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You searched for subject:(Romantic genre). Showing records 1 – 19 of 19 total matches.

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Karlstad University

1. Stankovic, Aurora. Romantiska komedier på DVD-omslag.

Degree: Faculty of Arts and Social Sciences (starting 2013), 2013, Karlstad University

The purpose of this thesis is to analyze DVD covers for the genre romantic comedy from the 2000s as a way to obtain patterns… (more)

Subjects/Keywords: visual rhetoric; semiotics; romantic comedies; DVD covers; genre; visuell retorik; semiotik; romantiska komedier; DVD-omslag; genre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stankovic, A. (2013). Romantiska komedier på DVD-omslag. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stankovic, Aurora. “Romantiska komedier på DVD-omslag.” 2013. Thesis, Karlstad University. Accessed February 25, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stankovic, Aurora. “Romantiska komedier på DVD-omslag.” 2013. Web. 25 Feb 2020.

Vancouver:

Stankovic A. Romantiska komedier på DVD-omslag. [Internet] [Thesis]. Karlstad University; 2013. [cited 2020 Feb 25]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stankovic A. Romantiska komedier på DVD-omslag. [Thesis]. Karlstad University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

2. Todd, Erica Roanna Morag Hawthorne. Representing Romance at the Movies: Passionate Love and Film Genre .

Degree: 2011, University of Otago

 This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre studies and informed by sociology. It ultimately finds… (more)

Subjects/Keywords: Love/Romance; Film Genre; Romantic Drama; Titanic (Film); The Notebook (Film); Pépé le Moko (Film); Casablanca (Film)

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APA (6th Edition):

Todd, E. R. M. H. (2011). Representing Romance at the Movies: Passionate Love and Film Genre . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/1837

Chicago Manual of Style (16th Edition):

Todd, Erica Roanna Morag Hawthorne. “Representing Romance at the Movies: Passionate Love and Film Genre .” 2011. Doctoral Dissertation, University of Otago. Accessed February 25, 2020. http://hdl.handle.net/10523/1837.

MLA Handbook (7th Edition):

Todd, Erica Roanna Morag Hawthorne. “Representing Romance at the Movies: Passionate Love and Film Genre .” 2011. Web. 25 Feb 2020.

Vancouver:

Todd ERMH. Representing Romance at the Movies: Passionate Love and Film Genre . [Internet] [Doctoral dissertation]. University of Otago; 2011. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10523/1837.

Council of Science Editors:

Todd ERMH. Representing Romance at the Movies: Passionate Love and Film Genre . [Doctoral Dissertation]. University of Otago; 2011. Available from: http://hdl.handle.net/10523/1837


AUT University

3. Griffin, Vicki. This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood .

Degree: AUT University

 The feature length film script Priceless! is a romantic comedy set in 21st century New Zealand about family, relationships and corporate greed, seen from the… (more)

Subjects/Keywords: Film; Script; Genre; Romantic comedy; Rom com; Feature film

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APA (6th Edition):

Griffin, V. (n.d.). This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/10103

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griffin, Vicki. “This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood .” Thesis, AUT University. Accessed February 25, 2020. http://hdl.handle.net/10292/10103.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griffin, Vicki. “This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood .” Web. 25 Feb 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Griffin V. This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood . [Internet] [Thesis]. AUT University; [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10292/10103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Griffin V. This Is Not a Chick Flick: The Discourse of the Romantic Comedy Genré Created by Hollywood . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/10103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Stockholm University

4. Skott, Julia. Love in the age of communism : Soviet romantic comedy in the 1970s.

Degree: Cinema Studies, 2006, Stockholm University

  The author discusses three Soviet comedies from the 1970s: Moskva slezam ne verit (Moscow Does Not Believe in Tears, Vladimir Menshov, 1979), Osenniy marafon… (more)

Subjects/Keywords: Romantic comedy; romance; chronotope; Soviet; 1970s; genre; screwball; remarriage

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APA (6th Edition):

Skott, J. (2006). Love in the age of communism : Soviet romantic comedy in the 1970s. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1117

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skott, Julia. “Love in the age of communism : Soviet romantic comedy in the 1970s.” 2006. Thesis, Stockholm University. Accessed February 25, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1117.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skott, Julia. “Love in the age of communism : Soviet romantic comedy in the 1970s.” 2006. Web. 25 Feb 2020.

