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You searched for subject:(Regional Contemporary Art Fund FRAC ). Showing records 1 – 30 of 41529 total matches.

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1. Bernard, Yves-Michel. Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists.

Degree: Docteur es, Histoire de l'art, 2013, Université Michel de Montaigne – Bordeaux III

Cette thèse a pour objet l’étude de l’origine et de la création des fonds régionaux d’art contemporain (FRAC) entre 1981 et 1986. Le plan se… (more)

Subjects/Keywords: Fonds régionaux d'art contemporain (FRAC); Videomuseum; Années militantes; Politique culturelle; Regional Contemporary Art Fund (FRAC); Videomuseum; Années militantes; Cultural policy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bernard, Y. (2013). Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2013BOR30042

Chicago Manual of Style (16th Edition):

Bernard, Yves-Michel. “Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists.” 2013. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed December 08, 2019. http://www.theses.fr/2013BOR30042.

MLA Handbook (7th Edition):

Bernard, Yves-Michel. “Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists.” 2013. Web. 08 Dec 2019.

Vancouver:

Bernard Y. Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. [cited 2019 Dec 08]. Available from: http://www.theses.fr/2013BOR30042.

Council of Science Editors:

Bernard Y. Origine et création des fonds régionaux d'art contemporain en France : 1981-1986, les années militantes : Origin and establishment of regional fund contemporary art in France : 1981-1986, years activists. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. Available from: http://www.theses.fr/2013BOR30042


University of Georgia

2. Hughes, Melissa Lynn. Aesthetic qualities: enacting understanding in contemporary art endeavors.

Degree: PhD, Art Education, 2013, University of Georgia

 Informed by a hermeneutic propensity, this arts-based autoethnography inquires into forms of social and participatory experience in contemporary art. A living art that uses people… (more)

Subjects/Keywords: Contemporary art

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APA (6th Edition):

Hughes, M. L. (2013). Aesthetic qualities: enacting understanding in contemporary art endeavors. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd

Chicago Manual of Style (16th Edition):

Hughes, Melissa Lynn. “Aesthetic qualities: enacting understanding in contemporary art endeavors.” 2013. Doctoral Dissertation, University of Georgia. Accessed December 08, 2019. http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd.

MLA Handbook (7th Edition):

Hughes, Melissa Lynn. “Aesthetic qualities: enacting understanding in contemporary art endeavors.” 2013. Web. 08 Dec 2019.

Vancouver:

Hughes ML. Aesthetic qualities: enacting understanding in contemporary art endeavors. [Internet] [Doctoral dissertation]. University of Georgia; 2013. [cited 2019 Dec 08]. Available from: http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd.

Council of Science Editors:

Hughes ML. Aesthetic qualities: enacting understanding in contemporary art endeavors. [Doctoral Dissertation]. University of Georgia; 2013. Available from: http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd


University of Southern California

3. Kennedy, Sean. Accumulation.

Degree: MFA, Fine Arts, 2012, University of Southern California

 This paper should function, formally speaking, as an analog to the approach I take in producing art, which is to say that something that might… (more)

Subjects/Keywords: contemporary art

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APA (6th Edition):

Kennedy, S. (2012). Accumulation. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kennedy, Sean. “Accumulation.” 2012. Thesis, University of Southern California. Accessed December 08, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kennedy, Sean. “Accumulation.” 2012. Web. 08 Dec 2019.

Vancouver:

Kennedy S. Accumulation. [Internet] [Thesis]. University of Southern California; 2012. [cited 2019 Dec 08]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kennedy S. Accumulation. [Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

4. Bohorquez Florez, Gloria Eugenia. WE .

Degree: 2014, University of Sydney

 This research paper in tandem with my artistic practice, investigates the mutual forces of interconnectivity which are intrinsic to the construction of the natural world… (more)

Subjects/Keywords: Contemporary art

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APA (6th Edition):

Bohorquez Florez, G. E. (2014). WE . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Web. 08 Dec 2019.

Vancouver:

Bohorquez Florez GE. WE . [Internet] [Thesis]. University of Sydney; 2014. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bohorquez Florez GE. WE . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

5. Hood, Jennifer L. The Ethics of Transgenic Art.

Degree: 2011, University of Edinburgh

 Is biotechnology an appropriate and ethical medium for contemporary art? In the past decade, the line between science and art has become increasingly blurred as… (more)

Subjects/Keywords: biotechnology; Contemporary art

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APA (6th Edition):

Hood, J. L. (2011). The Ethics of Transgenic Art. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Thesis, University of Edinburgh. Accessed December 08, 2019. http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Web. 08 Dec 2019.

