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You searched for subject:(Restoration drama). Showing records 1 – 30 of 30 total matches.

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University of South Florida

1. Le Van, Curtis. Body as Text: Physiognomy on the Early English Stage.

Degree: 2017, University of South Florida

 My dissertation explores the presence of physiognomy, which is the reading of faces and bodily affects to determine a person’s character. I investigate plays originally… (more)

Subjects/Keywords: medieval drama; Renaissance drama; Restoration drama; Shakespeare; internality; English Language and Literature

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APA (6th Edition):

Le Van, C. (2017). Body as Text: Physiognomy on the Early English Stage. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/6886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Le Van, Curtis. “Body as Text: Physiognomy on the Early English Stage.” 2017. Thesis, University of South Florida. Accessed March 04, 2021. https://scholarcommons.usf.edu/etd/6886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Le Van, Curtis. “Body as Text: Physiognomy on the Early English Stage.” 2017. Web. 04 Mar 2021.

Vancouver:

Le Van C. Body as Text: Physiognomy on the Early English Stage. [Internet] [Thesis]. University of South Florida; 2017. [cited 2021 Mar 04]. Available from: https://scholarcommons.usf.edu/etd/6886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Le Van C. Body as Text: Physiognomy on the Early English Stage. [Thesis]. University of South Florida; 2017. Available from: https://scholarcommons.usf.edu/etd/6886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


North Carolina State University

2. Anderson, Jennifer Smith. Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage.

Degree: MA, English, 2006, North Carolina State University

 During the Restoration playwrights were often able to act as directors when their works reached the stage. Playwrights were also very public about their intentions… (more)

Subjects/Keywords: drama; Restoration; theatre; performance

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APA (6th Edition):

Anderson, J. S. (2006). Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage. (Thesis). North Carolina State University. Retrieved from http://www.lib.ncsu.edu/resolver/1840.16/2681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Jennifer Smith. “Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage.” 2006. Thesis, North Carolina State University. Accessed March 04, 2021. http://www.lib.ncsu.edu/resolver/1840.16/2681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Jennifer Smith. “Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage.” 2006. Web. 04 Mar 2021.

Vancouver:

Anderson JS. Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage. [Internet] [Thesis]. North Carolina State University; 2006. [cited 2021 Mar 04]. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson JS. Author's Choice: The Relevance of Author as Casting Director on the Restoration Stage. [Thesis]. North Carolina State University; 2006. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Hindman, Jennie Louise. The revival of the comedy of manners in England in the late nineteenth century.

Degree: MA, English, 1937, Texas Woman's University

Subjects/Keywords: Comedy of manners; Restoration drama

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APA (6th Edition):

Hindman, J. L. (1937). The revival of the comedy of manners in England in the late nineteenth century. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/9718

Chicago Manual of Style (16th Edition):

Hindman, Jennie Louise. “The revival of the comedy of manners in England in the late nineteenth century.” 1937. Masters Thesis, Texas Woman's University. Accessed March 04, 2021. http://hdl.handle.net/11274/9718.

MLA Handbook (7th Edition):

Hindman, Jennie Louise. “The revival of the comedy of manners in England in the late nineteenth century.” 1937. Web. 04 Mar 2021.

Vancouver:

Hindman JL. The revival of the comedy of manners in England in the late nineteenth century. [Internet] [Masters thesis]. Texas Woman's University; 1937. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11274/9718.

Council of Science Editors:

Hindman JL. The revival of the comedy of manners in England in the late nineteenth century. [Masters Thesis]. Texas Woman's University; 1937. Available from: http://hdl.handle.net/11274/9718


University of Illinois – Urbana-Champaign

4. Holguin, Marilyn M. Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759.

Degree: PhD, English Literature, 2016, University of Illinois – Urbana-Champaign

 My dissertation considers how and why representations of female suffering in Restoration tragedy had a profound impact on the development of mid-eighteenth century novels and… (more)

Subjects/Keywords: Adaption; Eighteenth-Century; British literature; Restoration drama; novels

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APA (6th Edition):

Holguin, M. M. (2016). Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/90785

Chicago Manual of Style (16th Edition):

Holguin, Marilyn M. “Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759.” 2016. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed March 04, 2021. http://hdl.handle.net/2142/90785.

MLA Handbook (7th Edition):

Holguin, Marilyn M. “Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759.” 2016. Web. 04 Mar 2021.

Vancouver:

Holguin MM. Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2016. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2142/90785.

Council of Science Editors:

Holguin MM. Appropriating the Restoration hero(ine): intertextuality and the transformation of gender identity, 1677-1759. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2016. Available from: http://hdl.handle.net/2142/90785


University of Arizona

5. SANDS, KATHLEEN ROSEMARY DAVIS. ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY.

Degree: 1982, University of Arizona

 This study of sixty-seven Restoration comedies demonstrates that the ethical system by which the comic playwrights distribute praise and blame to their characters is a… (more)

Subjects/Keywords: English drama  – Restoration; 1660-1700.

