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You searched for subject:(Rock music). Showing records 1 – 30 of 266 total matches.

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University of Stirling

1. Behr, Adam. Group Identity: Bands, Rock and Popular Music.

Degree: PhD, School of Arts and Humanities, 2010, University of Stirling

 Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this… (more)

Subjects/Keywords: Popular Music; Rock Bands; Popular music; Rock music; Rock groups

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APA (6th Edition):

Behr, A. (2010). Group Identity: Bands, Rock and Popular Music. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/3051

Chicago Manual of Style (16th Edition):

Behr, Adam. “Group Identity: Bands, Rock and Popular Music.” 2010. Doctoral Dissertation, University of Stirling. Accessed September 23, 2019. http://hdl.handle.net/1893/3051.

MLA Handbook (7th Edition):

Behr, Adam. “Group Identity: Bands, Rock and Popular Music.” 2010. Web. 23 Sep 2019.

Vancouver:

Behr A. Group Identity: Bands, Rock and Popular Music. [Internet] [Doctoral dissertation]. University of Stirling; 2010. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1893/3051.

Council of Science Editors:

Behr A. Group Identity: Bands, Rock and Popular Music. [Doctoral Dissertation]. University of Stirling; 2010. Available from: http://hdl.handle.net/1893/3051


University of Rochester

2. Sikes, Laura. In the groove: American rock criticism, 1966-1978.

Degree: PhD, 2017, University of Rochester

Rock and roll music was a national youth obsession for a dozen years before the first rock critics began writing seriously about the form. Rock(more)

Subjects/Keywords: Counterculture; Rock; Rock criticism; Rock journalism; Rock music; Sixties

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APA (6th Edition):

Sikes, L. (2017). In the groove: American rock criticism, 1966-1978. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/33191

Chicago Manual of Style (16th Edition):

Sikes, Laura. “In the groove: American rock criticism, 1966-1978.” 2017. Doctoral Dissertation, University of Rochester. Accessed September 23, 2019. http://hdl.handle.net/1802/33191.

MLA Handbook (7th Edition):

Sikes, Laura. “In the groove: American rock criticism, 1966-1978.” 2017. Web. 23 Sep 2019.

Vancouver:

Sikes L. In the groove: American rock criticism, 1966-1978. [Internet] [Doctoral dissertation]. University of Rochester; 2017. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1802/33191.

Council of Science Editors:

Sikes L. In the groove: American rock criticism, 1966-1978. [Doctoral Dissertation]. University of Rochester; 2017. Available from: http://hdl.handle.net/1802/33191

3. Silva, Wlisses James de Farias. Heavy metal no Brasil: os incômodos perdedores (década de 1980).

Degree: PhD, História Social, 2014, University of São Paulo

presente estudo pretende analisar o Heavy Metal no Brasil nos anos 1980, historiando sua origem, bem como sua chegada ao Brasil e a forma como… (more)

Subjects/Keywords: Música popular; Popular music; Rock; Rock

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APA (6th Edition):

Silva, W. J. d. F. (2014). Heavy metal no Brasil: os incômodos perdedores (década de 1980). (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112014-111119/ ;

Chicago Manual of Style (16th Edition):

Silva, Wlisses James de Farias. “Heavy metal no Brasil: os incômodos perdedores (década de 1980).” 2014. Doctoral Dissertation, University of São Paulo. Accessed September 23, 2019. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112014-111119/ ;.

MLA Handbook (7th Edition):

Silva, Wlisses James de Farias. “Heavy metal no Brasil: os incômodos perdedores (década de 1980).” 2014. Web. 23 Sep 2019.

Vancouver:

Silva WJdF. Heavy metal no Brasil: os incômodos perdedores (década de 1980). [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2019 Sep 23]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112014-111119/ ;.

Council of Science Editors:

Silva WJdF. Heavy metal no Brasil: os incômodos perdedores (década de 1980). [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12112014-111119/ ;


University of Newcastle

4. Sheather , Gaye. Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s).

Degree: PhD, 2013, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This study investigates the development of 'mainstream' popular music in one Australian city, that of Newcastle, NSW, in… (more)

Subjects/Keywords: music; Newcastle; history; Oz Rock; Pub Rock

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sheather , G. (2013). Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s). (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1038011

Chicago Manual of Style (16th Edition):

Sheather , Gaye. “Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s).” 2013. Doctoral Dissertation, University of Newcastle. Accessed September 23, 2019. http://hdl.handle.net/1959.13/1038011.

