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You searched for subject:(Roman Catholic Sacred Music). Showing records 1 – 30 of 34093 total matches.

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University of Oklahoma

1. Ganza, Christopher. The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council.

Degree: DMA, 2020, University of Oklahoma

 The thesis of this study is that Richard Proulx (1937-2010) composed sacred music in a manner that fulfilled directives on sacred music from the Second… (more)

Subjects/Keywords: Richard Proulx; Second Vatican Council; Vatican II; Roman Catholic Sacred Music

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APA (6th Edition):

Ganza, C. (2020). The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/324175

Chicago Manual of Style (16th Edition):

Ganza, Christopher. “The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council.” 2020. Doctoral Dissertation, University of Oklahoma. Accessed July 13, 2020. http://hdl.handle.net/11244/324175.

MLA Handbook (7th Edition):

Ganza, Christopher. “The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council.” 2020. Web. 13 Jul 2020.

Vancouver:

Ganza C. The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council. [Internet] [Doctoral dissertation]. University of Oklahoma; 2020. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11244/324175.

Council of Science Editors:

Ganza C. The Liturgical Music of Richard Proulx as a Fulfillment of the Musical Directives of the Second Vatican Council. [Doctoral Dissertation]. University of Oklahoma; 2020. Available from: http://hdl.handle.net/11244/324175


Boston University

2. Wargovich, Bridgette Elizabeth. The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music.

Degree: DMA, Music Performance, 2018, Boston University

 Joseph Ratzinger, who led the Catholic Church as Pope Benedict XVI from 2005 to 2013, is a well-respected and published theologian. Much of his writing… (more)

Subjects/Keywords: Music; Joseph Ratzinger; Liturgy; Pope Benedict XVI; Catholic liturgical music; Pipe organ; Sacred music

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APA (6th Edition):

Wargovich, B. E. (2018). The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/32700

Chicago Manual of Style (16th Edition):

Wargovich, Bridgette Elizabeth. “The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music.” 2018. Doctoral Dissertation, Boston University. Accessed July 13, 2020. http://hdl.handle.net/2144/32700.

MLA Handbook (7th Edition):

Wargovich, Bridgette Elizabeth. “The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music.” 2018. Web. 13 Jul 2020.

Vancouver:

Wargovich BE. The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music. [Internet] [Doctoral dissertation]. Boston University; 2018. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2144/32700.

Council of Science Editors:

Wargovich BE. The king of musical instruments and The Spirit of the Liturgy: the pipe organ and its liturgical repertoire analyzed in light of Ratzinger's theology of liturgical music. [Doctoral Dissertation]. Boston University; 2018. Available from: http://hdl.handle.net/2144/32700

3. Broderick, Amber E. Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition.

Degree: MM, Music History, 2012, Bowling Green State University

 Hector Berlioz (1803-1869) was commissioned by the French government in 1836 to compose a requiem mass for a state ceremony and to restore sacred music(more)

Subjects/Keywords: Music; Hector Berlioz; Grande messe des morts; Requiem; Roman Catholic; requiem; mass; sacred music; secular

…x28;1803-1869) complex relationship with the Roman Catholic Church and its music has always… …Berlioz shows a remarkable interest in sacred music.” Hector Berlioz, Memoiren, ed. by Wolf… …in his sacred music. To answer these questions, I examine the problematic relationship… …between traditional Roman Catholic requiem masses (utilizing the requiems of François… …history and lingering effects of the French Revolution, the decline of sacred music in… 

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APA (6th Edition):

Broderick, A. E. (2012). Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345136918

Chicago Manual of Style (16th Edition):

Broderick, Amber E. “Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition.” 2012. Masters Thesis, Bowling Green State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345136918.

MLA Handbook (7th Edition):

Broderick, Amber E. “Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition.” 2012. Web. 13 Jul 2020.

Vancouver:

Broderick AE. Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition. [Internet] [Masters thesis]. Bowling Green State University; 2012. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345136918.

Council of Science Editors:

Broderick AE. Grande messe des morts: Hector Berlioz's Romantic Interpretation of the Roman Catholic Requiem Tradition. [Masters Thesis]. Bowling Green State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1345136918


University of Rochester

4. Hess, John Christopher. YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL.

Degree: MA(Theological Studies) – St. Bernard's, 2013, University of Rochester

Master of Arts (Theological Studies) – St. Bernard's School of Theology and Ministry, 2013.

The Entrance Antiphons in the 2010 English translation of the Third Edition… (more)

Subjects/Keywords: Antiphons; Catholic music; Vernacular songs; Roman Catholicism; Entrance Rite

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APA (6th Edition):

Hess, J. C. (2013). YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL. (Masters Thesis). University of Rochester. Retrieved from http://hdl.handle.net/1802/27361

Chicago Manual of Style (16th Edition):

Hess, John Christopher. “YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL.” 2013. Masters Thesis, University of Rochester. Accessed July 13, 2020. http://hdl.handle.net/1802/27361.