Vancouver:

Hood JL. The Ethics of Transgenic Art. [Internet] [Thesis]. University of Edinburgh; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hood JL. The Ethics of Transgenic Art. [Thesis]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

6. Araujo, Jorge. The banal and the provisional : self-cancelling strategies in painting.

Degree: Art, 2012, University of New South Wales

 This project conducts a series of investigations into the act of painting through zones characterized by the indefinite, the ordinary, the banal and the provisional,… (more)

Subjects/Keywords: Contemporary; Painting; Art

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APA (6th Edition):

Araujo, J. (2012). The banal and the provisional : self-cancelling strategies in painting. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Masters Thesis, University of New South Wales. Accessed December 08, 2019. http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

MLA Handbook (7th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Web. 08 Dec 2019.

Vancouver:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2019 Dec 08]. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

Council of Science Editors:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true


University of Sydney

7. Hassanein, Saffaa. We will play: protest, performance, and physical activism .

Degree: 2014, University of Sydney

 This paper explores the politically charged topic of sport and gender in Saudi Arabia. Banning women and girls in Saudi from participating in organized sport… (more)

Subjects/Keywords: Contemporary art; Visual art

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APA (6th Edition):

Hassanein, S. (2014). We will play: protest, performance, and physical activism . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Web. 08 Dec 2019.

Vancouver:

Hassanein S. We will play: protest, performance, and physical activism . [Internet] [Thesis]. University of Sydney; 2014. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hassanein S. We will play: protest, performance, and physical activism . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University of Pennsylvania

8. Valentin, Sheila. Keeper of Lost Things.

Degree: MFA, Art, 2019, Indiana University of Pennsylvania

  Keeper of Lost Things is an exhibition examining how memory, time, and space can affect self-conceptualization and shape one’s lived experiences. This art exhibition… (more)

Subjects/Keywords: contemporary art; sculpture; visual art

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APA (6th Edition):

Valentin, S. (2019). Keeper of Lost Things. (Thesis). Indiana University of Pennsylvania. Retrieved from https://knowledge.library.iup.edu/etd/1693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valentin, Sheila. “Keeper of Lost Things.” 2019. Thesis, Indiana University of Pennsylvania. Accessed December 08, 2019. https://knowledge.library.iup.edu/etd/1693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valentin, Sheila. “Keeper of Lost Things.” 2019. Web. 08 Dec 2019.

Vancouver:

Valentin S. Keeper of Lost Things. [Internet] [Thesis]. Indiana University of Pennsylvania; 2019. [cited 2019 Dec 08]. Available from: https://knowledge.library.iup.edu/etd/1693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valentin S. Keeper of Lost Things. [Thesis]. Indiana University of Pennsylvania; 2019. Available from: https://knowledge.library.iup.edu/etd/1693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

9. Heer, Melissa. The Breath Within the Breath: Contemporary Performance Art Practices in India.

Degree: PhD, Art History, 2015, University of Minnesota

 This dissertation examines contemporary performance art practices in India, with a particular focus on the work of three artists with diverse approaches to this ever-evolving… (more)

Subjects/Keywords: Contemporary Art; India; Performance Art

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APA (6th Edition):

Heer, M. (2015). The Breath Within the Breath: Contemporary Performance Art Practices in India. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/174854

Chicago Manual of Style (16th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Doctoral Dissertation, University of Minnesota. Accessed December 08, 2019. http://hdl.handle.net/11299/174854.

MLA Handbook (7th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Web. 08 Dec 2019.

Vancouver:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/11299/174854.

Council of Science Editors:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/174854


University of Southern California

10. McCarthy, Kiley Anna. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis examines feminist performance artists Barbara T. Smith and Linda Montano, and the artists’ respective use of biography as political statement in themes of… (more)

Subjects/Keywords: performance art; contemporary art

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APA (6th Edition):

McCarthy, K. A. (2013). Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599

Chicago Manual of Style (16th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Masters Thesis, University of Southern California. Accessed December 08, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

MLA Handbook (7th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Web. 08 Dec 2019.

