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Tulane University
1.
Elliot, Dana.
A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition.
Degree: 2019, Tulane University
URL: https://digitallibrary.tulane.edu/islandora/object/tulane:93966 
► [email protected]
Memorials, monuments, museums, and public spaces “honor the memory” of people or events that have some claim to that space. In these myths that…
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▼ [email protected]
Memorials, monuments, museums, and public spaces “honor the memory” of people or events that have some claim to that space. In these myths that become spatial in the public realm, who is it that gets remembered? Certainly, these projects are important for the desire to pass along history and offer space to gather and contemplate. However, they are not without myriad problems. Rituals are not solely contemplative practice, they need action to transform. In mourning and memorial, we transform a sometimes painful past into a more positive future. Critique of these projects can only encourage better iterations in the future. This thesis will imagine a space meant to allow its occupants to live with this history with the goal of crafting a future through collaborative praxis.
While ritual spaces have a long history and many forms, the museum and archive have evolved radically in their trajectories. Beginning with a temple or government plunder display and moving into the public education centers of contemporary times, museums now occupy both a public and private sphere. These spaces operate by telling stories about the public it seeks to serve and are prime locations to explore queer narratives. Further, the act of living with this history can blur the lines of public and private for the occupants. Through an exploration of what queer modes of display would be from material choice to the intended audience, the space itself can become an active participant in these narratives, bridging time and space towards a more nuanced understanding of queer lives.
1
Dana Elliot
Advisors/Committee Members: Owen, Graham (Thesis advisor), Tulane School of Architecture Architecture (Degree granting institution).
Subjects/Keywords: Queer Museum; Queer Space; Memorials
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APA (6th Edition):
Elliot, D. (2019). A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition. (Thesis). Tulane University. Retrieved from https://digitallibrary.tulane.edu/islandora/object/tulane:93966
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Elliot, Dana. “A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition.” 2019. Thesis, Tulane University. Accessed March 04, 2021.
https://digitallibrary.tulane.edu/islandora/object/tulane:93966.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Elliot, Dana. “A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition.” 2019. Web. 04 Mar 2021.
Vancouver:
Elliot D. A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition. [Internet] [Thesis]. Tulane University; 2019. [cited 2021 Mar 04].
Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:93966.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Elliot D. A Queer Display: Reconceptualizing Urban Space for Transgressive Memory and Exhibition. [Thesis]. Tulane University; 2019. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:93966
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
2.
Mazaris, Evangelia.
Claiming History, Claiming Rights: Queer Discourses of
History and Politics.
Degree: PhD, American Civilization, 2010, Brown University
URL: https://repository.library.brown.edu/studio/item/bdr:11099/
► Working at the intersection of queer studies and public history, Claiming History, Claiming Rights: Queer Discourses of History and Politics focuses on queer archives in…
(more)
▼ Working at the intersection of
queer studies and
public history, Claiming History, Claiming Rights:
Queer Discourses
of History and Politics focuses on
queer archives in the United
States from 1970 to the present. The project contends that through
the process of claiming and narrating a history, LGBTQ groups
constitute and redefine the communities they historicize. At stake
in this dissertation is a critical understanding of how public
history and political activism are mutually reinforcing projects.
This project contends that
queer archives engage in the study of
what might be termed "politically dangerous" sexual practices.
Through their historical interventions, these archives challenge
prevailing notions of sexuality and identity, and serve as sites of
legitimacy for marginalized members of the gay and lesbian
communities.
Queer archives also engage in a "politics of the
body," and become sites not just of historic preservation, but of
political activism around sexual rights as well. The first chapter,
"Dangerous Pleasures and Radical Redefinitions: The Lesbian
Herstory Archive and the Debates Over Lesbian Identity," examines
New York's Lesbian Herstory Archives (LHA), founded in 1973, and
focuses on the ways in which the Archives worked not just to
collect and preserve lesbian history, but also to renegotiate the
very definition of lesbianism itself. The second chapter,
"Remembering for Our Lives: The Impact of the AIDS Crisis on
Queer
Public History," focuses on San Francisco's GLBT Historical Society
to examine how AIDS affected what was collected, what was saved,
and how stories were told. The third chapter, "'Do Not Feel Shame
for How I Live': Archiving
Queer Black Life," focuses on the more
recently founded Black Gay and Lesbian Archives, and examines the
archive as a response and reaction to the widespread invisibility
of black
queer life. The final chapter, "
Queer Discourses in the
Political Sphere," analyzes how organizations such as the Human
Rights Campaign make political claims using specific notions of
queer history and identity. This project contends that the rhetoric
surrounding issues like gay marriage privileges a particular
conception of the
queer subject, and renders invisible those who do
not conform to this identity.
