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You searched for subject:(Renaissance). Showing records 1 – 30 of 1449 total matches.

[1] [2] [3] [4] [5] … [49]

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Oregon State University

1. Barkley, Charles K. "Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing.

Degree: MA, English, 2016, Oregon State University

 This thesis examines two cultural productions of the Harlem Renaissance: Aaron Douglas's mural series, Aspects of Negro Life, and Nella Larsen's novel Passing. I read… (more)

Subjects/Keywords: Harlem Renaissance; Harlem Renaissance

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APA (6th Edition):

Barkley, C. K. (2016). "Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/59289

Chicago Manual of Style (16th Edition):

Barkley, Charles K. “"Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing.” 2016. Masters Thesis, Oregon State University. Accessed April 10, 2021. http://hdl.handle.net/1957/59289.

MLA Handbook (7th Edition):

Barkley, Charles K. “"Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing.” 2016. Web. 10 Apr 2021.

Vancouver:

Barkley CK. "Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing. [Internet] [Masters thesis]. Oregon State University; 2016. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1957/59289.

Council of Science Editors:

Barkley CK. "Her Hypnotic Eyes" : Reading the Optical in Aaron Douglas’s Aspects of Negro Life and Nella Larsen's Passing. [Masters Thesis]. Oregon State University; 2016. Available from: http://hdl.handle.net/1957/59289


Baylor University

2. Hatrick, Aaron William, 1985-. Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare.

Degree: MA, Baylor University. Dept. of English., 2016, Baylor University

 In the first chapter of “Politics in the Renaissance: Kingship in the Writings of Skelton, Sidney, Sackville, Norton, and Shakespeare,” I argue that Skelton’s Speculum… (more)

Subjects/Keywords: Renaissance. Kingship.

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APA (6th Edition):

Hatrick, Aaron William, 1. (2016). Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare. (Masters Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/9603

Chicago Manual of Style (16th Edition):

Hatrick, Aaron William, 1985-. “Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare.” 2016. Masters Thesis, Baylor University. Accessed April 10, 2021. http://hdl.handle.net/2104/9603.

MLA Handbook (7th Edition):

Hatrick, Aaron William, 1985-. “Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare.” 2016. Web. 10 Apr 2021.

Vancouver:

Hatrick, Aaron William 1. Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare. [Internet] [Masters thesis]. Baylor University; 2016. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/2104/9603.

Council of Science Editors:

Hatrick, Aaron William 1. Politics in the Renaissance: kingship in the writings of Skelton, Sidney, Sackville, Norton, and Shakespeare. [Masters Thesis]. Baylor University; 2016. Available from: http://hdl.handle.net/2104/9603

3. Kervran, Marie-Hélène. Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes.

Degree: Docteur es, Histoire de la musique et musicologie, 2017, Paris Sciences et Lettres (ComUE)

La thèse comporte deux parties : I - Le commentaire sur le traité italien de danse de la Renaissance Il ballarino de Fabritio Caroso. Il… (more)

Subjects/Keywords: Italie; Renaissance; Italy; Renaissance; Court dances

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APA (6th Edition):

Kervran, M. (2017). Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes. (Doctoral Dissertation). Paris Sciences et Lettres (ComUE). Retrieved from http://www.theses.fr/2017PSLEP037

Chicago Manual of Style (16th Edition):

Kervran, Marie-Hélène. “Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes.” 2017. Doctoral Dissertation, Paris Sciences et Lettres (ComUE). Accessed April 10, 2021. http://www.theses.fr/2017PSLEP037.

MLA Handbook (7th Edition):

Kervran, Marie-Hélène. “Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes.” 2017. Web. 10 Apr 2021.

Vancouver:

Kervran M. Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes. [Internet] [Doctoral dissertation]. Paris Sciences et Lettres (ComUE); 2017. [cited 2021 Apr 10]. Available from: http://www.theses.fr/2017PSLEP037.

Council of Science Editors:

Kervran M. Il Ballarino (1581) de Fabritio Caroso : traduction, commentaire et édition critique : Il Ballarino (1581) from Fabritio Caroso : translation, commentary and critical notes. [Doctoral Dissertation]. Paris Sciences et Lettres (ComUE); 2017. Available from: http://www.theses.fr/2017PSLEP037


San Jose State University

4. Peterson, Heather Kathleen. Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered.

Degree: MA, Art and Art History, 2015, San Jose State University

  The Palazzo Farnese in Rome was constructed between 1515 and 1549 according to the designs of Antonio da Sangallo the Younger and Michelangelo Buonarroti… (more)

Subjects/Keywords: Italian Renaissance Architecture; Italian Renaissance Palaces; Palazzo Farnese; Renaissance Popes; Renaissance Rome

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APA (6th Edition):

Peterson, H. K. (2015). Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.eh53-ckm5 ; https://scholarworks.sjsu.edu/etd_theses/4608

Chicago Manual of Style (16th Edition):

Peterson, Heather Kathleen. “Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered.” 2015. Masters Thesis, San Jose State University. Accessed April 10, 2021. https://doi.org/10.31979/etd.eh53-ckm5 ; https://scholarworks.sjsu.edu/etd_theses/4608.

