subject:(Shakespeare)

University of Waikato

1. Forbes, Malcolm Alexander. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .

Degree: 2011, University of Waikato

► Shakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Forbes, M. A. (2011). “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5735

Chicago Manual of Style (16^th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Masters Thesis, University of Waikato. Accessed February 27, 2021. http://hdl.handle.net/10289/5735.

MLA Handbook (7^th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Web. 27 Feb 2021.

Vancouver:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10289/5735.

Council of Science Editors:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/5735

2. Murphy, Mary Mae. Shakespeare's Use of Music.

Degree: MA, English (graduate program), 1949, Creighton University

URL: http://hdl.handle.net/10504/92702

► William Shakespeare, of whom Ben Jonson said, "He was not of an age, but for all time!" was, as is any author, a product of… (more)

Subjects/Keywords: Shakespeare; Shakespeare

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APA (6^th Edition):

Murphy, M. M. (1949). Shakespeare's Use of Music. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92702

Chicago Manual of Style (16^th Edition):

Murphy, Mary Mae. “Shakespeare's Use of Music.” 1949. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92702.

MLA Handbook (7^th Edition):

Murphy, Mary Mae. “Shakespeare's Use of Music.” 1949. Web. 27 Feb 2021.

Vancouver:

Murphy MM. Shakespeare's Use of Music. [Internet] [Masters thesis]. Creighton University; 1949. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92702.

Council of Science Editors:

Murphy MM. Shakespeare's Use of Music. [Masters Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92702

Tulane University

3. Gustafson-Barrett, Charlie. The Idiot Soul of Wit: On the Genius of Hamlet and Ion.

Degree: 2018, Tulane University

URL: https://digitallibrary.tulane.edu/islandora/object/tulane:83022

►

The Western philosophical tradition arguably begins as a dispute over the status of poetry. In the Republic Socrates characterizes the relationship between poetry and philosophy… (more)

▼

The Western philosophical tradition arguably begins as a dispute over the status of poetry. In the Republic Socrates characterizes the relationship between poetry and philosophy as an “ancient quarrel,” and yet this characterization is challenged as much by Plato’s use of the dialogic form as by the frequency of his reflections on Greek poetry. Why write poetically and so often about poetry if it’s the antithesis of philosophy? This thesis, “The Idiot Soul of Wit: On the Genius of Hamlet and Ion,” examines the relation between philosophy and poetry through interpreting Plato’s Ion and Shakespeare’s Hamlet. Not only can these works be understood to share a similar generic form—Plato’s dialogues are closer to dramatic poetry than a scientific treatise—but they are both concerned with the significance of form in particular. This shows up in a twofold way. First, both have a reflexive plot that mirrors the psychology of the titular character, which plays out as a reciprocity between action and speech, since for each speech is the principle action. Second, they employ a similar frame: Hamlet turns on revenge and soliloquy, Ion yokes together war and poetry. Thus structurally both aim to synthesize action and reflection, but frame their divergence in the starkest terms: violence requires no words; poetry requires no deeds. The same duality is exhibited by their respective lead characters, who play the double role of actor and spectator: Ion is asked to reflect upon his skill in performance; Hamlet attempts to commit the self-aware act. Ultimately both fail, yet failure illuminates the core proposition of each work: if we cannot know ourselves, we may yet grasp what allows us to pose the self as a question. Through examining these texts, this study confronts the radical privacy of the self that necessitates poetic language, and the dialectic by virtue of which self-knowledge is possible to the extent that it is—which, given the centrality of self-knowledge to Socratic philosophy, indicates why Plato can neither win nor forfeit the contest with poetry.

1

Charlie Gustafson-Barrett

Advisors/Committee Members: (author), Burger, Ronna (Thesis advisor), Velkley, Richard (Thesis advisor), Davis, Michael (Thesis advisor), School of Liberal Arts Philosophy (Degree granting institution).

Subjects/Keywords: Plato; Shakespeare

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APA (6^th Edition):

Gustafson-Barrett, C. (2018). The Idiot Soul of Wit: On the Genius of Hamlet and Ion. (Thesis). Tulane University. Retrieved from https://digitallibrary.tulane.edu/islandora/object/tulane:83022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gustafson-Barrett, Charlie. “The Idiot Soul of Wit: On the Genius of Hamlet and Ion.” 2018. Thesis, Tulane University. Accessed February 27, 2021. https://digitallibrary.tulane.edu/islandora/object/tulane:83022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gustafson-Barrett, Charlie. “The Idiot Soul of Wit: On the Genius of Hamlet and Ion.” 2018. Web. 27 Feb 2021.

Vancouver:

Gustafson-Barrett C. The Idiot Soul of Wit: On the Genius of Hamlet and Ion. [Internet] [Thesis]. Tulane University; 2018. [cited 2021 Feb 27]. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:83022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gustafson-Barrett C. The Idiot Soul of Wit: On the Genius of Hamlet and Ion. [Thesis]. Tulane University; 2018. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:83022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Flavin, M. Martin de Porres, O.S.F. Some principles and attitudes of Edmond Malone reflected in the Malone Society.