Vancouver:

Skott J. Love in the age of communism : Soviet romantic comedy in the 1970s. [Internet] [Thesis]. Stockholm University; 2006. [cited 2020 Feb 25]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1117.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skott J. Love in the age of communism : Soviet romantic comedy in the 1970s. [Thesis]. Stockholm University; 2006. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1117

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Bera, Camille. Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence.

Degree: Docteur es, Arts, 2018, Normandie

Né à la fin des années 1980 en Scandinavie, le Black Metal est un genre musical underground, descendant du Heavy Metal. Nous avons tenté, dans… (more)

Subjects/Keywords: Black Metal; Transgression; Transcendance; Esthétique; Éthique; Postromantique; Authenticité; Underground; Genre musical; 1970-2018; Europe; Black Metal; Transgression; Transcendence; Aesthetics; Ethic; Post-Romantic; Authenticity; Underground; Music genre; 1970-2018; Europe; 781.66

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APA (6th Edition):

Bera, C. (2018). Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence. (Doctoral Dissertation). Normandie. Retrieved from http://www.theses.fr/2018NORMR087

Chicago Manual of Style (16th Edition):

Bera, Camille. “Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence.” 2018. Doctoral Dissertation, Normandie. Accessed February 25, 2020. http://www.theses.fr/2018NORMR087.

MLA Handbook (7th Edition):

Bera, Camille. “Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence.” 2018. Web. 25 Feb 2020.

Vancouver:

Bera C. Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence. [Internet] [Doctoral dissertation]. Normandie; 2018. [cited 2020 Feb 25]. Available from: http://www.theses.fr/2018NORMR087.

Council of Science Editors:

Bera C. Le Black Métal : un genre musical entre transgression et transcendance : Black Metal : a musical genre between transgression and transcendence. [Doctoral Dissertation]. Normandie; 2018. Available from: http://www.theses.fr/2018NORMR087


University of Exeter

6. Kerry, Lucyann Snyder. Genre and globalization : working title films, the British romantic comedy and the global film market.

Degree: PhD, 2011, University of Exeter

 This thesis seeks to better understand the relationship of film genre to globalization through an examination of the use of the British romantic comedy and… (more)

Subjects/Keywords: 791.430941; Genre : Globalization : Global Film Markets : Working Title Films : Film Genre : British Romantic Comedy : Romantic Comedy : film industry : Hollywood : British film industry : cinema : Four Weddings and a Funeral : Notting Hill : PolyGram Filmed Entertainment : My Beautiful Laundrette : Fargo : the Coen Brothers : complex connectivity

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APA (6th Edition):

Kerry, L. S. (2011). Genre and globalization : working title films, the British romantic comedy and the global film market. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/4142

Chicago Manual of Style (16th Edition):

Kerry, Lucyann Snyder. “Genre and globalization : working title films, the British romantic comedy and the global film market.” 2011. Doctoral Dissertation, University of Exeter. Accessed February 25, 2020. http://hdl.handle.net/10036/4142.

MLA Handbook (7th Edition):

Kerry, Lucyann Snyder. “Genre and globalization : working title films, the British romantic comedy and the global film market.” 2011. Web. 25 Feb 2020.

Vancouver:

Kerry LS. Genre and globalization : working title films, the British romantic comedy and the global film market. [Internet] [Doctoral dissertation]. University of Exeter; 2011. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10036/4142.

