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You searched for subject:(Sandro Botticelli). Showing records 1 – 17 of 17 total matches.

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Universiteit Utrecht

1. Pouw, N. De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie.

Degree: 2008, Universiteit Utrecht

Botticelli en Bronzino hebben allebei een reputatie gevestigd van schilders van naakten en erotische voorstellingen. Beide kunstenaars gingen later in hun carrière steeds soberdere voorstellingen… (more)

Subjects/Keywords: Letteren; Sandro Botticelli; Agnolo Bronzino; Girolamo Savonarola; Raffaello Borghini

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APA (6th Edition):

Pouw, N. (2008). De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/27247

Chicago Manual of Style (16th Edition):

Pouw, N. “De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie.” 2008. Masters Thesis, Universiteit Utrecht. Accessed November 12, 2019. http://dspace.library.uu.nl:8080/handle/1874/27247.

MLA Handbook (7th Edition):

Pouw, N. “De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie.” 2008. Web. 12 Nov 2019.

Vancouver:

Pouw N. De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2019 Nov 12]. Available from: http://dspace.library.uu.nl:8080/handle/1874/27247.

Council of Science Editors:

Pouw N. De receptie van het naakt in profane en kerkelijke kunst in Florence. Botticelli (1445-1510) en Bronzino (1502-1572): twee schilders die spijt kregen van hun vroegere erotische iconografie. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/27247


Universiteit Utrecht

2. Vries, Michiel de. Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano.

Degree: 2008, Universiteit Utrecht

A comparison between two cycles of illustrations, made by Sandro Botticelli and Stradano, who both used the Inferno bij Dante as their source material. Advisors/Committee Members: Speelman, Reinier.

Subjects/Keywords: Letteren; Dante Alighieri; Sandro Botticelli; Giovanni Stradano; Johannes Stradanus

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APA (6th Edition):

Vries, M. d. (2008). Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31817

Chicago Manual of Style (16th Edition):

Vries, Michiel de. “Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano.” 2008. Masters Thesis, Universiteit Utrecht. Accessed November 12, 2019. http://dspace.library.uu.nl:8080/handle/1874/31817.

MLA Handbook (7th Edition):

Vries, Michiel de. “Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano.” 2008. Web. 12 Nov 2019.

Vancouver:

Vries Md. Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2019 Nov 12]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31817.

Council of Science Editors:

Vries Md. Dante en zijn Inferno ; de interpretaties van Botticelli en Stradano. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31817


University of South Carolina

3. C. Martin, II, Frank. Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning.

Degree: PhD, Philosophy, 2018, University of South Carolina

  arsilio Ficino's Neo-Platonist assessments of differing aspects of powers or capacities associated with the human soul (spiritual, conceptual, influential, and the capacity to engender… (more)

Subjects/Keywords: Philosophy; Representation; Iconography; Iconology; Reasoning; Selected Paintings; Sandro Botticelli

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APA (6th Edition):

C. Martin, II, F. (2018). Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/4958

Chicago Manual of Style (16th Edition):

C. Martin, II, Frank. “Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning.” 2018. Doctoral Dissertation, University of South Carolina. Accessed November 12, 2019. https://scholarcommons.sc.edu/etd/4958.

MLA Handbook (7th Edition):

C. Martin, II, Frank. “Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning.” 2018. Web. 12 Nov 2019.

Vancouver:

C. Martin, II F. Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning. [Internet] [Doctoral dissertation]. University of South Carolina; 2018. [cited 2019 Nov 12]. Available from: https://scholarcommons.sc.edu/etd/4958.

Council of Science Editors:

C. Martin, II F. Marsilio Ficino’s Neo-Platonist Concepts of Power As Represented in Selected Paintings by Sandro Botticelli: A Study in Representation, Iconography, Iconology and Reasoning. [Doctoral Dissertation]. University of South Carolina; 2018. Available from: https://scholarcommons.sc.edu/etd/4958


Ohio University

4. Biagini, Julia. Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence.

Degree: MA, Art History (Fine Arts), 2011, Ohio University

 The Book of Judith of the Old Testament Apocrypha has inspired various interpretations since the Middle Ages, which resulted in a range of Judith imagery… (more)

Subjects/Keywords: Art History; Sandro Botticelli; Judith and Holofernes; Renaissance Florence; Piero de' Medici

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APA (6th Edition):

Biagini, J. (2011). Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314878788

Chicago Manual of Style (16th Edition):

Biagini, Julia. “Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence.” 2011. Masters Thesis, Ohio University. Accessed November 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314878788.