MLA Handbook (7th Edition):

Peterson, Heather Kathleen. “Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered.” 2015. Web. 10 Apr 2021.

Vancouver:

Peterson HK. Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered. [Internet] [Masters thesis]. San Jose State University; 2015. [cited 2021 Apr 10]. Available from: https://doi.org/10.31979/etd.eh53-ckm5 ; https://scholarworks.sjsu.edu/etd_theses/4608.

Council of Science Editors:

Peterson HK. Symbols and Agents of Papal Ascendancy: the Palazzo Farnese and Cardinals’ Palaces in Renaissance Rome Reconsidered. [Masters Thesis]. San Jose State University; 2015. Available from: https://doi.org/10.31979/etd.eh53-ckm5 ; https://scholarworks.sjsu.edu/etd_theses/4608


Cornell University

5. de Ridder, Antonio. Storytelling As Preaching In Marguerite De Navarre'S Heptameron.

Degree: PhD, Romance Studies, 2015, Cornell University

 My first chapter, "Four Frames for a Portrait of a Patient Wife," looks at Marguerite de Navarre as part of the broad historical community of… (more)

Subjects/Keywords: French; literature; Renaissance

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APA (6th Edition):

de Ridder, A. (2015). Storytelling As Preaching In Marguerite De Navarre'S Heptameron. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/39297

Chicago Manual of Style (16th Edition):

de Ridder, Antonio. “Storytelling As Preaching In Marguerite De Navarre'S Heptameron.” 2015. Doctoral Dissertation, Cornell University. Accessed April 10, 2021. http://hdl.handle.net/1813/39297.

MLA Handbook (7th Edition):

de Ridder, Antonio. “Storytelling As Preaching In Marguerite De Navarre'S Heptameron.” 2015. Web. 10 Apr 2021.

Vancouver:

de Ridder A. Storytelling As Preaching In Marguerite De Navarre'S Heptameron. [Internet] [Doctoral dissertation]. Cornell University; 2015. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1813/39297.

Council of Science Editors:

de Ridder A. Storytelling As Preaching In Marguerite De Navarre'S Heptameron. [Doctoral Dissertation]. Cornell University; 2015. Available from: http://hdl.handle.net/1813/39297


University of North Texas

6. Edwards, Cheri Paris. Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line.

Degree: 2019, University of North Texas

 This dissertation examines intra-racial colorism in works by writers who began their careers during the Harlem Renaissance, but whose writings span almost a century. In… (more)

Subjects/Keywords: colorism; Harlem Renaissance

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APA (6th Edition):

Edwards, C. P. (2019). Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1609132/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Cheri Paris. “Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line.” 2019. Thesis, University of North Texas. Accessed April 10, 2021. https://digital.library.unt.edu/ark:/67531/metadc1609132/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Cheri Paris. “Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line.” 2019. Web. 10 Apr 2021.

Vancouver:

Edwards CP. Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line. [Internet] [Thesis]. University of North Texas; 2019. [cited 2021 Apr 10]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1609132/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards CP. Your Blues Ain't Like Mine: Voices from the Other Side of the Color Line. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1609132/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

7. Rayner, Emma. The Matter of Early Modern Female Melancholy.

Degree: 2018, Victoria University of Wellington

 The Renaissance is often touted as the age of melancholy. For fictional personages like Hamlet as well as for writers like Robert Burton, melancholy served… (more)

Subjects/Keywords: Renaissance; melancholy; gender

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APA (6th Edition):

Rayner, E. (2018). The Matter of Early Modern Female Melancholy. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7860

Chicago Manual of Style (16th Edition):

Rayner, Emma. “The Matter of Early Modern Female Melancholy.” 2018. Masters Thesis, Victoria University of Wellington. Accessed April 10, 2021. http://hdl.handle.net/10063/7860.

MLA Handbook (7th Edition):

Rayner, Emma. “The Matter of Early Modern Female Melancholy.” 2018. Web. 10 Apr 2021.

Vancouver:

Rayner E. The Matter of Early Modern Female Melancholy. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10063/7860.

