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You searched for subject:(Rameau). Showing records 1 – 24 of 24 total matches.

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University of Houston

1. Diehl, Alaina. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.

Degree: Music, Moores School of, 2018, University of Houston

 Focusing on historically informed flute performance practice in an ensemble setting, this essay explores performance possibilities pertaining to rhythmic alteration, articulation, and ornamentation in the… (more)

Subjects/Keywords: Jean-Philippe Rameau; flute; performance practice

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APA (6th Edition):

Diehl, A. (2018). Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Diehl, Alaina. “Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.” 2018. Thesis, University of Houston. Accessed June 18, 2019. http://hdl.handle.net/10657/3127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Diehl, Alaina. “Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau.” 2018. Web. 18 Jun 2019.

Vancouver:

Diehl A. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10657/3127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Diehl A. Flute Performance Practice in the Tragédies en Musique of Jean-Philippe Rameau. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

2. Iordanou, Charis. La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century.

Degree: Docteur es, Musicologie, 2011, Université Paris-Sorbonne – Paris IV

L’objet de cette thèse est d’étudier l’intégration, la didactisation et la modification de la théorie ramiste, de son statut et de sa finalité dans la… (more)

Subjects/Keywords: Rameau; Basse fondamentale; Théorie musicale; XVIIIe siècle; Diffusion; Didactisation; Rameau; Fundamental bass; Music theory; XVIIIth century; Transmission; Didactisation

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APA (6th Edition):

Iordanou, C. (2011). La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040012

Chicago Manual of Style (16th Edition):

Iordanou, Charis. “La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 18, 2019. http://www.theses.fr/2011PA040012.

MLA Handbook (7th Edition):

Iordanou, Charis. “La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century.” 2011. Web. 18 Jun 2019.

Vancouver:

Iordanou C. La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2011PA040012.

Council of Science Editors:

Iordanou C. La théorie de la basse fondamentale en France. Étude de sa diffusion et de sa didactisation au XVIIIe siècle : Fundamental Bass Theory in France. A study of its transmission and its didactisation in the XVIIIth century. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040012


University of Cincinnati

3. MCKINNEY, TAMARA ANN. THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE.

Degree: MM, College-Conservatory of Music : Theory, 2004, University of Cincinnati

 Music theorists at the turn of the eighteenth-century focused much of their energy introducing new theoretical methods for musical composition. As a result the field… (more)

Subjects/Keywords: Music; Rameau; Fundamental Bass

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APA (6th Edition):

MCKINNEY, T. A. (2004). THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085603133

Chicago Manual of Style (16th Edition):

MCKINNEY, TAMARA ANN. “THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE.” 2004. Masters Thesis, University of Cincinnati. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085603133.

MLA Handbook (7th Edition):

MCKINNEY, TAMARA ANN. “THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE.” 2004. Web. 18 Jun 2019.

Vancouver:

MCKINNEY TA. THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE. [Internet] [Masters thesis]. University of Cincinnati; 2004. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085603133.

Council of Science Editors:

MCKINNEY TA. THEORY AND PRACTICE: RAMEAU'S FUNDAMENTAL BASS APPLIED TO THE CONTEMPORARY FRENCH OVERTURE. [Masters Thesis]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085603133


University of Southern California

4. Omura, Arthur. The pastoralization of Baroque opera: two operas and their contexts.

Degree: MA, Early Music Performance, 2012, University of Southern California

 This paper examines the pastoral genre as represented in operatic works from the early 18th century and juxtaposes them with pastoral works of other media:… (more)

Subjects/Keywords: Baroque; pastoral; opera; Rameau; Handel; music; literature; architecture; painting

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APA (6th Edition):

Omura, A. (2012). The pastoralization of Baroque opera: two operas and their contexts. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81469/rec/7049

Chicago Manual of Style (16th Edition):

Omura, Arthur. “The pastoralization of Baroque opera: two operas and their contexts.” 2012. Masters Thesis, University of Southern California. Accessed June 18, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81469/rec/7049.

MLA Handbook (7th Edition):

Omura, Arthur. “The pastoralization of Baroque opera: two operas and their contexts.” 2012. Web. 18 Jun 2019.

Vancouver:

Omura A. The pastoralization of Baroque opera: two operas and their contexts. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Jun 18]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81469/rec/7049.