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APA (6th Edition):

SANDS, K. R. D. (1982). ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/187803

Chicago Manual of Style (16th Edition):

SANDS, KATHLEEN ROSEMARY DAVIS. “ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY. ” 1982. Doctoral Dissertation, University of Arizona. Accessed March 04, 2021. http://hdl.handle.net/10150/187803.

MLA Handbook (7th Edition):

SANDS, KATHLEEN ROSEMARY DAVIS. “ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY. ” 1982. Web. 04 Mar 2021.

Vancouver:

SANDS KRD. ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY. [Internet] [Doctoral dissertation]. University of Arizona; 1982. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10150/187803.

Council of Science Editors:

SANDS KRD. ITEM, I ARTICLE: CONTRACTS IN RESTORATION COMEDY. [Doctoral Dissertation]. University of Arizona; 1982. Available from: http://hdl.handle.net/10150/187803


University of Michigan

6. Jacobson, Michelle. Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel.

Degree: PhD, English Language & Literature, 2019, University of Michigan

 Eighteenth-century novelists borrowed formal features from many earlier genres—journals, travelogues, epic poetry, medieval romance, to name only a few—but perhaps the most influential source that… (more)

Subjects/Keywords: drama and the novel; novel history; Eighteenth-century novels; Restoration drama; theater and the novel; English Language and Literature; Humanities

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APA (6th Edition):

Jacobson, M. (2019). Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/153411

Chicago Manual of Style (16th Edition):

Jacobson, Michelle. “Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel.” 2019. Doctoral Dissertation, University of Michigan. Accessed March 04, 2021. http://hdl.handle.net/2027.42/153411.

MLA Handbook (7th Edition):

Jacobson, Michelle. “Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel.” 2019. Web. 04 Mar 2021.

Vancouver:

Jacobson M. Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel. [Internet] [Doctoral dissertation]. University of Michigan; 2019. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2027.42/153411.

Council of Science Editors:

Jacobson M. Performing for the Reader: Dramatic Speech in the Eighteenth-Century English Novel. [Doctoral Dissertation]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/153411


Brigham Young University

7. Teerlink, Amanda. The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake.

Degree: MA, 2018, Brigham Young University

 Of all of Austen<&trade>s works, Lady Susan tends to stand alone in style and character development. The titular character of the novella in particular presents… (more)

Subjects/Keywords: Jane Austen; Lady Susan; rake; Restoration drama; theatre; Romantic literature; Arts and Humanities

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APA (6th Edition):

Teerlink, A. (2018). The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8100&context=etd

Chicago Manual of Style (16th Edition):

Teerlink, Amanda. “The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake.” 2018. Masters Thesis, Brigham Young University. Accessed March 04, 2021. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8100&context=etd.

MLA Handbook (7th Edition):

Teerlink, Amanda. “The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake.” 2018. Web. 04 Mar 2021.

Vancouver:

Teerlink A. The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake. [Internet] [Masters thesis]. Brigham Young University; 2018. [cited 2021 Mar 04]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8100&context=etd.

Council of Science Editors:

Teerlink A. The Wicked Widow: Reading Jane Austen<&trade>s <i>Lady Susan</i> as a Restoration Rake. [Masters Thesis]. Brigham Young University; 2018. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=8100&context=etd


Duquesne University

8. Watkins, Shawn. Unruly Matter: Masculine Consumption in English Restoration Literature.

Degree: PhD, English, 2019, Duquesne University

  Unruly Matter: Masculine Consumption in English Restoration Literature Over the past several decades, material culture scholars working within the “Long 18th Century” have identified… (more)

Subjects/Keywords: Restoration Literature; Poetry; Drama; Gender; Material Culture; New Materialism; Literature in English, British Isles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Watkins, S. (2019). Unruly Matter: Masculine Consumption in English Restoration Literature. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1814

Chicago Manual of Style (16th Edition):

Watkins, Shawn. “Unruly Matter: Masculine Consumption in English Restoration Literature.” 2019. Doctoral Dissertation, Duquesne University. Accessed March 04, 2021. https://dsc.duq.edu/etd/1814.

MLA Handbook (7th Edition):

Watkins, Shawn. “Unruly Matter: Masculine Consumption in English Restoration Literature.” 2019. Web. 04 Mar 2021.

Vancouver:

Watkins S. Unruly Matter: Masculine Consumption in English Restoration Literature. [Internet] [Doctoral dissertation]. Duquesne University; 2019. [cited 2021 Mar 04]. Available from: https://dsc.duq.edu/etd/1814.

