You searched for subject:(Sensibility).
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University of New South Wales
1.
Rice, Mollie.
Threshold aligning (performing place).
Degree: Art & Design, 2018, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/60015 
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51359/SOURCE2?view=true
► Threshold aligning (performing place) is a practice-led research project that explores drawing and sounding in human spatiality and, in particular, shifting sensations of place in…
(more)
▼ Threshold aligning (performing place) is a practice-led research project that explores drawing and sounding in human spatiality and, in particular, shifting sensations of place in the contemporary city. The complex notion of place, defined by the philosopher Jeff Malpas as a structure within which experience is possible, is applied to the research. The research engages strategies of mapping, embracing the topographical analogy proposed by Malpas, to examining the physical and conceptual notion of the threshold. Specifically, the research looks to the crucial role that performance plays in connecting person and place, opening up forms of agency as described in the philosopher Rosi Braidotti's theory of 'complex singularity'. The research explores the performance of the quotidian and the personalisation of public space, as reflected in the practices of artists Morgan O'Hara, Bianca Hester and Cameron Robbins. Through empirical observations in city space, material processes of engaging with field-working include walking, active listening, sounding and drawing, the project aims to make visible and audible the performance of place in different scales and modalities. Engaging a sonic
sensibility, as described by artist Salome Voegelin, the work questions visual priority and the simplification of place, in an approach that looks to aligning thresholds in the experience of the contemporary city.
Advisors/Committee Members: Bacon, Julie Louise, Art & Design, Faculty of Art & Design, UNSW, Sierra, Marie, Art & Design, Faculty of Art & Design, UNSW.
Subjects/Keywords: Sonic sensibility; Place; Performative drawing
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APA (6th Edition):
Rice, M. (2018). Threshold aligning (performing place). (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/60015 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51359/SOURCE2?view=true
Chicago Manual of Style (16th Edition):
Rice, Mollie. “Threshold aligning (performing place).” 2018. Masters Thesis, University of New South Wales. Accessed March 07, 2021.
http://handle.unsw.edu.au/1959.4/60015 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51359/SOURCE2?view=true.
MLA Handbook (7th Edition):
Rice, Mollie. “Threshold aligning (performing place).” 2018. Web. 07 Mar 2021.
Vancouver:
Rice M. Threshold aligning (performing place). [Internet] [Masters thesis]. University of New South Wales; 2018. [cited 2021 Mar 07].
Available from: http://handle.unsw.edu.au/1959.4/60015 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51359/SOURCE2?view=true.
Council of Science Editors:
Rice M. Threshold aligning (performing place). [Masters Thesis]. University of New South Wales; 2018. Available from: http://handle.unsw.edu.au/1959.4/60015 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:51359/SOURCE2?view=true
2.
K.P. Nanda Kumar.
The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;.
Degree: English, 2015, University of Calicut
URL: http://shodhganga.inflibnet.ac.in/handle/10603/44681
newline
Bibliography p.296-302
Advisors/Committee Members: C.P. Sivadasan.Subjects/Keywords: English; jewish sensibility
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APA (6th Edition):
Kumar, K. N. (2015). The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;. (Thesis). University of Calicut. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/44681
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kumar, K.P. Nanda. “The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;.” 2015. Thesis, University of Calicut. Accessed March 07, 2021.
http://shodhganga.inflibnet.ac.in/handle/10603/44681.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kumar, K.P. Nanda. “The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;.” 2015. Web. 07 Mar 2021.
Vancouver:
Kumar KN. The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;. [Internet] [Thesis]. University of Calicut; 2015. [cited 2021 Mar 07].
Available from: http://shodhganga.inflibnet.ac.in/handle/10603/44681.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kumar KN. The self in the making a study of jewish sensibility in
the early fiction of Philip Roth;. [Thesis]. University of Calicut; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/44681
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Alberta
3.
McNeill-Bindon, Susan Colleen.
Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction.
Degree: PhD, Department of English and Film Studies, 2009, University of Alberta
URL: https://era.library.ualberta.ca/files/1z40kv064
► Feeling Subjects investigates sensibility in relation to the production of subjectivity in the later eighteenth century. It creates a model of sensibility as a discursive…
(more)
▼ Feeling Subjects investigates sensibility in relation
to the production of subjectivity in the later eighteenth century.
It creates a model of sensibility as a discursive space bringing
together literary, philosophical, and medical understandings of
feeling. It argues that sensibility’s discursive space produces
experiential subjects in an ongoing, dynamic project of negotiating
between the internalization of public experiences and the
projection of private feelings and thoughts. It invokes the
three-dimensional image of the Möbius strip to envision
inner/private and external/public expressions of feeling as
inseparable, yet distinct elements that help to produce the feeling
subject. This model of sensibility represents a new theory of
subjectivity in the later eighteenth-century where the literary
subject and the social community that surrounds him or her are both
co-constitutive and co-destructive and where the traditional
binaries are challenged in a model that sees every character as
simultaneously a public and private subject. The aim of the project
is to show that the legacies of rational men and emotional women
which have occupied scholars of the eighteenth century for much of
the last fifty years suggest a much more cohesive understanding of
gender and its connection to subjectivity than is revealed in much
of the fiction of sensibility in the period. Feeling Subjects
offers a theory of sensibility that is not inherently gendered, and
that focuses on how individuals experience themselves in relation
to the world around them while simultaneously generating that
world. The project is divided into two halves which enact the
Möbius model of private and public feeling. The first half focuses
on the personally and socially productive potential of sensibility
in The Adventures of David Simple, The History of Ophelia, The
Vicar of Wakefield, and The Fool of Quality. The second half
examines the increasingly negative expression of sensibility in A
Simple Story, Secresy, The Natural Daughter, and Zofloya.
Throughout Feeling Subjects, sensibility is not just a word
denoting the expression of feeling, but a discursive space through
which to experience the tensions and interrelations between public
and private thought and feeling in theories of socialization in the
later eighteenth-century novel.
Subjects/Keywords: Sensibility; Eighteenth-Century; Fiction; British; Subjectivity
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APA (6th Edition):
McNeill-Bindon, S. C. (2009). Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/1z40kv064
Chicago Manual of Style (16th Edition):
McNeill-Bindon, Susan Colleen. “Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction.” 2009. Doctoral Dissertation, University of Alberta. Accessed March 07, 2021.
https://era.library.ualberta.ca/files/1z40kv064.
MLA Handbook (7th Edition):
McNeill-Bindon, Susan Colleen. “Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction.” 2009. Web. 07 Mar 2021.
Vancouver:
McNeill-Bindon SC. Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction. [Internet] [Doctoral dissertation]. University of Alberta; 2009. [cited 2021 Mar 07].
Available from: https://era.library.ualberta.ca/files/1z40kv064.
Council of Science Editors:
McNeill-Bindon SC. Feeling Subjects: Sensibility's Mobius Strip and the
Public-Private Subject in Later Eighteenth-Century British
Fiction. [Doctoral Dissertation]. University of Alberta; 2009. Available from: https://era.library.ualberta.ca/files/1z40kv064
4.
Rengachari,S.
Romantic elements in the works of T S Eliot;.
Degree: English, 2015, Gujarat University
URL: http://shodhganga.inflibnet.ac.in/handle/10603/48436
Abstract Not Available
Data not available
Advisors/Committee Members: Malagi,R A.Subjects/Keywords: Criticism; Romantic; Sensibility
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APA (6th Edition):
Rengachari,S. (2015). Romantic elements in the works of T S Eliot;. (Thesis). Gujarat University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/48436
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Rengachari,S. “Romantic elements in the works of T S Eliot;.” 2015. Thesis, Gujarat University. Accessed March 07, 2021.
http://shodhganga.inflibnet.ac.in/handle/10603/48436.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Rengachari,S. “Romantic elements in the works of T S Eliot;.” 2015. Web. 07 Mar 2021.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Vancouver:
Rengachari,S. Romantic elements in the works of T S Eliot;. [Internet] [Thesis]. Gujarat University; 2015. [cited 2021 Mar 07].
Available from: http://shodhganga.inflibnet.ac.in/handle/10603/48436.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Rengachari,S. Romantic elements in the works of T S Eliot;. [Thesis]. Gujarat University; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/48436
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
Penn State University
5.
Heath, Amirah.
Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football.
Degree: 2013, Penn State University
URL: https://submit-etda.libraries.psu.edu/catalog/17593
► While women have made strides toward integrating the predominantly male sports industry, there is still a long way to go before they can enjoy the…
(more)
▼ While women have made strides toward integrating the predominantly male sports industry, there is still a long way to go before they can enjoy the same power and legitimacy as men on and off the field. Despite the many victories of the feminist movement, including the passage of Title IX, patriarchal relations still permeate professional sports in the U.S. This thesis looks at the promotional media of the Lingerie Football League (LFL) (2009-2012) to reveal some of the material and symbolic forms of oppression against women in sports that contribute to the perception of women’s sports as second-rate. Promotional media that I study in this analysis include media representations of the league in promotional content on television (MTV2), online (Lflus.com, Mtv2.com, and Playboy.com), and in print (Playboy magazine). I also analyze the league’s uniform, team names, and logos.
The results indicate that the promotional discourse created and endorsed by the LFL, at once blatantly sexually objectified the athletes who participated in this form of “fantasy football” and also demanded that teammates play the game as an aggressive contact sport requiring strength, physical conditioning, and risk of injury. Thus, contradictions in promotional media for the LFL pointed to ambivalence about women’s roles and capabilities in the sports industry. The LFL’s promotional campaign demonstrated how the league and its players embraced women’s athleticism in tackle football and simultaneously neutralized such athleticism as a threat to men’s domination of sports and to men’s domination of society in general. I conclude by arguing that the LFL’s latest rebranding efforts, that include ostensibly moving away from lingerie and embracing “performance wear” amounts to nominal change. Even as the “Legends Football League,” the new LFL still requires players to play in bras and panties with insufficient protective padding.
Advisors/Committee Members: Michelle Rodino Colocino, Thesis Advisor/Co-Advisor.
Subjects/Keywords: Women; Sports; Feminist Criticism; Postfeminism; Postfeminist Sensibility
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APA (6th Edition):
Heath, A. (2013). Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/17593
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Heath, Amirah. “Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football.” 2013. Thesis, Penn State University. Accessed March 07, 2021.
https://submit-etda.libraries.psu.edu/catalog/17593.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Heath, Amirah. “Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football.” 2013. Web. 07 Mar 2021.
Vancouver:
Heath A. Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football. [Internet] [Thesis]. Penn State University; 2013. [cited 2021 Mar 07].
Available from: https://submit-etda.libraries.psu.edu/catalog/17593.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Heath A. Gridiron Goddesses: The Sport And Spectacle Of Lingerie Football. [Thesis]. Penn State University; 2013. Available from: https://submit-etda.libraries.psu.edu/catalog/17593
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universiteit Utrecht
6.
Verhoeff, E.
Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale.
Degree: 2015, Universiteit Utrecht
URL: http://dspace.library.uu.nl:8080/handle/1874/321310
► Title: Early detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale Background Post stroke depression (PSD) is a common consequence after…
(more)
▼ Title: Early detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale
Background Post stroke depression (PSD) is a common consequence after stroke. Depression has been negatively associated with functional outcome, length of stay in hospital, cognitive impairment, and social activities. One third of the patients post stroke suffer from communicative impairments. For assessing PSD, irrespective of the fact that patients have communicative impairments, an observational screening tool could be useful. Of the available tools the Signs of Depression Scale is adapted. This revised version (SODS-R) needs validation.