Degree: MA, English (graduate program), 1961, Creighton University

URL: http://hdl.handle.net/10504/62685

► It is the purpose of the thesis to investigate whether some of the principles and. attitudes of scholarship exhibited by Edmond Malone in his Shakespearean… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Flavin, M. Martin de Porres, O. S. F. (1961). Some principles and attitudes of Edmond Malone reflected in the Malone Society. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/62685

Chicago Manual of Style (16^th Edition):

Flavin, M. Martin de Porres, O S F. “Some principles and attitudes of Edmond Malone reflected in the Malone Society.” 1961. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/62685.

MLA Handbook (7^th Edition):

Flavin, M. Martin de Porres, O S F. “Some principles and attitudes of Edmond Malone reflected in the Malone Society.” 1961. Web. 27 Feb 2021.

Vancouver:

Flavin, M. Martin de Porres OSF. Some principles and attitudes of Edmond Malone reflected in the Malone Society. [Internet] [Masters thesis]. Creighton University; 1961. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/62685.

Council of Science Editors:

Flavin, M. Martin de Porres OSF. Some principles and attitudes of Edmond Malone reflected in the Malone Society. [Masters Thesis]. Creighton University; 1961. Available from: http://hdl.handle.net/10504/62685

5. Morrissey, Bernice O.S.B. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice.

Degree: MA, English (graduate program), 1943, Creighton University

URL: http://hdl.handle.net/10504/92226

► An Intense interest in Shakespeare has possessed the writer ever since she took a course in the rapid reading of hie plays ease years ago.… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Morrissey, B. O. S. B. (1943). Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92226

Chicago Manual of Style (16^th Edition):

Morrissey, Bernice O S B. “Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice.” 1943. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92226.

MLA Handbook (7^th Edition):

Morrissey, Bernice O S B. “Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice.” 1943. Web. 27 Feb 2021.

Vancouver:

Morrissey BOSB. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice. [Internet] [Masters thesis]. Creighton University; 1943. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92226.

Council of Science Editors:

Morrissey BOSB. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice. [Masters Thesis]. Creighton University; 1943. Available from: http://hdl.handle.net/10504/92226

6. Ramey, Frances Kathleen. The Consistency in Character of Prince Hal and King Henry the Fifth.

Degree: MA, English (graduate program), 1947, Creighton University

URL: http://hdl.handle.net/10504/92257

► "The prince, who is the hero both of the comick and tragick part, is a young man of great abilities and violent passions, whose sentiments… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Ramey, F. K. (1947). The Consistency in Character of Prince Hal and King Henry the Fifth. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92257

Chicago Manual of Style (16^th Edition):

Ramey, Frances Kathleen. “The Consistency in Character of Prince Hal and King Henry the Fifth.” 1947. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92257.

MLA Handbook (7^th Edition):

Ramey, Frances Kathleen. “The Consistency in Character of Prince Hal and King Henry the Fifth.” 1947. Web. 27 Feb 2021.

Vancouver:

Ramey FK. The Consistency in Character of Prince Hal and King Henry the Fifth. [Internet] [Masters thesis]. Creighton University; 1947. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92257.

Council of Science Editors:

Ramey FK. The Consistency in Character of Prince Hal and King Henry the Fifth. [Masters Thesis]. Creighton University; 1947. Available from: http://hdl.handle.net/10504/92257

7. Kavanaugh, Mary Daniel R.S.M. The Pastoralism in Shakespeare's Plays.

Degree: MA, English (graduate program), 1946, Creighton University

URL: http://hdl.handle.net/10504/92261

► The memory of a lost earthly paradise remains with fallen man, who seeks to regain Eden at least in part even in this world. This… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Kavanaugh, M. D. R. S. M. (1946). The Pastoralism in Shakespeare's Plays. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92261

Chicago Manual of Style (16^th Edition):

Kavanaugh, Mary Daniel R S M. “The Pastoralism in Shakespeare's Plays.” 1946. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92261.

MLA Handbook (7^th Edition):

Kavanaugh, Mary Daniel R S M. “The Pastoralism in Shakespeare's Plays.” 1946. Web. 27 Feb 2021.

Vancouver:

Kavanaugh MDRSM. The Pastoralism in Shakespeare's Plays. [Internet] [Masters thesis]. Creighton University; 1946. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92261.

Council of Science Editors:

Kavanaugh MDRSM. The Pastoralism in Shakespeare's Plays. [Masters Thesis]. Creighton University; 1946. Available from: http://hdl.handle.net/10504/92261

8. Kachelmeier, M. Limana O.S.F. The Concept of "Angel” and "Devil" in Shakespeare’s Plays.

Degree: MA, English (graduate program), 1950, Creighton University

URL: http://hdl.handle.net/10504/92628

► If we would appreciate the writings of Shakespeare, if we would read him with comprehension, if we would grasp the full import of his thoughts,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Kachelmeier, M. L. O. S. F. (1950). The Concept of "Angel” and "Devil" in Shakespeare’s Plays. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92628

Chicago Manual of Style (16^th Edition):

Kachelmeier, M Limana O S F. “The Concept of "Angel” and "Devil" in Shakespeare’s Plays.” 1950. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92628.