Council of Science Editors:

Watkins S. Unruly Matter: Masculine Consumption in English Restoration Literature. [Doctoral Dissertation]. Duquesne University; 2019. Available from: https://dsc.duq.edu/etd/1814


University of Georgia

9. Hileman, James Bryan. The rise of the libertine hero on the restoration stage.

Degree: 2014, University of Georgia

 Structured in the style of a printed play of the period (though with only three acts), this study focuses on the proto-libertine hero in the… (more)

Subjects/Keywords: Libertine; Libertinism; Materialism; Restoration Drama; Restoration Comedy; Rake; John Fletcher; Caroline Drama; Renaissance Drama; Sir John Suckling; James Shirley; Thomas Killigrew; Sir William Davenant; George Etherege; Sir Charles Sedley; Samuel Pepys

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APA (6th Edition):

Hileman, J. B. (2014). The rise of the libertine hero on the restoration stage. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/25818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hileman, James Bryan. “The rise of the libertine hero on the restoration stage.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/25818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hileman, James Bryan. “The rise of the libertine hero on the restoration stage.” 2014. Web. 04 Mar 2021.

Vancouver:

Hileman JB. The rise of the libertine hero on the restoration stage. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/25818.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hileman JB. The rise of the libertine hero on the restoration stage. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/25818

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Loughborough University

10. Bowditch, Claire. Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681.

Degree: PhD, 2015, Loughborough University

 In the preface to her play 'The Luckey Chance; or, An Alderman's Bargain', Aphra Behn invited 'any unprejudic'd Person [...] to read any of my… (more)

Subjects/Keywords: 800; Studies in the Creative Arts and Writing not elsewhere classified; Aphra Behn; Restoration; Drama; Theatre; Intertextuality; Literary borrowing; Materiality

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APA (6th Edition):

Bowditch, C. (2015). Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/17038

Chicago Manual of Style (16th Edition):

Bowditch, Claire. “Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681.” 2015. Doctoral Dissertation, Loughborough University. Accessed March 04, 2021. http://hdl.handle.net/2134/17038.

MLA Handbook (7th Edition):

Bowditch, Claire. “Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681.” 2015. Web. 04 Mar 2021.

Vancouver:

Bowditch C. Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681. [Internet] [Doctoral dissertation]. Loughborough University; 2015. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2134/17038.

Council of Science Editors:

Bowditch C. Textual materiality and contemporary literary borrowings in the Popish Plot and Exclusion Crisis comedies of Aphra Behn, 1678-1681. [Doctoral Dissertation]. Loughborough University; 2015. Available from: http://hdl.handle.net/2134/17038


University of Tennessee – Knoxville

11. Best, Royce Lee. Eruptive Baroque Hysteria in English Neoclassical Literature.

Degree: MA, English, 2014, University of Tennessee – Knoxville

  "Eruptive Baroque Hysteria in English Neoclassical Literature" explores the persistence and intrusion of early-seventeenth-century baroque aesthetics in otherwise bourgeois, neoclassical works of the English… (more)

Subjects/Keywords: Resoration drama; Restoration poetry; history of aesthetics; baroque literature; neoclassical literature; Literature in English, British Isles

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APA (6th Edition):

Best, R. L. (2014). Eruptive Baroque Hysteria in English Neoclassical Literature. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/2793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Best, Royce Lee. “Eruptive Baroque Hysteria in English Neoclassical Literature.” 2014. Thesis, University of Tennessee – Knoxville. Accessed March 04, 2021. https://trace.tennessee.edu/utk_gradthes/2793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Best, Royce Lee. “Eruptive Baroque Hysteria in English Neoclassical Literature.” 2014. Web. 04 Mar 2021.

Vancouver:

Best RL. Eruptive Baroque Hysteria in English Neoclassical Literature. [Internet] [Thesis]. University of Tennessee – Knoxville; 2014. [cited 2021 Mar 04]. Available from: https://trace.tennessee.edu/utk_gradthes/2793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Best RL. Eruptive Baroque Hysteria in English Neoclassical Literature. [Thesis]. University of Tennessee – Knoxville; 2014. Available from: https://trace.tennessee.edu/utk_gradthes/2793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

12. Martinez, Mary Elizabeth. Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage.

Degree: 2014, University of Georgia

 The element of homosociality, as defined by Eve Kosofsky Sedgwick in Between Men: English Literature and the Male Homosocial Desire, permeates the realm of the… (more)

Subjects/Keywords: Homosociality; Place of the Woman in Homosocial Drama; Restoration Comedy; Eighteenth-Century Comedy; Comedy of Manners; Sentimentalism; Sentimental Comedy; Laughing Comedy

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APA (6th Edition):

Martinez, M. E. (2014). Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/26404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martinez, Mary Elizabeth. “Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/26404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martinez, Mary Elizabeth. “Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage.” 2014. Web. 04 Mar 2021.

