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You searched for subject:(Romanticism Germany ). Showing records 1 – 7 of 7 total matches.

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McGill University

1. Erbes, Gustave. Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland.

Degree: MA, Department of German, 1970, McGill University

Subjects/Keywords: German language  – Rhyme; Romanticism  – Germany

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Erbes, G. (1970). Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile49092.pdf

Chicago Manual of Style (16th Edition):

Erbes, Gustave. “Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland.” 1970. Masters Thesis, McGill University. Accessed October 20, 2019. http://digitool.library.mcgill.ca/thesisfile49092.pdf.

MLA Handbook (7th Edition):

Erbes, Gustave. “Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland.” 1970. Web. 20 Oct 2019.

Vancouver:

Erbes G. Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland. [Internet] [Masters thesis]. McGill University; 1970. [cited 2019 Oct 20]. Available from: http://digitool.library.mcgill.ca/thesisfile49092.pdf.

Council of Science Editors:

Erbes G. Die Assonanz in der deutschen Dichtung der Romantik : Schlegel, L. Tieck, C. Brentano, L. Uhland. [Masters Thesis]. McGill University; 1970. Available from: http://digitool.library.mcgill.ca/thesisfile49092.pdf


University of Cambridge

2. Dickson, Polly Letitia. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.

Degree: PhD, 2017, University of Cambridge

 My project offers a set of comparative close readings of texts by E.T.A. Hoffmann and Honoré de Balzac. Balzac’s early fiction, I contend, grapples with… (more)

Subjects/Keywords: E. T. A. Hoffmann; Honore´ de Balzac; mimesis; narrative; narrative lines; Realism; Romanticism; representation; imitation; comparative literature; nineteenth century; France; Germany

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APA (6th Edition):

Dickson, P. L. (2017). The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332

Chicago Manual of Style (16th Edition):

Dickson, Polly Letitia. “The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.” 2017. Doctoral Dissertation, University of Cambridge. Accessed October 20, 2019. https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332.

MLA Handbook (7th Edition):

Dickson, Polly Letitia. “The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac.” 2017. Web. 20 Oct 2019.

Vancouver:

Dickson PL. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. [Internet] [Doctoral dissertation]. University of Cambridge; 2017. [cited 2019 Oct 20]. Available from: https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332.

Council of Science Editors:

Dickson PL. The stakes of mimesis : tracing narrative lines in the works of E.T.A. Hoffmann and Honoré de Balzac. [Doctoral Dissertation]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/269768 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744332


University of Cambridge

3. Dickson, Polly Letitia. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .

Degree: 2017, University of Cambridge

 My project offers a set of comparative close readings of texts by E. T. A. Hoffmann and Honoré de Balzac. Balzac’s early fiction, I contend,… (more)

Subjects/Keywords: E. T. A. Hoffmann; Honoré de Balzac; mimesis; narrative; narrative lines; Realism; Romanticism; representation; imitation; comparative literature; nineteenth century; France; Germany

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APA (6th Edition):

Dickson, P. L. (2017). The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/269768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickson, Polly Letitia. “The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .” 2017. Thesis, University of Cambridge. Accessed October 20, 2019. https://www.repository.cam.ac.uk/handle/1810/269768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickson, Polly Letitia. “The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac .” 2017. Web. 20 Oct 2019.

Vancouver:

Dickson PL. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . [Internet] [Thesis]. University of Cambridge; 2017. [cited 2019 Oct 20]. Available from: https://www.repository.cam.ac.uk/handle/1810/269768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickson PL. The Stakes of Mimesis: Tracing Narrative Lines in the works of E. T. A. Hoffmann and Honoré de Balzac . [Thesis]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/269768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Feuillebois, Victoire. Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France).

Degree: Docteur es, Littérature comparée, 2012, Poitiers

La thèse isole un corpus particulièrement large dans l'Europe romantique, constitué de fictions à récit-cadre oral nocturne organisées en « veillées », « nuits »… (more)

Subjects/Keywords: Romantisme; Allemagne; Russie; France; Cyclisation; Nuit; Formes brèves; Roman; Intertextualité; Figurations auctoriales; Romanticism; Germany; Russia; France; Frame stories; Night; Short pieces; Novel; Intertextuality; Figurations of authorship; 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Feuillebois, V. (2012). Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France). (Doctoral Dissertation). Poitiers. Retrieved from http://www.theses.fr/2012POIT5013

Chicago Manual of Style (16th Edition):

Feuillebois, Victoire. “Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France).” 2012. Doctoral Dissertation, Poitiers. Accessed October 20, 2019. http://www.theses.fr/2012POIT5013.