Council of Science Editors:

Kerry LS. Genre and globalization : working title films, the British romantic comedy and the global film market. [Doctoral Dissertation]. University of Exeter; 2011. Available from: http://hdl.handle.net/10036/4142


University of Exeter

7. Kerry, Lucyann Snyder. Genre and globalization : working title films, the British romantic comedy and the global film market.

Degree: PhD, 2011, University of Exeter

 This thesis seeks to better understand the relationship of film genre to globalization through an examination of the use of the British romantic comedy and… (more)

Subjects/Keywords: 791.430941; Genre; Globalization; Global Film Markets; Working Title Films; Film Genre; British Romantic Comedy; Romantic Comedy; film industry; Hollywood; British film industry; cinema; Four Weddings and a Funeral; Notting Hill; PolyGram Filmed Entertainment; My Beautiful Laundrette; Fargo; the Coen Brothers; complex connectivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kerry, L. S. (2011). Genre and globalization : working title films, the British romantic comedy and the global film market. (Doctoral Dissertation). University of Exeter. Retrieved from https://ore.exeter.ac.uk/repository/handle/10036/4142 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573908

Chicago Manual of Style (16th Edition):

Kerry, Lucyann Snyder. “Genre and globalization : working title films, the British romantic comedy and the global film market.” 2011. Doctoral Dissertation, University of Exeter. Accessed February 25, 2020. https://ore.exeter.ac.uk/repository/handle/10036/4142 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573908.

MLA Handbook (7th Edition):

Kerry, Lucyann Snyder. “Genre and globalization : working title films, the British romantic comedy and the global film market.” 2011. Web. 25 Feb 2020.

Vancouver:

Kerry LS. Genre and globalization : working title films, the British romantic comedy and the global film market. [Internet] [Doctoral dissertation]. University of Exeter; 2011. [cited 2020 Feb 25]. Available from: https://ore.exeter.ac.uk/repository/handle/10036/4142 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573908.

Council of Science Editors:

Kerry LS. Genre and globalization : working title films, the British romantic comedy and the global film market. [Doctoral Dissertation]. University of Exeter; 2011. Available from: https://ore.exeter.ac.uk/repository/handle/10036/4142 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573908

8. Leite, Grasiela Alves. As criações lexicais e as visões de mundo de um coronel.

Degree: Mestrado, Filologia e Língua Portuguesa, 2010, University of São Paulo

Este trabalho pretende analisar as criações lexicais do romance de José Cândido de Carvalho O coronel e o lobisomem que se relacionam às visões de… (more)

Subjects/Keywords: Criações lexicais; Discurso romanesco; Estilo; José Cândido de Carvalho; José Cândido de Carvalho; Lexical creation; O coronel e o lobisomem; O coronel e o lobisomem; Romantic genre; Style

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APA (6th Edition):

Leite, G. A. (2010). As criações lexicais e as visões de mundo de um coronel. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8142/tde-23112010-154720/ ;

Chicago Manual of Style (16th Edition):

Leite, Grasiela Alves. “As criações lexicais e as visões de mundo de um coronel.” 2010. Masters Thesis, University of São Paulo. Accessed February 25, 2020. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-23112010-154720/ ;.

MLA Handbook (7th Edition):

Leite, Grasiela Alves. “As criações lexicais e as visões de mundo de um coronel.” 2010. Web. 25 Feb 2020.

Vancouver:

Leite GA. As criações lexicais e as visões de mundo de um coronel. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2020 Feb 25]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-23112010-154720/ ;.