Vancouver:

Martinez ME. Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/26404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martinez ME. Homosociality and the place of the woman in the works of the Restoration and eighteenth-century comic stage. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/26404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

13. Walker, Jessica Anne. Borders and boundaries.

Degree: 2014, University of Georgia

 The English Renaissance is a period of interest in historiography and national consciousness, as well as a period in which women were starting to make… (more)

Subjects/Keywords: Historiography; Early Modern Writing; Women’s Writing; Biography; Autobiography; War; Life Writing; Memoir; Diary; Drama; Speculative Fiction; Oratory; Epistolary; Reformation; Restoration; Renaissance

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APA (6th Edition):

Walker, J. A. (2014). Borders and boundaries. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/26180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Jessica Anne. “Borders and boundaries.” 2014. Thesis, University of Georgia. Accessed March 04, 2021. http://hdl.handle.net/10724/26180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Jessica Anne. “Borders and boundaries.” 2014. Web. 04 Mar 2021.

Vancouver:

Walker JA. Borders and boundaries. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/10724/26180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker JA. Borders and boundaries. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/26180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

14. McINNIS, DAVID. The wings of active thought: a study of mind-travelling and voyage drama in early modern England.

Degree: 2010, University of Melbourne

 The purpose of this study is to explain how voyage drama works, and why playwrights wrote about travel and exotic settings. Criticism of early modern… (more)

Subjects/Keywords: voyage drama; vicarious travel; mind-travelling; English drama; drama; 17th century drama; renaissance drama; restoration; early modern travel; grand tour; ars apodemica

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APA (6th Edition):

McINNIS, D. (2010). The wings of active thought: a study of mind-travelling and voyage drama in early modern England. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35995

Chicago Manual of Style (16th Edition):

McINNIS, DAVID. “The wings of active thought: a study of mind-travelling and voyage drama in early modern England.” 2010. Doctoral Dissertation, University of Melbourne. Accessed March 04, 2021. http://hdl.handle.net/11343/35995.

MLA Handbook (7th Edition):

McINNIS, DAVID. “The wings of active thought: a study of mind-travelling and voyage drama in early modern England.” 2010. Web. 04 Mar 2021.

Vancouver:

McINNIS D. The wings of active thought: a study of mind-travelling and voyage drama in early modern England. [Internet] [Doctoral dissertation]. University of Melbourne; 2010. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11343/35995.

Council of Science Editors:

McINNIS D. The wings of active thought: a study of mind-travelling and voyage drama in early modern England. [Doctoral Dissertation]. University of Melbourne; 2010. Available from: http://hdl.handle.net/11343/35995


University of Michigan

15. Widmayer, Anne Fitzwater. Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko.

Degree: PhD, Theater, 1999, University of Michigan

 A selection of Aphra Behn's plays are discussed within a tradition of performance criticism which ranges from William Poel and Harley Granville-Barker to J. L.… (more)

Subjects/Keywords: Behn, Aphra; Drama; Dramatic Technique; Her; Oroonoko; Performance; Plays; Restoration; Stage Space

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APA (6th Edition):

Widmayer, A. F. (1999). Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/132035

Chicago Manual of Style (16th Edition):

Widmayer, Anne Fitzwater. “Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko.” 1999. Doctoral Dissertation, University of Michigan. Accessed March 04, 2021. http://hdl.handle.net/2027.42/132035.

MLA Handbook (7th Edition):

Widmayer, Anne Fitzwater. “Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko.” 1999. Web. 04 Mar 2021.

Vancouver:

Widmayer AF. Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko. [Internet] [Doctoral dissertation]. University of Michigan; 1999. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2027.42/132035.

Council of Science Editors:

Widmayer AF. Stage space in performance: Aphra Behn's dramatic technique in her plays and Oroonoko. [Doctoral Dissertation]. University of Michigan; 1999. Available from: http://hdl.handle.net/2027.42/132035


University of Arkansas

16. Chatham, Rebecca Piazzoni. The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost.

Degree: MA, 2015, University of Arkansas

  Geoffrey Chaucer, William Shakespeare, and John Dryden presented the character of Cleopatra differently, through both the written language of their pieces and their own… (more)

Subjects/Keywords: Language; literature and linguistics; Communication and the arts; Geoffrey Chaucer; Drama; John Dryden; Performance; Renaissance; Restoration; Dramatic Literature, Criticism and Theory; Literature in English, British Isles; Performance Studies

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APA (6th Edition):

Chatham, R. P. (2015). The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/1234

Chicago Manual of Style (16th Edition):

Chatham, Rebecca Piazzoni. “The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost.” 2015. Masters Thesis, University of Arkansas. Accessed March 04, 2021. https://scholarworks.uark.edu/etd/1234.

MLA Handbook (7th Edition):

Chatham, Rebecca Piazzoni. “The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost.” 2015. Web. 04 Mar 2021.

Vancouver:

Chatham RP. The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost. [Internet] [Masters thesis]. University of Arkansas; 2015. [cited 2021 Mar 04]. Available from: https://scholarworks.uark.edu/etd/1234.