MLA Handbook (7th Edition):

Hess, John Christopher. “YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL.” 2013. Web. 13 Jul 2020.

Vancouver:

Hess JC. YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL. [Internet] [Masters thesis]. University of Rochester; 2013. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1802/27361.

Council of Science Editors:

Hess JC. YOUR STATUTES HAVE BECOME MY SONG: THE ENGLISH TRANSLATION OF THE ADVENT ENTRANCE ANTIPHONS IN THE THIRD EDITION OF THE ROMAN MISSAL. [Masters Thesis]. University of Rochester; 2013. Available from: http://hdl.handle.net/1802/27361


Bowling Green State University

5. Peringer, Patrick Edward. Awake.

Degree: MM, Music Composition, 2007, Bowling Green State University

 Awake, O sleeper, rise up from the dead, and Christ will give you light. -Ephesians 5:14b (New Living Translation) The text from Ephesians is a… (more)

Subjects/Keywords: Music; Orchestra; Sacred Music

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APA (6th Edition):

Peringer, P. E. (2007). Awake. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1166062315

Chicago Manual of Style (16th Edition):

Peringer, Patrick Edward. “Awake.” 2007. Masters Thesis, Bowling Green State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1166062315.

MLA Handbook (7th Edition):

Peringer, Patrick Edward. “Awake.” 2007. Web. 13 Jul 2020.

Vancouver:

Peringer PE. Awake. [Internet] [Masters thesis]. Bowling Green State University; 2007. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1166062315.

Council of Science Editors:

Peringer PE. Awake. [Masters Thesis]. Bowling Green State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1166062315


University of South Africa

6. Nyandoro, Rudolf. Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe .

Degree: 2010, University of South Africa

 The purpose of this research was to assess counselling skills among the Roman Catholic priests in Masvingo diocese- Zimbabwe. This research took place because the… (more)

Subjects/Keywords: Roman Catholic; Counselling; Masvingo diocese

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APA (6th Edition):

Nyandoro, R. (2010). Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/4298

Chicago Manual of Style (16th Edition):

Nyandoro, Rudolf. “Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe .” 2010. Doctoral Dissertation, University of South Africa. Accessed July 13, 2020. http://hdl.handle.net/10500/4298.

MLA Handbook (7th Edition):

Nyandoro, Rudolf. “Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe .” 2010. Web. 13 Jul 2020.

Vancouver:

Nyandoro R. Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe . [Internet] [Doctoral dissertation]. University of South Africa; 2010. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10500/4298.

Council of Science Editors:

Nyandoro R. Assessment of counselling skills among the clergy : a study of the Roman Catholic priest in the diocese of Masvingo in Zimbabwe . [Doctoral Dissertation]. University of South Africa; 2010. Available from: http://hdl.handle.net/10500/4298


University of Sydney

7. O'Donnell, Paul Anthony. Remember and recognise: caring for Catholic patrimony .

Degree: 2013, University of Sydney

 Cultural heritage, also known as cultural patrimony, is intrinsic to Catholic faith. Its stewardship is an ethical responsibility. The neglect, dispersal and destruction of that… (more)

Subjects/Keywords: Religious conservation; Catholic heritage; Sacred place

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APA (6th Edition):

O'Donnell, P. A. (2013). Remember and recognise: caring for Catholic patrimony . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Donnell, Paul Anthony. “Remember and recognise: caring for Catholic patrimony .” 2013. Thesis, University of Sydney. Accessed July 13, 2020. http://hdl.handle.net/2123/13247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Donnell, Paul Anthony. “Remember and recognise: caring for Catholic patrimony .” 2013. Web. 13 Jul 2020.

Vancouver:

O'Donnell PA. Remember and recognise: caring for Catholic patrimony . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2123/13247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Donnell PA. Remember and recognise: caring for Catholic patrimony . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/13247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

8. Esparza, Eric Peché. The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary.

Degree: DMA, Conducting, 2012, Boston University

 Francesco Cavalli was the most renowned composer of opera in seventeenth-century Venice. Though Cavalli's operas have enjoyed a surge in popularity and interest in recent… (more)

Subjects/Keywords: Cavalli, Francesco; Sacred music; Motets

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APA (6th Edition):

Esparza, E. P. (2012). The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/12364

Chicago Manual of Style (16th Edition):

Esparza, Eric Peché. “The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary.” 2012. Doctoral Dissertation, Boston University. Accessed July 13, 2020. http://hdl.handle.net/2144/12364.

