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You searched for subject:(Rebecca Motion picture ). Showing records 1 – 30 of 8213 total matches.

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University of Utah

1. Madsen, Allen Andrew. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.

Degree: M.Mus;, Music (School of);, 2010, University of Utah

 The purpose of this study was to determine the impact of Hollywood film music on the secondary instrumental music educator in Utah. Ensemble directors must… (more)

Subjects/Keywords: Motion picture music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Madsen, A. A. (2010). Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. (Masters Thesis). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584

Chicago Manual of Style (16th Edition):

Madsen, Allen Andrew. “Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.” 2010. Masters Thesis, University of Utah. Accessed August 25, 2019. http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584.

MLA Handbook (7th Edition):

Madsen, Allen Andrew. “Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices.” 2010. Web. 25 Aug 2019.

Vancouver:

Madsen AA. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. [Internet] [Masters thesis]. University of Utah; 2010. [cited 2019 Aug 25]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584.

Council of Science Editors:

Madsen AA. Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices. [Masters Thesis]. University of Utah; 2010. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/1521/rec/584


University of Oklahoma

2. Jacob, Tvli. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.

Degree: PhD, 2019, University of Oklahoma

 For many American Indian/Alaska Native (AI/AN) communities, food is important, not only for basic health reasons, but cultural, traditional and spiritual as well. The concepts… (more)

Subjects/Keywords: motion; picture; storytelling

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APA (6th Edition):

Jacob, T. (2019). “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/321129

Chicago Manual of Style (16th Edition):

Jacob, Tvli. ““USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.” 2019. Doctoral Dissertation, University of Oklahoma. Accessed August 25, 2019. http://hdl.handle.net/11244/321129.

MLA Handbook (7th Edition):

Jacob, Tvli. ““USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”.” 2019. Web. 25 Aug 2019.

Vancouver:

Jacob T. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. [Internet] [Doctoral dissertation]. University of Oklahoma; 2019. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/11244/321129.

Council of Science Editors:

Jacob T. “USING MOTION PICTURE STORYTELLING AS AN INDIGENOUS METHOD TO EXPLORE FOOD SOVEREIGNTY IN AN AMERICAN INDIAN/ALASKA NATIVE TRIBE”. [Doctoral Dissertation]. University of Oklahoma; 2019. Available from: http://hdl.handle.net/11244/321129


University of Hong Kong

3. 俞轶楠; Yu, Yinan. Multichannel management in the motion picture industry.

Degree: PhD, 2017, University of Hong Kong

Motion picture industry is largely transformed by information technology (IT) in recent years. IT has given rise to new models and approaches of doing business,… (more)

Subjects/Keywords: Management - Motion picture industry

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APA (6th Edition):

俞轶楠; Yu, Y. (2017). Multichannel management in the motion picture industry. (Doctoral Dissertation). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/249222

Chicago Manual of Style (16th Edition):

俞轶楠; Yu, Yinan. “Multichannel management in the motion picture industry.” 2017. Doctoral Dissertation, University of Hong Kong. Accessed August 25, 2019. http://hdl.handle.net/10722/249222.

MLA Handbook (7th Edition):

俞轶楠; Yu, Yinan. “Multichannel management in the motion picture industry.” 2017. Web. 25 Aug 2019.

Vancouver:

俞轶楠; Yu Y. Multichannel management in the motion picture industry. [Internet] [Doctoral dissertation]. University of Hong Kong; 2017. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10722/249222.

Council of Science Editors:

俞轶楠; Yu Y. Multichannel management in the motion picture industry. [Doctoral Dissertation]. University of Hong Kong; 2017. Available from: http://hdl.handle.net/10722/249222


University of Hong Kong

4. Wang, Shuang. From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films.

Degree: PhD, 2014, University of Hong Kong

King Hu’s films are regarded as drawing on the artistic conventions of traditional Chinese theatre. Their soundtracks were conceived as and, to this day, perform… (more)

Subjects/Keywords: Motion picture soundtracks - China

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APA (6th Edition):

Wang, S. (2014). From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. (Doctoral Dissertation). University of Hong Kong. Retrieved from Wang, S. [王爽]. (2014). From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5699912 ; http://hdl.handle.net/10722/223059

Chicago Manual of Style (16th Edition):

Wang, Shuang. “From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films.” 2014. Doctoral Dissertation, University of Hong Kong. Accessed August 25, 2019. Wang, S. [王爽]. (2014). From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5699912 ; http://hdl.handle.net/10722/223059.