MLA Handbook (7th Edition):

Biagini, Julia. “Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence.” 2011. Web. 12 Nov 2019.

Vancouver:

Biagini J. Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2019 Nov 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314878788.

Council of Science Editors:

Biagini J. Sandro Botticelli’s <i>The Return of Judith to Bethulia</i> and <i>The Discovery of the Body of Holofernes</i> and the Experiences of Quattrocento Florence. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1314878788


University of Alabama

5. McKibben, Micah-Shea Crenshaw. Moving beyond beauty: uncovering Sandro Botticelli's Isis.

Degree: 2016, University of Alabama

Sandro Botticelli created at least five bust-length images of idealized young women that are traditionally identified as Simonetta Vespucci (1453-1476), a Florentine beauty and the… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Art history; 15th-Century Florence; Idealized Beautiful Women; Isis; Mythology; Sandro Botticelli; Simonetta Vespucci

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APA (6th Edition):

McKibben, M. C. (2016). Moving beyond beauty: uncovering Sandro Botticelli's Isis. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/163932

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKibben, Micah-Shea Crenshaw. “Moving beyond beauty: uncovering Sandro Botticelli's Isis.” 2016. Thesis, University of Alabama. Accessed November 12, 2019. http://purl.lib.ua.edu/163932.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKibben, Micah-Shea Crenshaw. “Moving beyond beauty: uncovering Sandro Botticelli's Isis.” 2016. Web. 12 Nov 2019.

Vancouver:

McKibben MC. Moving beyond beauty: uncovering Sandro Botticelli's Isis. [Internet] [Thesis]. University of Alabama; 2016. [cited 2019 Nov 12]. Available from: http://purl.lib.ua.edu/163932.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKibben MC. Moving beyond beauty: uncovering Sandro Botticelli's Isis. [Thesis]. University of Alabama; 2016. Available from: http://purl.lib.ua.edu/163932

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. Snow-Smith, Joanne. Sandro Botticelli: a study of his major allegorical paintings .

Degree: 1968, University of Arizona

Subjects/Keywords: Botticelli, Sandro, 1444 or 5-1510.; Symbolism in art.

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APA (6th Edition):

Snow-Smith, J. (1968). Sandro Botticelli: a study of his major allegorical paintings . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/347627

Chicago Manual of Style (16th Edition):

Snow-Smith, Joanne. “Sandro Botticelli: a study of his major allegorical paintings .” 1968. Masters Thesis, University of Arizona. Accessed November 12, 2019. http://hdl.handle.net/10150/347627.

MLA Handbook (7th Edition):

Snow-Smith, Joanne. “Sandro Botticelli: a study of his major allegorical paintings .” 1968. Web. 12 Nov 2019.

Vancouver:

Snow-Smith J. Sandro Botticelli: a study of his major allegorical paintings . [Internet] [Masters thesis]. University of Arizona; 1968. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10150/347627.

Council of Science Editors:

Snow-Smith J. Sandro Botticelli: a study of his major allegorical paintings . [Masters Thesis]. University of Arizona; 1968. Available from: http://hdl.handle.net/10150/347627


California State University – Northridge

7. Marmor, Max Calvin. Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio.

Degree: MA, Department of Art, 1982, California State University – Northridge

 This is a study of classical influences in the art of two contemporary Florentine painters of the Renaissance, Sandro Botticelli and Domenico Ghirlandaio. The approach… (more)

Subjects/Keywords: Botticelli, Sandro, 1444 or 1445-1510.; Dissertations, Academic  – CSUN  – Art.

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APA (6th Edition):

Marmor, M. C. (1982). Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/128115

Chicago Manual of Style (16th Edition):

Marmor, Max Calvin. “Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio.” 1982. Masters Thesis, California State University – Northridge. Accessed November 12, 2019. http://hdl.handle.net/10211.3/128115.

MLA Handbook (7th Edition):

Marmor, Max Calvin. “Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio.” 1982. Web. 12 Nov 2019.

Vancouver:

Marmor MC. Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio. [Internet] [Masters thesis]. California State University – Northridge; 1982. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10211.3/128115.