Council of Science Editors:

Rayner E. The Matter of Early Modern Female Melancholy. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7860


University of Debrecen

8. Győri, Dávid. Determinism and free will in John Donne's Holy Sonnets .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 In my thesis I am going to analyse selected pieces of the sequence entitled Holy Sonnets from the point of view of determinism and free… (more)

Subjects/Keywords: English poetry; renaissance

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APA (6th Edition):

Győri, D. (2013). Determinism and free will in John Donne's Holy Sonnets . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/161393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Győri, Dávid. “Determinism and free will in John Donne's Holy Sonnets .” 2013. Thesis, University of Debrecen. Accessed April 10, 2021. http://hdl.handle.net/2437/161393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Győri, Dávid. “Determinism and free will in John Donne's Holy Sonnets .” 2013. Web. 10 Apr 2021.

Vancouver:

Győri D. Determinism and free will in John Donne's Holy Sonnets . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/2437/161393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Győri D. Determinism and free will in John Donne's Holy Sonnets . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/161393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

9. Spedding, Chloe. Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy.

Degree: 2013, Victoria University of Wellington

 Dance is an art form that is traditionally taught through physical demonstration. Choreography is forgotten if it is not practised repetitively, as dancers must rely… (more)

Subjects/Keywords: Dance; Renaissance; Choreography

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APA (6th Edition):

Spedding, C. (2013). Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2767

Chicago Manual of Style (16th Edition):

Spedding, Chloe. “Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy.” 2013. Masters Thesis, Victoria University of Wellington. Accessed April 10, 2021. http://hdl.handle.net/10063/2767.

MLA Handbook (7th Edition):

Spedding, Chloe. “Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy.” 2013. Web. 10 Apr 2021.

Vancouver:

Spedding C. Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy. [Internet] [Masters thesis]. Victoria University of Wellington; 2013. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10063/2767.

Council of Science Editors:

Spedding C. Issues of Dance Notation: Domenico da Piacenza's Dance Writing in Fifteenth-Century Italy. [Masters Thesis]. Victoria University of Wellington; 2013. Available from: http://hdl.handle.net/10063/2767


University of Texas – Austin

10. Saylor, Sara Rives. Penitential experience in Renaissance romance.

Degree: PhD, English, 2015, University of Texas – Austin

 This dissertation analyzes English Renaissance representations of penitential experience: the emotions of guilt, shame, remorse, and regret, and the practices by which people respond to… (more)

Subjects/Keywords: Renaissance; Literature; Religion

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APA (6th Edition):

Saylor, S. R. (2015). Penitential experience in Renaissance romance. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31435

Chicago Manual of Style (16th Edition):

Saylor, Sara Rives. “Penitential experience in Renaissance romance.” 2015. Doctoral Dissertation, University of Texas – Austin. Accessed April 10, 2021. http://hdl.handle.net/2152/31435.

MLA Handbook (7th Edition):

Saylor, Sara Rives. “Penitential experience in Renaissance romance.” 2015. Web. 10 Apr 2021.

Vancouver:

Saylor SR. Penitential experience in Renaissance romance. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2015. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/2152/31435.

Council of Science Editors:

Saylor SR. Penitential experience in Renaissance romance. [Doctoral Dissertation]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/31435


University of Pennsylvania

11. Mitchell, Dianne Marie. Unfolding Verse: Poetry As Correspondence In Early Modern England.

Degree: 2017, University of Pennsylvania

 This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making… (more)

Subjects/Keywords: Letters; Poetry; Renaissance

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APA (6th Edition):

Mitchell, D. M. (2017). Unfolding Verse: Poetry As Correspondence In Early Modern England. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mitchell, Dianne Marie. “Unfolding Verse: Poetry As Correspondence In Early Modern England.” 2017. Thesis, University of Pennsylvania. Accessed April 10, 2021. https://repository.upenn.edu/edissertations/2477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mitchell, Dianne Marie. “Unfolding Verse: Poetry As Correspondence In Early Modern England.” 2017. Web. 10 Apr 2021.

Vancouver:

Mitchell DM. Unfolding Verse: Poetry As Correspondence In Early Modern England. [Internet] [Thesis]. University of Pennsylvania; 2017. [cited 2021 Apr 10]. Available from: https://repository.upenn.edu/edissertations/2477.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mitchell DM. Unfolding Verse: Poetry As Correspondence In Early Modern England. [Thesis]. University of Pennsylvania; 2017. Available from: https://repository.upenn.edu/edissertations/2477

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ruhr Universität Bochum

12. Machauer, Peter. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.

Degree: 2009, Ruhr Universität Bochum

 Untersucht wird die Ausbildung synthetischer Formationen in ihren epochenspezifischen Bezügen von der Renaissance bis zur Romantik. Fluchtpunkt dieser Untersuchung ist die Weiterentwicklung der synthetischen Werkidee… (more)

Subjects/Keywords: Gesamtkunstwerk; Ästhetik; Romantik; Musiktheater; Renaissance

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APA (6th Edition):

Machauer, P. (2009). Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. (Thesis). Ruhr Universität Bochum. Retrieved from http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Machauer, Peter. “Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.” 2009. Thesis, Ruhr Universität Bochum. Accessed April 10, 2021. http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Machauer, Peter. “Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik.” 2009. Web. 10 Apr 2021.

