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You searched for subject:(Schoenberg). Showing records 1 – 30 of 97 total matches.

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University of California – San Diego

1. Marquez, Tania Lanfer. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".

Degree: Music, 2010, University of California – San Diego

 The aim of this paper is to derive extrapolations of compositional significance from Schoenberg's Op. 16 No. 3 "Farben." An extrapolation, in this sense, is… (more)

Subjects/Keywords: Music; Cognition; Schoenberg; Timbre

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APA (6th Edition):

Marquez, T. L. (2010). Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1v95215s

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marquez, Tania Lanfer. “Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".” 2010. Thesis, University of California – San Diego. Accessed February 17, 2020. http://www.escholarship.org/uc/item/1v95215s.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marquez, Tania Lanfer. “Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".” 2010. Web. 17 Feb 2020.

Vancouver:

Marquez TL. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2020 Feb 17]. Available from: http://www.escholarship.org/uc/item/1v95215s.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marquez TL. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/1v95215s

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wisconsin – Madison

2. Seitz, Paul Thomas, 1951-. Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25.

Degree: 1976, University of Wisconsin – Madison

123 leaves ; 31 cm. + score (24 leaves)

Subjects/Keywords: Schoenberg; Arnold

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APA (6th Edition):

Seitz, Paul Thomas, 1. (1976). Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25. (Thesis). University of Wisconsin – Madison. Retrieved from http://digital.library.wisc.edu/1793/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seitz, Paul Thomas, 1951-. “Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25.” 1976. Thesis, University of Wisconsin – Madison. Accessed February 17, 2020. http://digital.library.wisc.edu/1793/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seitz, Paul Thomas, 1951-. “Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25.” 1976. Web. 17 Feb 2020.

Vancouver:

Seitz, Paul Thomas 1. Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25. [Internet] [Thesis]. University of Wisconsin – Madison; 1976. [cited 2020 Feb 17]. Available from: http://digital.library.wisc.edu/1793/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seitz, Paul Thomas 1. Structural function in non-serialized aspects of Arnold Schoenberg’s Suite for Piano, Op. 25. [Thesis]. University of Wisconsin – Madison; 1976. Available from: http://digital.library.wisc.edu/1793/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

3. Birdsong, Crystal Darcell. Old School for the New School: Discussing the Importance of Motown Records in American Music History.

Degree: PhD, Composition, 2019, Louisiana State University

  The purpose of this study is to look at the contribution of Motown Records within music history and American history, as well as why… (more)

Subjects/Keywords: music; composition; Motown; Schoenberg

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APA (6th Edition):

Birdsong, C. D. (2019). Old School for the New School: Discussing the Importance of Motown Records in American Music History. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4868

Chicago Manual of Style (16th Edition):

Birdsong, Crystal Darcell. “Old School for the New School: Discussing the Importance of Motown Records in American Music History.” 2019. Doctoral Dissertation, Louisiana State University. Accessed February 17, 2020. https://digitalcommons.lsu.edu/gradschool_dissertations/4868.

MLA Handbook (7th Edition):

Birdsong, Crystal Darcell. “Old School for the New School: Discussing the Importance of Motown Records in American Music History.” 2019. Web. 17 Feb 2020.

Vancouver:

Birdsong CD. Old School for the New School: Discussing the Importance of Motown Records in American Music History. [Internet] [Doctoral dissertation]. Louisiana State University; 2019. [cited 2020 Feb 17]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4868.

Council of Science Editors:

Birdsong CD. Old School for the New School: Discussing the Importance of Motown Records in American Music History. [Doctoral Dissertation]. Louisiana State University; 2019. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4868


The Ohio State University

4. Garcia, David Manuel. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.

Degree: PhD, Graduate School, 1986, The Ohio State University

Subjects/Keywords: Music; Tonality; Schoenberg

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APA (6th Edition):

Garcia, D. M. (1986). Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948

Chicago Manual of Style (16th Edition):

Garcia, David Manuel. “Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.” 1986. Doctoral Dissertation, The Ohio State University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948.

MLA Handbook (7th Edition):

Garcia, David Manuel. “Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.” 1986. Web. 17 Feb 2020.

Vancouver:

Garcia DM. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. [Internet] [Doctoral dissertation]. The Ohio State University; 1986. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948.

