subject:(Sexton Anne 1928 1974)

University of Iceland

1. Vilborg Krista Alexandersdóttir 1992-. „Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik .

Degree: 2015, University of Iceland

URL: http://hdl.handle.net/1946/20372

► Ritgerðin beinir sjónum sínum að tungumáli kvenjátningaskálda, og þá sérstaklega Sylviu Plath, Alejöndru Pizarnik og Anne Sexton. Ljóð þeirra virðast sprottin úr svipuðum tilfinningum en… (more)

Subjects/Keywords: Almenn bókmenntafræði; Ljóðgreining; Sjálfsvíg; Skáldkonur; Plath, Sylvia, 1932-1963; Pizarnik, Alejandra,1936-1972; Sexton, Anne, 1928-1974

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APA (6^th Edition):

1992-, V. K. A. (2015). „Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik . (Thesis). University of Iceland. Retrieved from http://hdl.handle.net/1946/20372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

1992-, Vilborg Krista Alexandersdóttir. “„Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik .” 2015. Thesis, University of Iceland. Accessed March 04, 2021. http://hdl.handle.net/1946/20372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

1992-, Vilborg Krista Alexandersdóttir. “„Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik .” 2015. Web. 04 Mar 2021.

Vancouver:

1992- VKA. „Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik . [Internet] [Thesis]. University of Iceland; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1946/20372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1992- VKA. „Sjálfsmorð eiga sitt eigið tungumál.“ Textalegt sjálfsmorð og tilraun til endurholdgunar í ljóðum Sylviu Plath, Anne Sexton og Alejöndru Pizarnik . [Thesis]. University of Iceland; 2015. Available from: http://hdl.handle.net/1946/20372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Montana State University

2. McKenna, Edward Francis. Live or Die : unmasking the mythologies of Anne Sexton's poetry.

Degree: MA, College of Letters & Science, 2008, Montana State University

URL: https://scholarworks.montana.edu/xmlui/handle/1/1834

► Confessional poetry is supposedly drawn directly from the poet's personal life as if the poems are simply a diary. Further, confessional poetry is often dissected… (more)

▼ Confessional poetry is supposedly drawn directly from the poet's personal life as if the poems are simply a diary. Further, confessional poetry is often dissected with such a finite Freudian, Bloomian, Jungian, etc., scalpel by reviewers, pundits, and critics, that the true roots of the poems are constantly overlooked; that of the essence of mythology. Critics, scholars, and purveyors of Anne Sexton continually refuse to acknowledge the influence of mythologies, the inspiration of previous and contemporary poets, and that Sexton admittedly relied on myths to write poetry. Utilizing Northrop Frye's theory that all of literature is displaced myth, I have displayed that so is the poetry of Anne Sexton. I have attempted to illustrate that when the poems of Sexton are juxtaposed with many of the common themes of myths, Classical and Christian, it becomes apparent that she is mythologizing herself. To prove my thesis I utilized the works of Northrop Frye as well as Mircea Eliade, Jessie Weston, and Robert Graves who expound on concepts of rituals, cults, and the mythological roots of literature. I also researched Classical and Christian mythologies so to be able to juxtapose them with Sexton's poetry. In addition to thoroughly studying the poetry of Sexton (most specifically, Live or Die) I also read biographies and essays on her, and examined all available journals and collections of letters. A poet's personal memoirs often expose sources and inspirations for their poetry, allowing the critic to trace the poetry to a previously published piece of literature or well-chronicled myth. Finally, by reading the aforementioned resources I deduced the influences of Sexton's poetry, and purveyed them as well. In conclusion, this project has confirmed there is nothing original about confessional poetry; especially considering the familiar themes such as death, rebirth, and resurrection, and the universal controlling forces of many of the poems such as the moon, sun, God, etc. Sexton's poetry is not "confessional" at all other than that it reveals an intrinsic reliance on the past and myths to tell of a quest relative to that of many Biblical characters, including Christ. Advisors/Committee Members: Chairperson, Graduate Committee: Linda Karell (advisor).

Subjects/Keywords: Frye, Northrop.; Sexton, Anne, 1928-1974. Criticism and interpretation.; Mythology, Classical.; Literature.

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APA (6^th Edition):

McKenna, E. F. (2008). Live or Die : unmasking the mythologies of Anne Sexton's poetry. (Masters Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/1834

Chicago Manual of Style (16^th Edition):

McKenna, Edward Francis. “Live or Die : unmasking the mythologies of Anne Sexton's poetry.” 2008. Masters Thesis, Montana State University. Accessed March 04, 2021. https://scholarworks.montana.edu/xmlui/handle/1/1834.

MLA Handbook (7^th Edition):

McKenna, Edward Francis. “Live or Die : unmasking the mythologies of Anne Sexton's poetry.” 2008. Web. 04 Mar 2021.

Vancouver:

McKenna EF. Live or Die : unmasking the mythologies of Anne Sexton's poetry. [Internet] [Masters thesis]. Montana State University; 2008. [cited 2021 Mar 04]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1834.

Council of Science Editors:

McKenna EF. Live or Die : unmasking the mythologies of Anne Sexton's poetry. [Masters Thesis]. Montana State University; 2008. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1834

3. Lopes, Elisabete Cristina Simões. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.

Degree: 2012, Universidade Aberta

URL: http://hdl.handle.net/10400.2/2372

► This research aims at examining the way Sylvia Plath, Anne Sexton, Francesca Woodman and Cindy Sherman have carried out female’s body representation, in the light… (more)

Subjects/Keywords: Plath, Sylvia, 1932-1963; Sexton, Anne, 1928-1974; Sherman, Cindy, 1954-; Woodman, Francesca, 1958-1981; Literatura americana; Cultura americana; Mulheres; Corpo humano; Feminilidade; Gótico; Fotógrafos; Gothic; Female gothic; Body; Uncanny; Mirrors; Ghosts; Monsters; Horror; Death; ODS::04:Educação de Qualidade; ODS::05:Igualdade de Género

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APA (6^th Edition):

Lopes, E. C. S. (2012). Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. (Doctoral Dissertation). Universidade Aberta. Retrieved from http://hdl.handle.net/10400.2/2372

Chicago Manual of Style (16^th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Doctoral Dissertation, Universidade Aberta. Accessed March 04, 2021. http://hdl.handle.net/10400.2/2372.

MLA Handbook (7^th Edition):

Lopes, Elisabete Cristina Simões. “Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman.” 2012. Web. 04 Mar 2021.

Vancouver:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Internet] [Doctoral dissertation]. Universidade Aberta; 2012. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10400.2/2372.

Council of Science Editors:

Lopes ECS. Desmontando narrativas e corpos : uma reflexão sobre o corpo no gótico feminino na obra poética de Sylvia Plath e Anne Sexton, e na obra fotográfica de Francesca Woodman e Cindy Sherman. [Doctoral Dissertation]. Universidade Aberta; 2012. Available from: http://hdl.handle.net/10400.2/2372

University of Sydney

4. Jones, Adrian Philip. Resistance, rejection, reparation : Anne Sexton and the poetry of therapy .

Degree: 2010, University of Sydney

URL: http://hdl.handle.net/2123/8384

Subjects/Keywords: Sexton, Anne, 1928-1974 – Criticism and interpretation; Women and literature – United States – History – 20th century; Anxiety in literature

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APA (6^th Edition):

Jones, A. P. (2010). Resistance, rejection, reparation : Anne Sexton and the poetry of therapy . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/8384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jones, Adrian Philip. “Resistance, rejection, reparation : Anne Sexton and the poetry of therapy .” 2010. Thesis, University of Sydney. Accessed March 04, 2021. http://hdl.handle.net/2123/8384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jones, Adrian Philip. “Resistance, rejection, reparation : Anne Sexton and the poetry of therapy .” 2010. Web. 04 Mar 2021.

Vancouver:

Jones AP. Resistance, rejection, reparation : Anne Sexton and the poetry of therapy . [Internet] [Thesis]. University of Sydney; 2010. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2123/8384.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones AP. Resistance, rejection, reparation : Anne Sexton and the poetry of therapy . [Thesis]. University of Sydney; 2010. Available from: http://hdl.handle.net/2123/8384

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. NC DOCKS at The University of North Carolina at Greensboro; Smith, Virginia. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.