Vancouver:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2019 Dec 08]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

Council of Science Editors:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599


Delft University of Technology

11. Sintra Magalhaes, B.M. Novel Simulator for Wireline Mini-Fracture Testing:.

Degree: 2012, Delft University of Technology

 Wireline Mini-Fracture testing jobs consist of a short duration, small volume fracturing operation inside an open-hole borehole, where a certain amount of fluid is injected… (more)

Subjects/Keywords: mini-frac

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APA (6th Edition):

Sintra Magalhaes, B. M. (2012). Novel Simulator for Wireline Mini-Fracture Testing:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:20f991b9-d731-4139-b938-7636a52eeb76

Chicago Manual of Style (16th Edition):

Sintra Magalhaes, B M. “Novel Simulator for Wireline Mini-Fracture Testing:.” 2012. Masters Thesis, Delft University of Technology. Accessed December 08, 2019. http://resolver.tudelft.nl/uuid:20f991b9-d731-4139-b938-7636a52eeb76.

MLA Handbook (7th Edition):

Sintra Magalhaes, B M. “Novel Simulator for Wireline Mini-Fracture Testing:.” 2012. Web. 08 Dec 2019.

Vancouver:

Sintra Magalhaes BM. Novel Simulator for Wireline Mini-Fracture Testing:. [Internet] [Masters thesis]. Delft University of Technology; 2012. [cited 2019 Dec 08]. Available from: http://resolver.tudelft.nl/uuid:20f991b9-d731-4139-b938-7636a52eeb76.

Council of Science Editors:

Sintra Magalhaes BM. Novel Simulator for Wireline Mini-Fracture Testing:. [Masters Thesis]. Delft University of Technology; 2012. Available from: http://resolver.tudelft.nl/uuid:20f991b9-d731-4139-b938-7636a52eeb76


University of Manitoba

12. Buzzi, Gayle. Accidental landscapes.

Degree: School of Art, 2019, University of Manitoba

 This paper describes and explains my thesis installation through the context of the Western world’s perceived culture vs nature binary. The history of nature in… (more)

Subjects/Keywords: Glass art; Sculpture; Fine art; Contemporary art

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APA (6th Edition):

Buzzi, G. (2019). Accidental landscapes. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34274

Chicago Manual of Style (16th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Masters Thesis, University of Manitoba. Accessed December 08, 2019. http://hdl.handle.net/1993/34274.

MLA Handbook (7th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Web. 08 Dec 2019.

Vancouver:

Buzzi G. Accidental landscapes. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1993/34274.

Council of Science Editors:

Buzzi G. Accidental landscapes. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34274


Georgia Southern University

13. Hall, Kristina B. Change Does Not Wait.

Degree: Master of Fine Arts (M.F.A.), Department of Art, 2011, Georgia Southern University

 The changes found in the growth patterns of trees, as they are impacted by their environment, can be seen as reflecting the journey that one… (more)

Subjects/Keywords: ETD; Southeast Georgia; Oil painting; Tree; Landscape; Color; Ossabaw; Change; Time; Regional art; Contemporary art; Jack N. Averitt College of Graduate Studies, Electronic Theses & Dissertations, ETDs, Student Research

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APA (6th Edition):

Hall, K. B. (2011). Change Does Not Wait. (Masters Thesis). Georgia Southern University. Retrieved from https://digitalcommons.georgiasouthern.edu/etd/151

Chicago Manual of Style (16th Edition):

Hall, Kristina B. “Change Does Not Wait.” 2011. Masters Thesis, Georgia Southern University. Accessed December 08, 2019. https://digitalcommons.georgiasouthern.edu/etd/151.

MLA Handbook (7th Edition):

Hall, Kristina B. “Change Does Not Wait.” 2011. Web. 08 Dec 2019.

Vancouver:

Hall KB. Change Does Not Wait. [Internet] [Masters thesis]. Georgia Southern University; 2011. [cited 2019 Dec 08]. Available from: https://digitalcommons.georgiasouthern.edu/etd/151.

Council of Science Editors:

Hall KB. Change Does Not Wait. [Masters Thesis]. Georgia Southern University; 2011. Available from: https://digitalcommons.georgiasouthern.edu/etd/151


University of Louisville

14. Sevilla, Madison DeAnna. Transversal approaches and ecological artwork.

Degree: MA, 2017, University of Louisville

  This work explores systematic ecology as it relates to sculpture and language. This project exists in two parts: a written thesis and a thesis… (more)

Subjects/Keywords: contemporary art; ecology; sculpture; earth art; Contemporary Art

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APA (6th Edition):

Sevilla, M. D. (2017). Transversal approaches and ecological artwork. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722

Chicago Manual of Style (16th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Masters Thesis, University of Louisville. Accessed December 08, 2019. 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

MLA Handbook (7th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Web. 08 Dec 2019.

