subject:(Romance)

1. McEleney, Corey William. The Pleasure in Error: Early Modern Romance and Poetic Futility.

Degree: PhD, English, 2011, Brown University

URL: https://repository.library.brown.edu/studio/item/bdr:11331/

► This dissertation examines the errant role that pleasure plays in sixteenth- and seventeenth-century English writers' attempts to define the epistemological, ethical, and civic value of… (more)

▼ This dissertation examines the errant role that pleasure plays in sixteenth- and seventeenth-century English writers' attempts to define the epistemological, ethical, and civic value of poetry. My focus is on the mode of writing known as romance, which came under attack in the Renaissance for allegedly producing an excess of pleasure over utility. I argue that the threat of poetry's futility, which was pushed to the limits in the case of romance, reveals fundamental contradictions within the project of Renaissance humanism and constitutes a blind spot for contemporary criticism. Countering a critical tradition that approaches Renaissance texts as useful instruments for working through ethical issues, I analyze how works by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton confront and fail to resolve a tension between the pleasurable means and useful ends of poetic creation. My primary premise is that modern humanism recapitulates rather than interrogates the defensive or apologetic logic of Reformation-era treatises on poetry. Arguing about the utility of literature may assuage our moral anxieties as critics, especially in the face of the growing corporatization of the academy. Nevertheless, our adherence to an instrumental view of aesthetics calls out for critique not only because it reproduces a one-sided view of Renaissance poetic theory, but also because it functions according to a defensive logic that diminishes rather than enhances what is most "useful" or "valuable" about poetry: its distinctive ability to ironize the very notions of "use" and "value." My project thus intersects with recent attempts made by queer theorists to show how perverse pleasures exceed the ends toward which they must be directed. In this way, it calls into question what I see as contemporary criticism's pervasive hedonophobia and points to the need for re-thinking how we measure the value of literature, the arts, and the humanities. Rather than automatically defend or justify literature against the charges of idleness, errancy, and escapism, my project critiques the rhetorical and institutional forces that activate such defensive reflexes. Advisors/Committee Members: Kahn, Copp�a (Director), Feerick, Jean (Reader), Rooney, Ellen (Reader).

Subjects/Keywords: romance

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APA (6^th Edition):

McEleney, C. W. (2011). The Pleasure in Error: Early Modern Romance and Poetic Futility. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11331/

Chicago Manual of Style (16^th Edition):

McEleney, Corey William. “The Pleasure in Error: Early Modern Romance and Poetic Futility.” 2011. Doctoral Dissertation, Brown University. Accessed February 17, 2020. https://repository.library.brown.edu/studio/item/bdr:11331/.

MLA Handbook (7^th Edition):

McEleney, Corey William. “The Pleasure in Error: Early Modern Romance and Poetic Futility.” 2011. Web. 17 Feb 2020.

Vancouver:

McEleney CW. The Pleasure in Error: Early Modern Romance and Poetic Futility. [Internet] [Doctoral dissertation]. Brown University; 2011. [cited 2020 Feb 17]. Available from: https://repository.library.brown.edu/studio/item/bdr:11331/.

Council of Science Editors:

McEleney CW. The Pleasure in Error: Early Modern Romance and Poetic Futility. [Doctoral Dissertation]. Brown University; 2011. Available from: https://repository.library.brown.edu/studio/item/bdr:11331/

University of Utah

2. Hinton, Melanie. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.

Degree: PhD, English, 2012, University of Utah

URL: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

► Critical feminist discussion of eighteenth-century British women writers and their solutions to the lack of agency inherent in female experience often highlight works such as… (more)

Subjects/Keywords: Romance; Utopia

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APA (6^th Edition):

Hinton, M. (2012). Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

Chicago Manual of Style (16^th Edition):

Hinton, Melanie. “Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.” 2012. Doctoral Dissertation, University of Utah. Accessed February 17, 2020. http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106.

MLA Handbook (7^th Edition):

Hinton, Melanie. “Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia.” 2012. Web. 17 Feb 2020.

Vancouver:

Hinton M. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. [Internet] [Doctoral dissertation]. University of Utah; 2012. [cited 2020 Feb 17]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106.

Council of Science Editors:

Hinton M. Revising genre, re-visioning agency: Eighteenth-Century women writers who romanced utopia. [Doctoral Dissertation]. University of Utah; 2012. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2083/rec/2106

The University of North Carolina at Chapel Hill

3. Colchero Dorado, Rosario. Recovering memory in Jordi Soler's "Los rojos de ultramar".

Degree: 2008, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

► Este trabajo analiza los distintos procedimientos técnicos por medio de los que Jordi Soler, en su obra Los rojos de ultramar , construye un… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Colchero Dorado, R. (2008). Recovering memory in Jordi Soler's "Los rojos de ultramar". (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Colchero Dorado, Rosario. “Recovering memory in Jordi Soler's "Los rojos de ultramar".” 2008. Thesis, The University of North Carolina at Chapel Hill. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1454474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Colchero Dorado, Rosario. “Recovering memory in Jordi Soler's "Los rojos de ultramar".” 2008. Web. 17 Feb 2020.

Vancouver:

Colchero Dorado R. Recovering memory in Jordi Soler's "Los rojos de ultramar". [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2008. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colchero Dorado R. Recovering memory in Jordi Soler's "Los rojos de ultramar". [Thesis]. The University of North Carolina at Chapel Hill; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1454474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of North Carolina at Chapel Hill

4. Garber, Alexandra. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.

Degree: 2010, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

► Although the author Dulce Chacón is probably most famous for her novels, Cielos de barro (2000) and La voz dormida (2002), she wrote… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Garber, A. (2010). Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Garber, Alexandra. “Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.” 2010. Thesis, The University of North Carolina at Chapel Hill. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1480130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Garber, Alexandra. “Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative.” 2010. Web. 17 Feb 2020.

Vancouver:

Garber A. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2010. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garber A. Correspondence as resistance| The epistolary genre in Dulce Chacon's narrative. [Thesis]. The University of North Carolina at Chapel Hill; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480130

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Harvard University

5. Baselis-Bitoun, Lison. The near and far| Hermeneutics of the cannibal in Jean de Lery.

Degree: 2007, Harvard University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

► Jean de Léry belongs to the literary canon of the sixteenth century essentially for his, Histoire d'un voyage faict en la terre du Brésil.… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Baselis-Bitoun, L. (2007). The near and far| Hermeneutics of the cannibal in Jean de Lery. (Thesis). Harvard University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Baselis-Bitoun, Lison. “The near and far| Hermeneutics of the cannibal in Jean de Lery.” 2007. Thesis, Harvard University. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3267065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Baselis-Bitoun, Lison. “The near and far| Hermeneutics of the cannibal in Jean de Lery.” 2007. Web. 17 Feb 2020.

