Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Saxophone music China 20th century Analysis appreciation). Showing records 1 – 30 of 140748 total matches.

[1] [2] [3] [4] [5] … [4692]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Languages

Country

▼ Search Limiters


University of North Carolina – Greensboro

1. Gao, Xin. Project China: a resource of contemporary saxophone music written by Chinese-born composers.

Degree: 2016, University of North Carolina – Greensboro

 In recent years, performances of newly composed Chinese music have become more common at national and international saxophone conventions. However, saxophone works by Chinese composers… (more)

Subjects/Keywords: Saxophone music – China – 20th century – Bibliography; Saxophone music – China – 21st century – Bibliography; Saxophone music – China – 20th century – Analysis, appreciation; Saxophone music – China – 21st century – Analysis, appreciation; Composers – China – 20th century; Composers – China – 21st century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gao, X. (2016). Project China: a resource of contemporary saxophone music written by Chinese-born composers. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=19573

Chicago Manual of Style (16th Edition):

Gao, Xin. “Project China: a resource of contemporary saxophone music written by Chinese-born composers.” 2016. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 29, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=19573.

MLA Handbook (7th Edition):

Gao, Xin. “Project China: a resource of contemporary saxophone music written by Chinese-born composers.” 2016. Web. 29 Jan 2020.

Vancouver:

Gao X. Project China: a resource of contemporary saxophone music written by Chinese-born composers. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2016. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=19573.

Council of Science Editors:

Gao X. Project China: a resource of contemporary saxophone music written by Chinese-born composers. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=19573

2. Gao, Xin. Project China: a resource of contemporary saxophone music written by Chinese-born composers.

Degree: 2016, NC Docks

 In recent years, performances of newly composed Chinese music have become more common at national and international saxophone conventions. However, saxophone works by Chinese composers… (more)

Subjects/Keywords: Saxophone music $z China $y 20th century $v Bibliography; Saxophone music $z China $y 21st century $v Bibliography; Saxophone music $z China $y 20th century $x Analysis, appreciation; Saxophone music $z China $y 21st century $x Analysis, appreciation; Composers $z China $y 20th century; Composers $z China $y 21st century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gao, X. (2016). Project China: a resource of contemporary saxophone music written by Chinese-born composers. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Gao_uncg_0154D_11908.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gao, Xin. “Project China: a resource of contemporary saxophone music written by Chinese-born composers.” 2016. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Gao_uncg_0154D_11908.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gao, Xin. “Project China: a resource of contemporary saxophone music written by Chinese-born composers.” 2016. Web. 29 Jan 2020.

Vancouver:

Gao X. Project China: a resource of contemporary saxophone music written by Chinese-born composers. [Internet] [Thesis]. NC Docks; 2016. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Gao_uncg_0154D_11908.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gao X. Project China: a resource of contemporary saxophone music written by Chinese-born composers. [Thesis]. NC Docks; 2016. Available from: http://libres.uncg.edu/ir/uncg/f/Gao_uncg_0154D_11908.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

3. Mountain, Rosemary. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.

Degree: School of Music, 2018, University of Victoria

 An investigation into the nature and functions of periodicity is presented through analysis and discussion. Periodicity is established by the repetition of any musical event… (more)

Subjects/Keywords: Musical form; Music, 20th century; Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mountain, R. (2018). An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Thesis, University of Victoria. Accessed January 29, 2020. https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mountain, Rosemary. “An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto.” 2018. Web. 29 Jan 2020.

Vancouver:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Internet] [Thesis]. University of Victoria; 2018. [cited 2020 Jan 29]. Available from: https://dspace.library.uvic.ca//handle/1828/9666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mountain R. An investigation of periodicity in music, with reference to three twentieth-century compositions: Bartok's Music for trings, percussion & celesta, Lutoslawski's Concerto for orchestra, Ligeti's Chamber concerto. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

4. Krowicki, Marek. Contemporary Rock Formations: Rock Elements in Classical Music.

Degree: Doctor of Music., Schulich School of Music, 2015, McGill University

Note:

Contemporary classical pieces that bridge the divide between classical and rock can do so with the inclusion of various rock elements. Inclusion of these… (more)

Subjects/Keywords: Music  – 20th century  – Analysis, appreciation.; Music  – 21st century  – Analysis, appreciation.; Musical analysis.; Rock music  – Analysis, appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krowicki, M. (2015). Contemporary Rock Formations: Rock Elements in Classical Music. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137393.pdf

Chicago Manual of Style (16th Edition):

Krowicki, Marek. “Contemporary Rock Formations: Rock Elements in Classical Music.” 2015. Doctoral Dissertation, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile137393.pdf.