Council of Science Editors:

Garcia DM. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. [Doctoral Dissertation]. The Ohio State University; 1986. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948


University of Minnesota

5. Narum, Jessica. Sound and semantics: topics in the music of Arnold Schoenberg.

Degree: PhD, Music, 2013, University of Minnesota

 Arnold Schoenberg's music consistently invites criticism and analysis, much of which has used the tools of pitch-class set theory to focus on issues of structure… (more)

Subjects/Keywords: Analysis; Atonal; Music theory; Schoenberg; Topics

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APA (6th Edition):

Narum, J. (2013). Sound and semantics: topics in the music of Arnold Schoenberg. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/158990

Chicago Manual of Style (16th Edition):

Narum, Jessica. “Sound and semantics: topics in the music of Arnold Schoenberg.” 2013. Doctoral Dissertation, University of Minnesota. Accessed February 17, 2020. http://purl.umn.edu/158990.

MLA Handbook (7th Edition):

Narum, Jessica. “Sound and semantics: topics in the music of Arnold Schoenberg.” 2013. Web. 17 Feb 2020.

Vancouver:

Narum J. Sound and semantics: topics in the music of Arnold Schoenberg. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2020 Feb 17]. Available from: http://purl.umn.edu/158990.

Council of Science Editors:

Narum J. Sound and semantics: topics in the music of Arnold Schoenberg. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://purl.umn.edu/158990


University of Cincinnati

6. Brooks, Colleen. Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten.

Degree: DMA, College-Conservatory of Music: Voice, 2010, University of Cincinnati

 One of the most viable trends in the compositional practice of the twentieth and twenty-first centuries is the blurring and breaking of boundaries between classical… (more)

Subjects/Keywords: Music; Satie; Schoenberg; Weill; Britten; cabaret; song

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APA (6th Edition):

Brooks, C. (2010). Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990477

Chicago Manual of Style (16th Edition):

Brooks, Colleen. “Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990477.

MLA Handbook (7th Edition):

Brooks, Colleen. “Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten.” 2010. Web. 17 Feb 2020.

Vancouver:

Brooks C. Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990477.

Council of Science Editors:

Brooks C. Cabaret Songs by Classical Composers During the First Half of the 20th Century: Satie, Schoenberg, Weill, and Britten. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990477


University of Miami

7. Palmese, Michael. Schoenberg's Expressionist Cult of the Forest, Moon, and Mind.

Degree: MM, Musicology (Music), 2014, University of Miami

  Delineating what exactly constitutes expressionism in music remains a perpetually confounding area of musicological scholarship, susceptible to prosaic definitions that do little to illuminate… (more)

Subjects/Keywords: Schoenberg; expressionism; fin-de-siècle Vienna; semiology

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APA (6th Edition):

Palmese, M. (2014). Schoenberg's Expressionist Cult of the Forest, Moon, and Mind. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palmese, Michael. “Schoenberg's Expressionist Cult of the Forest, Moon, and Mind.” 2014. Thesis, University of Miami. Accessed February 17, 2020. https://scholarlyrepository.miami.edu/oa_theses/473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palmese, Michael. “Schoenberg's Expressionist Cult of the Forest, Moon, and Mind.” 2014. Web. 17 Feb 2020.

Vancouver:

Palmese M. Schoenberg's Expressionist Cult of the Forest, Moon, and Mind. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Feb 17]. Available from: https://scholarlyrepository.miami.edu/oa_theses/473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palmese M. Schoenberg's Expressionist Cult of the Forest, Moon, and Mind. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_theses/473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Toulouse II – Le Mirail

8. Ducombs, Anne-Sophie. Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work.

Degree: Docteur es, Psychopathologie clinique, 2016, Université Toulouse II – Le Mirail

La passe est le dispositif inventé par Lacan pour tenter de saisir et d’éclairer l’émergence du désir de l’analyste. Ce moment électif, où le psychanalysant… (more)

Subjects/Keywords: Acte psychanalytique; Acte de création; Arnold Schoenberg; Analytic act; Act of creation; Arnold Schoenberg

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APA (6th Edition):

Ducombs, A. (2016). Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2016TOU20044

Chicago Manual of Style (16th Edition):

Ducombs, Anne-Sophie. “Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work.” 2016. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed February 17, 2020. http://www.theses.fr/2016TOU20044.

MLA Handbook (7th Edition):

Ducombs, Anne-Sophie. “Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work.” 2016. Web. 17 Feb 2020.

Vancouver:

Ducombs A. Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2016. [cited 2020 Feb 17]. Available from: http://www.theses.fr/2016TOU20044.

