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You searched for subject:(Rave culture). Showing records 1 – 12 of 12 total matches.

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Brock University

1. Gregory, Julie. Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy .

Degree: Social Justice and Equity Studies Program, 2007, Brock University

 Based on a critical analysis of recent Canadian and British media, academic, and political representations of rave, in conjunction with the author's and ten female… (more)

Subjects/Keywords: Rave culture; Rave culture; Ageism.; Patriarchy.

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APA (6th Edition):

Gregory, J. (2007). Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy . (Thesis). Brock University. Retrieved from http://hdl.handle.net/10464/1419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gregory, Julie. “Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy .” 2007. Thesis, Brock University. Accessed October 22, 2019. http://hdl.handle.net/10464/1419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gregory, Julie. “Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy .” 2007. Web. 22 Oct 2019.

Vancouver:

Gregory J. Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy . [Internet] [Thesis]. Brock University; 2007. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10464/1419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gregory J. Dancing politics : connecting women's experiences of rave in Toronto to ageism and patriarchy . [Thesis]. Brock University; 2007. Available from: http://hdl.handle.net/10464/1419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

2. Barnes, Duncan Martin. Selling the modern day tribe: The commodification of rave culture.

Degree: 2018, Edith Cowan University

 This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local… (more)

Subjects/Keywords: Rave culture; dance culture; EDM; Electronic Dance Music; subculture; Burning Man; Music Photography; Moral Panic; Techno; Music; Photography; Sociology

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APA (6th Edition):

Barnes, D. M. (2018). Selling the modern day tribe: The commodification of rave culture. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Thesis, Edith Cowan University. Accessed October 22, 2019. https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Duncan Martin. “Selling the modern day tribe: The commodification of rave culture.” 2018. Web. 22 Oct 2019.

Vancouver:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Internet] [Thesis]. Edith Cowan University; 2018. [cited 2019 Oct 22]. Available from: https://ro.ecu.edu.au/theses/2107.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes DM. Selling the modern day tribe: The commodification of rave culture. [Thesis]. Edith Cowan University; 2018. Available from: https://ro.ecu.edu.au/theses/2107

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

3. Fernandes, Nelson. Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 This thesis is an analysis as to whether or not Subcultural Theory may be utilized to understand how self-identification is configured within a subculture such… (more)

Subjects/Keywords: Raves (Parties); Subculture.; Rave culture.; Body, Human  – Social aspects.

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APA (6th Edition):

Fernandes, N. (2002). Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile33892.pdf

Chicago Manual of Style (16th Edition):

Fernandes, Nelson. “Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave.” 2002. Masters Thesis, McGill University. Accessed October 22, 2019. http://digitool.library.mcgill.ca/thesisfile33892.pdf.

MLA Handbook (7th Edition):

Fernandes, Nelson. “Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave.” 2002. Web. 22 Oct 2019.

Vancouver:

Fernandes N. Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Oct 22]. Available from: http://digitool.library.mcgill.ca/thesisfile33892.pdf.

Council of Science Editors:

Fernandes N. Trippin' the body electric : towards a discourse on a tecnological body-subculture : the case of rave. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile33892.pdf


Université de Montréal

4. Maari, Frédéric. De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale .

Degree: 2010, Université de Montréal

 Les raves sont des événements festifs dédiés à la musique techno et à la danse qui se distinguent des autres lieux de rassemblement tels que… (more)

Subjects/Keywords: Rave; Techno; Sous-culture; Déviance; Drogue; Ecstasy; Régulation sociale; Police; Sécurité; Réduction des méfaits; Subculture; Deviance; Drug; Social regulation; Security; Harm reduction

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APA (6th Edition):

Maari, F. (2010). De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maari, Frédéric. “De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale .” 2010. Thesis, Université de Montréal. Accessed October 22, 2019. http://hdl.handle.net/1866/4082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maari, Frédéric. “De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale .” 2010. Web. 22 Oct 2019.