Council of Science Editors:

Chatham RP. The Many Faces of Cleopatra: How Performance and Characterization Change Cleopatra in Geoffrey Chaucer's "The Legend of Good Women," William Shakespeare's The Tragedy of Antony and Cleopatra, and John Dryden's All for Love; or, The World Well Lost. [Masters Thesis]. University of Arkansas; 2015. Available from: https://scholarworks.uark.edu/etd/1234


University of Washington

17. Ramsland, Luverne Clement. The world of restoration comedy.

Degree: 1929, University of Washington

 At the outset, let us examine in a general way, the point of view of the people of the Restoration Comedy World. Let us try… (more)

Subjects/Keywords: Comedies of manners, English – History and criticism || English drama – Restoration, 1660-1700 – History and criticism || Comedy of manners, English || English drama – Restoration; Thesis – English

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APA (6th Edition):

Ramsland, L. C. (1929). The world of restoration comedy. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/44591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramsland, Luverne Clement. “The world of restoration comedy.” 1929. Thesis, University of Washington. Accessed March 04, 2021. http://hdl.handle.net/1773/44591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramsland, Luverne Clement. “The world of restoration comedy.” 1929. Web. 04 Mar 2021.

Vancouver:

Ramsland LC. The world of restoration comedy. [Internet] [Thesis]. University of Washington; 1929. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1773/44591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramsland LC. The world of restoration comedy. [Thesis]. University of Washington; 1929. Available from: http://hdl.handle.net/1773/44591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas Tech University

18. Lightfoot, John E. The treatment of women in Restoration comedy of manners.

Degree: English, 1973, Texas Tech University

Subjects/Keywords: English drama (Comedy)  – History and criticism; English drama  – Restoration, 1660-1700  – History and criticism; Women in literature

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APA (6th Edition):

Lightfoot, J. E. (1973). The treatment of women in Restoration comedy of manners. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/10579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lightfoot, John E. “The treatment of women in Restoration comedy of manners.” 1973. Thesis, Texas Tech University. Accessed March 04, 2021. http://hdl.handle.net/2346/10579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lightfoot, John E. “The treatment of women in Restoration comedy of manners.” 1973. Web. 04 Mar 2021.

Vancouver:

Lightfoot JE. The treatment of women in Restoration comedy of manners. [Internet] [Thesis]. Texas Tech University; 1973. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2346/10579.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lightfoot JE. The treatment of women in Restoration comedy of manners. [Thesis]. Texas Tech University; 1973. Available from: http://hdl.handle.net/2346/10579

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

19. Corder, Jim W. The restoration way of the world :.

Degree: PhD, 1958, University of Oklahoma

Subjects/Keywords: English drama (Comedy) History and criticism.; English drama Restoration, 1660-1700 History and criticism.; Literature, General.

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APA (6th Edition):

Corder, J. W. (1958). The restoration way of the world :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/1371

Chicago Manual of Style (16th Edition):

Corder, Jim W. “The restoration way of the world :.” 1958. Doctoral Dissertation, University of Oklahoma. Accessed March 04, 2021. http://hdl.handle.net/11244/1371.

MLA Handbook (7th Edition):

Corder, Jim W. “The restoration way of the world :.” 1958. Web. 04 Mar 2021.

Vancouver:

Corder JW. The restoration way of the world :. [Internet] [Doctoral dissertation]. University of Oklahoma; 1958. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/11244/1371.

Council of Science Editors:

Corder JW. The restoration way of the world :. [Doctoral Dissertation]. University of Oklahoma; 1958. Available from: http://hdl.handle.net/11244/1371

20. Rosenbalm, John O. The Restoration Players: Their Performances and Personalities.

Degree: 1974, North Texas State University

 Some of the older actors of the Restoration provided a link between the pre- and post-Commonwealth stages by preserving their craft during the years from… (more)

Subjects/Keywords: Restoration drama; Actors  – England.; Theater  – Great Britain  – History.; Theater  – England  – London  – History.; actors of the Restoration; The London Stage

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APA (6th Edition):

Rosenbalm, J. O. (1974). The Restoration Players: Their Performances and Personalities. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500466/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosenbalm, John O. “The Restoration Players: Their Performances and Personalities.” 1974. Thesis, North Texas State University. Accessed March 04, 2021. https://digital.library.unt.edu/ark:/67531/metadc500466/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosenbalm, John O. “The Restoration Players: Their Performances and Personalities.” 1974. Web. 04 Mar 2021.

Vancouver:

Rosenbalm JO. The Restoration Players: Their Performances and Personalities. [Internet] [Thesis]. North Texas State University; 1974. [cited 2021 Mar 04]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500466/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosenbalm JO. The Restoration Players: Their Performances and Personalities. [Thesis]. North Texas State University; 1974. Available from: https://digital.library.unt.edu/ark:/67531/metadc500466/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Bender, Ashley Brookner. Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707.

