subject:(Romance)

1. McEleney, Corey William. The Pleasure in Error: Early Modern Romance and Poetic Futility.

Degree: PhD, English, 2011, Brown University

URL: https://repository.library.brown.edu/studio/item/bdr:11331/

► This dissertation examines the errant role that pleasure plays in sixteenth- and seventeenth-century English writers' attempts to define the epistemological, ethical, and civic value of… (more)

▼ This dissertation examines the errant role that pleasure plays in sixteenth- and seventeenth-century English writers' attempts to define the epistemological, ethical, and civic value of poetry. My focus is on the mode of writing known as romance, which came under attack in the Renaissance for allegedly producing an excess of pleasure over utility. I argue that the threat of poetry's futility, which was pushed to the limits in the case of romance, reveals fundamental contradictions within the project of Renaissance humanism and constitutes a blind spot for contemporary criticism. Countering a critical tradition that approaches Renaissance texts as useful instruments for working through ethical issues, I analyze how works by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton confront and fail to resolve a tension between the pleasurable means and useful ends of poetic creation. My primary premise is that modern humanism recapitulates rather than interrogates the defensive or apologetic logic of Reformation-era treatises on poetry. Arguing about the utility of literature may assuage our moral anxieties as critics, especially in the face of the growing corporatization of the academy. Nevertheless, our adherence to an instrumental view of aesthetics calls out for critique not only because it reproduces a one-sided view of Renaissance poetic theory, but also because it functions according to a defensive logic that diminishes rather than enhances what is most "useful" or "valuable" about poetry: its distinctive ability to ironize the very notions of "use" and "value." My project thus intersects with recent attempts made by queer theorists to show how perverse pleasures exceed the ends toward which they must be directed. In this way, it calls into question what I see as contemporary criticism's pervasive hedonophobia and points to the need for re-thinking how we measure the value of literature, the arts, and the humanities. Rather than automatically defend or justify literature against the charges of idleness, errancy, and escapism, my project critiques the rhetorical and institutional forces that activate such defensive reflexes. Advisors/Committee Members: Kahn, Copp�a (Director), Feerick, Jean (Reader), Rooney, Ellen (Reader).

Subjects/Keywords: romance

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APA (6^th Edition):

McEleney, C. W. (2011). The Pleasure in Error: Early Modern Romance and Poetic Futility. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11331/

Chicago Manual of Style (16^th Edition):

McEleney, Corey William. “The Pleasure in Error: Early Modern Romance and Poetic Futility.” 2011. Doctoral Dissertation, Brown University. Accessed April 10, 2021. https://repository.library.brown.edu/studio/item/bdr:11331/.

MLA Handbook (7^th Edition):

McEleney, Corey William. “The Pleasure in Error: Early Modern Romance and Poetic Futility.” 2011. Web. 10 Apr 2021.

Vancouver:

McEleney CW. The Pleasure in Error: Early Modern Romance and Poetic Futility. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2021 Apr 10]. Available from: https://repository.library.brown.edu/studio/item/bdr:11331/.

Council of Science Editors:

McEleney CW. The Pleasure in Error: Early Modern Romance and Poetic Futility. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11331/

University of Utah

2. Hinton, Melanie. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.

Degree: PhD, English, 2012, University of Utah

URL: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

► Critical feminist discussion of eighteenth-century British women writers and their solutions to the lack of agency inherent in female experience often highlight works such as… (more)

Subjects/Keywords: Romance; Utopia

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APA (6^th Edition):

Hinton, M. (2012). Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

Chicago Manual of Style (16^th Edition):

Hinton, Melanie. “Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.” 2012. Doctoral Dissertation, University of Utah. Accessed April 10, 2021. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106.

MLA Handbook (7^th Edition):

Hinton, Melanie. “Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.” 2012. Web. 10 Apr 2021.

Vancouver:

Hinton M. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. [Internet] [Doctoral dissertation]. University of Utah; 2012. [cited 2021 Apr 10]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106.

Council of Science Editors:

Hinton M. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. [Doctoral Dissertation]. University of Utah; 2012. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

The University of North Carolina at Chapel Hill

3. Colchero Dorado, Rosario. Recovering memory in Jordi Soler's "Los rojos de ultramar".

Degree: 2008, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

► Este trabajo analiza los distintos procedimientos técnicos por medio de los que Jordi Soler, en su obra Los rojos de ultramar , construye un… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Colchero Dorado, R. (2008). Recovering memory in Jordi Soler's "Los rojos de ultramar". (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Colchero Dorado, Rosario. “Recovering memory in Jordi Soler's "Los rojos de ultramar".” 2008. Thesis, The University of North Carolina at Chapel Hill. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=1454474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Colchero Dorado, Rosario. “Recovering memory in Jordi Soler's "Los rojos de ultramar".” 2008. Web. 10 Apr 2021.

Vancouver:

Colchero Dorado R. Recovering memory in Jordi Soler's "Los rojos de ultramar". [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2008. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colchero Dorado R. Recovering memory in Jordi Soler's "Los rojos de ultramar". [Thesis]. The University of North Carolina at Chapel Hill; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of North Carolina at Chapel Hill

4. Garber, Alexandra. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.

Degree: 2010, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

► Although the author Dulce Chacón is probably most famous for her novels, Cielos de barro (2000) and La voz dormida (2002), she wrote… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Garber, A. (2010). Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Garber, Alexandra. “Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.” 2010. Thesis, The University of North Carolina at Chapel Hill. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=1480130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Garber, Alexandra. “Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.” 2010. Web. 10 Apr 2021.

Vancouver:

Garber A. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2010. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garber A. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. [Thesis]. The University of North Carolina at Chapel Hill; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Harvard University

5. Baselis-Bitoun, Lison. The near and far| Hermeneutics of the cannibal in Jean de Lery.

Degree: 2007, Harvard University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

► Jean de Léry belongs to the literary canon of the sixteenth century essentially for his, Histoire d'un voyage faict en la terre du Brésil.… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Baselis-Bitoun, L. (2007). The near and far| Hermeneutics of the cannibal in Jean de Lery. (Thesis). Harvard University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Baselis-Bitoun, Lison. “The near and far| Hermeneutics of the cannibal in Jean de Lery.” 2007. Thesis, Harvard University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3267065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Baselis-Bitoun, Lison. “The near and far| Hermeneutics of the cannibal in Jean de Lery.” 2007. Web. 10 Apr 2021.