MLA Handbook (7th Edition):

Krowicki, Marek. “Contemporary Rock Formations: Rock Elements in Classical Music.” 2015. Web. 29 Jan 2020.

Vancouver:

Krowicki M. Contemporary Rock Formations: Rock Elements in Classical Music. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile137393.pdf.

Council of Science Editors:

Krowicki M. Contemporary Rock Formations: Rock Elements in Classical Music. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137393.pdf


McGill University

5. Thys, Marcelo. Almeida Prado and his extramusical inspirations : a study focused on selected piano works.

Degree: Doctor of Music. Performance Studies., Schulich School of Music., 2015, McGill University

Note:

This paper discusses works by Brazilian composer Almeida Prado that use different types of extramusical inspirations: Cartas Celestes Volume III, Poesilúdios (n. 2, 4,… (more)

Subjects/Keywords: Prado, Almeida.; Music  – 20th century  – History and criticism.; Piano music  – Analysis, appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thys, M. (2015). Almeida Prado and his extramusical inspirations : a study focused on selected piano works. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137732.pdf

Chicago Manual of Style (16th Edition):

Thys, Marcelo. “Almeida Prado and his extramusical inspirations : a study focused on selected piano works.” 2015. Doctoral Dissertation, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile137732.pdf.

MLA Handbook (7th Edition):

Thys, Marcelo. “Almeida Prado and his extramusical inspirations : a study focused on selected piano works.” 2015. Web. 29 Jan 2020.

Vancouver:

Thys M. Almeida Prado and his extramusical inspirations : a study focused on selected piano works. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile137732.pdf.

Council of Science Editors:

Thys M. Almeida Prado and his extramusical inspirations : a study focused on selected piano works. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137732.pdf


McGill University

6. Chaulk, Jeremy. Kaikhosru Shapurji Sorabji's Toccata Seconda.

Degree: Doctor of Music, Schulich School of Music, 2015, McGill University

Note:

The Toccata Seconda occupies a unique place in Sorabji’s oeuvre: it was written on the cusp of his mature language, and was also the… (more)

Subjects/Keywords: Sorabji, Kaikhosru Shapurji, 1892-1988. Toccatas, piano, no. 2.; Piano music  – Analysis, appreciation.; Music  – 20th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chaulk, J. (2015). Kaikhosru Shapurji Sorabji's Toccata Seconda. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile137512.pdf

Chicago Manual of Style (16th Edition):

Chaulk, Jeremy. “Kaikhosru Shapurji Sorabji's Toccata Seconda.” 2015. Doctoral Dissertation, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile137512.pdf.

MLA Handbook (7th Edition):

Chaulk, Jeremy. “Kaikhosru Shapurji Sorabji's Toccata Seconda.” 2015. Web. 29 Jan 2020.

Vancouver:

Chaulk J. Kaikhosru Shapurji Sorabji's Toccata Seconda. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile137512.pdf.

Council of Science Editors:

Chaulk J. Kaikhosru Shapurji Sorabji's Toccata Seconda. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile137512.pdf


McGill University

7. Vromet, Jonathan. L’application des principes pianistiques à l’orgue.

Degree: Doctor of Music. Performance Studies., Schulich School of Music, 2017, McGill University

Note:

The goal of this project examined how different parameters of pianistic technique can be useful in organ playing. Since the second half of the… (more)

Subjects/Keywords: Ligeti, György, 1923-2006. Etudes, organ, no. 2.; Piano  – Technique.; Organ music  – Analysis, appreciation.; Music  – 20th century  – Performance.; Academic theses.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vromet, J. (2017). L’application des principes pianistiques à l’orgue. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile149276.pdf

Chicago Manual of Style (16th Edition):

Vromet, Jonathan. “L’application des principes pianistiques à l’orgue.” 2017. Doctoral Dissertation, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile149276.pdf.

MLA Handbook (7th Edition):

Vromet, Jonathan. “L’application des principes pianistiques à l’orgue.” 2017. Web. 29 Jan 2020.

Vancouver:

Vromet J. L’application des principes pianistiques à l’orgue. [Internet] [Doctoral dissertation]. McGill University; 2017. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile149276.pdf.

