subject:(Shakespeare)

University of Georgia

1. King, Joshua. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.

Degree: MA, English, 2010, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma

► Using an Aristotelian model, this thesis tracks the use of probability, evidence, and belief as types of rhetorical proof in Shakespearean criticism. Probabilistic argument, largely… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

King, J. (2010). Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma

Chicago Manual of Style (16^th Edition):

King, Joshua. “Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.” 2010. Masters Thesis, University of Georgia. Accessed February 23, 2020. http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma.

MLA Handbook (7^th Edition):

King, Joshua. “Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare.” 2010. Web. 23 Feb 2020.

Vancouver:

King J. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. [Internet] [Masters thesis]. University of Georgia; 2010. [cited 2020 Feb 23]. Available from: http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma.

Council of Science Editors:

King J. Burden of proof: the rhetoric of authentication in eighteenth-, twentieth-, and twenty-first-century criticism of Shakespeare. [Masters Thesis]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/king_joshua_201008_ma

University of Georgia

2. Presley, Erin Melinda Denise. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.

Degree: PhD, English, 2010, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd

► This dissertation examines the rhetorical relationship between Shakespeare as an appropriator and Shakespeare as a source for contemporary women novelists. Influenced by early modern pedagogy… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Presley, E. M. D. (2010). The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd

Chicago Manual of Style (16^th Edition):

Presley, Erin Melinda Denise. “The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.” 2010. Doctoral Dissertation, University of Georgia. Accessed February 23, 2020. http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd.

MLA Handbook (7^th Edition):

Presley, Erin Melinda Denise. “The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest.” 2010. Web. 23 Feb 2020.

Vancouver:

Presley EMD. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. [Internet] [Doctoral dissertation]. University of Georgia; 2010. [cited 2020 Feb 23]. Available from: http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd.

Council of Science Editors:

Presley EMD. The rhetoric of Shakespearean appropriation: contemporary women writers respond to King Lear and The tempest. [Doctoral Dissertation]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/presley_erin_m_201008_phd

University of Waikato

3. Forbes, Malcolm Alexander. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .

Degree: 2011, University of Waikato

URL: http://hdl.handle.net/10289/5735

► Shakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Forbes, M. A. (2011). “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5735

Chicago Manual of Style (16^th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Masters Thesis, University of Waikato. Accessed February 23, 2020. http://hdl.handle.net/10289/5735.

MLA Handbook (7^th Edition):

Forbes, Malcolm Alexander. ““O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale .” 2011. Web. 23 Feb 2020.

Vancouver:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10289/5735.

Council of Science Editors:

Forbes MA. “O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/5735

4. Murphy, Mary Mae. Shakespeare's Use of Music .

Degree: 1949, Creighton University

URL: http://hdl.handle.net/10504/92702

► William Shakespeare, of whom Ben Jonson said, "He was not of an age, but for all time!" was, as is any author, a product of… (more)

Subjects/Keywords: Shakespeare; Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Murphy, M. M. (1949). Shakespeare's Use of Music . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Murphy, Mary Mae. “Shakespeare's Use of Music .” 1949. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Murphy, Mary Mae. “Shakespeare's Use of Music .” 1949. Web. 23 Feb 2020.

Vancouver:

Murphy MM. Shakespeare's Use of Music . [Internet] [Thesis]. Creighton University; 1949. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy MM. Shakespeare's Use of Music . [Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Penn State University

5. Myers, Grace Asenath. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.

Degree: MA, Musicology, 2011, Penn State University

URL: https://etda.libraries.psu.edu/catalog/11735

► ABSTRACT Shakespeare’s inextricable union between music, humanity, and the divine has tremendous influence on the plot and character development of A Midsummer Night’s Dream, Macbeth,… (more)

Subjects/Keywords: Shakespeare; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Myers, G. A. (2011). Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/11735

Chicago Manual of Style (16^th Edition):

Myers, Grace Asenath. “Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.” 2011. Masters Thesis, Penn State University. Accessed February 23, 2020. https://etda.libraries.psu.edu/catalog/11735.

MLA Handbook (7^th Edition):

Myers, Grace Asenath. “Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest.” 2011. Web. 23 Feb 2020.

Vancouver:

Myers GA. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. [Internet] [Masters thesis]. Penn State University; 2011. [cited 2020 Feb 23]. Available from: https://etda.libraries.psu.edu/catalog/11735.