MLA Handbook (7^th Edition):

Kachelmeier, M Limana O S F. “The Concept of "Angel” and "Devil" in Shakespeare’s Plays.” 1950. Web. 27 Feb 2021.

Vancouver:

Kachelmeier MLOSF. The Concept of "Angel” and "Devil" in Shakespeare’s Plays. [Internet] [Masters thesis]. Creighton University; 1950. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92628.

Council of Science Editors:

Kachelmeier MLOSF. The Concept of "Angel” and "Devil" in Shakespeare’s Plays. [Masters Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92628

9. Edney, Mary Carmelita O.S.M. Shakespeare's Concept of Heaven.

Degree: MA, English (graduate program), 1949, Creighton University

URL: http://hdl.handle.net/10504/92633

► Shakespeare had his favorite words. One of them was "heaven." This is evidenced in Bartlett’s Concordance to Shakespeare, which lists three hundred nine quotations containing… (more)

Subjects/Keywords: Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Edney, M. C. O. S. M. (1949). Shakespeare's Concept of Heaven. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92633

Chicago Manual of Style (16^th Edition):

Edney, Mary Carmelita O S M. “Shakespeare's Concept of Heaven.” 1949. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92633.

MLA Handbook (7^th Edition):

Edney, Mary Carmelita O S M. “Shakespeare's Concept of Heaven.” 1949. Web. 27 Feb 2021.

Vancouver:

Edney MCOSM. Shakespeare's Concept of Heaven. [Internet] [Masters thesis]. Creighton University; 1949. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92633.

Council of Science Editors:

Edney MCOSM. Shakespeare's Concept of Heaven. [Masters Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92633

10. Farley, Mary Aurea B.V.M. A Dramatic Analysis of Shakespeare’s Fourth Acts.

Degree: MA, English (graduate program), 1949, Creighton University

URL: http://hdl.handle.net/10504/92660

► The Renaissance with its enthusiasm for all things classical made a profound Impression on the literature of England. This is especially true in regard to… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Farley, M. A. B. V. M. (1949). A Dramatic Analysis of Shakespeare’s Fourth Acts. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92660

Chicago Manual of Style (16^th Edition):

Farley, Mary Aurea B V M. “A Dramatic Analysis of Shakespeare’s Fourth Acts.” 1949. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92660.

MLA Handbook (7^th Edition):

Farley, Mary Aurea B V M. “A Dramatic Analysis of Shakespeare’s Fourth Acts.” 1949. Web. 27 Feb 2021.

Vancouver:

Farley MABVM. A Dramatic Analysis of Shakespeare’s Fourth Acts. [Internet] [Masters thesis]. Creighton University; 1949. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92660.

Council of Science Editors:

Farley MABVM. A Dramatic Analysis of Shakespeare’s Fourth Acts. [Masters Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92660

11. Schonlau, M. Grace C.S.J. Shakespeare’s Concept and Dramatic use of Color.

Degree: MA, English (graduate program), 1949, Creighton University

URL: http://hdl.handle.net/10504/92661

► Shakespeare’s art has teen the subject oi intensive study since the seventeenth century, scholars have paid tribute to Shakespeare the lyricist, Shakespeare the dramatist, Shakespeare… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Schonlau, M. G. C. S. J. (1949). Shakespeare’s Concept and Dramatic use of Color. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92661

Chicago Manual of Style (16^th Edition):

Schonlau, M Grace C S J. “Shakespeare’s Concept and Dramatic use of Color.” 1949. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92661.

MLA Handbook (7^th Edition):

Schonlau, M Grace C S J. “Shakespeare’s Concept and Dramatic use of Color.” 1949. Web. 27 Feb 2021.

Vancouver:

Schonlau MGCSJ. Shakespeare’s Concept and Dramatic use of Color. [Internet] [Masters thesis]. Creighton University; 1949. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92661.

Council of Science Editors:

Schonlau MGCSJ. Shakespeare’s Concept and Dramatic use of Color. [Masters Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92661

12. King, Rosemary O.S.U. The English Elements in the Italian Plays of Shakespeare.

Degree: MA, English (graduate program), 1949, Creighton University

URL: http://hdl.handle.net/10504/92663

► This thesis is the result of a special interest aroused in the reading of the continental plays of Shakespeare during the course of a study… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

King, R. O. S. U. (1949). The English Elements in the Italian Plays of Shakespeare. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92663

Chicago Manual of Style (16^th Edition):

King, Rosemary O S U. “The English Elements in the Italian Plays of Shakespeare.” 1949. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92663.

MLA Handbook (7^th Edition):

King, Rosemary O S U. “The English Elements in the Italian Plays of Shakespeare.” 1949. Web. 27 Feb 2021.

Vancouver:

King ROSU. The English Elements in the Italian Plays of Shakespeare. [Internet] [Masters thesis]. Creighton University; 1949. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92663.

Council of Science Editors:

King ROSU. The English Elements in the Italian Plays of Shakespeare. [Masters Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92663

13. Cavanaugh, M. Pierre O.S.B. Counsellors of Youth in Shakespeare.

Degree: MA, English (graduate program), 1950, Creighton University

URL: http://hdl.handle.net/10504/92673

► The best laid plans of mica and men "gang oft aglee"; therefore, it is advisable to proceed toward a final goal with definite objectives. In… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Cavanaugh, M. P. O. S. B. (1950). Counsellors of Youth in Shakespeare. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92673

Chicago Manual of Style (16^th Edition):

Cavanaugh, M Pierre O S B. “Counsellors of Youth in Shakespeare.” 1950. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92673.