Advisors/Committee Members: Rodriguez, Ralph (Director), Lubar, Steven (Reader), Krahulik, Karen (Reader).
Subjects/Keywords: queer studies
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APA (6th Edition):
Mazaris, E. (2010). Claiming History, Claiming Rights: Queer Discourses of
History and Politics. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:11099/
Chicago Manual of Style (16th Edition):
Mazaris, Evangelia. “Claiming History, Claiming Rights: Queer Discourses of
History and Politics.” 2010. Doctoral Dissertation, Brown University. Accessed March 04, 2021.
https://repository.library.brown.edu/studio/item/bdr:11099/.
MLA Handbook (7th Edition):
Mazaris, Evangelia. “Claiming History, Claiming Rights: Queer Discourses of
History and Politics.” 2010. Web. 04 Mar 2021.
Vancouver:
Mazaris E. Claiming History, Claiming Rights: Queer Discourses of
History and Politics. [Internet] [Doctoral dissertation]. Brown University; 2010. [cited 2021 Mar 04].
Available from: https://repository.library.brown.edu/studio/item/bdr:11099/.
Council of Science Editors:
Mazaris E. Claiming History, Claiming Rights: Queer Discourses of
History and Politics. [Doctoral Dissertation]. Brown University; 2010. Available from: https://repository.library.brown.edu/studio/item/bdr:11099/
California State Polytechnic University – Pomona
3.
Kladouris, Dino Benjamin-Alexander.
19th-Century male visions of queer femininity.
Degree: MAin English, English & Foreign Languages Department, 2015, California State Polytechnic University – Pomona
URL: http://hdl.handle.net/10211.3/145806
► This thesis examines visions of queer female identity in nineteenth-century American male-authored texts, specifically Bayard Taylor???s Hannah Thurston (1863) and Joseph and His Friend (1870),…
(more)
▼ This thesis examines visions of
queer female identity in nineteenth-century American male-authored texts, specifically Bayard Taylor???s Hannah Thurston (1863) and Joseph and His Friend (1870), Henry James??? The Bostonians (1886), and William Dean Howells??? The Shadow of a Dream. Critics have predominantly explicated nineteenth-century depictions of queerness as same sex attraction between men. Throughout the nineteenth century, more authors committed same sex bonds to their literary productions. These texts convey that socially constructed paradigms of gender restrict individuals that do not fit within social/temporal concerns that largely dictated the nineteenth century construction of gender, specifically accomplished through marriage and child rearing. While male authors in particular have received an abundance of critical attention for their depictions of
queer identity, their portrayals of females are oftentimes cast into a reductive framework, one that presupposes a predictability of female positionality that subordinates female bodies to masculine aims. But the texts I examine demonstrate that females experience queerness as lesbians, widows, and childless wives; these maneuvers often cast them into a precarious position against mainstream society. Allegedly pursuing their own narcissistic self-interests and forging unions with other women as a means of negotiating autonomy, they are perceived as nihilistic or fatalistic. As I argue,
queer female bodies risk codification as transgressive, hysterical, and narcissistic, rhetoric exercised to disarm women of political agency and access to traditionally masculine spaces. While consideration of these female figures expands the scope of nineteenth-century
queer identity, I find that male authors nonetheless used female queerness to cipher their anxieties over their own queerness and interpersonal relationships.
Advisors/Committee Members: DeRosa, Aaron (advisor), Smith, Lise-H??l??ne (committee member).
Subjects/Keywords: queer theory
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APA (6th Edition):
Kladouris, D. B. (2015). 19th-Century male visions of queer femininity. (Masters Thesis). California State Polytechnic University – Pomona. Retrieved from http://hdl.handle.net/10211.3/145806
Chicago Manual of Style (16th Edition):
Kladouris, Dino Benjamin-Alexander. “19th-Century male visions of queer femininity.” 2015. Masters Thesis, California State Polytechnic University – Pomona. Accessed March 04, 2021.
http://hdl.handle.net/10211.3/145806.
MLA Handbook (7th Edition):
Kladouris, Dino Benjamin-Alexander. “19th-Century male visions of queer femininity.” 2015. Web. 04 Mar 2021.
Vancouver:
Kladouris DB. 19th-Century male visions of queer femininity. [Internet] [Masters thesis]. California State Polytechnic University – Pomona; 2015. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/10211.3/145806.
Council of Science Editors:
Kladouris DB. 19th-Century male visions of queer femininity. [Masters Thesis]. California State Polytechnic University – Pomona; 2015. Available from: http://hdl.handle.net/10211.3/145806
University of Manitoba
4.
Harwood, Andrew.
Funeral Camp.