Vancouver:

Maari F. De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1866/4082.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maari F. De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation sociale . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4082

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

5. Lau, Gar-lum. The social construction of rave culture in Hong Kong.

Degree: M. Phil., 2004, University of Hong Kong

published_or_final_version

Sociology

Master

Master of Philosophy

Advisors/Committee Members: Laidler, KA.

Subjects/Keywords: Dance parties - Social aspects - China - Hong Kong.; Rave culture - China - Hong Kong.

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APA (6th Edition):

Lau, G. (2004). The social construction of rave culture in Hong Kong. (Masters Thesis). University of Hong Kong. Retrieved from Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667

Chicago Manual of Style (16th Edition):

Lau, Gar-lum. “The social construction of rave culture in Hong Kong.” 2004. Masters Thesis, University of Hong Kong. Accessed October 22, 2019. Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667.

MLA Handbook (7th Edition):

Lau, Gar-lum. “The social construction of rave culture in Hong Kong.” 2004. Web. 22 Oct 2019.

Vancouver:

Lau G. The social construction of rave culture in Hong Kong. [Internet] [Masters thesis]. University of Hong Kong; 2004. [cited 2019 Oct 22]. Available from: Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667.

Council of Science Editors:

Lau G. The social construction of rave culture in Hong Kong. [Masters Thesis]. University of Hong Kong; 2004. Available from: Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667


Ryerson University

6. Chan, Sara Wei-Ming. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.

Degree: 2003, Ryerson University

 This study is an exploration into how dance music cultures (better known as "rave" or "club" cultures) find ways to straddle the divide between human… (more)

Subjects/Keywords: Electronic music; Underground dance music; Rave culture; Virtual reality; Cultural anthropology; Music

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APA (6th Edition):

Chan, S. W. (2003). Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Thesis, Ryerson University. Accessed October 22, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Web. 22 Oct 2019.

Vancouver:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Internet] [Thesis]. Ryerson University; 2003. [cited 2019 Oct 22]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Thesis]. Ryerson University; 2003. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Gage, Alexander David. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.

Degree: MA -MA, Music, 2018, York University

 This study is an ethnographic investigation of rave and its culture, focusing on the motivational structures of individuals within the community. The aim of the… (more)

Subjects/Keywords: Psychology; Music; Rave; Electronic dance music; Ethnomusicology; Ethnography; Phenomenology; Logotherapy; Flow; Optimal experience; Motivational psychology; Drugs; Altered states of consciousness; Cognition; Escapism; Adorno; Alternative reality; Subculture; Aesthetic culture; Meaning

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APA (6th Edition):

Gage, A. D. (2018). What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34534

Chicago Manual of Style (16th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Masters Thesis, York University. Accessed October 22, 2019. http://hdl.handle.net/10315/34534.

MLA Handbook (7th Edition):

Gage, Alexander David. “What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space.” 2018. Web. 22 Oct 2019.

Vancouver:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10315/34534.

Council of Science Editors:

Gage AD. What Moves You? Raving at the Confluence of Musical Space, Headspace, Temporal Space, and Cultural Space. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34534

8. Plouchard, Nathalie. En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties.

Degree: Docteur es, Sociologie, 2017, Paris, EHESS

Au carrefour de la sociologie de la culture et de la sociologie de la déviance, ce travail porte sur les dimensions festives et oppositionnelles du… (more)

Subjects/Keywords: Free party; Rave party; Contre-Culture; Sous-Culture; Fête; Musique; Déviance; Jeunesse; Techno; Drogue; Mobilisation; Opposition; Droit; Etat; Pratique culturelle; Politique publique; Contestation; Non-Conformité; Monde de l'art; Mouvement social; Illégalité; Marginalité; Free party; Rave party; Counterculture; Subculture; Party; Music; Deviance; Youth; Techno; Drug; Mobilization; Opposition; Law; State; Cultural Practice; Public Policy; Contention; Nonconformity; Art World; Social Movement; Illegality; Marginality

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APA (6th Edition):

Plouchard, N. (2017). En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties. (Doctoral Dissertation). Paris, EHESS. Retrieved from http://www.theses.fr/2017EHES0059

Chicago Manual of Style (16th Edition):

Plouchard, Nathalie. “En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties.” 2017. Doctoral Dissertation, Paris, EHESS. Accessed October 22, 2019. http://www.theses.fr/2017EHES0059.