MLA Handbook (7th Edition):

Esparza, Eric Peché. “The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary.” 2012. Web. 13 Jul 2020.

Vancouver:

Esparza EP. The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary. [Internet] [Doctoral dissertation]. Boston University; 2012. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2144/12364.

Council of Science Editors:

Esparza EP. The motets of Francesco Cavalli's Musiche Sacre: performing edition with critical commentary. [Doctoral Dissertation]. Boston University; 2012. Available from: http://hdl.handle.net/2144/12364


Youngstown State University

9. Considine, Karen A. Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa.

Degree: MM, Dana School of Music, 2015, Youngstown State University

 The<i> Harmonia Artificioso-Ariosa</i> is the final published instrumental work of Heinrich Ignaz Franz von Biber. This collection was printed in 1696 in private copy and… (more)

Subjects/Keywords: Music; Biber; Heinrich; violin; scordatura; sacred; music

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APA (6th Edition):

Considine, K. A. (2015). Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1452604657

Chicago Manual of Style (16th Edition):

Considine, Karen A. “Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa.” 2015. Masters Thesis, Youngstown State University. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1452604657.

MLA Handbook (7th Edition):

Considine, Karen A. “Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa.” 2015. Web. 13 Jul 2020.

Vancouver:

Considine KA. Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa. [Internet] [Masters thesis]. Youngstown State University; 2015. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1452604657.

Council of Science Editors:

Considine KA. Interpreting the Style and Context of Heinrich Ignaz Franz Biber’s Harmonia Artificioso- Ariosa. [Masters Thesis]. Youngstown State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1452604657


University of Cincinnati

10. Cronin, Molly K. American Fuging Tunes in The Sacred Harp.

Degree: MM, College-Conservatory of Music : Music History, 2010, University of Cincinnati

 Although originally from Great Britain, the fuging tune gained such popularity in eighteenth-century America that scholars now associate it with the First New England School… (more)

Subjects/Keywords: Music; sacred harp; fuging tune; american music

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APA (6th Edition):

Cronin, M. K. (2010). American Fuging Tunes in The Sacred Harp. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283

Chicago Manual of Style (16th Edition):

Cronin, Molly K. “American Fuging Tunes in The Sacred Harp.” 2010. Masters Thesis, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283.

MLA Handbook (7th Edition):

Cronin, Molly K. “American Fuging Tunes in The Sacred Harp.” 2010. Web. 13 Jul 2020.

Vancouver:

Cronin MK. American Fuging Tunes in The Sacred Harp. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283.

Council of Science Editors:

Cronin MK. American Fuging Tunes in The Sacred Harp. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719283


University of KwaZulu-Natal

11. Ndlovu, Nondumiso Ayanda. Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province.

Degree: 2018, University of KwaZulu-Natal

 The primary aim of this study was to explore and gain different perceptions of individuals regarding the role of the church in combating crime within… (more)

Subjects/Keywords: KwaZulu-Natal.; Criminology.; Roman Catholic Church.

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APA (6th Edition):

Ndlovu, N. A. (2018). Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province. (Thesis). University of KwaZulu-Natal. Retrieved from https://researchspace.ukzn.ac.za/handle/10413/16971

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ndlovu, Nondumiso Ayanda. “Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province.” 2018. Thesis, University of KwaZulu-Natal. Accessed July 13, 2020. https://researchspace.ukzn.ac.za/handle/10413/16971.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ndlovu, Nondumiso Ayanda. “Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province.” 2018. Web. 13 Jul 2020.

Vancouver:

Ndlovu NA. Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province. [Internet] [Thesis]. University of KwaZulu-Natal; 2018. [cited 2020 Jul 13]. Available from: https://researchspace.ukzn.ac.za/handle/10413/16971.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ndlovu NA. Criminological theological efforts in combating crime by Roman Catholic Church of umndeni oyingcwele, KwaZulu-Natal province. [Thesis]. University of KwaZulu-Natal; 2018. Available from: https://researchspace.ukzn.ac.za/handle/10413/16971

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. PERSICO, ALESSANDRO. ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932).

Degree: 2014, Università Cattolica del Sacro Cuore

La ricerca approfondisce il ruolo svolto da Adriano Bernareggi, sacerdote milanese, poi dal 1932 vescovo di Bergamo, nel movimento di rinnovamento degli studi ecclesiastici che… (more)

Subjects/Keywords: M-STO/07: STORIA DEL CRISTIANESIMO E DELLE CHIESE; M-STO/04: STORIA CONTEMPORANEA; Adriano Bernareggi, cultura ecclesiastica, teologia, liturgia, movimento liturgico, movimento artistico, arte sacra, insegnamento seminariale, diritto canonico, diritto ecclesiastico, Università Cattolica, Questione Romana, Conciliazione, Scuola Cattolica, Sacro Cuore, ecclesiastical culture, theology, liturgy, liturgical movement, artistic movement, sacred art, seminar teaching, canon law, ecclesistical law, Catholic University, Roman Question; Conciliation; Catholic School, Sacred Heart

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6

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APA (6th Edition):

PERSICO, A. (2014). ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932). (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/3159

Chicago Manual of Style (16th Edition):

PERSICO, ALESSANDRO. “ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932).” 2014. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed July 13, 2020. http://hdl.handle.net/10280/3159.