Degree: 2014, NC Docks

URL: http://libres.uncg.edu/ir/uncg/f/Smith_uncg_0154M_11522.pdf

► Anne Sexton described herself in a letter as "the woman of poems, the woman of the kitchen, the woman of the private (but published) hungers."… (more)

▼ Anne Sexton described herself in a letter as "the woman of poems, the woman of the kitchen, the woman of the private (but published) hungers." I argue that because she wrote about taboo subjects and improper appetites she expanded the collective consciousness and gave greater freedom to women. Her titles alone could shock a reader who was accustomed to the image of a docile and obedient 1950s "housewife." She wrote "Menstruation at Forty", "The Ballad of the Lonely Masturbator" and "In Celebration of My Uterus" with noteworthy candor in tackling subjects of female anatomy which had been deemed improper for polite conversation. Her poems were and are powerful tools for consciousness-raising because if the personal is political, then the poems of a woman who writes about her hungers for sex, success, personal identity and more are charged with an urgent social message. This paper investigates the feminist poetics of Sexton's writing including her writing about illicit appetites, her shattering of the image of the 1950s housewife, the role of revisionist mythmaking and her embodiment of the grotesque. AND William Butler Yeats wrote "We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry" ( 405). This paper will explore the ways in which Yeats quarreled with himself over the subject of desire. Yeats wrote poems throughout his life that wrestled with the issue of desire. Desire is present throughout his entire collection of poetry and shown in many different incarnations with contradictory facets. Desire is figured as a destructive force symbolized by a bow and arrow in his early love poetry. In the rebellious and defiant poems Yeats wrote in the voice of female personas, desire is unabashedly celebrated, even if it is not a heavenly mansion but rather a jovial sty since "love has pitched his mansion I in the place of excrement". In his later poetry Yeats came to terms with his desire and realized that desire is a spur to self-knowledge and creativity. At the end of his life Yeats was able to represent moments of transcendent wonder and see desire and the body as a blessing.

Subjects/Keywords: Sexton, Anne, $d 1928-1974 $x Criticism and interpretation; Feminist poetry, American $x History and criticism; Yeats, W. B. (William Butler), $d 1865-1939 $x Criticism and interpretation; Desire in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Smith, V. (2014). Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Smith_uncg_0154M_11522.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Smith, Virginia. “Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.” 2014. Thesis, NC Docks. Accessed March 04, 2021. http://libres.uncg.edu/ir/uncg/f/Smith_uncg_0154M_11522.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Smith, Virginia. “Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.” 2014. Web. 04 Mar 2021.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Smith V. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. [Internet] [Thesis]. NC Docks; 2014. [cited 2021 Mar 04]. Available from: http://libres.uncg.edu/ir/uncg/f/Smith_uncg_0154M_11522.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Smith V. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. [Thesis]. NC Docks; 2014. Available from: http://libres.uncg.edu/ir/uncg/f/Smith_uncg_0154M_11522.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Smith, Virginia. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.

Degree: 2014, University of North Carolina – Greensboro

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16613

► Anne Sexton described herself in a letter as "the woman of poems, the woman of the kitchen, the woman of the private (but published) hungers."… (more)

▼ Anne Sexton described herself in a letter as "the woman of poems, the woman of the kitchen, the woman of the private (but published) hungers." I argue that because she wrote about taboo subjects and improper appetites she expanded the collective consciousness and gave greater freedom to women. Her titles alone could shock a reader who was accustomed to the image of a docile and obedient 1950s "housewife." She wrote "Menstruation at Forty", "The Ballad of the Lonely Masturbator" and "In Celebration of My Uterus" with noteworthy candor in tackling subjects of female anatomy which had been deemed improper for polite conversation. Her poems were and are powerful tools for consciousness-raising because if the personal is political, then the poems of a woman who writes about her hungers for sex, success, personal identity and more are charged with an urgent social message. This paper investigates the feminist poetics of Sexton's writing including her writing about illicit appetites, her shattering of the image of the 1950s housewife, the role of revisionist mythmaking and her embodiment of the grotesque. AND William Butler Yeats wrote "We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry" ( 405). This paper will explore the ways in which Yeats quarreled with himself over the subject of desire. Yeats wrote poems throughout his life that wrestled with the issue of desire. Desire is present throughout his entire collection of poetry and shown in many different incarnations with contradictory facets. Desire is figured as a destructive force symbolized by a bow and arrow in his early love poetry. In the rebellious and defiant poems Yeats wrote in the voice of female personas, desire is unabashedly celebrated, even if it is not a heavenly mansion but rather a jovial sty since "love has pitched his mansion I in the place of excrement". In his later poetry Yeats came to terms with his desire and realized that desire is a spur to self-knowledge and creativity. At the end of his life Yeats was able to represent moments of transcendent wonder and see desire and the body as a blessing.; Feminist poetry, Desire, William Butler Yeats, Anne Sexton Advisors/Committee Members: Hephzibah Roskelly (advisor).

Subjects/Keywords: Sexton, Anne, – 1928-1974 – Criticism and interpretation; Feminist poetry, American – History and criticism; Yeats, W. B. (William Butler), – 1865-1939 – Criticism and interpretation; Desire in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Smith, V. (2014). Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16613

Chicago Manual of Style (16^th Edition):

Smith, Virginia. “Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.” 2014. Masters Thesis, University of North Carolina – Greensboro. Accessed March 04, 2021. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16613.

MLA Handbook (7^th Edition):

Smith, Virginia. “Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats.” 2014. Web. 04 Mar 2021.

Vancouver:

Smith V. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2014. [cited 2021 Mar 04]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16613.

Council of Science Editors:

Smith V. Finding the feminist poetics of Anne Sexton AND The arrow, the sty, the spur and the blessing: desire in the poetry of W. B. Yeats. [Masters Thesis]. University of North Carolina – Greensboro; 2014. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16613

7. Levi, Neda. Disarming the bittersweet.

Degree: MA, English, 2013, California State University – Northridge

URL: http://hdl.handle.net/10211.2/3244

► As a poet, the one thing that I find the most redemptive is the power of confession that language affords me, even though within that… (more)

▼ As a poet, the one thing that I find the most redemptive is the power of confession that language affords me, even though within that power lies a struggle of bittersweet magnitude. My poetic confessions speak to the torrential downpour of an unpleasantly lovely instance called childhood, a time of simplicity and complication, a time which subsists on two contradictory planes. The path that a confessional poet travels can be identified as one navigated by their experiences; personal experiences that range in effortless to difficult proportions, and it was through the art of poetry that I realized that there was no need to further silence my own. Adopting the voice of verse offered the chance to speak in the midst of trauma. Disarming the Bittersweet is the vehicle I used to explore the paths that I have walked through, first as a writer interested in the past and second as a daughter who is grappling with the idea that there are two paths vying for her attention - one that exorcizes her demons and the other which counterintuitively yearns to maintain the despair. Fashioned upon the base of Psychoanalytic theory, these poems encompass my attachment to what represents the past, be it for better or for worse. Recurrent themes which revolve around mental abuse, the comatose absence of what was once a present paternalistic figure, the fear of sexual intimacy, the unraveling of marriage, and the simplicities of childhood wonder serve as the basis of this present struggle; the need to identify myself as a poet inseparably linked to the past. In this collection, the poetry mirrors the snide pull of the past and its charming knots and wounds, particularly with regard to the overarching male figure-the utmost symbol of patriarch. In these individual pieces, I have confessed my undying devotion at the feet of my father and waited in hopes of reciprocity. These confessions have highlighted the notion that I am sometimes lost in the bittersweet wish that the days of naivet?? are there for the taking. Disarming the Bittersweet defines the struggle to maintain the only thing that I must defuse in order to save my sanity. I am self-aware, an autonomous body composed of revelations, and the narrative of my past is the only lifeline I have left. Through vivid chronicles calling to attention the vitality of my past, this collection illustrates the foundation of a carefree adolescence flawed by the catalyst of the instability that transpired and then rejects the polarization of the experiences reflected, therefore resulting instead in the flourish of their union. This collection embarks on a journey of engaging conversation with memory; to implant the experience of what once was and will never again be, of the bitter and the sweet, into one of present necessity. What is rewritten is the undying realm of a confessional poet's past, wherein with a heavy hand the faint lines of peace and panic transposed upon one another during childhood are once again traced, heartened in the hue of immortality. Advisors/Committee Members: Barresi, Dorothy M. (advisor), Chatterjee, Ranita (committee member).

Subjects/Keywords: Anne Sexton; Dissertations, Academic – CSUN – English.

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APA (6^th Edition):

Levi, N. (2013). Disarming the bittersweet. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.2/3244

Chicago Manual of Style (16^th Edition):

Levi, Neda. “Disarming the bittersweet.” 2013. Masters Thesis, California State University – Northridge. Accessed March 04, 2021. http://hdl.handle.net/10211.2/3244.

MLA Handbook (7^th Edition):

Levi, Neda. “Disarming the bittersweet.” 2013. Web. 04 Mar 2021.

Vancouver:

Levi N. Disarming the bittersweet. [Internet] [Masters thesis]. California State University – Northridge; 2013. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10211.2/3244.

Council of Science Editors:

Levi N. Disarming the bittersweet. [Masters Thesis]. California State University – Northridge; 2013. Available from: http://hdl.handle.net/10211.2/3244

Mahatma Gandhi University

8. Kumar, N Prasantha. Writing the female: a comparative study of Kamala Das and Anne Sexton.

Degree: 1995, Mahatma Gandhi University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/463

References p.323-345 Advisors/Committee Members: Raveendran, P P.