MLA Handbook (7th Edition):

Sheather , Gaye. “Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s).” 2013. Web. 23 Sep 2019.

Vancouver:

Sheather G. Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s). [Internet] [Doctoral dissertation]. University of Newcastle; 2013. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1959.13/1038011.

Council of Science Editors:

Sheather G. Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s). [Doctoral Dissertation]. University of Newcastle; 2013. Available from: http://hdl.handle.net/1959.13/1038011


University of Stirling

5. Stewart, Francis Elizabeth. "Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion.

Degree: PhD, School of Arts and Humanities, 2011, University of Stirling

 Using a distinctly and deliberately interdisciplinary approach to the subject of religion and spirituality as it presents itself within modern Western Societies today, this thesis… (more)

Subjects/Keywords: Punk rock music; Punk culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stewart, F. E. (2011). "Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/3441

Chicago Manual of Style (16th Edition):

Stewart, Francis Elizabeth. “"Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion.” 2011. Doctoral Dissertation, University of Stirling. Accessed September 23, 2019. http://hdl.handle.net/1893/3441.

MLA Handbook (7th Edition):

Stewart, Francis Elizabeth. “"Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion.” 2011. Web. 23 Sep 2019.

Vancouver:

Stewart FE. "Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion. [Internet] [Doctoral dissertation]. University of Stirling; 2011. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1893/3441.

Council of Science Editors:

Stewart FE. "Punk Rock Is My Religion": An Exploration of Straight Edge punk as a Surrogate of Religion. [Doctoral Dissertation]. University of Stirling; 2011. Available from: http://hdl.handle.net/1893/3441


University of Saskatchewan

6. Aikenhead, Paul David. Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely.

Degree: 2010, University of Saskatchewan

 Although The Tragically Hip’s Fully Completely is an unorthodox historical text, in-depth exploration of the landmark album prompts us to reconsider the role of musical… (more)

Subjects/Keywords: Masculinity; English-Canadian rock music

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APA (6th Edition):

Aikenhead, P. D. (2010). Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-08112010-144224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aikenhead, Paul David. “Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely.” 2010. Thesis, University of Saskatchewan. Accessed September 23, 2019. http://hdl.handle.net/10388/etd-08112010-144224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aikenhead, Paul David. “Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely.” 2010. Web. 23 Sep 2019.

Vancouver:

Aikenhead PD. Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely. [Internet] [Thesis]. University of Saskatchewan; 2010. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/10388/etd-08112010-144224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aikenhead PD. Man-sized inside : a history of the construction of masculinity in The Tragically Hip's album Fully Completely. [Thesis]. University of Saskatchewan; 2010. Available from: http://hdl.handle.net/10388/etd-08112010-144224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Chicago

7. Zabic, Snezana. Broken Records.

Degree: 2012, University of Illinois – Chicago

 Broken Records combines lyric and narrative forms in order to counter persistent myths about former Yugoslavia and its violent break-up, and to complicate our standard… (more)

Subjects/Keywords: Former Yugoslavia; Rock Music; Poetry

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APA (6th Edition):

Zabic, S. (2012). Broken Records. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/9262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zabic, Snezana. “Broken Records.” 2012. Thesis, University of Illinois – Chicago. Accessed September 23, 2019. http://hdl.handle.net/10027/9262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zabic, Snezana. “Broken Records.” 2012. Web. 23 Sep 2019.

Vancouver:

Zabic S. Broken Records. [Internet] [Thesis]. University of Illinois – Chicago; 2012. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/10027/9262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zabic S. Broken Records. [Thesis]. University of Illinois – Chicago; 2012. Available from: http://hdl.handle.net/10027/9262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

8. Chapman, Ian C. David Bowie: Life is a Cabaret .

Degree: 2010, University of Otago

 David Bowie is regarded as a unique and pivotal performer within the field of popular music but little attempt has been made thus far to… (more)

Subjects/Keywords: Rock music; Theatre; Performance

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APA (6th Edition):

Chapman, I. C. (2010). David Bowie: Life is a Cabaret . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/454

Chicago Manual of Style (16th Edition):

Chapman, Ian C. “David Bowie: Life is a Cabaret .” 2010. Masters Thesis, University of Otago. Accessed September 23, 2019. http://hdl.handle.net/10523/454.