Council of Science Editors:

Ducombs A. Acte de création et acte psychanalytique : traversée de l'oeuvre du compositeur Arnold Schoenberg : Act of creation and analytic act : working through the composer Arnold Schoenberg's work. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2016. Available from: http://www.theses.fr/2016TOU20044


Université Paris-Sorbonne – Paris IV

9. Ramopoulou, Lorenda. La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano.

Degree: Docteur es, Musique et musicologie, 2017, Université Paris-Sorbonne – Paris IV

Ce travail est une étude sur le style et les références présentes dans l’œuvre pour piano solo de Nikos Skalkottas (1904-1949). Il (ré)intègre pour la… (more)

Subjects/Keywords: Allemagne; Grèce; Interprétation musicale; Jazz; Piano; Pianistes; Schoenberg (Arnold); Skalkottas (Nikos); Germany; Greece; Music interpretation; Jazz; Piano; Pianists; Schoenberg (Arnold); Schoenberg (Arnold)

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APA (6th Edition):

Ramopoulou, L. (2017). La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040017

Chicago Manual of Style (16th Edition):

Ramopoulou, Lorenda. “La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed February 17, 2020. http://www.theses.fr/2017PA040017.

MLA Handbook (7th Edition):

Ramopoulou, Lorenda. “La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano.” 2017. Web. 17 Feb 2020.

Vancouver:

Ramopoulou L. La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2020 Feb 17]. Available from: http://www.theses.fr/2017PA040017.

Council of Science Editors:

Ramopoulou L. La musique pour piano solo de Nikos Skalkottas : Nikos Skalkottas’s music for solo piano. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040017

10. Oliveira, Reinaldo Marques de. A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro.

Degree: PhD, Musicologia, 2010, University of São Paulo

O projeto pretende demonstrar que em obras do primeiro período composicional de Cláudio Santoro ocorre uma mistura de escrita estritamente serial e passagens organizadas contextualmente… (more)

Subjects/Keywords: Arnold Schoenberg; Arnold Schoenberg; Cláudio Santoro; Cláudio Santoro; conclusão cromática; conclusão cromática; escrita serial; escrita serial

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APA (6th Edition):

Oliveira, R. M. d. (2010). A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-19112010-115821/ ;

Chicago Manual of Style (16th Edition):

Oliveira, Reinaldo Marques de. “A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro.” 2010. Doctoral Dissertation, University of São Paulo. Accessed February 17, 2020. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-19112010-115821/ ;.

MLA Handbook (7th Edition):

Oliveira, Reinaldo Marques de. “A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro.” 2010. Web. 17 Feb 2020.

Vancouver:

Oliveira RMd. A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro. [Internet] [Doctoral dissertation]. University of São Paulo; 2010. [cited 2020 Feb 17]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-19112010-115821/ ;.

Council of Science Editors:

Oliveira RMd. A conclusão cromática em obras de Arnold Schoenberg e Cláudio Santoro. [Doctoral Dissertation]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-19112010-115821/ ;


University of Newcastle Upon Tyne

11. Pye, Richard Charles. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.

Degree: PhD, 2000, University of Newcastle Upon Tyne

 William Schuman's achievements as a composer are often seen as part of a conservative "Grand Tradition", based upon the models of the symphony, concerto and… (more)

Subjects/Keywords: 800; Composer; Arnold Schoenberg; Symphonic

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APA (6th Edition):

Pye, R. C. (2000). Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. (Doctoral Dissertation). University of Newcastle Upon Tyne. Retrieved from http://hdl.handle.net/10443/766

Chicago Manual of Style (16th Edition):

Pye, Richard Charles. “Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.” 2000. Doctoral Dissertation, University of Newcastle Upon Tyne. Accessed February 17, 2020. http://hdl.handle.net/10443/766.

MLA Handbook (7th Edition):

Pye, Richard Charles. “Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.” 2000. Web. 17 Feb 2020.

Vancouver:

Pye RC. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. [Internet] [Doctoral dissertation]. University of Newcastle Upon Tyne; 2000. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10443/766.

Council of Science Editors:

Pye RC. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. [Doctoral Dissertation]. University of Newcastle Upon Tyne; 2000. Available from: http://hdl.handle.net/10443/766


University of Alabama

12. Palmer, Christopher Daniel. Closure in the music of Schoenberg.

Degree: 2014, University of Alabama

 When listening to music, there is usually some expectation on the part of the listener that the piece will conclude in some way. This is… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; Closure; Schoenberg; Twelve-tone

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APA (6th Edition):

Palmer, C. D. (2014). Closure in the music of Schoenberg. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/128091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palmer, Christopher Daniel. “Closure in the music of Schoenberg.” 2014. Thesis, University of Alabama. Accessed February 17, 2020. http://purl.lib.ua.edu/128091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palmer, Christopher Daniel. “Closure in the music of Schoenberg.” 2014. Web. 17 Feb 2020.