Subjects/Keywords: Kamala Das; Anne Sexton

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kumar, N. P. (1995). Writing the female: a comparative study of Kamala Das and Anne Sexton. (Thesis). Mahatma Gandhi University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kumar, N Prasantha. “Writing the female: a comparative study of Kamala Das and Anne Sexton.” 1995. Thesis, Mahatma Gandhi University. Accessed March 04, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kumar, N Prasantha. “Writing the female: a comparative study of Kamala Das and Anne Sexton.” 1995. Web. 04 Mar 2021.

Vancouver:

Kumar NP. Writing the female: a comparative study of Kamala Das and Anne Sexton. [Internet] [Thesis]. Mahatma Gandhi University; 1995. [cited 2021 Mar 04]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kumar NP. Writing the female: a comparative study of Kamala Das and Anne Sexton. [Thesis]. Mahatma Gandhi University; 1995. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université Paris-Sorbonne – Paris IV

9. Thomine, Angélique. Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath.

Degree: Docteur es, Études anglophones, 2017, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2017PA040131

►

Cette thèse de doctorat a pour but d’analyser l’œuvre des poètes américaines Anne Sexton et Sylvia Plath à l’aune des études féminines et de genre… (more)

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Cette thèse de doctorat a pour but d’analyser l’œuvre des poètes américaines Anne Sexton et Sylvia Plath à l’aune des études féminines et de genre en s’attachant à la question du mythe et du désenchantement. Plath et Sexton ont été étiquetées « poètes confessionnelles » ; il s’agit dans un premier temps de comprendre les mécanismes sur lesquels repose cette appellation qui participe de la construction de mythes autour des deux poètes et de les déconstruire. Plath et Sexton se sont connues à la fin des années 50, s’influençant l’une l’autre. Elles ont en commun une poétique du désenchantement, de leurs poèmes « confessionnels » à leurs réécritures de contes de fées et de mythes que l’on peut qualifier d’ « anti-contes ». Si leur style poétique diffère, les thèmes qu’elles abordent se répondent en écho, du trauma incestueux au corps féminin, de la femme au foyer à la représentation dichotomique de « la femme » en Madone et putain. Nous abordons ces sujets dans un deuxième temps en les reliant aux notions de voile et de pudeur. L’injonction à la pudeur provient en partie de la scène poétique bostonienne des années 50 à 70, de l’influence puritaine du poète Robert Lowell et des critiques misogynes. Cette étude s’applique dans un troisième temps à relier littérature et société en mettant en lumière l’influence du contexte patriarcal et poétriarcal sur et dans l’œuvre de Plath et de Sexton.

This Ph.D. thesis analyzes the literary works of American poets Anne Sexton and Sylvia Plath in light of Women’s and Gender Studies and considers the notions of myth and disenchantment. Plath and Sexton were labeled “confessional” poets; this study’s first section seeks to understand the underlying mechanisms of this appellation and how it participated in the construction of myths around the two poets and also aims to deconstruct these myths. Plath and Sexton met at the end of the ‘50s and influenced each other. Their poetics of disenchantment are a common trait in their literary works, from their “confessional” poems to their rewriting of fairy tales and myths which may be called “anti-tales.” Although their poetic styles differ, the themes they pursue are similar, from the incestuous trauma to the female body, from the American housewife to the representation of women through the Madonna/slut dichotomy. In this thesis’s second section, these topics are scrutinized and considered in relation to the notions of veil and modesty. Appeals for modesty stem in part from the Bostonian poetic stage of the 50s-70s, the puritan influence of New England poet Robert Lowell and the misogynistic critics of the time. This study’s third section links literature and society and emphasizes the influence of patriarchal and “poetriarchal” context on and in Plath’s and Sexton’s poetry and prose.

Advisors/Committee Members: Aquien, Pascal (thesis director).

Subjects/Keywords: Sylvia Plath; Anne Sexton; Poésie "confessionnelle"; Désenchantement; Anti-Conte; Poétriarcat; Patriarcat; Mythe; Sylvia Plath; Anne Sexton; « confessional » poetry; Disenchantment; Anti-Tale; Poetriarchy; Patriarchy; Myth

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APA (6^th Edition):

Thomine, A. (2017). Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040131

Chicago Manual of Style (16^th Edition):

Thomine, Angélique. “Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 04, 2021. http://www.theses.fr/2017PA040131.

MLA Handbook (7^th Edition):

Thomine, Angélique. “Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath.” 2017. Web. 04 Mar 2021.

Vancouver:

Thomine A. Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2021 Mar 04]. Available from: http://www.theses.fr/2017PA040131.

Council of Science Editors:

Thomine A. Écrire le désenchantement : opacité et transparence dans l’œuvre des poètes « confessionnelles » Anne Sexton et Sylvia Plath : Writing Disenchantment : opacity and Transparency in the Literary Works of the “Confessional” Poets Anne Sexton and Sylvia Plath. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040131

University of Georgia

10. Rice, Lydia Whitt. Ellen Gilchrist and Anne Sexton.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/23502

► Ellen Gilchrist's work, in its images, themes and techniques, responds to the life andwork of Anne Sexton. Using Gilchrist's own comments, as well as extensive… (more)

▼ Ellen Gilchrist's work, in its images, themes and techniques, responds to the life andwork of Anne Sexton. Using Gilchrist's own comments, as well as extensive textual evidencefrom Gilchrist's poetry and fiction, I argue that Gilchrist's work is, at least in part, motivated andsustained by her interest in creating a critical space in which Sexton's work can be re-evaluated.Although Sexton was only seven years older than Gilchrist, the timing of their careers is crucialto their success: for Sexton, who began writing in 1956 and committed suicide in 1974, thesecond wave of the American Women's Movement and the raising of the collective culturalconsciousness that it brought came too late. In contrast, Gilchrist began her professional writingcareer in 1978, just in time to experience the benefits brought by the movement that Sexton hadmissed. Throughout her work, Gilchrist pays homage to Sexton and illuminates the contexts inwhich Sexton's works were created, offering the contemporary reader fresh insight into whatGilchrist perceives of as the previously-dismissed works of Sexton. Gilchrist's writing workstoward this end in a variety of ways. In her first novel, The Annunciation, Gilchrist imaginativelyrecreates many of Sexton's experiences, leading the reader to identify and sympathize with awoman in Sexton's historical milieu as she emerges as a writer. In much of her subsequentfiction, Gilchrist proceeds to explore several of the darker issues that led to Sexton's demise andultimate critical dismissal, including the debilitating nature of mental illness and the inefficacyof psychotherapy and patriarchal religion to respond. To counter such darkness, both Sexton andGilchrist emphasize the experiences of writing as a means of self-knowledge and survival. Bothauthors examine the lives of women throughout their life-cycle in a patriarchal culture, focusingon their often conflicting roles as daughters, lovers, wives and mothers. Later in their careers,both women exercise and strengthen the power that such self-knowledge brings by rewritingexisting (male) texts. In examining Gilchrist's work as a whole, I offer the reader an opportunityto consider Gilchrist's poetic lineage and to reread her poetic foremothers, specifically Sexton, inthe light Gilchrist's work provides.

Subjects/Keywords: American Women\'s Literature; Ellen Gilchrist; Anne Sexton; American Poetry; Feminism; Feminist Theology; Psychoanalysis

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APA (6^th Edition):

Rice, L. W. (2014). Ellen Gilchrist and Anne Sexton. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/23502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rice, Lydia Whitt. “Ellen Gilchrist and Anne Sexton.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/23502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rice, Lydia Whitt. “Ellen Gilchrist and Anne Sexton.” 2014. Web. 04 Mar 2021.

Vancouver:

Rice LW. Ellen Gilchrist and Anne Sexton. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/23502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rice LW. Ellen Gilchrist and Anne Sexton. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/23502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Deakin University

11. Buerger, Shelley. Tell me something: the poetics of maternal subjectivity.

Degree: School of Communication and Creative Arts, 2017, Deakin University

URL: http://hdl.handle.net/10536/DRO/DU:30105486

► This thesis explores the maternal as a separate and particular subject position. Focussing initially on the poetry of Anne Sexton, Sylvia Plath and Adrienne Rich,… (more)

Subjects/Keywords: motherhood in literature; American poetry; Plath, Sylvia; Sexton, Anne; Rich, Adrienne; Feminism

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APA (6^th Edition):

Buerger, S. (2017). Tell me something: the poetics of maternal subjectivity. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30105486

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Buerger, Shelley. “Tell me something: the poetics of maternal subjectivity.” 2017. Thesis, Deakin University. Accessed March 04, 2021. http://hdl.handle.net/10536/DRO/DU:30105486.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Buerger, Shelley. “Tell me something: the poetics of maternal subjectivity.” 2017. Web. 04 Mar 2021.