Council of Science Editors:

Leite GA. As criações lexicais e as visões de mundo de um coronel. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/8/8142/tde-23112010-154720/ ;


Penn State University

9. Masko, Jeffrey. NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015.

Degree: 2017, Penn State University

 This dissertation looks at three U.S. film cycles from the last 40 years  – the Cowboy Trucker in the 1970s, the Brom-com from 1990s-2010, and… (more)

Subjects/Keywords: whiteness; masculinity; working class; film cycle; media studies; mass communications; Marxist communications; film theory; cinema studies; political subjectivities; bromance; reality television; romantic comedy; trucking films; film genre

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APA (6th Edition):

Masko, J. (2017). NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015. (Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/13578jam964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Masko, Jeffrey. “NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015.” 2017. Thesis, Penn State University. Accessed February 25, 2020. https://etda.libraries.psu.edu/catalog/13578jam964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Masko, Jeffrey. “NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015.” 2017. Web. 25 Feb 2020.

Vancouver:

Masko J. NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015. [Internet] [Thesis]. Penn State University; 2017. [cited 2020 Feb 25]. Available from: https://etda.libraries.psu.edu/catalog/13578jam964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Masko J. NEOLIBERAL TRANSFORMATIONS OF WHITE MASCULINITY IN CINEMATIC MEDIA - 1970-2015. [Thesis]. Penn State University; 2017. Available from: https://etda.libraries.psu.edu/catalog/13578jam964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

10. Gheli, Vasiliki. Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους.

Degree: 2014, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

This dissertation examines the popular feature films which belong to the broader genre of comedy (character comedy, slapstick comedy, romantic comedy, musical comedy) and were… (more)

Subjects/Keywords: Κινηματογραφικό είδος; Χόλυγουντ; Κωμωδία; Κομεντί; Μιούζικαλ; Ελληνικός κινηματογράφος; Φαρσοκωμωδίες; Συμβάσεις είδους; Επαναλαμβανόμενα θεματικά μοτίβα; Film Genre; Greek cinema; Hollywood; Comedy; Romantic comedy; Screwball comedy; Slapstick comedy; Musical; Conventions of the genre; Recurring thematic motifs

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APA (6th Edition):

Gheli, V. (2014). Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/35638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gheli, Vasiliki. “Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους.” 2014. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed February 25, 2020. http://hdl.handle.net/10442/hedi/35638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gheli, Vasiliki. “Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους.” 2014. Web. 25 Feb 2020.

Vancouver:

Gheli V. Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2014. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10442/hedi/35638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gheli V. Δημοφιλείς κωμωδίες του ελληνικού κινηματογράφου, 1950-1970: μια ανάλυση του είδους. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2014. Available from: http://hdl.handle.net/10442/hedi/35638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uppsala University

11. Sundin, Vera. "En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning.

Degree: Literature, 2017, Uppsala University

  The poet Hedvig Charlotta Nordenflycht (1718–63) wrote extensively on the subject of love. Often, her texts discuss love in relation to Enlightenment subjects, such… (more)

Subjects/Keywords: History of ideas; history of emotions; amour passion; romantic love; Nordenflycht; précieuse; 18th century; protofeminism; pastoral; fairy tale; poetry; genre; Idéhistoria; känslornas historia; amour passion; romantisk kärlek; Nordenflycht; preciös; 1700-tal; förfeminism; pastoral; fesaga; lyrik; genre; General Literature Studies; Litteraturvetenskap

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APA (6th Edition):

Sundin, V. (2017). "En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sundin, Vera. “"En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning.” 2017. Thesis, Uppsala University. Accessed February 25, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sundin, Vera. “"En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning.” 2017. Web. 25 Feb 2020.

Vancouver:

Sundin V. "En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning. [Internet] [Thesis]. Uppsala University; 2017. [cited 2020 Feb 25]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sundin V. "En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktning. [Thesis]. Uppsala University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-315299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Monterie, M.A. De Nocturne. Een geschiedenis van een genre.