Vancouver:

Baselis-Bitoun L. The near and far| Hermeneutics of the cannibal in Jean de Lery. [Internet] [Thesis]. Harvard University; 2007. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baselis-Bitoun L. The near and far| Hermeneutics of the cannibal in Jean de Lery. [Thesis]. Harvard University; 2007. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3267065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Colas-Gil, Manuel. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".

Degree: 2009, The Johns Hopkins University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

► This dissertation explores the concept and the literary representation of delinquency expressed by Miguel de Cervantes in the first and second parts of Don… (more)

▼ This dissertation explores the concept and the literary representation of delinquency expressed by Miguel de Cervantes in the first and second parts of Don Quijote (1605 and 1615) and in several stories from his Novelas Ejemplares (1613). During the years in which Cervantes wrote the adventures of the eccentric knight of La Mancha, delinquency had become one of the principal topics of debate in Spanish society. This is evidenced by the number of texts of different types which dealt with this theme indicating both the importance of this phenomena and the way in which it was perceived within the social milieu of sixteenth and seventeenth century Spain. The evolving social preoccupation with delinquency also was reflected in the constant passage of laws to cope with the criminal population. This same concern is seen in literary works such as the popular picaresque genre. Cervantes' involvement in this dialogue, as illustrated by his fictional representation of delinquency, is the central theme of this work. Until now consideration of the theme of delinquency in Cervantes has been limited to the influence of the “picaresque” on his works, and hence has emerged almost exclusively in the criticism of a few texts (such as La ilustre fregona, Rinconete y Cortadillo and El coloquio de los perros) and a few passages in Don Quijote . This project widens this discussion in order to view Cervantes' representations of delinquency in light of the other texts which deal with delinquency in his time. In the process, the study delineates the ways in which it was a crucial preoccupation of Cervantes' life and fiction. The year 1606 is of fundamental importance to the study because it is the year in which Don Quijote became a literary success, giving Cervantes acceptance in the world of letters. This event provoked perceptible changes in his fiction, in the manner in which he fleshed out his characters, in the selection of his themes, and in his representations of delinquency. To examine all these developments, the study takes into account two groups of compositions in the literary trajectory of Cervantes. The first group includes his “early” works, which is to say those written before 1606 ( Don Quijote I and Rinconete y Cortadillo). The second group includes the “later” stories which were written after the publication of the first novel (El coloquio de los perros, La gitanilla , and La ilustre fregona). These works establish the framework within which the second part of Don Quijote is considered. This dissertation charts a series of changes in Cervantes' representation of delinquency from the early works through the second part of Don Quijote. In general, the early stories contain characteristics which are found in the first part of Don Quijote, while the later stories share traits which are seen in the second part of Don Quijote . In the early stories, Cervantes focuses…

Subjects/Keywords: Literature; Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Colas-Gil, M. (2009). Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". (Thesis). The Johns Hopkins University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Colas-Gil, Manuel. “Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".” 2009. Thesis, The Johns Hopkins University. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3340041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Colas-Gil, Manuel. “Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares".” 2009. Web. 17 Feb 2020.

Vancouver:

Colas-Gil M. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". [Internet] [Thesis]. The Johns Hopkins University; 2009. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colas-Gil M. Cervantes's representations of delinquency| "Don Quijote" (parts one and two) and the "Novelas Ejemplares". [Thesis]. The Johns Hopkins University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3340041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Hessel, Stephen. Quixotic contradiction| Aporia and Cervantes' "Don Quijote".

Degree: 2009, State University of New York at Buffalo

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

► This project investigates the field of Cervantes studies, most specifically with a focus on Don Quijote, through the supposition that due to the aporetic… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Hessel, S. (2009). Quixotic contradiction| Aporia and Cervantes' "Don Quijote". (Thesis). State University of New York at Buffalo. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hessel, Stephen. “Quixotic contradiction| Aporia and Cervantes' "Don Quijote".” 2009. Thesis, State University of New York at Buffalo. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3356118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hessel, Stephen. “Quixotic contradiction| Aporia and Cervantes' "Don Quijote".” 2009. Web. 17 Feb 2020.

Vancouver:

Hessel S. Quixotic contradiction| Aporia and Cervantes' "Don Quijote". [Internet] [Thesis]. State University of New York at Buffalo; 2009. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hessel S. Quixotic contradiction| Aporia and Cervantes' "Don Quijote". [Thesis]. State University of New York at Buffalo; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3356118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Cherry, Alina. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.

Degree: 2009, New York University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

► My dissertation examines Claude Simon's original treatment of time. This work was motivated by a desire to explore how Simon reconciles his fascination with… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Cherry, A. (2009). Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cherry, Alina. “Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.” 2009. Thesis, New York University. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3365698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cherry, Alina. “Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire.” 2009. Web. 17 Feb 2020.

Vancouver:

Cherry A. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. [Internet] [Thesis]. New York University; 2009. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cherry A. Aspects du temps chez Claude Simon| L'ecriture de l'histoire et de la memoire. [Thesis]. New York University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3365698

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Princeton University

9. Harmon, Rebecca C. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.

Degree: 2010, Princeton University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

► In sixteenth-century literary studies, early Reformed Protestantism has been characterized as hostile to literary creation and suspicious of images, broadly conceived. As a result,… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Harmon, R. C. (2010). Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. (Thesis). Princeton University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Harmon, Rebecca C. “Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.” 2010. Thesis, Princeton University. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3410992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Harmon, Rebecca C. “Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne.” 2010. Web. 17 Feb 2020.

Vancouver:

Harmon RC. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. [Internet] [Thesis]. Princeton University; 2010. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harmon RC. Witnessing words Testimony and visuality across genres in Agrippa d'Aubigne. [Thesis]. Princeton University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3410992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Khavari, Nazanin. The theme of nature in Victor Hugo's "Contemplations".

Degree: 2010, University of Maryland, College Park

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

► In Les Contemplations collection, Hugo is a real contemplator of nature: he describes it with all its immensity, beauty and ugliness, in different seasons… (more)

Subjects/Keywords: Literature; Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Khavari, N. (2010). The theme of nature in Victor Hugo's "Contemplations". (Thesis). University of Maryland, College Park. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Khavari, Nazanin. “The theme of nature in Victor Hugo's "Contemplations".” 2010. Thesis, University of Maryland, College Park. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1470368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Khavari, Nazanin. “The theme of nature in Victor Hugo's "Contemplations".” 2010. Web. 17 Feb 2020.