Vancouver:

Buerger S. Tell me something: the poetics of maternal subjectivity. [Internet] [Thesis]. Deakin University; 2017. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10536/DRO/DU:30105486.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buerger S. Tell me something: the poetics of maternal subjectivity. [Thesis]. Deakin University; 2017. Available from: http://hdl.handle.net/10536/DRO/DU:30105486

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Loughborough University

12. Al-Obaidi, Mohammed F. R. My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton.

Degree: PhD, 2018, Loughborough University

URL: http://hdl.handle.net/2134/27992

► This thesis is the first study using contemporary spatial theory, including cultural geography and its precursors, to examine and compare representations of space in the… (more)

▼ This thesis is the first study using contemporary spatial theory, including cultural geography and its precursors, to examine and compare representations of space in the poetry of three mid-twentieth century American poets: Robert Lowell, Sylvia Plath, and Anne Sexton. Because of the autobiographical content often foregrounded in their work, these poets have been labelled Confessional. Previous criticism has focused primarily on the ways in which they narrate (or draw on) their personal lives, treating accompanying descriptions of their surroundings primarily as backdrops. However, these poets frequently manifest their affective states by using the pathetic fallacy within structures of metaphor that form a textual mapping of the physical space they describe. This mapping can be temporal as well as spatial; the specific spaces mapped in the poem s present are often linked to memories of earlier life or family. These spaces include psychiatric, general, and penal institutions, parks and gardens, nature (especially coastal settings), and the home (almost always a place of tension or conflict). Each poet addresses these broad types of space differently according to their evolving subjective relationship to them. These relationships are in turn strongly influenced by their social class and gender: for the two women, their experience of their own bodies as prescribed space, in relation to the restrictive and objectifying female role that was imposed on them, is critical. Also, critical in shaping the poets experience of space are post-World-War II socio-cultural and demographic changes in the United States, notably suburbanisation, consumerisation and the consolidation of a therapeutic culture . Interwoven with these influences are major political concerns of the period such as the Cold War with its accompanying surveillance and conformism and the threat of nuclear annihilation. In the work of all three poets, awareness of these modern fears fused with traditional Gothic motifs to permeate their descriptions of spaces with anxiety, bitterness, and even dread in a rejection of the synthetic optimism of the American Century and commercial culture. Other criticism has touched on many of these themes in relation to one or another of the poets, but this study, by way of the theme of space, offers comparison and synthesis that aims to shed new light on their work and its relation to the period during which they wrote.

Subjects/Keywords: 811; Confessional; Space; Place; Lowell, Robert; Plath, Sylvia; Sexton, Anne; Cold War; Performance; Surveillance; Reversed panopticism; Domesticity; Confinement; Body-space

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APA (6^th Edition):

Al-Obaidi, M. F. R. (2018). My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/27992

Chicago Manual of Style (16^th Edition):

Al-Obaidi, Mohammed F R. “My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton.” 2018. Doctoral Dissertation, Loughborough University. Accessed March 04, 2021. http://hdl.handle.net/2134/27992.

MLA Handbook (7^th Edition):

Al-Obaidi, Mohammed F R. “My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton.” 2018. Web. 04 Mar 2021.

Vancouver:

Al-Obaidi MFR. My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton. [Internet] [Doctoral dissertation]. Loughborough University; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2134/27992.

Council of Science Editors:

Al-Obaidi MFR. My landscape is a hand with no lines : representations of space in the poetry of Robert Lowell, Sylvia Plath and Anne Sexton. [Doctoral Dissertation]. Loughborough University; 2018. Available from: http://hdl.handle.net/2134/27992

University of Michigan

13. Kendall, Charity. Literary Metaphor Creation Used as an Alternative to Psychotic Depression.

Degree: Master's, College of Arts and Sciences: Liberal Studies, 2004, University of Michigan

URL: http://hdl.handle.net/2027.42/117819

► That psychotic depression can be dealt with intelligently, creatively and productively has been demonstrated by a group of three American women writers who published during… (more)

Subjects/Keywords: metaphor; psychotic depression; Anne Sexton; Sylvia Plath; Charlotte Perkins Gilman

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APA (6^th Edition):

Kendall, C. (2004). Literary Metaphor Creation Used as an Alternative to Psychotic Depression. (Masters Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/117819

Chicago Manual of Style (16^th Edition):

Kendall, Charity. “Literary Metaphor Creation Used as an Alternative to Psychotic Depression.” 2004. Masters Thesis, University of Michigan. Accessed March 04, 2021. http://hdl.handle.net/2027.42/117819.

MLA Handbook (7^th Edition):

Kendall, Charity. “Literary Metaphor Creation Used as an Alternative to Psychotic Depression.” 2004. Web. 04 Mar 2021.

Vancouver:

Kendall C. Literary Metaphor Creation Used as an Alternative to Psychotic Depression. [Internet] [Masters thesis]. University of Michigan; 2004. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2027.42/117819.

Council of Science Editors:

Kendall C. Literary Metaphor Creation Used as an Alternative to Psychotic Depression. [Masters Thesis]. University of Michigan; 2004. Available from: http://hdl.handle.net/2027.42/117819

Uppsala University

14. Blixt, Emelie Stegborn. Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God.

Degree: Theology, 2018, Uppsala University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978

Subjects/Keywords: livsåskådningsvetenskap; teologi; gudsbild; människosyn; lyrikanalys; Anne Sexton; Religious Studies; Religionsvetenskap

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APA (6^th Edition):

Blixt, E. S. (2018). Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Blixt, Emelie Stegborn. “Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God.” 2018. Thesis, Uppsala University. Accessed March 04, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Blixt, Emelie Stegborn. “Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God.” 2018. Web. 04 Mar 2021.

Vancouver:

Blixt ES. Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God. [Internet] [Thesis]. Uppsala University; 2018. [cited 2021 Mar 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blixt ES. Transcendent Gud och döende människa? : Gudsbild och människosyn i Anne Sextons The Awful Rowing Toward God. [Thesis]. Uppsala University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

SUNY College at Brockport

15. Crandall, Lindsay McCann. Begetting the Apple: Poems from Women of the Bible.

Degree: MA, English, 2006, SUNY College at Brockport

URL: https://digitalcommons.brockport.edu/eng_theses/77

► This thesis project is twofold in nature, both analytical and creative. The introduction takes a penetrating look at the concept of confessional poetry, and… (more)

Subjects/Keywords: creative writing; confessional poetry; Anne Sexton; Carol Ann Duffy; biblical; Creative Writing; Poetry

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APA (6^th Edition):

Crandall, L. M. (2006). Begetting the Apple: Poems from Women of the Bible. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/eng_theses/77

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Crandall, Lindsay McCann. “Begetting the Apple: Poems from Women of the Bible.” 2006. Thesis, SUNY College at Brockport. Accessed March 04, 2021. https://digitalcommons.brockport.edu/eng_theses/77.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Crandall, Lindsay McCann. “Begetting the Apple: Poems from Women of the Bible.” 2006. Web. 04 Mar 2021.

Vancouver:

Crandall LM. Begetting the Apple: Poems from Women of the Bible. [Internet] [Thesis]. SUNY College at Brockport; 2006. [cited 2021 Mar 04]. Available from: https://digitalcommons.brockport.edu/eng_theses/77.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crandall LM. Begetting the Apple: Poems from Women of the Bible. [Thesis]. SUNY College at Brockport; 2006. Available from: https://digitalcommons.brockport.edu/eng_theses/77

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Melbourne

16. Young, Gwynith. Poets, belief and calamitous times.

Degree: 2006, University of Melbourne

URL: http://hdl.handle.net/11343/39146

► My research in this thesis covers the religious discourse of six contemporary poets who write belief from a position of calamity. Yehuda Amichai writes from… (more)

Subjects/Keywords: poetry; calamity; belief; Yehuda Amichai; Yves Bonnefoy; Anne Sexton; Nelly Sachs; Paul Celan; Seamus Heaney

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APA (6^th Edition):

Young, G. (2006). Poets, belief and calamitous times. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39146

Chicago Manual of Style (16^th Edition):

Young, Gwynith. “Poets, belief and calamitous times.” 2006. Doctoral Dissertation, University of Melbourne. Accessed March 04, 2021. http://hdl.handle.net/11343/39146.

MLA Handbook (7^th Edition):

Young, Gwynith. “Poets, belief and calamitous times.” 2006. Web. 04 Mar 2021.

Vancouver:

Young G. Poets, belief and calamitous times. [Internet] [Doctoral dissertation]. University of Melbourne; 2006. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11343/39146.