Vancouver:

Palmer CD. Closure in the music of Schoenberg. [Internet] [Thesis]. University of Alabama; 2014. [cited 2020 Feb 17]. Available from: http://purl.lib.ua.edu/128091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palmer CD. Closure in the music of Schoenberg. [Thesis]. University of Alabama; 2014. Available from: http://purl.lib.ua.edu/128091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Claremont Graduate University

13. Strovas, Scott M. Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg.

Degree: PhD, School of Arts and Humanities, 2012, Claremont Graduate University

  The music of John Adams (b. 1947) exemplifies a reinvestment in traditional instrumental genres and musical values that began to take place in contemporary… (more)

Subjects/Keywords: Arnold Schoenberg; contemporary American music; Harmonielehre; John Adams; minimalism; symphony; Music

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APA (6th Edition):

Strovas, S. M. (2012). Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg. (Doctoral Dissertation). Claremont Graduate University. Retrieved from https://scholarship.claremont.edu/cgu_etd/46

Chicago Manual of Style (16th Edition):

Strovas, Scott M. “Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg.” 2012. Doctoral Dissertation, Claremont Graduate University. Accessed February 17, 2020. https://scholarship.claremont.edu/cgu_etd/46.

MLA Handbook (7th Edition):

Strovas, Scott M. “Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg.” 2012. Web. 17 Feb 2020.

Vancouver:

Strovas SM. Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg. [Internet] [Doctoral dissertation]. Claremont Graduate University; 2012. [cited 2020 Feb 17]. Available from: https://scholarship.claremont.edu/cgu_etd/46.

Council of Science Editors:

Strovas SM. Musical Aesthetics and Creative Identification in Two Harmonielehren by John Adams and Arnold Schoenberg. [Doctoral Dissertation]. Claremont Graduate University; 2012. Available from: https://scholarship.claremont.edu/cgu_etd/46


The Ohio State University

14. Henson, Blake Ross. Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg.

Degree: DMA, Music, 2010, The Ohio State University

  Arnold Schoenberg’s early period (1894 - 1907) is traditionally considered “Romantic” and discussed alongside late nineteenth century composers such as Hugo Wölf and Alexander… (more)

Subjects/Keywords: Music; Arnold Schoenberg; Ordered Harmony Transformations; Schenker; Structural Analysis; Atonal

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APA (6th Edition):

Henson, B. R. (2010). Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1274721477

Chicago Manual of Style (16th Edition):

Henson, Blake Ross. “Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg.” 2010. Doctoral Dissertation, The Ohio State University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274721477.

MLA Handbook (7th Edition):

Henson, Blake Ross. “Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg.” 2010. Web. 17 Feb 2020.

Vancouver:

Henson BR. Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1274721477.

Council of Science Editors:

Henson BR. Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1274721477


NSYSU

15. Chang, Ya-Chun. The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11.

Degree: Master, Music, 2012, NSYSU

 The prevalence of expressionism in the early twenty century was strongly related to the social environment at that time. Under the political situation of militarism… (more)

Subjects/Keywords: Atonal; Piano; Opus 11; Drei Klavierstucke; Arnold Schoenberg; Expressionism

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APA (6th Edition):

Chang, Y. (2012). The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707112-072508

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chang, Ya-Chun. “The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11.” 2012. Thesis, NSYSU. Accessed February 17, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707112-072508.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chang, Ya-Chun. “The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11.” 2012. Web. 17 Feb 2020.

Vancouver:

Chang Y. The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11. [Internet] [Thesis]. NSYSU; 2012. [cited 2020 Feb 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707112-072508.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang Y. The Expressionism in Arnold Schoenbergâs Drei Klavierstucke, Opus 11. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0707112-072508

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Johnson, William E. TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition.

Degree: 2015, Butler University

 Arnold Schoenberg's development of twelve-tone serial ism in the early 20th Century had profound and far-reaching impact on the musical world. As Schoenberg himself grew… (more)

Subjects/Keywords: Moses un Aron; Opera; Schoenberg; Music Theory; Music; Music Theory

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APA (6th Edition):

Johnson, W. E. (2015). TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition. (Thesis). Butler University. Retrieved from https://digitalcommons.butler.edu/grtheses/264

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, William E. “TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition.” 2015. Thesis, Butler University. Accessed February 17, 2020. https://digitalcommons.butler.edu/grtheses/264.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, William E. “TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition.” 2015. Web. 17 Feb 2020.

Vancouver:

Johnson WE. TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition. [Internet] [Thesis]. Butler University; 2015. [cited 2020 Feb 17]. Available from: https://digitalcommons.butler.edu/grtheses/264.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson WE. TONE ROW PARTITIONS IN SCHOENBERG'S MOSES UND ARON The Volk Partition and the Zwischenspiel Partition. [Thesis]. Butler University; 2015. Available from: https://digitalcommons.butler.edu/grtheses/264

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

17. Gottschalk, Nathan. Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin.

Degree: DMA, Music, 1956, Boston University

Subjects/Keywords: Schoenberg; Arnold; 1874-1951.