Vancouver:

Khavari N. The theme of nature in Victor Hugo's "Contemplations". [Internet] [Thesis]. University of Maryland, College Park; 2010. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Khavari N. The theme of nature in Victor Hugo's "Contemplations". [Thesis]. University of Maryland, College Park; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1470368

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of Oklahoma

11. Cruz-Ortiz, Jaime. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.

Degree: 2009, The University of Oklahoma

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

► Portuguese playwrights who wrote comedias during and after the Dual Monarchy (1580-1640), a period in which the Portuguese and Spanish thrones were united under… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Cruz-Ortiz, J. (2009). Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. (Thesis). The University of Oklahoma. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cruz-Ortiz, Jaime. “Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.” 2009. Thesis, The University of Oklahoma. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3354571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cruz-Ortiz, Jaime. “Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition.” 2009. Web. 17 Feb 2020.

Vancouver:

Cruz-Ortiz J. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. [Internet] [Thesis]. The University of Oklahoma; 2009. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz-Ortiz J. Jacinto Cordeiro's "El juramento ante Dios y lealtad contra el amor"| A critical edition. [Thesis]. The University of Oklahoma; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3354571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Temple University

12. Stoyneva, Anastasiya K. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.

Degree: PhD, 2017, Temple University

URL: http://digital.library.temple.edu/u?/p245801coll10,467028

►

Spanish

A Poetic Complement to Reason: Heterogeneity and the Other in the work of Antonio Machado examines some of the late work of the Spanish… (more)

Subjects/Keywords: Romance literature

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APA (6^th Edition):

Stoyneva, A. K. (2017). A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,467028

Chicago Manual of Style (16^th Edition):

Stoyneva, Anastasiya K. “A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.” 2017. Doctoral Dissertation, Temple University. Accessed February 17, 2020. http://digital.library.temple.edu/u?/p245801coll10,467028.

MLA Handbook (7^th Edition):

Stoyneva, Anastasiya K. “A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado.” 2017. Web. 17 Feb 2020.

Vancouver:

Stoyneva AK. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. [Internet] [Doctoral dissertation]. Temple University; 2017. [cited 2020 Feb 17]. Available from: http://digital.library.temple.edu/u?/p245801coll10,467028.

Council of Science Editors:

Stoyneva AK. A Poetic Complement to Reason: Heterogeneity and the Other in the Work of Antonio Machado. [Doctoral Dissertation]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,467028

Harvard University

13. Gonzalez, Goretti Teresa. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.

Degree: PhD, 2016, Harvard University

URL: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

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"Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy ca 1528-1622” examines the role of printing and translation in the formation… (more)

Subjects/Keywords: Literature; Romance

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APA (6^th Edition):

Gonzalez, G. T. (2016). Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

Chicago Manual of Style (16^th Edition):

Gonzalez, Goretti Teresa. “Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.” 2016. Doctoral Dissertation, Harvard University. Accessed February 17, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302.

MLA Handbook (7^th Edition):

Gonzalez, Goretti Teresa. “Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622.” 2016. Web. 17 Feb 2020.

Vancouver:

Gonzalez GT. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. [Internet] [Doctoral dissertation]. Harvard University; 2016. [cited 2020 Feb 17]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302.

Council of Science Editors:

Gonzalez GT. Translating Spanishness: Courtiers, Pícaros, and Gypsies at the Crossroads of Spain and Italy Ca 1528-1622. [Doctoral Dissertation]. Harvard University; 2016. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493302

14. Crackower, Marion Degos. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).

Degree: 2015, University of Louisiana at Lafayette

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

► This dissertation analyzes the evolution of French detective novels through the scope of its composition, especially the uses and functions of legal errors. It… (more)

Subjects/Keywords: Romance literature

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APA (6^th Edition):

Crackower, M. D. (2015). Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). (Thesis). University of Louisiana at Lafayette. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Crackower, Marion Degos. “Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).” 2015. Thesis, University of Louisiana at Lafayette. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3718427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Crackower, Marion Degos. “Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939).” 2015. Web. 17 Feb 2020.

Vancouver:

Crackower MD. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). [Internet] [Thesis]. University of Louisiana at Lafayette; 2015. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crackower MD. Modalites sociales et structurales de l'erreur judiciaire dans le roman policier francais (1866 – 1939). [Thesis]. University of Louisiana at Lafayette; 2015. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3718427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Miami University

15. Izadi Dastgerdi, Mehdi. 7 de Tristan Garcia: pour une poetique speculative.

Degree: MA, French, 2016, Miami University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=miami1470296797

► Tristan Garcia is a novelist who explores speculative themes in his fictional work. This thesis focuses on speculative realism philosophemes in Garcia's novel, 7. Through… (more)

Subjects/Keywords: Romance Literature

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APA (6^th Edition):

Izadi Dastgerdi, M. (2016). 7 de Tristan Garcia: pour une poetique speculative. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1470296797

Chicago Manual of Style (16^th Edition):

Izadi Dastgerdi, Mehdi. “7 de Tristan Garcia: pour une poetique speculative.” 2016. Masters Thesis, Miami University. Accessed February 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1470296797.

MLA Handbook (7^th Edition):

Izadi Dastgerdi, Mehdi. “7 de Tristan Garcia: pour une poetique speculative.” 2016. Web. 17 Feb 2020.

Vancouver:

Izadi Dastgerdi M. 7 de Tristan Garcia: pour une poetique speculative. [Internet] [Masters thesis]. Miami University; 2016. [cited 2020 Feb 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1470296797.

Council of Science Editors:

Izadi Dastgerdi M. 7 de Tristan Garcia: pour une poetique speculative. [Masters Thesis]. Miami University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1470296797

McGill University

16. Holland, Ann Marie. L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre.

Degree: MA, Department of French Language and Literature, 2012, McGill University

URL: http://digitool.library.mcgill.ca/thesisfile107620.pdf

►

One of the distinctive features of the Encyclopédie was the creation of a new status for the crafts and trades in France. This work takes… (more)

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One of the distinctive features of the Encyclopédie was the creation of a new status for the crafts and trades in France. This work takes an inventory of over 300 trades and implements a unique methodology for documenting them. The iconographical dimension of this methodology becomes a crucial component in the endeavour to furnish practical and useful instruction where words cannot deliver. Diderot's underlying intent is to reveal the inventions of the artisans and the particular operations relating to their trades, with the objective to sensitize his audience to the necessity and honour of manual labour, eradicate existing prejudice held against the artisan and heighten productivity for the nation. The innovative qualities of the Encyclopédie are in large part responsible for its commercial success and the successive versions which follow. The cheaper, small format editions reach a wider readership, but they suppress all of the plates relating to the crafts and trades, thus compromising Diderot's social vision. However, if we look a little further afield, outside of the direct lineage of Diderot's Encyclopédie, we notice that the Encyclopédie méthodique conceived and launched by Panckoucke, takes up the original content of the first edition in its entirety and publishes it in an accessible edition, organized this time by subject area, which gives birth to the Arts et métiers mécaniques dictionary. We shall determine how this specialized dictionary is the most effective conduit for Diderot's social ideology of all the avatars of the Encyclopédie in the XVIIIth century.