Degree: 2009, University of North Texas

 This dissertation examines the role of stage properties-props, slangily-in the construction and expression of characters' identities. Through readings of both canonical and non-canonical drama written… (more)

Subjects/Keywords: Restoration literature; Props; drama; English drama  – 17th century  – History and criticism.; English drama  – 18th century  – History and criticism.; Stage props.; Characters and characteristics in literature.

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APA (6th Edition):

Bender, A. B. (2009). Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc12081/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bender, Ashley Brookner. “Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707.” 2009. Thesis, University of North Texas. Accessed March 04, 2021. https://digital.library.unt.edu/ark:/67531/metadc12081/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bender, Ashley Brookner. “Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707.” 2009. Web. 04 Mar 2021.

Vancouver:

Bender AB. Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707. [Internet] [Thesis]. University of North Texas; 2009. [cited 2021 Mar 04]. Available from: https://digital.library.unt.edu/ark:/67531/metadc12081/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bender AB. Personal Properties: Stage Props and Self-Expression in British Drama, 1600-1707. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc12081/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

22. Tasker, Elizabeth Anne. Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater.

Degree: PhD, English, 2007, Georgia State University

 The Restoration and early eighteenth-century theaters of London formed an important mixed-gender rhetorical venue, which was acutely focused on the age-old “querrelle des femmes” (or… (more)

Subjects/Keywords: feminist historical rhetoric; rhetoric and performance; theater history; historical rhetoric; Eighteenth century actresses; Restoration actresses; Restoration theater; rhetoric of drama; English Language and Literature

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APA (6th Edition):

Tasker, E. A. (2007). Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/18

Chicago Manual of Style (16th Edition):

Tasker, Elizabeth Anne. “Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater.” 2007. Doctoral Dissertation, Georgia State University. Accessed March 04, 2021. https://scholarworks.gsu.edu/english_diss/18.

MLA Handbook (7th Edition):

Tasker, Elizabeth Anne. “Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater.” 2007. Web. 04 Mar 2021.

Vancouver:

Tasker EA. Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater. [Internet] [Doctoral dissertation]. Georgia State University; 2007. [cited 2021 Mar 04]. Available from: https://scholarworks.gsu.edu/english_diss/18.

Council of Science Editors:

Tasker EA. Low Brows and High Profiles: Rhetoric and Gender in the Restoration and Early Eighteenth Century Theater. [Doctoral Dissertation]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/english_diss/18


University of Florida

23. Popson, Joseph John, 1944-. The Collier controversy a critical basis for understanding drama of the restoration period.

Degree: 1974, University of Florida

Subjects/Keywords: Audiences; Comic theater; Immorality; Morality; Playwriting; Poetics; Poetry; Theater; Theater criticism; Women; English drama  – History and criticism  – Restoration, 1660-1700

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APA (6th Edition):

Popson, Joseph John, 1. (1974). The Collier controversy a critical basis for understanding drama of the restoration period. (Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/AA00002224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Popson, Joseph John, 1944-. “The Collier controversy a critical basis for understanding drama of the restoration period.” 1974. Thesis, University of Florida. Accessed March 04, 2021. https://ufdc.ufl.edu/AA00002224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Popson, Joseph John, 1944-. “The Collier controversy a critical basis for understanding drama of the restoration period.” 1974. Web. 04 Mar 2021.

Vancouver:

Popson, Joseph John 1. The Collier controversy a critical basis for understanding drama of the restoration period. [Internet] [Thesis]. University of Florida; 1974. [cited 2021 Mar 04]. Available from: https://ufdc.ufl.edu/AA00002224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Popson, Joseph John 1. The Collier controversy a critical basis for understanding drama of the restoration period. [Thesis]. University of Florida; 1974. Available from: https://ufdc.ufl.edu/AA00002224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duquesne University

24. Bowen, Julia. The Emergence of the Rakish Character in Seventeenth-Century English Literature.

Degree: PhD, English, 2004, Duquesne University

 This dissertation charts the transformation of the libertine persona into the dramatic rakish character throughout the Seventeenth Century. Existing theories that seek to explain the… (more)

Subjects/Keywords: John Donne; John Milton; libertine personae; libertines; metaphysical poetry; rakes; rakish characters; Restoration drama

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APA (6th Edition):

Bowen, J. (2004). The Emergence of the Rakish Character in Seventeenth-Century English Literature. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/1664

Chicago Manual of Style (16th Edition):

Bowen, Julia. “The Emergence of the Rakish Character in Seventeenth-Century English Literature.” 2004. Doctoral Dissertation, Duquesne University. Accessed March 04, 2021. https://dsc.duq.edu/etd/1664.

MLA Handbook (7th Edition):

Bowen, Julia. “The Emergence of the Rakish Character in Seventeenth-Century English Literature.” 2004. Web. 04 Mar 2021.

Vancouver:

Bowen J. The Emergence of the Rakish Character in Seventeenth-Century English Literature. [Internet] [Doctoral dissertation]. Duquesne University; 2004. [cited 2021 Mar 04]. Available from: https://dsc.duq.edu/etd/1664.