MLA Handbook (7th Edition):

Chapman, Ian C. “David Bowie: Life is a Cabaret .” 2010. Web. 23 Sep 2019.

Vancouver:

Chapman IC. David Bowie: Life is a Cabaret . [Internet] [Masters thesis]. University of Otago; 2010. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/10523/454.

Council of Science Editors:

Chapman IC. David Bowie: Life is a Cabaret . [Masters Thesis]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/454


Delft University of Technology

9. Khosh Niyat Nikkhoy, A. Artificial ecologies: Concert beach on steppe lands of Ankara:.

Degree: 2012, Delft University of Technology

 “Studio Capital Region focuses on the challenges in the urban nodes of global networks, which could be part of centralized, decentralized or distributed structures. Despite… (more)

Subjects/Keywords: concert; rock; music; beach; ankara

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APA (6th Edition):

Khosh Niyat Nikkhoy, A. (2012). Artificial ecologies: Concert beach on steppe lands of Ankara:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:92defe9f-0cac-41c6-b04d-6e310cefe54a

Chicago Manual of Style (16th Edition):

Khosh Niyat Nikkhoy, A. “Artificial ecologies: Concert beach on steppe lands of Ankara:.” 2012. Masters Thesis, Delft University of Technology. Accessed September 23, 2019. http://resolver.tudelft.nl/uuid:92defe9f-0cac-41c6-b04d-6e310cefe54a.

MLA Handbook (7th Edition):

Khosh Niyat Nikkhoy, A. “Artificial ecologies: Concert beach on steppe lands of Ankara:.” 2012. Web. 23 Sep 2019.

Vancouver:

Khosh Niyat Nikkhoy A. Artificial ecologies: Concert beach on steppe lands of Ankara:. [Internet] [Masters thesis]. Delft University of Technology; 2012. [cited 2019 Sep 23]. Available from: http://resolver.tudelft.nl/uuid:92defe9f-0cac-41c6-b04d-6e310cefe54a.

Council of Science Editors:

Khosh Niyat Nikkhoy A. Artificial ecologies: Concert beach on steppe lands of Ankara:. [Masters Thesis]. Delft University of Technology; 2012. Available from: http://resolver.tudelft.nl/uuid:92defe9f-0cac-41c6-b04d-6e310cefe54a


University of North Texas

10. Peringer, Patrick Edward. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.

Degree: 2014, University of North Texas

 Babel is a work for rock ‘n’ roll band (two electric guitars, electric bass, drum set), four soprano singers, and a twenty-one instrument mixed chamber… (more)

Subjects/Keywords: Dissertations; rock music; chamber ensemble

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APA (6th Edition):

Peringer, P. E. (2014). Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Thesis, University of North Texas. Accessed September 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peringer, Patrick Edward. “Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay.” 2014. Web. 23 Sep 2019.

Vancouver:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Sep 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peringer PE. Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc700023/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

11. Schneider, Alexandria. "Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery.

Degree: M.M., Music, 2019, University of Kansas

 To many, the inception of Christian rock threatened the moral and religious stability of America due to its ties to rock and roll. Preachers and… (more)

Subjects/Keywords: Music theory; Music history; Music; Christian rock; Emery; Jesus music; music theory; polyphony; rock

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schneider, A. (2019). "Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/29588

Chicago Manual of Style (16th Edition):

Schneider, Alexandria. “"Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery.” 2019. Masters Thesis, University of Kansas. Accessed September 23, 2019. http://hdl.handle.net/1808/29588.

MLA Handbook (7th Edition):

Schneider, Alexandria. “"Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery.” 2019. Web. 23 Sep 2019.

Vancouver:

Schneider A. "Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery. [Internet] [Masters thesis]. University of Kansas; 2019. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1808/29588.

Council of Science Editors:

Schneider A. "Are You Listening?": Vocal Polyphony in the Christian Rock Music of Emery. [Masters Thesis]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29588


University of Washington

12. Osborn, Brad. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.

Degree: 2010, University of Washington

Rock songs are generally considered formally simplistic, based around alternation of verse and chorus, the latter functioning as the song’s selling point—an easily identifiable advertisement… (more)

Subjects/Keywords: Form; Rock Music; Terminally-Climactic Forms; Through-Composed Forms; Experimental Rock; Post-Rock; Math-Rock; Art Rock; Progressive Rock

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Osborn, B. (2010). Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/15910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Osborn, Brad. “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.” 2010. Thesis, University of Washington. Accessed September 23, 2019. http://hdl.handle.net/1773/15910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Osborn, Brad. “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.” 2010. Web. 23 Sep 2019.