Aim and research question(s) This study evaluates the internal consistency, interrater and intrarater reliability, criterion validity against the nine-items Patient Health Questionnaire (PHQ-9), construct validity against the Barthel Index (BI), diagnostic accuracy and clinical utility of the SODS-R.
Method A quantitative, observational, cross-sectional cohort study in a Dutch nursing home from April 2013 till June 2013.
Results 18 residents, 14 proxies and 23 nurses were included. 4 residents had a major depression. Cronbach’s alpha for internal consistency was 0.91, ICC for interrater and intrarater reliability was 0.96 (95% CI 0.87 – 0.98) and 0.88 (95% CI 0.70 – 0.96), respectively. Correlation between SODS-R and the PHQ-9 and BI, respectively, was rp = 0.25, p 0.344 and -0.18, p 0.474.The area under the curve for diagnostic performance of SODS-R was 0.68 (95% CI 0.32-1.00), and the optimum cut-off point was 5. Sensitivity and specificity were 75% and 69%, respectively. The positive and negative predicted value was 0.43 and 0.90, respectively.
Conclusion Although the sample size of this study is too small to provide evidence for psychometric of the SODS-R, the tool seems to be reliable and accurate and useful, but should be further validated.
Advisors/Committee Members: de Man-van Ginkel, J.M..
Subjects/Keywords: PSD; observational screening; sensibility; specificity; utility
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APA (6th Edition):
Verhoeff, E. (2015). Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/321310
Chicago Manual of Style (16th Edition):
Verhoeff, E. “Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale.” 2015. Masters Thesis, Universiteit Utrecht. Accessed March 07, 2021.
http://dspace.library.uu.nl:8080/handle/1874/321310.
MLA Handbook (7th Edition):
Verhoeff, E. “Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale.” 2015. Web. 07 Mar 2021.
Vancouver:
Verhoeff E. Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale. [Internet] [Masters thesis]. Universiteit Utrecht; 2015. [cited 2021 Mar 07].
Available from: http://dspace.library.uu.nl:8080/handle/1874/321310.
Council of Science Editors:
Verhoeff E. Early Detection of Post Stroke Depression: psychometric properties of the Signs of Depression Scale. [Masters Thesis]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/321310
University of Exeter
7.
Trethewey, Rachel Hetty.
The progressive ideas of Anna Letitia Barbauld.
Degree: PhD, 2013, University of Exeter
URL: http://hdl.handle.net/10871/9301
► In an age of Revolution, when the rights of the individual were being fought for, Anna Letitia Barbauld was at the centre of the ideological…
(more)
▼ In an age of Revolution, when the rights of the individual were being fought for, Anna Letitia Barbauld was at the centre of the ideological debate. This thesis focuses on her political writing; it argues that she was more radical than previously thought. It provides new evidence of Barbauld’s close connection to an international network of reformers. Motivated by her Dissenting faith, her poems suggest that she made topical interventions which linked humanitarian concerns to wider abuses of power. This thesis traces Barbauld’s intellectual connections to seventeenth- and eighteenth-century religious and political thought. It examines her dialogues with the leading thinkers of her era, in particular Joseph Priestley. Setting her political writing in the context of the 1790s pamphlet wars, I argue that it is surprising that her 1792 pamphlet, Civic Sermons, escaped prosecution; its criticism of the government has similarities to the ideas of writers who were tried. My analysis of Barbauld’s political and socio-economic ideas suggests that, unlike many of her contemporaries, she trusted ordinary people, believing that they had a right to be involved in government. She argued that intellectuals should provide them with information but not tell them what to think. These democratic ideas were reflected in her literary approach; she employed different genres to reach different audiences. She critiqued and used the discourses of enthusiasm and sensibility to appeal to the emotions of her readers. I argue that, by adapting the traditionally male genre of political pamphlets, her work was part of a tradition of progressive female political thought dating back to the seventeenth century. Her innovative defence of civil liberties contributed to the development of liberalism.
Subjects/Keywords: 821; Politics; radicalism; Dissent; sociability; religion; sensibility
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APA (6th Edition):
Trethewey, R. H. (2013). The progressive ideas of Anna Letitia Barbauld. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/9301
Chicago Manual of Style (16th Edition):
Trethewey, Rachel Hetty. “The progressive ideas of Anna Letitia Barbauld.” 2013. Doctoral Dissertation, University of Exeter. Accessed March 07, 2021.
http://hdl.handle.net/10871/9301.
MLA Handbook (7th Edition):
Trethewey, Rachel Hetty. “The progressive ideas of Anna Letitia Barbauld.” 2013. Web. 07 Mar 2021.
Vancouver:
Trethewey RH. The progressive ideas of Anna Letitia Barbauld. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/10871/9301.
Council of Science Editors:
Trethewey RH. The progressive ideas of Anna Letitia Barbauld. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/9301
8.
TAKEBAYASHI, YUHKI.
The Grounded Patriot: Oliver Goldsmith as Historical Compiler.
Degree: School of English. Discipline of English, 2019, Trinity College Dublin
URL: http://hdl.handle.net/2262/86154
► Oliver Goldsmith (1728-1774) began his career as a writer in London in 1757 and laboured as an anonymous hack until he leaped into literary stardom…
(more)
▼ Oliver Goldsmith (1728-1774) began his career as a writer in London in 1757 and laboured as an anonymous hack until he leaped into literary stardom with the publication of his first, major poem, The Traveller (1764). His industriousness did not cease until his death, and he continued to produce numerous works. Not only does the quantity of his outputs impress us today, but his engagement in diverse fields of writing was arguably unmatched by his contemporaries.
However, of Goldsmith?s diverse writerly portfolio, much attention has been directed towards his great poetical, theatrical and novelistic works, at the expense of his historical compilations: An History of England, in a Series of Letters from a Nobleman to his Son (1764), the Roman History (1769), the History of England (1771) and the Grecian History (1774). Indeed, from the late-eighteenth century onwards, these texts have been enduringly and progressively dismissed as lesser works.
Broadly speaking, this thesis attempts to dismantle the lowly regard with which Goldsmith?s histories continues to be regarded. To this extent, firstly, the deepening trend towards pushing these compilations to the outer reaches of the Goldsmithian orbit is traced in detail and a robust defence against such an outlook is provided. The great, potential value they hold as materials of scholarly import is thus established. Following this, the histories are used to discover specific aspects of Goldsmith?s mindset. To begin, the History of England is examined to reveal his socio-political inclination. It is argued that he was a relatively objective and principled historian with an increasingly strong desire to warn his English readers of the dangers that they faced as a nation and earnestly sought to forward his belief in the need for a more equitable distribution of wealth. Then, his approach towards Ireland and the Irish is looked at by comparing his two English histories. It is established that while he increasingly valued his sense of English identity, there was enough of an Irishman left in him that he, in 1771, voiced concern over Britain?s neglectful and overbearing treatment of Ireland both politically and economically. Lastly, his religious tendencies are revealed by considering all of his histories. It is asserted that while he was never able to extrapolate himself from the common prejudices of the time, he still fought to make a case for amicability and toleration, for the sake of social cohesiveness and power.
In conclusion, the need to reconsider Goldsmith?s histories as valuable works in and of themselves is asserted and, by drawing the strands of what has been discovered in the preceding chapters, it is proposed that he should be acknowledged as a grounded patriot; as one who soberly reflected upon the realities of the moment to champion the cause of both Britain and Ireland.
In terms of methodology, the historical context is paid attention to, and the manner in which Goldsmith had, in composing his historical compilations, deviated from, modified and re-conveyed…
Advisors/Committee Members: O'Shaughnessy, David.
Subjects/Keywords: Oliver Goldsmith; Eighteenth-Century Historiography; Irish sensibility
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APA ·
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Manager
APA (6th Edition):
TAKEBAYASHI, Y. (2019). The Grounded Patriot: Oliver Goldsmith as Historical Compiler. (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/86154
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
TAKEBAYASHI, YUHKI. “The Grounded Patriot: Oliver Goldsmith as Historical Compiler.” 2019. Thesis, Trinity College Dublin. Accessed March 07, 2021.
http://hdl.handle.net/2262/86154.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
TAKEBAYASHI, YUHKI. “The Grounded Patriot: Oliver Goldsmith as Historical Compiler.” 2019. Web. 07 Mar 2021.
Vancouver:
TAKEBAYASHI Y. The Grounded Patriot: Oliver Goldsmith as Historical Compiler. [Internet] [Thesis]. Trinity College Dublin; 2019. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2262/86154.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
TAKEBAYASHI Y. The Grounded Patriot: Oliver Goldsmith as Historical Compiler. [Thesis]. Trinity College Dublin; 2019. Available from: http://hdl.handle.net/2262/86154
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Clemson University
9.
Osborn, Matthew J.
Surprise. Aesthetics and Sensibilities of Rhetorics.
Degree: PhD, Rhetorics, Communication, and Information Design, 2016, Clemson University
URL: https://tigerprints.clemson.edu/all_dissertations/1624
► This dissertation investigates relationships scholars have with information and art associated with aesthetic and theoretical disruptions. Its governing metaphor is the surprise affect, figured as…
(more)
▼ This dissertation investigates relationships scholars have with information and art associated with aesthetic and theoretical disruptions. Its governing metaphor is the surprise affect, figured as a rhetorical and aesthetic event. My purposes are to evaluate institutional and scholastic responses to both desirable and disastrous information-aesthetic liminalities, trial performative engagements with surprises, and propose viable ways of engaging "innovation" for writing instruction. It is argued that aesthetic (i.e., relational in the sense that it is not immediate), performative, and temporal engagements with surprising objects of study are relatively viable options when considered alongside the "critical" manuscript. While the aesthetic has sometimes occupied a minor and inferior position relative to codified and metricized intelligences, such relegation rests on false and pernicious but well known and persistent dichotomies including intelligibility v.
sensibility, knowing v. feeling, thinking v. experiencing, and aesthetic v. epistemic. The intelligibility presupposed by the critical model, however, cannot achieve immediate engagement with its ostensible "object"; it therefore remains relational and aesthetic. Few would counter the claim, yet actual performances of relation are rare. To test its payoff, the dissertation performs two engagements with challenging objects associated with surprise: novelty or"the new" as such, and the currency of idiosyncrasy in the timbre of recent electronic music. While not incidental, novelty and timbre are examples in the project's larger attempt to rethink not just any given surprise, but ways of treating and dealing with the inevitability of metaphysical shock and overhaul.
Advisors/Committee Members: Dr. Victor J. Vitanza, Committee Chair, Dr. Steven B. Katz, Dr. G. Jeff Love, Dr. Beth Anne Lauritis.
Subjects/Keywords: Information; Innovation; Intelligibility; Novelty; Sensibility; Sonic Rhetorics
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APA (6th Edition):
Osborn, M. J. (2016). Surprise. Aesthetics and Sensibilities of Rhetorics. (Doctoral Dissertation). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_dissertations/1624
Chicago Manual of Style (16th Edition):
Osborn, Matthew J. “Surprise. Aesthetics and Sensibilities of Rhetorics.” 2016. Doctoral Dissertation, Clemson University. Accessed March 07, 2021.
https://tigerprints.clemson.edu/all_dissertations/1624.
MLA Handbook (7th Edition):
Osborn, Matthew J. “Surprise. Aesthetics and Sensibilities of Rhetorics.” 2016. Web. 07 Mar 2021.
Vancouver:
Osborn MJ. Surprise. Aesthetics and Sensibilities of Rhetorics. [Internet] [Doctoral dissertation]. Clemson University; 2016. [cited 2021 Mar 07].
Available from: https://tigerprints.clemson.edu/all_dissertations/1624.
