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You searched for subject:(Sacred vocal music). Showing records 1 – 19 of 19 total matches.

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University of Notre Dame

1. Caleb R. Wenzel. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.

Degree: Sacred Music, 2017, University of Notre Dame

  Scholars and performers of seventeenth–century music have long been aware of Sebastian Knüpfer (1633-76) and his place in the history of the city of… (more)

Subjects/Keywords: Thomaskirche; Thomaskantor; Lutheran Sacred Music; Sacred Vocal Concerto; Sebastian Knüpfer; Leipzig

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APA (6th Edition):

Wenzel, C. R. (2017). Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/z890rr20b22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Thesis, University of Notre Dame. Accessed May 06, 2021. https://curate.nd.edu/show/z890rr20b22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Web. 06 May 2021.

Vancouver:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Internet] [Thesis]. University of Notre Dame; 2017. [cited 2021 May 06]. Available from: https://curate.nd.edu/show/z890rr20b22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Thesis]. University of Notre Dame; 2017. Available from: https://curate.nd.edu/show/z890rr20b22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

2. Hafar, Matthew Alan. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.

Degree: PhD, Music, 1992, University of Iowa

Subjects/Keywords: Claudio Monteverdi; Sacred vocal music; Music

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APA (6th Edition):

Hafar, M. A. (1992). The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6031

Chicago Manual of Style (16th Edition):

Hafar, Matthew Alan. “The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.” 1992. Doctoral Dissertation, University of Iowa. Accessed May 06, 2021. https://ir.uiowa.edu/etd/6031.

MLA Handbook (7th Edition):

Hafar, Matthew Alan. “The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.” 1992. Web. 06 May 2021.

Vancouver:

Hafar MA. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. [Internet] [Doctoral dissertation]. University of Iowa; 1992. [cited 2021 May 06]. Available from: https://ir.uiowa.edu/etd/6031.

Council of Science Editors:

Hafar MA. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. [Doctoral Dissertation]. University of Iowa; 1992. Available from: https://ir.uiowa.edu/etd/6031

3. Bolin, Joseph. Doctoral thesis recital (lecture) conducting.

Degree: DMA, Choral conducting, 2013, University of Texas – Austin

Christe, du Lamm Gottes, Wer nur den liben Gott lasst walten / Felix Mendelssohn-Bartholdy. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Sacred vocal music; Choral music

Page 1

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APA (6th Edition):

Bolin, J. (2013). Doctoral thesis recital (lecture) conducting. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23468

Chicago Manual of Style (16th Edition):

Bolin, Joseph. “Doctoral thesis recital (lecture) conducting.” 2013. Doctoral Dissertation, University of Texas – Austin. Accessed May 06, 2021. http://hdl.handle.net/2152/23468.

MLA Handbook (7th Edition):

Bolin, Joseph. “Doctoral thesis recital (lecture) conducting.” 2013. Web. 06 May 2021.

Vancouver:

Bolin J. Doctoral thesis recital (lecture) conducting. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2013. [cited 2021 May 06]. Available from: http://hdl.handle.net/2152/23468.

Council of Science Editors:

Bolin J. Doctoral thesis recital (lecture) conducting. [Doctoral Dissertation]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23468


Michigan State University

4. Bowen, Meredith Yvonne. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.

Degree: 2016, Michigan State University

Thesis D.M.A. Michigan State University. Music Conducting 2016

This document explores music composed by seventeenth-century Italian nuns written for cloistered choirs of women. It gives… (more)

Subjects/Keywords: Music in convents – Italy – History – 17th century; Sacred vocal music – Italy – History – 17th century; Nuns as musicians – Italy – 17th century; Women composers – Italy – 17th century; Choruses, Sacred (Women's voices) – Excerpts, Arranged; Music in convents; Nuns as musicians; Sacred vocal music; Women composers; Music

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APA (6th Edition):

Bowen, M. Y. (2016). Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:4177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bowen, Meredith Yvonne. “Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.” 2016. Thesis, Michigan State University. Accessed May 06, 2021. http://etd.lib.msu.edu/islandora/object/etd:4177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bowen, Meredith Yvonne. “Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.” 2016. Web. 06 May 2021.