L'invention d'un statut pour les arts et métiers constitue pour une large part l'originalité de l'Encyclopédie. Cette dernière recense plus de 300 métiers et établit une méthodologie innovatrice pour les documenter. La dimension iconographique se révèle essentielle pour fournir des informations pratiques et utiles là où les mots font défaut. Diderot désire exposer les inventions des artisans et les procédés de chaque métier dans le but de sensibiliser le public aux bienfaits du travail manuel, d'éradiquer les préjugés envers l'artisan et d'accroître la productivité de la nation. L'originalité de l'œuvre est largement responsable de son succès commercial et de sa fortune. Les éditions portatives, moins chères, voient le jour et rejoignent un public élargi, mais les éditeurs ont décidé de supprimer les planches relatives aux arts et métiers, compromettant la vision sociale de Diderot. Pourtant, une autre édition, publiée ultérieurement, hors de la lignée directe de la première édition, voit le jour. Il s'agit de l'Encyclopédie méthodique de Panckoucke qui reprend l'édition originale dans sa totalité et la rediffuse par ordre méthodique qui donne naissance au dictionnaire Arts et métiers mécaniques. Nous allons déterminer comment ce dictionnaire spécialisé parvient le mieux, de tous les avatars de l'Encyclopédie du XVIIIe siècle, à diffuser l'idéologie sociale de Diderot.

Advisors/Committee Members: Frederic Charbonneau (Internal/Supervisor).

Subjects/Keywords: Literature - Romance

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APA (6^th Edition):

Holland, A. M. (2012). L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile107620.pdf

Chicago Manual of Style (16^th Edition):

Holland, Ann Marie. “L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre.” 2012. Masters Thesis, McGill University. Accessed February 17, 2020. http://digitool.library.mcgill.ca/thesisfile107620.pdf.

MLA Handbook (7^th Edition):

Holland, Ann Marie. “L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre.” 2012. Web. 17 Feb 2020.

Vancouver:

Holland AM. L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre. [Internet] [Masters thesis]. McGill University; 2012. [cited 2020 Feb 17]. Available from: http://digitool.library.mcgill.ca/thesisfile107620.pdf.

Council of Science Editors:

Holland AM. L'invention d'un statut pour les arts et métiers dans l'Encyclopédie et ses avatars au XVIIIe siècle: l'exemple des articles consacrés aux métiers du livre. [Masters Thesis]. McGill University; 2012. Available from: http://digitool.library.mcgill.ca/thesisfile107620.pdf

McGill University

17. Philippe, Maxime. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.

Degree: PhD, Department of French Language and Literature, 2015, McGill University

URL: http://digitool.library.mcgill.ca/thesisfile132677.pdf

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In the present dissertation, I study the notion of a “physiological revolution” in the work of Antonin Artaud in order to demonstrate how the latter… (more)

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In the present dissertation, I study the notion of a “physiological revolution” in the work of Antonin Artaud in order to demonstrate how the latter revisits the initial surrealist project. This revolution stems from Artaud’s experience of psychiatric treatment and of the asylum. In particular, it reinterprets the process of Artaud’s art-therapy. The resulting exchange and “détournement” of psychiatric discourse are interrogated along three main axes. In the first part, I examine the poet’s invented language, which he coins while undertaking art-therapy. This neological language belongs to the religious tradition of glossolalia, and psychiatry considers it pathological. It enables the poet to criticize and parody psychiatric discourse through a performance of writing, which draws upon Artaud’s participation in Raramuri rituals during his travels to Mexico. It offers a redefinition of his theatrical experimentation. The second part focuses on the radio plays of the poet and more specifically the “tuning” of his voice through this work. Artaud tries to embody vocally his character of “Artaud le Mômo,” schizophrenic patient, who condemns and derides psychiatric treatments and discourses. These radio broadcasts, while questioning the tradition of theatre, constitute a first version of Artaud’s “Theatre of Cruelty,” resorting to a multiplicity of media whose limits are crossed and blended. The last part analyses the poet’s alternative (re-)definition of the body, which criticizes the scientific and medical characterization of the latter. In his last broadcast, Artaud describes an “anatomical revolution” that must bring into being a “new body” or a “body without organs.” Again, this new body deflects the psychiatric characterization of the schizophrenic body.

Cette thèse étudie la notion de « révolution physiologique » dans l’œuvre d’Antonin Artaud dans le but de montrer comment ce dernier a repris et approfondi le projet surréaliste initial. Cette révolution est issue de l’expérience de l’asile et du traitement psychiatrique qu’a connu le poète. En particulier, elle reprend et élabore le processus d’art-thérapie auquel il a participé. L’échange et le détournement du discours psychiatrique qui en résultent sont examinés suivant trois aspects. La première partie se consacre à l’étude de la langue inventée que le poète commence à utiliser au moment où il entame l’art-thérapie. Cette langue néologique s’inscrit dans la tradition religieuse des glossolalies et est considérée comme pathologique par la psychiatrie. Elle permet au poète de critiquer le discours psychiatrique par une performance de l’écriture qui réinterprète son expérience des rituels autochtones mexicains et correspond à sa redéfinition de la pratique théâtrale. La seconde partie étudie le travail radiophonique du poète et en particulier la transformation que le poète fait subir à sa voix. Est mis en évidence comment le poète cherche à incarner vocalement son personnage d’Artaud le Mômo, patient schizophrène qui remet en cause la pratique et le discours…

Advisors/Committee Members: Arnaud Bernadet (Supervisor).

Subjects/Keywords: Literature - Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Philippe, M. (2015). La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile132677.pdf

Chicago Manual of Style (16^th Edition):

Philippe, Maxime. “La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.” 2015. Doctoral Dissertation, McGill University. Accessed February 17, 2020. http://digitool.library.mcgill.ca/thesisfile132677.pdf.

MLA Handbook (7^th Edition):

Philippe, Maxime. “La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie.” 2015. Web. 17 Feb 2020.

Vancouver:

Philippe M. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. [Internet] [Doctoral dissertation]. McGill University; 2015. [cited 2020 Feb 17]. Available from: http://digitool.library.mcgill.ca/thesisfile132677.pdf.