Council of Science Editors:

Omura A. The pastoralization of Baroque opera: two operas and their contexts. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/81469/rec/7049


Université Paris-Sorbonne – Paris IV

5. Trotier, Rémy-Michel. L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757.

Degree: Docteur es, Musique et musicologie, 2014, Université Paris-Sorbonne – Paris IV

Cette recherche explore l’harmonie mise en œuvre par Jean-Philippe Rameau (1683-1764) dans ses tragédies en musique : Hippolyte & Aricie (1733, seconde version en 1742,… (more)

Subjects/Keywords: Harmonie; Analyse; Plan tonal; Forme; Tragédie en musique; Rameau; Tonalité; Représentation; Harmony; Analysis; Tonality; Tonal shape; Form; Tragédie en musique; Rameau; Performance; 780

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APA (6th Edition):

Trotier, R. (2014). L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040005

Chicago Manual of Style (16th Edition):

Trotier, Rémy-Michel. “L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 18, 2019. http://www.theses.fr/2014PA040005.

MLA Handbook (7th Edition):

Trotier, Rémy-Michel. “L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757.” 2014. Web. 18 Jun 2019.

Vancouver:

Trotier R. L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2014PA040005.

Council of Science Editors:

Trotier R. L’architecture harmonique des tragédies en musique de Jean-Philippe Rameau représentées par l’Académie royale de musique de 1733 à 1757 : The harmonic architecture of Jean-Philippe Rameau’s tragédies en musique performed by Académie royale de musique between 1733 and 1757. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040005


Université Paris-Sorbonne – Paris IV

6. Vançon, Jean-Claire. Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895.

Degree: Docteur es, Musicologie, 2009, Université Paris-Sorbonne – Paris IV

Cette thèse veut s’attacher aux usages dont Jean-Philippe Rameau fut l’objet en France entre 1764 (la date de sa mort) et 1895 (la date usuellement… (more)

Subjects/Keywords: Jean-Philippe Rameau; Réception; Opéra; Concert; Musique ancienne; Histoire des représentations; France XVIIIe siècle; France XIXe siècle; Jean-Philippe Rameau; Concert; Opera

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APA (6th Edition):

Vançon, J. (2009). Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2009PA040251

Chicago Manual of Style (16th Edition):

Vançon, Jean-Claire. “Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895.” 2009. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 18, 2019. http://www.theses.fr/2009PA040251.

MLA Handbook (7th Edition):

Vançon, Jean-Claire. “Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895.” 2009. Web. 18 Jun 2019.

Vancouver:

Vançon J. Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2009. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2009PA040251.

Council of Science Editors:

Vançon J. Le Temple de la Gloire. Visages et usages de Jean-Philippe Rameau en France entre 1764 et 1895 : « Le Temple de la Gloire ». Practice Jean-Philippe Rameau in France, 1764-1895. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2009. Available from: http://www.theses.fr/2009PA040251

7. Straehli, Benjamin. La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach.

Degree: Docteur es, Philosophie (métaphysique, épistémologie, esthétique), 2015, Lille 3

Jean-Philippe Rameau affirme que l'harmonie a pour principe la basse fondamentale. Il soutient également que cette basse fondamentale est quelque chose qui peut se sentir… (more)

Subjects/Keywords: Basse fondamentale; Harmonie; Phénoménologie; Objet sonore; Solfège généralisé; Jean-philippe Rameau; Pierre Schaeffer; Fundamental bass; Harmony; Phenomenology; Sonic objet; Generalized solfeggio; Jean-Philippe Rameau; Pierre Schaeffer

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APA (6th Edition):

Straehli, B. (2015). La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2015LIL30019

Chicago Manual of Style (16th Edition):

Straehli, Benjamin. “La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach.” 2015. Doctoral Dissertation, Lille 3. Accessed June 18, 2019. http://www.theses.fr/2015LIL30019.

MLA Handbook (7th Edition):

Straehli, Benjamin. “La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach.” 2015. Web. 18 Jun 2019.

Vancouver:

Straehli B. La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach. [Internet] [Doctoral dissertation]. Lille 3; 2015. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2015LIL30019.