MLA Handbook (7th Edition):

PERSICO, ALESSANDRO. “ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932).” 2014. Web. 13 Jul 2020.

Vancouver:

PERSICO A. ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932). [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2014. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10280/3159.

Council of Science Editors:

PERSICO A. ADRIANO BERNAREGGI E IL RINNOVAMENTO DELLA CULTURA ECCLESIASTICA ITALIANA (1884 - 1932). [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2014. Available from: http://hdl.handle.net/10280/3159


University of Notre Dame

13. Caleb R. Wenzel. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.

Degree: Sacred Music, 2017, University of Notre Dame

  Scholars and performers of seventeenth–century music have long been aware of Sebastian Knüpfer (1633-76) and his place in the history of the city of… (more)

Subjects/Keywords: Thomaskirche; Thomaskantor; Lutheran Sacred Music; Sacred Vocal Concerto; Sebastian Knüpfer; Leipzig

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APA (6th Edition):

Wenzel, C. R. (2017). Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/z890rr20b22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Thesis, University of Notre Dame. Accessed July 13, 2020. https://curate.nd.edu/show/z890rr20b22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wenzel, Caleb R.. “Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>.” 2017. Web. 13 Jul 2020.

Vancouver:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Internet] [Thesis]. University of Notre Dame; 2017. [cited 2020 Jul 13]. Available from: https://curate.nd.edu/show/z890rr20b22.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wenzel CR. Sebastian Knüpfer's <i>Super Flumina Babylonis</i>: Dramatic and Homiletic Expressivity in the Seventeenth-Century Sacred Vocal Concerto Genre</h1>. [Thesis]. University of Notre Dame; 2017. Available from: https://curate.nd.edu/show/z890rr20b22

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Shurley, Andrea. Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making.

Degree: Doctor of Education (EdD), Leadership Studies, 2015, University of San Francisco

  The Network of Sacred Heart Schools advances its education mission through a pivotal document entitled Goals and Criteria for Sacred Heart Schools in the… (more)

Subjects/Keywords: Catholic Education; Decision-Making; Mission; Sacred Heart; Education; Educational Leadership

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APA (6th Edition):

Shurley, A. (2015). Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making. (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/diss/291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shurley, Andrea. “Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making.” 2015. Thesis, University of San Francisco. Accessed July 13, 2020. https://repository.usfca.edu/diss/291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shurley, Andrea. “Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making.” 2015. Web. 13 Jul 2020.

Vancouver:

Shurley A. Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making. [Internet] [Thesis]. University of San Francisco; 2015. [cited 2020 Jul 13]. Available from: https://repository.usfca.edu/diss/291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shurley A. Perceptions of Four Sacred Heart Heads of School Relative to the Utilization of the Goals and Criteria and Specific Processes in Decision Making. [Thesis]. University of San Francisco; 2015. Available from: https://repository.usfca.edu/diss/291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

15. MEASEL, GEOFFREY EDWARD. DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2007, University of Cincinnati

 Since the Second Vatican Council architects, theologians, and society have been struggling to define what being a Catholic church in a modern world is and… (more)

Subjects/Keywords: Catholic Architecture; Sacred Spaces; Vatican II; Built Theology

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APA (6th Edition):

MEASEL, G. E. (2007). DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773

Chicago Manual of Style (16th Edition):

MEASEL, GEOFFREY EDWARD. “DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY.” 2007. Masters Thesis, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773.

MLA Handbook (7th Edition):

MEASEL, GEOFFREY EDWARD. “DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY.” 2007. Web. 13 Jul 2020.

Vancouver:

MEASEL GE. DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773.

Council of Science Editors:

MEASEL GE. DOMUS DEI: A POST-VATICAN II LOOK AT THE CATHOLIC CHURCH IN THE 21st CENTURY. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179027773


University of Waterloo

16. Quinn, Andrea. Awakening Beauty: Meaning in Contemporary Catholic Architecture.

Degree: 2020, University of Waterloo

 A Catholic church is unique among other places of worship because the space of a church forms the central place for the sacramental life of… (more)

Subjects/Keywords: architecture; catholic; sacred; contemporary; beauty; meaning; religious architecture; church; sacraments; theology

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APA (6th Edition):

Quinn, A. (2020). Awakening Beauty: Meaning in Contemporary Catholic Architecture. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/15483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quinn, Andrea. “Awakening Beauty: Meaning in Contemporary Catholic Architecture.” 2020. Thesis, University of Waterloo. Accessed July 13, 2020. http://hdl.handle.net/10012/15483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quinn, Andrea. “Awakening Beauty: Meaning in Contemporary Catholic Architecture.” 2020. Web. 13 Jul 2020.