Council of Science Editors:

Myers GA. Supernatural and Human Music in Shakespeare's A Midsummer Night's Dream, Macbeth, and The Tempest. [Masters Thesis]. Penn State University; 2011. Available from: https://etda.libraries.psu.edu/catalog/11735

University of Manchester

6. Pritchard, Katie. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.

Degree: PhD, 2011, University of Manchester

URL: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

► 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' demonstrates how Shakespeare participates in an early modern 'discourse of legitimacy' as described by Robert Zaller. This… (more)

▼ 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' demonstrates how Shakespeare participates in an early modern 'discourse of legitimacy' as described by Robert Zaller. This thesis, however, proposes an interrelated discourse of illegitimacy that is of equal importance to the discourse of legitimacy. A continuum or spectrum of legitimacy values is hypothesised, and seventeenth century optical illusions known as the curious perspective are used as a visual model that defines the inseparable nature of illegitimacy and legitimacy. Illegitimacy was a state traditionally defined as restrictive, and stereotyped as stigmatised by historians. Examination of the situation of early modern illegitimates in England, however, suggests a more inclusive attitude to illegitimates than has been previously acknowledged.The plays under discussion are under studied as a group; the thesis examines the British-set history and romance plays, defining them as 'British plays'. This is because one of the central implications of the discourse of (il)legitimacy is that it forms an evaluation of nationhood in early modern England and Britain. Using recent reconsiderations of national identity during the sixteenth and seventeenth centuries, this thesis identifies a strong national sentiment in Shakespeare's drama. The change from an Elizabethan English monarchy to a Jacobean British one instigated a reconsideration of what national identity might entail, using the discourse of legitimacies and illegitimacies to evaluate this developing concept. 'Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays' identifies how these discourses also link to other related themes in the British plays. The concept of sovereignty, as the thesis title suggests, is strongly linked to ideas of legitimacy and illegitimacy, with examples of the discourse used in this context drawn from Shakespeare's works and a wider range of texts. Identification of the sovereign with national allegiance, to a certain degree, links these themes, yet Shakespeare also dramatises an independent national sentiment in the British plays, revealing developing nationhood onstage. National sentiment also infuses another area in which the discourse of (il)legitimacy is used by Shakespeare; the legal debates of the era are reflected in the British plays; a contemporary conflict between common and civil law, and the aim of many lawyers to rediscover an ancient constitution of Britain, especially in the area of patrilinear inheritance, is acknowledged throughout in Shakespeare's use of legitimacy images and metaphors. As 'metaphors' suggests, illegitimacy is an increasingly conceptual issue in the thesis. Shakespeare uses ideas of illegitimacy to inform many areas; in particular a kind of validity or truth. A chapter on metaphorical illegitimacy demonstrates how illegitimacy and legitimacy language is suggestive of other issues. The invalidity of a usurped kingdom, a false kingship, is negotiated through illegitimacy discourses in Richard II, as the attempt…

Subjects/Keywords: 820.9003; Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pritchard, K. (2011). Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

Chicago Manual of Style (16^th Edition):

Pritchard, Katie. “Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.” 2011. Doctoral Dissertation, University of Manchester. Accessed February 23, 2020. https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766.

MLA Handbook (7^th Edition):

Pritchard, Katie. “Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays.” 2011. Web. 23 Feb 2020.

Vancouver:

Pritchard K. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2020 Feb 23]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766.

Council of Science Editors:

Pritchard K. Legitimacy, illegitimacy and sovereignty in Shakespeare's British plays. [Doctoral Dissertation]. University of Manchester; 2011. Available from: https://www.research.manchester.ac.uk/portal/en/theses/legitimacy-illegitimacy-and-sovereignty-in-shakespeares-british-plays(7e49cddc-804c-4ac3-807f-d3fadacf45f6).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542766

Louisiana State University

7. Clark, Amanda Jane. Ages of [Wo]Man.

Degree: MFA, Theatre and Performance Studies, 2015, Louisiana State University

URL: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

► Ages of [Wo]Man, was written to fulfill the thesis requirements of a solo performance for the M.F.A in Acting at Louisiana State University (LSU) in… (more)

Subjects/Keywords: Shakespeare; theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Clark, A. J. (2015). Ages of [Wo]Man. (Masters Thesis). Louisiana State University. Retrieved from etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

Chicago Manual of Style (16^th Edition):

Clark, Amanda Jane. “Ages of [Wo]Man.” 2015. Masters Thesis, Louisiana State University. Accessed February 23, 2020. etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811.

MLA Handbook (7^th Edition):

Clark, Amanda Jane. “Ages of [Wo]Man.” 2015. Web. 23 Feb 2020.

Vancouver:

Clark AJ. Ages of [Wo]Man. [Internet] [Masters thesis]. Louisiana State University; 2015. [cited 2020 Feb 23]. Available from: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811.