MLA Handbook (7th Edition):

Plouchard, Nathalie. “En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties.” 2017. Web. 22 Oct 2019.

Vancouver:

Plouchard N. En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties. [Internet] [Doctoral dissertation]. Paris, EHESS; 2017. [cited 2019 Oct 22]. Available from: http://www.theses.fr/2017EHES0059.

Council of Science Editors:

Plouchard N. En "Rave" et contre tout ? Dimensions festives et oppositionnelles du monde des free parties : Irr(a)verent? Festive and Oppositional Dimensions of the World of Free Parties. [Doctoral Dissertation]. Paris, EHESS; 2017. Available from: http://www.theses.fr/2017EHES0059


University of Canterbury

9. McIver, Sharon. WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa.

Degree: Culture, Literature and Society, 2007, University of Canterbury

 This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu… (more)

Subjects/Keywords: New Zealand Music; Dance Music; Dance Culture; Rave Culture (NZ); Youth Culture; New Zealand Culture/Society; Tribalism

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APA (6th Edition):

McIver, S. (2007). WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/1635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McIver, Sharon. “WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa.” 2007. Thesis, University of Canterbury. Accessed October 22, 2019. http://hdl.handle.net/10092/1635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McIver, Sharon. “WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa.” 2007. Web. 22 Oct 2019.

Vancouver:

McIver S. WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa. [Internet] [Thesis]. University of Canterbury; 2007. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10092/1635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McIver S. WaveShapeConversion: The Land as Reverent in the Dance Culture and Music of Aotearoa. [Thesis]. University of Canterbury; 2007. Available from: http://hdl.handle.net/10092/1635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Agro, Hilary. Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture.

Degree: 2016, University of Western Ontario

 Based on fieldwork in Toronto, ON, I use ethnographic methods and analysis to answer the question of why people at electronic music events (‘raves’) and… (more)

Subjects/Keywords: Harm reduction; drugs; rave culture; consciousness; policy; affect; electronic music; LSD; MDMA; Social and Cultural Anthropology

rave culture in its actual context, something which is difficult to capture through… …rave culture, with the average age overall being 31. The youngest person I interviewed was 18… …the cornerstones of what makes the rave and festival scene unique as a cultural phenomenon… …the power of modern technology and eschewing its grip on modern culture; and pleasures of… …of the event that reflected the common wisdom of rave-based harm reduction. Water and… 

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APA (6th Edition):

Agro, H. (2016). Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/3852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Agro, Hilary. “Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture.” 2016. Thesis, University of Western Ontario. Accessed October 22, 2019. https://ir.lib.uwo.ca/etd/3852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Agro, Hilary. “Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture.” 2016. Web. 22 Oct 2019.

Vancouver:

Agro H. Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Oct 22]. Available from: https://ir.lib.uwo.ca/etd/3852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Agro H. Prohibited Practice: Drug Use, Harm Reduction and Benefit Enhancement in Toronto Rave Culture. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/3852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

11. Stasko, Carly. A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing.

Degree: 2009, University of Toronto

This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of… (more)