MLA Handbook (7^th Edition):

Cavanaugh, M Pierre O S B. “Counsellors of Youth in Shakespeare.” 1950. Web. 27 Feb 2021.

Vancouver:

Cavanaugh MPOSB. Counsellors of Youth in Shakespeare. [Internet] [Masters thesis]. Creighton University; 1950. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92673.

Council of Science Editors:

Cavanaugh MPOSB. Counsellors of Youth in Shakespeare. [Masters Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92673

14. Donahoe, Harry L. A Comparative Study of Shakespeare’s Periods of Division.

Degree: MA, English (graduate program), 1950, Creighton University

URL: http://hdl.handle.net/10504/92705

► One of the most effective methods of studying any writer is to read his works in the order in which they were written. Custom in… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Donahoe, H. L. (1950). A Comparative Study of Shakespeare’s Periods of Division. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92705

Chicago Manual of Style (16^th Edition):

Donahoe, Harry L. “A Comparative Study of Shakespeare’s Periods of Division.” 1950. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/92705.

MLA Handbook (7^th Edition):

Donahoe, Harry L. “A Comparative Study of Shakespeare’s Periods of Division.” 1950. Web. 27 Feb 2021.

Vancouver:

Donahoe HL. A Comparative Study of Shakespeare’s Periods of Division. [Internet] [Masters thesis]. Creighton University; 1950. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/92705.

Council of Science Editors:

Donahoe HL. A Comparative Study of Shakespeare’s Periods of Division. [Masters Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92705

15. Watson, Mary Adolorata O.S.M. Shakespeare's Timely Advent.

Degree: MA, English (graduate program), 1950, Creighton University

URL: http://hdl.handle.net/10504/101929

► If this thesis were to proceed immediately to the point at issue by mentioning the name, Shakespeare, the reactions of each reader would be different.… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Watson, M. A. O. S. M. (1950). Shakespeare's Timely Advent. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/101929

Chicago Manual of Style (16^th Edition):

Watson, Mary Adolorata O S M. “Shakespeare's Timely Advent.” 1950. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/101929.

MLA Handbook (7^th Edition):

Watson, Mary Adolorata O S M. “Shakespeare's Timely Advent.” 1950. Web. 27 Feb 2021.

Vancouver:

Watson MAOSM. Shakespeare's Timely Advent. [Internet] [Masters thesis]. Creighton University; 1950. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/101929.

Council of Science Editors:

Watson MAOSM. Shakespeare's Timely Advent. [Masters Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/101929

16. Welch, M. James C.S.J. The Lyrical Strain in Shakespeare's Early Dramas.

Degree: MA, English (graduate program), 1950, Creighton University

URL: http://hdl.handle.net/10504/101931

► The lyrical strain in Shakespeare's early drama is "brought out "by Chambers in his statement that |"With Romeo and Juliet and A Midsummer Night's Dream,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Welch, M. J. C. S. J. (1950). The Lyrical Strain in Shakespeare's Early Dramas. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/101931

Chicago Manual of Style (16^th Edition):

Welch, M James C S J. “The Lyrical Strain in Shakespeare's Early Dramas.” 1950. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/101931.

MLA Handbook (7^th Edition):

Welch, M James C S J. “The Lyrical Strain in Shakespeare's Early Dramas.” 1950. Web. 27 Feb 2021.

Vancouver:

Welch MJCSJ. The Lyrical Strain in Shakespeare's Early Dramas. [Internet] [Masters thesis]. Creighton University; 1950. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/101931.

Council of Science Editors:

Welch MJCSJ. The Lyrical Strain in Shakespeare's Early Dramas. [Masters Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/101931

17. Heffernan, Mary Brigid S.S.N.D. The Honor Concept in the Hal Plays.

Degree: MA, English (graduate program), 1951, Creighton University

URL: http://hdl.handle.net/10504/106866

► Shakespeare had an understanding and appreciation of human nature that is too evident to be overlooked. It is but accentuating the positive to mention it… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Heffernan, M. B. S. S. N. D. (1951). The Honor Concept in the Hal Plays. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/106866

Chicago Manual of Style (16^th Edition):

Heffernan, Mary Brigid S S N D. “The Honor Concept in the Hal Plays.” 1951. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/106866.

MLA Handbook (7^th Edition):

Heffernan, Mary Brigid S S N D. “The Honor Concept in the Hal Plays.” 1951. Web. 27 Feb 2021.

Vancouver:

Heffernan MBSSND. The Honor Concept in the Hal Plays. [Internet] [Masters thesis]. Creighton University; 1951. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/106866.