Council of Science Editors:

Young G. Poets, belief and calamitous times. [Doctoral Dissertation]. University of Melbourne; 2006. Available from: http://hdl.handle.net/11343/39146

Louisiana State University

17. Grundstad Hall, Emily. All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne.

Degree: DMA, Music, 2009, Louisiana State University

URL: etd-11112009-210447 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4073

► Stephen Paulus (b. 1949) is emerging as one of America’s accomplished composers for the voice. He is skilled in writing sensitively for the demands… (more)

Subjects/Keywords: Des Moines Metro Opera; Libby Larsen; Minnesota Composers Forum; Anne Sexton; Dominick Argento; Paul Fetler; Harmoonia; Writer's Workshop

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APA (6^th Edition):

Grundstad Hall, E. (2009). All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11112009-210447 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4073

Chicago Manual of Style (16^th Edition):

Grundstad Hall, Emily. “All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne.” 2009. Doctoral Dissertation, Louisiana State University. Accessed March 04, 2021. etd-11112009-210447 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4073.

MLA Handbook (7^th Edition):

Grundstad Hall, Emily. “All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne.” 2009. Web. 04 Mar 2021.

Vancouver:

Grundstad Hall E. All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne. [Internet] [Doctoral dissertation]. Louisiana State University; 2009. [cited 2021 Mar 04]. Available from: etd-11112009-210447 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4073.

Council of Science Editors:

Grundstad Hall E. All My Pretty Ones by Stephen Paulus; A Song Cycle for Soprano and Piano on a Text by Michael Dennis Browne. [Doctoral Dissertation]. Louisiana State University; 2009. Available from: etd-11112009-210447 ; https://digitalcommons.lsu.edu/gradschool_dissertations/4073

University of Waikato

18. Rowell, Dadon. A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy .

Degree: 2019, University of Waikato

URL: http://hdl.handle.net/10289/13562

► Waxing, shaving, plucking, eye-brow tinting, hair dying, makeup, diets, plastic surgery – if all women were instantaneously in love with their natural bodies, millions of… (more)

▼ Waxing, shaving, plucking, eye-brow tinting, hair dying, makeup, diets, plastic surgery – if all women were instantaneously in love with their natural bodies, millions of people would be out of work. For centuries, women’s bodies have been sites of patriarchal control: are they too fat, too thin, too loud, too quiet, too modest, too revealing, too innocent, too experienced? The list of dichotomous expectations goes on for miles, but what remains most important is that women act like women, look like women, and are attractive to men. Unfortunately, what it means to be a woman has not been democratically chosen by women – the Western patriarchal power structure has dictated expectations of gender for centuries, and is showing no sign of ceasing. This thesis looks at the representations of women’s bodies, specifically the breast, hands and mouth in the poems of Emily Dickinson and Anne Sexton. Through body-focused language and metaphor, the narrators of the poems illustrate the extreme and debilitating nature of patriarchal control. The reader sees the effects of this control on the bodies and lives of multiple women. Breasts are commodified, idealised and turned into sites of fragmentation, hands are cut-off and stripped of power, and mouths are punished if they attempt to question or raise their voices. The work of several theorists, and viewing the poetry through a feminist Foucauldian lens, reveals the extent to which women’s bodies are focused on, criticised and controlled. Dickinson’s and Sexton’s narrators do offer some light: it is not all doom and gloom. They show that through the narratives of those the patriarchy oppresses, a conversation can begin, a call to rebellion can be sounded, and that even if people are too weak, they can still undermine and subvert power until their voices and bodies are heard – until they can be unshackled from the enforced gender binary the patriarchy uses to control and punish those who are not conformist, white, able, cisgender men. A creative component in the form of a poetry collection, We Wash Our Hands in Fire, is also included in this thesis. The creative work explores many of the themes addressed in the thesis; it seeks to further understand Dickinson’s and Sexton’s poetry by using a poetic medium and lens, and exploring forms similar to those of the two poets. The poetry is also intended to add another voice to the body-focused, rebellious chorus highlighting patriarchal control and challenging it. Advisors/Committee Members: Slaughter, Tracey (advisor), Houlahan, Mark (advisor).

Subjects/Keywords: feminist; feminism; poetry; Emily Dickinson; Anne Sexton; American Poetry; creative writing; Foucault; gender; bodies; female body; breast; hand; mouth; lips; gender binary; patriarchy; confessional; Adrienne Rich; Sylvia Plath; female poets; women; Susan Bordo; Sandra Bartky; Iris Young; control; rebelling; femininity; commodification; fragmentation; oppression; creative component; gender issues; prescribed gender

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APA (6^th Edition):

Rowell, D. (2019). A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/13562

Chicago Manual of Style (16^th Edition):

Rowell, Dadon. “A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy .” 2019. Masters Thesis, University of Waikato. Accessed March 04, 2021. http://hdl.handle.net/10289/13562.

MLA Handbook (7^th Edition):

Rowell, Dadon. “A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy .” 2019. Web. 04 Mar 2021.

Vancouver:

Rowell D. A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy . [Internet] [Masters thesis]. University of Waikato; 2019. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10289/13562.

Council of Science Editors:

Rowell D. A body of one's own: Representations of women's bodies in the poetry of Emily Dickinson and Anne Sexton, and breaking free of the gendering patriarchy . [Masters Thesis]. University of Waikato; 2019. Available from: http://hdl.handle.net/10289/13562

19. Wilson, Wheelice. A production analysis of the musical, Peter Pan.

Degree: 1975, North Texas State University

URL: https://digital.library.unt.edu/ark:/67531/metadc798051/

► This investigation is concerned with the analysis of a production of Peter Pan, a large-scale musical play, which was presented at Dallas Repertory Theatre in… (more)

Subjects/Keywords: amateur theater production; Peter Pan; stage guides; Charlap, Morris Isaac, 1928- – Peter Pan.; Musicals – Stage guides.; Amateur theater – Production and direction – Case studies.; Charlap, Moose, 1928-1974. – Peter Pan. Libretto.; Peter Pan.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wilson, W. (1975). A production analysis of the musical, Peter Pan. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798051/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wilson, Wheelice. “A production analysis of the musical, Peter Pan.” 1975. Thesis, North Texas State University. Accessed March 04, 2021. https://digital.library.unt.edu/ark:/67531/metadc798051/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wilson, Wheelice. “A production analysis of the musical, Peter Pan.” 1975. Web. 04 Mar 2021.

Vancouver:

Wilson W. A production analysis of the musical, Peter Pan. [Internet] [Thesis]. North Texas State University; 1975. [cited 2021 Mar 04]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798051/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson W. A production analysis of the musical, Peter Pan. [Thesis]. North Texas State University; 1975. Available from: https://digital.library.unt.edu/ark:/67531/metadc798051/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universitat Politècnica de Catalunya

20. Delpino, Rossana. De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964.

Degree: Departament de Projectes Arquitectònics, 2016, Universitat Politècnica de Catalunya

URL: http://hdl.handle.net/10803/398914

► El presente trabajo se desarrolla en el periodo inicial de la obra independiente de Louis Kahn hasta el año 1957, cuando realizó el edificio Richards… (more)

▼ El presente trabajo se desarrolla en el periodo inicial de la obra independiente de Louis Kahn hasta el año 1957, cuando realizó el edificio Richards Medical Research Laboratories en la Universidad de Pensilvania. Este edificio marca el momento creador por excelencia, donde descubre ciertos fundamentos que se repetirán luego en su obra posterior y en otros proyectos de su tiempo. Por este motivo se establece un corte en la línea del tiempo hasta el 1957, para entender cómo se gesta la obra y encontrar los substratos subyacentes que conforman el proyecto. La aproximación viene desde dos momentos, que son lo inconmensurable y lo mensurable, es decir desde el mundo de las ideas hasta lo tangible, intentando abrir otro espacio para que lo indecible aparezca y podamos comprender la trascendencia del este edificio en la obra de Kahn y en su tiempo. De esta forma, el trabajo se divide en dos momentos importantes, que se instauran a partir de las palabras de Kahn al referirse al proceso creativo en su trabajo. Este proceso es el paso de lo inconmensurable (la idea), a lo mensurable (el edificio), para volver a ser inconmensurable (trascendencia a partir del edificio). De esta forma abordamos el trabajo en dos partes fundamentales, una denominada de lo ‘inconmensurable a lo mensurable’, y la otra de lo ‘mensurable a lo inconmensurable’. En el primer caso, de lo inconmensurable a lo mensurable, aparecen relaciones que construyen el imaginario de Kahn desarrollando puentes entre sus ideas a través de sus escritos, relaciones profesionales, viajes, la ciudad, relacionándolos con sus proyectos que trabaja en este tiempo y los proyectos que cita como referentes de su obra. En este momento los textos poseen mayor extensión que las imágenes, siendo el ámbito de las ideas las que tendrán protagonismo. Ya en la parte de lo mensurable a lo inconmensurable, tratara principalmente del proyecto de los laboratorios Richards y el laboratorio de Biología que aparecen como extensión del primero. En esta etapa el análisis de los proyectos anteriores, y fundamentalmente del los laboratorios será lo primordial, por este motivo, el proyecto ahora tendrá mayor preeminencia que el texto. En este edificio identifica, nombra y hace explícito el espacio vacío como articulador de la arquitectura, la estructura y las instalaciones. De esta forma, fue posible la individualización de los espacios de servicio con la misma contundencia que aparecen los espacios arquitectónicos, a una escala monumental y mostrando su funcionamiento, como si se tratara de una enorme máquina industrial. Creemos que a partir del edificio Richards, Kahn descubrió el fundamento de su obra, ya que pudo sintetizar en el proyecto, toda la búsqueda de años de trabajo, así como, al mismo tiempo, pudo sedimentar el legado de la historia por medio de sus viajes, las relaciones con su tiempo, y su experiencia con la ciudad. Por otro lado este edificio funciono como un manifiesto de su propia arquitectura, ya que funda las bases de su trabajo, obliterando el aporte de la… Advisors/Committee Members: [email protected] (authoremail), false (authoremailshow), Biurrun, F. Javier (Francisco Javier) (director), true (authorsendemail).

