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You searched for subject:(Rubato). Showing records 1 – 14 of 14 total matches.

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University of New South Wales

1. Ting, Li-San. Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?.

Degree: Arts and Media, 2013, University of New South Wales

 The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This… (more)

Subjects/Keywords: Rubato; Chopin; Tempo; Tradition

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APA (6th Edition):

Ting, L. (2013). Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53809 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12509/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Ting, Li-San. “Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?.” 2013. Doctoral Dissertation, University of New South Wales. Accessed September 18, 2019. http://handle.unsw.edu.au/1959.4/53809 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12509/SOURCE02?view=true.

MLA Handbook (7th Edition):

Ting, Li-San. “Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?.” 2013. Web. 18 Sep 2019.

Vancouver:

Ting L. Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Sep 18]. Available from: http://handle.unsw.edu.au/1959.4/53809 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12509/SOURCE02?view=true.

Council of Science Editors:

Ting L. Interpreting tempo and rubato in Chopin's music: A matter of tradition or individual style?. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53809 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12509/SOURCE02?view=true


University of Houston

2. -1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.

Degree: Music, Moores School of, University of Houston

 This essay examines three aspects of time sometimes misunderstood by organists interpreting Robert Schumann's Sechs Fugen iiber den Namen Bach ("Six Fugues on the Name… (more)

Subjects/Keywords: Organ; Schumann; Rubato

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APA (6th Edition):

-1317-4600. (n.d.). Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2845

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-1317-4600. “Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.” Thesis, University of Houston. Accessed September 18, 2019. http://hdl.handle.net/10657/2845.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-1317-4600. “Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60.” Web. 18 Sep 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. [Internet] [Thesis]. University of Houston; [cited 2019 Sep 18]. Available from: http://hdl.handle.net/10657/2845.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-1317-4600. Aspects of Time in Robert Schumann's Sechs Fugen Uber Den Namen Bach, Op. 60. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2845

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Sydney

3. Bernhard, Alisa Yuko. The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate .

Degree: 2016, University of Sydney

 The concept of the musical work has triggered much discussion: it has been defined and redefined, and at times attacked and deconstructed, by writers including… (more)

Subjects/Keywords: performance; philosophy; rubato; musical work; Bach; Chopin

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APA (6th Edition):

Bernhard, A. Y. (2016). The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bernhard, Alisa Yuko. “The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate .” 2016. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/17197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bernhard, Alisa Yuko. “The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate .” 2016. Web. 18 Sep 2019.

Vancouver:

Bernhard AY. The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/17197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bernhard AY. The pianist’s freedom and the work’s constrictions: what tempo fluctuation in Bach and Chopin indicate . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/17197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Karlstad University

4. Sandqvist, Elias Hagersjö. Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset.

Degree: Artistic Studies (from 2013), 2019, Karlstad University

Syftet med föreliggande studie är att undersöka timing som aspekt av och transkription i relation till musik i tempo rubato. I studien undersöks en fyra… (more)

Subjects/Keywords: timing; transcription; rubato; drum set; self study; phenomenology; timing; transkription; rubato; trumset; självstudie; fenomenologi; Music; Musik

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APA (6th Edition):

Sandqvist, E. H. (2019). Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sandqvist, Elias Hagersjö. “Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset.” 2019. Thesis, Karlstad University. Accessed September 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sandqvist, Elias Hagersjö. “Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset.” 2019. Web. 18 Sep 2019.

Vancouver:

Sandqvist EH. Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset. [Internet] [Thesis]. Karlstad University; 2019. [cited 2019 Sep 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sandqvist EH. Ur led är tiden : En fenomenologisk självstudie i övning av rubatospel på trumset. [Thesis]. Karlstad University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Morgenroth, David Jonathan. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying.

Degree: 2015, University of North Texas

 Classical vocal collaborative piano and jazz vocal accompaniment are well-established fields with long-standing performance traditions. Classical collaborative performance practices have been researched and codified, but… (more)

Subjects/Keywords: Classical; jazz; vocal; piano; collaborative; accompanying; performance; rubato; microtiming

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APA (6th Edition):

Morgenroth, D. J. (2015). Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804985/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morgenroth, David Jonathan. “Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying.” 2015. Thesis, University of North Texas. Accessed September 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc804985/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morgenroth, David Jonathan. “Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying.” 2015. Web. 18 Sep 2019.