Vancouver:

Osborn B. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. [Internet] [Thesis]. University of Washington; 2010. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1773/15910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Osborn B. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. [Thesis]. University of Washington; 2010. Available from: http://hdl.handle.net/1773/15910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

13. Krzic, Visnja. Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky.

Degree: Music, 2015, UCLA

 This monograph examines how minimalist techniques and the influence of rock music shape the film scores of the British film composer Clint Mansell (b. 1963)… (more)

Subjects/Keywords: Music; film scoring; minimalism; rock music

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APA (6th Edition):

Krzic, V. (2015). Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/52212407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krzic, Visnja. “Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky.” 2015. Thesis, UCLA. Accessed September 23, 2019. http://www.escholarship.org/uc/item/52212407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krzic, Visnja. “Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky.” 2015. Web. 23 Sep 2019.

Vancouver:

Krzic V. Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Sep 23]. Available from: http://www.escholarship.org/uc/item/52212407.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krzic V. Clint Mansell: Music in the films "Requiem for a Dream" and "The Fountain" by Darren Aronofsky. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/52212407

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Minho

14. Martins, Ana Cláudia Pimenta da Silva. Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) .

Degree: 2014, Universidade do Minho

 De acordo com o Manifesto das Sete Artes e Estética da Sétima Arte, a Música ocupa o quarto lugar na breve lista proposta por Ricciotto… (more)

Subjects/Keywords: Rock; Juventude; Música; Portugal; Rock music; Portuguese youth; Music

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APA (6th Edition):

Martins, A. C. P. d. S. (2014). Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/30400

Chicago Manual of Style (16th Edition):

Martins, Ana Cláudia Pimenta da Silva. “Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) .” 2014. Masters Thesis, Universidade do Minho. Accessed September 23, 2019. http://hdl.handle.net/1822/30400.

MLA Handbook (7th Edition):

Martins, Ana Cláudia Pimenta da Silva. “Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) .” 2014. Web. 23 Sep 2019.

Vancouver:

Martins ACPdS. Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) . [Internet] [Masters thesis]. Universidade do Minho; 2014. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/1822/30400.

Council of Science Editors:

Martins ACPdS. Rock in Portugal: repercussões do género musical na juventude portuguesa (1960 vs. 2014) . [Masters Thesis]. Universidade do Minho; 2014. Available from: http://hdl.handle.net/1822/30400


Linnaeus University

15. Kristoffersson, Jessica. Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO.

Degree: Social Sciences, 2010, Linnaeus University

  The purpose of this study is to give an insight in how music press is presented gender wise. The focus area lies in rock(more)

Subjects/Keywords: MOJO; rock music; rock culture; gender; music magazine

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APA (6th Edition):

Kristoffersson, J. (2010). Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kristoffersson, Jessica. “Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO.” 2010. Thesis, Linnaeus University. Accessed September 23, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kristoffersson, Jessica. “Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO.” 2010. Web. 23 Sep 2019.

Vancouver:

Kristoffersson J. Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO. [Internet] [Thesis]. Linnaeus University; 2010. [cited 2019 Sep 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kristoffersson J. Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO. [Thesis]. Linnaeus University; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

16. Propst, Paula. Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps.

Degree: Music, 2017, University of California – Riverside

 This dissertation examines the relationship between empowerment and emotions at rock and roll camps for girls and queer youth in Southern California through a lens… (more)

Subjects/Keywords: Music; Cultural anthropology; Women's studies; music; nonprofit; popular music; rock; rock camp; social activism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Propst, P. (2017). Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/2fc9f1xj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Propst, Paula. “Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps.” 2017. Thesis, University of California – Riverside. Accessed September 23, 2019. http://www.escholarship.org/uc/item/2fc9f1xj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Propst, Paula. “Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps.” 2017. Web. 23 Sep 2019.