Vancouver:

Sevilla MD. Transversal approaches and ecological artwork. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Dec 08]. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

Council of Science Editors:

Sevilla MD. Transversal approaches and ecological artwork. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722


University of Wollongong

15. Sprague, Quentin. Making in translation: the intercultural broker in indigenous Australian art.

Degree: PhD, 2016, University of Wollongong

  This thesis examines the role of intercultural brokerage in the production and mediation of indigenous contemporary art in Australia. It aims to illuminate something… (more)

Subjects/Keywords: contemporary art; Aboriginal art; indigenous contemporary art; intercutural brokerage

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sprague, Q. (2016). Making in translation: the intercultural broker in indigenous Australian art. (Doctoral Dissertation). University of Wollongong. Retrieved from 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807

Chicago Manual of Style (16th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Doctoral Dissertation, University of Wollongong. Accessed December 08, 2019. 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

MLA Handbook (7th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Web. 08 Dec 2019.

Vancouver:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2019 Dec 08]. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

Council of Science Editors:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807

16. Karpman, Deborah I. Regalia and Repetition.

Degree: MFA, Art, 2009, University of Massachusetts

 My thesis investigates some of the conceptual ideas related to my studio work, both in terms of theory and contemporary practice. This thesis focuses how… (more)

Subjects/Keywords: collage; contemporary art; paper; Art Practice; Contemporary Art

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APA (6th Edition):

Karpman, D. I. (2009). Regalia and Repetition. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/296

Chicago Manual of Style (16th Edition):

Karpman, Deborah I. “Regalia and Repetition.” 2009. Masters Thesis, University of Massachusetts. Accessed December 08, 2019. https://scholarworks.umass.edu/theses/296.

MLA Handbook (7th Edition):

Karpman, Deborah I. “Regalia and Repetition.” 2009. Web. 08 Dec 2019.

Vancouver:

Karpman DI. Regalia and Repetition. [Internet] [Masters thesis]. University of Massachusetts; 2009. [cited 2019 Dec 08]. Available from: https://scholarworks.umass.edu/theses/296.

Council of Science Editors:

Karpman DI. Regalia and Repetition. [Masters Thesis]. University of Massachusetts; 2009. Available from: https://scholarworks.umass.edu/theses/296


University of Alberta

17. Talbot, Jacques P. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.

Degree: MA, Department of Art and Design, 2016, University of Alberta

 This thesis examines the emergence and proliferation of installation art in the 20th Century and the ways in which its complexities have been contended through… (more)

Subjects/Keywords: framework; site; contemporary art; installation

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APA (6th Edition):

Talbot, J. P. (2016). Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/cpr76f347q

Chicago Manual of Style (16th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Masters Thesis, University of Alberta. Accessed December 08, 2019. https://era.library.ualberta.ca/files/cpr76f347q.

MLA Handbook (7th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Web. 08 Dec 2019.

Vancouver:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Internet] [Masters thesis]. University of Alberta; 2016. [cited 2019 Dec 08]. Available from: https://era.library.ualberta.ca/files/cpr76f347q.

Council of Science Editors:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Masters Thesis]. University of Alberta; 2016. Available from: https://era.library.ualberta.ca/files/cpr76f347q


Universidade Nova

18. Marçal, Hélia Pereira. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.

Degree: 2012, Universidade Nova

Dissertação para obtenção do Grau de Mestre em Conservação e Restauro, Perfil Ciências da Conservação Especialização em Arte Contemporânea

Drawing from philosophy and social sciences,… (more)

Subjects/Keywords: Subjectivity; Contemporary art; Conservation; Ethnography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marçal, H. P. (2012). Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Thesis, Universidade Nova. Accessed December 08, 2019. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Web. 08 Dec 2019.