Vancouver:

Morgenroth DJ. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Sep 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804985/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morgenroth DJ. Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804985/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

6. Steer, Catherine Joy. Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas.

Degree: 2004, University of Adelaide

Rubato within the time frame of a bar in Chopin's mazurkas is a phenomenon which has long mystified musicians. When Chopin himself applied it to… (more)

Subjects/Keywords: Kujawy; mazurkas; Chopin; rubato; Kujawy village mazurkas; motion

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APA (6th Edition):

Steer, C. J. (2004). Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/79216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Steer, Catherine Joy. “Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas.” 2004. Thesis, University of Adelaide. Accessed September 18, 2019. http://hdl.handle.net/2440/79216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Steer, Catherine Joy. “Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas.” 2004. Web. 18 Sep 2019.

Vancouver:

Steer CJ. Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas. [Internet] [Thesis]. University of Adelaide; 2004. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2440/79216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Steer CJ. Motion through time : Kujawy village mazurkas as a key to understanding rubato within the time frame of a bar in Chopin's mazurkas. [Thesis]. University of Adelaide; 2004. Available from: http://hdl.handle.net/2440/79216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Mirensky, Shaul. L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century.

Degree: Docteur es, Musicologie, 2014, Aix Marseille Université

Le but de ce travail est d'étudier l'art d'interpréter de plusieurs générations de pianistes dont la formation remonte au XIXe siècle, mais dont l'activité s'est… (more)

Subjects/Keywords: Enregistrements historiques; Écoles pianistiques; Espace; Interprétation; Intonation; Mélodie; Phrasé; Piano; Pianistes; Pointillisme; Polyphonie; Romantisme; Rubato; Style; Technique; Temps; Virtuosité; XIXe siècle; XXe siècle; Historical recordings; Piano schools; Space; Interpretation; Intonation; Intoning; Melody; Phrasing; Piano; Pianists; Pointillism; Polyphony; Romanticism; Rubato; Style; Technique; Time; Virtuosity; 19th century; 20th century

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APA (6th Edition):

Mirensky, S. (2014). L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2014AIXM3061

Chicago Manual of Style (16th Edition):

Mirensky, Shaul. “L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century.” 2014. Doctoral Dissertation, Aix Marseille Université. Accessed September 18, 2019. http://www.theses.fr/2014AIXM3061.

MLA Handbook (7th Edition):

Mirensky, Shaul. “L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century.” 2014. Web. 18 Sep 2019.

Vancouver:

Mirensky S. L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century. [Internet] [Doctoral dissertation]. Aix Marseille Université 2014. [cited 2019 Sep 18]. Available from: http://www.theses.fr/2014AIXM3061.

Council of Science Editors:

Mirensky S. L'approche spatio-polyphonique dans les interprétations des pianistes de la deuxième moitié du XIXe siècle et la première moitié du XXe siècle : Spatio-polyphonic approach in the interprétations of pianists of the second half of the 19th Century and the first half of the 20th Century. [Doctoral Dissertation]. Aix Marseille Université 2014. Available from: http://www.theses.fr/2014AIXM3061

8. Frakes, Stephanie L. Chopin's Cantabile in Context.

Degree: PhD, Music, 2013, The Ohio State University

  The term and concept of cantabile developed in the context of Italian opera, where it characterized a slow-moving, lyrical aria; but in and after… (more)

Subjects/Keywords: Music; cantabile; bon gout; singing style; ornamentation; rubato

…Chapter Four: Cantabile in Chopin: Ornamentation and Rubato… …melody, and elastic tempo rubato in relation to a regularly moving bass. 1 Cantabile in the… …of ornamentation and rubato, and towards a non-specific designation of “singing” Italian… …Planté describes the inseparable nature of ornamentation and rubato in Chopin, and points out… …that distorted interpretations of rubato in Chopin’s music would be averted if the technique… 

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APA (6th Edition):

Frakes, S. L. (2013). Chopin's Cantabile in Context. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1357332093

Chicago Manual of Style (16th Edition):

Frakes, Stephanie L. “Chopin's Cantabile in Context.” 2013. Doctoral Dissertation, The Ohio State University. Accessed September 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357332093.

