary Subjectivity. [Thesis]. University of Maryland; 2008. Available from: http://hdl.handle.net/1903/9799

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

30. Poole, Tanya Katherine. An exploration of female physicality and psyche and how these inform art-making.

Degree: MFA, Faculty of Humanities, Fine Art, 2000, Rhodes University

 This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to… (more)

Subjects/Keywords: Women artists; Women artists  – Psychology; Rego, Paula  – Interviews; Feminism; Women  – Sexual behavior; Sherman, Cindy; Saville, Jenny, 1970-

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Poole, T. K. (2000). An exploration of female physicality and psyche and how these inform art-making. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002215

Chicago Manual of Style (16th Edition):

Poole, Tanya Katherine. “An exploration of female physicality and psyche and how these inform art-making.” 2000. Masters Thesis, Rhodes University. Accessed March 04, 2021. http://hdl.handle.net/10962/d1002215.

MLA Handbook (7th Edition):

Poole, Tanya Katherine. “An exploration of female physicality and psyche and how these inform art-making.” 2000. Web. 04 Mar 2021.

Vancouver:

Poole TK. An exploration of female physicality and psyche and how these inform art-making. [Internet] [Masters thesis]. Rhodes University; 2000. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10962/d1002215.

Council of Science Editors:

Poole TK. An exploration of female physicality and psyche and how these inform art-making. [Masters Thesis]. Rhodes University; 2000. Available from: http://hdl.handle.net/10962/d1002215

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