Vancouver:

Baselis-Bitoun L. The near and far| Hermeneutics of the cannibal in Jean de Lery. [Internet] [Thesis]. Harvard University; 2007. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baselis-Bitoun L. The near and far| Hermeneutics of the cannibal in Jean de Lery. [Thesis]. Harvard University; 2007. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Colas-Gil, Manuel. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".

Degree: 2009, The Johns Hopkins University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

► This dissertation explores the concept and the literary representation of delinquency expressed by Miguel de Cervantes in the first and second parts of Don… (more)

▼ This dissertation explores the concept and the literary representation of delinquency expressed by Miguel de Cervantes in the first and second parts of Don Quijote (1605 and 1615) and in several stories from his Novelas Ejemplares (1613). During the years in which Cervantes wrote the adventures of the eccentric knight of La Mancha, delinquency had become one of the principal topics of debate in Spanish society. This is evidenced by the number of texts of different types which dealt with this theme indicating both the importance of this phenomena and the way in which it was perceived within the social milieu of sixteenth and seventeenth century Spain. The evolving social preoccupation with delinquency also was reflected in the constant passage of laws to cope with the criminal population. This same concern is seen in literary works such as the popular picaresque genre. Cervantes' involvement in this dialogue, as illustrated by his fictional representation of delinquency, is the central theme of this work. Until now consideration of the theme of delinquency in Cervantes has been limited to the influence of the “picaresque” on his works, and hence has emerged almost exclusively in the criticism of a few texts (such as La ilustre fregona, Rinconete y Cortadillo and El coloquio de los perros) and a few passages in Don Quijote . This project widens this discussion in order to view Cervantes' representations of delinquency in light of the other texts which deal with delinquency in his time. In the process, the study delineates the ways in which it was a crucial preoccupation of Cervantes' life and fiction. The year 1606 is of fundamental importance to the study because it is the year in which Don Quijote became a literary success, giving Cervantes acceptance in the world of letters. This event provoked perceptible changes in his fiction, in the manner in which he fleshed out his characters, in the selection of his themes, and in his representations of delinquency. To examine all these developments, the study takes into account two groups of compositions in the literary trajectory of Cervantes. The first group includes his “early” works, which is to say those written before 1606 ( Don Quijote I and Rinconete y Cortadillo). The second group includes the “later” stories which were written after the publication of the first novel (El coloquio de los perros, La gitanilla , and La ilustre fregona). These works establish the framework within which the second part of Don Quijote is considered. This dissertation charts a series of changes in Cervantes' representation of delinquency from the early works through the second part of Don Quijote. In general, the early stories contain characteristics which are found in the first part of Don Quijote, while the later stories share traits which are seen in the second part of Don Quijote . In the early stories, Cervantes focuses…

Subjects/Keywords: Literature; Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Colas-Gil, M. (2009). Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". (Thesis). The Johns Hopkins University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Colas-Gil, Manuel. “Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".” 2009. Thesis, The Johns Hopkins University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3340041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Colas-Gil, Manuel. “Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".” 2009. Web. 10 Apr 2021.

Vancouver:

Colas-Gil M. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". [Internet] [Thesis]. The Johns Hopkins University; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colas-Gil M. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". [Thesis]. The Johns Hopkins University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Hessel, Stephen. Quixotic contradiction| Aporia and Cervantes' "Don Quijote".

Degree: 2009, State University of New York at Buffalo

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

► This project investigates the field of Cervantes studies, most specifically with a focus on Don Quijote, through the supposition that due to the aporetic… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Hessel, S. (2009). Quixotic contradiction| Aporia and Cervantes' "Don Quijote". (Thesis). State University of New York at Buffalo. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hessel, Stephen. “Quixotic contradiction| Aporia and Cervantes' "Don Quijote".” 2009. Thesis, State University of New York at Buffalo. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3356118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hessel, Stephen. “Quixotic contradiction| Aporia and Cervantes' "Don Quijote".” 2009. Web. 10 Apr 2021.

Vancouver:

Hessel S. Quixotic contradiction| Aporia and Cervantes' "Don Quijote". [Internet] [Thesis]. State University of New York at Buffalo; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hessel S. Quixotic contradiction| Aporia and Cervantes' "Don Quijote". [Thesis]. State University of New York at Buffalo; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Cherry, Alina. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.

Degree: 2009, New York University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

► My dissertation examines Claude Simon's original treatment of time. This work was motivated by a desire to explore how Simon reconciles his fascination with… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Cherry, A. (2009). Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cherry, Alina. “Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.” 2009. Thesis, New York University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3365698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cherry, Alina. “Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.” 2009. Web. 10 Apr 2021.

Vancouver:

Cherry A. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. [Internet] [Thesis]. New York University; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cherry A. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. [Thesis]. New York University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Princeton University

9. Harmon, Rebecca C. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.

Degree: 2010, Princeton University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

► In sixteenth-century literary studies, early Reformed Protestantism has been characterized as hostile to literary creation and suspicious of images, broadly conceived. As a result,… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Harmon, R. C. (2010). Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. (Thesis). Princeton University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Harmon, Rebecca C. “Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.” 2010. Thesis, Princeton University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3410992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Harmon, Rebecca C. “Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.” 2010. Web. 10 Apr 2021.

Vancouver:

Harmon RC. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. [Internet] [Thesis]. Princeton University; 2010. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harmon RC. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. [Thesis]. Princeton University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Khavari, Nazanin. The theme of nature in Victor Hugo's "Contemplations".

Degree: 2010, University of Maryland, College Park

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

► In Les Contemplations collection, Hugo is a real contemplator of nature: he describes it with all its immensity, beauty and ugliness, in different seasons… (more)

Subjects/Keywords: Literature; Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Khavari, N. (2010). The theme of nature in Victor Hugo's "Contemplations". (Thesis). University of Maryland, College Park. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Khavari, Nazanin. “The theme of nature in Victor Hugo's "Contemplations".” 2010. Thesis, University of Maryland, College Park. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=1470368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Khavari, Nazanin. “The theme of nature in Victor Hugo's "Contemplations".” 2010. Web. 10 Apr 2021.