Council of Science Editors:

Marmor MC. Antiquity and the Sistine sojourn (1481-1482) in the art of Sandro Botticelli and Domenico Ghirlandaio. [Masters Thesis]. California State University – Northridge; 1982. Available from: http://hdl.handle.net/10211.3/128115


McGill University

8. Lake, G. Thomas. The five paintings of the Adoration of the Magi by Sandro Botticelli.

Degree: MA, Department of Art History., 1986, McGill University

The thematic unit formed by the five versions of The Adoration of the Magi painted by Sandro Botticelli provide a special opportunity for studying his… (more)

Subjects/Keywords: Botticelli, Sandro, 1444 or 5-1510. Adoration of the Magi.; Art  – Themes, motives

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APA (6th Edition):

Lake, G. T. (1986). The five paintings of the Adoration of the Magi by Sandro Botticelli. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile61261.pdf

Chicago Manual of Style (16th Edition):

Lake, G Thomas. “The five paintings of the Adoration of the Magi by Sandro Botticelli.” 1986. Masters Thesis, McGill University. Accessed November 12, 2019. http://digitool.library.mcgill.ca/thesisfile61261.pdf.

MLA Handbook (7th Edition):

Lake, G Thomas. “The five paintings of the Adoration of the Magi by Sandro Botticelli.” 1986. Web. 12 Nov 2019.

Vancouver:

Lake GT. The five paintings of the Adoration of the Magi by Sandro Botticelli. [Internet] [Masters thesis]. McGill University; 1986. [cited 2019 Nov 12]. Available from: http://digitool.library.mcgill.ca/thesisfile61261.pdf.

Council of Science Editors:

Lake GT. The five paintings of the Adoration of the Magi by Sandro Botticelli. [Masters Thesis]. McGill University; 1986. Available from: http://digitool.library.mcgill.ca/thesisfile61261.pdf

9. Betz, Timothy A. The Artist and the Friar: Botticelli, Savonarola, and the Business of Art.

Degree: MA, Art History, 2013, Penn State University

 Throughout art historical scholarship, Sandro Botticelli’s art during the last two decades of his life is often described as retrograde. This is often considered the… (more)

Subjects/Keywords: Sandro Botticelli; Savonarola; Business of Art; Patronage; Gold Leaf

…be read on many levels by a variety of 16 Ronald Lightbown, Sandro Botticelli, vol 1… …Zöllner, Sandro Botticelli (Munich, Berlin, London, and New York: Prestel, 2005), 41… …Sandro Botticelli (London: Duckworth and Company, 1903), 70. Ady’s Piagnoni letter is… …are indicators of the artist’s personal attachment to 36 Yukio Yashiro, Sandro Botticelli… …Sandro Botticelli (Berlin: Propaläen-Verland, 1921), 118 38 Lionello Venturi… 

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APA (6th Edition):

Betz, T. A. (2013). The Artist and the Friar: Botticelli, Savonarola, and the Business of Art. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/17573

Chicago Manual of Style (16th Edition):

Betz, Timothy A. “The Artist and the Friar: Botticelli, Savonarola, and the Business of Art.” 2013. Masters Thesis, Penn State University. Accessed November 12, 2019. https://etda.libraries.psu.edu/catalog/17573.

MLA Handbook (7th Edition):

Betz, Timothy A. “The Artist and the Friar: Botticelli, Savonarola, and the Business of Art.” 2013. Web. 12 Nov 2019.

Vancouver:

Betz TA. The Artist and the Friar: Botticelli, Savonarola, and the Business of Art. [Internet] [Masters thesis]. Penn State University; 2013. [cited 2019 Nov 12]. Available from: https://etda.libraries.psu.edu/catalog/17573.

Council of Science Editors:

Betz TA. The Artist and the Friar: Botticelli, Savonarola, and the Business of Art. [Masters Thesis]. Penn State University; 2013. Available from: https://etda.libraries.psu.edu/catalog/17573


Université du Québec à Montréal

10. Cippone, Maria Franca. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.

Degree: 2011, Université du Québec à Montréal

 Ce mémoire est le résultat d'une étude critique des Annonciations peintes par Sandro Botticelli, en diverses circonstances, entre 1481 et, probablement, 1502. Regroupées ici en… (more)

Subjects/Keywords: Botticelli; Sandro  – Annonciations; Critique et interprétation; Thèmes; motifs; Annonciation de San Martino alla Scala; Annonciation du Cestello; Annonciation avec dévote; Marie; Sainte Vierge  – Annonciation  – Art; Incarnation dans l'art; Art chrétien  – 1450-1600 (Renaissance)

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APA (6th Edition):

Cippone, M. F. (2011). La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/7940/1/M12287.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cippone, Maria Franca. “La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.” 2011. Thesis, Université du Québec à Montréal. Accessed November 12, 2019. http://www.archipel.uqam.ca/7940/1/M12287.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cippone, Maria Franca. “La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.” 2011. Web. 12 Nov 2019.