Vancouver:

Quinn A. Awakening Beauty: Meaning in Contemporary Catholic Architecture. [Internet] [Thesis]. University of Waterloo; 2020. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/10012/15483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quinn A. Awakening Beauty: Meaning in Contemporary Catholic Architecture. [Thesis]. University of Waterloo; 2020. Available from: http://hdl.handle.net/10012/15483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

17. Zapelloni Pavia, Arianna. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.

Degree: PhD, Classical Art & Archaeology, 2020, University of Michigan

 This dissertation examines the architecture and votive deposits from Umbrian sanctuaries between the sixth and early first century BCE. In line with traditional approaches to… (more)

Subjects/Keywords: Pre-Roman Italy; Sacred places; Roman expansion; Archaeology of religion; Classical Studies; Humanities

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APA (6th Edition):

Zapelloni Pavia, A. (2020). Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/155029

Chicago Manual of Style (16th Edition):

Zapelloni Pavia, Arianna. “Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.” 2020. Doctoral Dissertation, University of Michigan. Accessed July 13, 2020. http://hdl.handle.net/2027.42/155029.

MLA Handbook (7th Edition):

Zapelloni Pavia, Arianna. “Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE.” 2020. Web. 13 Jul 2020.

Vancouver:

Zapelloni Pavia A. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. [Internet] [Doctoral dissertation]. University of Michigan; 2020. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2027.42/155029.

Council of Science Editors:

Zapelloni Pavia A. Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE. [Doctoral Dissertation]. University of Michigan; 2020. Available from: http://hdl.handle.net/2027.42/155029


University of South Carolina

18. Price, Clay. Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938).

Degree: DMA, School of Music, 2010, University of South Carolina

  The purpose of this document was to examine the sacred choral music of Cyril Bradley Rootham, a professor at St. John's College, Cambridge, and… (more)

Subjects/Keywords: Arts and Humanities; Music; choral; sacred

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Price, C. (2010). Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938). (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/815

Chicago Manual of Style (16th Edition):

Price, Clay. “Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938).” 2010. Doctoral Dissertation, University of South Carolina. Accessed July 13, 2020. https://scholarcommons.sc.edu/etd/815.

MLA Handbook (7th Edition):

Price, Clay. “Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938).” 2010. Web. 13 Jul 2020.

Vancouver:

Price C. Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938). [Internet] [Doctoral dissertation]. University of South Carolina; 2010. [cited 2020 Jul 13]. Available from: https://scholarcommons.sc.edu/etd/815.

Council of Science Editors:

Price C. Lost In the Revival: The Sacred Choral Music of Cyril Bradley Rootham (1875-1938). [Doctoral Dissertation]. University of South Carolina; 2010. Available from: https://scholarcommons.sc.edu/etd/815


University of Cincinnati

19. Johnson, Eric Thomas. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.

Degree: MM, College-Conservatory of Music : Theory, 2008, University of Cincinnati

  This study examines the influence of early seventeenth-century Russian polyphonic chant on Stravinsky’s <i>Ave Maria</i>, <i>Symphony of Psalms</i>, and <i>Mass</i>. While some scholars have… (more)

Subjects/Keywords: Music; Stravinsky; Russian; Sacred; Polyphony; Chant; Znamenny

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APA (6th Edition):

Johnson, E. T. (2008). Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824

Chicago Manual of Style (16th Edition):

Johnson, Eric Thomas. “Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.” 2008. Masters Thesis, University of Cincinnati. Accessed July 13, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824.

MLA Handbook (7th Edition):

Johnson, Eric Thomas. “Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre.” 2008. Web. 13 Jul 2020.

Vancouver:

Johnson ET. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2020 Jul 13]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824.

Council of Science Editors:

Johnson ET. Stravinsky’s Ikons: The Influence of Seventeenth-Century Russian Polyphonic Chant on Stravinsky’s Sacred Oeuvre. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218690824


Durham University

20. Hendrickson, Marion Lars. Musica Christi : a Lutheran aesthetic.

Degree: PhD, 2003, Durham University

Subjects/Keywords: 246; Sacred music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hendrickson, M. L. (2003). Musica Christi : a Lutheran aesthetic. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/1089/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274720

Chicago Manual of Style (16th Edition):

Hendrickson, Marion Lars. “Musica Christi : a Lutheran aesthetic.” 2003. Doctoral Dissertation, Durham University. Accessed July 13, 2020. http://etheses.dur.ac.uk/1089/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274720.