Council of Science Editors:

Heffernan MBSSND. The Honor Concept in the Hal Plays. [Masters Thesis]. Creighton University; 1951. Available from: http://hdl.handle.net/10504/106866

18. Daly, Mary Virgene R.S.M. Charles William Wallace Shakespearean Scholar.

Degree: MA, English (graduate program), 1959, Creighton University

URL: http://hdl.handle.net/10504/108125

► It has been three centuries now since the Bard of Avon was laid to rest and during that time many scholars have devoted countless hours… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Daly, M. V. R. S. M. (1959). Charles William Wallace Shakespearean Scholar. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108125

Chicago Manual of Style (16^th Edition):

Daly, Mary Virgene R S M. “Charles William Wallace Shakespearean Scholar.” 1959. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/108125.

MLA Handbook (7^th Edition):

Daly, Mary Virgene R S M. “Charles William Wallace Shakespearean Scholar.” 1959. Web. 27 Feb 2021.

Vancouver:

Daly MVRSM. Charles William Wallace Shakespearean Scholar. [Internet] [Masters thesis]. Creighton University; 1959. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/108125.

Council of Science Editors:

Daly MVRSM. Charles William Wallace Shakespearean Scholar. [Masters Thesis]. Creighton University; 1959. Available from: http://hdl.handle.net/10504/108125

19. Welsh, Marjorie Ruth. The Imagery of Sir John Falstaff.

Degree: MA, English (graduate program), 1957, Creighton University

URL: http://hdl.handle.net/10504/108128

► With the creation of hie ten-act chronicle play, Henry IV, William Shakespeare wrote for hie audience's enjoyment a character, held to be by many scholars… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Welsh, M. R. (1957). The Imagery of Sir John Falstaff. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108128

Chicago Manual of Style (16^th Edition):

Welsh, Marjorie Ruth. “The Imagery of Sir John Falstaff.” 1957. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/108128.

MLA Handbook (7^th Edition):

Welsh, Marjorie Ruth. “The Imagery of Sir John Falstaff.” 1957. Web. 27 Feb 2021.

Vancouver:

Welsh MR. The Imagery of Sir John Falstaff. [Internet] [Masters thesis]. Creighton University; 1957. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/108128.

Council of Science Editors:

Welsh MR. The Imagery of Sir John Falstaff. [Masters Thesis]. Creighton University; 1957. Available from: http://hdl.handle.net/10504/108128

20. Giroux, Mary Margaret O.S.U. A Study of Anti-Stratfordian Methods.

Degree: MA, English (graduate program), 1959, Creighton University

URL: http://hdl.handle.net/10504/108137

► "Is there a Shakespeare problem?" So questioned Sir Granville George Greenwood in 1916. It would appear to be a purely rhetorical question on his part,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Giroux, M. M. O. S. U. (1959). A Study of Anti-Stratfordian Methods. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108137

Chicago Manual of Style (16^th Edition):

Giroux, Mary Margaret O S U. “A Study of Anti-Stratfordian Methods.” 1959. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/108137.

MLA Handbook (7^th Edition):

Giroux, Mary Margaret O S U. “A Study of Anti-Stratfordian Methods.” 1959. Web. 27 Feb 2021.

Vancouver:

Giroux MMOSU. A Study of Anti-Stratfordian Methods. [Internet] [Masters thesis]. Creighton University; 1959. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/108137.

Council of Science Editors:

Giroux MMOSU. A Study of Anti-Stratfordian Methods. [Masters Thesis]. Creighton University; 1959. Available from: http://hdl.handle.net/10504/108137

21. Halgard, Mary Nola. The Conflict of Love and Friendship in the Two Gentlemen of Verona.

Degree: MA, English (graduate program), 1962, Creighton University

URL: http://hdl.handle.net/10504/114099

► The purpose of this thesis is to demonstrate by comparative analysis that Shakespeare had a very clear idea of the love and friendship conflict which… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Halgard, M. N. (1962). The Conflict of Love and Friendship in the Two Gentlemen of Verona. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/114099

Chicago Manual of Style (16^th Edition):

Halgard, Mary Nola. “The Conflict of Love and Friendship in the Two Gentlemen of Verona.” 1962. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/114099.

MLA Handbook (7^th Edition):

Halgard, Mary Nola. “The Conflict of Love and Friendship in the Two Gentlemen of Verona.” 1962. Web. 27 Feb 2021.

Vancouver:

Halgard MN. The Conflict of Love and Friendship in the Two Gentlemen of Verona. [Internet] [Masters thesis]. Creighton University; 1962. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/114099.

Council of Science Editors:

Halgard MN. The Conflict of Love and Friendship in the Two Gentlemen of Verona. [Masters Thesis]. Creighton University; 1962. Available from: http://hdl.handle.net/10504/114099

22. Keen, Edward Gerald. Shakespeare’s Historical Tetralogies: Compared and Contrasted.

Degree: MA, English (graduate program), 1962, Creighton University

URL: http://hdl.handle.net/10504/109237

► "No poet has ever expressed England, its character, its folk-speech and song, its virtues and its follies and some of its vices, and even its… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Keen, E. G. (1962). Shakespeare’s Historical Tetralogies: Compared and Contrasted. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/109237

Chicago Manual of Style (16^th Edition):

Keen, Edward Gerald. “Shakespeare’s Historical Tetralogies: Compared and Contrasted.” 1962. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/109237.