Vancouver:

Propst P. Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps. [Internet] [Thesis]. University of California – Riverside; 2017. [cited 2019 Sep 23]. Available from: http://www.escholarship.org/uc/item/2fc9f1xj.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Propst P. Sonic Feminism: Intentionality, Empathy, and Emotions at Rock and Roll Camps. [Thesis]. University of California – Riverside; 2017. Available from: http://www.escholarship.org/uc/item/2fc9f1xj

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

17. Thackray, Jeremy A. The slow death of Everett True: A metacriticism.

Degree: 2016, Queensland University of Technology

 In print environments, popular music critics are customarily seen as gatekeepers of ‘cool’ and arbiters of taste. This research project asks whether the same holds… (more)

Subjects/Keywords: music criticism; music journalism; rock criticism; authenticity; Everett True; popular music; music press; fandom; music blogs; rock music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thackray, J. A. (2016). The slow death of Everett True: A metacriticism. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/95504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thackray, Jeremy A. “The slow death of Everett True: A metacriticism.” 2016. Thesis, Queensland University of Technology. Accessed September 23, 2019. https://eprints.qut.edu.au/95504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thackray, Jeremy A. “The slow death of Everett True: A metacriticism.” 2016. Web. 23 Sep 2019.

Vancouver:

Thackray JA. The slow death of Everett True: A metacriticism. [Internet] [Thesis]. Queensland University of Technology; 2016. [cited 2019 Sep 23]. Available from: https://eprints.qut.edu.au/95504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thackray JA. The slow death of Everett True: A metacriticism. [Thesis]. Queensland University of Technology; 2016. Available from: https://eprints.qut.edu.au/95504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Gilles, Guillaume. Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities.

Degree: Docteur es, Arts, 2012, Université Paris-Est

Cette thèse analyse le mythe de la sauvagerie tel qu’il a pu se représenter dans le rock’n’rollen Amérique du Nord au cours des années 1950.… (more)

Subjects/Keywords: Musique; Rock; Sauvage; Populaire; Musicologie; Music; Rock; Wild; Wilderness; Popular; Musicology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gilles, G. (2012). Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities. (Doctoral Dissertation). Université Paris-Est. Retrieved from http://www.theses.fr/2012PEST0011

Chicago Manual of Style (16th Edition):

Gilles, Guillaume. “Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities.” 2012. Doctoral Dissertation, Université Paris-Est. Accessed September 23, 2019. http://www.theses.fr/2012PEST0011.

MLA Handbook (7th Edition):

Gilles, Guillaume. “Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities.” 2012. Web. 23 Sep 2019.

Vancouver:

Gilles G. Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities. [Internet] [Doctoral dissertation]. Université Paris-Est; 2012. [cited 2019 Sep 23]. Available from: http://www.theses.fr/2012PEST0011.

Council of Science Editors:

Gilles G. Les représentations de la sauvagerie dans le rock'n'roll américain des années 1950, entre mythes et réalités : Portraying the wild side in American nineteen fifties rock ’n’ roll, between myths and realities. [Doctoral Dissertation]. Université Paris-Est; 2012. Available from: http://www.theses.fr/2012PEST0011


University of Wollongong

19. Russo, Nicholas. 'Feels like we only go backwards': nostalgia and contemporary retro rock music.

Degree: PhD, 2015, University of Wollongong

  The cultural fascination with retro and nostalgia which has characterized popular music and indeed popular culture more broadly in the first decade of the… (more)

Subjects/Keywords: nostalgia; retro; retro rock; rock music; Tame impala; authenticity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Russo, N. (2015). 'Feels like we only go backwards': nostalgia and contemporary retro rock music. (Doctoral Dissertation). University of Wollongong. Retrieved from 2001 COMMUNICATION AND MEDIA STUDIES, 2002 CULTURAL STUDIES ; https://ro.uow.edu.au/theses/4786

Chicago Manual of Style (16th Edition):

Russo, Nicholas. “'Feels like we only go backwards': nostalgia and contemporary retro rock music.” 2015. Doctoral Dissertation, University of Wollongong. Accessed September 23, 2019. 2001 COMMUNICATION AND MEDIA STUDIES, 2002 CULTURAL STUDIES ; https://ro.uow.edu.au/theses/4786.

MLA Handbook (7th Edition):

Russo, Nicholas. “'Feels like we only go backwards': nostalgia and contemporary retro rock music.” 2015. Web. 23 Sep 2019.