Council of Science Editors:
Osborn MJ. Surprise. Aesthetics and Sensibilities of Rhetorics. [Doctoral Dissertation]. Clemson University; 2016. Available from: https://tigerprints.clemson.edu/all_dissertations/1624
NSYSU
10.
Chou, Yi-ling.
The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass.
Degree: Master, Foreign Language and Literature, 2017, NSYSU
URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0107117-225553
► Abstract This thesis focuses on Walt Whitman (1819-1892, acknowledged as âBard of Democracyâ), exploring the ecological sensibilities of the nineteenth-century American poetry in Whitmanâs Leaves…
(more)
▼ Abstract
This thesis focuses on Walt Whitman (1819-1892, acknowledged as âBard of Democracyâ), exploring the ecological sensibilities of the nineteenth-century American poetry in Whitmanâs Leaves of Grass. Whitman used many sensational and venturous words to express his admiration for nature and landscape in America. Whitmanâs interest in the relationship between human and nature motivated himself to incorporate every individual and every creature into his songs, which is close to concept of ecological egalitarianism. Focusing on Whitmanâs Leaves of Grass, this thesis explores the complexities of humanâs attitudes toward nature.
This book is composed of five chapters. Chapter One begins with exploring the interwoven connection of democracy and nature in Whitmanâs poems and gives an introduction to a scholarship review about Whitman. Chapter Two aimed at exploring the similar aspects of Whitman and Emerson as well as comparing their differences for the purpose of certifying that Whitmanâs poems about Nature embody a great number of concepts in Emersonâs poetic theory. Chapter Three focuses on the botanical imageries and symbols in Whitmanâs work by expanding Whitmanâs conception of democracy. Chapter Four analyzes the depiction of Nature in Whitmanâs poems to reconsider the complexities of Whitmanâs attitude toward the relationship between nonhuman creatures and human beings. Chapter Five concludes with affirming the decent value of ecological ideas embedded in Leaves of Grass.
Advisors/Committee Members: Li-Ru Lu (committee member), Ya-Lan Chang (chair), Chia-Jung Lee (chair).
Subjects/Keywords: ecopoetry; Leaves of Grass; Walt Whitman; democracy; egalitarianism; ecological sensibility
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APA (6th Edition):
Chou, Y. (2017). The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0107117-225553
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Chou, Yi-ling. “The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass.” 2017. Thesis, NSYSU. Accessed March 07, 2021.
http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0107117-225553.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Chou, Yi-ling. “The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass.” 2017. Web. 07 Mar 2021.
Vancouver:
Chou Y. The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass. [Internet] [Thesis]. NSYSU; 2017. [cited 2021 Mar 07].
Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0107117-225553.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Chou Y. The Construction of Ecological Imagination and Sensibilities in Walt Whitmanâs Leaves of Grass. [Thesis]. NSYSU; 2017. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0107117-225553
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
11.
Sheela,V P.
Poetical Works of Girija Kumar Mathur : Sensibility and Technique.
Degree: Humanities;, 1985, Cochin University of Science and Technology
URL: http://dyuthi.cusat.ac.in/purl/1294
Subjects/Keywords: Contemporary work; Poet sensibility
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APA (6th Edition):
P, S. (1985). Poetical Works of Girija Kumar Mathur : Sensibility and Technique. (Thesis). Cochin University of Science and Technology. Retrieved from http://dyuthi.cusat.ac.in/purl/1294
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
P, Sheela,V. “Poetical Works of Girija Kumar Mathur : Sensibility and Technique.” 1985. Thesis, Cochin University of Science and Technology. Accessed March 07, 2021.
http://dyuthi.cusat.ac.in/purl/1294.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
P, Sheela,V. “Poetical Works of Girija Kumar Mathur : Sensibility and Technique.” 1985. Web. 07 Mar 2021.
Vancouver:
P S. Poetical Works of Girija Kumar Mathur : Sensibility and Technique. [Internet] [Thesis]. Cochin University of Science and Technology; 1985. [cited 2021 Mar 07].
Available from: http://dyuthi.cusat.ac.in/purl/1294.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
P S. Poetical Works of Girija Kumar Mathur : Sensibility and Technique. [Thesis]. Cochin University of Science and Technology; 1985. Available from: http://dyuthi.cusat.ac.in/purl/1294
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of California – Berkeley
12.
Lee, Jonathan Rhodes.
Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment.
Degree: Music, 2013, University of California – Berkeley
URL: http://www.escholarship.org/uc/item/65b4q1d2
► Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a…
(more)
▼ Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate "moral sense," the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote "the Interest and Honour of Virtue." The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid-eighteenth century.When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson's Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. Some scholars have cataloged musical features that comprise a sentimental style. Others have found philosophical, aesthetic, and historical links between sentimental culture and Italian and French opera, north German keyboard music, and the chamber music of Boccherini. What has been curiously passed over is musical sentimentalism in England (site of so many of the culture's landmark products) and its influence on the country's most famous adopted son. My dissertation addresses this lack, focusing on relationships between oratorio, contemporary theater, and religious philosophy. In Part 1, "Sentimental Oratorios, Sentimental Heroines," I show that we can speak with confidence of a sub-genre of "sentimental oratorio" that can be defined through comparison with both the sentimental drama of Handel's London and the Italianate sentimental opera that other musicologists have identified as emerging in the last third of the eighteenth century. In addition, I demonstrate that it was not only the aesthetics of contemporary drama that affected the oratorios' libretti; the performance practices of the sentimental theater also informed their earliest realizations, with the expectations and demands that the theater placed on its personnel (particularly its women) affecting both singers and Handel's composition and revision processes for them. Part 2 discusses "Empathetic Men & Religious Sentimentalism," topics that have not yet been considered in any serious way by scholars of the oratorio. Handel's librettists James Miller (1703–1744) and Thomas Morell (1703–1784) were clergymen as well as men of the theater, and they aimed throughout their religious writing — including their texts for Handel — to inculcate virtue by privileging emotional over rational…
Subjects/Keywords: Music; Theater history; Religion; Handel; Miller; Morell; oratorio; sensibility; sentimentalism
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APA (6th Edition):
Lee, J. R. (2013). Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/65b4q1d2
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Lee, Jonathan Rhodes. “Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment.” 2013. Thesis, University of California – Berkeley. Accessed March 07, 2021.
http://www.escholarship.org/uc/item/65b4q1d2.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Lee, Jonathan Rhodes. “Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment.” 2013. Web. 07 Mar 2021.
Vancouver:
Lee JR. Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment. [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2021 Mar 07].
Available from: http://www.escholarship.org/uc/item/65b4q1d2.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Lee JR. Virtue Rewarded: Handel's Oratorios and the Culture of Sentiment. [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/65b4q1d2
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
13.
Costa, Alexandre Emidio.
Os Bichos de Miguel Torga: o retorno ao elo perdido.
Degree: Mestrado, Literatura Portuguesa, 2010, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30042010-115629/
;
► Este trabalho procura investigar no livro de contos Bichos (1940), do escritor modernista português Miguel Torga, pseudônimo literário de Adolfo Correia Rocha, a cosmovisão do…
(more)
▼ Este trabalho procura investigar no livro de contos Bichos (1940), do escritor modernista português Miguel Torga, pseudônimo literário de Adolfo Correia Rocha, a cosmovisão do autor que emerge a temática telúrica (a Natureza) bem como uma série de reflexões acerca da condição humana, a partir das quais traz à tona também uma nova concepção de humanismo. Partimos do princípio de que, nas narrativas, o homem se encontra numa sociedade civilizada, corrompido por valores do seu tempo, distanciado de modo exagerado de sua origem e, para que encontre um sentido para a sua existência, o homem tem de regressar à sua origem (à Natureza, que aparece nos contos dentro de uma perspectiva panteísta). Voltando à origem, por meio do contato com o outro, isto é, com os seres vivos que vivem integrados à natureza, o homem despertará e reaprenderá a usar a sua sensibilidade e passará a harmonizá-la com a razão. Passando, assim, a viver de modo fraterno e equilibrado com todos os seres do universo como forma de suavizar a dureza do trajeto existencial humano, marcado, por exemplo: pela angústia e solidão. Para darmos consistência a este estudo, utilizamos como suporte teórico autores, como Kierkegaard, Sartre e Heidegger; o sociólogo francês Michel Maffesoli; Mikhail Bakhtin; Marc Augé, e outros que contribuem de modo significativo para a análise e discussão do tema.
This study tries to research the storybook Bichos (1940), by the portuguese modernist writer Miguel Torga, literary pseudonym of Adolfo Correia Rocha, the cosmovision of the author who emerges from the land-based theme (Nature) and a series of reflections about the human condition, from which also brings out a new conception of humanism. We depart from the principle that, in the narratives, the man is in a \"civilizeds̈ociety, corrupted by the values of his time, away out of proportion to their origin and to find a meaning to his existence, man has to return to his origin (to Nature, which appears in the tales within a pantheistic perspective). Returning to the origin, through contact with one another, that is, living beings who live integrated with nature, man will \"wake upänd will \"relearnẗo use his sensibility and will bring to his reason. Turning thus to live in a fraternal and balanced with all universe beings as a way to soften the harshness of the human existential path, marked, for example: by anguish and loneliness. To give consistency to this study, we use as theoretical support authors, as Kierkegaard, Heidegger and Sartre; the french sociologist Michel Maffesoli; Mikhail Bakhtin; Marc Augé, and others who contribute significantly for the analysis and discussion of the theme.
Advisors/Committee Members: Ribeiro, Raquel de Sousa.
Subjects/Keywords: Contos; Cosmovisão; Cosmovision; Homem; Man; Nature; Natureza; Sensibilidade; Sensibility; Stories
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APA (6th Edition):
Costa, A. E. (2010). Os Bichos de Miguel Torga: o retorno ao elo perdido. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30042010-115629/ ;
Chicago Manual of Style (16th Edition):
Costa, Alexandre Emidio. “Os Bichos de Miguel Torga: o retorno ao elo perdido.” 2010. Masters Thesis, University of São Paulo. Accessed March 07, 2021.
http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30042010-115629/ ;.
MLA Handbook (7th Edition):
Costa, Alexandre Emidio. “Os Bichos de Miguel Torga: o retorno ao elo perdido.” 2010. Web. 07 Mar 2021.
Vancouver:
Costa AE. Os Bichos de Miguel Torga: o retorno ao elo perdido. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2021 Mar 07].
Available from: http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30042010-115629/ ;.
Council of Science Editors:
Costa AE. Os Bichos de Miguel Torga: o retorno ao elo perdido. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30042010-115629/ ;
14.
Silva, Bruna Rozzetti.
Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental.