Council of Science Editors:

Clark AJ. Ages of [Wo]Man. [Masters Thesis]. Louisiana State University; 2015. Available from: etd-03252015-125650 ; https://digitalcommons.lsu.edu/gradschool_theses/811

8. Pritchard, Katie. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.

Degree: 2011, University of Manchester

URL: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

► ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’, presented to the University of Manchester in 2011 for the degree of Doctor of Philosophy by Katie… (more)

▼ ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’, presented to the University of Manchester in 2011 for the degree of Doctor of Philosophy by Katie Pritchard, demonstrates how Shakespeare participates in an early modern ‘discourse of legitimacy’ as described by Robert Zaller. This thesis, however, proposes an interrelated discourse of illegitimacy that is of equal importance to the discourse of legitimacy. A continuum or spectrum of legitimacy values is hypothesised, and seventeenth century optical illusions known as the curious perspective are used as a visual model that defines the inseparable nature of illegitimacy and legitimacy. Illegitimacy was a state traditionally defined as restrictive, and stereotyped as stigmatised by historians. Examination of the situation of early modern illegitimates in England, however, suggests a more inclusive attitude to illegitimates than has been previously acknowledged.The plays under discussion are under studied as a group; the thesis examines the British-set history and romance plays, defining them as ‘British plays’. This is because one of the central implications of the discourse of (il)legitimacy is that it forms an evaluation of nationhood in early modern England and Britain. Using recent reconsiderations of national identity during the sixteenth and seventeenth centuries, this thesis identifies a strong national sentiment in Shakespeare’s drama. The change from an Elizabethan English monarchy to a Jacobean British one instigated a reconsideration of what national identity might entail, using the discourse of legitimacies and illegitimacies to evaluate this developing concept. ‘Legitimacy, Illegitimacy and Sovereignty in Shakespeare’s British Plays’ identifies how these discourses also link to other related themes in the British plays. The concept of sovereignty, as the thesis title suggests, is strongly linked to ideas of legitimacy and illegitimacy, with examples of the discourse used in this context drawn from Shakespeare’s works and a wider range of texts. Identification of the sovereign with national allegiance, to a certain degree, links these themes, yet Shakespeare also dramatises an independent national sentiment in the British plays, revealing developing nationhood onstage. National sentiment also infuses another area in which the discourse of (il)legitimacy is used by Shakespeare; the legal debates of the era are reflected in the British plays; a contemporary conflict between common and civil law, and the aim of many lawyers to rediscover an ancient constitution of Britain, especially in the area of patrilinear inheritance, is acknowledged throughout in Shakespeare’s use of legitimacy images and metaphors.As ‘metaphors’ suggests, illegitimacy is an increasingly conceptual issue in the thesis. Shakespeare uses ideas of illegitimacy to inform many areas; in particular a kind of validity or truth. A chapter on metaphorical illegitimacy demonstrates how illegitimacy and legitimacy language is suggestive of other issues. The invalidity of a… Advisors/Committee Members: DE GROOT, JEROME J, Pearson, Jacqueline, De Groot, Jerome.

Subjects/Keywords: Shakespeare

…that Shakespeare participates in a contemporary discourse that applies models of illegitimacy… …Danson identifies a fluid notion of genre in Shakespeare, arguing for crossover aspects in… …continued until the 1960s, another way of reading Shakespeare, especially in the history plays… …The notion of a timeless, transcendent genius Shakespeare and the universal human condition… …specific historical context in mind. Tillyard saw Shakespeare, indeed all Elizabethans, as…

2 more images…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pritchard, K. (2011). Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

Chicago Manual of Style (16^th Edition):

Pritchard, Katie. “Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.” 2011. Doctoral Dissertation, University of Manchester. Accessed February 23, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706.

MLA Handbook (7^th Edition):

Pritchard, Katie. “Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays.” 2011. Web. 23 Feb 2020.

Vancouver:

Pritchard K. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2020 Feb 23]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706.

Council of Science Editors:

Pritchard K. Legitimacy, Illegitimacy and Sovereignty in Shakespeare's British Plays. [Doctoral Dissertation]. University of Manchester; 2011. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:124706

Tulane University

9. Gustafson-Barrett, Charlie. The Idiot Soul of Wit: On the Genius of Hamlet and Ion.

Degree: 2018, Tulane University

URL: https://digitallibrary.tulane.edu/islandora/object/tulane:83022

►

The Western philosophical tradition arguably begins as a dispute over the status of poetry. In the Republic Socrates characterizes the relationship between poetry and philosophy… (more)

