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You searched for subject:(Rimsky Korsakov). Showing records 1 – 9 of 9 total matches.

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California State University – Northridge

1. McDonough, Stephen. Rehearsing and performing Capriccio Espa??ol.

Degree: M.M., Department of Music, 2010, California State University – Northridge

 In order to develop consistent and effective tools, the conductor must diagram the steps necessary to present the rehearsal and performance to the players. The… (more)

Subjects/Keywords: Rimsky-Korsakov, Nikolay, 1844-1908.; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

McDonough, S. (2010). Rehearsing and performing Capriccio Espa??ol. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140287

Chicago Manual of Style (16th Edition):

McDonough, Stephen. “Rehearsing and performing Capriccio Espa??ol.” 2010. Masters Thesis, California State University – Northridge. Accessed June 18, 2019. http://hdl.handle.net/10211.3/140287.

MLA Handbook (7th Edition):

McDonough, Stephen. “Rehearsing and performing Capriccio Espa??ol.” 2010. Web. 18 Jun 2019.

Vancouver:

McDonough S. Rehearsing and performing Capriccio Espa??ol. [Internet] [Masters thesis]. California State University – Northridge; 2010. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10211.3/140287.

Council of Science Editors:

McDonough S. Rehearsing and performing Capriccio Espa??ol. [Masters Thesis]. California State University – Northridge; 2010. Available from: http://hdl.handle.net/10211.3/140287


Arizona State University

2. Hutchens, Tim Alan. New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone.

Degree: Music, 2016, Arizona State University

Subjects/Keywords: Music; Fedosseyev; Piano; Reduction; Rimsky-Korsakov; Telemann; Trombone

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APA (6th Edition):

Hutchens, T. A. (2016). New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38421

Chicago Manual of Style (16th Edition):

Hutchens, Tim Alan. “New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone.” 2016. Doctoral Dissertation, Arizona State University. Accessed June 18, 2019. http://repository.asu.edu/items/38421.

MLA Handbook (7th Edition):

Hutchens, Tim Alan. “New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone.” 2016. Web. 18 Jun 2019.

Vancouver:

Hutchens TA. New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2019 Jun 18]. Available from: http://repository.asu.edu/items/38421.

Council of Science Editors:

Hutchens TA. New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38421


University of Georgia

3. Dean, Terry Lynn. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.

Degree: PhD, Music, 2009, University of Georgia

 More than fifty years after Prokofyev’s death, War and Peace remains a misunderstood composition. While there are many reasons why the opera remains misunderstood, the… (more)

Subjects/Keywords: Sergei Prokofyev; Prokofiev; Opera; Russian music; Soviet music; Rimsky-Korsakov; Chaikovsky; Tchaikovsky; Musorgsky; Mussorgsky; Boris Asafyev; Boris Asafiev; Intonatsiya; War and Peace; Socialist Realism; Psychology and Music

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APA (6th Edition):

Dean, T. L. (2009). The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd

Chicago Manual of Style (16th Edition):

Dean, Terry Lynn. “The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.” 2009. Doctoral Dissertation, University of Georgia. Accessed June 18, 2019. http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd.

MLA Handbook (7th Edition):

Dean, Terry Lynn. “The nineteenth-century Russian operatic roots of Prokofyev’s War and peace.” 2009. Web. 18 Jun 2019.

Vancouver:

Dean TL. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2019 Jun 18]. Available from: http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd.

Council of Science Editors:

Dean TL. The nineteenth-century Russian operatic roots of Prokofyev’s War and peace. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/dean_terry_l_200905_phd


University of Gothenburg / Göteborgs Universitet

4. Karlsohn, Irina. Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940.

Degree: 2009, University of Gothenburg / Göteborgs Universitet

This doctoral dissertation examines the legend of the invisible city of Kitezh, its development and the role that it played in Russian culture between the… (more)

Subjects/Keywords: Russian literature; the Kitezh legend; myth; Old Believers; N. Rimsky-Korsakov; symbolism; А. Bely; the Petersburg myth; the myth of Holy Russia; N. Kliuev

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APA (6th Edition):

Karlsohn, I. (2009). Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/21312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karlsohn, Irina. “Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940.” 2009. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed June 18, 2019. http://hdl.handle.net/2077/21312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karlsohn, Irina. “Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940.” 2009. Web. 18 Jun 2019.

Vancouver:

Karlsohn I. Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2009. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/2077/21312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karlsohn I. Poiski Rusi nevidimoj. Kitezskaja legenda v russkoj kul'ture. 1843-1940. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2009. Available from: http://hdl.handle.net/2077/21312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. McIver, Don L. The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov.

Degree: 1950, North Texas State College

 The purpose of this thesis is to show through the presentation and analysis of authoritative information, together with opinions drawn from the information and analyses,… (more)

Subjects/Keywords: symphony orchestra; Mozart; Rimsky-Korsakov; Clarinet.; Orchestral music  – History and criticism.

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APA (6th Edition):

McIver, D. L. (1950). The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc83755/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McIver, Don L. “The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov.” 1950. Thesis, North Texas State College. Accessed June 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc83755/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McIver, Don L. “The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov.” 1950. Web. 18 Jun 2019.

Vancouver:

McIver DL. The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov. [Internet] [Thesis]. North Texas State College; 1950. [cited 2019 Jun 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc83755/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McIver DL. The Clarinet in the Symphony Orchestra from Mozart to Rimsky-Korsakov. [Thesis]. North Texas State College; 1950. Available from: https://digital.library.unt.edu/ark:/67531/metadc83755/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Roberts, Jay Daniel. Introduction of Soviet Trombone Literature to Western Trombone Repertoire.