Degree: Mestrado, Materiais Dentários, 2011, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/23/23140/tde-15032012-162625/
;
► Objetivo: Avaliar clinicamente o efeito do peróxido de hidrogênio em concentrações de 20%, 30% e 38% no grau de clareamento, assim como a sensibilidade dental…
(more)
▼ Objetivo: Avaliar clinicamente o efeito do peróxido de hidrogênio em concentrações de 20%, 30% e 38% no grau de clareamento, assim como a sensibilidade dental antes, após o clareamento e depois de 7, 14 e 30 dias. Material e Método: Foi utilizado um modelo de meia-arcada para comparação dos produtos em um mesmo paciente. Sessenta e nove voluntários foram selecionados e receberam orientações sobre o tratamento a ser realizado. Os voluntários foram divididos aleatóriamente em três grupos, cada grupo contendo 23 pacientes, sendo Grupo 1: Peróxido de hidrogênio 20% versus Peróxido de hidrogênio 30%; Grupo 2: Peróxido de Hidrogênio 20% versus Peróxido de hidrogênio 38%; Grupo 3: Peróxido de hidrogênio 30% versus Peróxido de hidrogênio 38%. Os voluntários receberam duas sessões de clareamento de consultório, com intervalo de 7 dias. A cor dental de incisivos e caninos superiores foi avaliada com uso do espectrofotômetro digital Easyshade antes, após o clareamento e depois de 7, 14 e 30 dias. Para a avaliação da sensibilidade dental, os pacientes responderam a um questionário, com uso de uma escala visual analógica (VAS) antes, durante o clareamento, imediatamente após, após 1 e 24 horas e depois de 7, 14 e 30 dias. Resultados: A análise de variância (ANOVA) mostrou haver diferença estatísticamente significante entre os peróxidos de hidrogênio nas concentrações de 20%, 30% e 38%, entre os dentes caninos e incisivos e entre os períodos, dentro de cada um dos grupos avaliados. O peróxido de hidrogênio 30% apresentou maior alteração de cor dental em comparação às concentrações de peróxido de hidrogênio 20% e 30%. Os dentes caninos apresentaram maiores valores de alteração de cor quando comparados aos incisivos. Em relação à sensibilidade dental, não houve diferença significante entre as concentrações do peróxido de hidrogênio avaliadas (p=0,15), excessão no período durante o clareamento, em que o peróxido de hidrogênio 20% apresentou menor grau de sensibilidade se comparado aos géis de 30% e 38%. Após 24 horas da aplicação dos diferentes peróxidos de hidrogênio, não houve relato de sensibilidade dental. Conclusão: O peróxido de hidrogênio 30% provocou maior alteração de cor dental se comparado aos peróxidos de hidrogênio 20% e 38%. Após 7 dias do tratamento clareador, houve uma estabilização da cor dental em todos os grupos avaliados.
Objective: To clinically evaluate the effect on shade change of hydrogen peroxide in concentrations of 20%, 30% and 38% as well as dental sensitivity, assessed immediately before the whitening treatment and 7,14 and 30 days after. Material and Method: The split arch model was used to compare different products in the same patient. Sixty nine volunteers were selected and instructed on the procedures. The volunteers were randomly divided into 3 groups of 23 patients each. Group 1: hydrogen peroxide 20% versus hydrogen peroxide 30%; Group 2: hydrogen peroxide 20% versus hydrogen peroxide 38%; Group 3: hydrogen peroxide 30% versus hydrogen peroxide 38%. Each patient was submitted to two in office…
Advisors/Committee Members: Cardoso, Paulo Eduardo Capel.
Subjects/Keywords: Clareamento dental; Cor dental; Dental bleaching; Dental color; Sensibilidade dental; sensibility
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APA ·
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APA (6th Edition):
Silva, B. R. (2011). Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/23/23140/tde-15032012-162625/ ;
Chicago Manual of Style (16th Edition):
Silva, Bruna Rozzetti. “Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental.” 2011. Masters Thesis, University of São Paulo. Accessed March 07, 2021.
http://www.teses.usp.br/teses/disponiveis/23/23140/tde-15032012-162625/ ;.
MLA Handbook (7th Edition):
Silva, Bruna Rozzetti. “Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental.” 2011. Web. 07 Mar 2021.
Vancouver:
Silva BR. Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2021 Mar 07].
Available from: http://www.teses.usp.br/teses/disponiveis/23/23140/tde-15032012-162625/ ;.
Council of Science Editors:
Silva BR. Avaliação clínica de peróxidos de hidrogênio em diferentes concentrações: alteração de cor e sensibilidade dental. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/23/23140/tde-15032012-162625/ ;
University of Alberta
15.
Van Netten Blimke, Linda J.
The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800.
Degree: PhD, Department of English and Film Studies, 2014, University of Alberta
URL: https://era.library.ualberta.ca/files/cdb78tc287
► The Politics of the Heart: Female Sentimental Travel Writers and Revolution, 1775-1800 addresses the discursive constructions of nation and gender in British women’s sentimental travel…
(more)
▼ The Politics of the Heart: Female Sentimental Travel
Writers and Revolution, 1775-1800 addresses the discursive
constructions of nation and gender in British women’s sentimental
travel writing during the last quarter of the eighteenth century,
and specifically during the American and French Revolutions. This
study is predicated upon two major and intertwined contentions.
First, that the convergence of sentimental discourse and the
travelogue genre introduced in Laurence Sterne’s A Sentimental
Journey (1768) provided women with an entry point into the
male-dominated genre of the travelogue. Eighteenth-century theory,
culture, and even science invested women with an acute sensibility;
their socially constructed expertise within the realm of feeling
consequently allowed them particular authority within sentimental
discourse. Sterne’s emphasis on untutored response over erudite
reflection and on sociability over critical detachment created a
mode of travel writing tailored to women’s putative ‘natural’
abilities, ultimately contributing to the emergence of the female
travel writer post-1768. Second, that the combination of affective
language and eyewitness authority that characterized Sterne’s new
approach offered female travel writers a unique and effective means
of describing and directing the socio-political transformation of
the British nation during a period when its national identity was
being challenged and consolidated through a series of political
revolutions. The four travelogues at the center of this study
manifest the direct and indirect repercussions of revolution: Janet
Schaw’s Journal of a Lady of Quality (1774-1776) and Helen Maria
Williams’ A Tour in Switzerland (1798) provide firsthand accounts
of the emergent or fully-emerged revolutions in America, France,
and Switzerland, while the anonymous author of A Journey to the
Highlands of Scotland (1777) and Mary Morgan in A Tour to Milford
Haven (1795) deal with the domestic effects of these political
crises. Their strategic deployment of sentimental discourse is
calculated to shift the political temper of their nation and to
shape the contours of British national identity by manipulating the
circulation of feeling both within and outside of the nation.
Although the women included in this study pull from different
directions of the political spectrum, the shared dislocations of
travel and revolution help them to reimagine and to rearticulate
women’s political subjectivity; the experiences, reflections, and
self-representations they offer actively resist conventional
definitions of femininity and envision a place for women within the
British polity.
Subjects/Keywords: eighteenth-century travel writing; women travel writers; sensibility
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APA (6th Edition):
Van Netten Blimke, L. J. (2014). The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/cdb78tc287
Chicago Manual of Style (16th Edition):
Van Netten Blimke, Linda J. “The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800.” 2014. Doctoral Dissertation, University of Alberta. Accessed March 07, 2021.
https://era.library.ualberta.ca/files/cdb78tc287.
MLA Handbook (7th Edition):
Van Netten Blimke, Linda J. “The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800.” 2014. Web. 07 Mar 2021.
Vancouver:
Van Netten Blimke LJ. The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800. [Internet] [Doctoral dissertation]. University of Alberta; 2014. [cited 2021 Mar 07].
Available from: https://era.library.ualberta.ca/files/cdb78tc287.
Council of Science Editors:
Van Netten Blimke LJ. The Politics of the Heart: Female Sentimental Travel Writers
and Revolution, 1775-1800. [Doctoral Dissertation]. University of Alberta; 2014. Available from: https://era.library.ualberta.ca/files/cdb78tc287
16.
Silveira, Savênia Bonoto da.
Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais.
Degree: 2012, Universidade Federal do Rio Grande
URL: http://repositorio.furg.br/handle/1/4389
► Dissertação (mestrado)-Universidade Federal do Rio Grande, Programa de Pós-Graduação em Biologia de Ambientes Aquáticos Continentais, Instituto de Ciências Biológicas, 2012.
A contaminação de ambientes aquáticos…
(more)
▼ Dissertação (mestrado)-Universidade Federal do Rio Grande, Programa de Pós-Graduação em Biologia de Ambientes Aquáticos Continentais, Instituto de Ciências Biológicas, 2012.
A contaminação de ambientes aquáticos por compostos potencialmente tóxicos oriundos de atividades agrícolas é um problema que tem se agravado nos últimos anos. O tebuconazol é um fungicida amplamente usado na agricultura, frequentemente encontrado em águas naturais, inclusive no Rio Grande do Sul, e cuja toxicidade para o fitoplâncton não é conhecida. O objetivo deste trabalho foi avaliar a toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais. Foram montadas culturas estanque em triplicata testando seis diferentes concentrações de tebuconazol (10; 100; 500; 1.000; 5.000 e 10.000 μg L-1) para Cosmarium depressum var. planctonicum, Desmodesmus communis, Pediastrum boryanum e Spondylosium pygmaeum, assim como um controle somente com a microalga, sem a adição do tebuconazol, para verificar o crescimento padrão. Os experimentos foram mantidos por 13 dias, nos quais foram realizadas amostragens diárias nos 4 primeiros dias e a cada 72 h até o final do experimento para a análise de crescimento (clorofila-a e densidade
celular) e parâmetros toxicológicos. As quatro cepas apresentaram diferença significativa de crescimento em relação ao controle, para C. depressum var. planctonicum nas concentrações 5.000 e 10.000 μg L-1, D. communis e P. boryanum em 1.000, 5.000 e 10.000 μg L-1 e S. pygmaeum a partir de 500 μg L-1. A EC50
(concentração que inibe 50% do crescimento) foi de 3.616 μg L-1 para C. depressum var. planctonicum, 3.246 μg L-1 para D. communis, 3.863 μg L-1 para P. boryanum e 1.851 μg L-1 para S. pygmaeum, sendo o S. pygmaeum a cepa mais sensível. Para LOEC (concentração mais baixa com efeito observado) e NOEC (concentração mais alta sem efeito observado) S. pygmaeum também apresentou concentrações mais baixas, seguido de C. depressum var. planctonicum, D. communis e P. boryanum.
Public concern has increased regarding the uncontrolled use of pesticides, including fungicides. Tebuconazol is a broad-spectrum fungicide that is used worldwide; however, its toxicity to phytoplankton is unknown. This work aims to evaluate the tebuconazol influence on the growth of four subtropical freshwater phytoplanktonic strains. Experimental cultures of Cosmarium depressum var. planctonicum, Desmodesmus communis, Pediastrum boryanum and Spondylosium pygmaeum were prepared with six tebuconazol concentrations (10, 100, 500, 1.000, 5.000 and 10.000 μg L-1), besides a control that was also prepared to measure the regular growth of each microalgae. The cultures (triplicates) were maintained for 13 days to determine both the growth (cellular density and chlorophyll-a content) and toxicological parameters. Tebuconazol inhibited the growth of all phytoplanktonic strains when they were exposed to 5.000 and 10.000 μg L-1. D. communis and P. boryanum were also inhibited when exposed to 1.000 μg L-1, while S. pygmaeum was inhibited since…
Advisors/Committee Members: Giroldo, Danilo.
Subjects/Keywords: Fungicida; Chlorophyta; Inibição; Sensibilidade; Fungicide; Chlorophyta; Inhibition; Sensibility
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APA (6th Edition):
Silveira, S. B. d. (2012). Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais. (Masters Thesis). Universidade Federal do Rio Grande. Retrieved from http://repositorio.furg.br/handle/1/4389
Chicago Manual of Style (16th Edition):
Silveira, Savênia Bonoto da. “Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais.” 2012. Masters Thesis, Universidade Federal do Rio Grande. Accessed March 07, 2021.
http://repositorio.furg.br/handle/1/4389.
MLA Handbook (7th Edition):
Silveira, Savênia Bonoto da. “Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais.” 2012. Web. 07 Mar 2021.
Vancouver:
Silveira SBd. Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais. [Internet] [Masters thesis]. Universidade Federal do Rio Grande; 2012. [cited 2021 Mar 07].