MLA Handbook (7th Edition):

Hendrickson, Marion Lars. “Musica Christi : a Lutheran aesthetic.” 2003. Web. 13 Jul 2020.

Vancouver:

Hendrickson ML. Musica Christi : a Lutheran aesthetic. [Internet] [Doctoral dissertation]. Durham University; 2003. [cited 2020 Jul 13]. Available from: http://etheses.dur.ac.uk/1089/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274720.

Council of Science Editors:

Hendrickson ML. Musica Christi : a Lutheran aesthetic. [Doctoral Dissertation]. Durham University; 2003. Available from: http://etheses.dur.ac.uk/1089/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274720


Arizona State University

21. Wahlquist, Robert Michael. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.

Degree: Music, 2017, Arizona State University

 Redeemed from the Fall is a cantata in five movements for double choir SSAATTBB with Soprano and Baritone soloists and violin, bass clarinet, marimba, and… (more)

Subjects/Keywords: Music; cantata; choir; composition; sacred; scriptures

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APA (6th Edition):

Wahlquist, R. M. (2017). Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44109

Chicago Manual of Style (16th Edition):

Wahlquist, Robert Michael. “Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.” 2017. Doctoral Dissertation, Arizona State University. Accessed July 13, 2020. http://repository.asu.edu/items/44109.

MLA Handbook (7th Edition):

Wahlquist, Robert Michael. “Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.” 2017. Web. 13 Jul 2020.

Vancouver:

Wahlquist RM. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2020 Jul 13]. Available from: http://repository.asu.edu/items/44109.

Council of Science Editors:

Wahlquist RM. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44109


University of Minnesota

22. Erdman, Katherine M. Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment.

Degree: PhD, Anthropology, 2014, University of Minnesota

 How are objects used to communicate with the intranatural? The Source of the Douix, a freshwater spring in France, is an ideal site for addressing… (more)

Subjects/Keywords: Gallo-Roman; Iron Age; Offerings; Ritual; Sacred springs; Votives; Anthropology

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APA (6th Edition):

Erdman, K. M. (2014). Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/170120

Chicago Manual of Style (16th Edition):

Erdman, Katherine M. “Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment.” 2014. Doctoral Dissertation, University of Minnesota. Accessed July 13, 2020. http://hdl.handle.net/11299/170120.

MLA Handbook (7th Edition):

Erdman, Katherine M. “Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment.” 2014. Web. 13 Jul 2020.

Vancouver:

Erdman KM. Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment. [Internet] [Doctoral dissertation]. University of Minnesota; 2014. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/11299/170120.

Council of Science Editors:

Erdman KM. Engaging the intranatural at the source of the Douix (Côte-d'Or, France): objects, communication, and ritual in a fluid environment. [Doctoral Dissertation]. University of Minnesota; 2014. Available from: http://hdl.handle.net/11299/170120


University of Oxford

23. Klavan, Spencer A. Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras.

Degree: PhD, 2019, University of Oxford

 Melody and Meaning asks what music can communicate, and how, according to critics and philosophers from the late Classical and early Hellenistic periods. What can… (more)

Subjects/Keywords: Music; Greek and Roman

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APA (6th Edition):

Klavan, S. A. (2019). Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:7b6154eb-f62f-41b9-9169-13962affab2e ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780716

Chicago Manual of Style (16th Edition):

Klavan, Spencer A. “Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras.” 2019. Doctoral Dissertation, University of Oxford. Accessed July 13, 2020. http://ora.ox.ac.uk/objects/uuid:7b6154eb-f62f-41b9-9169-13962affab2e ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780716.

MLA Handbook (7th Edition):

Klavan, Spencer A. “Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras.” 2019. Web. 13 Jul 2020.

Vancouver:

Klavan SA. Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras. [Internet] [Doctoral dissertation]. University of Oxford; 2019. [cited 2020 Jul 13]. Available from: http://ora.ox.ac.uk/objects/uuid:7b6154eb-f62f-41b9-9169-13962affab2e ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780716.