Vancouver:

Machauer P. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. [Internet] [Thesis]. Ruhr Universität Bochum; 2009. [cited 2021 Apr 10]. Available from: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Machauer P. Die Genealogie der synthetischen Werkidee : zur Kulturgeschichte des Gesamtkunstwerks von der Renaissance bis zur Romantik. [Thesis]. Ruhr Universität Bochum; 2009. Available from: http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:hbz:294-33951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

13. Leistikow, Herman John. Cursus Renaissance.

Degree: 2007, Universiteit Utrecht

In een cursus van 10 lessen van elk tweemaal 1 uur wordt een overzicht gegeven van de historische, sociale, politieke en culturele betekenis van de Renaissance. Iedere les bestaat uit een inleiding, een powerpoint presentatie en begeleidende notities. Advisors/Committee Members: Gelderblom, Arie Jan.

Subjects/Keywords: Letteren; cursus Renaissance; 10 lessen

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APA (6th Edition):

Leistikow, H. J. (2007). Cursus Renaissance. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/25164

Chicago Manual of Style (16th Edition):

Leistikow, Herman John. “Cursus Renaissance.” 2007. Masters Thesis, Universiteit Utrecht. Accessed April 10, 2021. http://dspace.library.uu.nl:8080/handle/1874/25164.

MLA Handbook (7th Edition):

Leistikow, Herman John. “Cursus Renaissance.” 2007. Web. 10 Apr 2021.

Vancouver:

Leistikow HJ. Cursus Renaissance. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2021 Apr 10]. Available from: http://dspace.library.uu.nl:8080/handle/1874/25164.

Council of Science Editors:

Leistikow HJ. Cursus Renaissance. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/25164


Dalhousie University

14. Stevenson, James J. Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era.

Degree: MA, Department of English, 2011, Dalhousie University

 This thesis examines the representations of friendship in letters, collaborations, and paratexts from the Renaissance and the Romantic era to uncover the affection behind the… (more)

Subjects/Keywords: Renaissance; Romanticism; Friendship; Bromance

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APA (6th Edition):

Stevenson, J. J. (2011). Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14192

Chicago Manual of Style (16th Edition):

Stevenson, James J. “Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era.” 2011. Masters Thesis, Dalhousie University. Accessed April 10, 2021. http://hdl.handle.net/10222/14192.

MLA Handbook (7th Edition):

Stevenson, James J. “Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era.” 2011. Web. 10 Apr 2021.

Vancouver:

Stevenson JJ. Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10222/14192.

Council of Science Editors:

Stevenson JJ. Affectionate Friends: Friendship and Collaboration in the Renaissance and the Romantic Era. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14192


University of California – Berkeley

15. Sylvia, Olga. Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne.

Degree: French, 2016, University of California – Berkeley

 This dissertation discusses the status of animals in sixteenth century French texts of various literary and non-literary genres. It aims at demonstrating the significant shift… (more)

Subjects/Keywords: Literature; Philosophy; Animals; Montaigne; Renaissance

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APA (6th Edition):

Sylvia, O. (2016). Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/471543m7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sylvia, Olga. “Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne.” 2016. Thesis, University of California – Berkeley. Accessed April 10, 2021. http://www.escholarship.org/uc/item/471543m7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sylvia, Olga. “Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne.” 2016. Web. 10 Apr 2021.

Vancouver:

Sylvia O. Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2021 Apr 10]. Available from: http://www.escholarship.org/uc/item/471543m7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sylvia O. Rethinking the Status of Animals in the French Renaissance Culture: from Pierre Belon to Michel de Montaigne. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/471543m7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

16. Haverkate, M.B. Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III.

Degree: 2014, Universiteit Utrecht

 Gedurende mijn stage heb ik mij verdiept in het pausdom ten tijden van de Renaissance. Hierbij schreef ik een aantal publicaties over verschillende Renaissance pausen,… (more)

Subjects/Keywords: Michelangelo; Renaissance; pausdom Renaissance; Renaissance pausen; Vaticaan; Julius II; Leo X; Clemens VII; Paulus III; Renaissance Rome; reformatie

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APA (6th Edition):

Haverkate, M. B. (2014). Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/290049

Chicago Manual of Style (16th Edition):

Haverkate, M B. “Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III.” 2014. Masters Thesis, Universiteit Utrecht. Accessed April 10, 2021. http://dspace.library.uu.nl:8080/handle/1874/290049.