Available from: http://repositorio.furg.br/handle/1/4389.
Council of Science Editors:
Silveira SBd. Toxicidade do tebuconazol em quatro espécies fitoplanctônicas dulcícolas subtropicais. [Masters Thesis]. Universidade Federal do Rio Grande; 2012. Available from: http://repositorio.furg.br/handle/1/4389
Universidade Estadual de Campinas
17.
Alves, José Carlos, 1968-.
Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health.
Degree: 2011, Universidade Estadual de Campinas
URL: http://repositorio.unicamp.br/jspui/handle/REPOSIP/290878
► Abstract: The oral cancer is a public health problem and was responsible for 13% of deaths worldwide in 2005. The application of screening techniques for…
(more)
▼ Abstract: The oral cancer is a public health problem and was responsible for 13% of deaths worldwide in 2005. The application of screening techniques for identifying malignant lesions and malignant potential is a method that can be applied in order to detect individuals more vulnerable to disease, provide assistance early and thus reduce the damage. The objectives of this study were to analyze the reproducibility and diagnostic accuracy in screening tests for detection of oral cancer by dentists (CDs) in the population 40 years of age or older, enrolled in the family health program, implemented in 18 Basic Units Health of the Municipal Health Secretariat of São Paulo, under the management contract of the Casa de Saúde Santa Marcelina. For reproducibility analysis, primary data relating to the calibration performed using the methodologies in lux (30 images) and in vivo (560 patients), with 39 CDs, were collected. For the analysis of accuracy, secondary data relating to the screening performed by the same professionals in 653 patients were obtained. During calibration and tracking, the subjects were included in one of three categories: (0) soft tissue apparently healthy (1) changes in soft tissues without malignant potential and (2) changes in soft tissue with malignant potential. In the calibration method in lux, the value of inter Kappa was 0.67, sensitivity 93.72%, specificity of 77.56%, the positive and negative predictive value of 86.54 and 87.90 respectively and accuracy of 87.43%. In vivo calibration the value of inter Kappa was 0.45. In the case of tracking the CDs, the semiology confirmed that 276 (95.83%) had no oral lesions and 12 malignant lesions with suspicion of malignancy, and of these seven cases were confirmed as oral cancer. We conclude that the reproducibility of the diagnostic test can be assessed by in vivo calibration methodology found that a regular reproducibility (inter-examiner kappa of 0.45). The screening performed revealed a high-capacity CD clinician in diagnosing lesions in the oral cavity
Advisors/Committee Members: UNIVERSIDADE ESTADUAL DE CAMPINAS (CRUESP), Mialhe, Fabio Luiz, 1972- (advisor), Universidade Estadual de Campinas. Faculdade de Odontologia de Piracicaba (institution), Programa de Pós-Graduação em Odontologia em Saúde Coletiva (nameofprogram), Marques, Regina Auxiliadora de Amorim (committee member), Queluz, Dagmar de Paula (committee member).
Subjects/Keywords: Saúde pública; Neoplasias bucais; Sensibilidade; Public health; Mouth - Cancer; Sensibility
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APA (6th Edition):
Alves, José Carlos, 1. (2011). Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health. (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/290878
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Alves, José Carlos, 1968-. “Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health.” 2011. Thesis, Universidade Estadual de Campinas. Accessed March 07, 2021.
http://repositorio.unicamp.br/jspui/handle/REPOSIP/290878.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Alves, José Carlos, 1968-. “Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health.” 2011. Web. 07 Mar 2021.
Vancouver:
Alves, José Carlos 1. Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health. [Internet] [Thesis]. Universidade Estadual de Campinas; 2011. [cited 2021 Mar 07].
Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/290878.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Alves, José Carlos 1. Reprodutibilidade e acurácia do exame diagnóstico para câncer bucal entre cirurgiões dentista da rede pública de saúde: Reproducibility and accuracy of diagnostic test for oral cancer among dentists in the public health. [Thesis]. Universidade Estadual de Campinas; 2011. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/290878
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
18.
Sá, Bruno Miguel Oliveira.
A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo.
Degree: 2017, Instituto Politécnico do Porto
URL: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10945
► Esta versão contém as críticas e sugestões dos elementos do júri
Apesar de não se tratar de um fenómeno “novo”, a Retradução é uma área…
(more)
▼ Esta versão contém as críticas e sugestões dos elementos do júri
Apesar de não se tratar de um fenómeno “novo”, a Retradução é uma área que ainda não foi completamente estudada. Mas que actualmente vai ganhando cada vez mais interesse nos círculos literários, principalmente na tradução de antigos textos literários. Tendo em conta que todas as traduções são objectos históricos, que não podem ser separadas do contexto cultural, social, ideológico e temporal da sociedade que as produz, não podemos esquecer que o contexto que as influenciou está em constante desenvolvimento e mudança, afectando das mais variadas maneiras, a forma como os leitores se relacionam com elas e as interpretam. A razão mais comum pela qual as traduções são retraduzidas, está relacionada com a evolução e as mudanças dentro de uma determinada língua. Desta forma, a Retradução é vista como uma forma de actualização de “antigas” traduções. E existem vários debates em torno da Retradução de clássicos literários com o objectivo de os actualizar para o vernáculo
actual. Na verdade, existem outros factores, para além das mudanças da língua, que provocam a necessidade de se retraduzir, como: mudança na sensibilidade literária dentro de uma determinada sociedade – a forma como ela se relaciona e interpreta produções literárias; o surgimento de novas práticas a formas de traduzir – com os avanços nos estudos de tradução, novas ideias e conceitos do que é uma tradução “correcta” surgem; mudanças ideológicas e de contexto sociocultural – todas as traduções são influenciadas pelo seu contexto envolvente; e politicas editoriais – interesses editoriais no lançamento de “novas” traduções.
In spite of not being a "new" phenomenon, Retranslation is an area that has not yet been fully studied. But nowadays is gaining more and more interest in literary circles, especially in the translation of old literary texts. We have to take into account that all translations are historical objects, which cannot be separated from the cultural, social, ideological and temporal context of the society that produces them. We must not forget that the context that influenced them is in constant development and change, affecting in a variety of ways, the way readers relate to and interpret them. The most common reason why translations are retranslated is related to the evolution and changes within a given language. In this way, Retranslation is seen as a way of updating "old" translations. And there are several debates surrounding the Retranslation of literary classics with the aim of updating them to the current vernacular. However, there are other factors besides language
changes that provoke the need to retranslate, such as: changes in the literary sensibility within a given society - the way it relates to and interprets literary productions; the emergence of new practices and ways of translating - with advances in translation studies, new ideas and concepts of what is a "correct" translation arise; ideological changes and sociocultural context - all translations are…
Advisors/Committee Members: Veloso, Manuela.
Subjects/Keywords: Retradução; Contexto; Sensibilidade literária; Censura; Retranslation; Literary sensibility; Context; Línguas
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APA (6th Edition):
Sá, B. M. O. (2017). A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10945
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Sá, Bruno Miguel Oliveira. “A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo.” 2017. Thesis, Instituto Politécnico do Porto. Accessed March 07, 2021.
https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10945.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Sá, Bruno Miguel Oliveira. “A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo.” 2017. Web. 07 Mar 2021.
Vancouver:
Sá BMO. A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo. [Internet] [Thesis]. Instituto Politécnico do Porto; 2017. [cited 2021 Mar 07].
Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10945.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Sá BMO. A retradução como paradigma de renovação literária. As Viagens de Gulliver de J. Swift durante e pós-Estado Novo. [Thesis]. Instituto Politécnico do Porto; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10945
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Université Toulouse II – Le Mirail
19.
Branchard, Laurent.
La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study.
Degree: Docteur es, Psychologie, 2015, Université Toulouse II – Le Mirail
URL: http://www.theses.fr/2015TOU20024
► Si la négativité psychique est commune à chacun, elle peut envahir la dynamique et l’économie psychiques dans des tableaux psychopathologiques eux-mêmes marqués par cet envahissement.…
(more)
▼ Si la négativité psychique est commune à chacun, elle peut envahir la dynamique et l’économie psychiques dans des tableaux psychopathologiques eux-mêmes marqués par cet envahissement. Un tel processus psychopathologique viendrait empêcher le rôle « seuil » du corps via la sensorialité, et viendrait grever lourdement les destins pulsionnels ; symbolisations et affects. Selon nos hypothèses, cadre et technique cliniques seraient alors à adapter par une thérapeutique avec et par le corps propre du sujet. Un protocole de 18 sujets cherche à évaluer les efforts de répression, l’alexithymie, la sensorialité aux points d’appui du corps et les représentations corporelles dans des hypothèses qui révèleraient des « abus de négativité psychique ». Quatre études de cas de suivis thérapeutiques permettent une discussion plus en détail en considérant le cas par cas. Nous concluons par des propositions de réaménagements théoriques et cliniques qui permettraient la prise en compte d’un tel abus de négativité dans le cadre de psychothérapies. Pour certains sujets, nous pensons que c’est précisément sur ce seuil qu’un effet thérapeutique est le plus mobilisable.
Psychic negativity exists for everyone, but it can invade both the dynamic and the economic aspects of the psyche, resulting in psychopathologies that are influenced by this invasion. Such a psychopathologic process could hinder the ‘interface’ role of the body through sensibility, and could largely prevent instinctual drives; symbolism and affect. Our hypothesis suggests that the clinical setting and technique should be adapted, with a body-mediated therapy. A study of 18 persons aims at evaluating repression efforts, alexithymia, sensibility at the level of the supporting points of the body and body representations, in supposed cases of ‘excessive psychic negativity. Four case studies focusing on follow-up therapy provide valuable insight on a case-by-case basis. As a conclusion, we make suggestions about theoretical and clinical reorganizations so that ‘excessive psychic negativity’ is taken into account in psychotherapies. For some persons, we think this ‘interface’ role is precisely what could produce a therapeutic effect.
Advisors/Committee Members: Pirlot, Gérard (thesis director).
Subjects/Keywords: Négativité; Sensorialité; Corps; Médiation; Clinique; Negativity; Sensibility; Body; Mediation; Clinical study
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APA (6th Edition):
Branchard, L. (2015). La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2015TOU20024
Chicago Manual of Style (16th Edition):
Branchard, Laurent. “La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study.” 2015. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed March 07, 2021.
http://www.theses.fr/2015TOU20024.
MLA Handbook (7th Edition):
Branchard, Laurent. “La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study.” 2015. Web. 07 Mar 2021.
Vancouver:
Branchard L. La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2015. [cited 2021 Mar 07].
Available from: http://www.theses.fr/2015TOU20024.
Council of Science Editors:
Branchard L. La sensorialité et la négativité psychique : fonctions, limites, recherche d'applications cliniques : Sensibility and psychic negativity : functions, limits, a clinical study. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2015. Available from: http://www.theses.fr/2015TOU20024
20.
Descoeur, Juliette.
Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin.