Vancouver:

Cippone MF. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2019 Nov 12]. Available from: http://www.archipel.uqam.ca/7940/1/M12287.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cippone MF. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://www.archipel.uqam.ca/7940/1/M12287.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

11. Vermeersch, Paula. Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia .

Degree: 2007, Universidade Estadual de Campinas

 Resumo: A tese aborda alguns aspectos dos desenhos que o pintor florentino Alessandro di Marianni di Vanni Filipepi, dito Sandro Botticelli (1445-1510), realizou, em data… (more)

Subjects/Keywords: Botticelli, Sandro, 1444 ou 5-1510 - Ilustrações; Dante Alighiere, 1265-1321. A divina comedia - Ilustrações; Arte renascentista

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APA (6th Edition):

Vermeersch, P. (2007). Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/270062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermeersch, Paula. “Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia .” 2007. Thesis, Universidade Estadual de Campinas. Accessed November 12, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermeersch, Paula. “Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia .” 2007. Web. 12 Nov 2019.

Vancouver:

Vermeersch P. Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia . [Internet] [Thesis]. Universidade Estadual de Campinas; 2007. [cited 2019 Nov 12]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/270062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermeersch P. Considerações sobre os desenhos de Sandro Botticelli para a Divina Comedia . [Thesis]. Universidade Estadual de Campinas; 2007. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/270062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

12. Cippone, Maria Franca. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.

Degree: 2011, Université du Québec à Montréal

 Ce mémoire est le résultat d'une étude critique des Annonciations peintes par Sandro Botticelli, en diverses circonstances, entre 1481 et, probablement, 1502. Regroupées ici en… (more)

Subjects/Keywords: Botticelli; Sandro  – Annonciations; Critique et interprétation; Thèmes; motifs; Annonciation de San Martino alla Scala; Annonciation du Cestello; Annonciation avec dévote; Marie; Sainte Vierge  – Annonciation  – Art; Incarnation dans l'art; Art chrétien  – 1450-1600 (Renaissance)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cippone, M. F. (2011). La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/7940/1/M12287.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cippone, Maria Franca. “La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.” 2011. Thesis, Université du Québec à Montréal. Accessed November 12, 2019. http://archipel.uqam.ca/7940/1/M12287.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cippone, Maria Franca. “La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli.” 2011. Web. 12 Nov 2019.

Vancouver:

Cippone MF. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2019 Nov 12]. Available from: http://archipel.uqam.ca/7940/1/M12287.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cippone MF. La figuration de l'Incarnation dans les Annonciations de Sandro Botticelli. [Thesis]. Université du Québec à Montréal; 2011. Available from: http://archipel.uqam.ca/7940/1/M12287.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Anderson, Kittie Blanks. Geometry as the Structural Basis of Composition in Paintings by Botticelli.

Degree: 1942, North Texas State Teachers College

 Fewer geometrical analyses have been made of paintings than of any other group of works of art. For this reason ten paintings by a typical… (more)

Subjects/Keywords: geometrical analysis; art; painting; Botticelli, Sandro, 1444 or 1445-1510  – Criticism and interpretation.; Composition (Art)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, K. B. (1942). Geometry as the Structural Basis of Composition in Paintings by Botticelli. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc70328/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Kittie Blanks. “Geometry as the Structural Basis of Composition in Paintings by Botticelli.” 1942. Thesis, North Texas State Teachers College. Accessed November 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc70328/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Kittie Blanks. “Geometry as the Structural Basis of Composition in Paintings by Botticelli.” 1942. Web. 12 Nov 2019.

Vancouver:

Anderson KB. Geometry as the Structural Basis of Composition in Paintings by Botticelli. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2019 Nov 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc70328/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson KB. Geometry as the Structural Basis of Composition in Paintings by Botticelli. [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc70328/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Chile

14. Piña Rubio, Liza Nereyda. Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli .

Degree: 2011, Universidad de Chile

Subjects/Keywords: Tornabuoni, Lucrezia; Botticelli, Sandro; Arte renacentista : iconografía herbolaria; Evergetismo; Estudio de género, La tavoltta; Poesía femenina renacentista

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APA (6th Edition):

Piña Rubio, L. N. (2011). Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli . (Thesis). Universidad de Chile. Retrieved from http://www.tesis.uchile.cl/tesis/uchile/2011/ar-pina_l/html/index-frames.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piña Rubio, Liza Nereyda. “Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli .” 2011. Thesis, Universidad de Chile. Accessed November 12, 2019. http://www.tesis.uchile.cl/tesis/uchile/2011/ar-pina_l/html/index-frames.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piña Rubio, Liza Nereyda. “Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli .” 2011. Web. 12 Nov 2019.