Vancouver:

Khavari N. The theme of nature in Victor Hugo's "Contemplations". [Internet] [Thesis]. University of Maryland, College Park; 2010. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Khavari N. The theme of nature in Victor Hugo's "Contemplations". [Thesis]. University of Maryland, College Park; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of Oklahoma

11. Cruz-Ortiz, Jaime. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.

Degree: 2009, The University of Oklahoma

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

► Portuguese playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), a period in which the Portuguese and Spanish thrones were united under… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Cruz-Ortiz, J. (2009). Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. (Thesis). The University of Oklahoma. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cruz-Ortiz, Jaime. “Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.” 2009. Thesis, The University of Oklahoma. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3354571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cruz-Ortiz, Jaime. “Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.” 2009. Web. 10 Apr 2021.

Vancouver:

Cruz-Ortiz J. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. [Internet] [Thesis]. The University of Oklahoma; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz-Ortiz J. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. [Thesis]. The University of Oklahoma; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Temple University

12. Stoyneva, Anastasiya K. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.

Degree: PhD, 2017, Temple University

URL: http://digital.library.temple.edu/u?/p245801coll10,467028

►

Spanish

A Poetic Complement to Reason: Heterogeneity and the Other in the work of Antonio Machado examines some of the late work of the Spanish… (more)

Subjects/Keywords: Romance literature

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APA (6^th Edition):

Stoyneva, A. K. (2017). A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,467028

Chicago Manual of Style (16^th Edition):

Stoyneva, Anastasiya K. “A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.” 2017. Doctoral Dissertation, Temple University. Accessed April 10, 2021. http://digital.library.temple.edu/u?/p245801coll10,467028.

MLA Handbook (7^th Edition):

Stoyneva, Anastasiya K. “A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.” 2017. Web. 10 Apr 2021.

Vancouver:

Stoyneva AK. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. [Internet] [Doctoral dissertation]. Temple University; 2017. [cited 2021 Apr 10]. Available from: http://digital.library.temple.edu/u?/p245801coll10,467028.

Council of Science Editors:

Stoyneva AK. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. [Doctoral Dissertation]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,467028

Harvard University

13. Gonzalez, Goretti Teresa. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.

Degree: PhD, 2016, Harvard University

URL: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

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"Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy ca 1528-1622” examines the role of printing and translation in the formation… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Gonzalez, G. T. (2016). Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

Chicago Manual of Style (16^th Edition):

Gonzalez, Goretti Teresa. “Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.” 2016. Doctoral Dissertation, Harvard University. Accessed April 10, 2021. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302.

MLA Handbook (7^th Edition):

Gonzalez, Goretti Teresa. “Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.” 2016. Web. 10 Apr 2021.

Vancouver:

Gonzalez GT. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. [Internet] [Doctoral dissertation]. Harvard University; 2016. [cited 2021 Apr 10]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302.

Council of Science Editors:

Gonzalez GT. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. [Doctoral Dissertation]. Harvard University; 2016. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

14. Crackower, Marion Degos. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).

Degree: 2015, University of Louisiana at Lafayette

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

► This dissertation analyzes the evolution of French detective novels through the scope of its composition, especially the uses and functions of legal errors. It… (more)

Subjects/Keywords: Romance literature

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APA (6^th Edition):

Crackower, M. D. (2015). Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). (Thesis). University of Louisiana at Lafayette. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Crackower, Marion Degos. “Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).” 2015. Thesis, University of Louisiana at Lafayette. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3718427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Crackower, Marion Degos. “Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).” 2015. Web. 10 Apr 2021.

Vancouver:

Crackower MD. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). [Internet] [Thesis]. University of Louisiana at Lafayette; 2015. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crackower MD. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). [Thesis]. University of Louisiana at Lafayette; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

McGill University

15. Philippe, Maxime. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.

Degree: PhD, Department of French Language and Literature, 2015, McGill University

URL: https://escholarship.mcgill.ca/downloads/0k225f074.pdf ; https://escholarship.mcgill.ca/concern/theses/5q47rr85n

►

Cette thèse étudie la notion de « révolution physiologique » dans l’œuvre d’Antonin Artaud dans le but de montrer comment ce dernier a repris et… (more)

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Cette thèse étudie la notion de « révolution physiologique » dans l’œuvre d’Antonin Artaud dans le but de montrer comment ce dernier a repris et approfondi le projet surréaliste initial. Cette révolution est issue de l’expérience de l’asile et du traitement psychiatrique qu’a connu le poète. En particulier, elle reprend et élabore le processus d’art-thérapie auquel il a participé. L’échange et le détournement du discours psychiatrique qui en résultent sont examinés suivant trois aspects. La première partie se consacre à l’étude de la langue inventée que le poète commence à utiliser au moment où il entame l’art-thérapie. Cette langue néologique s’inscrit dans la tradition religieuse des glossolalies et est considérée comme pathologique par la psychiatrie. Elle permet au poète de critiquer le discours psychiatrique par une performance de l’écriture qui réinterprète son expérience des rituels autochtones mexicains et correspond à sa redéfinition de la pratique théâtrale. La seconde partie étudie le travail radiophonique du poète et en particulier la transformation que le poète fait subir à sa voix. Est mis en évidence comment le poète cherche à incarner vocalement son personnage d’Artaud le Mômo, patient schizophrène qui remet en cause la pratique et le discours psychiatrique qu’il tourne en dérision. Ces émissions radiophoniques permettent simultanément au poète de réaliser une condamnation du théâtre traditionnel et une première version de son Théâtre de la Cruauté, recourant à une multiplicité de médias dont elle explore les limites. La dernière partie est consacrée à la définition par le poète d’une conception alternative du corps qui questionne les caractérisations scientifique et médicale de ce dernier. Le poète représente un mouvement de révolution anatomique qui doit aboutir à l’avènement d’un nouveau corps, caractérisé en tant que « corps sans organes » dans sa dernière émission radiophonique. À nouveau, ce corps reprend et détourne les caractérisations du corps-schizophrène par la psychiatrie.

In the present dissertation, I study the notion of a “physiological revolution” in the work of Antonin Artaud in order to demonstrate how the latter revisits the initial surrealist project. This revolution stems from Artaud’s experience of psychiatric treatment and of the asylum. In particular, it reinterprets the process of Artaud’s art-therapy. The resulting exchange and “détournement” of psychiatric discourse are interrogated along three main axes. In the first part, I examine the poet’s invented language, which he coins while undertaking art-therapy. This neological language belongs to the religious tradition of glossolalia, and psychiatry considers it pathological. It enables the poet to criticize and parody psychiatric discourse through a performance of writing, which draws upon Artaud’s participation in Raramuri rituals during his travels to Mexico. It offers a redefinition of his theatrical experimentation. The second part focuses on the radio plays of the poet and more specifically the “tuning” of his voice…

Advisors/Committee Members: Arnaud Bernadet (Supervisor).