▼

The Western philosophical tradition arguably begins as a dispute over the status of poetry. In the Republic Socrates characterizes the relationship between poetry and philosophy as an “ancient quarrel,” and yet this characterization is challenged as much by Plato’s use of the dialogic form as by the frequency of his reflections on Greek poetry. Why write poetically and so often about poetry if it’s the antithesis of philosophy? This thesis, “The Idiot Soul of Wit: On the Genius of Hamlet and Ion,” examines the relation between philosophy and poetry through interpreting Plato’s Ion and Shakespeare’s Hamlet. Not only can these works be understood to share a similar generic form—Plato’s dialogues are closer to dramatic poetry than a scientific treatise—but they are both concerned with the significance of form in particular. This shows up in a twofold way. First, both have a reflexive plot that mirrors the psychology of the titular character, which plays out as a reciprocity between action and speech, since for each speech is the principle action. Second, they employ a similar frame: Hamlet turns on revenge and soliloquy, Ion yokes together war and poetry. Thus structurally both aim to synthesize action and reflection, but frame their divergence in the starkest terms: violence requires no words; poetry requires no deeds. The same duality is exhibited by their respective lead characters, who play the double role of actor and spectator: Ion is asked to reflect upon his skill in performance; Hamlet attempts to commit the self-aware act. Ultimately both fail, yet failure illuminates the core proposition of each work: if we cannot know ourselves, we may yet grasp what allows us to pose the self as a question. Through examining these texts, this study confronts the radical privacy of the self that necessitates poetic language, and the dialectic by virtue of which self-knowledge is possible to the extent that it is—which, given the centrality of self-knowledge to Socratic philosophy, indicates why Plato can neither win nor forfeit the contest with poetry.

1

Charlie Gustafson-Barrett

Advisors/Committee Members: (author), Burger, Ronna (Thesis advisor), Velkley, Richard (Thesis advisor), Davis, Michael (Thesis advisor), School of Liberal Arts Philosophy (Degree granting institution).

Subjects/Keywords: Plato; Shakespeare

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APA (6^th Edition):

Gustafson-Barrett, C. (2018). The Idiot Soul of Wit: On the Genius of Hamlet and Ion. (Thesis). Tulane University. Retrieved from https://digitallibrary.tulane.edu/islandora/object/tulane:83022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gustafson-Barrett, Charlie. “The Idiot Soul of Wit: On the Genius of Hamlet and Ion.” 2018. Thesis, Tulane University. Accessed February 23, 2020. https://digitallibrary.tulane.edu/islandora/object/tulane:83022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gustafson-Barrett, Charlie. “The Idiot Soul of Wit: On the Genius of Hamlet and Ion.” 2018. Web. 23 Feb 2020.

Vancouver:

Gustafson-Barrett C. The Idiot Soul of Wit: On the Genius of Hamlet and Ion. [Internet] [Thesis]. Tulane University; 2018. [cited 2020 Feb 23]. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:83022.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gustafson-Barrett C. The Idiot Soul of Wit: On the Genius of Hamlet and Ion. [Thesis]. Tulane University; 2018. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:83022

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Flavin, M. Martin de Porres, O.S.F. Some principles and attitudes of Edmond Malone reflected in the Malone Society .

Degree: 1961, Creighton University

URL: http://hdl.handle.net/10504/62685

► It is the purpose of the thesis to investigate whether some of the principles and. attitudes of scholarship exhibited by Edmond Malone in his Shakespearean… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Flavin, M. Martin de Porres, O. S. F. (1961). Some principles and attitudes of Edmond Malone reflected in the Malone Society . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/62685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Flavin, M. Martin de Porres, O S F. “Some principles and attitudes of Edmond Malone reflected in the Malone Society .” 1961. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/62685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Flavin, M. Martin de Porres, O S F. “Some principles and attitudes of Edmond Malone reflected in the Malone Society .” 1961. Web. 23 Feb 2020.

Vancouver:

Flavin, M. Martin de Porres OSF. Some principles and attitudes of Edmond Malone reflected in the Malone Society . [Internet] [Thesis]. Creighton University; 1961. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/62685.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flavin, M. Martin de Porres OSF. Some principles and attitudes of Edmond Malone reflected in the Malone Society . [Thesis]. Creighton University; 1961. Available from: http://hdl.handle.net/10504/62685

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Morrissey, Bernice O.S.B. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice .

Degree: 1943, Creighton University

URL: http://hdl.handle.net/10504/92226

► An Intense interest in Shakespeare has possessed the writer ever since she took a course in the rapid reading of hie plays ease years ago.… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Morrissey, B. O. S. B. (1943). Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Morrissey, Bernice O S B. “Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice .” 1943. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Morrissey, Bernice O S B. “Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice .” 1943. Web. 23 Feb 2020.

Vancouver:

Morrissey BOSB. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice . [Internet] [Thesis]. Creighton University; 1943. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morrissey BOSB. Commercial Versus Spiritual Values in Shakespeare's Merchant of Venice . [Thesis]. Creighton University; 1943. Available from: http://hdl.handle.net/10504/92226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Ramey, Frances Kathleen. The Consistency in Character of Prince Hal and King Henry the Fifth .

