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You searched for subject:(Sacred vocal music). Showing records 1 – 17 of 17 total matches.

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University of Notre Dame

1. Caleb R. Wenzel. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.

Degree: DMA, Sacred Music, 2017, University of Notre Dame

  Scholars and performers of seventeenth–century music have long been aware of Sebastian Knüpfer (1633-76) and his place in the history of the city of… (more)

Subjects/Keywords: Thomaskirche; Thomaskantor; Lutheran Sacred Music; Sacred Vocal Concerto; Sebastian Knüpfer; Leipzig

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APA (6th Edition):

Wenzel, C. R. (2017). Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. (Doctoral Dissertation). University of Notre Dame. Retrieved from https://curate.nd.edu/show/z890rr20b22

Chicago Manual of Style (16th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Doctoral Dissertation, University of Notre Dame. Accessed December 16, 2019. https://curate.nd.edu/show/z890rr20b22.

MLA Handbook (7th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Web. 16 Dec 2019.

Vancouver:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Internet] [Doctoral dissertation]. University of Notre Dame; 2017. [cited 2019 Dec 16]. Available from: https://curate.nd.edu/show/z890rr20b22.

Council of Science Editors:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Doctoral Dissertation]. University of Notre Dame; 2017. Available from: https://curate.nd.edu/show/z890rr20b22

2. Bolin, Joseph. Doctoral thesis recital (lecture) conducting.

Degree: DMA, Choral conducting, 2013, University of Texas – Austin

Christe, du Lamm Gottes, Wer nur den liben Gott lasst walten / Felix Mendelssohn-Bartholdy. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Sacred vocal music; Choral music

Page 1

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APA (6th Edition):

Bolin, J. (2013). Doctoral thesis recital (lecture) conducting. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23468

Chicago Manual of Style (16th Edition):

Bolin, Joseph. “Doctoral thesis recital (lecture) conducting.” 2013. Doctoral Dissertation, University of Texas – Austin. Accessed December 16, 2019. http://hdl.handle.net/2152/23468.

MLA Handbook (7th Edition):

Bolin, Joseph. “Doctoral thesis recital (lecture) conducting.” 2013. Web. 16 Dec 2019.

Vancouver:

Bolin J. Doctoral thesis recital (lecture) conducting. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2013. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/2152/23468.

Council of Science Editors:

Bolin J. Doctoral thesis recital (lecture) conducting. [Doctoral Dissertation]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23468


University of Iowa

3. Hafar, Matthew Alan. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.

Degree: PhD, Music, 1992, University of Iowa

Subjects/Keywords: Claudio Monteverdi; Sacred vocal music; Music

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APA (6th Edition):

Hafar, M. A. (1992). The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6031

Chicago Manual of Style (16th Edition):

Hafar, Matthew Alan. “The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.” 1992. Doctoral Dissertation, University of Iowa. Accessed December 16, 2019. https://ir.uiowa.edu/etd/6031.

MLA Handbook (7th Edition):

Hafar, Matthew Alan. “The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI.” 1992. Web. 16 Dec 2019.

Vancouver:

Hafar MA. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. [Internet] [Doctoral dissertation]. University of Iowa; 1992. [cited 2019 Dec 16]. Available from: https://ir.uiowa.edu/etd/6031.

Council of Science Editors:

Hafar MA. The psalmody of Monteverdi : choral settings of the vesper psalms CX and CXI. [Doctoral Dissertation]. University of Iowa; 1992. Available from: https://ir.uiowa.edu/etd/6031


University of British Columbia

4. Ethier, Glen Edward. A methodology for the analysis of melodic accent in Renaissance sacred polyphony .

Degree: 1996, University of British Columbia

 Modern scholars have suggested various approaches to the analysis of the pretonal repertory. However, if we consider the question of how the individual voice parts… (more)

Subjects/Keywords: History and criticism; 16th century; Sacred vocal music; Music

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APA (6th Edition):

Ethier, G. E. (1996). A methodology for the analysis of melodic accent in Renaissance sacred polyphony . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/4836

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ethier, Glen Edward. “A methodology for the analysis of melodic accent in Renaissance sacred polyphony .” 1996. Thesis, University of British Columbia. Accessed December 16, 2019. http://hdl.handle.net/2429/4836.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ethier, Glen Edward. “A methodology for the analysis of melodic accent in Renaissance sacred polyphony .” 1996. Web. 16 Dec 2019.