MLA Handbook (7th Edition):

Feuillebois, Victoire. “Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France).” 2012. Web. 20 Oct 2019.

Vancouver:

Feuillebois V. Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France). [Internet] [Doctoral dissertation]. Poitiers; 2012. [cited 2019 Oct 20]. Available from: http://www.theses.fr/2012POIT5013.

Council of Science Editors:

Feuillebois V. Nuits d'encre : cycles de fictions nocturnes à l'époque romantique (Allemagne, Russie, France) : Dark-Ink Nights : Cycles of nocturnal fictions in European romantic literature (Germany, Russia, France). [Doctoral Dissertation]. Poitiers; 2012. Available from: http://www.theses.fr/2012POIT5013


Rutgers University

5. O'Neal, Devin John, 1983-. Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education.

Degree: German, 2013, Rutgers University

Subjects/Keywords: German literature – 18th century – History and criticism; German literature – 19th century – History and criticism; Romanticism – Germany; Romanticism – Religious aspects; Aesthetics; Mythology, Germanic, in literature

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APA (6th Edition):

O'Neal, Devin John, 1. (2013). Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education. (Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/41882/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Neal, Devin John, 1983-. “Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education.” 2013. Thesis, Rutgers University. Accessed October 20, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/41882/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Neal, Devin John, 1983-. “Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education.” 2013. Web. 20 Oct 2019.

Vancouver:

O'Neal, Devin John 1. Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education. [Internet] [Thesis]. Rutgers University; 2013. [cited 2019 Oct 20]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/41882/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Neal, Devin John 1. Rewriting orthodoxy: German Romantic mythology and the aesthetics of a pantheistic education. [Thesis]. Rutgers University; 2013. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/41882/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

6. Nahrebecky, Roman. Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis.

Degree: PhD, Department of German Studies, 1976, McGill University

Subjects/Keywords: German literature  – 18th century  – History and criticism.; German literature  – 19th century  – History and criticism.; Music and literature.; Romanticism  – Germany.

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APA (6th Edition):

Nahrebecky, R. (1976). Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile72526.pdf

Chicago Manual of Style (16th Edition):

Nahrebecky, Roman. “Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis.” 1976. Doctoral Dissertation, McGill University. Accessed October 20, 2019. http://digitool.library.mcgill.ca/thesisfile72526.pdf.

MLA Handbook (7th Edition):

Nahrebecky, Roman. “Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis.” 1976. Web. 20 Oct 2019.

Vancouver:

Nahrebecky R. Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis. [Internet] [Doctoral dissertation]. McGill University; 1976. [cited 2019 Oct 20]. Available from: http://digitool.library.mcgill.ca/thesisfile72526.pdf.

Council of Science Editors:

Nahrebecky R. Four writers of the German romantic age and their relationship to music and musical experience = Vier Dichter der deutschen Romantik und ihre Beziehung zur Musik und zum musikalischen Erlebnis. [Doctoral Dissertation]. McGill University; 1976. Available from: http://digitool.library.mcgill.ca/thesisfile72526.pdf


University of Adelaide

7. Morton, Tom (Thomas James). Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton.

Degree: 1990, University of Adelaide

Subjects/Keywords: 830.609 20; Schlegel, Friedrich, 1772-1829 Criticism and interpretation.; Novalis, 1772-1801 Criticism and interpretation.; Romanticism Germany History.

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APA (6th Edition):

Morton, T. (. J. (1990). Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/19184

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morton, Tom (Thomas James). “Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton.” 1990. Thesis, University of Adelaide. Accessed October 20, 2019. http://hdl.handle.net/2440/19184.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morton, Tom (Thomas James). “Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton.” 1990. Web. 20 Oct 2019.

Vancouver:

Morton T(J. Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton. [Internet] [Thesis]. University of Adelaide; 1990. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/2440/19184.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morton T(J. Images of revolution, metaphor, politics and history in German early romanticism / Tom Morton. [Thesis]. University of Adelaide; 1990. Available from: http://hdl.handle.net/2440/19184

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.