Council of Science Editors:

Philippe M. La révolution physiologique d’Antonin Artaud: le théâtre comme thérapie. [Doctoral Dissertation]. McGill University; 2015. Available from: http://digitool.library.mcgill.ca/thesisfile132677.pdf

McGill University

18. Huguet, Pierre. De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy.

Degree: MA, Department of French Language and Literature, 2014, McGill University

URL: http://digitool.library.mcgill.ca/thesisfile127244.pdf

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This thesis aims to show that the works of Yves Bonnefoy – from the publication of the autobiographical L’Arrière-pays (1972) to his most recent poetry,… (more)

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This thesis aims to show that the works of Yves Bonnefoy – from the publication of the autobiographical L’Arrière-pays (1972) to his most recent poetry, such as L’Heure présente (2011) – are marked by the central role that the relation to the past plays in the quest for presence. The hypothesis underpinning this study is that via the remembrance of things past, anamnesis makes possible an authentic relation with reality and beings in the present. Evoking the past is thereby the key term in the sense of finitude and the ethics of writing as Bonnefoy’s writing tirelessly seeks to name and reforge the links to beings and places. The first chapter, ‘From Autobiography to Anamnesis’, shows how the poems open the reader to a past that is not simply autobiographical and individual but also universal by a task of naming ‘Great Signifiers’. The second chapter, ‘The Anamnestic Illumination’, examines how anamnesis leads to an awareness of the origins of ‘gnostic illusions’, such as that of the hinterland, paving the way for a poetry capable of seeing its way around them in order to find a path to reality. The third chapter, ‘Anamnestic Ethics’, deals with the ethical awakening produced by the awareness of the vulnerability of beings and places to the effects of time. Contrary to the position that has traditionally been taken by critics, this thesis shows that if the quest for presence is indeed an attempt to rediscover a more genuine relation to a reality lived in its finitude, that quest is also one for the past, which will bring the poet back to the ethical demand of the present.

Le but de ce mémoire est de montrer qu’à partir de la publication de L’Arrière-pays (1972), écrit à caractère autobiographique, et jusqu’aux plus récents recueils poétiques d’Yves Bonnefoy, tel que L’Heure présente (2011), le rapport au passé joue un rôle central dans la quête de la présence. L’hypothèse qui sous-tend cette étude est que l’anamnèse bonnefoysienne permet de retrouver, grâce à un détour paradoxal par les souvenirs et le passé, un rapport authentique avec la réalité physique et humaine. L’évocation du passé gouverne à la fois le sentiment de la finitude et l’éthique de l’écriture. Chez Bonnefoy, l’œuvre vise sans cesse à nommer et renouer les liens avec les êtres et les choses destinées à disparaître. Le premier chapitre, « De l’autobiographie à l’anamnèse », montre comment, par un jeu de transposition du biographique vers de « grands signifiants », les poèmes ouvrent une quête du passé qui n’est pas simplement autobiographique et particulière, mais universelle et compréhensible pour le lecteur. Le deuxième chapitre, « L’éclaircissement anamnésique », examine comment la prise de conscience des illusions « gnostiques », rendue possible par l’anamnèse, permet une écriture poétique consciente de ses tentations et de sa redirection vers le réel. Le troisième chapitre, « L’éthique anamnésique », aborde le sursaut éthique provoqué par la conscience de la vulnérabilité des êtres et des lieux face au temps. Contrairement à la perspective…

Advisors/Committee Members: Arnaud Bernadet (Internal/Supervisor).

Subjects/Keywords: Literature - Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Huguet, P. (2014). De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile127244.pdf

Chicago Manual of Style (16^th Edition):

Huguet, Pierre. “De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy.” 2014. Masters Thesis, McGill University. Accessed February 17, 2020. http://digitool.library.mcgill.ca/thesisfile127244.pdf.

MLA Handbook (7^th Edition):

Huguet, Pierre. “De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy.” 2014. Web. 17 Feb 2020.

Vancouver:

Huguet P. De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy. [Internet] [Masters thesis]. McGill University; 2014. [cited 2020 Feb 17]. Available from: http://digitool.library.mcgill.ca/thesisfile127244.pdf.

Council of Science Editors:

Huguet P. De «L’Arrière-pays» à «L’Heure présente»: poétique de l’anamnèse chez Yves Bonnefoy. [Masters Thesis]. McGill University; 2014. Available from: http://digitool.library.mcgill.ca/thesisfile127244.pdf

McGill University

19. Sayarer, Elvan. Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo.

Degree: MA, Department of French Language and Literature, 2010, McGill University

URL: http://digitool.library.mcgill.ca/thesisfile94999.pdf

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Research on women's testimonial accounts of the camps, which developed in the 1980s and 1990s in the UK and North America, following Joan Ringelheim's pioneer… (more)

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Research on women's testimonial accounts of the camps, which developed in the 1980s and 1990s in the UK and North America, following Joan Ringelheim's pioneer work, has yet to expand into France. The present MA thesis focuses on Charlotte Delbo's memoirs, entitled Auschwitz and After. Résistante and communist, Delbo (1913-1985) was sent to Auschwitz in January 1943 as a French political prisoner. She was freed by the Red Cross on 23rd April 1945 along with forty-eight other survivors from her convoy. Immediately upon her return, she began to write her memoirs, bearing the responsibility for carrying the word. Her testimony, which is composed from a distinctly feminine perspective, goes far beyond relating her own experience of the Lager and its aftermath. Indeed, Delbo re-counts and re-presents both the individual and collective experiences of women in the camp. Above all, the author wanted to make people see and feel, providing her readers with insight into trauma. Her trilogy, both poetic and strikingly beautiful, constitutes a reconstruction (or a re-creation) of memory and its fragments, and transcends boundaries of literary conventions, espousing a hybrid, a-chronological and fragmented form. In my MA thesis, I first address the ethical obligation binding survivors to remember and pass on their experiences. I then move on to analyse Delbo's portrayal of the camps and her treatment of language when faced with the unspeakable, thus highlighting the literary strategies used to counteract its limits and to convey her experience and trauma. Finally, I examine the subjective markers of a feminine perspective inscribed in her writing.