Degree: School of Art, 2014, University of Manitoba
URL: http://hdl.handle.net/1993/24024
► Funeral Camp is an exploration of grief and humour through the media of video, performance and installation. This exhibition examines the relationships between death, humour,…
(more)
▼ Funeral Camp is an exploration of grief and humour through the media of video, performance and installation. This exhibition examines the relationships between death, humour, play and camp and how they relate to aspects of
queer spirituality and to
queer communities, The themes explored in this body of work include death, nature, culture, witchcraft, play, drag, sadness and glamour. Funeral Camp and the questions I pose are in part, a gay man’s perspective on having survived the AIDS epidemic. As part of my research on these topics I question if it is possible to express humour and grief simultaneously in a body of work. Can works of art be simultaneously camp and deeply emotional at the same time?
Advisors/Committee Members: Alward, Sharon (School of Fine Art) (supervisor), Bugslag, James (School of Fine Art) Churchill, David (History) Brownlie, Jarvis (History) (examiningcommittee).
Subjects/Keywords: death; queer
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APA (6th Edition):
Harwood, A. (2014). Funeral Camp. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/24024
Chicago Manual of Style (16th Edition):
Harwood, Andrew. “Funeral Camp.” 2014. Masters Thesis, University of Manitoba. Accessed March 04, 2021.
http://hdl.handle.net/1993/24024.
MLA Handbook (7th Edition):
Harwood, Andrew. “Funeral Camp.” 2014. Web. 04 Mar 2021.
Vancouver:
Harwood A. Funeral Camp. [Internet] [Masters thesis]. University of Manitoba; 2014. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1993/24024.
Council of Science Editors:
Harwood A. Funeral Camp. [Masters Thesis]. University of Manitoba; 2014. Available from: http://hdl.handle.net/1993/24024
University of Texas – Austin
5.
-5861-5337.
Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet.
Degree: PhD, French, 2018, University of Texas – Austin
URL: http://hdl.handle.net/2152/68468
► Until the 1980s, the history of French cinema was for the most part written without the work of women filmmakers. Despite a recent surge of…
(more)
▼ Until the 1980s, the history of French cinema was for the most part written without the work of women filmmakers. Despite a recent surge of interest, the works that focus on the films of women filmmakers remain few. This project therefore seeks to replace women at the center of French film production by focusing on the films of three directors with very diverse backgrounds. Close readings of the films of Céline Sciamma, Virginie Despentes, and Emilie Jouvet, as well as the consideration of changing modes of film production will shed light onto the existence of a
queer space within French film production. This project will therefore pave the way for the study of French films through an original lens, which will disrupt the history of French cinema as well as the very ways in which
queer films have been examined. Instead of focusing on the thematic content of the films, this work will demonstrate that their queerness lies in their aesthetics and modes of production. In other words, this project opens up a new space for French film studies, at the center of which is
queer.
Advisors/Committee Members: Picherit, Hervé G. (advisor), Gopalan, Lalitha (advisor), Wettlaufer, Alexandra (committee member), Bullock, Barbara (committee member).
Subjects/Keywords: French queer
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APA (6th Edition):
-5861-5337. (2018). Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68468
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Chicago Manual of Style (16th Edition):
-5861-5337. “Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet.” 2018. Doctoral Dissertation, University of Texas – Austin. Accessed March 04, 2021.
http://hdl.handle.net/2152/68468.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
MLA Handbook (7th Edition):
-5861-5337. “Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet.” 2018. Web. 04 Mar 2021.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Vancouver:
-5861-5337. Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2018. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/2152/68468.
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Council of Science Editors:
-5861-5337. Queer topographies in contemporary French cinema : the films of Céline Sciamma, Virginie Despentes, and Émilie Jouvet. [Doctoral Dissertation]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68468
Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
University of Sydney
6.
O'Halloran, Kate.
Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
.
Degree: 2015, University of Sydney
URL: http://hdl.handle.net/2123/13958
► U.S.-based queer theory began with an explicit ethical agenda tied inseparably to real-world politics and activism. Key scholars Eve Sedgwick, Judith Butler, Michel Foucault and…
(more)
▼ U.S.-based queer theory began with an explicit ethical agenda tied inseparably to real-world politics and activism. Key scholars Eve Sedgwick, Judith Butler, Michel Foucault and Gayle Rubin proposed that the political potentiality of queer lay in the ‘way of life’ and affective and relational virtualities it could bring about, and not as a progressivist movement defined by its radicalism in opposition to movements ‘past’ (especially feminism and gay and lesbian politics). In this thesis I argue that the translation of this ethical agenda has been problematic within theoretically-informed queer activist collectives in Sydney and Melbourne. These collectives are often plagued by intra-group conflict and feelings of ostracisation and exclusion. For example, this is exemplified in the activist practice of ‘calling out’ which shuts down rather than opens up the possibility of ethical movement towards other bodies, and productive encounters with difference. This then produces alienation amongst some members on account of not sharing the ‘dominant’ queer position on a number of issues covered in this thesis: from gay marriage debates to contemporary manifestations of the ‘feminist sex wars’. The thesis traces the historical contexts and precedents for these debates, notably U.S.-based queer theory, and the particularly conservative political context out of which it arose and that gave rise to its often polemical mode of address. I argue for a more ‘ethical’ ways of being in collectivity with other bodies that encourage productive connection rather than diminution of those bodies involved. In this I draw on case studies such as the RuPaul’s Drag Race (2009-) and Wicked Women communities as examples of difficult but productive encounters with antagonism that suggest new, productive paths for an ethics of localised queer activism.