Vancouver:

Bowen MY. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. [Internet] [Thesis]. Michigan State University; 2016. [cited 2021 May 06]. Available from: http://etd.lib.msu.edu/islandora/object/etd:4177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bowen MY. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. [Thesis]. Michigan State University; 2016. Available from: http://etd.lib.msu.edu/islandora/object/etd:4177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Sullivan, Ryan W. A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi.

Degree: 2019, University of North Texas

 Giovanni Legrenzi was a prolific composer of vocal music and maestro di cappella at the Basilica di San Marco but his vocal works are not… (more)

Subjects/Keywords: Giovanni Legrenzi; Performance editions; Music preparation; Italian composers; Legrenzi, Giovanni, 1626-1690. Sacri e festivi concenti.; Music  – Editing.; Sacred vocal music  – Scores.; Academic theses; Sacred music; Scores

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APA (6th Edition):

Sullivan, R. W. (2019). A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505211/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sullivan, Ryan W. “A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi.” 2019. Thesis, University of North Texas. Accessed May 06, 2021. https://digital.library.unt.edu/ark:/67531/metadc1505211/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sullivan, Ryan W. “A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi.” 2019. Web. 06 May 2021.

Vancouver:

Sullivan RW. A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi. [Internet] [Thesis]. University of North Texas; 2019. [cited 2021 May 06]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505211/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sullivan RW. A Performance Edition of the Vespers Settings in Sacri E Festivi Concenti, Opera Nona by Giovanni Legrenzi. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505211/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Abee, Michele. 'Journey into the square' a geographical perspective of sacred harp.

Degree: 2012, NC Docks

 This thesis analyzes how the Sacred Harp adapted to become a unique musical tradition culturally and geographically specific to the America South. By applying methods… (more)

Subjects/Keywords: Shape-note singing $z Southern States; Sacred vocal music $z Southern States; Religion and geography; Music and geography $z Southern States

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APA (6th Edition):

Abee, M. (2012). 'Journey into the square' a geographical perspective of sacred harp. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Abee_uncg_0154M_10963.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abee, Michele. “'Journey into the square' a geographical perspective of sacred harp.” 2012. Thesis, NC Docks. Accessed May 06, 2021. http://libres.uncg.edu/ir/uncg/f/Abee_uncg_0154M_10963.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abee, Michele. “'Journey into the square' a geographical perspective of sacred harp.” 2012. Web. 06 May 2021.

Vancouver:

Abee M. 'Journey into the square' a geographical perspective of sacred harp. [Internet] [Thesis]. NC Docks; 2012. [cited 2021 May 06]. Available from: http://libres.uncg.edu/ir/uncg/f/Abee_uncg_0154M_10963.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abee M. 'Journey into the square' a geographical perspective of sacred harp. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/uncg/f/Abee_uncg_0154M_10963.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

7. Ethier, Glen Edward. A methodology for the analysis of melodic accent in Renaissance sacred polyphony.

Degree: PhD, Music, 1996, University of British Columbia

 Modern scholars have suggested various approaches to the analysis of the pretonal repertory. However, if we consider the question of how the individual voice parts… (more)

Subjects/Keywords: History and criticism; 16th century; Sacred vocal music; Music

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APA (6th Edition):

Ethier, G. E. (1996). A methodology for the analysis of melodic accent in Renaissance sacred polyphony. (Doctoral Dissertation). University of British Columbia. Retrieved from http://hdl.handle.net/2429/4836

Chicago Manual of Style (16th Edition):

Ethier, Glen Edward. “A methodology for the analysis of melodic accent in Renaissance sacred polyphony.” 1996. Doctoral Dissertation, University of British Columbia. Accessed May 06, 2021. http://hdl.handle.net/2429/4836.

MLA Handbook (7th Edition):

Ethier, Glen Edward. “A methodology for the analysis of melodic accent in Renaissance sacred polyphony.” 1996. Web. 06 May 2021.

Vancouver:

Ethier GE. A methodology for the analysis of melodic accent in Renaissance sacred polyphony. [Internet] [Doctoral dissertation]. University of British Columbia; 1996. [cited 2021 May 06]. Available from: http://hdl.handle.net/2429/4836.