Intitulés Auschwitz et après, les mémoires de Charlotte Delbo (1913-1985), s'inscrivent dans une lignée d'écrits au féminin. Marqués par une sensibilité et des préoccupations féminines, ses écrits concentrationnaires, longtemps négligés par la critique de langue française, témoignent du souhait de l'auteure de « donner à voir » l'expérience à la fois personnelle et collective des détenues du camp. Concevant la prise de parole et la perpétuation du souvenir comme une véritable responsabilité, Delbo s'évertue à re-présenter l'univers du Lager, autrement dit, à rendre présentes la réalité du camp et la déshumanisation des détenu(e)s. Par l'entremise d'une écriture de la réminiscence poétique et intime, Delbo tente de réconcilier son passé de déportée avec sa vie d'après les camps et de reconstruire son identité à travers le temps et un passé qui « ne passe pas ». C'est ici que se rencontre dans son oeuvre une interrogation sur la nécessité d'un « devoir de mémoire », les limites du langage et les marques d'une présence féminine. La présente étude des écrits mémoriels de Delbo est constituée de trois volets. Dans un premier temps, nous abordons les enjeux relatifs à la mémoire et les conditions d'émergence de la figure sociale du témoin au sein de la société contemporaine française. Dans un deuxième temps, nous nous consacrons à l'étude des modalités de l'écriture delbotienne, tout…

Advisors/Committee Members: Jane Everett (Internal/Supervisor).

Subjects/Keywords: Literature - Romance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sayarer, E. (2010). Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile94999.pdf

Chicago Manual of Style (16^th Edition):

Sayarer, Elvan. “Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo.” 2010. Masters Thesis, McGill University. Accessed February 17, 2020. http://digitool.library.mcgill.ca/thesisfile94999.pdf.

MLA Handbook (7^th Edition):

Sayarer, Elvan. “Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo.” 2010. Web. 17 Feb 2020.

Vancouver:

Sayarer E. Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo. [Internet] [Masters thesis]. McGill University; 2010. [cited 2020 Feb 17]. Available from: http://digitool.library.mcgill.ca/thesisfile94999.pdf.

Council of Science Editors:

Sayarer E. Mémoire et écriture dans «Auschwitz et après» de Charlotte Delbo. [Masters Thesis]. McGill University; 2010. Available from: http://digitool.library.mcgill.ca/thesisfile94999.pdf

McGill University

20. Hansen, Ann-Marie. Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais.

Degree: MA, Department of French Language and Literature, 2010, McGill University

URL: http://digitool.library.mcgill.ca/thesisfile86990.pdf

►

The history of the French notion of spleen originates in the linguistic and conceptual adoption thereof over the course of the 18th century. This thesis… (more)

Subjects/Keywords: Literature - Romance

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APA (6^th Edition):

Hansen, A. (2010). Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile86990.pdf

Chicago Manual of Style (16^th Edition):

Hansen, Ann-Marie. “Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais.” 2010. Masters Thesis, McGill University. Accessed February 17, 2020. http://digitool.library.mcgill.ca/thesisfile86990.pdf.

MLA Handbook (7^th Edition):

Hansen, Ann-Marie. “Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais.” 2010. Web. 17 Feb 2020.

Vancouver:

Hansen A. Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais. [Internet] [Masters thesis]. McGill University; 2010. [cited 2020 Feb 17]. Available from: http://digitool.library.mcgill.ca/thesisfile86990.pdf.

Council of Science Editors:

Hansen A. Une histoire du spleen français au XVIIIe siècle - la transmission, évolution et naturalisation d'un fait anglais. [Masters Thesis]. McGill University; 2010. Available from: http://digitool.library.mcgill.ca/thesisfile86990.pdf

University of Oxford

21. Christie, Edwina Louise. Dissimulating romance : the ethics of deception in seventeenth-century prose romance.

Degree: PhD, 2016, University of Oxford

URL: http://ora.ox.ac.uk/objects/uuid:292cf3cf-7ecf-4b1d-a4ca-d2f5c65ab0a0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730477

► This thesis argues that seventeenth-century English prose romances are motivated by anxieties over truth-telling and the ethical practice of deception. From the title of MacKenzie's… (more)

Subjects/Keywords: Romance fiction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Christie, E. L. (2016). Dissimulating romance : the ethics of deception in seventeenth-century prose romance. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:292cf3cf-7ecf-4b1d-a4ca-d2f5c65ab0a0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730477

Chicago Manual of Style (16^th Edition):

Christie, Edwina Louise. “Dissimulating romance : the ethics of deception in seventeenth-century prose romance.” 2016. Doctoral Dissertation, University of Oxford. Accessed February 17, 2020. http://ora.ox.ac.uk/objects/uuid:292cf3cf-7ecf-4b1d-a4ca-d2f5c65ab0a0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730477.

MLA Handbook (7^th Edition):

Christie, Edwina Louise. “Dissimulating romance : the ethics of deception in seventeenth-century prose romance.” 2016. Web. 17 Feb 2020.

Vancouver:

Christie EL. Dissimulating romance : the ethics of deception in seventeenth-century prose romance. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2020 Feb 17]. Available from: http://ora.ox.ac.uk/objects/uuid:292cf3cf-7ecf-4b1d-a4ca-d2f5c65ab0a0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730477.

Council of Science Editors:

Christie EL. Dissimulating romance : the ethics of deception in seventeenth-century prose romance. [Doctoral Dissertation]. University of Oxford; 2016. Available from: http://ora.ox.ac.uk/objects/uuid:292cf3cf-7ecf-4b1d-a4ca-d2f5c65ab0a0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730477

Universidade Federal de Santa Maria

22. Vanessa Maidana Freire. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.

Degree: 2010, Universidade Federal de Santa Maria

URL: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

►

Neste trabalho propomos, fundamentalmente, uma revisão teórico-crítica a respeito do gênero autoficção e uma abordagem da obra Chove sobre minha infância, 2000, do escritor paranaense… (more)

▼

Neste trabalho propomos, fundamentalmente, uma revisão teórico-crítica a respeito do gênero autoficção e uma abordagem da obra Chove sobre minha infância, 2000, do escritor paranaense Miguel Sanches Neto, focada na presença e função dos elementos imagéticos que estão incorporados ao discurso literário. O texto narrativo mencionado movimenta-se por dois gêneros literários diferentes: o romance e a autobiografia. Esses registros discursivos convergem para um gênero relativamente novo dentro da produção literária, o que o torna, então, um objeto que chama atenção cada vez mais no fazer dos estudos literários. Em virtude de sua heterogeneidade discursiva, a narrativa coloca-nos frente a uma série de impasses e problemas teóricos. A fim de melhor esclarecê-los, em um primeiro momento, apresentamos em uma contextualização as principais teorizações e discussões a respeito tanto das autobiografias, quanto das autoficções. No segundo momento de nosso trabalho, destacamos a função do elemento fotográfico como contribuição compositiva de um discurso verbal, bem como os problemas decorrentes da integração de signos não-linguísticos ao texto ficcional.