Council of Science Editors:

Vromet J. L’application des principes pianistiques à l’orgue. [Doctoral Dissertation]. McGill University; 2017. Available from: http://digitool.library.mcgill.ca/thesisfile149276.pdf

8. Yang, Shu-mei. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.

Degree: 1988, North Texas State University

 This documents aims at the identification of the sources of influence upon the styles of selected 20th century Chinese composers. Personal influences are reflected as… (more)

Subjects/Keywords: Chinese composers; piano music; Chinese music; Instrumental music  – China  – 20th century  – History and criticism.; Instrumental music  – Taiwan  – 20th century  – History and criticism.; Piano music  – Analysis, appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yang, S. (1988). Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331819/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Shu-mei. “Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.” 1988. Thesis, North Texas State University. Accessed January 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc331819/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Shu-mei. “Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin.” 1988. Web. 29 Jan 2020.

Vancouver:

Yang S. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. [Internet] [Thesis]. North Texas State University; 1988. [cited 2020 Jan 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331819/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang S. Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. [Thesis]. North Texas State University; 1988. Available from: https://digital.library.unt.edu/ark:/67531/metadc331819/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Fernández, Mildred "Mili". The violin works of Joaquin Nin: a catalogue and violinistic perspective.

Degree: 2013, NC Docks

 The amount of works for violin by Spanish composers is vast, varied and unfortunately, largely a mystery. There are many pieces that should be part… (more)

Subjects/Keywords: Nin, Joaqui´n, $d 1879-1949 $v Thematic catalogs; Composers $z Spain; Violin music $y 20th century $x Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernández, M. ". (2013). The violin works of Joaquin Nin: a catalogue and violinistic perspective. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Fernandez_uncg_0154D_11144.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernández, Mildred "Mili". “The violin works of Joaquin Nin: a catalogue and violinistic perspective.” 2013. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Fernandez_uncg_0154D_11144.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernández, Mildred "Mili". “The violin works of Joaquin Nin: a catalogue and violinistic perspective.” 2013. Web. 29 Jan 2020.

Vancouver:

Fernández M". The violin works of Joaquin Nin: a catalogue and violinistic perspective. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Fernandez_uncg_0154D_11144.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernández M". The violin works of Joaquin Nin: a catalogue and violinistic perspective. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/Fernandez_uncg_0154D_11144.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Anderson, William R. (William Ralph). Contemporary Music Studies for the Concert Band.

Degree: 1970, North Texas State University

 The purpose of this thesis is to isolate the techniques presently being used by composers and to define and explain these techniques. The thesis concludes… (more)

Subjects/Keywords: band music; 20th century music; music history; Band music  – Analysis, appreciation.; Music  – 20th century  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, W. R. (. R. (1970). Contemporary Music Studies for the Concert Band. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935738/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, William R (William Ralph). “Contemporary Music Studies for the Concert Band.” 1970. Thesis, North Texas State University. Accessed January 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc935738/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, William R (William Ralph). “Contemporary Music Studies for the Concert Band.” 1970. Web. 29 Jan 2020.

Vancouver:

Anderson WR(R. Contemporary Music Studies for the Concert Band. [Internet] [Thesis]. North Texas State University; 1970. [cited 2020 Jan 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935738/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson WR(R. Contemporary Music Studies for the Concert Band. [Thesis]. North Texas State University; 1970. Available from: https://digital.library.unt.edu/ark:/67531/metadc935738/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. NC DOCKS at The University of North Carolina at Greensboro; Reeves, Julia Sakiko. Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini.

Degree: 2018, NC Docks

 This document provides a pedagogical analysis of ten selected duets from Berio’s Duetti per due Violini to give violin teachers a technical overview of the… (more)

Subjects/Keywords: Berio, Luciano, $d 1925-2003. $t Duets, $m violins (2). $k Selections; Violin music (Violins (2)) $y 20th century; Violin music $x Analysis, appreciation; Violin $x Instruction and study

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Reeves, J. S. (2018). Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Reeves_uncg_0154D_12447.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Reeves, Julia Sakiko. “Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini.” 2018. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Reeves_uncg_0154D_12447.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Reeves, Julia Sakiko. “Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini.” 2018. Web. 29 Jan 2020.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Reeves JS. Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini. [Internet] [Thesis]. NC Docks; 2018. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Reeves_uncg_0154D_12447.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Reeves JS. Gateways to 20th century violin repertoire: selections from Luciano Berio’s Duetti per due Violini. [Thesis]. NC Docks; 2018. Available from: http://libres.uncg.edu/ir/uncg/f/Reeves_uncg_0154D_12447.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

12. Wollenberg, Célia Zambon. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).

Degree: DMA, 2012, University of Oklahoma

 This study investigates French eighteenth&ndashcentury musical aesthetics as they relate to style and performance practice in the early operas of Jean-Philippe Rameau. Through the analyses… (more)

Subjects/Keywords: Operas – Analysis, appreciation; Music – 18th century; Vocal music – History and criticism; Embellishment (Music) – 18th century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wollenberg, C. Z. (2012). A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318949

Chicago Manual of Style (16th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Doctoral Dissertation, University of Oklahoma. Accessed January 29, 2020. http://hdl.handle.net/11244/318949.