Subjects/Keywords: media literacy; critical literacy; holistic education; culture jamming; consciousness; high school; alternative; rave; Madvertisement; Media Collective; Hodgkin's Lymphoma; qualitative research; semiotics; community center; holistic philosophy; transformation; philosophy of education; cancer survivor; school commercialism; english; alienation; public pedagogy; poetry; hip hop; underground; self-publishing; independent media; environment; internet; ecology; democratic; post-traumatic stress; hacking; holistic pedagogy; digital media; consumer culture; commercialism; graffiti; decolonize; advertising; youth marketing; sexism; embodied healing; personal professional knowledge; immune system; expression; white blood cell; street art; decolonizing; holistic pedagogy; public art; personal professional knowledge; ecology; mass media; body image; spirituality; wellness; embodied learning; embodied wisdom; awareness; relationship; meditation; visualization; communication; Billboard Liberation Front; signification; courageous vulnerability; youth; Youth Media Literacy Project; critical; Chinese Medicine; Qi Gong; holistic media literacy; obsolescence; interconnection; meta-cognitive; Kalle Lasn; transformative learning; critical viewing; critical pedagogy; integration; curriculum; teaching; subvertising; learning; positive psychology; interpretation; Megan Boler; narrative; medium; production; dancing; representation; expression; Youth Media Literacy Project; resistance; cognitive re-framing; subversion; Negativeland; reclaiming; philosophy; narrative inquiry; education; reading; alternative education; Fierce Light; students; university; No Logo; Situationists; Naomi Klein; menstruation; storytelling; experience; writing; language; emotional; physical; facebook; psychological; Guy Debord; Association for Media Literacy; grassroots; felt-sense; stories; performance; grounded authentic expression; perspective; visual culture; youtube; chemotherapy; visuality; deconstruction; women's studies; Media Education Foundation; détournement; Reclaim the Streets; movement; spectatorship; passive; medicine; social justice; arts-informed research; subway party; gratitude; guerilla; post-modern; media activism; mindshare; complex symbolic activity; CBC radio; art; Toronto; pre-service; students; oncology; fashion; healing spiral; Adbusters; sub-culture; feminism; podcast; Trevor Norris; street theater; holistic learning; medical language; inter-personal; film; David Buckingham; Renee Hobbs; training; Paulo Friere; John Dewey; political theater; Sut Jhally; Media Education Foundation; Douglas Kellner; Princess Margaret Hospital; play; Robert McChesney; Action Coalition for Media Education; Mediacs; Association for Media Literacy; Toronto District School Board; Ontario Ministry of Education; Marshall McLuhan; Susan Sontag; Jennifer Sandlin; cure; improvisation; symbolic creativity; Evolutionary Healing; Paul Willis; pop culture; media collective; Barry Duncan; Kathleen Tyner; Carly Stasko; Girls Who Bite Back; art therapy; Next Wave Cultures; zine; Imagitate the State; Intrinsik; interacting narratives; digital storytelling; technology; tactical media; public space; science; creativity; empowerment; 0727; 0708; 0453; 0273; 0279; 0515; 0516; 0733; 0998; 0680; 0530; 0092; 0525

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stasko, C. (2009). A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/18109

Chicago Manual of Style (16th Edition):

Stasko, Carly. “A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing.” 2009. Masters Thesis, University of Toronto. Accessed October 22, 2019. http://hdl.handle.net/1807/18109.

MLA Handbook (7th Edition):

Stasko, Carly. “A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing.” 2009. Web. 22 Oct 2019.

Vancouver:

Stasko C. A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing. [Internet] [Masters thesis]. University of Toronto; 2009. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1807/18109.

Council of Science Editors:

Stasko C. A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing. [Masters Thesis]. University of Toronto; 2009. Available from: http://hdl.handle.net/1807/18109


University of Florida

12. Wilson, James. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).

Degree: MA, Religion, 2008, University of Florida

 Although there has been a great deal of academic analysis of both the punk/alternative subculture(s) and western (re)interpretation of Hindu religious traditions, to date no… (more)