MLA Handbook (7th Edition):

Wang, Shuang. “From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films.” 2014. Web. 25 Aug 2019.

Vancouver:

Wang S. From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. [Internet] [Doctoral dissertation]. University of Hong Kong; 2014. [cited 2019 Aug 25]. Available from: Wang, S. [王爽]. (2014). From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5699912 ; http://hdl.handle.net/10722/223059.

Council of Science Editors:

Wang S. From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. [Doctoral Dissertation]. University of Hong Kong; 2014. Available from: Wang, S. [王爽]. (2014). From stage to screen : the legacy of traditional Chinese theatre in the soundtracks of King Hu's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5699912 ; http://hdl.handle.net/10722/223059


University of Texas – Austin

5. -1617-2005. Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955.

Degree: Architecture, 2018, University of Texas – Austin

 This dissertation explores the meanings of the residential staircase as revealed in the motion pictures of Hollywood’s Golden Age. It seeks to show how the… (more)

Subjects/Keywords: Staircase; Motion picture; Historiography

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APA (6th Edition):

-1617-2005. (2018). Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68483

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-1617-2005. “Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955.” 2018. Thesis, University of Texas – Austin. Accessed August 25, 2019. http://hdl.handle.net/2152/68483.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-1617-2005. “Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955.” 2018. Web. 25 Aug 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-1617-2005. Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955. [Internet] [Thesis]. University of Texas – Austin; 2018. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/2152/68483.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-1617-2005. Hidden truths in flights of fancy : sex, power, and the cinematic staircase, 1932-1955. [Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68483

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

6. Kendrick, Jeb Sherrill. The nature of being "A wake".

Degree: Radio-Television-Film, 2010, University of Texas – Austin

"The nature of being 'A wake'" documents the inglorious genesis and evolution of the feature film, "A wake," as it exposes the personal defects and character flaws of its writer, Jeb Sherrill Kendrick. Advisors/Committee Members: Berg, Charles Ramírez, 1947- (advisor), Kelban, Stuart D. (committee member).

Subjects/Keywords: Film; Motion picture; Filmmaking

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APA (6th Edition):

Kendrick, J. S. (2010). The nature of being "A wake". (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2010-12-2195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kendrick, Jeb Sherrill. “The nature of being "A wake".” 2010. Thesis, University of Texas – Austin. Accessed August 25, 2019. http://hdl.handle.net/2152/ETD-UT-2010-12-2195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kendrick, Jeb Sherrill. “The nature of being "A wake".” 2010. Web. 25 Aug 2019.

Vancouver:

Kendrick JS. The nature of being "A wake". [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/2152/ETD-UT-2010-12-2195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kendrick JS. The nature of being "A wake". [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/ETD-UT-2010-12-2195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Latrobe University

7. Thomlinson, Eugene Gregory. Influencing destination image : location placement in film.

Degree: PhD, 2013, Latrobe University

Thesis (Ph.D.) - La Trobe University, 2013

Submission note: "A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy… (more)

Subjects/Keywords: Motion picture locations.; Landscapes in motion pictures.

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APA (6th Edition):

Thomlinson, E. G. (2013). Influencing destination image : location placement in film. (Doctoral Dissertation). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/539751

Chicago Manual of Style (16th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Doctoral Dissertation, Latrobe University. Accessed August 25, 2019. http://hdl.handle.net/1959.9/539751.

MLA Handbook (7th Edition):

Thomlinson, Eugene Gregory. “Influencing destination image : location placement in film.” 2013. Web. 25 Aug 2019.

Vancouver:

Thomlinson EG. Influencing destination image : location placement in film. [Internet] [Doctoral dissertation]. Latrobe University; 2013. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/1959.9/539751.

Council of Science Editors:

Thomlinson EG. Influencing destination image : location placement in film. [Doctoral Dissertation]. Latrobe University; 2013. Available from: http://hdl.handle.net/1959.9/539751


California State University – San Bernardino

8. Langenfeld, Elizabeth Irene. Hitchcock's "Rebecca": A rhetorical study of female stereotyping.

Degree: MAin English Composition, English, 1999, California State University – San Bernardino

Subjects/Keywords: Alfred Hitchcock  – Criticism & interpretation; Daphne duMaurier; Rebecca (Motion picture); Women in motion pictures; Anti-feminism; Film adaptations; Feminist, Gender, and Sexuality Studies; Film and Media Studies; Rhetoric

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APA (6th Edition):

Langenfeld, E. I. (1999). Hitchcock's "Rebecca": A rhetorical study of female stereotyping. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd-project/1718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Langenfeld, Elizabeth Irene. “Hitchcock's "Rebecca": A rhetorical study of female stereotyping.” 1999. Thesis, California State University – San Bernardino. Accessed August 25, 2019. http://scholarworks.lib.csusb.edu/etd-project/1718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Langenfeld, Elizabeth Irene. “Hitchcock's "Rebecca": A rhetorical study of female stereotyping.” 1999. Web. 25 Aug 2019.