Council of Science Editors:

Straehli B. La basse fondamentale de Jean-Philippe Rameau et son objectivité : une approche phénoménologique : Jean-Philippe Rameau's fundamenatl bass and its objectivity : a phenomenological approach. [Doctoral Dissertation]. Lille 3; 2015. Available from: http://www.theses.fr/2015LIL30019

8. Dubruque, Julien. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.

Degree: Docteur es, Musicologie, 2014, Université François-Rabelais de Tours

Le Temple de la Gloire fut commandé par la cour à Voltaire et à Rameau pour célébrer le retour du roi, victorieux à Fontenoy. Créé… (more)

Subjects/Keywords: Temple de la Gloire; Rameau; Voltaire; Opéra; Ballet; Livret; Histoire de la musique; Critique génétique; Esthétique; Temple de la Gloire; Rameau; Voltaire; Opera; Ballet; Libretto; Musicology; Genetic criticism; Aesthetics

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APA (6th Edition):

Dubruque, J. (2014). Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2014TOUR2024

Chicago Manual of Style (16th Edition):

Dubruque, Julien. “Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.” 2014. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed June 18, 2019. http://www.theses.fr/2014TOUR2024.

MLA Handbook (7th Edition):

Dubruque, Julien. “Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau.” 2014. Web. 18 Jun 2019.

Vancouver:

Dubruque J. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2014. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2014TOUR2024.

Council of Science Editors:

Dubruque J. Edition critique, histoire, genèse et esthétique des deux versions du Temple de la Gloire de Voltaire et Rameau : Critical edition, history, genesis and esthetics of the two versions of le Temple de la Gloire from Voltaire and Rameau. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2014. Available from: http://www.theses.fr/2014TOUR2024


University of Wisconsin – Madison

9. Self, Virgil Claxton. The operas of Rameau.

Degree: 1956, University of Wisconsin – Madison

ix, 190 leaves : music ; 29 cm

Subjects/Keywords: Rameau; Jean Philippe; 1683-1764. Operas.

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APA (6th Edition):

Self, V. C. (1956). The operas of Rameau. (Thesis). University of Wisconsin – Madison. Retrieved from http://digital.library.wisc.edu/1793/6947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Self, Virgil Claxton. “The operas of Rameau.” 1956. Thesis, University of Wisconsin – Madison. Accessed June 18, 2019. http://digital.library.wisc.edu/1793/6947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Self, Virgil Claxton. “The operas of Rameau.” 1956. Web. 18 Jun 2019.

Vancouver:

Self VC. The operas of Rameau. [Internet] [Thesis]. University of Wisconsin – Madison; 1956. [cited 2019 Jun 18]. Available from: http://digital.library.wisc.edu/1793/6947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Self VC. The operas of Rameau. [Thesis]. University of Wisconsin – Madison; 1956. Available from: http://digital.library.wisc.edu/1793/6947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

10. Miller, John Gabriel. The Death and Resurrection of Function.

Degree: PhD, Music, 2008, The Ohio State University

  Function is one of those words that everyone understands, yet everyone understands a little differently. Although the impact and pervasiveness of function in tonal… (more)

Subjects/Keywords: Music; Function; Harmonic Analysis; Hugo Riemann; Jean-Philippe Rameau; Behavior; Province; Kinship; Quality; Tonicization

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APA (6th Edition):

Miller, J. G. (2008). The Death and Resurrection of Function. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1217299779

Chicago Manual of Style (16th Edition):

Miller, John Gabriel. “The Death and Resurrection of Function.” 2008. Doctoral Dissertation, The Ohio State University. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1217299779.

MLA Handbook (7th Edition):

Miller, John Gabriel. “The Death and Resurrection of Function.” 2008. Web. 18 Jun 2019.

Vancouver:

Miller JG. The Death and Resurrection of Function. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1217299779.

Council of Science Editors:

Miller JG. The Death and Resurrection of Function. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1217299779

11. Sasaki, Hiromi|c(Student at Ball State University : 2017). Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.

Degree: Thesis (D.A.), 2017, Ball State University

 While the keyboard music of J. S. Bach, Handel, and Domenico Scarlatti draws the attention of modern pianists, that of their French contemporary Jean-Philippe Rameau(more)

Subjects/Keywords: Piano  – Performance.; Rameau, Jean-Philippe, 1683-1764. Pièces de clavecin (1729-1730). Selections; arranged.

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APA (6th Edition):

Sasaki, H. a. B. S. U. :. 2. (2017). Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. (Doctoral Dissertation). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/201044

Chicago Manual of Style (16th Edition):

Sasaki, Hiromi|c(Student at Ball State University : 2017). “Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.” 2017. Doctoral Dissertation, Ball State University. Accessed June 18, 2019. http://cardinalscholar.bsu.edu/handle/123456789/201044.