Subjects/Keywords: Asians; Hinduism; Hindus; Musical aesthetics; Musical forms; Religion; Skinhead culture; Straightedges; Subcultures; Vegetarianism; absurdists, african, age, alienated, alienation, america, anarchy, androgynous, animal, apache, ardhanari, ardhanarishvara, asia, asian, aurobindo, austin, babaji, baby, bally, band, bands, beat, beatles, beats, bhagavad, bhaktivedanta, bisexual, blackmore, bourdieu, bredren, britain, britpop, buddhist, candomble, cappo, caste, catholic, cbgb, cccs, cd, certeau, chaitanya, cheb, chidester, chrissie, christ, christian, christianity, church, churches, cornershop, crispian, cromags, cult, currie, dada, dadaist, dance, dasa, dawkins, dc, debord, defex, demoniac, demonic, desi, desis, deva, devi, dharma, dicks, dischord, discordian, doctrine, dogen, donaldson, doxa, dub, durkheim, durkheimian, east, eastern, easwaran, edward, electronic, electronica, emerson, empowerment, enoch, essentialist, ethnomusicology, europe, family, feminism, feminist, francisco, gaudiya, gay, geeta, gender, georgetown, gita, goddess, gods, gopal, goth, gothic, grrrl, gurdjieff, habitus, haidakhan, haidakkan, hardcore, hare, heavy, hijra, hindu, hinduism, hindustani, hindustva, hippie, hippies, hippy, homophile, homosexuality, hooliganism, huq, hutnyk, hybrid, hybridity, hynde, ian, icon, iconographic, iconographically, iggy, immigration, india, indian, indians, indic, indopagan, industrial, ishtalinga, iskcon, islam, istalinga, jah, jamaican, jati, jesus, jew, jewish, kali, kalra, karene, kesava, keshava, kigen, kominas, krishna, krishnacore, krishnamu, kriya, kula, labels, lesbian, lgbqt, liberation, lingayat, lingayatism, logic, london, lora, los, ludwig, lydon, magick, mahabharata, mahadevi, mallott, mantra, marx, marxian, mckaye, mclaren, meera, meierhenry, meme, memetic, milagros, mills, minor, mods, morrissey, mother, movement, murti, music, muslim, narayanan, natalia, negotiation, negotiatory, neo, neopagan, nervous, new, nrm, occult, ogd, omkara, oreintalized, orient, orientalism, orishas, oto, pagan, paki, paramahansa, paramatma, parampara, parvati, pena, phansigar, pistols, plur, poly, pop, posicore, posrip, postcolonial, postmodern, postpunk, practice, prana, praxis, pretenders, priest, prison, production, proletariat, protestant, prubhupada, psychick, puja, pujari, punjab, punjabi, punk, purana, queer, ram, ramayana, rape, rastafarian, rave, raver, ravers, ray, record, recording, reggae, religion, religious, resemblance, riot, ritual, rivethead, rock, romanticists, rushdie, sabbah, sagoo, salman, sampradaya, sanatana, santeria, sect, sects, sex, shaiva, shaivism, shaker, shakta, shakti, shaktism, shankara, shelter, shiva, siddhanta, sikh, singer, situationalist, ska, skinhead, smiths, soho, soteriological, soteriology, soto, spex, spr, squip, stapleton, stooges, straightedge, styrene, subculture, subgenius, swastika, swingjugend, syncretic, syncretism, tantra, taqwacore, tatalia, techno, texas, thealogy, theology, theravada, thoreau, thugee, thugs, tirtha, tomas, transcendentalism, transcendentalists, transgendered, tribal, utilitarian, vaishnava, vaishnavism, vasudha, veda, vedanta, vedantic, vedas, vedic, veerashaiva, veerashaivism, vegetarian, vietnam, vipashyana, vipasyana, virashaivism, virinder, vishnu, vivienne, voodoo, voudou, washington, wave, weber, weberian, wegrzyn, west, western, wicca, wittgenstein, wittgensteinian, womanism, womanist, yippie, yippies, yoga, yogananada, yoni, york, yoruba, youth, zen

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APA (6th Edition):

Wilson, J. (2008). Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0024095

Chicago Manual of Style (16th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Masters Thesis, University of Florida. Accessed October 22, 2019. http://ufdc.ufl.edu/UFE0024095.

MLA Handbook (7th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Web. 22 Oct 2019.

Vancouver:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Internet] [Masters thesis]. University of Florida; 2008. [cited 2019 Oct 22]. Available from: http://ufdc.ufl.edu/UFE0024095.

Council of Science Editors:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Masters Thesis]. University of Florida; 2008. Available from: http://ufdc.ufl.edu/UFE0024095

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