Vancouver:

Russo N. 'Feels like we only go backwards': nostalgia and contemporary retro rock music. [Internet] [Doctoral dissertation]. University of Wollongong; 2015. [cited 2019 Sep 23]. Available from: 2001 COMMUNICATION AND MEDIA STUDIES, 2002 CULTURAL STUDIES ; https://ro.uow.edu.au/theses/4786.

Council of Science Editors:

Russo N. 'Feels like we only go backwards': nostalgia and contemporary retro rock music. [Doctoral Dissertation]. University of Wollongong; 2015. Available from: 2001 COMMUNICATION AND MEDIA STUDIES, 2002 CULTURAL STUDIES ; https://ro.uow.edu.au/theses/4786


University of Technology, Sydney

20. Encarnacao, John Fernando. Punk aesthetics in independent "new folk", 1990-2008.

Degree: 2009, University of Technology, Sydney

 Various commentators on punk (e.g. Laing 1985, Frith 1986, Goshert 2000, Reynolds 2005, Webb 2007) have remarked upon an essence or attitude which is much… (more)

Subjects/Keywords: Punk culture.; Oldham, Will.; Punk rock music.; Indie music.; Folk music.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Encarnacao, J. F. (2009). Punk aesthetics in independent "new folk", 1990-2008. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/20097

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Encarnacao, John Fernando. “Punk aesthetics in independent "new folk", 1990-2008.” 2009. Thesis, University of Technology, Sydney. Accessed September 23, 2019. http://hdl.handle.net/10453/20097.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Encarnacao, John Fernando. “Punk aesthetics in independent "new folk", 1990-2008.” 2009. Web. 23 Sep 2019.

Vancouver:

Encarnacao JF. Punk aesthetics in independent "new folk", 1990-2008. [Internet] [Thesis]. University of Technology, Sydney; 2009. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/10453/20097.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Encarnacao JF. Punk aesthetics in independent "new folk", 1990-2008. [Thesis]. University of Technology, Sydney; 2009. Available from: http://hdl.handle.net/10453/20097

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

21. Tang, Kai. Musical Culture of Chinese Floaters.

Degree: PhD, Music, 2014, Harvard University

"Floaters" are a large population of internal migrants in China. Led by a series of urban-based economic policies and the consequent income gap between rural… (more)

Subjects/Keywords: Music; Chinese Music; Chinese Rock; Communist Music; Community; Folk Songs; Migration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tang, K. (2014). Musical Culture of Chinese Floaters. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351

Chicago Manual of Style (16th Edition):

Tang, Kai. “Musical Culture of Chinese Floaters.” 2014. Doctoral Dissertation, Harvard University. Accessed September 23, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.

MLA Handbook (7th Edition):

Tang, Kai. “Musical Culture of Chinese Floaters.” 2014. Web. 23 Sep 2019.

Vancouver:

Tang K. Musical Culture of Chinese Floaters. [Internet] [Doctoral dissertation]. Harvard University; 2014. [cited 2019 Sep 23]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351.

Council of Science Editors:

Tang K. Musical Culture of Chinese Floaters. [Doctoral Dissertation]. Harvard University; 2014. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:13094351


University of Missouri – Columbia

22. Brasher, Emily. Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine.

Degree: 2013, University of Missouri – Columbia

 The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of… (more)

Subjects/Keywords: Editorials  – Songs and music  – Influence; Alternative rock music; Dissemination of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brasher, E. (2013). Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/43067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brasher, Emily. “Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine.” 2013. Thesis, University of Missouri – Columbia. Accessed September 23, 2019. http://hdl.handle.net/10355/43067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brasher, Emily. “Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine.” 2013. Web. 23 Sep 2019.

Vancouver:

Brasher E. Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine. [Internet] [Thesis]. University of Missouri – Columbia; 2013. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/10355/43067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brasher E. Pitchfork media's textual and cultural impact on Rolling Stone magazine: Pitchfork media's textual and cultural impact on Rolling Stone magazine. [Thesis]. University of Missouri – Columbia; 2013. Available from: http://hdl.handle.net/10355/43067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

23. Meneer, Nathanael. The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest.

Degree: PhD, Musicology, 2015, Boston University

 This dissertation examines the various ways in which the experience of psychoactive drugs such as marijuana, LSD, and other substances influenced the development of psychedelic… (more)

Subjects/Keywords: Music; Drugs; LSD; Marijuana; Psychedelic; Rock; Sixties

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meneer, N. (2015). The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/15685

Chicago Manual of Style (16th Edition):

Meneer, Nathanael. “The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest.” 2015. Doctoral Dissertation, Boston University. Accessed September 23, 2019. http://hdl.handle.net/2144/15685.