In this work we propose basically a theoretical-critical review and an approach to analyze the autofiction genre Chove sobre minha infância, 2000 by Miguel Sanches Neto, focusing on the existence and function of non-verbal elements incorporated in the literary discourse. This narrative text is composed by two different literary genres: the romance (novel) and the autobiography. These discursive registers come together to suggest a new genre in the literature, becoming a new object of study in our field. Due to the discursive heterogeneity, the narrative presents some situation and theoretical problems which, firstly, we aim to explain it by presenting the literature review and debates about autobiographies and autofiction genres. Secondly, we are going to highlight the function of non-verbal analysis as a setting contribution to the verbal discourse, as well as the problems resulting from the integration of non-verbal signs into the fictional text.

Advisors/Committee Members: Fernando Villarraga Eslava, Benito Martinez Rodriguez, Maria Eulália Ramicelli.

Subjects/Keywords: imagem; romance; autoficção; LETRAS; autofiction; romance; image

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Freire, V. M. (2010). A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Freire, Vanessa Maidana. “A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.” 2010. Thesis, Universidade Federal de Santa Maria. Accessed February 17, 2020. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Freire, Vanessa Maidana. “A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO.” 2010. Web. 17 Feb 2020.

Vancouver:

Freire VM. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2010. [cited 2020 Feb 17]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freire VM. A AUTOFICÇÃO NARRATIVA: IMPASSES E AMBIGUIDADES LITERÁRIOS. A PROPÓSITO DE CHOVE SOBRE MINHA INFÂNCIA, DE MIGUEL SANCHES NETO. [Thesis]. Universidade Federal de Santa Maria; 2010. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=3288

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

23. Lawrence, Andrea Joan. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.

Degree: m_ma, College of Arts & Law, 2019, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/8802/

► This thesis examines representations of the Iberian periphery, notably Portugal and Catalonia, as depicted in Josep Pla’s Direcció Lisboa and Gaziel’s Trilogia ibèrica. Engaging with… (more)

Subjects/Keywords: PC Romance languages; PQ Romance literatures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lawrence, A. J. (2019). Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8802/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lawrence, Andrea Joan. “Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.” 2019. Thesis, University of Birmingham. Accessed February 17, 2020. http://etheses.bham.ac.uk//id/eprint/8802/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lawrence, Andrea Joan. “Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet.” 2019. Web. 17 Feb 2020.

Vancouver:

Lawrence AJ. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2020 Feb 17]. Available from: http://etheses.bham.ac.uk//id/eprint/8802/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawrence AJ. Navigating Iberian landscapes in the travel writing of Josep Pla and Agusti Calvet. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/8802/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

24. Jenkins, Rommany. The origin and role of sospiro in the poetry of Guido Cavalcanti.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/7400/

► This thesis focuses on the keyword sospiro (‘sigh’) in the poetry of Guido Cavalcanti. It reads this word in relation to the lyric poetry of… (more)

Subjects/Keywords: PC Romance languages; PQ Romance literatures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jenkins, R. (2017). The origin and role of sospiro in the poetry of Guido Cavalcanti. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Thesis, University of Birmingham. Accessed February 17, 2020. http://etheses.bham.ac.uk//id/eprint/7400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Web. 17 Feb 2020.

Vancouver:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2020 Feb 17]. Available from: http://etheses.bham.ac.uk//id/eprint/7400/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7400/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

25. Ramos Caballero, Aurelio. The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos.

Degree: m_ph, College of Arts & Law, 2010, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/417/

► This dissertation is looking at the representation of the Civil War in three significant texts: Soldados de Salamina, La mula and Los girasoles ciegos. Approaching… (more)

Subjects/Keywords: PQ Romance literatures; PC Romance languages

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ramos Caballero, A. (2010). The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/417/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ramos Caballero, Aurelio. “The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos.” 2010. Thesis, University of Birmingham. Accessed February 17, 2020. http://etheses.bham.ac.uk//id/eprint/417/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ramos Caballero, Aurelio. “The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos.” 2010. Web. 17 Feb 2020.

Vancouver:

Ramos Caballero A. The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2020 Feb 17]. Available from: http://etheses.bham.ac.uk//id/eprint/417/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramos Caballero A. The Spanish Civil war in contemporary Spanish fiction: Soldados de Salamina, La Mula and Los Girasoles Ciegos. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/417/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

26. Jenkins, Rommany. The origin and role of sospiro in the poetry of Guido Cavalcanti.

Degree: PhD, 2017, University of Birmingham

URL: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

► This thesis focuses on the keyword sospiro (‘sigh’) in the poetry of Guido Cavalcanti. It reads this word in relation to the lyric poetry of… (more)

Subjects/Keywords: 851; PC Romance languages; PQ Romance literatures

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jenkins, R. (2017). The origin and role of sospiro in the poetry of Guido Cavalcanti. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

Chicago Manual of Style (16^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Doctoral Dissertation, University of Birmingham. Accessed February 17, 2020. http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551.

MLA Handbook (7^th Edition):

Jenkins, Rommany. “The origin and role of sospiro in the poetry of Guido Cavalcanti.” 2017. Web. 17 Feb 2020.

Vancouver:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Internet] [Doctoral dissertation]. University of Birmingham; 2017. [cited 2020 Feb 17]. Available from: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551.

Council of Science Editors:

Jenkins R. The origin and role of sospiro in the poetry of Guido Cavalcanti. [Doctoral Dissertation]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7400/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715551

University of California, Berkeley

27. Cordero Sanchez, Luis Pascual. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.

Degree: 2014, University of California, Berkeley

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

► This dissertation analyzes the prose of José Manuel Caballero Bonald and Fernando Quiñones, and the cinema from Late-Francoism to Post-Transition, paying especial attention to… (more)

▼ This dissertation analyzes the prose of José Manuel Caballero Bonald and Fernando Quiñones, and the cinema from Late-Francoism to Post-Transition, paying especial attention to the flamenco films by Carlos Saura. Their shared historical Andalusian background provides an opportunity to examine the shift from Francoist centralism to the quasi-federalism of Spain's "Autonomous Communities" (la España de las Autonomías ), as well as their notion of Andalusian identity within the framework of Andalusia as a newly minted Autonomous Community since 1981. Drawing on anthropology, Colonial Studies, history, and social theory, the study adopts an interdisciplinary approach as it examines the issue of Andalusian identity from the above-mentioned perspectives using a diverse corpus of texts from literature, film and the performing arts. The first two chapters focus on the rise of Andalusia as an Autonomía, and Caballero Bonald and Quiñones' attempt to purge Andalusia's stereotypical image. They review the history of the colonization of the Iberian Peninsula by the Phoenicians and the Arabs, as well as the arrival of Gypsies during the Middle Ages –which contributed to the consolidation of flamenco– and the ensuing cultural mix that was the basis for Caballero Bonald and Quiñones' concept of Andalusian identity. The third chapter analyzes the symbols they chose to represent their identity: the bull, the horse, and wine. The last two chapters explore the role of Andalusians as colonizers of the New World, who are in turn "colonized" as certain components of Latin American cultural production make their way into Andalusian aesthetics with an emphasis in the (Neo)Baroque and the "marvelous real" (real maravilloso). I find that, in the given context, both Caballero Bonald and Quiñones reflect on their identity, concluding that its particular essence is based on both mestizaje -the intermixing of Oriental, European and American cultures-and the dual status of the Iberian Peninsula as both colonizer and colonized.