Council of Science Editors:

Ethier GE. A methodology for the analysis of melodic accent in Renaissance sacred polyphony. [Doctoral Dissertation]. University of British Columbia; 1996. Available from: http://hdl.handle.net/2429/4836


University of Southern California

8. Robles, Zanaida Noelle. The sacred choral works of Samuel Coleridge-Taylor.

Degree: DMA, Choral Music, 2014, University of Southern California

 African British composer Samuel Coleridge-Taylor (1875-1912) was affectionately referred to in his time as the African “Mahler.” His most popular work, Hiawatha’s Wedding Feast, op.… (more)

Subjects/Keywords: Samuel; Coleridge; Coleridge-Taylor; choral; sacred music; anthems; African English; British composers; Black composers; Hiawatha; African Mahler; music; songs; church music; vocal music; Black music; English choral tradition

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APA (6th Edition):

Robles, Z. N. (2014). The sacred choral works of Samuel Coleridge-Taylor. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7289

Chicago Manual of Style (16th Edition):

Robles, Zanaida Noelle. “The sacred choral works of Samuel Coleridge-Taylor.” 2014. Doctoral Dissertation, University of Southern California. Accessed May 06, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7289.

MLA Handbook (7th Edition):

Robles, Zanaida Noelle. “The sacred choral works of Samuel Coleridge-Taylor.” 2014. Web. 06 May 2021.

Vancouver:

Robles ZN. The sacred choral works of Samuel Coleridge-Taylor. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 May 06]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7289.

Council of Science Editors:

Robles ZN. The sacred choral works of Samuel Coleridge-Taylor. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7289


The Ohio State University

9. Slenk, Howard. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .

Degree: PhD, Graduate School, 1965, The Ohio State University

Subjects/Keywords: Music; Church music; Church music; Music; Sacred vocal music; Psalms

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APA (6th Edition):

Slenk, H. (1965). The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248

Chicago Manual of Style (16th Edition):

Slenk, Howard. “The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .” 1965. Doctoral Dissertation, The Ohio State University. Accessed May 06, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248.

MLA Handbook (7th Edition):

Slenk, Howard. “The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .” 1965. Web. 06 May 2021.

Vancouver:

Slenk H. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . [Internet] [Doctoral dissertation]. The Ohio State University; 1965. [cited 2021 May 06]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248.

Council of Science Editors:

Slenk H. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . [Doctoral Dissertation]. The Ohio State University; 1965. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248

10. Allred, Edward William. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.

Degree: 2008, NC Docks

 Edmund Hooper (1553-1621) held a prominent place among church musicians of his generation. He became Master of the Choristers at Westminster Abbey in 1588 and… (more)

Subjects/Keywords: Music – 16th century – History and criticism.; Music – 17th century – History and criticism.; Sacred vocal music – 16th century – England.; Sacred vocal music – 17th century – England.; Choral music – 16th century.; Choral music – 17th century.

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APA (6th Edition):

Allred, E. W. (2008). Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/umi-uncg-1546.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allred, Edward William. “Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.” 2008. Thesis, NC Docks. Accessed May 06, 2021. http://libres.uncg.edu/ir/uncg/f/umi-uncg-1546.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allred, Edward William. “Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.” 2008. Web. 06 May 2021.

Vancouver:

Allred EW. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. [Internet] [Thesis]. NC Docks; 2008. [cited 2021 May 06]. Available from: http://libres.uncg.edu/ir/uncg/f/umi-uncg-1546.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allred EW. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. [Thesis]. NC Docks; 2008. Available from: http://libres.uncg.edu/ir/uncg/f/umi-uncg-1546.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Yang, Chuan-Tsing. The Crucifixion.

Degree: 1993, University of North Texas

 The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of… (more)

Subjects/Keywords: The Crucifixion; vocal performance; vocal techniques; instrumental techniques; Choruses, Sacred (Mixed voices) with instrumental ensemble  – Scores.; Passion music.

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APA (6th Edition):

Yang, C. (1993). The Crucifixion. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Thesis, University of North Texas. Accessed May 06, 2021. https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Web. 06 May 2021.