Vancouver:

Langenfeld EI. Hitchcock's "Rebecca": A rhetorical study of female stereotyping. [Internet] [Thesis]. California State University – San Bernardino; 1999. [cited 2019 Aug 25]. Available from: http://scholarworks.lib.csusb.edu/etd-project/1718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langenfeld EI. Hitchcock's "Rebecca": A rhetorical study of female stereotyping. [Thesis]. California State University – San Bernardino; 1999. Available from: http://scholarworks.lib.csusb.edu/etd-project/1718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

9. Vermaak, Janelle Leigh. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.

Degree: 2017, Nelson Mandela Metropolitan University

 This thesis will analyse the ways in which fan participation and creation in online communities extends the film world beyond the film object, and the… (more)

Subjects/Keywords: Motion picture audiences; Fans (Persons); Motion picture industry

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APA (6th Edition):

Vermaak, J. L. (2017). Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/13938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermaak, Janelle Leigh. “Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.” 2017. Thesis, Nelson Mandela Metropolitan University. Accessed August 25, 2019. http://hdl.handle.net/10948/13938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermaak, Janelle Leigh. “Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe.” 2017. Web. 25 Aug 2019.

Vancouver:

Vermaak JL. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2017. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10948/13938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermaak JL. Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe. [Thesis]. Nelson Mandela Metropolitan University; 2017. Available from: http://hdl.handle.net/10948/13938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

10. Ritchie, Brendan. 'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay.

Degree: 2011, Edith Cowan University

 This thesis in Creative Writing consists of an original feature-length screenplay and an essay examining the function of setting within the screenwriting discourse. The screenplay,… (more)

Subjects/Keywords: Screenwriting; film; motion picture authorship; motion picture plays; Creative Writing

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APA (6th Edition):

Ritchie, B. (2011). 'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ritchie, Brendan. “'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay.” 2011. Thesis, Edith Cowan University. Accessed August 25, 2019. https://ro.ecu.edu.au/theses/456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ritchie, Brendan. “'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay.” 2011. Web. 25 Aug 2019.

Vancouver:

Ritchie B. 'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay. [Internet] [Thesis]. Edith Cowan University; 2011. [cited 2019 Aug 25]. Available from: https://ro.ecu.edu.au/theses/456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ritchie B. 'CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay. [Thesis]. Edith Cowan University; 2011. Available from: https://ro.ecu.edu.au/theses/456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

11. Damiani, Julian, 1991-. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).

Degree: MA, English, 2016, Rutgers University

 Oscar Wilde’s The Picture of Dorian Gray remains emblematic of queer literary studies given its unique position of juxtaposing coded same-sex desire with the blatant… (more)

Subjects/Keywords: Picture of Dorian Gray (Motion picture); Homosexuality in motion pictures; Hedonism

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APA (6th Edition):

Damiani, Julian, 1. (2016). Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/49754/

Chicago Manual of Style (16th Edition):

Damiani, Julian, 1991-. “Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).” 2016. Masters Thesis, Rutgers University. Accessed August 25, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/49754/.

MLA Handbook (7th Edition):

Damiani, Julian, 1991-. “Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).” 2016. Web. 25 Aug 2019.

Vancouver:

Damiani, Julian 1. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). [Internet] [Masters thesis]. Rutgers University; 2016. [cited 2019 Aug 25]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49754/.