MLA Handbook (7^th Edition):

Keen, Edward Gerald. “Shakespeare’s Historical Tetralogies: Compared and Contrasted.” 1962. Web. 27 Feb 2021.

Vancouver:

Keen EG. Shakespeare’s Historical Tetralogies: Compared and Contrasted. [Internet] [Masters thesis]. Creighton University; 1962. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/109237.

Council of Science Editors:

Keen EG. Shakespeare’s Historical Tetralogies: Compared and Contrasted. [Masters Thesis]. Creighton University; 1962. Available from: http://hdl.handle.net/10504/109237

23. Tyson, Jerome Peter. Shakespeare's Married Couples.

Degree: MA, English (graduate program), 1963, Creighton University

URL: http://hdl.handle.net/10504/109245

► Suffolk's words apply most appropriately to the dearth of treatments concerning marriage itself in the attorneyship of Shakespearean criticism. To anyone interested in Shakespeare's treatment… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Tyson, J. P. (1963). Shakespeare's Married Couples. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/109245

Chicago Manual of Style (16^th Edition):

Tyson, Jerome Peter. “Shakespeare's Married Couples.” 1963. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/109245.

MLA Handbook (7^th Edition):

Tyson, Jerome Peter. “Shakespeare's Married Couples.” 1963. Web. 27 Feb 2021.

Vancouver:

Tyson JP. Shakespeare's Married Couples. [Internet] [Masters thesis]. Creighton University; 1963. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/109245.

Council of Science Editors:

Tyson JP. Shakespeare's Married Couples. [Masters Thesis]. Creighton University; 1963. Available from: http://hdl.handle.net/10504/109245

24. Ege, Mary Paul O.S.B. Aspects of Repentance in Shakespeare's Plays.

Degree: MA, English (graduate program), 1951, Creighton University

URL: http://hdl.handle.net/10504/120899

► If the characters in Shakespearean drama were marionettes pulled about by the strings of heredity and environment as are the literary creatures of Gorki, Strindberg,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Ege, M. P. O. S. B. (1951). Aspects of Repentance in Shakespeare's Plays. (Masters Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/120899

Chicago Manual of Style (16^th Edition):

Ege, Mary Paul O S B. “Aspects of Repentance in Shakespeare's Plays.” 1951. Masters Thesis, Creighton University. Accessed February 27, 2021. http://hdl.handle.net/10504/120899.

MLA Handbook (7^th Edition):

Ege, Mary Paul O S B. “Aspects of Repentance in Shakespeare's Plays.” 1951. Web. 27 Feb 2021.

Vancouver:

Ege MPOSB. Aspects of Repentance in Shakespeare's Plays. [Internet] [Masters thesis]. Creighton University; 1951. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10504/120899.

Council of Science Editors:

Ege MPOSB. Aspects of Repentance in Shakespeare's Plays. [Masters Thesis]. Creighton University; 1951. Available from: http://hdl.handle.net/10504/120899

Penn State University

25. Myers, Grace Asenath. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.

Degree: 2011, Penn State University

URL: https://submit-etda.libraries.psu.edu/catalog/11735

► ABSTRACT Shakespeare’s inextricable union between music, humanity, and the divine has tremendous influence on the plot and character development of A Midsummer Night’s Dream, Macbeth,… (more)

Subjects/Keywords: Shakespeare; music

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APA (6^th Edition):

Myers, G. A. (2011). Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/11735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Myers, Grace Asenath. “Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.” 2011. Thesis, Penn State University. Accessed February 27, 2021. https://submit-etda.libraries.psu.edu/catalog/11735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Myers, Grace Asenath. “Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.” 2011. Web. 27 Feb 2021.

Vancouver:

Myers GA. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. [Internet] [Thesis]. Penn State University; 2011. [cited 2021 Feb 27]. Available from: https://submit-etda.libraries.psu.edu/catalog/11735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Myers GA. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. [Thesis]. Penn State University; 2011. Available from: https://submit-etda.libraries.psu.edu/catalog/11735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Pritchard, Katie. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.

Degree: 2011, University of Manchester

URL: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

► ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’, presented to the University of Manchester in 2011 for the degree of Doctor of Philosophy by Katie… (more)