MLA Handbook (7th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Web. 29 Jan 2020.

Vancouver:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11244/318949.

Council of Science Editors:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/318949


University of North Texas

13. Lington, Victoria DiMaggio. The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction.

Degree: 2002, University of North Texas

 The musical developments of the 20th century have expanded the role of the accompanist. As the compositional output of our time increases, and the opportunity… (more)

Subjects/Keywords: Music  – 20th century  – Performance.; Music  – 20th century  – Analysis, appreciation.; Musical accompaniment.; Piano  – Performance.; accompanying; orchestral reduction; piano; twentieth century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lington, V. D. (2002). The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3178/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lington, Victoria DiMaggio. “The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction.” 2002. Thesis, University of North Texas. Accessed January 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc3178/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lington, Victoria DiMaggio. “The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction.” 2002. Web. 29 Jan 2020.

Vancouver:

Lington VD. The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction. [Internet] [Thesis]. University of North Texas; 2002. [cited 2020 Jan 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3178/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lington VD. The Piano as an Orchestra: The Accompanist and the Twentieth-Century Orchestral Reduction. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3178/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

14. Jung, HunJoo. Twentieth century American experimental music and arts.

Degree: Music, 2013, University of California – San Diego

This thesis was an exploration of two American experimental composers, Ruth Crawford and Edgard Varese, and the founder of video artist Nam June Paik. The aim of this thesis is to awaken an interest in and understanding of their innovative explorations of their initial works

Subjects/Keywords: Seeger, Ruth Crawford 1901-1953.; Paik, Nam June 1932-2006; Cage, John Influence; Varèse, Edgard 1883-1965.; Analysis, appreciation Music 20th century; Video art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jung, H. (2013). Twentieth century American experimental music and arts. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1xz9j1f7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jung, HunJoo. “Twentieth century American experimental music and arts.” 2013. Thesis, University of California – San Diego. Accessed January 29, 2020. http://www.escholarship.org/uc/item/1xz9j1f7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jung, HunJoo. “Twentieth century American experimental music and arts.” 2013. Web. 29 Jan 2020.

Vancouver:

Jung H. Twentieth century American experimental music and arts. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Jan 29]. Available from: http://www.escholarship.org/uc/item/1xz9j1f7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jung H. Twentieth century American experimental music and arts. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/1xz9j1f7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Halsey, Lauren Brooke. An examination of rhythmic practices and influences in the keyboard works of György Ligeti.

Degree: 2012, NC Docks

 Throughout his career, György Ligeti (1923-2006) was known for creating distinctive sonorities, including the creation and use of micropolyphony and the incorporation of traditional Hungarian… (more)

Subjects/Keywords: Ligeti, Gyo¨rgy, $d 1923-2006. $t Etudes, $m piano. $k Selections $x Analysis, appreciation; Musical meter and rhythm; Composition (Music) $y 20th century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Halsey, L. B. (2012). An examination of rhythmic practices and influences in the keyboard works of György Ligeti. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Halsey, Lauren Brooke. “An examination of rhythmic practices and influences in the keyboard works of György Ligeti.” 2012. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Halsey, Lauren Brooke. “An examination of rhythmic practices and influences in the keyboard works of György Ligeti.” 2012. Web. 29 Jan 2020.

Vancouver:

Halsey LB. An examination of rhythmic practices and influences in the keyboard works of György Ligeti. [Internet] [Thesis]. NC Docks; 2012. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Halsey LB. An examination of rhythmic practices and influences in the keyboard works of György Ligeti. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/uncg/f/Halsey_uncg_0154M_10960.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. NC DOCKS at The University of North Carolina at Greensboro; Yücel, Gizem. The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives.

Degree: 2013, NC Docks

 Ahmed Adnan Saygun (1907-1991) is one of the most important Turkish composers. He is also celebrated as an influential teacher and a dedicated ethnomusicologist. His… (more)

Subjects/Keywords: Saygun, Ahmed Adnan. $t Concertos, $m viola, orchestra, $n op. 59; Composers $z Turkey; Music $z Turkey $y 20th century $x Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Yücel, G. (2013). The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Yucel_uncg_0154D_11349.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Yücel, Gizem. “The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives.” 2013. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Yucel_uncg_0154D_11349.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Yücel, Gizem. “The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives.” 2013. Web. 29 Jan 2020.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Yücel G. The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Yucel_uncg_0154D_11349.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Yücel G. The viola concerto of Ahmed Adnan Saygun : compositional elements and performance perspectives. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/Yucel_uncg_0154D_11349.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

17. Von Holtzendorff, Peter. A parametric integration model for the analysis of late Baroque music : a tentative approach.