Subjects/Keywords: Kahn, Louis I., 1901-1974; Tyng, Anne Griswold, 1920-2011; Komendant, August E.; Fuller, R. Buckminster (Richard Buckminster), 1895-1983; Bacon, Edmund N.; Yale University. Art and Architecture Gallery; Adler House (Batesville, Arkansas); Adath Jeshurun Synagogue (Minnetonka, Minnesota); Conceptual art; Arte conceptual; Brutalisme (arquitectura); Àrees temàtiques de la UPC::Arquitectura; 71; 72

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Delpino, R. (2016). De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964. (Thesis). Universitat Politècnica de Catalunya. Retrieved from http://hdl.handle.net/10803/398914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Delpino, Rossana. “De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964.” 2016. Thesis, Universitat Politècnica de Catalunya. Accessed March 04, 2021. http://hdl.handle.net/10803/398914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Delpino, Rossana. “De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964.” 2016. Web. 04 Mar 2021.

Vancouver:

Delpino R. De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964. [Internet] [Thesis]. Universitat Politècnica de Catalunya; 2016. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10803/398914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delpino R. De lo inconmensurable a lo mensurable : proceso dialéctico desde el imaginario al proyecto del edificio Richards Medical Research Laboratories 1957-1964. [Thesis]. Universitat Politècnica de Catalunya; 2016. Available from: http://hdl.handle.net/10803/398914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Awasthi, Kishna Kant. The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -.

Degree: English, 2005, Bundelkhand University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/12095

None

Biblography p.253- 260

Advisors/Committee Members: Mishra, R K, Singh, Mahendra.

Subjects/Keywords: Comparative; Confessional; poetray; Sexton

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APA (6^th Edition):

Awasthi, K. K. (2005). The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -. (Thesis). Bundelkhand University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/12095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Awasthi, Kishna Kant. “The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -.” 2005. Thesis, Bundelkhand University. Accessed March 04, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/12095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Awasthi, Kishna Kant. “The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -.” 2005. Web. 04 Mar 2021.

Vancouver:

Awasthi KK. The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -. [Internet] [Thesis]. Bundelkhand University; 2005. [cited 2021 Mar 04]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Awasthi KK. The confessional poetry of Anne Sexton and Kamala Das: Comparative study; -. [Thesis]. Bundelkhand University; 2005. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Melbourne

22. Chadwick, Charlotte Marie. Identity and identification: gender, rewriting and Little Red Riding Hood.

Degree: 2014, University of Melbourne

URL: http://hdl.handle.net/11343/40869

► This thesis offers a psychoanalytical reading of versions of the Red Riding Hood folk tale, from Charles Perrault to Anne Sexton. It explores how these… (more)

Subjects/Keywords: Grimm; Perrault; Sexton; Red Riding Hood; psychoanalysis; abjection; daughter position

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APA (6^th Edition):

Chadwick, C. M. (2014). Identity and identification: gender, rewriting and Little Red Riding Hood. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/40869

Chicago Manual of Style (16^th Edition):

Chadwick, Charlotte Marie. “Identity and identification: gender, rewriting and Little Red Riding Hood.” 2014. Masters Thesis, University of Melbourne. Accessed March 04, 2021. http://hdl.handle.net/11343/40869.

MLA Handbook (7^th Edition):

Chadwick, Charlotte Marie. “Identity and identification: gender, rewriting and Little Red Riding Hood.” 2014. Web. 04 Mar 2021.

Vancouver:

Chadwick CM. Identity and identification: gender, rewriting and Little Red Riding Hood. [Internet] [Masters thesis]. University of Melbourne; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11343/40869.

Council of Science Editors:

Chadwick CM. Identity and identification: gender, rewriting and Little Red Riding Hood. [Masters Thesis]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/40869

University of Wollongong

23. Burton, Sarah-Jane. ‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton.

Degree: PhD, Department of English, 2015, University of Wollongong

URL: 2005 LITERARY STUDIES ; https://ro.uow.edu.au/theses/4552

► Robert Lowell, Sylvia Plath and Anne Sexton are all poets of preeminent distinction in American literary history. Partly responsible for changing the norms of… (more)

▼ Robert Lowell, Sylvia Plath and Anne Sexton are all poets of preeminent distinction in American literary history. Partly responsible for changing the norms of poetic production in the mid-twentieth century, these poets have been valorized and criticized for what, alongside the works of their contemporaries W.D Snodgrass and John Berryman, came to be known as their “Confessional” verse. However, contemporary studies have revealed the poets’ own aversions to this label and the presence of more complicated means of personal presentation in their works, demonstrating that such a categorization is no longer a relevant or accurate description of the writers or their work. This study presents a revised critical frame for a simultaneous analysis of Lowell, Plath and Sexton’s work. Concentrating on the period in the late 1950s when the three poets worked together in Lowell’s Boston University writing workshop, this study reassesses the poets as a trio and develops a theory regarding what this thesis has termed their “Corresponding Verse”. Highlighting the city of Boston as paramount in their connections, the study refers to the three writers as “The Boston Trio” and introduces new terminology surrounding their social and cultural contexts, providing “structures” in which their verse may be read collectively. These structures are made up of four key areas, which form the chapters of this thesis. “The Epoch” or their temporal context, “The City”, Boston and the spatial and historical relevance of this place to their collective identity, “The Academy” and the role of the university and the increasing prevalence of writers as teachers and “The Workshop”, the final structure which offers detailed analysis of Lowell’s workshop itself. Arguing, through detailed textual analysis and the presentation of new information from previously unpublished archival sources, that Lowell, Plath and Sexton can and should be read collectively, this study re-examines works from Lowell’s Life Studies (1959), Plath’s The Colossus (1960) and Sexton’s To Bedlam and Part Way Back (1960). Tracing their influence on each other and developing a cohesive picture of the period in which they worked together, this thesis completes a task which has yet to be undertaken by any critical or biographical study, adding a crucial missing piece to the rich and varied criticism on these three prominent American writers.

Subjects/Keywords: Plath; Lowell; Sexton; influence; Boston; New England; topographical poetry; Poet's Theatre

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APA (6^th Edition):

Burton, S. (2015). ‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton. (Doctoral Dissertation). University of Wollongong. Retrieved from 2005 LITERARY STUDIES ; https://ro.uow.edu.au/theses/4552

Chicago Manual of Style (16^th Edition):

Burton, Sarah-Jane. “‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton.” 2015. Doctoral Dissertation, University of Wollongong. Accessed March 04, 2021. 2005 LITERARY STUDIES ; https://ro.uow.edu.au/theses/4552.

MLA Handbook (7^th Edition):

Burton, Sarah-Jane. “‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton.” 2015. Web. 04 Mar 2021.

Vancouver:

Burton S. ‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton. [Internet] [Doctoral dissertation]. University of Wollongong; 2015. [cited 2021 Mar 04]. Available from: 2005 LITERARY STUDIES ; https://ro.uow.edu.au/theses/4552.

Council of Science Editors:

Burton S. ‘Structures of Influence’: the Boston Trio – Lowell, Plath and Sexton. [Doctoral Dissertation]. University of Wollongong; 2015. Available from: 2005 LITERARY STUDIES ; https://ro.uow.edu.au/theses/4552

Rutgers University

24. Burock, Marvin, 1966-. Joe Morello.

Degree: MA, Jazz History and Research, 2018, Rutgers University

URL: https://rucore.libraries.rutgers.edu/rutgers-lib/57301/

► This thesis explores legendary jazz drummer Joe Morello’s early years and musical training as well as a portion of his body of recorded drum solos.… (more)

Subjects/Keywords: Morello; Joe; 1928-2011

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APA (6^th Edition):

Burock, Marvin, 1. (2018). Joe Morello. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/57301/

Chicago Manual of Style (16^th Edition):

Burock, Marvin, 1966-. “Joe Morello.” 2018. Masters Thesis, Rutgers University. Accessed March 04, 2021. https://rucore.libraries.rutgers.edu/rutgers-lib/57301/.