▼ ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’, presented to the University of Manchester in 2011 for the degree of Doctor of Philosophy by Katie Pritchard, demonstrates how Shakespeare participates in an early modern ‘discourse of legitimacy’ as described by Robert Zaller. This thesis, however, proposes an interrelated discourse of illegitimacy that is of equal importance to the discourse of legitimacy. A continuum or spectrum of legitimacy values is hypothesised, and seventeenth century optical illusions known as the curious perspective are used as a visual model that defines the inseparable nature of illegitimacy and legitimacy. Illegitimacy was a state traditionally defined as restrictive, and stereotyped as stigmatised by historians. Examination of the situation of early modern illegitimates in England, however, suggests a more inclusive attitude to illegitimates than has been previously acknowledged.The plays under discussion are under studied as a group; the thesis examines the British-set history and romance plays, defining them as ‘British plays’. This is because one of the central implications of the discourse of (il)legitimacy is that it forms an evaluation of nationhood in early modern England and Britain. Using recent reconsiderations of national identity during the sixteenth and seventeenth centuries, this thesis identifies a strong national sentiment in Shakespeare’s drama. The change from an Elizabethan English monarchy to a Jacobean British one instigated a reconsideration of what national identity might entail, using the discourse of legitimacies and illegitimacies to evaluate this developing concept. ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’ identifies how these discourses also link to other related themes in the British plays. The concept of sovereignty, as the thesis title suggests, is strongly linked to ideas of legitimacy and illegitimacy, with examples of the discourse used in this context drawn from Shakespeare’s works and a wider range of texts. Identification of the sovereign with national allegiance, to a certain degree, links these themes, yet Shakespeare also dramatises an independent national sentiment in the British plays, revealing developing nationhood onstage. National sentiment also infuses another area in which the discourse of (il)legitimacy is used by Shakespeare; the legal debates of the era are reflected in the British plays; a contemporary conflict between common and civil law, and the aim of many lawyers to rediscover an ancient constitution of Britain, especially in the area of patrilinear inheritance, is acknowledged throughout in Shakespeare’s use of legitimacy images and metaphors.As ‘metaphors’ suggests, illegitimacy is an increasingly conceptual issue in the thesis. Shakespeare uses ideas of illegitimacy to inform many areas; in particular a kind of validity or truth. A chapter on metaphorical illegitimacy demonstrates how illegitimacy and legitimacy language is suggestive of other issues. The invalidity of a… Advisors/Committee Members: DE GROOT, JEROME J, Pearson, Jacqueline, De Groot, Jerome.

Subjects/Keywords: Shakespeare

…that Shakespeare participates in a contemporary discourse that applies models of illegitimacy… …Danson identifies a fluid notion of genre in Shakespeare, arguing for crossover aspects in… …continued until the 1960s, another way of reading Shakespeare, especially in the history plays… …The notion of a timeless, transcendent genius Shakespeare and the universal human condition… …specific historical context in mind. Tillyard saw Shakespeare, indeed all Elizabethans, as…

2 more images…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pritchard, K. (2011). Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

Chicago Manual of Style (16^th Edition):

Pritchard, Katie. “Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.” 2011. Doctoral Dissertation, University of Manchester. Accessed February 27, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706.

MLA Handbook (7^th Edition):

Pritchard, Katie. “Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.” 2011. Web. 27 Feb 2021.

Vancouver:

Pritchard K. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2021 Feb 27]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706.

Council of Science Editors:

Pritchard K. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. [Doctoral Dissertation]. University of Manchester; 2011. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

University of Manchester

27. Pritchard, Katie. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.

Degree: PhD, 2011, University of Manchester

URL: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

► 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' demonstrates how Shakespeare participates in an early modern 'discourse of legitimacy' as described by Robert Zaller. This… (more)

▼ 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' demonstrates how Shakespeare participates in an early modern 'discourse of legitimacy' as described by Robert Zaller. This thesis, however, proposes an interrelated discourse of illegitimacy that is of equal importance to the discourse of legitimacy. A continuum or spectrum of legitimacy values is hypothesised, and seventeenth century optical illusions known as the curious perspective are used as a visual model that defines the inseparable nature of illegitimacy and legitimacy. Illegitimacy was a state traditionally defined as restrictive, and stereotyped as stigmatised by historians. Examination of the situation of early modern illegitimates in England, however, suggests a more inclusive attitude to illegitimates than has been previously acknowledged.The plays under discussion are under studied as a group; the thesis examines the British-set history and romance plays, defining them as 'British plays'. This is because one of the central implications of the discourse of (il)legitimacy is that it forms an evaluation of nationhood in early modern England and Britain. Using recent reconsiderations of national identity during the sixteenth and seventeenth centuries, this thesis identifies a strong national sentiment in Shakespeare's drama. The change from an Elizabethan English monarchy to a Jacobean British one instigated a reconsideration of what national identity might entail, using the discourse of legitimacies and illegitimacies to evaluate this developing concept. 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' identifies how these discourses also link to other related themes in the British plays. The concept of sovereignty, as the thesis title suggests, is strongly linked to ideas of legitimacy and illegitimacy, with examples of the discourse used in this context drawn from Shakespeare's works and a wider range of texts. Identification of the sovereign with national allegiance, to a certain degree, links these themes, yet Shakespeare also dramatises an independent national sentiment in the British plays, revealing developing nationhood onstage. National sentiment also infuses another area in which the discourse of (il)legitimacy is used by Shakespeare; the legal debates of the era are reflected in the British plays; a contemporary conflict between common and civil law, and the aim of many lawyers to rediscover an ancient constitution of Britain, especially in the area of patrilinear inheritance, is acknowledged throughout in Shakespeare's use of legitimacy images and metaphors. As 'metaphors' suggests, illegitimacy is an increasingly conceptual issue in the thesis. Shakespeare uses ideas of illegitimacy to inform many areas; in particular a kind of validity or truth. A chapter on metaphorical illegitimacy demonstrates how illegitimacy and legitimacy language is suggestive of other issues. The invalidity of a usurped kingdom, a false kingship, is negotiated through illegitimacy discourses in Richard II, as the attempt…

Subjects/Keywords: 820.9003; Shakespeare

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pritchard, K. (2011). Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

Chicago Manual of Style (16^th Edition):

Pritchard, Katie. “Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.” 2011. Doctoral Dissertation, University of Manchester. Accessed February 27, 2021. https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766.