Council of Science Editors:

Damiani, Julian 1. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). [Masters Thesis]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49754/


Ryerson University

12. Sacco, Daniel Vincent. A cut above: the end (and ends) of film censorship.

Degree: 2017, Ryerson University

 By the beginning of the twenty-first century in the West, the notion of government-appointed bodies mandated for censoring cinematic content had fallen considerably out of… (more)

Subjects/Keywords: Welcome to New York (Motion picture); Motion pictures  – Censorship.; Classification  – Motion pictures.; Motion pictures  – Moral and ethical aspects.; Brown bunny (Motion picture); Fat girl (Motion picture); Irreversible (Motion picture)

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APA (6th Edition):

Sacco, D. V. (2017). A cut above: the end (and ends) of film censorship. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sacco, Daniel Vincent. “A cut above: the end (and ends) of film censorship.” 2017. Thesis, Ryerson University. Accessed August 25, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A6811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sacco, Daniel Vincent. “A cut above: the end (and ends) of film censorship.” 2017. Web. 25 Aug 2019.

Vancouver:

Sacco DV. A cut above: the end (and ends) of film censorship. [Internet] [Thesis]. Ryerson University; 2017. [cited 2019 Aug 25]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sacco DV. A cut above: the end (and ends) of film censorship. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

13. Nguyen, Nguyet, 1980-. Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now.

Degree: 2009, University of Oregon

 This comparative semiotic study aims to examine and critically compare the portrayal of the Vietnam War in two award-winning films, one Vietnamese and the other… (more)

Subjects/Keywords: Vietnam  – In motion pictures; Apocalypse now (Motion picture); Canh Dong Hoang (Motion picture)

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APA (6th Edition):

Nguyen, Nguyet, 1. (2009). Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/10635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nguyen, Nguyet, 1980-. “Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now.” 2009. Thesis, University of Oregon. Accessed August 25, 2019. http://hdl.handle.net/1794/10635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nguyen, Nguyet, 1980-. “Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now.” 2009. Web. 25 Aug 2019.

Vancouver:

Nguyen, Nguyet 1. Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now. [Internet] [Thesis]. University of Oregon; 2009. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/1794/10635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nguyen, Nguyet 1. Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now. [Thesis]. University of Oregon; 2009. Available from: http://hdl.handle.net/1794/10635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

14. Holmes, Tara J. Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right.

Degree: 2014, University of North Carolina – Greensboro

 The purpose of this thesis is to explore the opportunities that the process of disidentification offers to queer spectators of two specific films, Black Swan… (more)

Subjects/Keywords: Black swan (Motion picture); Kids are all right (Motion picture); Lesbianism in motion pictures

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APA (6th Edition):

Holmes, T. J. (2014). Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16173

Chicago Manual of Style (16th Edition):

Holmes, Tara J. “Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right.” 2014. Masters Thesis, University of North Carolina – Greensboro. Accessed August 25, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16173.

MLA Handbook (7th Edition):

Holmes, Tara J. “Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right.” 2014. Web. 25 Aug 2019.

Vancouver:

Holmes TJ. Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2014. [cited 2019 Aug 25]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16173.

Council of Science Editors:

Holmes TJ. Queer possibilities: disidentification and queer spectatorship in Black Swan and The Kids Are All Right. [Masters Thesis]. University of North Carolina – Greensboro; 2014. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=16173


University of Tasmania

15. McIver, Damian John. The popular political documentaries : case studies of magnetic media.

Degree: 2010, University of Tasmania

 The last decade has witnessed an astonishing increase in the popularity and profitability of documentary film. Nine of the top ten grossing documentaries ever have… (more)

Subjects/Keywords: Fahrenheit 9/11 (Motion picture); Inconvenient truth (Motion picture); Super size me (Motion picture); Documentary mass media; Documentary films; Popular culture

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APA (6th Edition):

McIver, D. J. (2010). The popular political documentaries : case studies of magnetic media. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/20744/1/whole_McIverDamianJohn2010_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McIver, Damian John. “The popular political documentaries : case studies of magnetic media.” 2010. Thesis, University of Tasmania. Accessed August 25, 2019. https://eprints.utas.edu.au/20744/1/whole_McIverDamianJohn2010_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McIver, Damian John. “The popular political documentaries : case studies of magnetic media.” 2010. Web. 25 Aug 2019.