Degree: MA, Faculty of Music., 1997, McGill University

 In four pieces selected from the late Baroque repertoire, the "Allemanda" from Corelli's Sonata for Violin and Continuo, Opus 5, No. 8, the "Allemande" from… (more)

Subjects/Keywords: Music  – 18th century  – Analysis; appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Von Holtzendorff, P. (1997). A parametric integration model for the analysis of late Baroque music : a tentative approach. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile20185.pdf

Chicago Manual of Style (16th Edition):

Von Holtzendorff, Peter. “A parametric integration model for the analysis of late Baroque music : a tentative approach.” 1997. Masters Thesis, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile20185.pdf.

MLA Handbook (7th Edition):

Von Holtzendorff, Peter. “A parametric integration model for the analysis of late Baroque music : a tentative approach.” 1997. Web. 29 Jan 2020.

Vancouver:

Von Holtzendorff P. A parametric integration model for the analysis of late Baroque music : a tentative approach. [Internet] [Masters thesis]. McGill University; 1997. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile20185.pdf.

Council of Science Editors:

Von Holtzendorff P. A parametric integration model for the analysis of late Baroque music : a tentative approach. [Masters Thesis]. McGill University; 1997. Available from: http://digitool.library.mcgill.ca/thesisfile20185.pdf


University of North Carolina – Greensboro

18. Hays, Andrew Paul. A performer's guide to the saxophone music of Sherwood Shaffer.

Degree: 2007, University of North Carolina – Greensboro

 "During his career, composer Sherwood Shaffer has written thirteen concert works for the saxophone. These compositions represent a wide range of instrumentation from solo saxophone(more)

Subjects/Keywords: Shaffer, Sherwood, – 1934-; Saxophone music – Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hays, A. P. (2007). A performer's guide to the saxophone music of Sherwood Shaffer. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1269

Chicago Manual of Style (16th Edition):

Hays, Andrew Paul. “A performer's guide to the saxophone music of Sherwood Shaffer.” 2007. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 29, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1269.

MLA Handbook (7th Edition):

Hays, Andrew Paul. “A performer's guide to the saxophone music of Sherwood Shaffer.” 2007. Web. 29 Jan 2020.

Vancouver:

Hays AP. A performer's guide to the saxophone music of Sherwood Shaffer. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2007. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1269.

Council of Science Editors:

Hays AP. A performer's guide to the saxophone music of Sherwood Shaffer. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2007. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1269

19. Hays, Andrew Paul. A performer's guide to the saxophone music of Sherwood Shaffer.

Degree: 2007, NC Docks

 "During his career, composer Sherwood Shaffer has written thirteen concert works for the saxophone. These compositions represent a wide range of instrumentation from solo saxophone(more)

Subjects/Keywords: Shaffer, Sherwood, – 1934-; Saxophone music – Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hays, A. P. (2007). A performer's guide to the saxophone music of Sherwood Shaffer. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/umi-uncg-1440.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hays, Andrew Paul. “A performer's guide to the saxophone music of Sherwood Shaffer.” 2007. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/umi-uncg-1440.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hays, Andrew Paul. “A performer's guide to the saxophone music of Sherwood Shaffer.” 2007. Web. 29 Jan 2020.

Vancouver:

Hays AP. A performer's guide to the saxophone music of Sherwood Shaffer. [Internet] [Thesis]. NC Docks; 2007. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/umi-uncg-1440.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hays AP. A performer's guide to the saxophone music of Sherwood Shaffer. [Thesis]. NC Docks; 2007. Available from: http://libres.uncg.edu/ir/uncg/f/umi-uncg-1440.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. NC DOCKS at The University of North Carolina at Greensboro; Thompson, Bobbi Amanda. The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude.