Subjects/Keywords: Literature - Romance

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APA (6^th Edition):

Philippe, M. (2015). La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. (Doctoral Dissertation). McGill University. Retrieved from https://escholarship.mcgill.ca/downloads/0k225f074.pdf ; https://escholarship.mcgill.ca/concern/theses/5q47rr85n

Chicago Manual of Style (16^th Edition):

Philippe, Maxime. “La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.” 2015. Doctoral Dissertation, McGill University. Accessed April 10, 2021. https://escholarship.mcgill.ca/downloads/0k225f074.pdf ; https://escholarship.mcgill.ca/concern/theses/5q47rr85n.

MLA Handbook (7^th Edition):

Philippe, Maxime. “La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.” 2015. Web. 10 Apr 2021.

Vancouver:

Philippe M. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2021 Apr 10]. Available from: https://escholarship.mcgill.ca/downloads/0k225f074.pdf ; https://escholarship.mcgill.ca/concern/theses/5q47rr85n.

Council of Science Editors:

Philippe M. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. [Doctoral Dissertation]. McGill University; 2015. Available from: https://escholarship.mcgill.ca/downloads/0k225f074.pdf ; https://escholarship.mcgill.ca/concern/theses/5q47rr85n

Universidade Federal de Santa Maria

16. Vanessa Maidana Freire. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.

Degree: 2010, Universidade Federal de Santa Maria

URL: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

►

Neste trabalho propomos, fundamentalmente, uma revisão teórico-crítica a respeito do gênero autoficção e uma abordagem da obra Chove sobre minha infância, 2000, do escritor paranaense… (more)

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Neste trabalho propomos, fundamentalmente, uma revisão teórico-crítica a respeito do gênero autoficção e uma abordagem da obra Chove sobre minha infância, 2000, do escritor paranaense Miguel Sanches Neto, focada na presença e função dos elementos imagéticos que estão incorporados ao discurso literário. O texto narrativo mencionado movimenta-se por dois gêneros literários diferentes: o romance e a autobiografia. Esses registros discursivos convergem para um gênero relativamente novo dentro da produção literária, o que o torna, então, um objeto que chama atenção cada vez mais no fazer dos estudos literários. Em virtude de sua heterogeneidade discursiva, a narrativa coloca-nos frente a uma série de impasses e problemas teóricos. A fim de melhor esclarecê-los, em um primeiro momento, apresentamos em uma contextualização as principais teorizações e discussões a respeito tanto das autobiografias, quanto das autoficções. No segundo momento de nosso trabalho, destacamos a função do elemento fotográfico como contribuição compositiva de um discurso verbal, bem como os problemas decorrentes da integração de signos não-linguísticos ao texto ficcional.

In this work we propose basically a theoretical-critical review and an approach to analyze the autofiction genre Chove sobre minha infância, 2000 by Miguel Sanches Neto, focusing on the existence and function of non-verbal elements incorporated in the literary discourse. This narrative text is composed by two different literary genres: the romance (novel) and the autobiography. These discursive registers come together to suggest a new genre in the literature, becoming a new object of study in our field. Due to the discursive heterogeneity, the narrative presents some situation and theoretical problems which, firstly, we aim to explain it by presenting the literature review and debates about autobiographies and autofiction genres. Secondly, we are going to highlight the function of non-verbal analysis as a setting contribution to the verbal discourse, as well as the problems resulting from the integration of non-verbal signs into the fictional text.

Advisors/Committee Members: Fernando Villarraga Eslava, Benito Martinez Rodriguez, Maria Eulália Ramicelli.

Subjects/Keywords: imagem; romance; autoficção; LETRAS; autofiction; romance; image

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APA (6^th Edition):

Freire, V. M. (2010). A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Freire, Vanessa Maidana. “A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.” 2010. Thesis, Universidade Federal de Santa Maria. Accessed April 10, 2021. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Freire, Vanessa Maidana. “A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.” 2010. Web. 10 Apr 2021.

Vancouver:

Freire VM. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2010. [cited 2021 Apr 10]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freire VM. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. [Thesis]. Universidade Federal de Santa Maria; 2010. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

17. Lawrence, Andrea Joan. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.

Degree: m_ma, College of Arts & Law, 2019, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/8802/

► This thesis examines representations of the Iberian periphery, notably Portugal and Catalonia, as depicted in Josep Pla’s Direcció Lisboa and Gaziel’s Trilogia ibèrica. Engaging with… (more)

Subjects/Keywords: PC Romance languages; PQ Romance literatures

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APA (6^th Edition):

Lawrence, A. J. (2019). Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8802/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lawrence, Andrea Joan. “Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.” 2019. Thesis, University of Birmingham. Accessed April 10, 2021. http://etheses.bham.ac.uk//id/eprint/8802/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lawrence, Andrea Joan. “Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.” 2019. Web. 10 Apr 2021.

Vancouver:

Lawrence AJ. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2021 Apr 10]. Available from: http://etheses.bham.ac.uk//id/eprint/8802/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawrence AJ. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/8802/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

18. Jenkins, Rommany. The origin and role of sospiro in the poetry of Guido Cavalcanti.

Degree: PhD, 2017, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

► This thesis focuses on the keyword sospiro (‘sigh’) in the poetry of Guido Cavalcanti. It reads this word in relation to the lyric poetry of… (more)

Subjects/Keywords: 851; PC Romance languages; PQ Romance literatures

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APA (6^th Edition):

Jenkins, R. (2017). The origin and role of sospiro in the poetry of Guido Cavalcanti. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

Chicago Manual of Style (16^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Doctoral Dissertation, University of Birmingham. Accessed April 10, 2021. http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551.

MLA Handbook (7^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Web. 10 Apr 2021.

Vancouver:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Internet] [Doctoral dissertation]. University of Birmingham; 2017. [cited 2021 Apr 10]. Available from: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551.

Council of Science Editors:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Doctoral Dissertation]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

Universiteit Utrecht

19. Kinderen, Di-jonne der. Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances.

Degree: 2007, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/26192

► This thesis examines the various attitudes towards physical impairment that can be seen in Medieval English Romances. The texts that are discussed are 'The Canterbury… (more)

Subjects/Keywords: Letteren; Disability; Romance

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APA (6^th Edition):

Kinderen, D. d. (2007). Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/26192

Chicago Manual of Style (16^th Edition):

Kinderen, Di-jonne der. “Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances.” 2007. Masters Thesis, Universiteit Utrecht. Accessed April 10, 2021. http://dspace.library.uu.nl:8080/handle/1874/26192.