Vancouver:

Yang C. The Crucifixion. [Internet] [Thesis]. University of North Texas; 1993. [cited 2021 May 06]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang C. The Crucifixion. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Washington University

12. Bygate, Nicholas. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein.

Degree: MMus, Music, 2020, Western Washington University

  Nineteenth century music is known for its grandiose over-the-top performances. Larger-than-life orchestras, choruses, settings, length of works, and even harmonic language were all commonplace… (more)

Subjects/Keywords: Music; Bruckner, Anton, 1824-1896. Vocal music; Bruckner, Anton, 1824-1896 – Criticism and interpretation; Allgemeiner Cäcilien-Verein für Deutschland, Österreich und die Schweiz – History; Allgemeiner Cäcilien-Verein für Deutschland, Österreich und die Schweiz – Influence; Sacred music – 19th century – History and criticism; masters theses

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APA (6th Edition):

Bygate, N. (2020). Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein. (Thesis). Western Washington University. Retrieved from https://cedar.wwu.edu/wwuet/955

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bygate, Nicholas. “Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein.” 2020. Thesis, Western Washington University. Accessed May 06, 2021. https://cedar.wwu.edu/wwuet/955.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bygate, Nicholas. “Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein.” 2020. Web. 06 May 2021.

Vancouver:

Bygate N. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein. [Internet] [Thesis]. Western Washington University; 2020. [cited 2021 May 06]. Available from: https://cedar.wwu.edu/wwuet/955.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bygate N. Nineteenth Century Sacred Music: Bruckner and the rise of the Cäcilien-Verein. [Thesis]. Western Washington University; 2020. Available from: https://cedar.wwu.edu/wwuet/955

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Montana

13. Monteverdi, Claudio. Magnificat from the Vespers of 1610 by Claudio Moteverdi.

Degree: MM, 1965, University of Montana

Subjects/Keywords: Choruses; Sacred (Mixed voices; 7 parts) with band Vocal scores with piano.; Magnificat (Music) Analysis; appreciation.; Vespers (Music)

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APA (6th Edition):

Monteverdi, C. (1965). Magnificat from the Vespers of 1610 by Claudio Moteverdi. (Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/9364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteverdi, Claudio. “Magnificat from the Vespers of 1610 by Claudio Moteverdi.” 1965. Thesis, University of Montana. Accessed May 06, 2021. https://scholarworks.umt.edu/etd/9364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteverdi, Claudio. “Magnificat from the Vespers of 1610 by Claudio Moteverdi.” 1965. Web. 06 May 2021.

Vancouver:

Monteverdi C. Magnificat from the Vespers of 1610 by Claudio Moteverdi. [Internet] [Thesis]. University of Montana; 1965. [cited 2021 May 06]. Available from: https://scholarworks.umt.edu/etd/9364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteverdi C. Magnificat from the Vespers of 1610 by Claudio Moteverdi. [Thesis]. University of Montana; 1965. Available from: https://scholarworks.umt.edu/etd/9364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

14. Cain, Jerry M. The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition.

Degree: 1994, Florida State University

by Jerry M. Cain

Typescript

Includes complete vocal and instrumental scores of 2 liturgical motets and 3 sacred concertos of the early 17th century transcribed… (more)

Subjects/Keywords: Schimbraczky, Johannes , active 1635-1648; Protestant Rectory Library (Levoča, Slovakia) (Mus. 13993.); Motets; Motets; Analysis, appreciation; Instrumental music; Instrumental music; Analysis, appreciation; Sacred vocal music; Sacred vocal music; Analysis, appreciation; Choruses (Mixed voices); Choruses (Mixed voices), Unaccompanied; M2021 .C25 1994

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cain, J. M. (1994). The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition. (Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_ARCH_M2021C25_1994 ;

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cain, Jerry M. “The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition.” 1994. Thesis, Florida State University. Accessed May 06, 2021. http://purl.flvc.org/fsu/fd/FSU_ARCH_M2021C25_1994 ;.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cain, Jerry M. “The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition.” 1994. Web. 06 May 2021.