Degree: 2013, Universiteit Utrecht

 In dit onderzoek is de geschiedenis van de nocturne onderzocht. Hierbij is gekeken naar de verschillen tussen de negentiende- en twintigste-eeuwse nocturne. Uit de analyses… (more)

Subjects/Keywords: music; nocturne; chopin; field; satie; bartok; barber; piano; romantiek; romantic; genre; dahlhaus; kallberg

…met vrolijke en energieke elementen, door de composities van John Field veranderde het genre… …negentiende eeuw ontwikkelde de nocturne zich tot een genre waarin het karakter van de Romantiek… …Richard Taruskin omschrijft deze romantische benadering van de muziek als volgt: ‘To be romantic… …pieces of a single genre were frequently published in sets, those of mixed genres as suites or… …nocturne niet alleen een titel, maar ook een genre was geworden. Het belangrijkste kenmerk was… 

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APA (6th Edition):

Monterie, M. A. (2013). De Nocturne. Een geschiedenis van een genre. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/268306

Chicago Manual of Style (16th Edition):

Monterie, M A. “De Nocturne. Een geschiedenis van een genre.” 2013. Masters Thesis, Universiteit Utrecht. Accessed February 25, 2020. http://dspace.library.uu.nl:8080/handle/1874/268306.

MLA Handbook (7th Edition):

Monterie, M A. “De Nocturne. Een geschiedenis van een genre.” 2013. Web. 25 Feb 2020.

Vancouver:

Monterie MA. De Nocturne. Een geschiedenis van een genre. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2020 Feb 25]. Available from: http://dspace.library.uu.nl:8080/handle/1874/268306.

Council of Science Editors:

Monterie MA. De Nocturne. Een geschiedenis van een genre. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/268306


Macquarie University

13. McAlister, Jodi Ann. Romancing the virgin: female virginity loss and love in popular literatures in the West.

Degree: 2015, Macquarie University

Theoretical thesis.

Bibliography: pages 339-366.

Chapter One. The virgin in love : virginity and romantic love in history, and the emergence of compulsory demisexuality  –… (more)

Subjects/Keywords: Virginity in literature  – History; Romance fiction; virginity; virginity loss; romance; romantic love; love; sex; heterosexuality; history of sexuality; girlhood; autobiography; popular romance fiction; popular fiction; genre fiction; Twilight; Fifty shades of grey; Mills & Boon; Harlequin

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APA (6th Edition):

McAlister, J. A. (2015). Romancing the virgin: female virginity loss and love in popular literatures in the West. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1067989

Chicago Manual of Style (16th Edition):

McAlister, Jodi Ann. “Romancing the virgin: female virginity loss and love in popular literatures in the West.” 2015. Doctoral Dissertation, Macquarie University. Accessed February 25, 2020. http://hdl.handle.net/1959.14/1067989.

MLA Handbook (7th Edition):

McAlister, Jodi Ann. “Romancing the virgin: female virginity loss and love in popular literatures in the West.” 2015. Web. 25 Feb 2020.

Vancouver:

McAlister JA. Romancing the virgin: female virginity loss and love in popular literatures in the West. [Internet] [Doctoral dissertation]. Macquarie University; 2015. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1959.14/1067989.

Council of Science Editors:

McAlister JA. Romancing the virgin: female virginity loss and love in popular literatures in the West. [Doctoral Dissertation]. Macquarie University; 2015. Available from: http://hdl.handle.net/1959.14/1067989


University of Ottawa

14. Roy, Adam. Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann .

Degree: 2015, University of Ottawa

 In this thesis, I demonstrate the dynamic way in which musical processes can be described as metaphors. Using Steve Larson’s three main metaphors (gravity, inertia,… (more)

Subjects/Keywords: Metaphor; Motion; Larson; Musical Forces; Energetics; Mozart; Schumann; Piano Concerto; Movement; Cross-Domain Mapping; Genre; Classical Style; Romantic Style; Conceptualization; Embodied Knowledge; Gravity; Magnetism; Inertia; Orbit; Oscillation; Friction; Repulsion; Momentum; Wave

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APA (6th Edition):

Roy, A. (2015). Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/33009

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roy, Adam. “Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann .” 2015. Thesis, University of Ottawa. Accessed February 25, 2020. http://hdl.handle.net/10393/33009.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roy, Adam. “Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann .” 2015. Web. 25 Feb 2020.