MLA Handbook (7^th Edition):

Kinderen, Di-jonne der. “Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances.” 2007. Web. 10 Apr 2021.

Vancouver:

Kinderen Dd. Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2021 Apr 10]. Available from: http://dspace.library.uu.nl:8080/handle/1874/26192.

Council of Science Editors:

Kinderen Dd. Disability in the Middle Ages: Representations of Physical Impairment in Medieval English Romances. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/26192

University of California, Berkeley

20. Cordero Sanchez, Luis Pascual. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.

Degree: 2014, University of California, Berkeley

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

► This dissertation analyzes the prose of José Manuel Caballero Bonald and Fernando Quiñones, and the cinema from Late-Francoism to Post-Transition, paying especial attention to… (more)

▼ This dissertation analyzes the prose of José Manuel Caballero Bonald and Fernando Quiñones, and the cinema from Late-Francoism to Post-Transition, paying especial attention to the flamenco films by Carlos Saura. Their shared historical Andalusian background provides an opportunity to examine the shift from Francoist centralism to the quasi-federalism of Spain's "Autonomous Communities" (la España de las Autonomías ), as well as their notion of Andalusian identity within the framework of Andalusia as a newly minted Autonomous Community since 1981. Drawing on anthropology, Colonial Studies, history, and social theory, the study adopts an interdisciplinary approach as it examines the issue of Andalusian identity from the above-mentioned perspectives using a diverse corpus of texts from literature, film and the performing arts. The first two chapters focus on the rise of Andalusia as an Autonomía, and Caballero Bonald and Quiñones' attempt to purge Andalusia's stereotypical image. They review the history of the colonization of the Iberian Peninsula by the Phoenicians and the Arabs, as well as the arrival of Gypsies during the Middle Ages –which contributed to the consolidation of flamenco– and the ensuing cultural mix that was the basis for Caballero Bonald and Quiñones' concept of Andalusian identity. The third chapter analyzes the symbols they chose to represent their identity: the bull, the horse, and wine. The last two chapters explore the role of Andalusians as colonizers of the New World, who are in turn "colonized" as certain components of Latin American cultural production make their way into Andalusian aesthetics with an emphasis in the (Neo)Baroque and the "marvelous real" (real maravilloso). I find that, in the given context, both Caballero Bonald and Quiñones reflect on their identity, concluding that its particular essence is based on both mestizaje -the intermixing of Oriental, European and American cultures-and the dual status of the Iberian Peninsula as both colonizer and colonized.

Subjects/Keywords: Literature, Romance; Cinema

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APA (6^th Edition):

Cordero Sanchez, L. P. (2014). Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. (Thesis). University of California, Berkeley. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cordero Sanchez, Luis Pascual. “Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.” 2014. Thesis, University of California, Berkeley. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3640391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cordero Sanchez, Luis Pascual. “Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.” 2014. Web. 10 Apr 2021.

Vancouver:

Cordero Sanchez LP. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. [Internet] [Thesis]. University of California, Berkeley; 2014. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cordero Sanchez LP. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. [Thesis]. University of California, Berkeley; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of North Carolina at Chapel Hill

21. Greenburg, Katherine Elizabeth. Rewriting historical neorealism in Matteo Garrone's "Gomorra".

Degree: 2010, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

► A response to the highly censured films of the Fascism, Neorealism took an apparently inglorious approach to daily lives of Italian citizens. To employ… (more)

Subjects/Keywords: Literature, Romance; Cinema

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APA (6^th Edition):

Greenburg, K. E. (2010). Rewriting historical neorealism in Matteo Garrone's "Gomorra". (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Greenburg, Katherine Elizabeth. “Rewriting historical neorealism in Matteo Garrone's "Gomorra".” 2010. Thesis, The University of North Carolina at Chapel Hill. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=1480132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Greenburg, Katherine Elizabeth. “Rewriting historical neorealism in Matteo Garrone's "Gomorra".” 2010. Web. 10 Apr 2021.

Vancouver:

Greenburg KE. Rewriting historical neorealism in Matteo Garrone's "Gomorra". [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2010. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greenburg KE. Rewriting historical neorealism in Matteo Garrone's "Gomorra". [Thesis]. The University of North Carolina at Chapel Hill; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Missouri – Columbia

22. Fueger, Kathleen M. Deception and truth| The use of letters in the comedies of Iriarte and Moratin.

Degree: 2011, University of Missouri – Columbia

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

► This study examines the dramatic and thematic role of staged letters in the neoclassic comedies of Spain’s eminent comediographs Tomás de Iriarte and Leandro… (more)

Subjects/Keywords: Literature, Romance; Theater

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APA (6^th Edition):

Fueger, K. M. (2011). Deception and truth| The use of letters in the comedies of Iriarte and Moratin. (Thesis). University of Missouri – Columbia. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fueger, Kathleen M. “Deception and truth| The use of letters in the comedies of Iriarte and Moratin.” 2011. Thesis, University of Missouri – Columbia. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3458972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fueger, Kathleen M. “Deception and truth| The use of letters in the comedies of Iriarte and Moratin.” 2011. Web. 10 Apr 2021.

Vancouver:

Fueger KM. Deception and truth| The use of letters in the comedies of Iriarte and Moratin. [Internet] [Thesis]. University of Missouri – Columbia; 2011. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fueger KM. Deception and truth| The use of letters in the comedies of Iriarte and Moratin. [Thesis]. University of Missouri – Columbia; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Georgetown University

23. Tapia, Carlos Fernando. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.

Degree: 2009, Georgetown University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

► On a superficial level, the Lazarillo de Tormes (1554) appears to be a short book on the adventures of a young boy in sixteenth-century… (more)