MLA Handbook (7th Edition):

Frakes, Stephanie L. “Chopin's Cantabile in Context.” 2013. Web. 18 Sep 2019.

Vancouver:

Frakes SL. Chopin's Cantabile in Context. [Internet] [Doctoral dissertation]. The Ohio State University; 2013. [cited 2019 Sep 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1357332093.

Council of Science Editors:

Frakes SL. Chopin's Cantabile in Context. [Doctoral Dissertation]. The Ohio State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1357332093


Edith Cowan University

9. Seah, Tsu Tham Tommy. Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition.

Degree: 2018, Edith Cowan University

 The genre of the Étude emerged with the increased popularity of the piano in the nineteenth century. It was often composed to provide practice material… (more)

Subjects/Keywords: Sergei Lyapunov; piano; rubato; performance practice; historically informed performance; Russian pianism; computational analysis; digital musicology; reproducing piano roll; Moscow conservatory; Franz Liszt; Anton Rubinstein; concert etude; concert study; Music Performance

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APA (6th Edition):

Seah, T. T. T. (2018). Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seah, Tsu Tham Tommy. “Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition.” 2018. Thesis, Edith Cowan University. Accessed September 18, 2019. https://ro.ecu.edu.au/theses/2131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seah, Tsu Tham Tommy. “Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition.” 2018. Web. 18 Sep 2019.

Vancouver:

Seah TTT. Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2019 Sep 18]. Available from: https://ro.ecu.edu.au/theses/2131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seah TTT. Exploring historical Russian pianism in Sergei Lyapunov’s Twelve Transcendental Études, Op. 11: The development of a performance edition. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Gahrton, Daniel. Takt och Otakt.

Degree: Jazz, 2019, Royal College of Music in Stockholm

The theme of the song Lonely Woman by Ornette Coleman and the song It’s Halloween by The Shaggs has something in common when it… (more)

Subjects/Keywords: rhythm; rhythmic layers; rubato; tempo; pulse; contrast; composition; composing; quintet; ostinato; loop; structure; polyphony; autentic; ungraspable; impulse; Ives; Shaggs; Ornette; Coleman; rhythmic analyzis; composing tools; rhythmic complexity; organic rhythm; composing for improvisors; rytmik; rytmiska lager; rubato; tempo; puls; kontrast; komposition; komponerande; låtskrivande; kvintett; ostinato; loop; strukturer; polyfoni; autentisk; ogreppbarhet; impulser; Ives; Shaggs; Coleman; Ornette; rytmisk analys; kompositionsverktyg; rytmisk komplexitet; organisk rytmik; komponera för improvisatörer; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gahrton, D. (2019). Takt och Otakt. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gahrton, Daniel. “Takt och Otakt.” 2019. Thesis, Royal College of Music in Stockholm. Accessed September 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gahrton, Daniel. “Takt och Otakt.” 2019. Web. 18 Sep 2019.

Vancouver:

Gahrton D. Takt och Otakt. [Internet] [Thesis]. Royal College of Music in Stockholm; 2019. [cited 2019 Sep 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gahrton D. Takt och Otakt. [Thesis]. Royal College of Music in Stockholm; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Case Western Reserve University

11. Bonus, Alexander Evan. The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality.

Degree: PhD, Musicology, 2010, Case Western Reserve University

  Through the analyses of treatises, scores, letters, and technologies spanning four centuries, this multidisciplinary history of rhythm charts the various, shifting meanings in musical… (more)

Subjects/Keywords: American History; Dance; Education History; European History; History; Music; Music Education; Philosophy; Robots; Science History; Technology; metronome; metronomic; rhythm; rhythmic; meter; tempo; time; movement; mouvement; pulse; tactus; rubato; performance practices; musicality; automaton; Maelzel; Beethoven; Dalcroze; Eurhythmics; pedagogy; gymnastics; Wundt; pendulum; chronography; beat

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APA (6th Edition):

Bonus, A. E. (2010). The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1270221548

Chicago Manual of Style (16th Edition):

Bonus, Alexander Evan. “The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality.” 2010. Doctoral Dissertation, Case Western Reserve University. Accessed September 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1270221548.