Vancouver:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Internet] [Thesis]. Universidade Nova; 2012. [cited 2019 Dec 08]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Thesis]. Universidade Nova; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Sacramento

19. Blackmon, Tavarus. The politics of the cartoon and contemporary art.

Degree: MA, Art Studio, 2015, California State University – Sacramento

 Painting, for me, is essential. Through digital processes, I find another way to visually express myself. Mixed media, assemblage and sculpture, are disciplines with which… (more)

Subjects/Keywords: Contemporary art; Painting; Cartoons

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blackmon, T. (2015). The politics of the cartoon and contemporary art. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/139447

Chicago Manual of Style (16th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Masters Thesis, California State University – Sacramento. Accessed December 08, 2019. http://hdl.handle.net/10211.3/139447.

MLA Handbook (7th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Web. 08 Dec 2019.

Vancouver:

Blackmon T. The politics of the cartoon and contemporary art. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10211.3/139447.

Council of Science Editors:

Blackmon T. The politics of the cartoon and contemporary art. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/139447


Southern Cross University

20. Delaney, Cornelius. A farewell to meat : rendering ambivalence & transgression.

Degree: 2008, Southern Cross University

 This exegesis speaks to the body of work constructed over three years between February 2004 and April 2007, assembled and exhibited at the Lismore Regional(more)

Subjects/Keywords: Contemporary Art

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APA (6th Edition):

Delaney, C. (2008). A farewell to meat : rendering ambivalence & transgression. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Thesis, Southern Cross University. Accessed December 08, 2019. https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Web. 08 Dec 2019.

Vancouver:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Internet] [Thesis]. Southern Cross University; 2008. [cited 2019 Dec 08]. Available from: https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Thesis]. Southern Cross University; 2008. Available from: https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Chico

21. Sharkey, Willow. Love meetings: impersonality and intimacy in the art of Sharon Hayes .

Degree: 2013, California State University – Chico

 The study that follows establishes the work of contemporary artist Sharon Hayes as critically engaged with some of modern art???s central concerns. Hayes???s art asserts… (more)

Subjects/Keywords: Sharon Hayes; Contemporary art

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APA (6th Edition):

Sharkey, W. (2013). Love meetings: impersonality and intimacy in the art of Sharon Hayes . (Thesis). California State University – Chico. Retrieved from http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Thesis, California State University – Chico. Accessed December 08, 2019. http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Web. 08 Dec 2019.

Vancouver:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Internet] [Thesis]. California State University – Chico; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Thesis]. California State University – Chico; 2013. Available from: http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

22. Sawrey, Anthony Raoul. Rain skating.

Degree: 2009, University of Melbourne

 In the Twenty First Century, cheap digital video has challenged the photograph for the distribution of visual ideas. Clip sharing sites such as YouTube now… (more)

Subjects/Keywords: contemporary art; painting; digtial culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sawrey, A. R. (2009). Rain skating. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35482

Chicago Manual of Style (16th Edition):

Sawrey, Anthony Raoul. “Rain skating.” 2009. Masters Thesis, University of Melbourne. Accessed December 08, 2019. http://hdl.handle.net/11343/35482.

MLA Handbook (7th Edition):

Sawrey, Anthony Raoul. “Rain skating.” 2009. Web. 08 Dec 2019.

Vancouver:

Sawrey AR. Rain skating. [Internet] [Masters thesis]. University of Melbourne; 2009. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/11343/35482.

Council of Science Editors:

Sawrey AR. Rain skating. [Masters Thesis]. University of Melbourne; 2009. Available from: http://hdl.handle.net/11343/35482


University of Ottawa

23. Eliev, Elia. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .

Degree: 2018, University of Ottawa

 Over the past decade, scholarly works have examined the plurality and diversity of men in relation to social practices of Arab cultures, while also examining… (more)

Subjects/Keywords: Contemporary art; Queer; Lebanon; Masculinities

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APA (6th Edition):

Eliev, E. (2018). Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Thesis, University of Ottawa. Accessed December 08, 2019. http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Web. 08 Dec 2019.

Vancouver:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Internet] [Thesis]. University of Ottawa; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Thesis]. University of Ottawa; 2018. Available from: http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

24. Hewitt, Peter James. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.

Degree: Master of Creative Art - Research, 2016, University of Wollongong

  In my artistic practice I have identified as an ‘Aboriginal artist’; a contemporary Aboriginal painter to be more accurate. This categorisation is significant to… (more)

Subjects/Keywords: Contemporary urban-based Aboriginal art

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APA (6th Edition):

Hewitt, P. J. (2016). Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. (Masters Thesis). University of Wollongong. Retrieved from 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685

Chicago Manual of Style (16th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Masters Thesis, University of Wollongong. Accessed December 08, 2019. 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

MLA Handbook (7th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Web. 08 Dec 2019.