Degree: 2016, NC Docks

 American composer Marilyn Shrude has written more than thirty works that feature the saxophone prominently, comprising a substantial contribution to the instrument’s literature. This document… (more)

Subjects/Keywords: Shrude, Marilyn, $d 1946- $t Lacrimosa; Shrude, Marilyn, $d 1946- $x Criticism and interpretation; Saxophone and piano music $x Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Thompson, B. A. (2016). The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Thompson_uncg_0154D_12069.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Thompson, Bobbi Amanda. “The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude.” 2016. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Thompson_uncg_0154D_12069.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Thompson, Bobbi Amanda. “The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude.” 2016. Web. 29 Jan 2020.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Thompson BA. The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude. [Internet] [Thesis]. NC Docks; 2016. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Thompson_uncg_0154D_12069.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Thompson BA. The integration of sound, resonance, and color in Lacrimosa for alto saxophone and piano by Marilyn Shrude. [Thesis]. NC Docks; 2016. Available from: http://libres.uncg.edu/ir/uncg/f/Thompson_uncg_0154D_12069.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

21. 潘穎芝.; Poon, Letty. Piano culture in Hong Kong: from City Hall toHarbour City.

Degree: M. Phil., 2006, University of Hong Kong

published_or_final_version

abstract

Humanities

Master

Master of Philosophy

Advisors/Committee Members: Biancorosso, G.

Subjects/Keywords: Piano - Instruction and study - History - China - Hong Kong - 21st century.; Piano music - Analysis, appreciation.; Piano - Instruction and study - History - China - Hong Kong - 20th century.; Piano - Performance - History - China - Hong Kong - 21st century.; Piano - Performance - History - China - Hong Kong - 20th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

潘穎芝.; Poon, L. (2006). Piano culture in Hong Kong: from City Hall toHarbour City. (Masters Thesis). University of Hong Kong. Retrieved from Poon, L. [潘穎芝]. (2006). Piano culture in Hong Kong : from City Hall to Harbour City. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3871116 ; http://dx.doi.org/10.5353/th_b3871116 ; http://hdl.handle.net/10722/53156

Chicago Manual of Style (16th Edition):

潘穎芝.; Poon, Letty. “Piano culture in Hong Kong: from City Hall toHarbour City.” 2006. Masters Thesis, University of Hong Kong. Accessed January 29, 2020. Poon, L. [潘穎芝]. (2006). Piano culture in Hong Kong : from City Hall to Harbour City. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3871116 ; http://dx.doi.org/10.5353/th_b3871116 ; http://hdl.handle.net/10722/53156.

MLA Handbook (7th Edition):

潘穎芝.; Poon, Letty. “Piano culture in Hong Kong: from City Hall toHarbour City.” 2006. Web. 29 Jan 2020.

Vancouver:

潘穎芝.; Poon L. Piano culture in Hong Kong: from City Hall toHarbour City. [Internet] [Masters thesis]. University of Hong Kong; 2006. [cited 2020 Jan 29]. Available from: Poon, L. [潘穎芝]. (2006). Piano culture in Hong Kong : from City Hall to Harbour City. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3871116 ; http://dx.doi.org/10.5353/th_b3871116 ; http://hdl.handle.net/10722/53156.

Council of Science Editors:

潘穎芝.; Poon L. Piano culture in Hong Kong: from City Hall toHarbour City. [Masters Thesis]. University of Hong Kong; 2006. Available from: Poon, L. [潘穎芝]. (2006). Piano culture in Hong Kong : from City Hall to Harbour City. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3871116 ; http://dx.doi.org/10.5353/th_b3871116 ; http://hdl.handle.net/10722/53156


University of Hong Kong

22. 李德芬; Lee, Daphne. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.

Degree: M. Phil., 2002, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Zither music - Appreciation, analysis.; Qin music - Appreciation, analysis.; Instrumental music - China - Appreciation, analysis.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

李德芬; Lee, D. (2002). The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. (Masters Thesis). University of Hong Kong. Retrieved from Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745

Chicago Manual of Style (16th Edition):

李德芬; Lee, Daphne. “The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.” 2002. Masters Thesis, University of Hong Kong. Accessed January 29, 2020. Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745.

MLA Handbook (7th Edition):

李德芬; Lee, Daphne. “The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan.” 2002. Web. 29 Jan 2020.

Vancouver:

李德芬; Lee D. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. [Internet] [Masters thesis]. University of Hong Kong; 2002. [cited 2020 Jan 29]. Available from: Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745.