MLA Handbook (7th Edition):

Sasaki, Hiromi|c(Student at Ball State University : 2017). “Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin.” 2017. Web. 18 Jun 2019.

Vancouver:

Sasaki HaBSU:2. Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. [Internet] [Doctoral dissertation]. Ball State University; 2017. [cited 2019 Jun 18]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201044.

Council of Science Editors:

Sasaki HaBSU:2. Playing Rameau on the piano : the Suite in A minor from Nouvelles suites de pieces de clavecin. [Doctoral Dissertation]. Ball State University; 2017. Available from: http://cardinalscholar.bsu.edu/handle/123456789/201044


Université de Montréal

12. Bélair, Benjamin. La remise en question de la philosophie de la musique classique par d'Alembert .

Degree: 2004, Université de Montréal

Subjects/Keywords: Philosophie; Musique; Lumières; Classicisme; Querelle des bouffons; Rameau; Opéra

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APA (6th Edition):

Bélair, B. (2004). La remise en question de la philosophie de la musique classique par d'Alembert . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/14276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bélair, Benjamin. “La remise en question de la philosophie de la musique classique par d'Alembert .” 2004. Thesis, Université de Montréal. Accessed June 18, 2019. http://hdl.handle.net/1866/14276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bélair, Benjamin. “La remise en question de la philosophie de la musique classique par d'Alembert .” 2004. Web. 18 Jun 2019.

Vancouver:

Bélair B. La remise en question de la philosophie de la musique classique par d'Alembert . [Internet] [Thesis]. Université de Montréal; 2004. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/1866/14276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bélair B. La remise en question de la philosophie de la musique classique par d'Alembert . [Thesis]. Université de Montréal; 2004. Available from: http://hdl.handle.net/1866/14276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

13. Richoz, Joan Mary. Les problemes de l'intention de Diderot dans le Neveu de Rameau .

Degree: 1973, University of British Columbia

 Le but de cette dissertation est de découvrir l'intention - morale ou esthétique - que se proposa Diderot lors de sa création du dialogue le… (more)

Subjects/Keywords: Diderot; Denis; 1713-1784  – Neveu de Rameau

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richoz, J. M. (1973). Les problemes de l'intention de Diderot dans le Neveu de Rameau . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/33039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richoz, Joan Mary. “Les problemes de l'intention de Diderot dans le Neveu de Rameau .” 1973. Thesis, University of British Columbia. Accessed June 18, 2019. http://hdl.handle.net/2429/33039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richoz, Joan Mary. “Les problemes de l'intention de Diderot dans le Neveu de Rameau .” 1973. Web. 18 Jun 2019.

Vancouver:

Richoz JM. Les problemes de l'intention de Diderot dans le Neveu de Rameau . [Internet] [Thesis]. University of British Columbia; 1973. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/2429/33039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richoz JM. Les problemes de l'intention de Diderot dans le Neveu de Rameau . [Thesis]. University of British Columbia; 1973. Available from: http://hdl.handle.net/2429/33039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Soury, Thomas. Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study.

Degree: Docteur es, Musicologie, 2013, Université François-Rabelais de Tours

Cette thèse porte sur Les Fêtes de l’Hymen et de l’Amour, ballet héroïque de Jean-Philippe Rameau sur un livret de Louis de Cahusac, créé le… (more)

Subjects/Keywords: Jean-Philippe Rameau; Louis de Cahusac; Académie royale de musique; Ballet héroïque; Ballet figuré; Danse d’action; Parodie; Franc-maçonnerie; Edition critique; Jean-Philippe Rameau; Louis de Cahusac; Académie royale de musique; Ballet héroïque; Ballet figuré; Danse d’action; Parody; Freemasonry; Critical edition

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APA (6th Edition):

Soury, T. (2013). Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2013TOUR2013

Chicago Manual of Style (16th Edition):

Soury, Thomas. “Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study.” 2013. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed June 18, 2019. http://www.theses.fr/2013TOUR2013.

MLA Handbook (7th Edition):

Soury, Thomas. “Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study.” 2013. Web. 18 Jun 2019.

Vancouver:

Soury T. Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2013. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2013TOUR2013.