Degree: 1947, Creighton University

URL: http://hdl.handle.net/10504/92257

► "The prince, who is the hero both of the comick and tragick part, is a young man of great abilities and violent passions, whose sentiments… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Ramey, F. K. (1947). The Consistency in Character of Prince Hal and King Henry the Fifth . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92257

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ramey, Frances Kathleen. “The Consistency in Character of Prince Hal and King Henry the Fifth .” 1947. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92257.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ramey, Frances Kathleen. “The Consistency in Character of Prince Hal and King Henry the Fifth .” 1947. Web. 23 Feb 2020.

Vancouver:

Ramey FK. The Consistency in Character of Prince Hal and King Henry the Fifth . [Internet] [Thesis]. Creighton University; 1947. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92257.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey FK. The Consistency in Character of Prince Hal and King Henry the Fifth . [Thesis]. Creighton University; 1947. Available from: http://hdl.handle.net/10504/92257

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Kavanaugh, Mary Daniel R.S.M. The Pastoralism in Shakespeare's Plays .

Degree: 1946, Creighton University

URL: http://hdl.handle.net/10504/92261

► The memory of a lost earthly paradise remains with fallen man, who seeks to regain Eden at least in part even in this world. This… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Kavanaugh, M. D. R. S. M. (1946). The Pastoralism in Shakespeare's Plays . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kavanaugh, Mary Daniel R S M. “The Pastoralism in Shakespeare's Plays .” 1946. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kavanaugh, Mary Daniel R S M. “The Pastoralism in Shakespeare's Plays .” 1946. Web. 23 Feb 2020.

Vancouver:

Kavanaugh MDRSM. The Pastoralism in Shakespeare's Plays . [Internet] [Thesis]. Creighton University; 1946. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92261.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kavanaugh MDRSM. The Pastoralism in Shakespeare's Plays . [Thesis]. Creighton University; 1946. Available from: http://hdl.handle.net/10504/92261

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Kachelmeier, M. Limana O.S.F. The Concept of "Angel” and "Devil" in Shakespeare’s Plays .

Degree: 1950, Creighton University

URL: http://hdl.handle.net/10504/92628

► If we would appreciate the writings of Shakespeare, if we would read him with comprehension, if we would grasp the full import of his thoughts,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Kachelmeier, M. L. O. S. F. (1950). The Concept of "Angel” and "Devil" in Shakespeare’s Plays . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kachelmeier, M Limana O S F. “The Concept of "Angel” and "Devil" in Shakespeare’s Plays .” 1950. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kachelmeier, M Limana O S F. “The Concept of "Angel” and "Devil" in Shakespeare’s Plays .” 1950. Web. 23 Feb 2020.

Vancouver:

Kachelmeier MLOSF. The Concept of "Angel” and "Devil" in Shakespeare’s Plays . [Internet] [Thesis]. Creighton University; 1950. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kachelmeier MLOSF. The Concept of "Angel” and "Devil" in Shakespeare’s Plays . [Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Edney, Mary Carmelita O.S.M. Shakespeare's Concept of Heaven .

Degree: 1949, Creighton University

URL: http://hdl.handle.net/10504/92633

► Shakespeare had his favorite words. One of them was "heaven." This is evidenced in Bartlett’s Concordance to Shakespeare, which lists three hundred nine quotations containing… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Edney, M. C. O. S. M. (1949). Shakespeare's Concept of Heaven . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Edney, Mary Carmelita O S M. “Shakespeare's Concept of Heaven .” 1949. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Edney, Mary Carmelita O S M. “Shakespeare's Concept of Heaven .” 1949. Web. 23 Feb 2020.

Vancouver:

Edney MCOSM. Shakespeare's Concept of Heaven . [Internet] [Thesis]. Creighton University; 1949. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edney MCOSM. Shakespeare's Concept of Heaven . [Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Farley, Mary Aurea B.V.M. A Dramatic Analysis of Shakespeare’s Fourth Acts .

Degree: 1949, Creighton University

URL: http://hdl.handle.net/10504/92660

► The Renaissance with its enthusiasm for all things classical made a profound Impression on the literature of England. This is especially true in regard to… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Farley, M. A. B. V. M. (1949). A Dramatic Analysis of Shakespeare’s Fourth Acts . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Farley, Mary Aurea B V M. “A Dramatic Analysis of Shakespeare’s Fourth Acts .” 1949. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Farley, Mary Aurea B V M. “A Dramatic Analysis of Shakespeare’s Fourth Acts .” 1949. Web. 23 Feb 2020.