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APA (6th Edition):

Gottschalk, N. (1956). Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/8967

Chicago Manual of Style (16th Edition):

Gottschalk, Nathan. “Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin.” 1956. Doctoral Dissertation, Boston University. Accessed February 17, 2020. http://hdl.handle.net/2144/8967.

MLA Handbook (7th Edition):

Gottschalk, Nathan. “Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin.” 1956. Web. 17 Feb 2020.

Vancouver:

Gottschalk N. Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin. [Internet] [Doctoral dissertation]. Boston University; 1956. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2144/8967.

Council of Science Editors:

Gottschalk N. Twelve note music as developed by Arnold Schoenberg with an analysis of two representative works for violin. [Doctoral Dissertation]. Boston University; 1956. Available from: http://hdl.handle.net/2144/8967


University of Newcastle upon Tyne

18. Pye, Richard Charles. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.

Degree: PhD, 2000, University of Newcastle upon Tyne

 William Schuman's achievements as a composer are often seen as part of a conservative "Grand Tradition", based upon the models of the symphony, concerto and… (more)

Subjects/Keywords: 800; Composer; Arnold Schoenberg; Symphonic

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APA (6th Edition):

Pye, R. C. (2000). Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. (Doctoral Dissertation). University of Newcastle upon Tyne. Retrieved from http://theses.ncl.ac.uk/jspui/handle/10443/766 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340670

Chicago Manual of Style (16th Edition):

Pye, Richard Charles. “Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.” 2000. Doctoral Dissertation, University of Newcastle upon Tyne. Accessed February 17, 2020. http://theses.ncl.ac.uk/jspui/handle/10443/766 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340670.

MLA Handbook (7th Edition):

Pye, Richard Charles. “Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form.” 2000. Web. 17 Feb 2020.

Vancouver:

Pye RC. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. [Internet] [Doctoral dissertation]. University of Newcastle upon Tyne; 2000. [cited 2020 Feb 17]. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/766 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340670.

Council of Science Editors:

Pye RC. Models of unity and diversity in the symphonies of William Schuman : an exploration of genera theories in relation to stylistic change and the dynamics of form. [Doctoral Dissertation]. University of Newcastle upon Tyne; 2000. Available from: http://theses.ncl.ac.uk/jspui/handle/10443/766 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340670


University of North Texas

19. McConnell, Michael C. A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms.

Degree: 2019, University of North Texas

 The Grundgestalt (Ger: ‘basic shape') is a term coined by Arnold Schoenberg to describe the basis for coherence within a musical composition. Although neither precisely… (more)

Subjects/Keywords: Music Theory; Clarinet; Schoenberg; Brahms; Grundgestalt; Trio; Quintet; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McConnell, M. C. (2019). A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1538725/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McConnell, Michael C. “A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms.” 2019. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc1538725/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McConnell, Michael C. “A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms.” 2019. Web. 17 Feb 2020.

Vancouver:

McConnell MC. A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538725/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McConnell MC. A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1538725/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

20. Boland, Lynn. A culture of dissonance : Wassily Kandinsky, atonality, and abstraction.

Degree: PhD, Art History, 2014, University of Texas – Austin

 A Culture of Dissonance: Wassily Kandinsky, Atonality, and Abstraction by Lynn Edward Boland, Ph.D. Supervisor: Linda D. Henderson Wassily Kandinsky's interest in music as a… (more)

Subjects/Keywords: Kandinsky; Music atonality; Dissonance; Modernism; Art history; Physics; Psychology; Schoenberg; Abstraction

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APA (6th Edition):

Boland, L. (2014). A culture of dissonance : Wassily Kandinsky, atonality, and abstraction. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/30323

Chicago Manual of Style (16th Edition):

Boland, Lynn. “A culture of dissonance : Wassily Kandinsky, atonality, and abstraction.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed February 17, 2020. http://hdl.handle.net/2152/30323.

MLA Handbook (7th Edition):

Boland, Lynn. “A culture of dissonance : Wassily Kandinsky, atonality, and abstraction.” 2014. Web. 17 Feb 2020.

Vancouver:

Boland L. A culture of dissonance : Wassily Kandinsky, atonality, and abstraction. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/2152/30323.