Council of Science Editors:

Soury T. Les Fêtes de l'Hymen et de l'Amour de Jean-Philippe Rameau : étude historique, génétique et critique : Les Fêtes de l'Hymen et de l'Amour by Jean-Philippe Rameau : historical, genetic and critical study. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2013. Available from: http://www.theses.fr/2013TOUR2013


University of North Texas

15. McManus, Catherine. The Cantatas of Jean-Philippe Rameau.

Degree: 1991, University of North Texas

 By the early eighteenth century, French music was tangibly influenced by the Italian style which had already permeated much of Europe. The French Cantata is… (more)

Subjects/Keywords: French music; French cantatas; Jean-Philippe Rameau; Rameau, Jean Philippe, 1683-1764. Cantatas.; Cantatas  – Analysis, appreciation.; Cantatas  – Librettos.

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APA (6th Edition):

McManus, C. (1991). The Cantatas of Jean-Philippe Rameau. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McManus, Catherine. “The Cantatas of Jean-Philippe Rameau.” 1991. Thesis, University of North Texas. Accessed June 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc500531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McManus, Catherine. “The Cantatas of Jean-Philippe Rameau.” 1991. Web. 18 Jun 2019.

Vancouver:

McManus C. The Cantatas of Jean-Philippe Rameau. [Internet] [Thesis]. University of North Texas; 1991. [cited 2019 Jun 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McManus C. The Cantatas of Jean-Philippe Rameau. [Thesis]. University of North Texas; 1991. Available from: https://digital.library.unt.edu/ark:/67531/metadc500531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Loe, Lillian Lucille. Rameau's "Le Berger Fidèle": An Analysis for Performance.

Degree: 1972, North Texas State University

 It is assumed that the performer of Le Berger Fidele will be capable of a more accurate performance and a more historically authoritative interpretation if… (more)

Subjects/Keywords: Le Berger Fidèle; Rameau, Jean Philippe, 1683-1764  – Cantates françoises  – Berger fidèle.; French solo cantatas; Jean Philippe Rameau

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APA (6th Edition):

Loe, L. L. (1972). Rameau's "Le Berger Fidèle": An Analysis for Performance. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663298/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loe, Lillian Lucille. “Rameau's "Le Berger Fidèle": An Analysis for Performance.” 1972. Thesis, North Texas State University. Accessed June 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc663298/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loe, Lillian Lucille. “Rameau's "Le Berger Fidèle": An Analysis for Performance.” 1972. Web. 18 Jun 2019.

Vancouver:

Loe LL. Rameau's "Le Berger Fidèle": An Analysis for Performance. [Internet] [Thesis]. North Texas State University; 1972. [cited 2019 Jun 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663298/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loe LL. Rameau's "Le Berger Fidèle": An Analysis for Performance. [Thesis]. North Texas State University; 1972. Available from: https://digital.library.unt.edu/ark:/67531/metadc663298/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

17. Green, Burdette Lamar. The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music.

Degree: PhD, Graduate School, 1970, The Ohio State University

Subjects/Keywords: Music; Harmony; Music; Music theory; Music theory; Musical instruments; Mersenne; Rameau

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APA (6th Edition):

Green, B. L. (1970). The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486653137096899

Chicago Manual of Style (16th Edition):

Green, Burdette Lamar. “The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music.” 1970. Doctoral Dissertation, The Ohio State University. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486653137096899.

MLA Handbook (7th Edition):

Green, Burdette Lamar. “The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music.” 1970. Web. 18 Jun 2019.

Vancouver:

Green BL. The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music. [Internet] [Doctoral dissertation]. The Ohio State University; 1970. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486653137096899.

Council of Science Editors:

Green BL. The harmonic series from Mersenne to Rameau : an historical study of circumstances leading to its recognition and application to music. [Doctoral Dissertation]. The Ohio State University; 1970. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486653137096899


McGill University

18. Martin, Nathan, 1978-. Rameau and Rousseau : harmony and history in the age of reason.

Degree: PhD, Schulich School of Music., 2008, McGill University

 Rousseau's articles on music for Diderot and d'Alembert's Encyclopedie , and to a lesser extent his Dictionnaire de musique, have rarely attracted the scholarly attention… (more)

Subjects/Keywords: Rameau, Jean-Philippe, 1683-1764.; Rousseau, Jean-Jacques, 1712-1778.; Harmony.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martin, Nathan, 1. (2008). Rameau and Rousseau : harmony and history in the age of reason. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile115640.pdf

Chicago Manual of Style (16th Edition):

Martin, Nathan, 1978-. “Rameau and Rousseau : harmony and history in the age of reason.” 2008. Doctoral Dissertation, McGill University. Accessed June 18, 2019. http://digitool.library.mcgill.ca/thesisfile115640.pdf.