Vancouver:

Cain JM. The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition. [Internet] [Thesis]. Florida State University; 1994. [cited 2021 May 06]. Available from: http://purl.flvc.org/fsu/fd/FSU_ARCH_M2021C25_1994 ;.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cain JM. The five anonymous sacred concertos in Levoča Ms. Mus. 13993: an analysis and critical edition. [Thesis]. Florida State University; 1994. Available from: http://purl.flvc.org/fsu/fd/FSU_ARCH_M2021C25_1994 ;

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas Tech University

15. Dean, Michael Noel. Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions.

Degree: 2002, Texas Tech University

 The music composed by Mexican chapelmasters during the Colonial period (1530-1820) was mostly unknown until the middle of the twentieth century. In the last fifty… (more)

Subjects/Keywords: Zumaya, Manuel de, ca. 1678-1756; Zumaya, Manuel de, ca. 1678-1756  – Criticism and interpretation; Villancicos (Music)  – 18th century  – History and criticism; Sacred vocal music  – Mexico

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dean, M. N. (2002). Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/12239

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dean, Michael Noel. “Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions.” 2002. Thesis, Texas Tech University. Accessed May 06, 2021. http://hdl.handle.net/2346/12239.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dean, Michael Noel. “Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions.” 2002. Web. 06 May 2021.

Vancouver:

Dean MN. Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions. [Internet] [Thesis]. Texas Tech University; 2002. [cited 2021 May 06]. Available from: http://hdl.handle.net/2346/12239.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dean MN. Renaissance and Baroque characteristics in four choral villancicos of Manuel de Sumaya: analysis and performance editions. [Thesis]. Texas Tech University; 2002. Available from: http://hdl.handle.net/2346/12239

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

16. Rushing-Raynes, Laura. A history of the Venetian sacred solo motet (c. 1610 – 1720).

Degree: 1991, University of Arizona

 In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal(more)

Subjects/Keywords: Motets  – History and criticism  – 17th century; Sacred vocal music  – Italy  – 17th century  – History and criticism; Music  – Italy  – Venice  – 17th century  – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rushing-Raynes, L. (1991). A history of the Venetian sacred solo motet (c. 1610 – 1720). (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/185473

Chicago Manual of Style (16th Edition):

Rushing-Raynes, Laura. “A history of the Venetian sacred solo motet (c. 1610 – 1720). ” 1991. Doctoral Dissertation, University of Arizona. Accessed May 06, 2021. http://hdl.handle.net/10150/185473.

MLA Handbook (7th Edition):

Rushing-Raynes, Laura. “A history of the Venetian sacred solo motet (c. 1610 – 1720). ” 1991. Web. 06 May 2021.

Vancouver:

Rushing-Raynes L. A history of the Venetian sacred solo motet (c. 1610 – 1720). [Internet] [Doctoral dissertation]. University of Arizona; 1991. [cited 2021 May 06]. Available from: http://hdl.handle.net/10150/185473.

Council of Science Editors:

Rushing-Raynes L. A history of the Venetian sacred solo motet (c. 1610 – 1720). [Doctoral Dissertation]. University of Arizona; 1991. Available from: http://hdl.handle.net/10150/185473


University of Melbourne

17. Jeffreys, Catherine Mary. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.

Degree: 2000, University of Melbourne

 A central focus of this thesis is the word-music relationship in the devotional-song-repertory of Hildegard of Bingen (1098-1179). Surrounding this focus is an examination of… (more)

Subjects/Keywords: Saint Hildegard of Bingen; history and criticism of monophonic chansons from 500 to 1400; history and criticism of Gregorian chants; analysis and appreciation of sacred vocal music; unaccompanied sacred songs

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jeffreys, C. M. (2000). Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38830

Chicago Manual of Style (16th Edition):

Jeffreys, Catherine Mary. “Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.” 2000. Doctoral Dissertation, University of Melbourne. Accessed May 06, 2021. http://hdl.handle.net/11343/38830.

MLA Handbook (7th Edition):

Jeffreys, Catherine Mary. “Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.” 2000. Web. 06 May 2021.

Vancouver:

Jeffreys CM. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. [Internet] [Doctoral dissertation]. University of Melbourne; 2000. [cited 2021 May 06]. Available from: http://hdl.handle.net/11343/38830.

Council of Science Editors:

Jeffreys CM. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. [Doctoral Dissertation]. University of Melbourne; 2000. Available from: http://hdl.handle.net/11343/38830

18. Manvelyan, Gohar. The introduction of polyphony in Armenian sacred music.

Degree: Doctor of Music (Performance Studies), Department of Performance Studies, 2019, McGill University

 The Russian poet and historian Valery Bryusov (1873–1924) once wrote: “The historical mission of the Armenian nation, manifested by the entire course of its development,… (more)

Subjects/Keywords: Vocal music  – Armenia  – History and criticism.; Sacred music  – Armenia  – History and criticism.; Church music  – Armenia  – History and criticism.; Music  – Armenia  – History and criticism.; Academic theses.; Criticism, interpretation, etc.