MLA Handbook (7^th Edition):

Burock, Marvin, 1966-. “Joe Morello.” 2018. Web. 04 Mar 2021.

Vancouver:

Burock, Marvin 1. Joe Morello. [Internet] [Masters thesis]. Rutgers University; 2018. [cited 2021 Mar 04]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57301/.

Council of Science Editors:

Burock, Marvin 1. Joe Morello. [Masters Thesis]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57301/

Universiteit Utrecht

25. Haken, Joline ten. Anne Frank na tradução portuguesa.

Degree: 2008, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/31493

► Het beeld dat de lezers van een personage vormen, wordt in grote mate beïnvloed door de kwaliteit van de vertaling. Daarom heb ik gekeken naar… (more)

Subjects/Keywords: Letteren; Anne Frank; translation

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APA (6^th Edition):

Haken, J. t. (2008). Anne Frank na tradução portuguesa. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31493

Chicago Manual of Style (16^th Edition):

Haken, Joline ten. “Anne Frank na tradução portuguesa.” 2008. Masters Thesis, Universiteit Utrecht. Accessed March 04, 2021. http://dspace.library.uu.nl:8080/handle/1874/31493.

MLA Handbook (7^th Edition):

Haken, Joline ten. “Anne Frank na tradução portuguesa.” 2008. Web. 04 Mar 2021.

Vancouver:

Haken Jt. Anne Frank na tradução portuguesa. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2021 Mar 04]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31493.

Council of Science Editors:

Haken Jt. Anne Frank na tradução portuguesa. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31493

University of Alberta

26. Levasseur-Ouimet, France. L'archétype de la renaissance dans la poésie d'Anne Hébert.

Degree: MA, 1977, University of Alberta

URL: https://era.library.ualberta.ca/files/4f16c551c

Subjects/Keywords: Hébert, Anne.

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APA (6^th Edition):

Levasseur-Ouimet, F. (1977). L'archétype de la renaissance dans la poésie d'Anne Hébert. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/4f16c551c

Chicago Manual of Style (16^th Edition):

Levasseur-Ouimet, France. “L'archétype de la renaissance dans la poésie d'Anne Hébert.” 1977. Masters Thesis, University of Alberta. Accessed March 04, 2021. https://era.library.ualberta.ca/files/4f16c551c.

MLA Handbook (7^th Edition):

Levasseur-Ouimet, France. “L'archétype de la renaissance dans la poésie d'Anne Hébert.” 1977. Web. 04 Mar 2021.

Vancouver:

Levasseur-Ouimet F. L'archétype de la renaissance dans la poésie d'Anne Hébert. [Internet] [Masters thesis]. University of Alberta; 1977. [cited 2021 Mar 04]. Available from: https://era.library.ualberta.ca/files/4f16c551c.

Council of Science Editors:

Levasseur-Ouimet F. L'archétype de la renaissance dans la poésie d'Anne Hébert. [Masters Thesis]. University of Alberta; 1977. Available from: https://era.library.ualberta.ca/files/4f16c551c

27. CLAFFEY, HUGH JOSEPH. Thanksgivings in the reign of Queen Anne.

Degree: School of Histories & Humanities. Discipline of History, 2018, Trinity College Dublin

URL: http://hdl.handle.net/2262/83756

► Dr. Sacheverell's November 5th Memorial Sermon delivered in St. Paul's in 1709 and the reaction to it unleashed a civic and political maelstrom. The published… (more)

▼ Dr. Sacheverell's November 5th Memorial Sermon delivered in St. Paul's in 1709 and the reaction to it unleashed a civic and political maelstrom. The published sermon sold in unpresented volumes, the impeachment of the parson by the Whig-Duumvir Ministry provoked rioting in London in March 1710, the elections in October saw the Tories swept to power, with the aim of ending the War of Spanish Succession and reversing religious toleration. G.M. Trevelyan summarised the view of historians that the change in public opinion signalled by Sacheverell 'found no adequate voice in literature, journalism or public speech' before 1709.This thesis will argue that such a change in public opinion was evident in the published sermons given at the officially mandated Thanksgiving services held throughout Queen Anne's reign. The Queen, as head of both the established Church and the State, mandated the almost annual religious celebration of secular successes in accordance with the prevailing belief of the necessity of giving thanks to God for His providential assistance to the nation. The demand for sermons and the infrastructure for their publication and dissemination ensured that they formed a part of the lively political debate that was a feature of early modern England. It is the contention of this thesis that it is possible, through these sermons, to reconstruct the twists and turns of the independent, though interconnected strands of partisan opinion through the decade. Analysis of the one hundred and ninety two published sermons, from eleven Thanksgiving days, tracks changes in relation to Providence, the War and the reputations of the Queen, Marlborough and Louis. While the Whig point of view is unsurprising to a student of the era, the two other strands do contain some novelty -the consistency of Dissenting Opinion and the significantly early point in the war at which Tory disenchantment began to manifest itself. Subthemes explored are the opinions of and about the Huguenot community and the role of patronage and pageantry in the preparation for the Thanksgiving ceremonies. This thesis argues that the published Thanksgiving sermons represent accountable opinion, in contrast to the sometimes anonymous and disingenuous pamphlet literature, wherein preachers must comment on the secular events being celebrated, reflecting the partisan views of their auditory and patrons while staying within the boundaries of acceptability. The sermons can therefore be argued to be both more reflective of and influential on public opinion than the more exhaustively studied pamphlet literature. Advisors/Committee Members: Geary, Daniel.

Subjects/Keywords: Sermon; Queen Anne; Politico-Religious

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APA (6^th Edition):

CLAFFEY, H. J. (2018). Thanksgivings in the reign of Queen Anne. (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/83756

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

CLAFFEY, HUGH JOSEPH. “Thanksgivings in the reign of Queen Anne.” 2018. Thesis, Trinity College Dublin. Accessed March 04, 2021. http://hdl.handle.net/2262/83756.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

CLAFFEY, HUGH JOSEPH. “Thanksgivings in the reign of Queen Anne.” 2018. Web. 04 Mar 2021.

Vancouver:

CLAFFEY HJ. Thanksgivings in the reign of Queen Anne. [Internet] [Thesis]. Trinity College Dublin; 2018. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2262/83756.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CLAFFEY HJ. Thanksgivings in the reign of Queen Anne. [Thesis]. Trinity College Dublin; 2018. Available from: http://hdl.handle.net/2262/83756

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université Paris-Sorbonne – Paris IV

28. Chapy, Aubrée. Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power.

Degree: Docteur es, Histoire moderne, 2014, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2014PA040120

►

A la fin du Moyen Âge et au début de la Renaissance, les femmes s‟affirment en politique, notamment comme régentes. Anne de France, fille de… (more)

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A la fin du Moyen Âge et au début de la Renaissance, les femmes s‟affirment en politique, notamment comme régentes. Anne de France, fille de Louis XI et soeur de Charles VIII ainsi que Louise de Savoie, mère de François Ier, s‟illustrent par leur action à la tête du royaume et par leur puissance. Sous leur influence, la régence s‟invente, se construit et s‟institutionnalise. Pratique empirique du gouvernement, elle ne cesse d‟évoluer et de se métamorphoser. La prise de pouvoir par les femmes implique un questionnement sur l‟autorité et sur la souveraineté du roi et génère des contestations. La régence s‟ancre dans le sang, dans l‟amour et dans le droit, qui légitiment celles qui l‟exercent.Ce pouvoir se construit sur des réseaux et avec l‟appui du roi. Il s‟édifie sur diverses stratégies qui ont comme idéal éthique et politique une pratique du pouvoir fondée sur la vertu, la prudence et la feinte. La régence féminine est un pouvoir aux multiples facettes. Parole et écrit, images et gestes, signes et symboles, histoire et mythes sont autant d‟outils pour celles qui le pratiquent.

At the turn of Middle Ages and of the Renaissance women asserted themselves in the field of politics and more specifically as regents. Anne of France, daughter of Louis XI and sister of Charles VIII as well as Louise of Savoy, mother of Francis I distinguished themselves by their action at the head of the kingdom and by the power, which they attained. Under their influence, regency was invented, established itself and became an institution. As an empirical practice it kept undergoing advances and transformation.Women‟s taking and holding the reins of power prompted pondering the king‟s sovereignty and authority as well as it engendered controversy. Regency rested on royal descent and blood, on love and law, which conferred legitimacy to those who exercised it.This power was built through alliances and networks and in the case of Louise of Savoy with the king‟s support. The exercise of a regency by a woman involved a multifaceted power. Speech and written works

Advisors/Committee Members: Crouzet, Denis (thesis director).