MLA Handbook (7th Edition):

Martin, Nathan, 1978-. “Rameau and Rousseau : harmony and history in the age of reason.” 2008. Web. 18 Jun 2019.

Vancouver:

Martin, Nathan 1. Rameau and Rousseau : harmony and history in the age of reason. [Internet] [Doctoral dissertation]. McGill University; 2008. [cited 2019 Jun 18]. Available from: http://digitool.library.mcgill.ca/thesisfile115640.pdf.

Council of Science Editors:

Martin, Nathan 1. Rameau and Rousseau : harmony and history in the age of reason. [Doctoral Dissertation]. McGill University; 2008. Available from: http://digitool.library.mcgill.ca/thesisfile115640.pdf

19. Strange, Jane Wood. Social Relationships in le Neveu de Rameau and Jaques le Fataliste.

Degree: 1971, North Texas State University

 The purpose of this thesis is to study Denis Diderot's two masterpieces, Le Neveu de Rameau and Jacques le Fataliste, from the point of view… (more)

Subjects/Keywords: Denis Diderot; social relationships; Le Neveu de Rameau; Jacques le Fataliste

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Strange, J. W. (1971). Social Relationships in le Neveu de Rameau and Jaques le Fataliste. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc131386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Strange, Jane Wood. “Social Relationships in le Neveu de Rameau and Jaques le Fataliste.” 1971. Thesis, North Texas State University. Accessed June 18, 2019. https://digital.library.unt.edu/ark:/67531/metadc131386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Strange, Jane Wood. “Social Relationships in le Neveu de Rameau and Jaques le Fataliste.” 1971. Web. 18 Jun 2019.

Vancouver:

Strange JW. Social Relationships in le Neveu de Rameau and Jaques le Fataliste. [Internet] [Thesis]. North Texas State University; 1971. [cited 2019 Jun 18]. Available from: https://digital.library.unt.edu/ark:/67531/metadc131386/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Strange JW. Social Relationships in le Neveu de Rameau and Jaques le Fataliste. [Thesis]. North Texas State University; 1971. Available from: https://digital.library.unt.edu/ark:/67531/metadc131386/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Case Western Reserve University

20. Burke, Devin Michael Paul. Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle.

Degree: PhD, Musicology, 2016, Case Western Reserve University

 The animated statue represented one of the central magical figures in French musical theater of the seventeenth and eighteenth centuries. During the period covered by… (more)

Subjects/Keywords: Music; Art History; European History; Dance; Theater; Louis XIV; ballet; opera; music; sculpture; French Baroque; automata; idolatry; Lully; Rameau; magic; aesthetics; politics; Paris; statues; Ovid; Pygmalion; dance; voice; Enlightenment; theatre; spectacle

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APA (6th Edition):

Burke, D. M. P. (2016). Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139

Chicago Manual of Style (16th Edition):

Burke, Devin Michael Paul. “Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle.” 2016. Doctoral Dissertation, Case Western Reserve University. Accessed June 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139.

MLA Handbook (7th Edition):

Burke, Devin Michael Paul. “Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle.” 2016. Web. 18 Jun 2019.

Vancouver:

Burke DMP. Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2016. [cited 2019 Jun 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139.

Council of Science Editors:

Burke DMP. Music, Magic, and Mechanics: The Living Statue in <i>Ancien-Régime</i> Spectacle. [Doctoral Dissertation]. Case Western Reserve University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139


Washington University in St. Louis

21. Ong, Nga-Hean. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.

Degree: PhD, Music, 2009, Washington University in St. Louis

 French accompanied keyboard music published between the late 1730s and early 1760s generally contains a written-out keyboard part with one or more accompanying instruments. In… (more)

Subjects/Keywords: Music; accompanied music; French harpsichord music; goûts réunis; la belle nature; Mondonville; Rameau

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APA (6th Edition):

Ong, N. (2009). French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/etd/267

Chicago Manual of Style (16th Edition):

Ong, Nga-Hean. “French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.” 2009. Doctoral Dissertation, Washington University in St. Louis. Accessed June 18, 2019. https://openscholarship.wustl.edu/etd/267.