Council of Science Editors:

Boland L. A culture of dissonance : Wassily Kandinsky, atonality, and abstraction. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/30323


Columbia University

21. Eichler, Jeremy Adam. The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'.

Degree: 2015, Columbia University

 This is a study of the ways in which the past is inscribed in sound. It is also an examination of the role of concert… (more)

Subjects/Keywords: Cantatas, Secular; Holocaust, Jewish (1939-1945), in music; History; Holocaust, Jewish (1939-1945); Music; Schoenberg, Arnold, 1874-1951; Survivor from Warsaw (Schoenberg, Arnold)

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APA (6th Edition):

Eichler, J. A. (2015). The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8SB44TJ

Chicago Manual of Style (16th Edition):

Eichler, Jeremy Adam. “The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'.” 2015. Doctoral Dissertation, Columbia University. Accessed February 17, 2020. https://doi.org/10.7916/D8SB44TJ.

MLA Handbook (7th Edition):

Eichler, Jeremy Adam. “The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'.” 2015. Web. 17 Feb 2020.

Vancouver:

Eichler JA. The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2020 Feb 17]. Available from: https://doi.org/10.7916/D8SB44TJ.

Council of Science Editors:

Eichler JA. The Emancipation of Memory: Arnold Schoenberg and the Creation of 'A Survivor from Warsaw'. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8SB44TJ


University of North Texas

22. Penney, Diane Holloway. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.

Degree: 1989, University of North Texas

 Arnold Schoenberg's atonal monodrama, Erwartune. Op. 17 (1909). has been viewed as an unanalyzable athematic aberration, without any discernible form. Recognizing Erwartune's forward-looking aspect, this… (more)

Subjects/Keywords: Schoenberg, Arnold, 1874-1951  – Erwartung.; Schoenberg, Arnold; lied music; Erwartune; melodrama in music

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APA (6th Edition):

Penney, D. H. (1989). Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Penney, Diane Holloway. “Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.” 1989. Thesis, University of North Texas. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc330712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Penney, Diane Holloway. “Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions.” 1989. Web. 17 Feb 2020.

Vancouver:

Penney DH. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. [Internet] [Thesis]. University of North Texas; 1989. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330712/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Penney DH. Schoenberg's Janus-Work Erwartung: Its Musico-Dramatic Structure and Relationship to the Melodrama and Lied Traditions. [Thesis]. University of North Texas; 1989. Available from: https://digital.library.unt.edu/ark:/67531/metadc330712/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Russom, Philip Wade. Seven Early Songs of Arnold Schoenberg from the Nachod Collection.

Degree: 1980, North Texas State University

 Arnold Schoenberg viewed himself as an extension of the German Romantic tradition. Schoenberg's early unpublished songs prove his indebtedness to nineteenth century music, but they… (more)

Subjects/Keywords: Arnold Schoenberg; Schoenberg, Arnold, 1874-1951  – Songs.; Lied traditions; Grundgestalt principle; music compositions

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APA (6th Edition):

Russom, P. W. (1980). Seven Early Songs of Arnold Schoenberg from the Nachod Collection. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Russom, Philip Wade. “Seven Early Songs of Arnold Schoenberg from the Nachod Collection.” 1980. Thesis, North Texas State University. Accessed February 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc504048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Russom, Philip Wade. “Seven Early Songs of Arnold Schoenberg from the Nachod Collection.” 1980. Web. 17 Feb 2020.

Vancouver:

Russom PW. Seven Early Songs of Arnold Schoenberg from the Nachod Collection. [Internet] [Thesis]. North Texas State University; 1980. [cited 2020 Feb 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504048/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russom PW. Seven Early Songs of Arnold Schoenberg from the Nachod Collection. [Thesis]. North Texas State University; 1980. Available from: https://digital.library.unt.edu/ark:/67531/metadc504048/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Tsioutis, Annini. Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach.

Degree: Docteur es, Musique et musicologie, 2019, Sorbonne université

La thèse examine la relation entre geste et écriture dans les 32 Pièces pour piano (1940) de Skalkottas. Après identification des nombreuses influences perceptibles dans… (more)

Subjects/Keywords: Skalkottas; Schoenberg; Piano; Geste pianistique; Cycle pianistique; Manuscrit; Procédé compositionnel; Musique grecque; Skalkottas; Schoenberg; Piano; Pianistic gesture; Piano cycle; Manuscript; Compositional procedure; Greek music; 789

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tsioutis, A. (2019). Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2019SORUL153

Chicago Manual of Style (16th Edition):

Tsioutis, Annini. “Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach.” 2019. Doctoral Dissertation, Sorbonne université. Accessed February 17, 2020. http://www.theses.fr/2019SORUL153.

MLA Handbook (7th Edition):

Tsioutis, Annini. “Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach.” 2019. Web. 17 Feb 2020.