Vancouver:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Internet] [Masters thesis]. University of Wollongong; 2016. [cited 2019 Dec 08]. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

Council of Science Editors:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Masters Thesis]. University of Wollongong; 2016. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685


University of Newcastle

25. Collis, Andrew. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

‘The re-emergence of all figurative art as progressive and groundbreaking’ since the last quarter of the twentieth century… (more)

Subjects/Keywords: portrait; painting; contemporary; art; galleries

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APA (6th Edition):

Collis, A. (2015). The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1061111

Chicago Manual of Style (16th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Doctoral Dissertation, University of Newcastle. Accessed December 08, 2019. http://hdl.handle.net/1959.13/1061111.

MLA Handbook (7th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Web. 08 Dec 2019.

Vancouver:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1959.13/1061111.

Council of Science Editors:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1061111


University of Sydney

26. Warner, Lachlan Phillip. Art Practice as Buddhist Practice: A Soteriology through Suffering .

Degree: 2018, University of Sydney

 The thesis examines the Buddhist concept of suffering, portrayed through visual art. The central questions are how can art be used to understand Buddhist suffering… (more)

Subjects/Keywords: art; Buddhism; suffering; dukkha; contemporary

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APA (6th Edition):

Warner, L. P. (2018). Art Practice as Buddhist Practice: A Soteriology through Suffering . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Web. 08 Dec 2019.

Vancouver:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

27. Scardifield, Katherine. Into theatre, under the knife: cultures of dissection and contemporary art practice .

Degree: 2013, University of Sydney

 Dissection can be considered a process of calculated dividing and a form of meticulous dismantling. As a method of analysis, it remains inextricably linked to… (more)

Subjects/Keywords: Dissection; Cutting; Contemporary Art

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APA (6th Edition):

Scardifield, K. (2013). Into theatre, under the knife: cultures of dissection and contemporary art practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Web. 08 Dec 2019.

Vancouver:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Internet] [Thesis]. University of Sydney; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

28. Dennington, Charles. Altered matter. Like icons, stored .

Degree: 2013, University of Sydney

 This thesis proposes research findings that run parallel to my own practice. At the heart of the concepts discussed there is a notion of invention… (more)

Subjects/Keywords: Contemporary art; Sculpture; Symbolism

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APA (6th Edition):

Dennington, C. (2013). Altered matter. Like icons, stored . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Web. 08 Dec 2019.

Vancouver:

Dennington C. Altered matter. Like icons, stored . [Internet] [Thesis]. University of Sydney; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennington C. Altered matter. Like icons, stored . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

29. Adelpour, Adam. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .

Degree: 2012, University of Sydney

 Amid the economic fallout that has followed the 2008 Global Financial Crisis, governments in badly effected countries have often sought to heighten exclusionary forms of… (more)

Subjects/Keywords: Contemporary Art; Nationalism; Marxism; Refugees

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Adelpour, A. (2012). Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Thesis, University of Sydney. Accessed December 08, 2019. http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Web. 08 Dec 2019.

Vancouver:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Internet] [Thesis]. University of Sydney; 2012. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Thesis]. University of Sydney; 2012. Available from: http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

30. Bartlett, Brian. David Hockney.

Degree: MA, Art, 1977, Eastern Illinois University

  David Hockney is generally recognised as the most talented British artist of his generation. In my thesis I trace his development from his childhood… (more)

Subjects/Keywords: Contemporary Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bartlett, B. (1977). David Hockney. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3305

Chicago Manual of Style (16th Edition):

Bartlett, Brian. “David Hockney.” 1977. Masters Thesis, Eastern Illinois University. Accessed December 08, 2019. https://thekeep.eiu.edu/theses/3305.

MLA Handbook (7th Edition):

Bartlett, Brian. “David Hockney.” 1977. Web. 08 Dec 2019.

Vancouver:

Bartlett B. David Hockney. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2019 Dec 08]. Available from: https://thekeep.eiu.edu/theses/3305.

Council of Science Editors:

Bartlett B. David Hockney. [Masters Thesis]. Eastern Illinois University; 1977. Available from: https://thekeep.eiu.edu/theses/3305

[1] [2] [3] [4] [5] … [1385]

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