MLA Handbook (7th Edition):

Ong, Nga-Hean. “French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture.” 2009. Web. 18 Jun 2019.

Vancouver:

Ong N. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2009. [cited 2019 Jun 18]. Available from: https://openscholarship.wustl.edu/etd/267.

Council of Science Editors:

Ong N. French Accompanied Keyboard Music (1738-1760): A Study of Texture and Style Mixture. [Doctoral Dissertation]. Washington University in St. Louis; 2009. Available from: https://openscholarship.wustl.edu/etd/267

22. Jiang, Qingfan. Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France.

Degree: MM, Music, 2014, Rice University

 My thesis explores the highly individual reconstruction of the past in the works of Camille Saint-Saëns, Vincent d’Indy, and Claude Debussy in the context of… (more)

Subjects/Keywords: Camille Saint-Saëns; Vincent d'Indy; Claude Debussy; Jean-Philippe Rameau; Early music; France

…acclaimed for its recognition of the importance not only of Rameau but also of the music of the… …Philippe Rameau, Pièces de clavecin avec préface de M. C. Saint-Saëns; François Couperin, Pièces… …and his Nouvelles suites de pièces de clavecin composées par M. Rameau avec des remarques… …biographies of the composers, highlighting the significance of Rameau and other composers before the… …the time, Rameau provided an ornament table in his collection, in which he demonstrated how… 

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APA (6th Edition):

Jiang, Q. (2014). Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France. (Masters Thesis). Rice University. Retrieved from http://hdl.handle.net/1911/77173

Chicago Manual of Style (16th Edition):

Jiang, Qingfan. “Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France.” 2014. Masters Thesis, Rice University. Accessed June 18, 2019. http://hdl.handle.net/1911/77173.

MLA Handbook (7th Edition):

Jiang, Qingfan. “Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France.” 2014. Web. 18 Jun 2019.

Vancouver:

Jiang Q. Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France. [Internet] [Masters thesis]. Rice University; 2014. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/1911/77173.

Council of Science Editors:

Jiang Q. Saint-Saëns, d'Indy, Debussy, and the Reconstruction of the Past in fin-de-siècle France. [Masters Thesis]. Rice University; 2014. Available from: http://hdl.handle.net/1911/77173

23. Shupe, Abigail. Aspects of Newtonianism in Rameau’s Génération harmonique.

Degree: 2014, University of Western Ontario

 This dissertation studies the influence of Newtonianism as a cultural phenomenon on the theoretical writings of Jean-Philippe Rameau (1683-1764). Rameau’s Génération harmonique (1737) shows a… (more)

Subjects/Keywords: Newtonianism; Rameau; Voltaire; Castel; Enlightenment; Theory; European History; History of Science, Technology, and Medicine; Musicology; Music Theory

…104 Plate 2. Original and reproduction of Rameau's Table of Geometric Progression from… …107 Plate 3. Rameau's higher-level progression from Démonstration, p. 42… …Philippe Rameau (1683-1764) was renowned as the best musician in France. Rameau… …however, was never satisfied with this reputation. Recent scholarship has suggested that Rameau… …and Génération harmonique (1737)—it is evident that Rameau sought to elevate music… 

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APA (6th Edition):

Shupe, A. (2014). Aspects of Newtonianism in Rameau’s Génération harmonique. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/2507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shupe, Abigail. “Aspects of Newtonianism in Rameau’s Génération harmonique.” 2014. Thesis, University of Western Ontario. Accessed June 18, 2019. https://ir.lib.uwo.ca/etd/2507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shupe, Abigail. “Aspects of Newtonianism in Rameau’s Génération harmonique.” 2014. Web. 18 Jun 2019.

Vancouver:

Shupe A. Aspects of Newtonianism in Rameau’s Génération harmonique. [Internet] [Thesis]. University of Western Ontario; 2014. [cited 2019 Jun 18]. Available from: https://ir.lib.uwo.ca/etd/2507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shupe A. Aspects of Newtonianism in Rameau’s Génération harmonique. [Thesis]. University of Western Ontario; 2014. Available from: https://ir.lib.uwo.ca/etd/2507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed June 18, 2019. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 18 Jun 2019.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488

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