Vancouver:

Tsioutis A. Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach. [Internet] [Doctoral dissertation]. Sorbonne université; 2019. [cited 2020 Feb 17]. Available from: http://www.theses.fr/2019SORUL153.

Council of Science Editors:

Tsioutis A. Les 32 Pièces pour piano de Nikos Skalkottas : éclairage analytique et approche pianistique : The 32 Piano Pieces by Nikos Skalkottas : analytical insight and pianistic approach. [Doctoral Dissertation]. Sorbonne université; 2019. Available from: http://www.theses.fr/2019SORUL153

25. Fabiano Araujo Costa. Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg.

Degree: 2006, Universidade Federal de Minas Gerais

Estudo sobre as convergências entre procedimentos harmônicos da música popular, representada pela música de Hermeto Pascoal compositor brasileiro nascido em 1936, e da música erudita,… (more)

Subjects/Keywords: Pascoal, Hermeto, 1936-; Pascoal, Hermeto, 1936- Calendário do som; Schoenberg, Arnold, 1874-1951.; Harmonia (Música)

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APA (6th Edition):

Costa, F. A. (2006). Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/GMMA-7XQFZ4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costa, Fabiano Araujo. “Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg.” 2006. Thesis, Universidade Federal de Minas Gerais. Accessed February 17, 2020. http://hdl.handle.net/1843/GMMA-7XQFZ4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costa, Fabiano Araujo. “Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg.” 2006. Web. 17 Feb 2020.

Vancouver:

Costa FA. Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2006. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/1843/GMMA-7XQFZ4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costa FA. Análise e realização de 4 leadsheets do Calendário do Som de Hermeto Pascoal segundo os conceitos harmônicos de Arnold Schoenberg: uma abordagem do calendário do som segundo os conceitos harmônicos de Schoenberg. [Thesis]. Universidade Federal de Minas Gerais; 2006. Available from: http://hdl.handle.net/1843/GMMA-7XQFZ4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

26. Maia, Igor Leão, 1988-. Klangfarbenmelodie : orquestração do timbre .

Degree: 2013, Universidade Estadual de Campinas

 Resumo: A presente dissertação de Mestrado teve como objetivo estudar o modelo de organização de timbres, Klangfarbenmelodie, proposto pelo compositor alemão Arnold Schoenberg em 1911,… (more)

Subjects/Keywords: Schoenberg, Arnold, 1874-1951 - Crítica e interpretação; Instrumentação e orquestração; Composição (Música); Música - Análise, apreciação

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maia, Igor Leão, 1. (2013). Klangfarbenmelodie : orquestração do timbre . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maia, Igor Leão, 1988-. “Klangfarbenmelodie : orquestração do timbre .” 2013. Thesis, Universidade Estadual de Campinas. Accessed February 17, 2020. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maia, Igor Leão, 1988-. “Klangfarbenmelodie : orquestração do timbre .” 2013. Web. 17 Feb 2020.

Vancouver:

Maia, Igor Leão 1. Klangfarbenmelodie : orquestração do timbre . [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2020 Feb 17]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maia, Igor Leão 1. Klangfarbenmelodie : orquestração do timbre . [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

27. Hamberger, Christopher Lloyd. The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music.

Degree: MA, Musicology, 2013, Penn State University

 Austrian composer Arnold Schoenberg is viewed today as one of the most influential and controversial figures of the twentieth-century musical landscape. Though Schoenberg’s fame and… (more)

Subjects/Keywords: Klangfarbenmelodie; Schoenberg; Webern; Boulez; Stockhausen; Second Viennese School; timbre; tone color; orchestration

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APA (6th Edition):

Hamberger, C. L. (2013). The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/16221

Chicago Manual of Style (16th Edition):

Hamberger, Christopher Lloyd. “The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music.” 2013. Masters Thesis, Penn State University. Accessed February 17, 2020. https://etda.libraries.psu.edu/catalog/16221.

MLA Handbook (7th Edition):

Hamberger, Christopher Lloyd. “The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music.” 2013. Web. 17 Feb 2020.

Vancouver:

Hamberger CL. The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music. [Internet] [Masters thesis]. Penn State University; 2013. [cited 2020 Feb 17]. Available from: https://etda.libraries.psu.edu/catalog/16221.