▼ On a superficial level, the Lazarillo de Tormes (1554) appears to be a short book on the adventures of a young boy in sixteenth-century Spain. Despite its brevity, the Lazarillo has managed to produce an extensive corpus of scholarship. Most of the scholarly treatises deal with the various literary aspects of the work. Topics range from the question of whether the Lazarillo can be considered the first picaresque novel, to attempts at identifying the anonymous author, to the use of irony and other narrative devices that make the book a literary classic. The richness of literature provided an impetus for people to find ways of recreating the memorable characters and events in other venues of artistic expression. Just as theatrical productions became platforms for representation of literary works, film allowed for mass audiences to experience visually the literary beauty. The Lazarillo was brought to the screen three times in the twentieth century. The first film, entitled El Lazarillo de Tormes, was directed by Florián Rey in 1925. Interestingly, the film traces the adventures of a boy named Lazarillo in the Spain of the 1920s. Sadly, no copies of this film exist. In 1959, César Fernández Ardavín directed the second film also entitled El Lazarillo de Tormes. The film explores Lazarillo's childhood experiences with four masters. The last film adaptation was Lázaro de Tormes (2000), a project begun by Fernando Fernán Gómez and completed by José Luis García Sánchez. This film deals with the life of an adult Lázaro, who is called to answer allegations regarding his past and present behavior. This thesis is the first study to examine the novel in conjunction with the two existent films. Recognizing the inherent relationship between literature and film, as well as the uniqueness of each medium, this thesis explores the works through the following themes: "authority," "realism or verisimilitude and the portrayal of the reality of poverty," and "religion." The aforementioned themes form the main chapters of the dissertation. Through its examination of these topics, this study seeks to contribute to the expansive discourse on the Lazarillo.

Subjects/Keywords: Literature, Romance; Cinema

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APA (6^th Edition):

Tapia, C. F. (2009). Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. (Thesis). Georgetown University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tapia, Carlos Fernando. “Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.” 2009. Thesis, Georgetown University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3339925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tapia, Carlos Fernando. “Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.” 2009. Web. 10 Apr 2021.

Vancouver:

Tapia CF. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. [Internet] [Thesis]. Georgetown University; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tapia CF. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. [Thesis]. Georgetown University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Pierson, Inga M. Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948.

Degree: 2009, New York University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3342389

► This dissertation, Towards a Poetics of Neorealism: Tragedy and the Italian Cinema from 1942–1948, explores Italian neorealist cinema as a tragic discourse. I argue… (more)

▼ This dissertation, Towards a Poetics of Neorealism: Tragedy and the Italian Cinema from 1942–1948, explores Italian neorealist cinema as a tragic discourse. I argue that the Italian neorealist films are best distinguished by genre and that the emergence of tragedy in Italian culture in the 1940s constitutes a response to the devastation and confusion occasioned by the collapse of the Fascist order and the course of WWII. While I am interested in the political transition with which these films coincide, I seek to re-examine neorealism especially in the context of cultural studies and aesthetic theory. The focus on genre in my arguments serves to challenge the definition of neorealism as a documentary aesthetic and the notion that neorealism is a “pure” realism, devoid of any foreign, narrative or dramatic influence. Through detailed film analyses, the project highlights four films made between 1942 and 1948: Luchino Visconti’s Ossessione (1942), Vittorio De Sica’s Shoeshine (1946), Roberto Rossellini’s Germany Year Zero (1947) and Giuseppe De Santis’s Bitter Rice (1948). Beginning with Ossessione, for a brief period, Italian films shed the melodramatic trappings typical of the Fascist-era film industry in favor of a treatment which engages the spectator in an emotional atmosphere, presents the real and the true as problematic, and aims at a shared, collective understanding among viewers. I explore themes such as kin murder and suicide, the tension between official history and reality, collective mourning and the role of the feminine. My approach is comparative, focusing substantially on the triangle of influence formed by Italian verism, French poetic realism and American hard-boiled realism. But I also consider German “rubble” cinema, Soviet cinema, Hollywood cinema, French criticism and various literary and philosophical source materials. The goal of my reading is firstly to show how neorealism transcends Italian melodramatic tendencies in favor of a tragic discourse. Secondly, I demonstrate the complex negotiation between literary forms and visual culture which these films reflect. Finally, in making neorealism a case study, I test the potential for a tragic category in film studies.

Subjects/Keywords: Literature, Romance; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pierson, I. M. (2009). Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3342389

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pierson, Inga M. “Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948.” 2009. Thesis, New York University. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3342389.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pierson, Inga M. “Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948.” 2009. Web. 10 Apr 2021.

Vancouver:

Pierson IM. Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948. [Internet] [Thesis]. New York University; 2009. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3342389.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pierson IM. Towards a poetics of neorealism| Tragedy in the Italian cinema 1942 – 1948. [Thesis]. New York University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3342389

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Hutchings, Spencer. "Another music of the soul"| The musical aesthetics of Alphonse de Lamartine.

Degree: 2010, University of Colorado at Boulder

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3387548

► This dissertation examines the musicological significance of the nineteenth-century French writer and politician Alphonse de Lamartine (1790-1869) by analyzing his philosophy of and involvement… (more)

▼ This dissertation examines the musicological significance of the nineteenth-century French writer and politician Alphonse de Lamartine (1790-1869) by analyzing his philosophy of and involvement in the musical arts. Though little studied from a musical perspective today, Lamartine was a dominant figure in the literature and politics of mid-century Europe and had personal relationships with many prominent artists, including composers such as Liszt, Chopin, and Rossini. A childhood enriched by religious hymns and Enlightenment airs led to an early career colored by Italian opera; in later years he would turn to philosophical inquiries about music. Lamartine's commentary on the composers and musical genres of his epoch offers valuable insight into nineteenth-century music reception and, more broadly, Romantic aesthetics. His long critical essay "The Music of Mozart" (1858) and numerous other works (including poetry, prose, orations, and letters) take on central issues in the philosophy of music. Lamartine maintained throughout his career that poetry is the mode of expression par excellence; however, as I show in Chapter One, his writings on music augment this view by claiming that music, by its particular non-reliance on verbal content, can surpass the syntactical grammar of the written and spoken word. Lamartine also extends such categorical investigations to the world of music alone, asking whether music with or music without lyrics or textual associations possesses a greater aesthetic import. He concludes that each artistic language consists of its own complete and independent grammar and is therefore most powerful when uncomplicated by dependence on an adjoining artistic medium. His belief that instrumental music merits the greatest praise within the musical arts (the subject of Chapter Two) is linked to his reverence for the divinity of nature (Chapter Three), within which he finds the purest musical expression known to humanity. It is also from his perspective on the natural world that he derives a means by which to measure a composer's genius—such as Mozart (Chapter Four) and Rossini (Chapter Five)—as well as the moral and spiritual value of different musical genres, such as opera (Chapter Six). By presenting and analyzing Lamartine's music theory and criticism, I hope to contribute to a modern understanding of French Romanticism and of this important historical figure.