Subjects/Keywords: Queer activism;
Queer community;
Feminist activism;
Melbourne queer activism;
Sydney queer activism;
Queer theory
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Manager
APA (6th Edition):
O'Halloran, K. (2015). Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13958
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
O'Halloran, Kate. “Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
.” 2015. Thesis, University of Sydney. Accessed March 04, 2021.
http://hdl.handle.net/2123/13958.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
O'Halloran, Kate. “Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
.” 2015. Web. 04 Mar 2021.
Vancouver:
O'Halloran K. Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
. [Internet] [Thesis]. University of Sydney; 2015. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/2123/13958.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
O'Halloran K. Theory, politics and community: Ethical dilemmas in Sydney and Melbourne queer activist collectives
. [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/13958
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Utah
7.
Robertson, Eric Joseph.
The salted earth.
Degree: MA, Environmental Humanities, 2013, University of Utah
URL: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2627/rec/2669
► At the outset, my thesis appears fairly straightforward. I’m writing a novel about a single father raising nine children on a dry farm in a…
(more)
▼ At the outset, my thesis appears fairly straightforward. I’m writing a novel about a single father raising nine children on a dry farm in a small conservative town. Simple enough. But the construction of a work of fiction is far from simple, especially as I write about queer bodies that have negotiated human ecology without recognizable myths and stories to guide their life journeys. So my signpost, the focus of this thesis, is theecological metaphor. That thing we cannot live without. That thing that always only hints at what might be real. That thing that is always subject to change. This thesis hunts for new ecological metaphors and new ways to describe and figure human bodies.How we talk about a queer body can do strange and marvelous things to the rethinking of ecological metaphor. In these stories there are metaphors old and new, religious and metaphysical, even metaphors pulled from relationships that exist but go unexamined. I don’t intend for any one metaphor to stick and replace old ones. I merely explore the possibility of the queer body acting as (here comes the new metaphor) an ecotone—a place of mixing, composting, of radical interdisciplinary engagement. By opening a creative space to the rigors of scientific inquiry and the mysteries of our feralhuman imagination I hope to create stories couched not in any singular discursive register, but stories seething with uncertainty and a radical openness.
Subjects/Keywords: Ecological metaphor; Nonprocreative; Queer materialism; Queer sublime
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APA (6th Edition):
Robertson, E. J. (2013). The salted earth. (Masters Thesis). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2627/rec/2669
Chicago Manual of Style (16th Edition):
Robertson, Eric Joseph. “The salted earth.” 2013. Masters Thesis, University of Utah. Accessed March 04, 2021.
http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2627/rec/2669.
MLA Handbook (7th Edition):
Robertson, Eric Joseph. “The salted earth.” 2013. Web. 04 Mar 2021.
Vancouver:
Robertson EJ. The salted earth. [Internet] [Masters thesis]. University of Utah; 2013. [cited 2021 Mar 04].
Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2627/rec/2669.
Council of Science Editors:
Robertson EJ. The salted earth. [Masters Thesis]. University of Utah; 2013. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/2627/rec/2669
Victoria University of Wellington
8.
Macintosh, Paige.
Queer Capital: Transgender Representation in Contemporary American Cinema.
Degree: 2018, Victoria University of Wellington
URL: http://hdl.handle.net/10063/8034
► From The Crying Game’s shocking gender reveal in 1993, to the resounding success of Pose in 2018, trans characters and narratives have become increasingly visible…
(more)
▼ From The Crying Game’s shocking gender reveal in 1993, to the resounding success of Pose in 2018, trans characters and narratives have become increasingly visible across media platforms. Most significantly, trans characters have become a key part of American Indiewood cinema. Films like Dallas Buyers Club, The Danish Girl, Stonewall, and 3 Generations demonstrate the growing visibility of these roles within the American independent tradition. Moreover, these films’ critical and financial successes, in particular those of Dallas Buyers Club, signal the potential value these characters offer studios as a marker of cultural progressiveness. However, while trans characters in Indiewood films inspire more mainstream conversations about
queer identity and community, interrogating these representations reveals how these depictions may reinforce harmful myths about trans identities and experiences. Analysing these representational practices through textual, generic, and industrial analyses, I will demonstrate how trans performances benefit the wider film industry, and question the impact of cis-gender casting on these films’ representational strategies. The purpose of this project is thus to examine performances of transgender identity in contemporary indie and Indiewood films, spotlighting industrial influences on transgender representations. By using Dallas Buyers Club as a case study to explore how
queer Indiewood films appeal to mainstream audiences; and using Tangerine to illustrate alternative representational strategies, this thesis demonstrates how contemporary Indiewood cinema excludes most trans writers, directors, and actors, how this process benefits cis-gender industry elites, and how paratexts mitigate the potential threat that trans identities pose to gender categories. More specifically, I pose the questions: how are filmic performances of transgender identity informed by industrial power relations; and, what are the cultural implications of the dynamic between the two.