Vancouver:

McIver DJ. The popular political documentaries : case studies of magnetic media. [Internet] [Thesis]. University of Tasmania; 2010. [cited 2019 Aug 25]. Available from: https://eprints.utas.edu.au/20744/1/whole_McIverDamianJohn2010_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McIver DJ. The popular political documentaries : case studies of magnetic media. [Thesis]. University of Tasmania; 2010. Available from: https://eprints.utas.edu.au/20744/1/whole_McIverDamianJohn2010_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

16. Ríos-Cordero, Hugo J., 1972-. Permutations of cinephilia: aesthetics, technology, and social consciousness.

Degree: PhD, Comparative Literature, 2014, Rutgers University

In this dissertation I investigate the role played by cinephilia both as a moving historical force behind film reviewing and as the engine behind several… (more)

Subjects/Keywords: Motion pictures – Social aspects; Motion picture audiences; Motion pictures – Reviews

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APA (6th Edition):

Ríos-Cordero, Hugo J., 1. (2014). Permutations of cinephilia: aesthetics, technology, and social consciousness. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/45446/

Chicago Manual of Style (16th Edition):

Ríos-Cordero, Hugo J., 1972-. “Permutations of cinephilia: aesthetics, technology, and social consciousness.” 2014. Doctoral Dissertation, Rutgers University. Accessed August 25, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/45446/.

MLA Handbook (7th Edition):

Ríos-Cordero, Hugo J., 1972-. “Permutations of cinephilia: aesthetics, technology, and social consciousness.” 2014. Web. 25 Aug 2019.

Vancouver:

Ríos-Cordero, Hugo J. 1. Permutations of cinephilia: aesthetics, technology, and social consciousness. [Internet] [Doctoral dissertation]. Rutgers University; 2014. [cited 2019 Aug 25]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45446/.

Council of Science Editors:

Ríos-Cordero, Hugo J. 1. Permutations of cinephilia: aesthetics, technology, and social consciousness. [Doctoral Dissertation]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45446/


University of Aberdeen

17. Dodd, Alan. From stars to celebrities : Hollywood stardom in the age of celebrity culture.

Degree: 2010, University of Aberdeen

 This thesis examines the changing nature of Hollywood stardom and how this is informed by an emergent celebrity culture. Through several case studies this study… (more)

Subjects/Keywords: Celebrities : Motion picture actors and actresses

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APA (6th Edition):

Dodd, A. (2010). From stars to celebrities : Hollywood stardom in the age of celebrity culture. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542626

Chicago Manual of Style (16th Edition):

Dodd, Alan. “From stars to celebrities : Hollywood stardom in the age of celebrity culture.” 2010. Doctoral Dissertation, University of Aberdeen. Accessed August 25, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542626.

MLA Handbook (7th Edition):

Dodd, Alan. “From stars to celebrities : Hollywood stardom in the age of celebrity culture.” 2010. Web. 25 Aug 2019.

Vancouver:

Dodd A. From stars to celebrities : Hollywood stardom in the age of celebrity culture. [Internet] [Doctoral dissertation]. University of Aberdeen; 2010. [cited 2019 Aug 25]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542626.

Council of Science Editors:

Dodd A. From stars to celebrities : Hollywood stardom in the age of celebrity culture. [Doctoral Dissertation]. University of Aberdeen; 2010. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=167617 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542626


University of Technology, Sydney

18. Beato-Lanz, MC. Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano.

Degree: 2010, University of Technology, Sydney

 This dissertation presents and works out the creative and practical challenges of adapting a 1969 avant-garde play – In the Voodoo Parlour of Marie Laveau,… (more)

Subjects/Keywords: Gagliano, Frank.; Motion picture plays.; Screenplays.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beato-Lanz, M. (2010). Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/20337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beato-Lanz, MC. “Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano.” 2010. Thesis, University of Technology, Sydney. Accessed August 25, 2019. http://hdl.handle.net/10453/20337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beato-Lanz, MC. “Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano.” 2010. Web. 25 Aug 2019.

Vancouver:

Beato-Lanz M. Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano. [Internet] [Thesis]. University of Technology, Sydney; 2010. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10453/20337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beato-Lanz M. Screenplay : in the voodoo parlour of Marie Laveau adaptation of the play "In the voodoo parlour of Marie Laveau" by Frank Gagliano. [Thesis]. University of Technology, Sydney; 2010. Available from: http://hdl.handle.net/10453/20337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

19. Maxwell, N. Black comedy and the principles of screenwriting: the actions.

Degree: 2008, RMIT University

 This exegesis will aim to research and analyse the conventions of writing a black comedy in a feature film script. As a screenwriter with a… (more)

Subjects/Keywords: Fields of Research; Comedy; Motion picture plays

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maxwell, N. (2008). Black comedy and the principles of screenwriting: the actions. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:7859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maxwell, N. “Black comedy and the principles of screenwriting: the actions.” 2008. Thesis, RMIT University. Accessed August 25, 2019. http://researchbank.rmit.edu.au/view/rmit:7859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maxwell, N. “Black comedy and the principles of screenwriting: the actions.” 2008. Web. 25 Aug 2019.