MLA Handbook (7th Edition):

Bonus, Alexander Evan. “The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality.” 2010. Web. 18 Sep 2019.

Vancouver:

Bonus AE. The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2010. [cited 2019 Sep 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1270221548.

Council of Science Editors:

Bonus AE. The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality. [Doctoral Dissertation]. Case Western Reserve University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1270221548


Luleå University of Technology

12. Björling, David. Chopin and the G minor Ballade.

Degree: 2002, Luleå University of Technology

The purpose of this work is to make a general presentation of Chopin, the age in which he lived, his G minor Ballade and… (more)

Subjects/Keywords: Social Behaviour Law; Chopin; Mickiewicz; music; musik; ballades; ballader; piano; pianists; pianister; interpretations; interpretationer; improvisations; improvisationer; tempo rubato; analyses; analyser; Zal; recordings; inspelningar; Pleyel; Samhälls-; beteendevetenskap; juridik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Björling, D. (2002). Chopin and the G minor Ballade. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-51587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Björling, David. “Chopin and the G minor Ballade.” 2002. Thesis, Luleå University of Technology. Accessed September 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-51587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Björling, David. “Chopin and the G minor Ballade.” 2002. Web. 18 Sep 2019.

Vancouver:

Björling D. Chopin and the G minor Ballade. [Internet] [Thesis]. Luleå University of Technology; 2002. [cited 2019 Sep 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-51587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Björling D. Chopin and the G minor Ballade. [Thesis]. Luleå University of Technology; 2002. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-51587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Nelson, Anne Marie. Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style.

Degree: 2003, University of North Texas

 The recordings of the legendary pianist Ignacy Jan Paderewski are a valuable documentation of his piano performance style. Knowledge of late-Romantic performance practices gleaned from… (more)

Subjects/Keywords: Paderewski, Ignace Jan, 1860-1941. Sonatas, piano, op. 21, E♭ minor.; Paderewski; Op.21; Sonata; performing; recordings; performance practice; style; tempo rubato

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nelson, A. M. (2003). Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4150/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nelson, Anne Marie. “Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style.” 2003. Thesis, University of North Texas. Accessed September 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc4150/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nelson, Anne Marie. “Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style.” 2003. Web. 18 Sep 2019.

Vancouver:

Nelson AM. Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Sep 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4150/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nelson AM. Ignacy Jan Paderewski's Sonata in E-Flat Minor, Op. 21: Insights into his compositional technique and performance style. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4150/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Luleå University of Technology

14. Fabian, Martin. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.

Degree: 2015, Luleå University of Technology

An attempt were made to record the 1st movement of Beethoven’s Op. 57, with the objective of performing it as close to Beethoven’s will… (more)

Subjects/Keywords: Fine Art; Konstnärligt arbete; agogics; Appassionata; authenticity; Beethoven; HIP; historically informed performance; Ludwig van Beethoven; metronome; op. 57; performance study; piano sonata; rubato; source relevance; source reliability; tempi; tempo; tempo aspects; tempo attributes; tempo analysis; tempo flexibility; tempo fluctuation; tempo measurement; trill speed; Agogik; autenticitet; historiskt informerat framförande; metronom; framförandestudie; framförandestudium; pianosonat; källrelevans; källreliabilitet; tempoaspekter; tempoattribut; tempoanalys; tempoflexibilitet; tempofluktuation; tempomätning; drillhastighet; tempo extrapolation; tempoextrapolering

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fabian, M. (2015). ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Thesis, Luleå University of Technology. Accessed September 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Web. 18 Sep 2019.

Vancouver:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Internet] [Thesis]. Luleå University of Technology; 2015. [cited 2019 Sep 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Thesis]. Luleå University of Technology; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.