Council of Science Editors:

李德芬; Lee D. The transmission of Qin music: the analysis of four versions of the composition Pingsha luoyan. [Masters Thesis]. University of Hong Kong; 2002. Available from: Lee, D. [李德芬]. (2002). The transmission of Qin music : the analysis of four versions of the composition Pingsha luoyan. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389489 ; http://dx.doi.org/10.5353/th_b4389489 ; http://hdl.handle.net/10722/130745


Texas Christian University

23. Quesada Rosales, Jos? Pablo. The musical style of Mario Alfag?ell.

Degree: 2015, Texas Christian University

Subjects/Keywords: Alfag?ell, Mario, 1948- Criticism and interpretation.; Aleatory music History and criticism.; Piano music 20th century Analysis, appreciation.; Music Costa Rica 20th century.; Composers Costa Rica.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quesada Rosales, J. P. (2015). The musical style of Mario Alfag?ell. (Thesis). Texas Christian University. Retrieved from https://repository.tcu.edu/handle/116099117/8343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quesada Rosales, Jos? Pablo. “The musical style of Mario Alfag?ell.” 2015. Thesis, Texas Christian University. Accessed January 29, 2020. https://repository.tcu.edu/handle/116099117/8343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quesada Rosales, Jos? Pablo. “The musical style of Mario Alfag?ell.” 2015. Web. 29 Jan 2020.

Vancouver:

Quesada Rosales JP. The musical style of Mario Alfag?ell. [Internet] [Thesis]. Texas Christian University; 2015. [cited 2020 Jan 29]. Available from: https://repository.tcu.edu/handle/116099117/8343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quesada Rosales JP. The musical style of Mario Alfag?ell. [Thesis]. Texas Christian University; 2015. Available from: https://repository.tcu.edu/handle/116099117/8343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

24. Yu, Hanna. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.

Degree: A.Mus.D., 0265, 2008, University of Illinois – Urbana-Champaign

Subjects/Keywords: Violin and piano music - 20th century - Ananlysis, appreciation.; String quartets - 20th century - Analysis, appreciation.; Music - Korea - Western influences.; Music - Korea - East Asian influences.; Na, Hyo-sin. Dirge, violin, piano.; Na, Hyo-sin. Song of the beggars.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yu, H. (2008). Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/42544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yu, Hanna. “Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.” 2008. Thesis, University of Illinois – Urbana-Champaign. Accessed January 29, 2020. http://hdl.handle.net/2142/42544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yu, Hanna. “Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na.” 2008. Web. 29 Jan 2020.

Vancouver:

Yu H. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2008. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2142/42544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yu H. Korean-Euro Dualism and Selected String Compositions by Hyo-Shin Na. [Thesis]. University of Illinois – Urbana-Champaign; 2008. Available from: http://hdl.handle.net/2142/42544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

25. Dardykina, Tatiana. Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies.

Degree: Doctor of Music, Schulich School of Music, 2017, McGill University

Note:

This paper discusses the piano writing of the French composer Henri Duparc through his little known early set of piano pieces, Feuilles volantes, Op.… (more)

Subjects/Keywords: Duparc, Henri, 1848-1933. Feuilles volantes.; Duparc, Henri, 1848-1933. Invitation au voyage.; Duparc, Henri, 1848-1933. Phidylé.; Duparc, Henri, 1848-1933. Vague et la cloche.; Music  – France  – 20th century  – Composition.; Piano music  – Analysis, appreciation.; Piano  – Performance.; Academic theses.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dardykina, T. (2017). Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile151825.pdf

Chicago Manual of Style (16th Edition):

Dardykina, Tatiana. “Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies.” 2017. Doctoral Dissertation, McGill University. Accessed January 29, 2020. http://digitool.library.mcgill.ca/thesisfile151825.pdf.

MLA Handbook (7th Edition):

Dardykina, Tatiana. “Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies.” 2017. Web. 29 Jan 2020.

Vancouver:

Dardykina T. Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies. [Internet] [Doctoral dissertation]. McGill University; 2017. [cited 2020 Jan 29]. Available from: http://digitool.library.mcgill.ca/thesisfile151825.pdf.

Council of Science Editors:

Dardykina T. Piano Writing of Henri Duparc: A Study Focused on Feuilles Volantes, op.1, and the accompaniment in selected Mélodies. [Doctoral Dissertation]. McGill University; 2017. Available from: http://digitool.library.mcgill.ca/thesisfile151825.pdf

26. Howard, Beverly A. (Beverly Ann). Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne.

Degree: 1986, North Texas State University

 This dissertation is concerned with the relationship between the trumpet and organ in twentieth-century music for this ensemble and how that relationship effects performance with… (more)

Subjects/Keywords: organ performance; trumpet performance; texture in music; organ registration; organ synchronization; Trumpet and organ music  – 20th century  – Analysis, appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Howard, B. A. (. A. (1986). Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Howard, Beverly A (Beverly Ann). “Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne.” 1986. Thesis, North Texas State University. Accessed January 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc330759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Howard, Beverly A (Beverly Ann). “Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne.” 1986. Web. 29 Jan 2020.