Vancouver:

Farley MABVM. A Dramatic Analysis of Shakespeare’s Fourth Acts . [Internet] [Thesis]. Creighton University; 1949. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Farley MABVM. A Dramatic Analysis of Shakespeare’s Fourth Acts . [Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Schonlau, M. Grace C.S.J. Shakespeare’s Concept and Dramatic use of Color .

Degree: 1949, Creighton University

URL: http://hdl.handle.net/10504/92661

► Shakespeare’s art has teen the subject oi intensive study since the seventeenth century, scholars have paid tribute to Shakespeare the lyricist, Shakespeare the dramatist, Shakespeare… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Schonlau, M. G. C. S. J. (1949). Shakespeare’s Concept and Dramatic use of Color . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Schonlau, M Grace C S J. “Shakespeare’s Concept and Dramatic use of Color .” 1949. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Schonlau, M Grace C S J. “Shakespeare’s Concept and Dramatic use of Color .” 1949. Web. 23 Feb 2020.

Vancouver:

Schonlau MGCSJ. Shakespeare’s Concept and Dramatic use of Color . [Internet] [Thesis]. Creighton University; 1949. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92661.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schonlau MGCSJ. Shakespeare’s Concept and Dramatic use of Color . [Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92661

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. King, Rosemary O.S.U. The English Elements in the Italian Plays of Shakespeare .

Degree: 1949, Creighton University

URL: http://hdl.handle.net/10504/92663

► This thesis is the result of a special interest aroused in the reading of the continental plays of Shakespeare during the course of a study… (more)

Subjects/Keywords: Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

King, R. O. S. U. (1949). The English Elements in the Italian Plays of Shakespeare . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

King, Rosemary O S U. “The English Elements in the Italian Plays of Shakespeare .” 1949. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

King, Rosemary O S U. “The English Elements in the Italian Plays of Shakespeare .” 1949. Web. 23 Feb 2020.

Vancouver:

King ROSU. The English Elements in the Italian Plays of Shakespeare . [Internet] [Thesis]. Creighton University; 1949. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

King ROSU. The English Elements in the Italian Plays of Shakespeare . [Thesis]. Creighton University; 1949. Available from: http://hdl.handle.net/10504/92663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Cavanaugh, M. Pierre O.S.B. Counsellors of Youth in Shakespeare .

Degree: 1950, Creighton University

URL: http://hdl.handle.net/10504/92673

► The best laid plans of mica and men "gang oft aglee"; therefore, it is advisable to proceed toward a final goal with definite objectives. In… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Cavanaugh, M. P. O. S. B. (1950). Counsellors of Youth in Shakespeare . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cavanaugh, M Pierre O S B. “Counsellors of Youth in Shakespeare .” 1950. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cavanaugh, M Pierre O S B. “Counsellors of Youth in Shakespeare .” 1950. Web. 23 Feb 2020.

Vancouver:

Cavanaugh MPOSB. Counsellors of Youth in Shakespeare . [Internet] [Thesis]. Creighton University; 1950. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cavanaugh MPOSB. Counsellors of Youth in Shakespeare . [Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Donahoe, Harry L. A Comparative Study of Shakespeare’s Periods of Division .

Degree: 1950, Creighton University

URL: http://hdl.handle.net/10504/92705

► One of the most effective methods of studying any writer is to read his works in the order in which they were written. Custom in… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Donahoe, H. L. (1950). A Comparative Study of Shakespeare’s Periods of Division . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/92705

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Donahoe, Harry L. “A Comparative Study of Shakespeare’s Periods of Division .” 1950. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/92705.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Donahoe, Harry L. “A Comparative Study of Shakespeare’s Periods of Division .” 1950. Web. 23 Feb 2020.

Vancouver:

Donahoe HL. A Comparative Study of Shakespeare’s Periods of Division . [Internet] [Thesis]. Creighton University; 1950. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/92705.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Donahoe HL. A Comparative Study of Shakespeare’s Periods of Division . [Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/92705

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Watson, Mary Adolorata O.S.M. Shakespeare's Timely Advent .

Degree: 1950, Creighton University

URL: http://hdl.handle.net/10504/101929

► If this thesis were to proceed immediately to the point at issue by mentioning the name, Shakespeare, the reactions of each reader would be different.… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Watson, M. A. O. S. M. (1950). Shakespeare's Timely Advent . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/101929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Watson, Mary Adolorata O S M. “Shakespeare's Timely Advent .” 1950. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/101929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Watson, Mary Adolorata O S M. “Shakespeare's Timely Advent .” 1950. Web. 23 Feb 2020.

Vancouver:

Watson MAOSM. Shakespeare's Timely Advent . [Internet] [Thesis]. Creighton University; 1950. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/101929.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson MAOSM. Shakespeare's Timely Advent . [Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/101929

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Welch, M. James C.S.J. The Lyrical Strain in Shakespeare's Early Dramas .