Vancouver:

Maxwell N. Black comedy and the principles of screenwriting: the actions. [Internet] [Thesis]. RMIT University; 2008. [cited 2019 Aug 25]. Available from: http://researchbank.rmit.edu.au/view/rmit:7859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maxwell N. Black comedy and the principles of screenwriting: the actions. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:7859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

20. 周嘉欣; Chau, Ka-yan, Nichol. The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity.

Degree: M. Phil., 2017, University of Hong Kong

Nostalgia film was a theme that many Hong Kong filmmakers used to explore issues such as identity and history during the transitional period before the… (more)

Subjects/Keywords: Zhongguo he huo ren (Motion picture)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

周嘉欣; Chau, Ka-yan, N. (2017). The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/244331

Chicago Manual of Style (16th Edition):

周嘉欣; Chau, Ka-yan, Nichol. “The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity.” 2017. Masters Thesis, University of Hong Kong. Accessed August 25, 2019. http://hdl.handle.net/10722/244331.

MLA Handbook (7th Edition):

周嘉欣; Chau, Ka-yan, Nichol. “The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity.” 2017. Web. 25 Aug 2019.

Vancouver:

周嘉欣; Chau, Ka-yan N. The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity. [Internet] [Masters thesis]. University of Hong Kong; 2017. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10722/244331.

Council of Science Editors:

周嘉欣; Chau, Ka-yan N. The birth of nostophobia and the death of nostalgia : cinematic reconstructions of Hong Kong identity. [Masters Thesis]. University of Hong Kong; 2017. Available from: http://hdl.handle.net/10722/244331


University of Florida

21. Griner, Allison. Re-reading John Doe: A Descriptive Analysis of Cinematic Details.

Degree: 2011, University of Florida

 This thesis represents a series of “cinephiliac anecdotes,” derived from moments in the Frank Capra film Meet John Doe that inspired me to comment on… (more)

Subjects/Keywords: Meet John Doe (Motion picture); Film criticism

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APA (6th Edition):

Griner, A. (2011). Re-reading John Doe: A Descriptive Analysis of Cinematic Details. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00061281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griner, Allison. “Re-reading John Doe: A Descriptive Analysis of Cinematic Details.” 2011. Thesis, University of Florida. Accessed August 25, 2019. http://ufdc.ufl.edu/AA00061281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griner, Allison. “Re-reading John Doe: A Descriptive Analysis of Cinematic Details.” 2011. Web. 25 Aug 2019.

Vancouver:

Griner A. Re-reading John Doe: A Descriptive Analysis of Cinematic Details. [Internet] [Thesis]. University of Florida; 2011. [cited 2019 Aug 25]. Available from: http://ufdc.ufl.edu/AA00061281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griner A. Re-reading John Doe: A Descriptive Analysis of Cinematic Details. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00061281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

22. Padilla, Rachel. From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" .

Degree: 2010, University of Arizona

 In 1951, Saul Chaplin, John Green, and Conrad Salinger adapted the music of composer George Gershwin (1898-1937) for a film musical titled An American in… (more)

Subjects/Keywords: Gershwin; Musicals; Music; Film; Motion picture music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Padilla, R. (2010). From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/297397

Chicago Manual of Style (16th Edition):

Padilla, Rachel. “From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" .” 2010. Masters Thesis, University of Arizona. Accessed August 25, 2019. http://hdl.handle.net/10150/297397.

MLA Handbook (7th Edition):

Padilla, Rachel. “From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" .” 2010. Web. 25 Aug 2019.

Vancouver:

Padilla R. From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" . [Internet] [Masters thesis]. University of Arizona; 2010. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10150/297397.

Council of Science Editors:

Padilla R. From Concert to Film: The Transformation of George Gershwin's Music in the Film "An American in Paris" . [Masters Thesis]. University of Arizona; 2010. Available from: http://hdl.handle.net/10150/297397


Rochester Institute of Technology

23. Khan, Fraaz. So We Depart.

Degree: MFA, School of Film and Animation (CIAS), 2017, Rochester Institute of Technology

  So We Depart is about a broken family that is abruptly reunited through a death in the family. The story is seen through the… (more)

Subjects/Keywords: Camera; Cinema; Cinematography; Film; Motion picture; Movies

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APA (6th Edition):

Khan, F. (2017). So We Depart. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9565

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Khan, Fraaz. “So We Depart.” 2017. Thesis, Rochester Institute of Technology. Accessed August 25, 2019. https://scholarworks.rit.edu/theses/9565.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Khan, Fraaz. “So We Depart.” 2017. Web. 25 Aug 2019.