Vancouver:

Ethier GE. A methodology for the analysis of melodic accent in Renaissance sacred polyphony . [Internet] [Thesis]. University of British Columbia; 1996. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/2429/4836.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ethier GE. A methodology for the analysis of melodic accent in Renaissance sacred polyphony . [Thesis]. University of British Columbia; 1996. Available from: http://hdl.handle.net/2429/4836

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

5. Slenk, Howard. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .

Degree: PhD, Graduate School, 1965, The Ohio State University

Subjects/Keywords: Music; Church music; Church music; Music; Sacred vocal music; Psalms

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APA (6th Edition):

Slenk, H. (1965). The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248

Chicago Manual of Style (16th Edition):

Slenk, Howard. “The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .” 1965. Doctoral Dissertation, The Ohio State University. Accessed December 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248.

MLA Handbook (7th Edition):

Slenk, Howard. “The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century .” 1965. Web. 16 Dec 2019.

Vancouver:

Slenk H. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . [Internet] [Doctoral dissertation]. The Ohio State University; 1965. [cited 2019 Dec 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248.

Council of Science Editors:

Slenk H. The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century . [Doctoral Dissertation]. The Ohio State University; 1965. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486630974304248


University of Southern California

6. Robles, Zanaida Noelle. The sacred choral works of Samuel Coleridge-Taylor.

Degree: DMA, Choral Music, 2014, University of Southern California

 African British composer Samuel Coleridge-Taylor (1875-1912) was affectionately referred to in his time as the African “Mahler.” His most popular work, Hiawatha’s Wedding Feast, op.… (more)

Subjects/Keywords: Samuel; Coleridge; Coleridge-Taylor; choral; sacred music; anthems; African English; British composers; Black composers; Hiawatha; African Mahler; music; songs; church music; vocal music; Black music; English choral tradition

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APA (6th Edition):

Robles, Z. N. (2014). The sacred choral works of Samuel Coleridge-Taylor. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7280

Chicago Manual of Style (16th Edition):

Robles, Zanaida Noelle. “The sacred choral works of Samuel Coleridge-Taylor.” 2014. Doctoral Dissertation, University of Southern California. Accessed December 16, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7280.

MLA Handbook (7th Edition):

Robles, Zanaida Noelle. “The sacred choral works of Samuel Coleridge-Taylor.” 2014. Web. 16 Dec 2019.

Vancouver:

Robles ZN. The sacred choral works of Samuel Coleridge-Taylor. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Dec 16]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7280.

Council of Science Editors:

Robles ZN. The sacred choral works of Samuel Coleridge-Taylor. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/515155/rec/7280


McGill University

7. Kimmel, Lessy. Simone Verovio, 16th century composer and engraver : Diletto spirituale.

Degree: Master of Musical Arts, Department of Music, 1973, McGill University

Subjects/Keywords: Verovio, Simone. Diletto spirituale; Sacred vocal music  – To 1800

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APA (6th Edition):

Kimmel, L. (1973). Simone Verovio, 16th century composer and engraver : Diletto spirituale. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile51668.pdf

Chicago Manual of Style (16th Edition):

Kimmel, Lessy. “Simone Verovio, 16th century composer and engraver : Diletto spirituale.” 1973. Masters Thesis, McGill University. Accessed December 16, 2019. http://digitool.library.mcgill.ca/thesisfile51668.pdf.

MLA Handbook (7th Edition):

Kimmel, Lessy. “Simone Verovio, 16th century composer and engraver : Diletto spirituale.” 1973. Web. 16 Dec 2019.

Vancouver:

Kimmel L. Simone Verovio, 16th century composer and engraver : Diletto spirituale. [Internet] [Masters thesis]. McGill University; 1973. [cited 2019 Dec 16]. Available from: http://digitool.library.mcgill.ca/thesisfile51668.pdf.

Council of Science Editors:

Kimmel L. Simone Verovio, 16th century composer and engraver : Diletto spirituale. [Masters Thesis]. McGill University; 1973. Available from: http://digitool.library.mcgill.ca/thesisfile51668.pdf


McGill University

8. Abdel-Malek, Kamal. The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin.

Degree: PhD, Institute of Islamic Studies., 1992, McGill University

This is an interpretive study of the life of the Prophet Muhammad as it is artistically depicted in the repertoire (especially the narrative ballads) of… (more)

Subjects/Keywords: Muḥammad, Prophet, d. 632; Sacred vocal music  – Egypt

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APA (6th Edition):

Abdel-Malek, K. (1992). The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile39333.pdf

Chicago Manual of Style (16th Edition):

Abdel-Malek, Kamal. “The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin.” 1992. Doctoral Dissertation, McGill University. Accessed December 16, 2019. http://digitool.library.mcgill.ca/thesisfile39333.pdf.