MLA Handbook (7th Edition):

Meneer, Nathanael. “The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest.” 2015. Web. 23 Sep 2019.

Vancouver:

Meneer N. The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2019 Sep 23]. Available from: http://hdl.handle.net/2144/15685.

Council of Science Editors:

Meneer N. The role of psychoactive drugs in the conception, performance, and appreciation of sixties psychedelic music in California and the Southwest. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/15685

24. Grannas, Julia. Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal.

Degree: Communication and Education, 2019, Luleå University of Technology

  Det här arbetet handlar om hur jag som kvinnlig sångare kan ta mig an rocklåtar som i originalet sjungs av män och ändå behålla… (more)

Subjects/Keywords: Sång; rocksång; sångteknik; rock; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grannas, J. (2019). Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grannas, Julia. “Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal.” 2019. Thesis, Luleå University of Technology. Accessed September 23, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grannas, Julia. “Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal.” 2019. Web. 23 Sep 2019.

Vancouver:

Grannas J. Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal. [Internet] [Thesis]. Luleå University of Technology; 2019. [cited 2019 Sep 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grannas J. Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal. [Thesis]. Luleå University of Technology; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

25. Nowierski, James. The evolution of public relations practices in the indie rock genre.

Degree: MA, Strategic Public Relations, 2011, University of Southern California

 Historically, indie rock artists and record labels have had few tools for generating publicity. This is because the most powerful promotional tools in the music(more)

Subjects/Keywords: public relations; independent music; indie rock; indie

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nowierski, J. (2011). The evolution of public relations practices in the indie rock genre. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/458767/rec/6693

Chicago Manual of Style (16th Edition):

Nowierski, James. “The evolution of public relations practices in the indie rock genre.” 2011. Masters Thesis, University of Southern California. Accessed September 23, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/458767/rec/6693.

MLA Handbook (7th Edition):

Nowierski, James. “The evolution of public relations practices in the indie rock genre.” 2011. Web. 23 Sep 2019.

Vancouver:

Nowierski J. The evolution of public relations practices in the indie rock genre. [Internet] [Masters thesis]. University of Southern California; 2011. [cited 2019 Sep 23]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/458767/rec/6693.

Council of Science Editors:

Nowierski J. The evolution of public relations practices in the indie rock genre. [Masters Thesis]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/458767/rec/6693

26. Adriano Alves Fiore. Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal.

Degree: 2011, Universidade Estadual de Londrina

The language of Rock has the nature of parody, allegory, carnival and imagery. A typology of image content is obtained through the concept of carnivalization… (more)

Subjects/Keywords: Rock - Alegorias; Paródia (Musica); Grupos de rock; Comunicação audiovisual; Grotesco; Rock; Allegories; Parody (Music); Bands; Rock; Grotesque

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APA (6th Edition):

Fiore, A. A. (2011). Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal. (Thesis). Universidade Estadual de Londrina. Retrieved from http://www.bibliotecadigital.uel.br/document/?code=vtls000164952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fiore, Adriano Alves. “Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal.” 2011. Thesis, Universidade Estadual de Londrina. Accessed September 23, 2019. http://www.bibliotecadigital.uel.br/document/?code=vtls000164952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fiore, Adriano Alves. “Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal.” 2011. Web. 23 Sep 2019.

Vancouver:

Fiore AA. Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal. [Internet] [Thesis]. Universidade Estadual de Londrina; 2011. [cited 2019 Sep 23]. Available from: http://www.bibliotecadigital.uel.br/document/?code=vtls000164952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fiore AA. Carnavalização bakhtiniana do grotesco em imagens do Hard Rock e Heavy Metal. [Thesis]. Universidade Estadual de Londrina; 2011. Available from: http://www.bibliotecadigital.uel.br/document/?code=vtls000164952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

27. Weinstein, Elizabeth M. Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010.

Degree: MS, Journalism (Communication), 2010, Ohio University

  The historical plight of female journalists in the United States (in print, broadcast, and traditionally male-dominated arenas of journalism such as sports reporting) has… (more)

Subjects/Keywords: Gender; Journalism; Mass Media; Music; journalism; rock-and-roll; music journalism; rock journalism; gender

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weinstein, E. M. (2010). Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276198656

Chicago Manual of Style (16th Edition):

Weinstein, Elizabeth M. “Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010.” 2010. Masters Thesis, Ohio University. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276198656.