MLA Handbook (7th Edition):

Haverkate, M B. “Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III.” 2014. Web. 10 Apr 2021.

Vancouver:

Haverkate MB. Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2021 Apr 10]. Available from: http://dspace.library.uu.nl:8080/handle/1874/290049.

Council of Science Editors:

Haverkate MB. Lak aan het Vaticaan Over de relatie tussen Michelangelo en zijn pauselijk opdrachtgevers. Van Julius II tot het pontificaat van Paulus III. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/290049


Oregon State University

17. Trowbridge, A. Hayley. In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture.

Degree: MA, English, 2016, Oregon State University

 Author Nella Larsen and photographer James VanDerZee are two of the most canonical figures of Harlem Renaissance studies, whose respective novels and portraits have been… (more)

Subjects/Keywords: Nella Larsen; Harlem Renaissance

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APA (6th Edition):

Trowbridge, A. H. (2016). In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/59403

Chicago Manual of Style (16th Edition):

Trowbridge, A Hayley. “In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture.” 2016. Masters Thesis, Oregon State University. Accessed April 10, 2021. http://hdl.handle.net/1957/59403.

MLA Handbook (7th Edition):

Trowbridge, A Hayley. “In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture.” 2016. Web. 10 Apr 2021.

Vancouver:

Trowbridge AH. In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture. [Internet] [Masters thesis]. Oregon State University; 2016. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1957/59403.

Council of Science Editors:

Trowbridge AH. In and Out of Touch : Fabricated Histories in Nella Larsen's Passing and James VanDerZee's Studio Portraiture. [Masters Thesis]. Oregon State University; 2016. Available from: http://hdl.handle.net/1957/59403


Texas A&M University

18. Massengale, Brandie Louise. The Performance of Sawney Beane at the Texas Renaissance Festival.

Degree: PhD, Anthropology, 2014, Texas A&M University

 The research presented here explores how authentic performances are created and experienced by performers by answering the following questions: (1) What performance methods are used… (more)

Subjects/Keywords: renaissance festivals; folklore performance; memorial

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APA (6th Edition):

Massengale, B. L. (2014). The Performance of Sawney Beane at the Texas Renaissance Festival. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/154139

Chicago Manual of Style (16th Edition):

Massengale, Brandie Louise. “The Performance of Sawney Beane at the Texas Renaissance Festival.” 2014. Doctoral Dissertation, Texas A&M University. Accessed April 10, 2021. http://hdl.handle.net/1969.1/154139.

MLA Handbook (7th Edition):

Massengale, Brandie Louise. “The Performance of Sawney Beane at the Texas Renaissance Festival.” 2014. Web. 10 Apr 2021.

Vancouver:

Massengale BL. The Performance of Sawney Beane at the Texas Renaissance Festival. [Internet] [Doctoral dissertation]. Texas A&M University; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1969.1/154139.

Council of Science Editors:

Massengale BL. The Performance of Sawney Beane at the Texas Renaissance Festival. [Doctoral Dissertation]. Texas A&M University; 2014. Available from: http://hdl.handle.net/1969.1/154139


Leiden University

19. Pantelaki, Marilena. Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands).

Degree: 2019, Leiden University

 This research examines majolica pottery produced in Italy during the Renaissance period. More specifically, it is concerned with the provenance of two Italian majolica collections… (more)

Subjects/Keywords: Italian Majolica; Renaissance Pottery

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APA (6th Edition):

Pantelaki, M. (2019). Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands). (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/81671

Chicago Manual of Style (16th Edition):

Pantelaki, Marilena. “Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands).” 2019. Masters Thesis, Leiden University. Accessed April 10, 2021. http://hdl.handle.net/1887/81671.

MLA Handbook (7th Edition):

Pantelaki, Marilena. “Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands).” 2019. Web. 10 Apr 2021.

Vancouver:

Pantelaki M. Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands). [Internet] [Masters thesis]. Leiden University; 2019. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1887/81671.