MLA Handbook (7th Edition):

Abdel-Malek, Kamal. “The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin.” 1992. Web. 16 Dec 2019.

Vancouver:

Abdel-Malek K. The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin. [Internet] [Doctoral dissertation]. McGill University; 1992. [cited 2019 Dec 16]. Available from: http://digitool.library.mcgill.ca/thesisfile39333.pdf.

Council of Science Editors:

Abdel-Malek K. The sīra of the prophet Muḥammad in the repertoire of the contemporary Egyptian Maddāḥin. [Doctoral Dissertation]. McGill University; 1992. Available from: http://digitool.library.mcgill.ca/thesisfile39333.pdf


Michigan State University

9. Bowen, Meredith Yvonne. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.

Degree: 2016, Michigan State University

Thesis D.M.A. Michigan State University. Music Conducting 2016

This document explores music composed by seventeenth-century Italian nuns written for cloistered choirs of women. It gives… (more)

Subjects/Keywords: Music in convents – Italy – History – 17th century; Sacred vocal music – Italy – History – 17th century; Nuns as musicians – Italy – 17th century; Women composers – Italy – 17th century; Choruses, Sacred (Women's voices) – Excerpts, Arranged; Music

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APA (6th Edition):

Bowen, M. Y. (2016). Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:4177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bowen, Meredith Yvonne. “Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.” 2016. Thesis, Michigan State University. Accessed December 16, 2019. http://etd.lib.msu.edu/islandora/object/etd:4177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bowen, Meredith Yvonne. “Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs.” 2016. Web. 16 Dec 2019.

Vancouver:

Bowen MY. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. [Internet] [Thesis]. Michigan State University; 2016. [cited 2019 Dec 16]. Available from: http://etd.lib.msu.edu/islandora/object/etd:4177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bowen MY. Sacred music from the convents of seventeenth-century Italy : restoration practices for contemporary women's choirs. [Thesis]. Michigan State University; 2016. Available from: http://etd.lib.msu.edu/islandora/object/etd:4177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

10. Allred, Edward William II. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.

Degree: 2008, University of North Carolina – Greensboro

 Edmund Hooper (1553-1621) held a prominent place among church musicians of his generation. He became Master of the Choristers at Westminster Abbey in 1588 and… (more)

Subjects/Keywords: Music – 16th century – History and criticism.; Music – 17th century – History and criticism.; Sacred vocal music – 16th century – England.; Sacred vocal music – 17th century – England.; Choral music – 16th century.; Choral music – 17th century.

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APA (6th Edition):

Allred, E. W. I. (2008). Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=197

Chicago Manual of Style (16th Edition):

Allred, Edward William II. “Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.” 2008. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 16, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=197.

MLA Handbook (7th Edition):

Allred, Edward William II. “Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony.” 2008. Web. 16 Dec 2019.

Vancouver:

Allred EWI. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2008. [cited 2019 Dec 16]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=197.

Council of Science Editors:

Allred EWI. Edmund Hooper: A Study of His Style Compared to Orlando Gibbons and Prevailing Tudor Polyphony. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2008. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=197


University of North Texas

11. Yang, Chuan-Tsing. The Crucifixion.

Degree: 1993, University of North Texas

 The Crucifixion, a composition for three vocal soloists, four-part mixed chorus, and instrumental ensemble, is a setting of passages taken from the four Gospels of… (more)

Subjects/Keywords: The Crucifixion; vocal performance; vocal techniques; instrumental techniques; Choruses, Sacred (Mixed voices) with instrumental ensemble  – Scores.; Passion music.

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APA (6th Edition):

Yang, C. (1993). The Crucifixion. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Thesis, University of North Texas. Accessed December 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yang, Chuan-Tsing. “The Crucifixion.” 1993. Web. 16 Dec 2019.

Vancouver:

Yang C. The Crucifixion. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Dec 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang C. The Crucifixion. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc501140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

12. Monteverdi, Claudio. Magnificat from the Vespers of 1610 by Claudio Moteverdi.

Degree: MM, 1965, Montana Tech

Subjects/Keywords: Choruses; Sacred (Mixed voices; 7 parts) with band Vocal scores with piano.; Magnificat (Music) Analysis; appreciation.; Vespers (Music)

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APA (6th Edition):

Monteverdi, C. (1965). Magnificat from the Vespers of 1610 by Claudio Moteverdi. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/9364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteverdi, Claudio. “Magnificat from the Vespers of 1610 by Claudio Moteverdi.” 1965. Thesis, Montana Tech. Accessed December 16, 2019. https://scholarworks.umt.edu/etd/9364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteverdi, Claudio. “Magnificat from the Vespers of 1610 by Claudio Moteverdi.” 1965. Web. 16 Dec 2019.