Vancouver:

Khan F. So We Depart. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2019 Aug 25]. Available from: https://scholarworks.rit.edu/theses/9565.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Khan F. So We Depart. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9565

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

24. Lee, Melissa. Exegesis and screenplay for a film entitled: Stolen innocence .

Degree: AUT University

 This screenplay is a fictional representation of the holocaust-like atrocities the Japanese inflicted upon 200,000 Korean women during WWII. It is also a reaction to… (more)

Subjects/Keywords: Motion picture plays

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APA (6th Edition):

Lee, M. (n.d.). Exegesis and screenplay for a film entitled: Stolen innocence . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/11431

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Melissa. “Exegesis and screenplay for a film entitled: Stolen innocence .” Thesis, AUT University. Accessed August 25, 2019. http://hdl.handle.net/10292/11431.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Melissa. “Exegesis and screenplay for a film entitled: Stolen innocence .” Web. 25 Aug 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Lee M. Exegesis and screenplay for a film entitled: Stolen innocence . [Internet] [Thesis]. AUT University; [cited 2019 Aug 25]. Available from: http://hdl.handle.net/10292/11431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Lee M. Exegesis and screenplay for a film entitled: Stolen innocence . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/11431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Michigan State University

25. Grow, Ronald L. The adaptation of a one-act play into a motion picture scenario.

Degree: MA, Dept. of Radio and Television, 1971, Michigan State University

Subjects/Keywords: Motion picture plays

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APA (6th Edition):

Grow, R. L. (1971). The adaptation of a one-act play into a motion picture scenario. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:10013

Chicago Manual of Style (16th Edition):

Grow, Ronald L. “The adaptation of a one-act play into a motion picture scenario.” 1971. Masters Thesis, Michigan State University. Accessed August 25, 2019. http://etd.lib.msu.edu/islandora/object/etd:10013.

MLA Handbook (7th Edition):

Grow, Ronald L. “The adaptation of a one-act play into a motion picture scenario.” 1971. Web. 25 Aug 2019.

Vancouver:

Grow RL. The adaptation of a one-act play into a motion picture scenario. [Internet] [Masters thesis]. Michigan State University; 1971. [cited 2019 Aug 25]. Available from: http://etd.lib.msu.edu/islandora/object/etd:10013.

Council of Science Editors:

Grow RL. The adaptation of a one-act play into a motion picture scenario. [Masters Thesis]. Michigan State University; 1971. Available from: http://etd.lib.msu.edu/islandora/object/etd:10013


Drexel University

26. DiGiambattista, Nicole. Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience.

Degree: 2012, Drexel University

A central purpose of "Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience" is to create interactive ending credits that… (more)

Subjects/Keywords: Digital media; Motion picture actors and actresses – Credits; Motion picture producers and directors – Credits

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APA (6th Edition):

DiGiambattista, N. (2012). Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/idea:6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

DiGiambattista, Nicole. “Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience.” 2012. Thesis, Drexel University. Accessed August 25, 2019. http://hdl.handle.net/1860/idea:6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

DiGiambattista, Nicole. “Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience.” 2012. Web. 25 Aug 2019.

Vancouver:

DiGiambattista N. Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience. [Internet] [Thesis]. Drexel University; 2012. [cited 2019 Aug 25]. Available from: http://hdl.handle.net/1860/idea:6523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DiGiambattista N. Rolling Out the Interactive Credits: Evolving the Ending Credits into an Interactive Audience Experience. [Thesis]. Drexel University; 2012. Available from: http://hdl.handle.net/1860/idea:6523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

27. Canada, Nicholas. When the lights go down: why do people still go to the movies?.

Degree: 2017, University of North Carolina – Greensboro

 This study explored why individuals still attend movie showings in a theater environment when so many alternatives are available in the digital age. The goals… (more)

Subjects/Keywords: Motion picture audiences – North Carolina – 21st century; Motion picture theaters – North Carolina – 21st century

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APA (6th Edition):

Canada, N. (2017). When the lights go down: why do people still go to the movies?. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21888

Chicago Manual of Style (16th Edition):

Canada, Nicholas. “When the lights go down: why do people still go to the movies?.” 2017. Masters Thesis, University of North Carolina – Greensboro. Accessed August 25, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21888.