Council of Science Editors:

Hamberger CL. The Evolution of Schoenberg's Klangfarbenmelodie: The Importance of Timbre in Modern Music. [Masters Thesis]. Penn State University; 2013. Available from: https://etda.libraries.psu.edu/catalog/16221


Louisiana State University

28. Gran, Jacob Joel. Tonal and topical coherence in Brahms's op.10 ballades.

Degree: MM, Music, 2014, Louisiana State University

 Johannes Brahms composed the op. 10 ballades in the summer of 1854 while living at the Schumann household in Düsseldorf. These pieces are unique within… (more)

Subjects/Keywords: Music Theory; Music; Brahms; Tonality; Topic Theory; Ballades; Ballade; Aesthetics; Romanticism; Schoenberg; Goethe; Schiller; Genre

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APA (6th Edition):

Gran, J. J. (2014). Tonal and topical coherence in Brahms's op.10 ballades. (Masters Thesis). Louisiana State University. Retrieved from etd-04102014-022944 ; https://digitalcommons.lsu.edu/gradschool_theses/1385

Chicago Manual of Style (16th Edition):

Gran, Jacob Joel. “Tonal and topical coherence in Brahms's op.10 ballades.” 2014. Masters Thesis, Louisiana State University. Accessed February 17, 2020. etd-04102014-022944 ; https://digitalcommons.lsu.edu/gradschool_theses/1385.

MLA Handbook (7th Edition):

Gran, Jacob Joel. “Tonal and topical coherence in Brahms's op.10 ballades.” 2014. Web. 17 Feb 2020.

Vancouver:

Gran JJ. Tonal and topical coherence in Brahms's op.10 ballades. [Internet] [Masters thesis]. Louisiana State University; 2014. [cited 2020 Feb 17]. Available from: etd-04102014-022944 ; https://digitalcommons.lsu.edu/gradschool_theses/1385.

Council of Science Editors:

Gran JJ. Tonal and topical coherence in Brahms's op.10 ballades. [Masters Thesis]. Louisiana State University; 2014. Available from: etd-04102014-022944 ; https://digitalcommons.lsu.edu/gradschool_theses/1385


North-West University

29. Engelbrecht, Petro Marietha. Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht .

Degree: 2014, North-West University

 In accordance with the notion of the so-called “new musicology” that musicological studies should steer away from the canon of masterpieces, this study concentrates on… (more)

Subjects/Keywords: Developing variation; Robert Fuchs; Brahms; Schoenberg; Piano Trio in C major, Op. 22

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APA (6th Edition):

Engelbrecht, P. M. (2014). Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht . (Thesis). North-West University. Retrieved from http://hdl.handle.net/10394/15219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Engelbrecht, Petro Marietha. “Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht .” 2014. Thesis, North-West University. Accessed February 17, 2020. http://hdl.handle.net/10394/15219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Engelbrecht, Petro Marietha. “Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht .” 2014. Web. 17 Feb 2020.

Vancouver:

Engelbrecht PM. Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht . [Internet] [Thesis]. North-West University; 2014. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10394/15219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Engelbrecht PM. Robert Fuchs as Kleinmeister with specific reference to developing variation in his Piano Trio, Op. 22 / Petro Marietha Engelbrecht . [Thesis]. North-West University; 2014. Available from: http://hdl.handle.net/10394/15219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Arafat Hassan Mohammed, Ahmed. Mathematical Developments on Isotropic Positive Definite Functions on Spheres.

Degree: Departament de Matemàtiques, 2017, Universitat Jaume I

 In this thesis, three open problems related to the isotropic positive definite functions on the sphere have been solved. Firstly, we provide necessary and sufficient… (more)

Subjects/Keywords: Covariance Operator; Gaussian Measures; Positive Definite Functions; Schoenberg Coefficients; Spherical Harmonics; Random Fields; Matemàtica; 51

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arafat Hassan Mohammed, A. (2017). Mathematical Developments on Isotropic Positive Definite Functions on Spheres. (Thesis). Universitat Jaume I. Retrieved from http://hdl.handle.net/10803/404050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arafat Hassan Mohammed, Ahmed. “Mathematical Developments on Isotropic Positive Definite Functions on Spheres.” 2017. Thesis, Universitat Jaume I. Accessed February 17, 2020. http://hdl.handle.net/10803/404050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arafat Hassan Mohammed, Ahmed. “Mathematical Developments on Isotropic Positive Definite Functions on Spheres.” 2017. Web. 17 Feb 2020.

Vancouver:

Arafat Hassan Mohammed A. Mathematical Developments on Isotropic Positive Definite Functions on Spheres. [Internet] [Thesis]. Universitat Jaume I; 2017. [cited 2020 Feb 17]. Available from: http://hdl.handle.net/10803/404050.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arafat Hassan Mohammed A. Mathematical Developments on Isotropic Positive Definite Functions on Spheres. [Thesis]. Universitat Jaume I; 2017. Available from: http://hdl.handle.net/10803/404050

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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