Council of Science Editors:

Klavan SA. Melody and meaning : the semiotics of ancient Greek music in the late Classical and early Hellenistic eras. [Doctoral Dissertation]. University of Oxford; 2019. Available from: http://ora.ox.ac.uk/objects/uuid:7b6154eb-f62f-41b9-9169-13962affab2e ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780716

24. Callaghan, Patrick J. J. THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION.

Degree: 2015, University of Kentucky

 Ēriks Ešenvalds is an early twenty-first century composer who has been commissioned to write works for some of the most noteworthy ensembles in the world.… (more)

Subjects/Keywords: Roman Catholic Chant; Byzantine Chant; Ēriks Ešenvalds; Passion and Resurrection; Music Performance; Music Practice; Other Music

…relationships 4 Grove Music Online, s.v. “Latvia: Art Music.” 3 between Roman Catholic and… …7 CHAPTER TWO – ROMAN CATHOLIC AND BYZANTINE CHANT .........................8 Roman… …style and the influence of Roman Catholic and Byzantine chant styles and practices on his… …Roman Catholic and Byzantine chant on the genesis and completion of his Passion and… …background and professional development. An understanding of the development of Roman Catholic and… 

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APA (6th Edition):

Callaghan, P. J. J. (2015). THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/46

Chicago Manual of Style (16th Edition):

Callaghan, Patrick J J. “THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION.” 2015. Doctoral Dissertation, University of Kentucky. Accessed July 13, 2020. https://uknowledge.uky.edu/music_etds/46.

MLA Handbook (7th Edition):

Callaghan, Patrick J J. “THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION.” 2015. Web. 13 Jul 2020.

Vancouver:

Callaghan PJJ. THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION. [Internet] [Doctoral dissertation]. University of Kentucky; 2015. [cited 2020 Jul 13]. Available from: https://uknowledge.uky.edu/music_etds/46.

Council of Science Editors:

Callaghan PJJ. THE IMITATION OF ROMAN CATHOLIC AND BYZANTINE CHANT IN ĒRIKS EŠENVALDS’S PASSION AND RESURRECTION. [Doctoral Dissertation]. University of Kentucky; 2015. Available from: https://uknowledge.uky.edu/music_etds/46


University of Stirling

25. Nadadur Kannan, Rajalakshmi. Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting.

Degree: PhD, 2013, University of Stirling

 This research looks at contemporary understandings of performance arts in India, specifically Karnatic Music and Bharatnatyam as ‘religious’ arts. Historically, music and dance were performed… (more)

Subjects/Keywords: 781.2; Postcolonial; Karnatic Music; Carnatic music; Sacred music; Sacred music India; Hinduism; Indian dance; Performing arts India

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APA (6th Edition):

Nadadur Kannan, R. (2013). Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/18272

Chicago Manual of Style (16th Edition):

Nadadur Kannan, Rajalakshmi. “Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting.” 2013. Doctoral Dissertation, University of Stirling. Accessed July 13, 2020. http://hdl.handle.net/1893/18272.

MLA Handbook (7th Edition):

Nadadur Kannan, Rajalakshmi. “Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting.” 2013. Web. 13 Jul 2020.

Vancouver:

Nadadur Kannan R. Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting. [Internet] [Doctoral dissertation]. University of Stirling; 2013. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1893/18272.

Council of Science Editors:

Nadadur Kannan R. Performing 'religious' music : interrogating Karnatic Music within a postcolonial setting. [Doctoral Dissertation]. University of Stirling; 2013. Available from: http://hdl.handle.net/1893/18272


McGill University

26. Kirk, Douglas Karl. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.

Degree: PhD, Faculty of Music, 1993, McGill University

Numerous studies have shown that in the sixteenth and seventeenth centuries Spanish churches (both metropolitan and monastic) employed bands of wind instrumentalists to play frequently… (more)

Subjects/Keywords: Iglesia Colegial de San Pedro (Lerma, Spain). Archivio. Manuscript. Mus. 1; Church music  – Catholic Church  – 16th century; Church music  – Catholic Church  – 17th century; Church music  – Spain  – 16th century; Church music  – Spain  – 17th century; Sacred vocal music  – 16th century  – Scores; Sacred vocal music  – 17th century  – Scores

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APA (6th Edition):

Kirk, D. K. (1993). Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile77431.pdf

Chicago Manual of Style (16th Edition):

Kirk, Douglas Karl. “Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.” 1993. Doctoral Dissertation, McGill University. Accessed July 13, 2020. http://digitool.library.mcgill.ca/thesisfile77431.pdf.

MLA Handbook (7th Edition):

Kirk, Douglas Karl. “Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1.” 1993. Web. 13 Jul 2020.

Vancouver:

Kirk DK. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. [Internet] [Doctoral dissertation]. McGill University; 1993. [cited 2020 Jul 13]. Available from: http://digitool.library.mcgill.ca/thesisfile77431.pdf.