Subjects/Keywords: Literature, Romance; Music

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APA (6^th Edition):

Hutchings, S. (2010). "Another music of the soul"| The musical aesthetics of Alphonse de Lamartine. (Thesis). University of Colorado at Boulder. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3387548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hutchings, Spencer. “"Another music of the soul"| The musical aesthetics of Alphonse de Lamartine.” 2010. Thesis, University of Colorado at Boulder. Accessed April 10, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=3387548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hutchings, Spencer. “"Another music of the soul"| The musical aesthetics of Alphonse de Lamartine.” 2010. Web. 10 Apr 2021.

Vancouver:

Hutchings S. "Another music of the soul"| The musical aesthetics of Alphonse de Lamartine. [Internet] [Thesis]. University of Colorado at Boulder; 2010. [cited 2021 Apr 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3387548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchings S. "Another music of the soul"| The musical aesthetics of Alphonse de Lamartine. [Thesis]. University of Colorado at Boulder; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3387548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – Berkeley

26. Sprinceana, Andreea Iulia. Staging History in Modern and Contemporary Spanish Drama.

Degree: Romance Languages & Literatures (Spanish), 2014, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/6q8939qt

► This dissertation explores the manifestations, uses and appropriations of history in key Spanish plays from the 1950s to the present. The relationship between the stage… (more)

▼ This dissertation explores the manifestations, uses and appropriations of history in key Spanish plays from the 1950s to the present. The relationship between the stage and history casts new light on Spain's most critical phases in recent history. The authors studied were and are conscious of making history under the dictatorship, during the Transition and at the dawn of the 21st century. As instruments of civic action, their plays perform that awareness and invite spectators to recognize themselves as players in the process. The dissertation opens with a comparative analysis of plays written by Antonio Buero Vallejo and Alfonso Sastre between the 1950s and the Transition (1977). While scholars have tended to contrast these two playwrights focusing on their responses to censorship, I propose that Buero and Sastre gravitated towards a poetics of forgiveness through the model of the failed tragic hero. The following chapter explores plays written by José Sanchis Sinisterra during the Transition and the outset of the new democracy (1977-1994), that problematize the tension between the new political order and the old, imperial rhetoric of the Franco regime. Turning to Juan Mayorga in Chapter 3, I consider how his dramas transmit a bitter image of humanity's decadence and loss of moral sensitivity. Largely influenced by a European perspective, Mayorga deploys cartoonish characters in real historical circumstances in order to cast a detached comic eye on the role of the bourgeoisie in the mapping of history during the past two centuries. My final chapter analyzes the topic of religion within the new Spanish democracy in three comic plays by Fermín Cabal, Concha Romero and Carmen Resino. This chapter proposes that the powerful role of religion has not waned since Franco's death and continues to shape Spanish culture, despite the nation's reconfiguration of its Catholic views. These authors dramatize the tensions between modern secularization and traditional Catholic faith, turning to comedy and satire to explore the complex presence of religion in the lives of Spaniards.

Subjects/Keywords: Romance literature; Theater

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APA (6^th Edition):

Sprinceana, A. I. (2014). Staging History in Modern and Contemporary Spanish Drama. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6q8939qt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sprinceana, Andreea Iulia. “Staging History in Modern and Contemporary Spanish Drama.” 2014. Thesis, University of California – Berkeley. Accessed April 10, 2021. http://www.escholarship.org/uc/item/6q8939qt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sprinceana, Andreea Iulia. “Staging History in Modern and Contemporary Spanish Drama.” 2014. Web. 10 Apr 2021.

Vancouver:

Sprinceana AI. Staging History in Modern and Contemporary Spanish Drama. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2021 Apr 10]. Available from: http://www.escholarship.org/uc/item/6q8939qt.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sprinceana AI. Staging History in Modern and Contemporary Spanish Drama. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/6q8939qt

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Huddersfield

27. Almbark, Rana. The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model.

Degree: 2012, University of Huddersfield

URL: http://eprints.hud.ac.uk/id/eprint/28083/1/AlmbarkThesis.pdf

► This thesis presents an examination of the perception and production of Standard Southern British English (SSBE) vowels by Syrian Arabic (SA) Foreign language (FL) learners.… (more)

Subjects/Keywords: PC Romance languages

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APA (6^th Edition):

Almbark, R. (2012). The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model. (Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/28083/1/AlmbarkThesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Almbark, Rana. “The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model.” 2012. Thesis, University of Huddersfield. Accessed April 10, 2021. http://eprints.hud.ac.uk/id/eprint/28083/1/AlmbarkThesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Almbark, Rana. “The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model.” 2012. Web. 10 Apr 2021.

Vancouver:

Almbark R. The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model. [Internet] [Thesis]. University of Huddersfield; 2012. [cited 2021 Apr 10]. Available from: http://eprints.hud.ac.uk/id/eprint/28083/1/AlmbarkThesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almbark R. The Perception and Production of SSBE vowels by Syrian Arabic learners: The Foreign Language Model. [Thesis]. University of Huddersfield; 2012. Available from: http://eprints.hud.ac.uk/id/eprint/28083/1/AlmbarkThesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade Nova

28. Nunes, Manuel José Matos. José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos.

Degree: 2013, Universidade Nova

URL: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10378

►

Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Estudos Portugueses, especialidade de Estudos de Literatura

O ciclo de romances… (more)

Subjects/Keywords: Romance; Autobiografia; Ambiguidade

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APA (6^th Edition):

Nunes, M. J. M. (2013). José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nunes, Manuel José Matos. “José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos.” 2013. Thesis, Universidade Nova. Accessed April 10, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nunes, Manuel José Matos. “José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos.” 2013. Web. 10 Apr 2021.