Vancouver:

Roy A. Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10393/33009.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roy A. Music in Motion: A Metaphoric Mapping of Forces in Piano Concertos by Mozart and Schumann . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/33009

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Egle, La Mont L. Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction.

Degree: PhD, English Language & Literature, 2009, University of Michigan

 “Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction” examines the prevalence of stories about male friendship and all-male community in British popular fiction written… (more)

Subjects/Keywords: Romantic Prose; Early Nineteenth-Century Ficton; Genre Studies; Queer; Homosexual History; Humanities

…technologies and the number of people reading novels produced a rapid proliferation of genre types… …one existing genre with those of another to help feed a burgeoning mass market. Critics at… …in these decades. The extraordinary popularity of these mixed-genre novels has been… …genre novels that refuse the conventional marriage plot, but they differ in intriguing ways… …Nation in the Romantic Period. See Buckley’s “Sensations of Celebrity: Jack Sheppard and the… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Egle, L. M. L. (2009). Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/64760

Chicago Manual of Style (16th Edition):

Egle, La Mont L. “Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction.” 2009. Doctoral Dissertation, University of Michigan. Accessed February 25, 2020. http://hdl.handle.net/2027.42/64760.

MLA Handbook (7th Edition):

Egle, La Mont L. “Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction.” 2009. Web. 25 Feb 2020.

Vancouver:

Egle LML. Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction. [Internet] [Doctoral dissertation]. University of Michigan; 2009. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/2027.42/64760.

Council of Science Editors:

Egle LML. Plotting Friendship: Male Bonds in Early Nineteenth-Century British Fiction. [Doctoral Dissertation]. University of Michigan; 2009. Available from: http://hdl.handle.net/2027.42/64760


Queens University

16. Asselin, Steve. "A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century .

Degree: English Language and Literature, Queens University

 I argue that the origins of disaster fiction as a literary genre are located in the Long Nineteenth Century. Disaster fiction is a genre as-yet… (more)

Subjects/Keywords: Disaster; Catastrophe; Ecocriticism; Romantic; Victorian; Long Nineteenth Century; Science Fiction; Genre Fiction; Popular Fiction; Secularism; Ecology

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APA (6th Edition):

Asselin, S. (n.d.). "A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/15755

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Asselin, Steve. “"A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century .” Thesis, Queens University. Accessed February 25, 2020. http://hdl.handle.net/1974/15755.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Asselin, Steve. “"A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century .” Web. 25 Feb 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Asselin S. "A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century . [Internet] [Thesis]. Queens University; [cited 2020 Feb 25]. Available from: http://hdl.handle.net/1974/15755.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Asselin S. "A Wind of Darkness": The Origins of Disaster Fiction in the Long Nineteenth Century . [Thesis]. Queens University; Available from: http://hdl.handle.net/1974/15755

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University College Cork

17. Murphy, Carmel Patricia. History, revolution and the British popular novel: historical fiction in the romantic age.

Degree: 2013, University College Cork

 “History, Revolution and the British Popular Novel” takes as its focus the significant role which historical fiction played within the French Revolution debate and its… (more)

Subjects/Keywords: French revolution debate; Romantic fiction; Genre; Political literature (Jacobin / Anit-Jacobin); Historical fiction, English – History and criticism.; English fiction – 18th century – History and criticism.; English fiction – 19th century – History and criticism.; Political fiction, English – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, C. P. (2013). History, revolution and the British popular novel: historical fiction in the romantic age. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/1203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Carmel Patricia. “History, revolution and the British popular novel: historical fiction in the romantic age.” 2013. Thesis, University College Cork. Accessed February 25, 2020. http://hdl.handle.net/10468/1203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Carmel Patricia. “History, revolution and the British popular novel: historical fiction in the romantic age.” 2013. Web. 25 Feb 2020.