Council of Science Editors:

Bowen J. The Emergence of the Rakish Character in Seventeenth-Century English Literature. [Doctoral Dissertation]. Duquesne University; 2004. Available from: https://dsc.duq.edu/etd/1664

25. Krueger, Misty Sabrina. “The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama.

Degree: 2010, University of Tennessee – Knoxville

 Revenge on the English stage has long been associated with Elizabethan and Renaissance revenge tragedies, and has been all but ignored in Restoration theater history.… (more)

Subjects/Keywords: Revenge; Restoration drama; monarchy; ambition; blood; Literature in English, British Isles

…work on revenge in Restoration drama might seem to indicate that revenge is not a vital part… …of Restoration drama, I argue that revenge on stage in the Restoration is connected with… …This dissertation examines how Restoration tragic drama staged during Charles II’s reign… …continues to haunt Restoration culture. This dissertation examines how Restoration tragic drama… …advancing their personal interests, Restoration tragic drama shows the king’s subjects how to… 

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APA (6th Edition):

Krueger, M. S. (2010). “The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama. (Doctoral Dissertation). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_graddiss/719

Chicago Manual of Style (16th Edition):

Krueger, Misty Sabrina. ““The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama.” 2010. Doctoral Dissertation, University of Tennessee – Knoxville. Accessed March 04, 2021. https://trace.tennessee.edu/utk_graddiss/719.

MLA Handbook (7th Edition):

Krueger, Misty Sabrina. ““The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama.” 2010. Web. 04 Mar 2021.

Vancouver:

Krueger MS. “The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama. [Internet] [Doctoral dissertation]. University of Tennessee – Knoxville; 2010. [cited 2021 Mar 04]. Available from: https://trace.tennessee.edu/utk_graddiss/719.

Council of Science Editors:

Krueger MS. “The Last Dear Drop of Blood”: Revenge in Restoration Tragic Drama. [Doctoral Dissertation]. University of Tennessee – Knoxville; 2010. Available from: https://trace.tennessee.edu/utk_graddiss/719


Kansas State University

26. Thomas, Mary Jean. William Wycherly's The gentleman dancing-master: a thesis production for the arena stage.

Degree: 1958, Kansas State University

Subjects/Keywords: Theater – Production and direction.; English drama – Restoration, 1660-1700.; Wycherley, William, 1640-1716. Gentleman dancing-master.; Masters theses

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APA (6th Edition):

Thomas, M. J. (1958). William Wycherly's The gentleman dancing-master: a thesis production for the arena stage. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/25271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Mary Jean. “William Wycherly's The gentleman dancing-master: a thesis production for the arena stage.” 1958. Thesis, Kansas State University. Accessed March 04, 2021. http://hdl.handle.net/2097/25271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Mary Jean. “William Wycherly's The gentleman dancing-master: a thesis production for the arena stage.” 1958. Web. 04 Mar 2021.

Vancouver:

Thomas MJ. William Wycherly's The gentleman dancing-master: a thesis production for the arena stage. [Internet] [Thesis]. Kansas State University; 1958. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/2097/25271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas MJ. William Wycherly's The gentleman dancing-master: a thesis production for the arena stage. [Thesis]. Kansas State University; 1958. Available from: http://hdl.handle.net/2097/25271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

27. Grossberger, Christine. Intriguing heroines and scheming servants.

Degree: 2008, University of Vienna

Das England der Stuart-Restauration und des frühen 18. Jahrhunderts brachte die ersten professionellen Dramatikerinnen hervor. Susanna Centlivre und Mary Davys waren produktive und erfolgreiche Schriftstellerinnen,… (more)

Subjects/Keywords: 17.94 Literarische Einflüsse und Beziehungen, Rezeption; 17.82 Dramatik; 17.93 Literarische Stoffe, literarische Motive, literarische Themen; Restauration / Drama / Schriftstellerinnen / Heldinnen / Intrigen / Unterschicht / Diener / Handwerker / Politik; Restoration / drama / women writers / heroines / intrigues / lower class / servants / tradesmen / politics

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APA (6th Edition):

Grossberger, C. (2008). Intriguing heroines and scheming servants. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/2525/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grossberger, Christine. “Intriguing heroines and scheming servants.” 2008. Thesis, University of Vienna. Accessed March 04, 2021. http://othes.univie.ac.at/2525/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grossberger, Christine. “Intriguing heroines and scheming servants.” 2008. Web. 04 Mar 2021.

Vancouver:

Grossberger C. Intriguing heroines and scheming servants. [Internet] [Thesis]. University of Vienna; 2008. [cited 2021 Mar 04]. Available from: http://othes.univie.ac.at/2525/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grossberger C. Intriguing heroines and scheming servants. [Thesis]. University of Vienna; 2008. Available from: http://othes.univie.ac.at/2525/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Choi, Jaemin. Theatricality, Cheap Print, and the Historiography of the English Civil War.