Degree: Docteur es, Physiologie, 2010, Université Montpellier I
URL: http://www.theses.fr/2010MON13509
► L'oxaliplatine, largement utilisé dans le traitement du cancer colorectal, se singularise par la survenue très précoce, dés le début du protocole de chimiothérapie de troubles…
(more)
▼ L'oxaliplatine, largement utilisé dans le traitement du cancer colorectal, se singularise par la survenue très précoce, dés le début du protocole de chimiothérapie de troubles douloureux associés à la perception du froid (hypersensibilité au froid). De nombreux traitements ont été testés pour ces symptômes sans grand succès, c'est pourquoi le développement de nouveaux analgésiques est nécessaire. Le but de ce travail est de développer un modèle souris reproduisant cette hypersensibilité au froid et d'en rechercher les mécanismes physiopathologiques. Comme chez les patients, l'administration aigüe d'oxaliplatine entraîne une amplification importante de la perception du froid chez la souris. Nous montrons que ces symptômes sont médiés par les nocicepteurs exprimant le thermorécepteur TRPM8. Sur le plan du mécanisme physiopathologique, l'oxaliplatine favorise l'excitabilité de ces nocicepteurs en diminuant de manière drastique l'expression des plusieurs canaux potassiques (TREK1 et TRAAK en particulier), et en augmentant l'expression de canaux proexcitateurs tels que les canaux cationiques activés par l'hyperpolarisation (HCN1 notamment). Ces constatations sont confortées au niveau comportemental par l'analyse de la lignée de souris double KO pour TREK1 et TRAAK, et par l'utilisation de l'Ivabradine, un inhibiteur pharmacologique spécifique des canaux HCNs. L'ivabradine, déjà utilisé en clinique pour le traitement de l'insuffisance cardiaque, entraîne une disparition de l'hypersensibilité au froid induite par l'oxaliplatine. Collectivement, ces résultats suggèrent que l'oxaliplatine exacerbe la perception du froid en remodelant le patron d'expression de plusieurs canaux ioniques qui coordonnent la réponse au froid. L'ivabradine peut ainsi représenter un traitement sur mesure pour les neuropathies induites par l'oxaliplatine.
The hallmark of oxaliplatin-induced neuropathy is a hypersensibility to cold that develops in nearly all patients ultimately leading to cessation of this chemotherapy treatment. To date, classical pain management strategies have failed to alleviate these painful symptoms, and hence there is a need for developing new and efficient analgesics. Here we report that, as in patients, oxaliplatin mediates a clear development of exaggerated perception of cold temperatures in mice. These symptoms are mediated by nociceptors expressing the thermoreceptor TRPM8. Mechanistically, we find that oxaliplatin promotes excitability in nociceptors drastically lowering the expression of distinct potassium channels (TREK1, TRAAK) that act as excitability brakes for cold perception, and by increasing the expression of pro-excitatory channels such as the hyperpolarisation-activated channels (HCNs). These findings are corroborated by the analysis of the TREK1-TRAAK null mice, and by the use a specific HCN channel inhibitor abolishing the oxaliplatin-induced cold hypersensibility. Collectively, these results suggest that oxaliplatin exacerbates cold perception in cold sensing neurons by transcriptionally remodeling a…
Advisors/Committee Members: Bourinet, Emmanuel (thesis director), Eschalier, Alain (thesis director).
Subjects/Keywords: Oxaliplatine; Hypersensibilité au froid; Canaux TRP; Oxaliplatin; Cold sensibility; TRP chanel
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APA (6th Edition):
Descoeur, J. (2010). Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin. (Doctoral Dissertation). Université Montpellier I. Retrieved from http://www.theses.fr/2010MON13509
Chicago Manual of Style (16th Edition):
Descoeur, Juliette. “Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin.” 2010. Doctoral Dissertation, Université Montpellier I. Accessed March 07, 2021.
http://www.theses.fr/2010MON13509.
MLA Handbook (7th Edition):
Descoeur, Juliette. “Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin.” 2010. Web. 07 Mar 2021.
Vancouver:
Descoeur J. Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin. [Internet] [Doctoral dissertation]. Université Montpellier I; 2010. [cited 2021 Mar 07].
Available from: http://www.theses.fr/2010MON13509.
Council of Science Editors:
Descoeur J. Implication des canaux ioniques dans l'hypersensibilité au froid induite par l'oxaliplatine : Involvement of ion channels in the cold hypersensitivity induced by oxaliplatin. [Doctoral Dissertation]. Université Montpellier I; 2010. Available from: http://www.theses.fr/2010MON13509
University of Cambridge
21.
Harriman-Smith, James.
Twin stars: Shakespeare and the idea of the theatre in the eighteenth century.
Degree: PhD, 2016, University of Cambridge
URL: https://www.repository.cam.ac.uk/handle/1810/253766https://www.repository.cam.ac.uk/bitstream/1810/253766/2/license.txt
;
https://www.repository.cam.ac.uk/bitstream/1810/253766/3/license_rdf
;
https://www.repository.cam.ac.uk/bitstream/1810/253766/4/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.txt
;
https://www.repository.cam.ac.uk/bitstream/1810/253766/5/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.jpg
► This thesis draws the line of a rise and a fall, an ironic pattern whereby the English stage of the long eighteenth century, in its…
(more)
▼ This thesis draws the line of a rise and a fall, an ironic pattern whereby the English
stage of the long eighteenth century, in its relation to Shakespeare in particular, first
acquired powerful influence, and then, through the very effects of that power, lost it.
It also shows what contemporary literary criticism might learn from the activities that
constitute this arc of evolution.
My first chapter interrogates the relationship between text and performance in
vernacular writings about acting and editing from the death of Betterton in 1710 to
the rise of Garrick in the middle decades of the century. From the status of a distinct
tradition, performance comes to rely on text as a basis for the intimate, personal
engagement with Shakespeare believed necessary to the work of the sentimental
actor. Such a reliance grants the performer new potential as a literary critic, but also
prepares a fall. The performer becomes another kind of reader, and so is open to
accusations of reading badly.
My second chapter analyses the evolving definition of Shakespeare as a dramatic
author from Samuel Johnson onwards. An untheatrical definition of the dramatic
(Johnson’s) is answered by one which recognises the power and vitality of the stage,
especially in its representation of sympathetic character (Montagu and Kenrick). Yet
that very recognition leads to a set of altered critical priorities in which the theatre is,
once more, relegated (Morgann and Richardson).
My third and fourth chapters consider the practices and critical implications of
theatrical performance of Shakespeare during Garrick’s career. I focus on the acting
of emotion, the portrayal of what Aaron Hill called ‘the very Instant of the changing
Passion’, and show that performance of this time, attentive to the striking moment
and the transitions that power it, required from the actor both attention to the text and
preternatural control over his own emotions. In return, it allowed Garrick and others
to claim a special affinity with Shakespeare and to capture the public’s attention, both
in the theatre and outside it. Yet this situation, that of ‘twin stars’, does not last.
French and German responses to English acting, the concern of my last chapter, show
its decline particularly well. They also, however, show the power that existed in such
a union between page and stage, and equal weight is given in both my third and my
fourth chapter to how the theatrical-literary insights of eighteenth-century critical
culture might also illuminate modern approaches.
Subjects/Keywords: Shakespeare; Garrick; Theatre; Scholarly Editing; Acting; Performance; Sentiment; Sensibility; Eighteenth Century
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APA (6th Edition):
Harriman-Smith, J. (2016). Twin stars: Shakespeare and the idea of the theatre in the eighteenth century. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/253766https://www.repository.cam.ac.uk/bitstream/1810/253766/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/253766/4/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/5/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.jpg
Chicago Manual of Style (16th Edition):
Harriman-Smith, James. “Twin stars: Shakespeare and the idea of the theatre in the eighteenth century.” 2016. Doctoral Dissertation, University of Cambridge. Accessed March 07, 2021.
https://www.repository.cam.ac.uk/handle/1810/253766https://www.repository.cam.ac.uk/bitstream/1810/253766/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/253766/4/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/5/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.jpg.
MLA Handbook (7th Edition):
Harriman-Smith, James. “Twin stars: Shakespeare and the idea of the theatre in the eighteenth century.” 2016. Web. 07 Mar 2021.
Vancouver:
Harriman-Smith J. Twin stars: Shakespeare and the idea of the theatre in the eighteenth century. [Internet] [Doctoral dissertation]. University of Cambridge; 2016. [cited 2021 Mar 07].
Available from: https://www.repository.cam.ac.uk/handle/1810/253766https://www.repository.cam.ac.uk/bitstream/1810/253766/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/253766/4/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/5/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.jpg.
Council of Science Editors:
Harriman-Smith J. Twin stars: Shakespeare and the idea of the theatre in the eighteenth century. [Doctoral Dissertation]. University of Cambridge; 2016. Available from: https://www.repository.cam.ac.uk/handle/1810/253766https://www.repository.cam.ac.uk/bitstream/1810/253766/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/253766/4/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/253766/5/Harriman-Smith_Dspace_Thesis_Twin%20Stars.pdf.jpg
University of Toronto
22.
Stenberg, Laura Marie.
Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820.
Degree: PhD, 2014, University of Toronto
URL: http://hdl.handle.net/1807/74766
Subjects/Keywords: Medicine; Novel; Sensibility; Women; 0401
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APA (6th Edition):
Stenberg, L. M. (2014). Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/74766
Chicago Manual of Style (16th Edition):
Stenberg, Laura Marie. “Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820.” 2014. Doctoral Dissertation, University of Toronto. Accessed March 07, 2021.
http://hdl.handle.net/1807/74766.
MLA Handbook (7th Edition):
Stenberg, Laura Marie. “Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820.” 2014. Web. 07 Mar 2021.
Vancouver:
Stenberg LM. Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820. [Internet] [Doctoral dissertation]. University of Toronto; 2014. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/1807/74766.
Council of Science Editors:
Stenberg LM. Symptoms of Femininity: Novelistic Treatments of Sensibility, 1760-1820. [Doctoral Dissertation]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/74766
RMIT University
23.
Manninger, S.
Atlas of sensations - on sensibilities in a computational design practice.
Degree: 2018, RMIT University
URL: http://researchbank.rmit.edu.au/view/rmit:162960
► The driving force behind the body of work of SPAN is defined by the application of advanced computational design methodologies. This dissertation can be understood…
(more)
▼ The driving force behind the body of work of SPAN is defined by the application of advanced computational design methodologies. This dissertation can be understood as a cartography (in the best tradition of an atlas) of the work of the practice from its founding year 2003 until 2017 - a period profoundly shaped by the progress made in technological advances. These technological means allow SPAN to discuss architectural project through a series of different lenses such as conceptualization, planning, fabrication to the maintenance of the designed objects, through the use of emerging technical opportunities wither this be the interrogation of novel geometries (Blocks, Ore, Barcelona Recursion), computational methods of rationalization (Expo Façade) or advanced methods of fabrication (Robots, as for example in Plato's Columns). In a parallel move between the necessities and desires of the practice and the ambitious studios and seminars in academia, novel toolsets and design concepts are developed to address contemporary architectural problems. These areas can be understood as different territories of interrogation, forming a landscape of opportunities, or as we describe it internally in our office: a design ecology. The interrogation of these distinct territories, and the unique way in which SPAN assembles those various elements to something larger than its parts, is what constitutes part of SPAN's contribution to the discipline. Apart from projects and visual work, SPAN´s contribution to discourse started early with papers to conferences such as IASS (International Association for Shell and Spatial Structures) in 2007, Design Modeling Symposium in 2008, and ACADIA (Association for Computer Aided Design in Architecture) in 2008, which included ideas such as the application of tissue engineering in architecture, aspects of artifact and affect, fabrication, and considerations on architectural details in complex curved geometries. Within the Atlas of Sensations, a second ecology is defined by the contribution to the paradigm shift in the discourse from the continuous to the hyper-articulated surface, which contains an additional level of information. A surface, which describes architectural properties through the deep pochés, folds, joints, niches, and arches it generates. The question is: How does this shift in the conception of architecture affect the qualities of the design, and by extension the context these objects construct? To further investigate this question the work focuses on one part of the practice's design ecology: design sensibilities. In order to interrogate this question, the presented work observes these moments in SPAN's practice through the lens of geometrical properties. Ultimately resulting in thoughts on Postdigital design ecologies that discuss aspects of design agency in our contemporary age.