Subjects/Keywords: Literature, Romance; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cordero Sanchez, L. P. (2014). Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. (Thesis). University of California, Berkeley. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cordero Sanchez, Luis Pascual. “Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.” 2014. Thesis, University of California, Berkeley. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3640391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cordero Sanchez, Luis Pascual. “Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion.” 2014. Web. 17 Feb 2020.

Vancouver:

Cordero Sanchez LP. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. [Internet] [Thesis]. University of California, Berkeley; 2014. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cordero Sanchez LP. Viaje literario con Jose Manuel Caballero Bonald y Fernando Quinones. Oriente-Andalucia- Occidente| Una ruta para reimaginar la Andalucia del Tardofranquismo a la Postransicion. [Thesis]. University of California, Berkeley; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3640391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The University of North Carolina at Chapel Hill

28. Greenburg, Katherine Elizabeth. Rewriting historical neorealism in Matteo Garrone's "Gomorra".

Degree: 2010, The University of North Carolina at Chapel Hill

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

► A response to the highly censured films of the Fascism, Neorealism took an apparently inglorious approach to daily lives of Italian citizens. To employ… (more)

Subjects/Keywords: Literature, Romance; Cinema

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Greenburg, K. E. (2010). Rewriting historical neorealism in Matteo Garrone's "Gomorra". (Thesis). The University of North Carolina at Chapel Hill. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Greenburg, Katherine Elizabeth. “Rewriting historical neorealism in Matteo Garrone's "Gomorra".” 2010. Thesis, The University of North Carolina at Chapel Hill. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=1480132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Greenburg, Katherine Elizabeth. “Rewriting historical neorealism in Matteo Garrone's "Gomorra".” 2010. Web. 17 Feb 2020.

Vancouver:

Greenburg KE. Rewriting historical neorealism in Matteo Garrone's "Gomorra". [Internet] [Thesis]. The University of North Carolina at Chapel Hill; 2010. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greenburg KE. Rewriting historical neorealism in Matteo Garrone's "Gomorra". [Thesis]. The University of North Carolina at Chapel Hill; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1480132

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Missouri – Columbia

29. Fueger, Kathleen M. Deception and truth| The use of letters in the comedies of Iriarte and Moratin.

Degree: 2011, University of Missouri – Columbia

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

► This study examines the dramatic and thematic role of staged letters in the neoclassic comedies of Spain’s eminent comediographs Tomás de Iriarte and Leandro… (more)

Subjects/Keywords: Literature, Romance; Theater

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fueger, K. M. (2011). Deception and truth| The use of letters in the comedies of Iriarte and Moratin. (Thesis). University of Missouri – Columbia. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fueger, Kathleen M. “Deception and truth| The use of letters in the comedies of Iriarte and Moratin.” 2011. Thesis, University of Missouri – Columbia. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3458972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fueger, Kathleen M. “Deception and truth| The use of letters in the comedies of Iriarte and Moratin.” 2011. Web. 17 Feb 2020.

Vancouver:

Fueger KM. Deception and truth| The use of letters in the comedies of Iriarte and Moratin. [Internet] [Thesis]. University of Missouri – Columbia; 2011. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fueger KM. Deception and truth| The use of letters in the comedies of Iriarte and Moratin. [Thesis]. University of Missouri – Columbia; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3458972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Georgetown University

30. Tapia, Carlos Fernando. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.

Degree: 2009, Georgetown University

URL: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

► On a superficial level, the Lazarillo de Tormes (1554) appears to be a short book on the adventures of a young boy in sixteenth-century… (more)

▼ On a superficial level, the Lazarillo de Tormes (1554) appears to be a short book on the adventures of a young boy in sixteenth-century Spain. Despite its brevity, the Lazarillo has managed to produce an extensive corpus of scholarship. Most of the scholarly treatises deal with the various literary aspects of the work. Topics range from the question of whether the Lazarillo can be considered the first picaresque novel, to attempts at identifying the anonymous author, to the use of irony and other narrative devices that make the book a literary classic. The richness of literature provided an impetus for people to find ways of recreating the memorable characters and events in other venues of artistic expression. Just as theatrical productions became platforms for representation of literary works, film allowed for mass audiences to experience visually the literary beauty. The Lazarillo was brought to the screen three times in the twentieth century. The first film, entitled El Lazarillo de Tormes, was directed by Florián Rey in 1925. Interestingly, the film traces the adventures of a boy named Lazarillo in the Spain of the 1920s. Sadly, no copies of this film exist. In 1959, César Fernández Ardavín directed the second film also entitled El Lazarillo de Tormes. The film explores Lazarillo's childhood experiences with four masters. The last film adaptation was Lázaro de Tormes (2000), a project begun by Fernando Fernán Gómez and completed by José Luis García Sánchez. This film deals with the life of an adult Lázaro, who is called to answer allegations regarding his past and present behavior. This thesis is the first study to examine the novel in conjunction with the two existent films. Recognizing the inherent relationship between literature and film, as well as the uniqueness of each medium, this thesis explores the works through the following themes: "authority," "realism or verisimilitude and the portrayal of the reality of poverty," and "religion." The aforementioned themes form the main chapters of the dissertation. Through its examination of these topics, this study seeks to contribute to the expansive discourse on the Lazarillo.

Subjects/Keywords: Literature, Romance; Cinema

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APA (6^th Edition):

Tapia, C. F. (2009). Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. (Thesis). Georgetown University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tapia, Carlos Fernando. “Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.” 2009. Thesis, Georgetown University. Accessed February 17, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=3339925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tapia, Carlos Fernando. “Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations.” 2009. Web. 17 Feb 2020.

Vancouver:

Tapia CF. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. [Internet] [Thesis]. Georgetown University; 2009. [cited 2020 Feb 17]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tapia CF. Ink and celluloid| A study of the Lazarillo de Tormes and its filmic adaptations. [Thesis]. Georgetown University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3339925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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