Vancouver:

Monteverdi C. Magnificat from the Vespers of 1610 by Claudio Moteverdi. [Internet] [Thesis]. Montana Tech; 1965. [cited 2019 Dec 16]. Available from: https://scholarworks.umt.edu/etd/9364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteverdi C. Magnificat from the Vespers of 1610 by Claudio Moteverdi. [Thesis]. Montana Tech; 1965. Available from: https://scholarworks.umt.edu/etd/9364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

13. Kirk, Douglas Karl. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.

Degree: PhD, Faculty of Music, 1993, McGill University

Numerous studies have shown that in the sixteenth and seventeenth centuries Spanish churches (both metropolitan and monastic) employed bands of wind instrumentalists to play frequently… (more)

Subjects/Keywords: Iglesia Colegial de San Pedro (Lerma, Spain). Archivio. Manuscript. Mus. 1; Church music  – Catholic Church  – 16th century; Church music  – Catholic Church  – 17th century; Church music  – Spain  – 16th century; Church music  – Spain  – 17th century; Sacred vocal music  – 16th century  – Scores; Sacred vocal music  – 17th century  – Scores

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APA (6th Edition):

Kirk, D. K. (1993). Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile77431.pdf

Chicago Manual of Style (16th Edition):

Kirk, Douglas Karl. “Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.” 1993. Doctoral Dissertation, McGill University. Accessed December 16, 2019. http://digitool.library.mcgill.ca/thesisfile77431.pdf.

MLA Handbook (7th Edition):

Kirk, Douglas Karl. “Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.” 1993. Web. 16 Dec 2019.

Vancouver:

Kirk DK. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. [Internet] [Doctoral dissertation]. McGill University; 1993. [cited 2019 Dec 16]. Available from: http://digitool.library.mcgill.ca/thesisfile77431.pdf.

Council of Science Editors:

Kirk DK. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. [Doctoral Dissertation]. McGill University; 1993. Available from: http://digitool.library.mcgill.ca/thesisfile77431.pdf

14. Abee, Michele. 'Journey into the square' a geographical perspective of sacred harp.

Degree: 2012, University of North Carolina – Greensboro

 This thesis analyzes how the Sacred Harp adapted to become a unique musical tradition culturally and geographically specific to the America South. By applying methods… (more)

Subjects/Keywords: Shape-note singing – Southern States; Sacred vocal music – Southern States; Religion and geography; Music and geography – Southern States

…nevertheless religious. The Sacred Harp is a vocal music tradition involving singing by individuals… …Encyclopedia 2011), Better Music Movement (Anderson and Powell 2006), and Sacred Harp… …defines the music. Sacred Harp music is based on a rudimentary form of shape-note hymnody… …note music. The Sacred Harp is even further simplifying the system in an attempt to keep the… …Sacred Harp music (Anderson and Powell 2006). The South is considered to be the heart… 

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APA (6th Edition):

Abee, M. (2012). 'Journey into the square' a geographical perspective of sacred harp. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8560

Chicago Manual of Style (16th Edition):

Abee, Michele. “'Journey into the square' a geographical perspective of sacred harp.” 2012. Masters Thesis, University of North Carolina – Greensboro. Accessed December 16, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8560.

MLA Handbook (7th Edition):

Abee, Michele. “'Journey into the square' a geographical perspective of sacred harp.” 2012. Web. 16 Dec 2019.

Vancouver:

Abee M. 'Journey into the square' a geographical perspective of sacred harp. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2012. [cited 2019 Dec 16]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8560.

Council of Science Editors:

Abee M. 'Journey into the square' a geographical perspective of sacred harp. [Masters Thesis]. University of North Carolina – Greensboro; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8560


University of Arizona

15. Rushing-Raynes, Laura. A history of the Venetian sacred solo motet (c. 1610 – 1720).

Degree: 1991, University of Arizona

 In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal(more)

Subjects/Keywords: Motets  – History and criticism  – 17th century; Sacred vocal music  – Italy  – 17th century  – History and criticism; Music  – Italy  – Venice  – 17th century  – History and criticism.

