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You searched for subject:(Ringwood Gwen Pharis 1910 Criticism AND interpretaion ). Showing records 1 – 2 of 2 total matches.

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University of Alberta

1. Agnew, Theresa. Let her but breathe: changing representations of women in plays by prairie women playwrights.

Degree: MA, Department of English, 1994, University of Alberta

Subjects/Keywords: Glass, Joanna M – Criticism and interpretation.; Canadian drama – Prairie Provinces – History and criticism.; Pollock, Sharon – Criticism and interpretation.; Ringwood, Gwen Pharis, 1910-  – Criticism and interpretaion.; Canadian drama – Women authors – History and criticism.; Women in the theater – Prairie Provinces.; Prairies in literature.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Agnew, T. (1994). Let her but breathe: changing representations of women in plays by prairie women playwrights. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/wh246v59k

Chicago Manual of Style (16th Edition):

Agnew, Theresa. “Let her but breathe: changing representations of women in plays by prairie women playwrights.” 1994. Masters Thesis, University of Alberta. Accessed October 17, 2019. https://era.library.ualberta.ca/files/wh246v59k.

MLA Handbook (7th Edition):

Agnew, Theresa. “Let her but breathe: changing representations of women in plays by prairie women playwrights.” 1994. Web. 17 Oct 2019.

Vancouver:

Agnew T. Let her but breathe: changing representations of women in plays by prairie women playwrights. [Internet] [Masters thesis]. University of Alberta; 1994. [cited 2019 Oct 17]. Available from: https://era.library.ualberta.ca/files/wh246v59k.

Council of Science Editors:

Agnew T. Let her but breathe: changing representations of women in plays by prairie women playwrights. [Masters Thesis]. University of Alberta; 1994. Available from: https://era.library.ualberta.ca/files/wh246v59k


Baylor University

2. Brittingham, Joanie. Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz.

Degree: Music., 2009, Baylor University

The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas. Advisors/Committee Members: Zeiss, Laurel Elizabeth (advisor).

Subjects/Keywords: Operetta  – Austria  – Vienna  – 19th century.; Operetta  – Austria  – Vienna  – 20th century.; Strauss, Johann, 1825-1899  – Criticism and interpretation.; Lehár, Franz, 1870-1948  – Criticism and interpratation.; Stolz, Robert, 1880-1975  – Criticism and interpretaion.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brittingham, J. (2009). Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brittingham, Joanie. “Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. ” 2009. Thesis, Baylor University. Accessed October 17, 2019. http://hdl.handle.net/2104/5370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brittingham, Joanie. “Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. ” 2009. Web. 17 Oct 2019.

Vancouver:

Brittingham J. Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. [Internet] [Thesis]. Baylor University; 2009. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2104/5370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brittingham J. Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. [Thesis]. Baylor University; 2009. Available from: http://hdl.handle.net/2104/5370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.