Degree: 1950, Creighton University

URL: http://hdl.handle.net/10504/101931

► The lyrical strain in Shakespeare's early drama is "brought out "by Chambers in his statement that |"With Romeo and Juliet and A Midsummer Night's Dream,… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Welch, M. J. C. S. J. (1950). The Lyrical Strain in Shakespeare's Early Dramas . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/101931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Welch, M James C S J. “The Lyrical Strain in Shakespeare's Early Dramas .” 1950. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/101931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Welch, M James C S J. “The Lyrical Strain in Shakespeare's Early Dramas .” 1950. Web. 23 Feb 2020.

Vancouver:

Welch MJCSJ. The Lyrical Strain in Shakespeare's Early Dramas . [Internet] [Thesis]. Creighton University; 1950. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/101931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch MJCSJ. The Lyrical Strain in Shakespeare's Early Dramas . [Thesis]. Creighton University; 1950. Available from: http://hdl.handle.net/10504/101931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Heffernan, Mary Brigid S.S.N.D. The Honor Concept in the Hal Plays .

Degree: 1951, Creighton University

URL: http://hdl.handle.net/10504/106866

► Shakespeare had an understanding and appreciation of human nature that is too evident to be overlooked. It is but accentuating the positive to mention it… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Heffernan, M. B. S. S. N. D. (1951). The Honor Concept in the Hal Plays . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/106866

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Heffernan, Mary Brigid S S N D. “The Honor Concept in the Hal Plays .” 1951. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/106866.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Heffernan, Mary Brigid S S N D. “The Honor Concept in the Hal Plays .” 1951. Web. 23 Feb 2020.

Vancouver:

Heffernan MBSSND. The Honor Concept in the Hal Plays . [Internet] [Thesis]. Creighton University; 1951. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/106866.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heffernan MBSSND. The Honor Concept in the Hal Plays . [Thesis]. Creighton University; 1951. Available from: http://hdl.handle.net/10504/106866

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Daly, Mary Virgene R.S.M. Charles William Wallace Shakespearean Scholar .

Degree: 1959, Creighton University

URL: http://hdl.handle.net/10504/108125

► It has been three centuries now since the Bard of Avon was laid to rest and during that time many scholars have devoted countless hours… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Daly, M. V. R. S. M. (1959). Charles William Wallace Shakespearean Scholar . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Daly, Mary Virgene R S M. “Charles William Wallace Shakespearean Scholar .” 1959. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/108125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Daly, Mary Virgene R S M. “Charles William Wallace Shakespearean Scholar .” 1959. Web. 23 Feb 2020.

Vancouver:

Daly MVRSM. Charles William Wallace Shakespearean Scholar . [Internet] [Thesis]. Creighton University; 1959. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/108125.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Daly MVRSM. Charles William Wallace Shakespearean Scholar . [Thesis]. Creighton University; 1959. Available from: http://hdl.handle.net/10504/108125

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Welsh, Marjorie Ruth. The Imagery of Sir John Falstaff .

Degree: 1957, Creighton University

URL: http://hdl.handle.net/10504/108128

► With the creation of hie ten-act chronicle play, Henry IV, William Shakespeare wrote for hie audience's enjoyment a character, held to be by many scholars… (more)

Subjects/Keywords: Shakespeare

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APA (6^th Edition):

Welsh, M. R. (1957). The Imagery of Sir John Falstaff . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Welsh, Marjorie Ruth. “The Imagery of Sir John Falstaff .” 1957. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/108128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Welsh, Marjorie Ruth. “The Imagery of Sir John Falstaff .” 1957. Web. 23 Feb 2020.

Vancouver:

Welsh MR. The Imagery of Sir John Falstaff . [Internet] [Thesis]. Creighton University; 1957. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/108128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welsh MR. The Imagery of Sir John Falstaff . [Thesis]. Creighton University; 1957. Available from: http://hdl.handle.net/10504/108128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Giroux, Mary Margaret O.S.U. A Study of Anti-Stratfordian Methods .

Degree: 1959, Creighton University

URL: http://hdl.handle.net/10504/108137

► "Is there a Shakespeare problem?" So questioned Sir Granville George Greenwood in 1916. It would appear to be a purely rhetorical question on his part,… (more)

Subjects/Keywords: Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Giroux, M. M. O. S. U. (1959). A Study of Anti-Stratfordian Methods . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/108137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Giroux, Mary Margaret O S U. “A Study of Anti-Stratfordian Methods .” 1959. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/108137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Giroux, Mary Margaret O S U. “A Study of Anti-Stratfordian Methods .” 1959. Web. 23 Feb 2020.