…the West — with the particular features of Armenian sacred music whose principal… …musical rapprochement spearheaded by Yekmalyan brought Armenian sacred music closer to that of… …Armenian traditional sacred music. To this end, the composer’s Surb Patarag (Divine Liturgy… …and liturgical contexts of Armenian sacred music is necessary to understanding Yekmalyan’s… …organ in the Surb Patarag had the effect of bringing Armenian sacred music, and the social… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Manvelyan, G. (2019). The introduction of polyphony in Armenian sacred music. (Doctoral Dissertation). McGill University. Retrieved from https://escholarship.mcgill.ca/downloads/2514nq850.pdf ; https://escholarship.mcgill.ca/concern/theses/2z10ww25t

Chicago Manual of Style (16th Edition):

Manvelyan, Gohar. “The introduction of polyphony in Armenian sacred music.” 2019. Doctoral Dissertation, McGill University. Accessed May 06, 2021. https://escholarship.mcgill.ca/downloads/2514nq850.pdf ; https://escholarship.mcgill.ca/concern/theses/2z10ww25t.

MLA Handbook (7th Edition):

Manvelyan, Gohar. “The introduction of polyphony in Armenian sacred music.” 2019. Web. 06 May 2021.

Vancouver:

Manvelyan G. The introduction of polyphony in Armenian sacred music. [Internet] [Doctoral dissertation]. McGill University; 2019. [cited 2021 May 06]. Available from: https://escholarship.mcgill.ca/downloads/2514nq850.pdf ; https://escholarship.mcgill.ca/concern/theses/2z10ww25t.

Council of Science Editors:

Manvelyan G. The introduction of polyphony in Armenian sacred music. [Doctoral Dissertation]. McGill University; 2019. Available from: https://escholarship.mcgill.ca/downloads/2514nq850.pdf ; https://escholarship.mcgill.ca/concern/theses/2z10ww25t

19. Fructus, Michel. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).

Degree: Docteur es, Lettres et arts, 2009, Université Lumière – Lyon II

Nicolaus Bruhns (1665-1697) fut organiste à la Marienkirche de Husum (Schleswig-Holstein), et Kapellmeister au service des ducs de Schleswig-Holstein-Gottorf. Si nous ne possédons aujourd’hui qu’une… (more)

Subjects/Keywords: Baroque; Basse continue; Bokemeyer (Heinrich); Buxtehude (Dietrich); Cantate; Chiffrages; Continuo; Figures musicales; Fixe; Héritage; Husum; Identité; Kapellmeiter; Luther; Luthéranisme; Motif générateur; Muable; Musique allemande; Musique luthérienne; Musique sacrée; Œuvres vocales; Organiste; Orgue; Protestantisme; Réduction mélodique; Réduction harmonique; Ritornello; Schleswig-Holstein; Sinfonia; Baroque; Basso continuo; Bokemeyer (Heinrich); Buxtehude (Dietrich); Cantate; Figuring; Continuo; Musical figure; Fixed; Heritage; Husum; Identity; Kapellmeiter; Luther; Lutheranism; Pattern generator; Changing; German music; Lutheran music; Sacred music; Vocal works; Organist; Organ; Protestantism; Melodic reduction; Harmonic reduction; Ritornello; Schleswig-Holstein; Sinfonia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fructus, M. (2009). Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2009LYO20067

Chicago Manual of Style (16th Edition):

Fructus, Michel. “Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).” 2009. Doctoral Dissertation, Université Lumière – Lyon II. Accessed May 06, 2021. http://www.theses.fr/2009LYO20067.

MLA Handbook (7th Edition):

Fructus, Michel. “Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).” 2009. Web. 06 May 2021.

Vancouver:

Fructus M. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2009. [cited 2021 May 06]. Available from: http://www.theses.fr/2009LYO20067.

Council of Science Editors:

Fructus M. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). [Doctoral Dissertation]. Université Lumière – Lyon II; 2009. Available from: http://www.theses.fr/2009LYO20067

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