MLA Handbook (7th Edition):

Canada, Nicholas. “When the lights go down: why do people still go to the movies?.” 2017. Web. 25 Aug 2019.

Vancouver:

Canada N. When the lights go down: why do people still go to the movies?. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2017. [cited 2019 Aug 25]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21888.

Council of Science Editors:

Canada N. When the lights go down: why do people still go to the movies?. [Masters Thesis]. University of North Carolina – Greensboro; 2017. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21888

28. Kizer, Zachary Aaron. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.

Degree: MA, 2018, Ball State University

 This thesis examines the 1936 film Modern Times and the 1973 film Soylent Green. I examine both films from both a Burkean perspective, dissecting the… (more)

Subjects/Keywords: Modern times (Motion picture); Soylent green (Motion picture; Marxist criticism.; Dystopian films  – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kizer, Z. A. (2018). The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201281

Chicago Manual of Style (16th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Masters Thesis, Ball State University. Accessed August 25, 2019. http://cardinalscholar.bsu.edu/handle/123456789/201281.

MLA Handbook (7th Edition):

Kizer, Zachary Aaron. “The future is today : a Burkean/Marxist analysis of Modern times & Soylent green.” 2018. Web. 25 Aug 2019.

Vancouver:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Internet] [Masters thesis]. Ball State University; 2018. [cited 2019 Aug 25]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281.

Council of Science Editors:

Kizer ZA. The future is today : a Burkean/Marxist analysis of Modern times & Soylent green. [Masters Thesis]. Ball State University; 2018. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201281


Michigan State University

29. Buerkel-Rothfuss, Nancy L. Music preference as an audience variable in film communication.

Degree: MA, Dept. of Advertising, 1974, Michigan State University

Subjects/Keywords: Motion picture music; Motion picture audiences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buerkel-Rothfuss, N. L. (1974). Music preference as an audience variable in film communication. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15627

Chicago Manual of Style (16th Edition):

Buerkel-Rothfuss, Nancy L. “Music preference as an audience variable in film communication.” 1974. Masters Thesis, Michigan State University. Accessed August 25, 2019. http://etd.lib.msu.edu/islandora/object/etd:15627.

MLA Handbook (7th Edition):

Buerkel-Rothfuss, Nancy L. “Music preference as an audience variable in film communication.” 1974. Web. 25 Aug 2019.

Vancouver:

Buerkel-Rothfuss NL. Music preference as an audience variable in film communication. [Internet] [Masters thesis]. Michigan State University; 1974. [cited 2019 Aug 25]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15627.

Council of Science Editors:

Buerkel-Rothfuss NL. Music preference as an audience variable in film communication. [Masters Thesis]. Michigan State University; 1974. Available from: http://etd.lib.msu.edu/islandora/object/etd:15627


Rutgers University

30. Peña, Rosemarie, 1956-. Somewhere beneath: film portrayals of families of Chinese adoption.

Degree: MA, Childhood Studies, 2014, Rutgers University

 Historically, portrayals of adoption in visual media have often been stigmatizing; however, some recent adoption documentaries have the potential to have a positive effect on… (more)

Subjects/Keywords: Somewhere Between (Motion picture : 2011); Wo Ai Ni (Motion picture : 2010); Adoption; Intercountry adoption

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peña, Rosemarie, 1. (2014). Somewhere beneath: film portrayals of families of Chinese adoption. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/43552/

Chicago Manual of Style (16th Edition):

Peña, Rosemarie, 1956-. “Somewhere beneath: film portrayals of families of Chinese adoption.” 2014. Masters Thesis, Rutgers University. Accessed August 25, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/43552/.

MLA Handbook (7th Edition):

Peña, Rosemarie, 1956-. “Somewhere beneath: film portrayals of families of Chinese adoption.” 2014. Web. 25 Aug 2019.

Vancouver:

Peña, Rosemarie 1. Somewhere beneath: film portrayals of families of Chinese adoption. [Internet] [Masters thesis]. Rutgers University; 2014. [cited 2019 Aug 25]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/43552/.

Council of Science Editors:

Peña, Rosemarie 1. Somewhere beneath: film portrayals of families of Chinese adoption. [Masters Thesis]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/43552/

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