Subjects/Keywords: Fields of Research; Architecture; Design; Computation; Geometry; Sensibility
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CSE |
Export
to Zotero / EndNote / Reference
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APA (6th Edition):
Manninger, S. (2018). Atlas of sensations - on sensibilities in a computational design practice. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162960
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Manninger, S. “Atlas of sensations - on sensibilities in a computational design practice.” 2018. Thesis, RMIT University. Accessed March 07, 2021.
http://researchbank.rmit.edu.au/view/rmit:162960.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Manninger, S. “Atlas of sensations - on sensibilities in a computational design practice.” 2018. Web. 07 Mar 2021.
Vancouver:
Manninger S. Atlas of sensations - on sensibilities in a computational design practice. [Internet] [Thesis]. RMIT University; 2018. [cited 2021 Mar 07].
Available from: http://researchbank.rmit.edu.au/view/rmit:162960.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Manninger S. Atlas of sensations - on sensibilities in a computational design practice. [Thesis]. RMIT University; 2018. Available from: http://researchbank.rmit.edu.au/view/rmit:162960
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Loughborough University
24.
Minou, Paschalina.
The role and relevance of negative passions in the conception of eighteenth-century sensibility.
Degree: PhD, 2014, Loughborough University
URL: http://hdl.handle.net/2134/14909
► This thesis argues for the inclusion of negative emotions, and more specifically, of anger, resentment and envy in the discussion of eighteenth-century Sensibility. It stems…
(more)
▼ This thesis argues for the inclusion of negative emotions, and more specifically, of anger, resentment and envy in the discussion of eighteenth-century Sensibility. It stems from the fact that negative emotion is underemphasised in the context of Sensibility due to its connections to valorised victimhood, religious ideals of virtue and the argument for the reformation of manners. By contrast, this thesis reveals the role and relevance of these emotions to the study of Sensibility, finding evidence in three major kinds of discourses: the theoretical and philosophical discourse, the novel, and physiological theories of the time. Offering readings informed by recent insights from the study of the history of emotions it shows how these emotions are included in the discussions of Sensibility by virtue of necessity. The philosophical ideal of Sensibility, being defined in opposition to negative and egoistic passions, needs to include them, at the very least in order to discount them. In its turn, this creates strict criteria of expression that apply to these emotions which, nevertheless, find their place in the novel. In the early novels of Sensibility expressions of anger and resentment are included because they are connected to notions of moral injury, insult and injustice. These notions resonate deeply within a culture of specified codes of honour and virtue that simultaneously vests the domestic locus with utmost importance and defines female and sentimental virtue in strict terms. Envy is also included in the novel due to its connotations of social disruption and the disparity with social visions of Sensibility. In physiology, a comprehensive model that appeals to notions of balance and motion – and not solely focusing on the nerve – finds a desirable aspect in anger as invigorating. This idea is extended as metaphor to the novel as well. Following these considerations, the thesis finds that it is not the categorical exclusion but rare and firm instances of negative passions that sustain notions and the genre of Sensibility by offering extended versions of the sentimental. Furthermore, it notes that these instances of negative passions enhance the relatedness of these works to modern sensibilities.
Subjects/Keywords: 801; Eighteenth-century novel; Sensibility; Anger; Resentment; Envy; Physiology
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APA ·
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MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Minou, P. (2014). The role and relevance of negative passions in the conception of eighteenth-century sensibility. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/14909
Chicago Manual of Style (16th Edition):
Minou, Paschalina. “The role and relevance of negative passions in the conception of eighteenth-century sensibility.” 2014. Doctoral Dissertation, Loughborough University. Accessed March 07, 2021.
http://hdl.handle.net/2134/14909.
MLA Handbook (7th Edition):
Minou, Paschalina. “The role and relevance of negative passions in the conception of eighteenth-century sensibility.” 2014. Web. 07 Mar 2021.
Vancouver:
Minou P. The role and relevance of negative passions in the conception of eighteenth-century sensibility. [Internet] [Doctoral dissertation]. Loughborough University; 2014. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2134/14909.
Council of Science Editors:
Minou P. The role and relevance of negative passions in the conception of eighteenth-century sensibility. [Doctoral Dissertation]. Loughborough University; 2014. Available from: http://hdl.handle.net/2134/14909
Baylor University
25.
Rempel-Knighten, Joanna K., 1980-.
Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond.
Degree: MA, Baylor University. Dept. of English., 2015, Baylor University
URL: http://hdl.handle.net/2104/9471
► Charlotte Smith’s work has an established relationship with sensibility and the political and social issues of her day. However, Smith’s use of sensibility’s conventions against…
(more)
▼ Charlotte Smith’s work has an established relationship with
sensibility and the political and social issues of her day. However, Smith’s use of sensibility’s conventions against itself to create room for assertive femininity and eventually the realist genre has been overlooked. I explore two of Smith’s early novels to see how Smith unsettles cultural expectations through the use of sympathy. I argue first that Emmeline incorporates theatrical elements such as scene, character, and narrative to engage sympathy for an assertive woman. Then, I explore how Desmond incorporates distance to engage sympathy for the sentimental heroine, even as that sympathy is undermined by sentimental conventions. The failed sympathy challenges sensibility’s unreasonable expectations for feminine obedience. Both novels manipulate the genre of the sentimental novel to create sympathy, but that sympathy provides a critique that undermines the sentimental female role by providing them room for rationality and elements of independence.
Advisors/Committee Members: Pond, Kristen A. (advisor).
Subjects/Keywords: Eighteenth century. Genre. Gender. Sympathy. Sensibility. Realism. Theater. Distance.
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APA (6th Edition):
Rempel-Knighten, Joanna K., 1. (2015). Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond. (Masters Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/9471
Chicago Manual of Style (16th Edition):
Rempel-Knighten, Joanna K., 1980-. “Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond.” 2015. Masters Thesis, Baylor University. Accessed March 07, 2021.
http://hdl.handle.net/2104/9471.
MLA Handbook (7th Edition):
Rempel-Knighten, Joanna K., 1980-. “Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond.” 2015. Web. 07 Mar 2021.
Vancouver:
Rempel-Knighten, Joanna K. 1. Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond. [Internet] [Masters thesis]. Baylor University; 2015. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2104/9471.
Council of Science Editors:
Rempel-Knighten, Joanna K. 1. Strategic sympathy : interactions of form, gender, and genre in Charlotte Smith's Emmeline and Desmond. [Masters Thesis]. Baylor University; 2015. Available from: http://hdl.handle.net/2104/9471
26.
Dal-Palu, Myriam.
La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility.
Degree: Docteur es, Sciences de l'éducation, 2011, Université Paul Valéry – Montpellier III
URL: http://www.theses.fr/2011MON30056
► La sensibilité est souvent assimilée à cette part de l’homme peu fréquentable, subversive, empêchant la maîtrise toute, dans une civilisation dominée par le contrôle, la…
(more)
▼ La sensibilité est souvent assimilée à cette part de l’homme peu fréquentable, subversive, empêchant la maîtrise toute, dans une civilisation dominée par le contrôle, la rentabilité et les technosciences. La question de la sensibilité se limite souvent à une approche parcellaire de la culture des sens. C’est pourquoi nous avons approfondi notre réflexion d’un point de vue épistémologique pour en cerner davantage les enjeux pour la clinique et en déduire une réflexion enrichissante pour le champ éducatif, dont le résultat témoigne d’un entrelacs constant entre réflexion, pratique, analyse et recherche. Pour ce faire, notre méthodologie de recherche a pris appui sur une approche résolument psychanalytique, à partir du noeud borroméen de Jacques Lacan. Ainsi, nous poserons que l’Homme est fragile par sa dimension paradoxale : appelé à jouir par sa dimension incarnée, il se retrouve à être sexué et mortel, confronté ainsi à une finitude le marquant du sceau du « Pas Tout », et qu’il est riche potentiellement par ce que nous nommerons sa dimension ternaire ou Tridimensionnelle – soma (le corps) – psyché (l’âme) - pneuma (l’esprit) – afin de prendre en compte non seulement ses potentialités somatiques, psychiques mais aussi pneumatiques. Nous soulignerons que la sensibilité a été régulièrement pensée en termes de « dualité » et non dans une logique de « ternarité ». Puis nous proposerons une conceptualisation ternaire, borroméenne et paradoxale de la Sensibilité du Sujet, espérant apporter une certaine stabilité et consistance à ce concept, à partir d’une clinique psychanalytique, pour l’éducation d’un Sujet vivant en de-venir.
Sensibility often relates to that part of man that is disreputable, subversive, refraining man’s total self-control in a civilisation obsessed with control, profitability and technoscience. The topic of sensitivity often limits itself to the fragmented approach of the culture of senses. That is the reason why we have focused our attention upon the epistemological angle in order to further understand what is at stake for the clinic and draw a valuable reflection out of it for education, whose result reveals the constant interaction between thought, practice, analysis and research. To achieve this, our methodology of research is centred upon a highly psychoanalytic approach, based on Lacan’s Borromean knot. Thus, we postulate that Man is fragile through his paradoxical dimension: he finds himself a sexual and mortal being making the most of himself through his incarnate dimension and is faced with a finiteness that binds him to the “notall”. Furthermore, he has such a rich potential drawn upon the ternary or three-dimensional dimension–i.e. soma (the body), psyche (the soul), pneuma (the spirit)–that he has become aware of his somatic, psychic as well as pneumatic potentialities. We want to highlight the fact that Sensibility has been regularly thought in terms of “duality” rather than a logic of ternarity. We propose that the Subject’s Sensibility be based upon a ternary, Borromean and paradoxical…
Advisors/Committee Members: Paturet, Jean-Bernard (thesis director).
Subjects/Keywords: Sensibilité du Sujet; Imperception; Altéropathie; Tact; Anthropologie ternaire; Education de/à la Sensibilité; Anthropologie psychanalytique; Sensibility; Imperception; Altéropathie; Tact; Ternary anthropology; Education to Sensibility
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APA (6th Edition):
Dal-Palu, M. (2011). La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2011MON30056
Chicago Manual of Style (16th Edition):
Dal-Palu, Myriam. “La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility.” 2011. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed March 07, 2021.
http://www.theses.fr/2011MON30056.
MLA Handbook (7th Edition):
Dal-Palu, Myriam. “La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility.” 2011. Web. 07 Mar 2021.
Vancouver:
Dal-Palu M. La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2011. [cited 2021 Mar 07].
Available from: http://www.theses.fr/2011MON30056.
Council of Science Editors:
Dal-Palu M. La sensibilité du sujet : une nouvelle anthropologie psychanalytique : The Subject’s Sensibility. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2011. Available from: http://www.theses.fr/2011MON30056
Universidade do Rio Grande do Norte
27.
Marques, Nívia do Nascimento.
Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
.
Degree: 2012, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/17684
► The present study describes the stability and rheological behavior of suspensions of poly (N-isopropylacrylamide) (PNIPAM), poly (N-isopropylacrylamide)-chitosan (PNIPAMCS), and poly (N-isopropylacrylamide)-chitosan-poly (acrylic acid) (PNIPAM-CS-PAA) crosslinked…
(more)
▼ The present study describes the stability and rheological behavior of suspensions of
poly (N-isopropylacrylamide) (PNIPAM), poly (N-isopropylacrylamide)-chitosan (PNIPAMCS),
and poly (N-isopropylacrylamide)-chitosan-poly (acrylic acid) (PNIPAM-CS-PAA)
crosslinked particles sensitive to pH and temperature. These dual-sensitive materials were
simply obtained by one-pot method, via free-radical precipitation copolymerization with
potassium persulfate, using N,N -methylenebisacrylamide (MBA) as a crosslinking agent.