Degree: Music, 2015, Arizona State University

 The canon of music performed in recitals by American trombonists contains very few works for trombone by composers from Russia and the Soviet Union. Trombonists… (more)

Subjects/Keywords: Music; Russian history; Blazhevich; Lebedev; Rimsky-Korsakov; Russian; Soviet; Trombone solo

…nineteenth-century Russian composers such as Nikolai Rimsky-Korsakov shows that the trombone itself… …x28;1835-1918), Modest Mussorgsky (1839-1881) and Nikolai Rimsky-Korsakov… …x28;1875) and Rimsky-Korsakov in his Scheherazade (1888). Also in 1888, Rimsky… …for trombones in his symphonic works, Rimsky-Korsakov wrote a trombone concerto with… …military band accompaniment in 1877. Rimsky-Korsakov is one of the few major nineteenth century… 

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APA (6th Edition):

Roberts, J. D. (2015). Introduction of Soviet Trombone Literature to Western Trombone Repertoire. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/36460

Chicago Manual of Style (16th Edition):

Roberts, Jay Daniel. “Introduction of Soviet Trombone Literature to Western Trombone Repertoire.” 2015. Doctoral Dissertation, Arizona State University. Accessed June 18, 2019. http://repository.asu.edu/items/36460.

MLA Handbook (7th Edition):

Roberts, Jay Daniel. “Introduction of Soviet Trombone Literature to Western Trombone Repertoire.” 2015. Web. 18 Jun 2019.

Vancouver:

Roberts JD. Introduction of Soviet Trombone Literature to Western Trombone Repertoire. [Internet] [Doctoral dissertation]. Arizona State University; 2015. [cited 2019 Jun 18]. Available from: http://repository.asu.edu/items/36460.

Council of Science Editors:

Roberts JD. Introduction of Soviet Trombone Literature to Western Trombone Repertoire. [Doctoral Dissertation]. Arizona State University; 2015. Available from: http://repository.asu.edu/items/36460


The Ohio State University

7. Alston, Ray S. "Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera".

Degree: PhD, Slavic and East European Languages and Cultures, 2018, The Ohio State University

 Historical opera represents an important subgenre in the Russian repertoire, but many of the Russian operas on historical themes are unperformed and unknown in the… (more)

Subjects/Keywords: History; Literature; Music; Performing Arts; Russian History; Slavic Literature; Russian Historical Opera; Northrup Frye; Auden; Glinka; Rimsky-Korsakov; Borodin; Musorgsky; Life for the Tsar; Ruslan and Liudmila; Ruslan and Lyudmila; Prince Igor; Maid of Pskov; Pskovitianka; Tsars Bride; Khovanshchina; Boris Godunov

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APA (6th Edition):

Alston, R. S. (2018). "Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera". (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1524176697602489

Chicago Manual of Style (16th Edition):

Alston, Ray S. “"Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera".” 2018. Doctoral Dissertation, The Ohio State University. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524176697602489.

MLA Handbook (7th Edition):

Alston, Ray S. “"Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera".” 2018. Web. 18 Jun 2019.

Vancouver:

Alston RS. "Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera". [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524176697602489.

Council of Science Editors:

Alston RS. "Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera". [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524176697602489

8. Ντερμεντζίεβα, Στανιμήρα. Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας.

Degree: 2012, Ionian University; Ιόνιο Πανεπιστήμιο

Subjects/Keywords: Βασίλης Π. Καλαφάτης; Ρώσοι συνθέτες; Έλληνες συνθέτες της διασποράς; Ρωσική Εθνική Σχολή; Ωδείο της Αγ. Πετρούπολης; Κύκλος του Μ. Μπελάγιεφ; Σχολή σύνθεσης του Ν. Ρίμσκι-Κόρσακοφ; Τα ασημένια χρόνια στη ρωσική τέχνη; Vasily Pavlovich Kalafati; Russian composers; Composers of the greek diaspora in Russia; Russian National School; The saint petersburg conservatory; Mitrofan Petrovich Belaieff (1836-1903) / Belayev Circle; N. Rimsky-Korsakov School of composition; The silver age in russian culture

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APA (6th Edition):

Ντερμεντζίεβα, . . (2012). Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας. (Thesis). Ionian University; Ιόνιο Πανεπιστήμιο. Retrieved from http://hdl.handle.net/10442/hedi/30138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ντερμεντζίεβα, Στανιμήρα. “Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας.” 2012. Thesis, Ionian University; Ιόνιο Πανεπιστήμιο. Accessed June 18, 2019. http://hdl.handle.net/10442/hedi/30138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ντερμεντζίεβα, Στανιμήρα. “Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας.” 2012. Web. 18 Jun 2019.

Vancouver:

Ντερμεντζίεβα . Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας. [Internet] [Thesis]. Ionian University; Ιόνιο Πανεπιστήμιο; 2012. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10442/hedi/30138.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ντερμεντζίεβα . Βασίλης Π. Καλαφάτης (1869-1942): η ζωή και το έργο ενός λησμονημένου συνθέτη και μουσικοπαιδαγωγού της Ρωσίας. [Thesis]. Ionian University; Ιόνιο Πανεπιστήμιο; 2012. Available from: http://hdl.handle.net/10442/hedi/30138

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed June 18, 2019. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 18 Jun 2019.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488

.