Advisors/Committee Members: Jutel, Thierry, Molloy, Missy.
Subjects/Keywords: Trans; Gay Indiewood; Queer film; Queer
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Manager
APA (6th Edition):
Macintosh, P. (2018). Queer Capital: Transgender Representation in Contemporary American Cinema. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8034
Chicago Manual of Style (16th Edition):
Macintosh, Paige. “Queer Capital: Transgender Representation in Contemporary American Cinema.” 2018. Masters Thesis, Victoria University of Wellington. Accessed March 04, 2021.
http://hdl.handle.net/10063/8034.
MLA Handbook (7th Edition):
Macintosh, Paige. “Queer Capital: Transgender Representation in Contemporary American Cinema.” 2018. Web. 04 Mar 2021.
Vancouver:
Macintosh P. Queer Capital: Transgender Representation in Contemporary American Cinema. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/10063/8034.
Council of Science Editors:
Macintosh P. Queer Capital: Transgender Representation in Contemporary American Cinema. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/8034
9.
Mitchell, Gretta Jade.
Illegible narratives: towards a queer violation of life story.
Degree: 2015, University of Adelaide
URL: http://hdl.handle.net/2440/106451
► ‘The Women Who Hit Me’ is an exercise in queer writing. Via strategic (mis)uses of the aesthetics of creative writing, it attempts a Genetesque seduction…
(more)
▼ ‘The Women Who Hit Me’ is an exercise in
queer writing. Via strategic (mis)uses of the aesthetics of creative writing, it attempts a Genetesque seduction of its readers in order to crescendo the force of its (im)potential disturbances. A novella of sorts — imagined from within the structures, the strictures, of heteronormative language — ‘The Women Who Hit Me’ engages in a self-conscious fictional game that it nonetheless plays dead serious. The focus is Jimi: a protagonist at a
queer disjunction with the language that inscribes her. ‘The Women Who Hit Me’ is the coming-of-age story of Jimi’s illegibility as the textual non-binary demarcations of erotica/pornographica, supplication/confession, fiction/thesis battle like MCs until ultimately there is no victor. — Corrosive even to that which it loves, part suicide note part love letter. As well as addressing the concepts and strategies mentioned above, the exegesis is an idiosyncratic response to the metacritical problem of in/appropriate theoretical speculation. Informed by the night vision pedagogy of Williams S. Burroughs’s My Education: A Book of Dreams and the implications of reading the unconscious as a nonsymbolic and nonfigurative social force in schizoanalysis, it aims for a critico-philosophical phantasmagoria, a post-surrealist “look-behind-the-scenes” at the thinkers and poets who claim antecedence to ‘The Women Who Hit Me.’ Like the creative work, the exegesis is a
queer text, working against the fulfilment of meaning and toward the disturbance of the poetics it nevertheless desires.
Advisors/Committee Members: Prosser, Rosslyn Winifred (advisor), Treagus, Mandy (advisor), School of Humanities (school).
Subjects/Keywords: queer writing; queer theory; creative writing
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APA (6th Edition):
Mitchell, G. J. (2015). Illegible narratives: towards a queer violation of life story. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/106451
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Mitchell, Gretta Jade. “Illegible narratives: towards a queer violation of life story.” 2015. Thesis, University of Adelaide. Accessed March 04, 2021.
http://hdl.handle.net/2440/106451.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Mitchell, Gretta Jade. “Illegible narratives: towards a queer violation of life story.” 2015. Web. 04 Mar 2021.
Vancouver:
Mitchell GJ. Illegible narratives: towards a queer violation of life story. [Internet] [Thesis]. University of Adelaide; 2015. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/2440/106451.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Mitchell GJ. Illegible narratives: towards a queer violation of life story. [Thesis]. University of Adelaide; 2015. Available from: http://hdl.handle.net/2440/106451
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Oxford
10.
Harris, Mia.
Queer in the prison? : what does it mean to be 'out' inside?.