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APA (6th Edition):

Rushing-Raynes, L. (1991). A history of the Venetian sacred solo motet (c. 1610 – 1720). (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/185473

Chicago Manual of Style (16th Edition):

Rushing-Raynes, Laura. “A history of the Venetian sacred solo motet (c. 1610 – 1720). ” 1991. Doctoral Dissertation, University of Arizona. Accessed December 16, 2019. http://hdl.handle.net/10150/185473.

MLA Handbook (7th Edition):

Rushing-Raynes, Laura. “A history of the Venetian sacred solo motet (c. 1610 – 1720). ” 1991. Web. 16 Dec 2019.

Vancouver:

Rushing-Raynes L. A history of the Venetian sacred solo motet (c. 1610 – 1720). [Internet] [Doctoral dissertation]. University of Arizona; 1991. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/10150/185473.

Council of Science Editors:

Rushing-Raynes L. A history of the Venetian sacred solo motet (c. 1610 – 1720). [Doctoral Dissertation]. University of Arizona; 1991. Available from: http://hdl.handle.net/10150/185473


University of Melbourne

16. Jeffreys, Catherine Mary. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.

Degree: 2000, University of Melbourne

 A central focus of this thesis is the word-music relationship in the devotional-song-repertory of Hildegard of Bingen (1098-1179). Surrounding this focus is an examination of… (more)

Subjects/Keywords: Saint Hildegard of Bingen; history and criticism of monophonic chansons from 500 to 1400; history and criticism of Gregorian chants; analysis and appreciation of sacred vocal music; unaccompanied sacred songs

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jeffreys, C. M. (2000). Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38830

Chicago Manual of Style (16th Edition):

Jeffreys, Catherine Mary. “Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.” 2000. Doctoral Dissertation, University of Melbourne. Accessed December 16, 2019. http://hdl.handle.net/11343/38830.

MLA Handbook (7th Edition):

Jeffreys, Catherine Mary. “Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen.” 2000. Web. 16 Dec 2019.

Vancouver:

Jeffreys CM. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. [Internet] [Doctoral dissertation]. University of Melbourne; 2000. [cited 2019 Dec 16]. Available from: http://hdl.handle.net/11343/38830.

Council of Science Editors:

Jeffreys CM. Melodia et rhetorica: the devotional song repertory of Hildegard of Bingen. [Doctoral Dissertation]. University of Melbourne; 2000. Available from: http://hdl.handle.net/11343/38830

17. Fructus, Michel. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).

Degree: Docteur es, Lettres et arts, 2009, Université Lumière – Lyon II

Nicolaus Bruhns (1665-1697) fut organiste à la Marienkirche de Husum (Schleswig-Holstein), et Kapellmeister au service des ducs de Schleswig-Holstein-Gottorf. Si nous ne possédons aujourd’hui qu’une… (more)

Subjects/Keywords: Baroque; Basse continue; Bokemeyer (Heinrich); Buxtehude (Dietrich); Cantate; Chiffrages; Continuo; Figures musicales; Fixe; Héritage; Husum; Identité; Kapellmeiter; Luther; Luthéranisme; Motif générateur; Muable; Musique allemande; Musique luthérienne; Musique sacrée; Œuvres vocales; Organiste; Orgue; Protestantisme; Réduction mélodique; Réduction harmonique; Ritornello; Schleswig-Holstein; Sinfonia; Baroque; Basso continuo; Bokemeyer (Heinrich); Buxtehude (Dietrich); Cantate; Figuring; Continuo; Musical figure; Fixed; Heritage; Husum; Identity; Kapellmeiter; Luther; Lutheranism; Pattern generator; Changing; German music; Lutheran music; Sacred music; Vocal works; Organist; Organ; Protestantism; Melodic reduction; Harmonic reduction; Ritornello; Schleswig-Holstein; Sinfonia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fructus, M. (2009). Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2009LYO20067

Chicago Manual of Style (16th Edition):

Fructus, Michel. “Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).” 2009. Doctoral Dissertation, Université Lumière – Lyon II. Accessed December 16, 2019. http://www.theses.fr/2009LYO20067.

MLA Handbook (7th Edition):

Fructus, Michel. “Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697).” 2009. Web. 16 Dec 2019.

Vancouver:

Fructus M. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2009. [cited 2019 Dec 16]. Available from: http://www.theses.fr/2009LYO20067.

Council of Science Editors:

Fructus M. Les cantates de Nicolaus Bruhns (1665-1697) : The cantatas of Nicolaus Bruhns (1665-1697). [Doctoral Dissertation]. Université Lumière – Lyon II; 2009. Available from: http://www.theses.fr/2009LYO20067

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