MLA Handbook (7th Edition):

Weinstein, Elizabeth M. “Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010.” 2010. Web. 23 Sep 2019.

Vancouver:

Weinstein EM. Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010. [Internet] [Masters thesis]. Ohio University; 2010. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276198656.

Council of Science Editors:

Weinstein EM. Out of the Shadows: Breaking the Gender Barrier in Rock Journalism, from the 1950s to 2010. [Masters Thesis]. Ohio University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276198656


Karlstad University

28. Berndalen, Christian. Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk.

Degree: Ingesund Acedemy of Music, 2012, Karlstad University

Det är inte ovanligt att viss rock- och annan populärmusik tillskrivs konstnärliga ambitioner, eller förses med epitet som "konstnärlig" och "konstmusikalisk". Sällan utvecklas emellertid… (more)

Subjects/Keywords: Popular music; art music; rock; definitions; modernism; post-modernism; Populärmusik; konstmusik; rock; definitioner; modernism; postmodernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Berndalen, C. (2012). Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berndalen, Christian. “Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk.” 2012. Thesis, Karlstad University. Accessed September 23, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berndalen, Christian. “Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk.” 2012. Web. 23 Sep 2019.

Vancouver:

Berndalen C. Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk. [Internet] [Thesis]. Karlstad University; 2012. [cited 2019 Sep 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berndalen C. Populärmusik, konstmusik eller bara musik? : En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk. [Thesis]. Karlstad University; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-13443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

29. Lee, Ji. Heeding the Call An Historical Overview of Philanthropy in Rock.

Degree: PhD, Mass Communication - Journalism and Communications, 2010, University of Florida

 Sometimes, the social and political involvement of rock musicians goes beyond simple songwriting or protest and instead takes the form of a spectacular concert, recording… (more)

Subjects/Keywords: Audio recordings; Charity; Fundraising; Music concerts; Music industry; Musical performance; Musicians; Philanthropy; Popular music; Rock music; charity, philanthropy, pop, rock

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, J. (2010). Heeding the Call An Historical Overview of Philanthropy in Rock. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0042033

Chicago Manual of Style (16th Edition):

Lee, Ji. “Heeding the Call An Historical Overview of Philanthropy in Rock.” 2010. Doctoral Dissertation, University of Florida. Accessed September 23, 2019. http://ufdc.ufl.edu/UFE0042033.

MLA Handbook (7th Edition):

Lee, Ji. “Heeding the Call An Historical Overview of Philanthropy in Rock.” 2010. Web. 23 Sep 2019.

Vancouver:

Lee J. Heeding the Call An Historical Overview of Philanthropy in Rock. [Internet] [Doctoral dissertation]. University of Florida; 2010. [cited 2019 Sep 23]. Available from: http://ufdc.ufl.edu/UFE0042033.

Council of Science Editors:

Lee J. Heeding the Call An Historical Overview of Philanthropy in Rock. [Doctoral Dissertation]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0042033


Bowling Green State University

30. Kavka, Daniel Robert. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.

Degree: MM, Music Ethnomusicology, 2010, Bowling Green State University

 Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie's Young… (more)

Subjects/Keywords: Music; pop; pop music; popular music; rock; disco; club culture; dance music; 1970s; american; ethnomusicology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kavka, D. R. (2010). Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797

Chicago Manual of Style (16th Edition):

Kavka, Daniel Robert. “Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.” 2010. Masters Thesis, Bowling Green State University. Accessed September 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

MLA Handbook (7th Edition):

Kavka, Daniel Robert. “Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980.” 2010. Web. 23 Sep 2019.

Vancouver:

Kavka DR. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. [Internet] [Masters thesis]. Bowling Green State University; 2010. [cited 2019 Sep 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797.

Council of Science Editors:

Kavka DR. Young Americans to Emotional Rescue: Selected Meetings Between Disco and Rock, 1975-1980. [Masters Thesis]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277322797

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