Degree: PhD, 2019, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:c4478a6f-369d-4c36-b5a6-e19c5a65a3d6
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804400
► There is growing criminological interest in marginalised genders and sexualities, and a developing literature exploring the experiences of lesbian, gay, bisexual and transgender (LGBT) prisoners.…
(more)
▼ There is growing criminological interest in marginalised genders and sexualities, and a developing literature exploring the experiences of lesbian, gay, bisexual and transgender (LGBT) prisoners. However, these nascent and interconnected fields of study are notably underdeveloped in the UK. Little is known about gender and sexuality orders in British prisons, and the experiences of LGBT people therein. This thesis seeks to address these gaps through presenting and analysing rich, qualitative data. It draws on formal interviews with 60 prisoners and staff across one men’s and one women’s establishment, the analysis of relevant documents at these prisons, written correspondence with 67 prisoners, and 7 interviews with related professionals. Methodologically, this thesis provides insights into gathering data and upholding research ethics when researching LGBT inmates, and offers a detailed exploration of LGBT researcher positionality – a topic almost absent from British criminology. This thesis emphasises the need for British prisons scholars to abandon the idea that men’s establishments hold all, and exclusively, male prisoners, while female establishments hold all, and exclusively, female prisoners. Prisoners with minoritised genders are not always easily discernable, sometimes actively concealing their identities, and at other times hidden by cisnormative assumptions. Likewise, some sexual minorities are more visible than others. Examining how prisoners construct and communicate gender and sexuality, this thesis demonstrates that being in prison can lead to shifts in identity through encountering different labels and entering same-sex relationships for the first time. The nature of romantic and/or sexual relationships, and staff responses to them, are explored in depth. Furthermore, this thesis demonstrates how broader horizontal relationships between prisoners, and vertical relationships with staff, affect how prisoners understand and present their gender and sexuality. It documents staff and prisoners’ support and subjugation of people who identify as, or are presumed to be, LGBT, and the active responses of prisoners to discrimination. Concluding by presenting its limitations, the thesis suggests avenues for much-needed future research.
Subjects/Keywords: Criminology; Queer Criminology
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Harris, M. (2019). Queer in the prison? : what does it mean to be 'out' inside?. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:c4478a6f-369d-4c36-b5a6-e19c5a65a3d6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804400
Chicago Manual of Style (16th Edition):
Harris, Mia. “Queer in the prison? : what does it mean to be 'out' inside?.” 2019. Doctoral Dissertation, University of Oxford. Accessed March 04, 2021.
http://ora.ox.ac.uk/objects/uuid:c4478a6f-369d-4c36-b5a6-e19c5a65a3d6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804400.
MLA Handbook (7th Edition):
Harris, Mia. “Queer in the prison? : what does it mean to be 'out' inside?.” 2019. Web. 04 Mar 2021.
Vancouver:
Harris M. Queer in the prison? : what does it mean to be 'out' inside?. [Internet] [Doctoral dissertation]. University of Oxford; 2019. [cited 2021 Mar 04].
Available from: http://ora.ox.ac.uk/objects/uuid:c4478a6f-369d-4c36-b5a6-e19c5a65a3d6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804400.
Council of Science Editors:
Harris M. Queer in the prison? : what does it mean to be 'out' inside?. [Doctoral Dissertation]. University of Oxford; 2019. Available from: http://ora.ox.ac.uk/objects/uuid:c4478a6f-369d-4c36-b5a6-e19c5a65a3d6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.804400
University of Saskatchewan
11.
Taggart, Sarah.
Pacifique.
Degree: 2014, University of Saskatchewan
URL: http://hdl.handle.net/10388/ETD-2014-06-1573
► Pacifique is a novel of trauma and recovery set in contemporary Victoria, British Columbia. Tia, the protagonist, meets Pacifique one cold February evening. Five sex-…
(more)
▼ Pacifique is a novel of trauma and recovery set in contemporary Victoria, British Columbia. Tia, the protagonist, meets Pacifique one cold February evening. Five sex- and passion-fueled nights later, a bike ride ends with Tia's head colliding with concrete. When she wakes, Pacifique is gone. Worse, it's unclear whether Pacifique ever existed in the first place. Driven mad in the search for a woman who may be a figment of her imagination, Tia is institutionalized in a psychiatric ward. The doctors tell her she is suffering from head-injury induced psychosis; her fellow patients—including Andrew, a man with schizophrenia—urge her to forget Pacifique. Told in chapters alternating between Tia's and Andrew's points of view, the novel keeps readers asking: is Pacifique real? The novel examines notions of credibility and truth: whom to believe? The medical establishment or the “patients”? The novel also examines how behaviour outside the heteronormative—particularly “obsessive” behaviour or “fantasies”—are pathologized in our culture. Fundamentally, the novel is a story about the thin veil between fantasy and reality, about the choices we make to be happy—and how these choices cannot always coexist. Inspired by Ken Kesey's One Flew Over the Cuckoo's Nest, Daphne du Maurier’s Rebecca, Holly Luhning’s Quiver and Susanna Kaysen’s Girl, Interrupted, Pacifique can be situated within the psychological thriller genre in the way it plays with the notion of reality and alternate realities.