Degree: PhD, English, 2011, Texas A&M University

 Until recent years, the historical moment of Charles II's return to England was universally accepted as a clear marker of the end of "the Cavalier… (more)

Subjects/Keywords: Paradise Lost; Puritanism; Theatricality; Cheap Print; Seventeenth Century English Literature; Iconoclasm; Restoration Drama; English Civil War; Abiezer Cooppe; William Shakespeare; Ben Jonson; John Milton

…Richard W. Bevis‘s English Drama: Restoration and Eighteenth century. When Charles returned from… …proscenium arch and painted canvasses, which later became the mainstream of Restoration drama. For… …and the Restoration, the century exhibits no unity and coherence. Instead of seeking to… …point with Shakespeare, while Restoration scholars see themselves as occupied with the… …focusing on the continuing development of drama and theatricality during the English civil wars2… 

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APA (6th Edition):

Choi, J. (2011). Theatricality, Cheap Print, and the Historiography of the English Civil War. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2010-05-7669

Chicago Manual of Style (16th Edition):

Choi, Jaemin. “Theatricality, Cheap Print, and the Historiography of the English Civil War.” 2011. Doctoral Dissertation, Texas A&M University. Accessed March 04, 2021. http://hdl.handle.net/1969.1/ETD-TAMU-2010-05-7669.

MLA Handbook (7th Edition):

Choi, Jaemin. “Theatricality, Cheap Print, and the Historiography of the English Civil War.” 2011. Web. 04 Mar 2021.

Vancouver:

Choi J. Theatricality, Cheap Print, and the Historiography of the English Civil War. [Internet] [Doctoral dissertation]. Texas A&M University; 2011. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-05-7669.

Council of Science Editors:

Choi J. Theatricality, Cheap Print, and the Historiography of the English Civil War. [Doctoral Dissertation]. Texas A&M University; 2011. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-05-7669


Georgia Southern University

29. Middleton, Devane King. Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost.

Degree: MA, Department of Literature and Philosophy, 2006, Georgia Southern University

 Ever since Dryden published his opera The state of innocence, critics have speculated about his reasons for making a stage adaptation of Milton's Paradise lost.… (more)

Subjects/Keywords: ETD; Dryden; Milton; Free will; Paradise lost; The state of innocence; Hobbes; Bramhall; Restoration drama; Charles II; Cromwell; Interregnum; Catholic apologists; Reason; Religion; Adam; Eve; Lucifer; Satan; Jack N. Averitt College of Graduate Studies, Electronic Theses & Dissertations, ETDs, Student Research

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Middleton, D. K. (2006). Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost. (Masters Thesis). Georgia Southern University. Retrieved from https://digitalcommons.georgiasouthern.edu/etd/167

Chicago Manual of Style (16th Edition):

Middleton, Devane King. “Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost.” 2006. Masters Thesis, Georgia Southern University. Accessed March 04, 2021. https://digitalcommons.georgiasouthern.edu/etd/167.

MLA Handbook (7th Edition):

Middleton, Devane King. “Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost.” 2006. Web. 04 Mar 2021.

Vancouver:

Middleton DK. Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost. [Internet] [Masters thesis]. Georgia Southern University; 2006. [cited 2021 Mar 04]. Available from: https://digitalcommons.georgiasouthern.edu/etd/167.

Council of Science Editors:

Middleton DK. Forbidden Fruit: Dryden's The State of Innocence And Fall of Man, An Operatic Version of Paradise Lost. [Masters Thesis]. Georgia Southern University; 2006. Available from: https://digitalcommons.georgiasouthern.edu/etd/167


University of Oregon

30. Wardell, Kathryn Brenna. The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen.

Degree: 2010, University of Oregon

 My dissertation analyzes the rake, the libertine male, a figure whose liminal masculinity and transgressive appetites work both to stabilize and unsettle hegemony in the… (more)

Subjects/Keywords: Rake; Film; Gender; Men; Restoration; Homoerotic; Masculinity; Theater; British and Irish literature; Gender studies; Film studies; British and Irish literature; Masculinity in literature; Masculinity in motion pictures; English drama  – History and criticism; English literature  – Themes, motives; Masculinity  – History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wardell, K. B. (2010). The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/11457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wardell, Kathryn Brenna. “The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen.” 2010. Thesis, University of Oregon. Accessed March 04, 2021. http://hdl.handle.net/1794/11457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wardell, Kathryn Brenna. “The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen.” 2010. Web. 04 Mar 2021.

Vancouver:

Wardell KB. The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen. [Internet] [Thesis]. University of Oregon; 2010. [cited 2021 Mar 04]. Available from: http://hdl.handle.net/1794/11457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wardell KB. The rake's progress: Masculinities on stage and screen: Masculinities on stage and screen. [Thesis]. University of Oregon; 2010. Available from: http://hdl.handle.net/1794/11457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.