Council of Science Editors:

Pantelaki M. Italian Majolica: A Study of Excavated Fragments in Crete (Greece) & the Pringsheim Collection of Vessels in Rotterdam (the Netherlands). [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/81671


University of Edinburgh

20. Lussey, Natalie. Giovanni Andrea Vavassore and the business of print in Early Modern Venice.

Degree: PhD, 2016, University of Edinburgh

 This thesis reconstructs the activities of a single print workshop, active from 1515 to 1593. By providing a microcosm of the Venetian print industry, it… (more)

Subjects/Keywords: 769.945; print; Venice; Renaissance

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APA (6th Edition):

Lussey, N. (2016). Giovanni Andrea Vavassore and the business of print in Early Modern Venice. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/31022

Chicago Manual of Style (16th Edition):

Lussey, Natalie. “Giovanni Andrea Vavassore and the business of print in Early Modern Venice.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed April 10, 2021. http://hdl.handle.net/1842/31022.

MLA Handbook (7th Edition):

Lussey, Natalie. “Giovanni Andrea Vavassore and the business of print in Early Modern Venice.” 2016. Web. 10 Apr 2021.

Vancouver:

Lussey N. Giovanni Andrea Vavassore and the business of print in Early Modern Venice. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1842/31022.

Council of Science Editors:

Lussey N. Giovanni Andrea Vavassore and the business of print in Early Modern Venice. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/31022


University of Toronto

21. Adkins, David. Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology.

Degree: PhD, 2018, University of Toronto

My dissertation examines how advances in sixteenth-century classical scholarship shaped the Virgilianism of Edmund Spenser and John Milton. Critical studies on the Virgilian commentary tradition… (more)

Subjects/Keywords: Milton; Renaissance; Spenser; Virgil; 0593

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APA (6th Edition):

Adkins, D. (2018). Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/101605

Chicago Manual of Style (16th Edition):

Adkins, David. “Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology.” 2018. Doctoral Dissertation, University of Toronto. Accessed April 10, 2021. http://hdl.handle.net/1807/101605.

MLA Handbook (7th Edition):

Adkins, David. “Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology.” 2018. Web. 10 Apr 2021.

Vancouver:

Adkins D. Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1807/101605.

Council of Science Editors:

Adkins D. Virgil in the Northern Renaissance: Spenser, Milton, and Humanist Philology. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/101605


University of Manchester

22. Mezzogori, Beatrice. Splendour displayed: state barges, embroideries and power in Renaissance Ferrara.

Degree: 2014, University of Manchester

 In most Renaissance courts particular kinds of vessels or galleys used for state ceremonies and prepared with appropriate lavishness for this purpose were usually called… (more)

Subjects/Keywords: Embroidery; Renaissance; State barges

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APA (6th Edition):

Mezzogori, B. (2014). Splendour displayed: state barges, embroideries and power in Renaissance Ferrara. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:221581

Chicago Manual of Style (16th Edition):

Mezzogori, Beatrice. “Splendour displayed: state barges, embroideries and power in Renaissance Ferrara.” 2014. Doctoral Dissertation, University of Manchester. Accessed April 10, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:221581.

MLA Handbook (7th Edition):

Mezzogori, Beatrice. “Splendour displayed: state barges, embroideries and power in Renaissance Ferrara.” 2014. Web. 10 Apr 2021.

Vancouver:

Mezzogori B. Splendour displayed: state barges, embroideries and power in Renaissance Ferrara. [Internet] [Doctoral dissertation]. University of Manchester; 2014. [cited 2021 Apr 10]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:221581.

Council of Science Editors:

Mezzogori B. Splendour displayed: state barges, embroideries and power in Renaissance Ferrara. [Doctoral Dissertation]. University of Manchester; 2014. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:221581


University of Cambridge

23. Markou, Georgios E. From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean.

Degree: PhD, 2018, University of Cambridge

 This thesis reveals a culturally sophisticated Cypriot elite that moved with ease between Cyprus and Venice, between Orthodox and Latin devotions, between icon painting and… (more)

Subjects/Keywords: Cyprus; Venice; Renaissance Art

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APA (6th Edition):

Markou, G. E. (2018). From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/273777

Chicago Manual of Style (16th Edition):

Markou, Georgios E. “From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean.” 2018. Doctoral Dissertation, University of Cambridge. Accessed April 10, 2021. https://www.repository.cam.ac.uk/handle/1810/273777.

MLA Handbook (7th Edition):

Markou, Georgios E. “From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean.” 2018. Web. 10 Apr 2021.

Vancouver:

Markou GE. From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2021 Apr 10]. Available from: https://www.repository.cam.ac.uk/handle/1810/273777.