Incorporation of the precursor materials into the chemical networks was confirmed by
elementary analysis and infrared spectroscopy. The influence of external stimuli such as pH
and temperature, or both, on particle behavior was investigated through rheological
measurements, visual stability tests and analytical centrifugation. The PNIPAM-CS particles
showed higher stability in acid and neutral media, whereas PNIPAM-CS-PAA particles were
more stable in neutral and alkaline media, both below and above the LCST of poly (Nisopropylacrylamide)
(stability data). This is due to different interparticle interactions, as well
as those between the particles and the medium (also evidenced by rheological data), which
were also influenced by the pH and temperature of the medium. Based on the results obtained,
we found that the introduction of pH-sensitive polymers to crosslinked poly (Nisopropylacrylamide)
particles not only produced dual-sensitive materials, but allowed
particle stability to be adjusted, making phase separation faster or slower, depending on the
desired application. Thus, it is possible to adapt the material to different media
Advisors/Committee Members: Balaban, Rosângela de Carvalho (advisor), CPF:65946499734 (advisor), http://lattes.cnpq.br/7711521318854102 (advisor).
Subjects/Keywords: Termossensibilidade. PH-sensibilidade. Polissacarídeo. Copolimerização. Estabilidade. Reologia;
Thermosensibility. PH-sensibility. Polysaccharide. Copolymerization. Stability. Rheology
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APA ·
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Manager
APA (6th Edition):
Marques, N. d. N. (2012). Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
. (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/17684
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Marques, Nívia do Nascimento. “Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
.” 2012. Thesis, Universidade do Rio Grande do Norte. Accessed March 07, 2021.
http://repositorio.ufrn.br/handle/123456789/17684.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Marques, Nívia do Nascimento. “Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
.” 2012. Web. 07 Mar 2021.
Vancouver:
Marques NdN. Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
. [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2012. [cited 2021 Mar 07].
Available from: http://repositorio.ufrn.br/handle/123456789/17684.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Marques NdN. Partículas inteligentes de poli (nisopropilacrilamida), quitosana e poli (ácido acrílico): efeito da temperatura e do pH sobre suas propriedades em suspensões aquosas
. [Thesis]. Universidade do Rio Grande do Norte; 2012. Available from: http://repositorio.ufrn.br/handle/123456789/17684
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
28.
Rafael Lucas de Lima.
Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.
Degree: 2011, Universidade Federal do Rio Grande do Norte
URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4462
► Este trabalho trata da questão da tecnologia no pensamento de Herbert Marcuse, explicitando de que modo a fusão entre tecnologia e dominação resulta num aparato…
(more)
▼ Este trabalho trata da questão da tecnologia no pensamento de Herbert Marcuse, explicitando de que modo a fusão entre tecnologia e dominação resulta num aparato tecnológico totalitário. Desse modo, trata-se de analisar em que medida a civilização tecnológica é sustentada e justificada por uma racionalidade tecnológica que lhe serve como força de ajuste, causando uma paralisia da crítica. Ao analisar o aparato tecnológico na sociedade administrada percorremos não somente o pensamento filosófico de Marcuse, mas também de outros grandes pensadores, tais como Heidegger, Hegel, Marx, além de um debate sobre a filosofia da ciência e da lógica linguística. O autor aponta para a necessidade de uma nova racionalidade tecnológica que aconteceria por meio de uma nova sensibilidade onde a técnica possibilitaria uma nova relação do homem com a natureza. Para tanto, faz-se necessário a emergência de um novo sujeito. Esta transição seria possível por meio da sensibilidade, pela qual a arte se converteria em arte da vida. Com a vinculação entre arte e técnica, possibilitada pela nova sensibilidade, o autor concede-nos umas das suas principais contribuições, qual seja: deixar em aberto a possibilidade de uma nova meta
This dissertation addresses the issue of technology in the work of Herbert Marcuse, explaning the merger between technology and domination that result in a totalitarian technological apparatus. Thus, technological civilization is supported and justified by a rational technological apparatus in the society, we have come not only the philosophy of Marcuse, but other great thinkers too, like Heidegger, Hegel, Marx. We also present a debate involving the philosophy of science, logic and linguage. Marcuse points to the need for a new technological rationality that emerge from a new sensibility, where the technique would allow a new relationship between man and nature. From then on, would emerge the need for a new subject. This transition would be possible by means of sensitivity, where art would become the art of live. With the link between art and technique made possible by new sensitivity, the author leaves one of its main contribution: he leaves open the possibility for the subject to choose new targests for technological development
Advisors/Committee Members: Eduardo Anibal Pellejero, Pedro Leão da Costa Neto, Alipio de Sousa Filho.
Subjects/Keywords: New sensibility; Art; Tecnologia; Sociedade unidimensional; Nova sensibilidade e arte; FILOSOFIA; Technology; One-dimensional society
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APA (6th Edition):
Lima, R. L. d. (2011). Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4462
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Lima, Rafael Lucas de. “Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.” 2011. Thesis, Universidade Federal do Rio Grande do Norte. Accessed March 07, 2021.
http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4462.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Lima, Rafael Lucas de. “Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.” 2011. Web. 07 Mar 2021.
Vancouver:
Lima RLd. Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2011. [cited 2021 Mar 07].
Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4462.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Lima RLd. Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. [Thesis]. Universidade Federal do Rio Grande do Norte; 2011. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4462
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
29.
Cícero Leílton Leite Bezerra.
Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.
Degree: 2010, Universidade Federal do Rio Grande do Norte
URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4442
► This dissertation addresses the issue of technology in the work of Herbert Marcuse, explaning the merger between technology and domination that result in a totalitarian…
(more)
▼ This dissertation addresses the issue of technology in the work of Herbert Marcuse, explaning the merger between technology and domination that result in a totalitarian technological apparatus. Thus, technological civilization is supported and justified by a rational technological apparatus in the society, we have come not only the philosophy of Marcuse, but other great thinkers too, like Heidegger, Hegel, Marx. We also present a debate involving the philosophy of science, logic and linguage. Marcuse points to the need for a new technological rationality that emerge from a new sensibility, where the technique would allow a new relationship between man and nature. From then on, would emerge the need for a new subject. This transition would be possible by means of sensitivity, where art would become the art of live. With the link between art and technique made possible by new sensitivity, the author leaves one of its main contribution: he leaves open the possibility for the subject to choose new targests for technological development
Este trabalho trata da questão da tecnologia no pensamento de Herbert Marcuse, explicitando de que modo a fusão entre tecnologia e dominação resulta num aparato tecnológico totalitário. Desse modo, trata-se de analisar em que medida a civilização tecnológica é sustentada e justificada por uma racionalidade tecnológica que lhe serve como força de ajuste, causando uma paralisia da crítica. Ao analisar o aparato tecnológico na sociedade administrada percorremos não somente o pensamento filosófico de Marcuse, mas também de outros grandes pensadores, tais como Heidegger, Hegel, Marx, além de um debate sobre a filosofia da ciência e da lógica linguística. O autor aponta para a necessidade de uma nova racionalidade tecnológica que aconteceria por meio de uma nova sensibilidade onde a técnica possibilitaria uma nova relação do homem com a natureza. Para tanto, faz-se necessário a emergência de um novo sujeito. Esta transição seria possível por meio da sensibilidade, pela qual a arte se converteria em arte da vida. Com a vinculação entre arte e técnica, possibilitada pela nova sensibilidade, o autor concede-nos umas das suas principais contribuições, qual seja: deixar em aberto a possibilidade de uma nova meta
Advisors/Committee Members: Daniel Durante Pereira Alves, Rodrigo Ribeiro Alves Neto.
Subjects/Keywords: Tecnologia; Sociedade unidimensional; Nova sensibilidade; Arte; FILOSOFIA; Technology; One-dimensional society; New sensibility; Art
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APA ·
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APA (6th Edition):
Bezerra, C. L. L. (2010). Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4442
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Bezerra, Cícero Leílton Leite. “Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.” 2010. Thesis, Universidade Federal do Rio Grande do Norte. Accessed March 07, 2021.
http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4442.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Bezerra, Cícero Leílton Leite. “Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional.” 2010. Web. 07 Mar 2021.
Vancouver:
Bezerra CLL. Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2010. [cited 2021 Mar 07].
Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4442.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Bezerra CLL. Uma nova tecnologia no pensamento de Herbert Marcuse: arte e técnica na sociedade unidimensional. [Thesis]. Universidade Federal do Rio Grande do Norte; 2010. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=4442
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
UCLA
30.
George, Leigh-Michil.
Sentiment and Laughter: Caricature in the Novel, 1740-1840.
Degree: English, 2016, UCLA
URL: http://www.escholarship.org/uc/item/6mw7s9rz
► This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and…
(more)
▼ This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and Alexander Bicknell—challenged Henry Fielding’s mid-eighteenth-century critique of caricature as unrealistic and un-novelistic. In this study, I argue that Sterne, Austen, Egan, and others translated visual tropes of caricature into literary form in order to make their comic writings appear more "realistic." In doing so, these authors not only bridged the character-caricature divide, but a visual-verbal divide as well. As I demonstrate, the desire to connect caricature with character, and the visual with the verbal, grew out of larger ethical and aesthetic concerns regarding the relationship between laughter, sensibility, and novelistic form. This study begins with Fielding's Joseph Andrews (1742) and its antagonistic stance towards caricature and the laughter it evokes, a laughter that both Fielding and William Hogarth portray as detrimental to the knowledge of character and sensibility. My second chapter looks at how, increasingly, in the late eighteenth century tears and laughter were integrated into the sentimental experience. Sterne's readers wept sentimental tears for Tristram Shandy's (1759-1767) heartbroken Maria, but they also sought "delicate laughter" in the verbal and visual caricature of Dr. Slop. In the third chapter, I explore how Jane Austen's Persuasion (1818) mocks Sternean sensibility and its problematic idealization of fragile, female bodies by adapting tropes of visual caricature into literary form. The fourth chapter examines Pierce Egan's Life in London (1821), rarely read today, but hugely popular in the 1820s. Egan's protagonists are "men of feeling" who thrive on the thrills of "real life," which in the novel is best exemplified by caricature. The novelist follows in the comic realist tradition of Fielding, but embraces Sternean sensibility and its enthusiasm for caricature. Egan sees caricature and sensibility as interconnected, rather than opposed.
Subjects/Keywords: English literature; Art history; caricature; eighteenth-century British literature; laughter; novel; realism; sensibility
Record Details
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Record Details
Similar Records
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❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
George, L. (2016). Sentiment and Laughter: Caricature in the Novel, 1740-1840. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6mw7s9rz
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
George, Leigh-Michil. “Sentiment and Laughter: Caricature in the Novel, 1740-1840.” 2016. Thesis, UCLA. Accessed March 07, 2021.
http://www.escholarship.org/uc/item/6mw7s9rz.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
George, Leigh-Michil. “Sentiment and Laughter: Caricature in the Novel, 1740-1840.” 2016. Web. 07 Mar 2021.
Vancouver:
George L. Sentiment and Laughter: Caricature in the Novel, 1740-1840. [Internet] [Thesis]. UCLA; 2016. [cited 2021 Mar 07].
Available from: http://www.escholarship.org/uc/item/6mw7s9rz.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
George L. Sentiment and Laughter: Caricature in the Novel, 1740-1840. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/6mw7s9rz
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
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Open Access Theses and Dissertations