Vancouver:

Howard BA(A. Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne. [Internet] [Thesis]. North Texas State University; 1986. [cited 2020 Jan 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330759/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Howard BA(A. Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne. [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc330759/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Jackson, Aaron Ronald. Maurice Ravel: Trois Chansons and World War I.

Degree: 2014, NC Docks

 Maurice Ravel (1875-1937) began writing "Trois Chansons" in November of 1914 and completed it in February of the following year. Durand Musical Editions published the… (more)

Subjects/Keywords: Ravel, Maurice, $d 1875-1937. $t Chansons, $m Mixed voices; World War, 1914-1918 $z France $x Music and the war; Choral music $z France $y 20th century $x Analysis, appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jackson, A. R. (2014). Maurice Ravel: Trois Chansons and World War I. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Jackson_uncg_0154D_11567.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jackson, Aaron Ronald. “Maurice Ravel: Trois Chansons and World War I.” 2014. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/Jackson_uncg_0154D_11567.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jackson, Aaron Ronald. “Maurice Ravel: Trois Chansons and World War I.” 2014. Web. 29 Jan 2020.

Vancouver:

Jackson AR. Maurice Ravel: Trois Chansons and World War I. [Internet] [Thesis]. NC Docks; 2014. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/Jackson_uncg_0154D_11567.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jackson AR. Maurice Ravel: Trois Chansons and World War I. [Thesis]. NC Docks; 2014. Available from: http://libres.uncg.edu/ir/uncg/f/Jackson_uncg_0154D_11567.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

28. 陳楚珊.; Chan, Chor-shan, Sharon. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).

Degree: M. Phil., 2012, University of Hong Kong

Stravinsky’s opera-oratorio Oedipus Rex was based on Sophocles’ classic tragedy Oedipus Tyrannus. Jean Cocteau wrote the libretto for Stravinsky in French, the text was then… (more)

Subjects/Keywords: Dramatic music - Analysis; appreciation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

陳楚珊.; Chan, Chor-shan, S. (2012). Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). (Masters Thesis). University of Hong Kong. Retrieved from Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230

Chicago Manual of Style (16th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Masters Thesis, University of Hong Kong. Accessed January 29, 2020. Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

MLA Handbook (7th Edition):

陳楚珊.; Chan, Chor-shan, Sharon. “Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927).” 2012. Web. 29 Jan 2020.

Vancouver:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2020 Jan 29]. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230.

Council of Science Editors:

陳楚珊.; Chan, Chor-shan S. Neither here nor there: the dramatic tension between the spoken word and music performance in Igor Stravinsky'sOedipus rex (1927). [Masters Thesis]. University of Hong Kong; 2012. Available from: Chan, C. S. [陳楚珊]. (2012). Neither here nor there : the dramatic tension between the spoken word and music performance in Igor Stravinsky's Oedipus rex (1927). (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4819954 ; http://dx.doi.org/10.5353/th_b4819954 ; http://hdl.handle.net/10722/167230


University of California – San Diego

29. Tonelli, Christopher Joseph. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.

Degree: Music, 2011, University of California – San Diego

 Popular music studies, since its inception, has been centrally concerned with the ways music participates in processes of individual and collective identity construction. This dissertation… (more)

Subjects/Keywords: appreciation Popular music Analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tonelli, C. J. (2011). Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Thesis, University of California – San Diego. Accessed January 29, 2020. http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tonelli, Christopher Joseph. “Musical pastiche, embodiment, and intersubjectivity : listening in the second degree.” 2011. Web. 29 Jan 2020.

Vancouver:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Internet] [Thesis]. University of California – San Diego; 2011. [cited 2020 Jan 29]. Available from: http://www.escholarship.org/uc/item/92c7n0db.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tonelli CJ. Musical pastiche, embodiment, and intersubjectivity : listening in the second degree. [Thesis]. University of California – San Diego; 2011. Available from: http://www.escholarship.org/uc/item/92c7n0db

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

30. Joly, Luciana Carina. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.

Degree: DMA, 2011, University of Oklahoma

 The information provided through the close examination of these pieces contributes to the accessibility of Prado's music for piano teachers and pianists interested in broadening… (more)

Subjects/Keywords: Piano music – Analysis; appreciation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Joly, L. C. (2011). Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318732

Chicago Manual of Style (16th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed January 29, 2020. http://hdl.handle.net/11244/318732.

MLA Handbook (7th Edition):

Joly, Luciana Carina. “Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers.” 2011. Web. 29 Jan 2020.

Vancouver:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/11244/318732.

Council of Science Editors:

Joly LC. Selections from Almeida Prado's Jardim Sonoro: A Critical Edition for Pianists and Teachers. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/318732

[1] [2] [3] [4] [5] … [4692]

.