Council of Science Editors:

Markou GE. From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/273777


Columbia University

24. D'Arista, Carla Adella. Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance.

Degree: 2017, Columbia University

 This dissertation focuses on the artistic and architectural patronage of the Pucci family, Medici stalwarts whose carefully constructed political and cultural alignment with the ruling… (more)

Subjects/Keywords: Art, Italian; Architecture, Italian; Architecture, Renaissance – Italian influences; Painting, Renaissance – Italian influences; Art, Renaissance; Renaissance; Architecture; Art; History; Puccini family

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APA (6th Edition):

D'Arista, C. A. (2017). Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D87W6HVV

Chicago Manual of Style (16th Edition):

D'Arista, Carla Adella. “Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance.” 2017. Doctoral Dissertation, Columbia University. Accessed April 10, 2021. https://doi.org/10.7916/D87W6HVV.

MLA Handbook (7th Edition):

D'Arista, Carla Adella. “Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance.” 2017. Web. 10 Apr 2021.

Vancouver:

D'Arista CA. Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance. [Internet] [Doctoral dissertation]. Columbia University; 2017. [cited 2021 Apr 10]. Available from: https://doi.org/10.7916/D87W6HVV.

Council of Science Editors:

D'Arista CA. Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance. [Doctoral Dissertation]. Columbia University; 2017. Available from: https://doi.org/10.7916/D87W6HVV


University of York

25. Anderson, Zoë. Nationhood and epic romance : Sidney, Spenser and Ariosto.

Degree: PhD, 2001, University of York

Subjects/Keywords: 821; Renaissance

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APA (6th Edition):

Anderson, Z. (2001). Nationhood and epic romance : Sidney, Spenser and Ariosto. (Doctoral Dissertation). University of York. Retrieved from http://etheses.whiterose.ac.uk/10797/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249365

Chicago Manual of Style (16th Edition):

Anderson, Zoë. “Nationhood and epic romance : Sidney, Spenser and Ariosto.” 2001. Doctoral Dissertation, University of York. Accessed April 10, 2021. http://etheses.whiterose.ac.uk/10797/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249365.

MLA Handbook (7th Edition):

Anderson, Zoë. “Nationhood and epic romance : Sidney, Spenser and Ariosto.” 2001. Web. 10 Apr 2021.

Vancouver:

Anderson Z. Nationhood and epic romance : Sidney, Spenser and Ariosto. [Internet] [Doctoral dissertation]. University of York; 2001. [cited 2021 Apr 10]. Available from: http://etheses.whiterose.ac.uk/10797/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249365.

Council of Science Editors:

Anderson Z. Nationhood and epic romance : Sidney, Spenser and Ariosto. [Doctoral Dissertation]. University of York; 2001. Available from: http://etheses.whiterose.ac.uk/10797/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249365


University of Manchester

26. Mezzogori, Beatrice. Splendour displayed : state barges, embroideries and power in Renaissance Ferrara.

Degree: PhD, 2014, University of Manchester

 In most Renaissance courts particular kinds of vessels or galleys used for state ceremonies and prepared with appropriate lavishness for this purpose were usually called… (more)

Subjects/Keywords: Renaissance; State barges; Embroidery

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APA (6th Edition):

Mezzogori, B. (2014). Splendour displayed : state barges, embroideries and power in Renaissance Ferrara. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/splendour-displayed-state-barges-embroideries-and-power-in-renaissance-ferrara(1b569494-a6cd-4b8c-8c24-3c69a26fc8f7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.771314

Chicago Manual of Style (16th Edition):

Mezzogori, Beatrice. “Splendour displayed : state barges, embroideries and power in Renaissance Ferrara.” 2014. Doctoral Dissertation, University of Manchester. Accessed April 10, 2021. https://www.research.manchester.ac.uk/portal/en/theses/splendour-displayed-state-barges-embroideries-and-power-in-renaissance-ferrara(1b569494-a6cd-4b8c-8c24-3c69a26fc8f7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.771314.

MLA Handbook (7th Edition):

Mezzogori, Beatrice. “Splendour displayed : state barges, embroideries and power in Renaissance Ferrara.” 2014. Web. 10 Apr 2021.

Vancouver:

Mezzogori B. Splendour displayed : state barges, embroideries and power in Renaissance Ferrara. [Internet] [Doctoral dissertation]. University of Manchester; 2014. [cited 2021 Apr 10]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/splendour-displayed-state-barges-embroideries-and-power-in-renaissance-ferrara(1b569494-a6cd-4b8c-8c24-3c69a26fc8f7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.771314.