Vancouver:

Nunes MJM. José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos. [Internet] [Thesis]. Universidade Nova; 2013. [cited 2021 Apr 10]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nunes MJM. José Régio, o eu superlativo – o ciclo romanesco " A velha casa " e outros escritos autobiográficos. [Thesis]. Universidade Nova; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/10378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Columbia University

29. Raillard, Sarah-Louise. Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière.

Degree: 2011, Columbia University

URL: https://doi.org/10.7916/D8V12BSB

► This dissertation looks at the thematic and narrative tensions that emerge when certain prominent late eighteenth-century French epistolary novels deal with the issue of women's… (more)

▼ This dissertation looks at the thematic and narrative tensions that emerge when certain prominent late eighteenth-century French epistolary novels deal with the issue of women's education and the possibility of its reform. The debate of the latter half of the century is firmly centered on Rousseau, who wrote both a best-selling epistolary novel dealing with the position of women in society (Julie, ou la Nouvelle HéloÃ¯se) and a controversial pedagogical treatise that suggests sweeping changes to male education but decisively anchors women within a limited domestic sphere (Émile). More specifically, I have examined the ways in which Rousseau's contradictory and problematic discussion of female pedagogy enacts narrative structures of tension and hesitation within both the treatise and the epistolary novel. Both texts, as well as the unfinished epistolary sequel Émile et Sophie, ou Les solitaires are destabilized by the fraught question of how to educate women. The contradictions engendered by attempts to maintain strict gender difference also plague Laclos' pedagogical treatises and his epistolary novel Les Liaisons dangereuses, which simultaneously offer revolution, reform, and rejection of female education. The Marquis de Sade subsequently approaches this topic with humor, choosing to imitate the excesses of Enlightenment discourse on female pedagogy, in turn creating a potentially instructive parody of his own. Finally, Isabelle de Charrière ponders the topic of women's education in a variety of non-fiction and literary works, which all reveal her cautious strategies of disguise and ambivalence when addressing such a hotly debated issue, especially from the point of view of a woman writer. Examining both the theoretical and fictional works of Rousseau, Laclos, Sade, and Charrière, I prove that the convergence of epistolarity and female pedagogy was far from accidental, and that the tensions inherent in Enlightenment thought on gender are in fact mirrored in the narrative permutations and problematics of the epistolary novel.

Subjects/Keywords: Literature; Romance literature

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APA (6^th Edition):

Raillard, S. (2011). Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8V12BSB

Chicago Manual of Style (16^th Edition):

Raillard, Sarah-Louise. “Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière.” 2011. Doctoral Dissertation, Columbia University. Accessed April 10, 2021. https://doi.org/10.7916/D8V12BSB.

MLA Handbook (7^th Edition):

Raillard, Sarah-Louise. “Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière.” 2011. Web. 10 Apr 2021.

Vancouver:

Raillard S. Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière. [Internet] [Doctoral dissertation]. Columbia University; 2011. [cited 2021 Apr 10]. Available from: https://doi.org/10.7916/D8V12BSB.

Council of Science Editors:

Raillard S. Perilous Pedagogies: Women's Education and Epistolarity from Rousseau to Charrière. [Doctoral Dissertation]. Columbia University; 2011. Available from: https://doi.org/10.7916/D8V12BSB

Columbia University

30. Ellicson, Kirsten B. Collecting as Self-Exploration in Late 19th-Century French Literature.

Degree: 2012, Columbia University

URL: https://doi.org/10.7916/D8N58TGW

► Collecting, as it was practiced in the 1880s, meant cultivating a comforting and busy, but also disorienting and disconcerting domestic, and mental, interior. This study… (more)

▼ Collecting, as it was practiced in the 1880s, meant cultivating a comforting and busy, but also disorienting and disconcerting domestic, and mental, interior. This study examines how this meaning was developed in French literature at the end of the 19th century. I consider how collecting investigates the self, exercises the powers of the mind, inquires into the individual's relationship to society and to texts. The study takes, as its point of departure, comments about the cultural significance of collecting, as a widespread taste for domestic interiors filled with objects, made by Paul Bourget and Edmond de Goncourt, two writers of the 1880s. I then focus on fictional texts from the 1880s by J.-K. Huysmans and Pierre Loti, who, more than any other writers at the end of the 19th century, depict collecting as an earnest activity of self-exploration. The specific collections involved are Huysmans' protagonist's whimsically decorated house outside of Paris, Loti's protagonist's collection of Japanese objects in Japan, Loti's protagonist's floating museum on board his ship, and the author Loti's home museum in Rochefort. Through close readings of my two texts – paying attention to repeated words, descriptions, imagery, figurative language, ironies, contradictions, juxtapositions, ambiguities, tone and intertextual references, textual form and structure – I analyze how collecting is a process of defining the self, an apprentissage. The arc of my study draws its inspiration from the theme of collecting itself. From the self and mind of the collector, I proceed to examine how he organizes space, to how he interacts with other people, to how he approaches literature. Huysmans and Loti prefigure the modernist turn toward the superfluousness of objects, insofar as the collector's elaborate reflection on his objects dominates the two texts discussed in this study, A Rebours (1884) and Madame Chrysanthème (1887). As the collector comes to be at home with objects, objects become, increasingly, catalysts for inner mental exploration. Yet the collected objects of des Esseintes and Loti are still, often, special and rare; these characters are not yet exulting in the trivial, universally available object, as later modernists will do. In Huysmans and Loti, there is still great faith in material objects and the artful arrangement of them to satisfy desires, to be the answer to the quest, to fill the lack, to lead one inward, to solve problems. Already, by the end of the 1880s, the window of earnest self-exploration through collecting, as exemplified by Huysmans and Loti, will close. In Oscar Wilde's 1890 novel The Picture of Dorian Gray, which became well-known and widely read in France at the time of its publication, collecting in Wilde's text becomes implicated in hiding the truth of oneself. In Huysmans' and Loti's depictions of collecting art, art objects and other elements, there is, in contrast, a sense of profitable, fruitful exploration of self, rather than a fear of self-exploration. The collecting they portray is a way of…

Subjects/Keywords: Literature; Romance literature

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APA (6^th Edition):

Ellicson, K. B. (2012). Collecting as Self-Exploration in Late 19th-Century French Literature. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8N58TGW

Chicago Manual of Style (16^th Edition):

Ellicson, Kirsten B. “Collecting as Self-Exploration in Late 19th-Century French Literature.” 2012. Doctoral Dissertation, Columbia University. Accessed April 10, 2021. https://doi.org/10.7916/D8N58TGW.

MLA Handbook (7^th Edition):

Ellicson, Kirsten B. “Collecting as Self-Exploration in Late 19th-Century French Literature.” 2012. Web. 10 Apr 2021.

Vancouver:

Ellicson KB. Collecting as Self-Exploration in Late 19th-Century French Literature. [Internet] [Doctoral dissertation]. Columbia University; 2012. [cited 2021 Apr 10]. Available from: https://doi.org/10.7916/D8N58TGW.

Council of Science Editors:

Ellicson KB. Collecting as Self-Exploration in Late 19th-Century French Literature. [Doctoral Dissertation]. Columbia University; 2012. Available from: https://doi.org/10.7916/D8N58TGW

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