Vancouver:

Piña Rubio LN. Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli . [Internet] [Thesis]. Universidad de Chile; 2011. [cited 2019 Nov 12]. Available from: http://www.tesis.uchile.cl/tesis/uchile/2011/ar-pina_l/html/index-frames.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piña Rubio LN. Un instrumento de piedad para Lucrezia Tornabuoni — estudio iconográfico e torno a las historias de Judit de Sandro Botticelli . [Thesis]. Universidad de Chile; 2011. Available from: http://www.tesis.uchile.cl/tesis/uchile/2011/ar-pina_l/html/index-frames.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

15. Knutsen, Susan Noel. BOTTICELLI'S SISTINE FRESCOES.

Degree: 1984, University of Arizona

Subjects/Keywords: Mural painting and decoration.; Botticelli, Sandro, 1444 or 5-1510.; Cappella Sistina (Vatican Palace, Vatican City).

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APA (6th Edition):

Knutsen, S. N. (1984). BOTTICELLI'S SISTINE FRESCOES. (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/275054

Chicago Manual of Style (16th Edition):

Knutsen, Susan Noel. “BOTTICELLI'S SISTINE FRESCOES. ” 1984. Masters Thesis, University of Arizona. Accessed November 12, 2019. http://hdl.handle.net/10150/275054.

MLA Handbook (7th Edition):

Knutsen, Susan Noel. “BOTTICELLI'S SISTINE FRESCOES. ” 1984. Web. 12 Nov 2019.

Vancouver:

Knutsen SN. BOTTICELLI'S SISTINE FRESCOES. [Internet] [Masters thesis]. University of Arizona; 1984. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10150/275054.

Council of Science Editors:

Knutsen SN. BOTTICELLI'S SISTINE FRESCOES. [Masters Thesis]. University of Arizona; 1984. Available from: http://hdl.handle.net/10150/275054

16. Ingers, Ellen. Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar.

Degree: Historical and Contemporary Studies, 2017, Södertörn University

  The aim of the MA thesis is to discuss and analyse different illustrations, paintings, carvings in wood and stone and woodcuts of ships of… (more)

Subjects/Keywords: The Griffon-hound; Mary Rose; Lomelinna; end castle; fore castle; wreck; carvel; carrack; ship; artwork; Arkeologi; Marinarkeologi; Historisk arkeologi; Bildanalys; Triangulering; Örlogsskepp; Skeppskonstruktion; Skeppsbyggnad; 1400-tal; 1500-tal; Medeltid; Gribshunden; Henry Grace a Dieu; Santa Maria; Mataróskeppet; Skeppsristning; Kyrkomålning; Väggmålning; Sandro Botticelli; Vittore Carpaccio; Kopparstick; Santa Catarina do monte Sinai; Hans Holbein; Pieter brughel; Karrack; Kravel; Nao; Kastell; Archaeology; Arkeologi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ingers, E. (2017). Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ingers, Ellen. “Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar.” 2017. Thesis, Södertörn University. Accessed November 12, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ingers, Ellen. “Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar.” 2017. Web. 12 Nov 2019.

Vancouver:

Ingers E. Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar. [Internet] [Thesis]. Södertörn University; 2017. [cited 2019 Nov 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ingers E. Gribshunden (1495) : En jämförande studie av samtida skeppsavbildningar. [Thesis]. Södertörn University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-33828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

17. Taylor, Chloë. The aesthetics of sadism and masochism in Italian renaissance painting.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 This thesis analyses selected paintings and aspects of life of the Italian Renaissance in terms of the aesthetic properties of sadistic and masochistic symptomatologies and… (more)

Subjects/Keywords: Titian, ca. 1488-1576  – Criticism and interpretation; Botticelli, Sandro, 1444 or 5-1510. Story of Nastaglio degli Onesti; Painting, Renaissance  – Italy  – Themes, motives.; Sex in art.; Sadism.; Masochism.; Rape in art.; Sex role  – Italy  – History  – 16th century.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, C. (2002). The aesthetics of sadism and masochism in Italian renaissance painting. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79810.pdf

Chicago Manual of Style (16th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Masters Thesis, McGill University. Accessed November 12, 2019. http://digitool.library.mcgill.ca/thesisfile79810.pdf.

MLA Handbook (7th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Web. 12 Nov 2019.

Vancouver:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Nov 12]. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf.

Council of Science Editors:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf

.