Council of Science Editors:

Mezzogori B. Splendour displayed : state barges, embroideries and power in Renaissance Ferrara. [Doctoral Dissertation]. University of Manchester; 2014. Available from: https://www.research.manchester.ac.uk/portal/en/theses/splendour-displayed-state-barges-embroideries-and-power-in-renaissance-ferrara(1b569494-a6cd-4b8c-8c24-3c69a26fc8f7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.771314


Victoria University of Wellington

27. Sippel, Annika. Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa.

Degree: 2012, Victoria University of Wellington

 This thesis examines the collection of fifteenth- and sixteenth-century German, Dutch and Flemish prints at the Museum of New Zealand Te Papa Tongarewa. Beginning with… (more)

Subjects/Keywords: Prints; Te Papa; Renaissance

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APA (6th Edition):

Sippel, A. (2012). Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2302

Chicago Manual of Style (16th Edition):

Sippel, Annika. “Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa.” 2012. Masters Thesis, Victoria University of Wellington. Accessed April 10, 2021. http://hdl.handle.net/10063/2302.

MLA Handbook (7th Edition):

Sippel, Annika. “Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa.” 2012. Web. 10 Apr 2021.

Vancouver:

Sippel A. Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa. [Internet] [Masters thesis]. Victoria University of Wellington; 2012. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10063/2302.

Council of Science Editors:

Sippel A. Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa. [Masters Thesis]. Victoria University of Wellington; 2012. Available from: http://hdl.handle.net/10063/2302


University of Victoria

28. Glenn, Laurie. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.

Degree: Dept. of History in Art, 2013, University of Victoria

This thesis examines expressions of self-identity used by creative men and women in early modern Italy (ca. 1450-1650). Self-fashioning strategies were based upon contested notions of melancholy, genius, virtue and decorum which were profoundly influenced by ancient and medieval intellectual traditions ... . Advisors/Committee Members: Harding, Catherine (supervisor).

Subjects/Keywords: women artists; Italy; Renaissance; melancholy

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APA (6th Edition):

Glenn, L. (2013). Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/4529

Chicago Manual of Style (16th Edition):

Glenn, Laurie. “Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.” 2013. Masters Thesis, University of Victoria. Accessed April 10, 2021. http://hdl.handle.net/1828/4529.

MLA Handbook (7th Edition):

Glenn, Laurie. “Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.” 2013. Web. 10 Apr 2021.

Vancouver:

Glenn L. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. [Internet] [Masters thesis]. University of Victoria; 2013. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1828/4529.

Council of Science Editors:

Glenn L. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. [Masters Thesis]. University of Victoria; 2013. Available from: http://hdl.handle.net/1828/4529


University of Notre Dame

29. Courtney Smotherman. "Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>.

Degree: Literature, 2017, University of Notre Dame

  At the start of the Italian Renaissance in the early 1400s, a new type of history known as humanistic historiography developed. These represented a… (more)

Subjects/Keywords: Italian Renaissance; Historiography; Humanism

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APA (6th Edition):

Smotherman, C. (2017). "Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/q811kh07981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smotherman, Courtney. “"Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>.” 2017. Thesis, University of Notre Dame. Accessed April 10, 2021. https://curate.nd.edu/show/q811kh07981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smotherman, Courtney. “"Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>.” 2017. Web. 10 Apr 2021.

Vancouver:

Smotherman C. "Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>. [Internet] [Thesis]. University of Notre Dame; 2017. [cited 2021 Apr 10]. Available from: https://curate.nd.edu/show/q811kh07981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smotherman C. "Io ho deliberato di scrivere": The Personalization of Humanistic Historiography during the Italian Wars (1494-1559)</h1>. [Thesis]. University of Notre Dame; 2017. Available from: https://curate.nd.edu/show/q811kh07981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

30. Carroll, Bruce. The Early-Modernization of the Classical Muse.

Degree: English, 2014, University of New Mexico

 The Early-Modernization of the Classical Muse juxtaposes ancient and Renaissance uses of the Muse to retrieve her from the status of mere literary convention. I… (more)

Subjects/Keywords: Early modern; Renaissance; Philosophy; Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carroll, B. (2014). The Early-Modernization of the Classical Muse. (Doctoral Dissertation). University of New Mexico. Retrieved from http://hdl.handle.net/1928/24542

Chicago Manual of Style (16th Edition):

Carroll, Bruce. “The Early-Modernization of the Classical Muse.” 2014. Doctoral Dissertation, University of New Mexico. Accessed April 10, 2021. http://hdl.handle.net/1928/24542.

MLA Handbook (7th Edition):

Carroll, Bruce. “The Early-Modernization of the Classical Muse.” 2014. Web. 10 Apr 2021.

Vancouver:

Carroll B. The Early-Modernization of the Classical Muse. [Internet] [Doctoral dissertation]. University of New Mexico; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1928/24542.

Council of Science Editors:

Carroll B. The Early-Modernization of the Classical Muse. [Doctoral Dissertation]. University of New Mexico; 2014. Available from: http://hdl.handle.net/1928/24542

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