Vancouver:

Giroux MMOSU. A Study of Anti-Stratfordian Methods . [Internet] [Thesis]. Creighton University; 1959. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/108137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Giroux MMOSU. A Study of Anti-Stratfordian Methods . [Thesis]. Creighton University; 1959. Available from: http://hdl.handle.net/10504/108137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Halgard, Mary Nola. The Conflict of Love and Friendship in the Two Gentlemen of Verona .

Degree: 1962, Creighton University

URL: http://hdl.handle.net/10504/114099

► The purpose of this thesis is to demonstrate by comparative analysis that Shakespeare had a very clear idea of the love and friendship conflict which… (more)

Subjects/Keywords: Shakespeare

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Halgard, M. N. (1962). The Conflict of Love and Friendship in the Two Gentlemen of Verona . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/114099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Halgard, Mary Nola. “The Conflict of Love and Friendship in the Two Gentlemen of Verona .” 1962. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/114099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Halgard, Mary Nola. “The Conflict of Love and Friendship in the Two Gentlemen of Verona .” 1962. Web. 23 Feb 2020.

Vancouver:

Halgard MN. The Conflict of Love and Friendship in the Two Gentlemen of Verona . [Internet] [Thesis]. Creighton University; 1962. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/114099.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Halgard MN. The Conflict of Love and Friendship in the Two Gentlemen of Verona . [Thesis]. Creighton University; 1962. Available from: http://hdl.handle.net/10504/114099

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Keen, Edward Gerald. Shakespeare’s Historical Tetralogies: Compared and Contrasted .

Degree: 1962, Creighton University

URL: http://hdl.handle.net/10504/109237

► "No poet has ever expressed England, its character, its folk-speech and song, its virtues and its follies and some of its vices, and even its… (more)

Subjects/Keywords: Shakespeare

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Keen, E. G. (1962). Shakespeare’s Historical Tetralogies: Compared and Contrasted . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/109237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Keen, Edward Gerald. “Shakespeare’s Historical Tetralogies: Compared and Contrasted .” 1962. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/109237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Keen, Edward Gerald. “Shakespeare’s Historical Tetralogies: Compared and Contrasted .” 1962. Web. 23 Feb 2020.

Vancouver:

Keen EG. Shakespeare’s Historical Tetralogies: Compared and Contrasted . [Internet] [Thesis]. Creighton University; 1962. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/109237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keen EG. Shakespeare’s Historical Tetralogies: Compared and Contrasted . [Thesis]. Creighton University; 1962. Available from: http://hdl.handle.net/10504/109237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Tyson, Jerome Peter. Shakespeare's Married Couples .

Degree: 1963, Creighton University

URL: http://hdl.handle.net/10504/109245

► Suffolk's words apply most appropriately to the dearth of treatments concerning marriage itself in the attorneyship of Shakespearean criticism. To anyone interested in Shakespeare's treatment… (more)

Subjects/Keywords: Shakespeare

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Tyson, J. P. (1963). Shakespeare's Married Couples . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/109245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tyson, Jerome Peter. “Shakespeare's Married Couples .” 1963. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/109245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tyson, Jerome Peter. “Shakespeare's Married Couples .” 1963. Web. 23 Feb 2020.

Vancouver:

Tyson JP. Shakespeare's Married Couples . [Internet] [Thesis]. Creighton University; 1963. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/109245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tyson JP. Shakespeare's Married Couples . [Thesis]. Creighton University; 1963. Available from: http://hdl.handle.net/10504/109245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Ege, Mary Paul O.S.B. Aspects of Repentance in Shakespeare's Plays .

Degree: 1951, Creighton University

URL: http://hdl.handle.net/10504/120899

► If the characters in Shakespearean drama were marionettes pulled about by the strings of heredity and environment as are the literary creatures of Gorki, Strindberg,… (more)

Subjects/Keywords: Shakespeare

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ege, M. P. O. S. B. (1951). Aspects of Repentance in Shakespeare's Plays . (Thesis). Creighton University. Retrieved from http://hdl.handle.net/10504/120899

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ege, Mary Paul O S B. “Aspects of Repentance in Shakespeare's Plays .” 1951. Thesis, Creighton University. Accessed February 23, 2020. http://hdl.handle.net/10504/120899.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ege, Mary Paul O S B. “Aspects of Repentance in Shakespeare's Plays .” 1951. Web. 23 Feb 2020.

Vancouver:

Ege MPOSB. Aspects of Repentance in Shakespeare's Plays . [Internet] [Thesis]. Creighton University; 1951. [cited 2020 Feb 23]. Available from: http://hdl.handle.net/10504/120899.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ege MPOSB. Aspects of Repentance in Shakespeare's Plays . [Thesis]. Creighton University; 1951. Available from: http://hdl.handle.net/10504/120899

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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