Vancouver:

Murphy CP. History, revolution and the British popular novel: historical fiction in the romantic age. [Internet] [Thesis]. University College Cork; 2013. [cited 2020 Feb 25]. Available from: http://hdl.handle.net/10468/1203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy CP. History, revolution and the British popular novel: historical fiction in the romantic age. [Thesis]. University College Cork; 2013. Available from: http://hdl.handle.net/10468/1203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Queensland

18. McWilliam, Kelly. Girl Meets Girl: Lesbian Romantic Comedies.

Degree: 2006, University of Queensland

 Six decades after the romantic comedy emerged as a Hollywood genre in 1934, the first romantic comedies with a central lesbian couple, including Marita Giovanni’s… (more)

Subjects/Keywords: 200205 Culture Gender Sexuality; 200212 Screen and Media Culture; 190201 Cinema Studies; film genre; romantic comedy; public sphere; lesbian studies; queer theory

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APA (6th Edition):

McWilliam, K. (2006). Girl Meets Girl: Lesbian Romantic Comedies. (Thesis). University of Queensland. Retrieved from http://eprints.qut.edu.au/12503/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McWilliam, Kelly. “Girl Meets Girl: Lesbian Romantic Comedies.” 2006. Thesis, University of Queensland. Accessed February 25, 2020. http://eprints.qut.edu.au/12503/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McWilliam, Kelly. “Girl Meets Girl: Lesbian Romantic Comedies.” 2006. Web. 25 Feb 2020.

Vancouver:

McWilliam K. Girl Meets Girl: Lesbian Romantic Comedies. [Internet] [Thesis]. University of Queensland; 2006. [cited 2020 Feb 25]. Available from: http://eprints.qut.edu.au/12503/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McWilliam K. Girl Meets Girl: Lesbian Romantic Comedies. [Thesis]. University of Queensland; 2006. Available from: http://eprints.qut.edu.au/12503/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida International University

19. Gonzalez, Shelly S. Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”.

Degree: MA, English, 2014, Florida International University

  The purpose of this thesis is to analyze John Keats’s “Lamia” and his style of Anti-Romance as informed by William Shakespeare’s own experimentation with… (more)

Subjects/Keywords: English; Literature; English Literature; Poetry; Literary Analysis; Anti-Romance; Romance; William Shakespeare; Shakespeare; John Keats; Keats; Keats's Letters; King Lear; Lamia; Sir Philip Sidney; Sidney; Aesthetic Development; Poetic Development; Renaissance; Romantic Era; Drama; Classic Literature; Intertextuality; Literary Influence; Literary Development; Genre; Literary Sources; Literary Origins; Tradition; Experiment; Pastoral; Anti-Pastoral; English Language and Literature; Literature in English, British Isles

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APA (6th Edition):

Gonzalez, S. S. (2014). Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”. (Thesis). Florida International University. Retrieved from https://digitalcommons.fiu.edu/etd/1169 ; 10.25148/etd.FI14040847 ; FI14040847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonzalez, Shelly S. “Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”.” 2014. Thesis, Florida International University. Accessed February 25, 2020. https://digitalcommons.fiu.edu/etd/1169 ; 10.25148/etd.FI14040847 ; FI14040847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonzalez, Shelly S. “Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”.” 2014. Web. 25 Feb 2020.

Vancouver:

Gonzalez SS. Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”. [Internet] [Thesis]. Florida International University; 2014. [cited 2020 Feb 25]. Available from: https://digitalcommons.fiu.edu/etd/1169 ; 10.25148/etd.FI14040847 ; FI14040847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonzalez SS. Anti-Romance: How William Shakespeare’s “King Lear” Informed John Keats’s “Lamia”. [Thesis]. Florida International University; 2014. Available from: https://digitalcommons.fiu.edu/etd/1169 ; 10.25148/etd.FI14040847 ; FI14040847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.