Advisors/Committee Members: Lynes, Jeanette, Borsa, Joan, James-Cavan, Kathleen, Dyck, Erika.
Subjects/Keywords: madness; queer theory
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Taggart, S. (2014). Pacifique. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2014-06-1573
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Taggart, Sarah. “Pacifique.” 2014. Thesis, University of Saskatchewan. Accessed March 04, 2021.
http://hdl.handle.net/10388/ETD-2014-06-1573.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Taggart, Sarah. “Pacifique.” 2014. Web. 04 Mar 2021.
Vancouver:
Taggart S. Pacifique. [Internet] [Thesis]. University of Saskatchewan; 2014. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/10388/ETD-2014-06-1573.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Taggart S. Pacifique. [Thesis]. University of Saskatchewan; 2014. Available from: http://hdl.handle.net/10388/ETD-2014-06-1573
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
12.
Jilkén, Olle.
Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm.
Degree: Social Sciences, 2015, Södertörn University
URL: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28228
► Denna studie behandlar queerfilmfestivaler och queerfilmprojekt i Stockholm. Utifrån fem aktörers perspektiv undersöks villkoren för att arbeta med queerfilm samt vad det innebär att…
(more)
▼ Denna studie behandlar queerfilmfestivaler och queerfilmprojekt i Stockholm. Utifrån fem aktörers perspektiv undersöks villkoren för att arbeta med queerfilm samt vad det innebär att å ena sidan förhålla sig till en community och å andra sidan verka inom en institutionell miljö. Studien utgår ifrån en tidigare forskning av Joshua Gamson som berör hur kollektiva identiteter formas genom organisationer. Som stöd använder studien sig av nyinstitutionell teori, Anthony Giddens resonemang om individen och livsstilar samt Pierre Bourdieus begrepp fält och kapital. Studien går igenom den sociala rörelsens utveckling samt framkomsten av queerfilmfestivaler och visar hur aktörerna förhåller sig utefter dessa premisser. Slutligen landar studien i att aktörerna positionerar sig olika utefter sin placering på det sociala kontra det konstnärliga fältet. De institutionella ramarna präglar i högre grad formandet av identiteter i organisationer med lös förankring inom det sociala fältet. En stor drivkraft för aktörerna har varit att bredda porträtteringen av queerpersoner i film. Behovet för en mer nyanserad identitetsporträttering bekräftas och medvetandegörs genom dem. Den ömsesidiga påverkan som äger rum mellan aktörerna och deras communities syns bland annat i programmeringen av queerfilmfestivaler.
Subjects/Keywords: queer; filmfestival; filmprojekt
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Jilkén, O. (2015). Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28228
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Jilkén, Olle. “Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm.” 2015. Thesis, Södertörn University. Accessed March 04, 2021.
http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28228.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Jilkén, Olle. “Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm.” 2015. Web. 04 Mar 2021.
Vancouver:
Jilkén O. Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm. [Internet] [Thesis]. Södertörn University; 2015. [cited 2021 Mar 04].
Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28228.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Jilkén O. Positionering mellan ett socialt och ett konstnärligt fält : En studie om queerfilmfestivaler och queerfilmprojekt i Stockholm. [Thesis]. Södertörn University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28228
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Southern Illinois University
13.
McKinley-Portee, Caleb Royal.
Queering The Future: Examining Queer Identity In Afrofuturism.
Degree: MA, Communication Studies, 2017, Southern Illinois University
URL: https://opensiuc.lib.siu.edu/theses/2176
► AN ABSTRACT OF THE THESIS OF CALEB MCKINLEY-PORTEE for the MASTER OF ARTS degree in COMMUNICATION STUDIES, presented on JULY 5TH, 2017 at Southern…
(more)
▼ AN ABSTRACT OF THE THESIS OF CALEB MCKINLEY-PORTEE for the MASTER OF ARTS degree in COMMUNICATION STUDIES, presented on JULY 5TH, 2017 at Southern Illinois University Carbondale. TITLE: QUEERING THE FUTURE: EXAMINING
QUEER IDENTITY IN AFROFUTURISM. MAJOR PROFESSOR: Dr. Craig Gingrich-Philbrook This thesis examines the art aesthetic known as Afrofuturism. The research provided examines Afrofuturism in music, art, and literature. This thesis provides an example of applying Afrofuturism to performance studies within Communication Studies. This thesis contains the script to a solo performance art piece which attempts to build a bridge between performance studies and Afrofuturism, while also examining Black,
Queer identity.