Subjects/Keywords: Femmes; Pouvoir; Régence; Anne de France; Anne de Savoie; Women; Power; Regency; Anne of France; Anne of Savoie

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APA (6^th Edition):

Chapy, A. (2014). Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040120

Chicago Manual of Style (16^th Edition):

Chapy, Aubrée. “Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed March 04, 2021. http://www.theses.fr/2014PA040120.

MLA Handbook (7^th Edition):

Chapy, Aubrée. “Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power.” 2014. Web. 04 Mar 2021.

Vancouver:

Chapy A. Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2021 Mar 04]. Available from: http://www.theses.fr/2014PA040120.

Council of Science Editors:

Chapy A. Anne de France, Louise de Savoie, inventions d'un pouvoir au féminin : Anne de France, Louise de Savoie, inventions of a women's power. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040120

29. Tsigouni, Vasiliki. Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library.

Degree: 2017, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

URL: http://hdl.handle.net/10442/hedi/43008

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The study of modern and contemporary history is inextricably linked with the press, and therefore, the general course of Greece as a country is unfathomable… (more)

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The study of modern and contemporary history is inextricably linked with the press, and therefore, the general course of Greece as a country is unfathomable if one ignores the privileged field of study that newpaper pages lend.The study analyzes the contribution of the press and presents Greece’s problems on a national and social level in the first decade of the 20th century, between the defeat of 1897 and the preparation for the victorious Balcan Wars.The research material comprises all Athenian newspapers of the period in question.The subject matter of the study is the relationship between the press and the problems of the Greek society. This stems from the fact that the press constitutes the most basic expression of the Greek consciousness, affecting both the general public and the governments of the period in question.Special emphasis is also laid on the important cultural issues of the era, with the focus on educational circumstances and the issues arising from them, such as the Language Issue with its effect on pedagogics and the development of an ideology through art, speech and essay writing.Works by authors and poets which contribute to the formation and the development of an ideology on Greek people through the power of their quills and souls, expressing ideological and social issues during this period are analyzed.Although the press and its contribution to the overall political, social and ideological development of the period in question is considered ‘National’, only Athenian newspapers are included in the study.Moreover, newspapers from enslaved areas have been chosen for their contribution to the formation and development of a national ideology andfor the closer examination of the ‘Spyros Matsoukas’ phenomenon. Spyros Matsukas was a patriot who fought throughout Greece for the national idea and for Greeks who lived abroad (Greeks of diaspora) to aid both financially and psychologically in the resurrection of the country.During the period in question, newspapers played a key role in the national and social life. Journalists focused on national issues and the fervent desire for the realization of the Grand Idea. In the indexing of the sources, every attempt was made to find the golden medium between a useless collection of facts, which would simply delay the whole process, and the destruction of the real meaning of the articles through a frivolous isolation of phrases. For the organization and the processing of the material, classic thematic analysis was considered the most suitable technique as the sheer quantity of the chosen articles was huge.Furthermore, citing the sources themselves and quoting expressions from them not only help to reproduce the atmosphere of the era, but they also constitute living proof that what the research suggests is true.

Η νεότερη και η σύγχρονη ιστορία είναι άρρηκτα συνδεδεμένες με τον τύπο και την ιστορία του. Δεν μπορεί κανένας να φανταστεί τη συνολική πορεία της Ελλάδας αγνοώντας το προνομιακό πεδίο της έρευνας που προσφέρουν οι σελίδες των εφημερίδων. Η έρευνα…

Subjects/Keywords: Ματσούκας, Σπύρος (1870- 1928); Matsoukas, Spyros (1870- 1928)

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APA (6^th Edition):

Tsigouni, V. (2017). Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/43008

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tsigouni, Vasiliki. “Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library.” 2017. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed March 04, 2021. http://hdl.handle.net/10442/hedi/43008.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tsigouni, Vasiliki. “Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library.” 2017. Web. 04 Mar 2021.

Vancouver:

Tsigouni V. Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10442/hedi/43008.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tsigouni V. Η συμβολή του Τύπου στην ανάδειξη των εθνικοπολιτικών, κοινωνικών και εκπαιδευτικών γεγονότων και το εθνικό έργο του Σπύρου Ματσούκα: από το 1897 στο 1912: παρουσίαση της έρευνας σε μία Digital Future Library. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. Available from: http://hdl.handle.net/10442/hedi/43008

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Bécel, Laurence. Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton.

Degree: Docteur es, Études anglophones, 2012, Le Mans

URL: http://www.theses.fr/2012LEMA3015

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Qualifiée de « confessionnelle », la poésie de Robert Lowell et d’Anne Sexton peut être redéfinie comme testimoniale, en tant que discours sur soi «… (more)

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Qualifiée de « confessionnelle », la poésie de Robert Lowell et d’Anne Sexton peut être redéfinie comme testimoniale, en tant que discours sur soi « hanté » par la fiction. C’est ce que permet d’établir, d’une part, l’étude de la relation entre confession littéraire, fiction et poéticité puis, d’autre part, l’analyse du rapport à la vérité fondé sur une motivation autobiographique et sur l’opération poétique comme vérité « s’avérant dans une structure de fiction ». Fictions de soi aspirant à un discours de vérité sur soi, les œuvres poétiques de Lowell et Sexton sont des témoignages tentés par la confession, ainsi que l’illustre la recherche surréaliste de Sexton. Par ailleurs, l’expression de la folie opère un lien avec la confession religieuse, issue d’Augustin, et avec la définition initiale de la poésie confessionnelle par M.L. Rosenthal qui souligne l’importance de la culpabilité dans l’écriture de Lowell. Mais la représentation du déterminisme de la souffrance psychique, à la fois en termes psychanalytiques et en termes religieux, réduit l’accomplissement de la confession à une fiction de soi. Contrairement à une confession aboutie, le témoignage hybride sur soi peut alors s’avérer déstabilisant : échec de la confession, le témoignage prend acte de l’affaiblissement du « je » dont la vulnérabilité semble incarnée par le sort tragique de Sexton. Une analyse des ressorts de cette fragilité du « je » permet de comprendre les conséquences de la confrontation des auteurs avec leurs poèmes testimoniaux et avec les lecteurs. Elle révèle également l’impasse où mène le poème testimonial.

Although the poetical works of Robert Lowell and of Anne Sexton have been called “confessional”, they may rather be defined as testimonial insofar as they are discourse “haunted” by fiction. This will be shown through the analysis of the relation between literary confession, fiction and poeticity. It will also appear in the study of the poems’ relation to truth, both poets’ conceptions of truth relying on autobiographical motivations and on artistic considerations about poetical achievement viewed as truth emerging from “the structure of fiction”. Eventually, the poems of Lowell and Sexton are fictions of the self aiming at speaking the truth and, as such, they might be redefined as testimonies tempted by confession, which is exemplified in Sexton’s surrealistic search. Besides, the poetic representation of madness provides a link with, on the one hand, Augustine’s religious confession and, on the other hand, M.L. Rosenthal’s initial definition emphasizing the importance of guilt in Lowell’s “confessional” writing. But expressing determined psychological suffering in both psychoanalytical and religious terms reduces the accomplishment of confession to mere fiction of the self. Contrary to fully achieved confession, hybrid self-testifying may then prove destabilizing: it bears witness to the failure of confession and therefore to the weakening of the “I”, whose vulnerability Sexton’s tragic fate may embody. Analyzing the poetical…

Advisors/Committee Members: Aji, Hélène (thesis director).

Subjects/Keywords: Poésie; Témoignage; Confession; Autobiographique; Fiction; Lyrisme; Lowell; Sexton; Poetry; Testimony; Autobiography; 821.91

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bécel, L. (2012). Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton. (Doctoral Dissertation). Le Mans. Retrieved from http://www.theses.fr/2012LEMA3015

Chicago Manual of Style (16^th Edition):

Bécel, Laurence. “Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton.” 2012. Doctoral Dissertation, Le Mans. Accessed March 04, 2021. http://www.theses.fr/2012LEMA3015.

MLA Handbook (7^th Edition):

Bécel, Laurence. “Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton.” 2012. Web. 04 Mar 2021.

Vancouver:

Bécel L. Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton. [Internet] [Doctoral dissertation]. Le Mans; 2012. [cited 2021 Mar 04]. Available from: http://www.theses.fr/2012LEMA3015.

Council of Science Editors:

Bécel L. Confession ou fiction de soi : la poésie testimoniale de Robert Lowell et Anne Sexton : Confession or fiction of the self : the testimonial poetry of Robert Lowell and Anne Sexton. [Doctoral Dissertation]. Le Mans; 2012. Available from: http://www.theses.fr/2012LEMA3015

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