Council of Science Editors:

Kirk DK. Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1. [Doctoral Dissertation]. McGill University; 1993. Available from: http://digitool.library.mcgill.ca/thesisfile77431.pdf


Vanderbilt University

27. Stotts, Jonathan Andrew. The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives.

Degree: PhD, Religion, 2016, Vanderbilt University

 The sacrament of penance, known also as reconciliation and confession, plays a central role in Roman Catholic pastoral care, both as a practically significant ritual… (more)

Subjects/Keywords: sacramental theology; catholic; Roman Catholic; penance; confession; guilt; Catholic guilt; penitential; cultural psychology of religion; antoine vergote; pastoral theology; practical theology

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APA (6th Edition):

Stotts, J. A. (2016). The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu/available/etd-07192016-101415/ ;

Chicago Manual of Style (16th Edition):

Stotts, Jonathan Andrew. “The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives.” 2016. Doctoral Dissertation, Vanderbilt University. Accessed July 13, 2020. http://etd.library.vanderbilt.edu/available/etd-07192016-101415/ ;.

MLA Handbook (7th Edition):

Stotts, Jonathan Andrew. “The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives.” 2016. Web. 13 Jul 2020.

Vancouver:

Stotts JA. The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives. [Internet] [Doctoral dissertation]. Vanderbilt University; 2016. [cited 2020 Jul 13]. Available from: http://etd.library.vanderbilt.edu/available/etd-07192016-101415/ ;.

Council of Science Editors:

Stotts JA. The Confessional, the Couch, and the Community: Analyzing the Sacrament of Penance in Theological, Psychological, and Cultural Perspectives. [Doctoral Dissertation]. Vanderbilt University; 2016. Available from: http://etd.library.vanderbilt.edu/available/etd-07192016-101415/ ;


University of Southern California

28. Lemma, Kara. The Vatican Visitation? Roman Catholic sisters and the adaptation of identity.

Degree: PhD, Sociology, 2013, University of Southern California

 The author examines how Catholic Sisters negotiated their identities in the wake of the Vatican sponsored "Apostolic Visitation of Institutes of Women Religious in the… (more)

Subjects/Keywords: Vatican Visitation; women religious; Catholic sisters; Catholic nuns; Roman Catholic Church; American Catholic sisters; American Catholic nuns; Apostolic Visitation of Institutes of Women Religious

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lemma, K. (2013). The Vatican Visitation? Roman Catholic sisters and the adaptation of identity. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/319178/rec/7396

Chicago Manual of Style (16th Edition):

Lemma, Kara. “The Vatican Visitation? Roman Catholic sisters and the adaptation of identity.” 2013. Doctoral Dissertation, University of Southern California. Accessed July 13, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/319178/rec/7396.

MLA Handbook (7th Edition):

Lemma, Kara. “The Vatican Visitation? Roman Catholic sisters and the adaptation of identity.” 2013. Web. 13 Jul 2020.

Vancouver:

Lemma K. The Vatican Visitation? Roman Catholic sisters and the adaptation of identity. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Jul 13]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/319178/rec/7396.

Council of Science Editors:

Lemma K. The Vatican Visitation? Roman Catholic sisters and the adaptation of identity. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/319178/rec/7396


University of Michigan

29. Allen, Jessica. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.

Degree: AMU, Music: Conducting, 2018, University of Michigan

 Three dissertation recitals were performed in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Conducting) in the University of… (more)

Subjects/Keywords: sacred music for choir, strings, and organ; Music and Dance; Arts

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APA (6th Edition):

Allen, J. (2018). Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/146078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allen, Jessica. “Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.” 2018. Thesis, University of Michigan. Accessed July 13, 2020. http://hdl.handle.net/2027.42/146078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allen, Jessica. “Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works.” 2018. Web. 13 Jul 2020.

Vancouver:

Allen J. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. [Internet] [Thesis]. University of Michigan; 2018. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/2027.42/146078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allen J. Three Dissertation Recitals: Sacred Music for Choir, Strings, and Organ and Complementary Choral Works. [Thesis]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/146078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

30. Olson, Tawnie. The Seven Last Words from the Cross.

Degree: 2009, University of Toronto

 The Seven Last Words from the Cross is structured as a kind of loose double theme and variations. Movements II, IV, VI, VIII, IX, XI… (more)

Subjects/Keywords: sacred music; choral music; 0143

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Olson, T. (2009). The Seven Last Words from the Cross. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/19068

Chicago Manual of Style (16th Edition):

Olson, Tawnie. “The Seven Last Words from the Cross.” 2009. Doctoral Dissertation, University of Toronto. Accessed July 13, 2020. http://hdl.handle.net/1807/19068.

MLA Handbook (7th Edition):

Olson, Tawnie. “The Seven Last Words from the Cross.” 2009. Web. 13 Jul 2020.

Vancouver:

Olson T. The Seven Last Words from the Cross. [Internet] [Doctoral dissertation]. University of Toronto; 2009. [cited 2020 Jul 13]. Available from: http://hdl.handle.net/1807/19068.

Council of Science Editors:

Olson T. The Seven Last Words from the Cross. [Doctoral Dissertation]. University of Toronto; 2009. Available from: http://hdl.handle.net/1807/19068

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