MLA Handbook (7^th Edition):

Pritchard, Katie. “Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.” 2011. Web. 27 Feb 2021.

Vancouver:

Pritchard K. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2021 Feb 27]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766.

Council of Science Editors:

Pritchard K. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. [Doctoral Dissertation]. University of Manchester; 2011. Available from: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

Louisiana State University

28. Clark, Amanda Jane. Ages of [Wo]Man.

Degree: MFA, Theatre and Performance Studies, 2015, Louisiana State University

URL: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

► Ages of [Wo]Man, was written to fulfill the thesis requirements of a solo performance for the M.F.A in Acting at Louisiana State University (LSU) in… (more)

Subjects/Keywords: Shakespeare; theatre

Record Details Similar Records Cite « Share

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APA (6^th Edition):

Clark, A. J. (2015). Ages of [Wo]Man. (Masters Thesis). Louisiana State University. Retrieved from etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

Chicago Manual of Style (16^th Edition):

Clark, Amanda Jane. “Ages of [Wo]Man.” 2015. Masters Thesis, Louisiana State University. Accessed February 27, 2021. etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811.

MLA Handbook (7^th Edition):

Clark, Amanda Jane. “Ages of [Wo]Man.” 2015. Web. 27 Feb 2021.

Vancouver:

Clark AJ. Ages of [Wo]Man. [Internet] [Masters thesis]. Louisiana State University; 2015. [cited 2021 Feb 27]. Available from: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811.

Council of Science Editors:

Clark AJ. Ages of [Wo]Man. [Masters Thesis]. Louisiana State University; 2015. Available from: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

University of Exeter

29. Fallow, David. John and William Shakespeare : the sources and acquisition of their wealth.

Degree: PhD, 2011, University of Exeter

URL: https://ore.exeter.ac.uk/repository/handle/10036/3243 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547077

► This thesis explores the proposition that to comprehend William Shakespeare better in his social and creative contexts one has to understand both his and his… (more)

Subjects/Keywords: 822.3; John Shakespeare; William Shakespeare; Wealth

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APA (6^th Edition):

Fallow, D. (2011). John and William Shakespeare : the sources and acquisition of their wealth. (Doctoral Dissertation). University of Exeter. Retrieved from https://ore.exeter.ac.uk/repository/handle/10036/3243 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547077

Chicago Manual of Style (16^th Edition):

Fallow, David. “John and William Shakespeare : the sources and acquisition of their wealth.” 2011. Doctoral Dissertation, University of Exeter. Accessed February 27, 2021. https://ore.exeter.ac.uk/repository/handle/10036/3243 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547077.

MLA Handbook (7^th Edition):

Fallow, David. “John and William Shakespeare : the sources and acquisition of their wealth.” 2011. Web. 27 Feb 2021.

Vancouver:

Fallow D. John and William Shakespeare : the sources and acquisition of their wealth. [Internet] [Doctoral dissertation]. University of Exeter; 2011. [cited 2021 Feb 27]. Available from: https://ore.exeter.ac.uk/repository/handle/10036/3243 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547077.

Council of Science Editors:

Fallow D. John and William Shakespeare : the sources and acquisition of their wealth. [Doctoral Dissertation]. University of Exeter; 2011. Available from: https://ore.exeter.ac.uk/repository/handle/10036/3243 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.547077

University of Canterbury

30. Patrick, Tegan Rae. Legitimising Misogyny: Representations of Women in Three Shakespeare Films.

Degree: MA, English, 2014, University of Canterbury

URL: http://dx.doi.org/10.26021/4055

► The plays of William Shakespeare have long been considered a source of cultural and educational interest by both academics and filmmakers, and the practice of… (more)

Subjects/Keywords: Shakespeare; adaptation studies; gender; women in Shakespeare

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APA (6^th Edition):

Patrick, T. R. (2014). Legitimising Misogyny: Representations of Women in Three Shakespeare Films. (Masters Thesis). University of Canterbury. Retrieved from http://dx.doi.org/10.26021/4055

Chicago Manual of Style (16^th Edition):

Patrick, Tegan Rae. “Legitimising Misogyny: Representations of Women in Three Shakespeare Films.” 2014. Masters Thesis, University of Canterbury. Accessed February 27, 2021. http://dx.doi.org/10.26021/4055.

MLA Handbook (7^th Edition):

Patrick, Tegan Rae. “Legitimising Misogyny: Representations of Women in Three Shakespeare Films.” 2014. Web. 27 Feb 2021.

Vancouver:

Patrick TR. Legitimising Misogyny: Representations of Women in Three Shakespeare Films. [Internet] [Masters thesis]. University of Canterbury; 2014. [cited 2021 Feb 27]. Available from: http://dx.doi.org/10.26021/4055.

Council of Science Editors:

Patrick TR. Legitimising Misogyny: Representations of Women in Three Shakespeare Films. [Masters Thesis]. University of Canterbury; 2014. Available from: http://dx.doi.org/10.26021/4055

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