Advisors/Committee Members: Gingrich-Philbrook, Craig.
Subjects/Keywords: Afrofuturism; Identity; Queer
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APA ·
Chicago ·
MLA ·
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CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
McKinley-Portee, C. R. (2017). Queering The Future: Examining Queer Identity In Afrofuturism. (Masters Thesis). Southern Illinois University. Retrieved from https://opensiuc.lib.siu.edu/theses/2176
Chicago Manual of Style (16th Edition):
McKinley-Portee, Caleb Royal. “Queering The Future: Examining Queer Identity In Afrofuturism.” 2017. Masters Thesis, Southern Illinois University. Accessed March 04, 2021.
https://opensiuc.lib.siu.edu/theses/2176.
MLA Handbook (7th Edition):
McKinley-Portee, Caleb Royal. “Queering The Future: Examining Queer Identity In Afrofuturism.” 2017. Web. 04 Mar 2021.
Vancouver:
McKinley-Portee CR. Queering The Future: Examining Queer Identity In Afrofuturism. [Internet] [Masters thesis]. Southern Illinois University; 2017. [cited 2021 Mar 04].
Available from: https://opensiuc.lib.siu.edu/theses/2176.
Council of Science Editors:
McKinley-Portee CR. Queering The Future: Examining Queer Identity In Afrofuturism. [Masters Thesis]. Southern Illinois University; 2017. Available from: https://opensiuc.lib.siu.edu/theses/2176
University of Texas – Austin
14.
Williams, Sidney Monroe.
Queer pedagogy : performing outside the lines.
Degree: MFA, Theatre, 2014, University of Texas – Austin
URL: http://hdl.handle.net/2152/28515
► This qualitative study reflects on my experiences as a queer pedagogue developing a Lesbian, Gay, Bisexual, Transgendered/Transsexual, Questioning/Queer, and Ally (LGBTQA) youth theatre ensemble, Outside…
(more)
▼ This qualitative study reflects on my experiences as a
queer pedagogue developing a Lesbian, Gay, Bisexual, Transgendered/Transsexual, Questioning/
Queer, and Ally (LGBTQA) youth theatre ensemble, Outside the Lines. Through the analysis of my pedagogy and the pedagogy of three practitioners affiliated with the Pride Youth Theatre Alliance, I explore how my
queer culture, language, expression and politics influence my Applied Drama & Theatre practice within educational and community spaces. It is hoped that by inviting other practitioners and allies into my process this document will generate constructive dialogue around
queer pedagogy and its fluid performance. Furthermore, this document aims to serve as a reference for future practitioners that work with
queer youth and in
queer spaces.
Advisors/Committee Members: Schroeder-Arce, Roxanne (advisor).
Subjects/Keywords: Queer; Pedagogy; LGBTQA; Applied theatre; Applied drama; Queer youth; Queer spaces; Queer performance
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APA ·
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MLA ·
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CSE |
Export
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APA (6th Edition):
Williams, S. M. (2014). Queer pedagogy : performing outside the lines. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/28515
Chicago Manual of Style (16th Edition):
Williams, Sidney Monroe. “Queer pedagogy : performing outside the lines.” 2014. Masters Thesis, University of Texas – Austin. Accessed March 04, 2021.
http://hdl.handle.net/2152/28515.
MLA Handbook (7th Edition):
Williams, Sidney Monroe. “Queer pedagogy : performing outside the lines.” 2014. Web. 04 Mar 2021.
Vancouver:
Williams SM. Queer pedagogy : performing outside the lines. [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/2152/28515.
Council of Science Editors:
Williams SM. Queer pedagogy : performing outside the lines. [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/28515
Linköping University
15.
Grimmer, Carolin.
On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin.
Degree: The Department of Gender Studies, 2020, Linköping University
URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-172349
► Many queers are drawn to ‘the city’, as an (imagined) more progressive, and queered space. Its urbanity may offer anonymity as well as community.…
(more)
▼ Many queers are drawn to ‘the city’, as an (imagined) more progressive, and queered space. Its urbanity may offer anonymity as well as community. A major city means both the presence of diversity, of other queers, as well as possibly a queered understanding of ‘the city’ itself, with rich queer histories and cultures ingrained into the public and private realm. But then again, the realities within the city of Berlin is often a different one. Finding community that works, a multitude of exclusions plus the need for safer spaces make it harder to connect and are part of the experience of queer community. I try to understand the queerness within the feeling of yearning, of trying to find a place where one belongs and connect it with the feelings of disappointment and loneliness. I conducted interviews following a semi-guided structure. In their analysis, I hope to understand how urban queer loneliness is experienced and understood.
Subjects/Keywords: queer loneliness; queer community; queer city; queer history; chosen family; intersectionality; Gender Studies; Genusstudier
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Grimmer, C. (2020). On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin. (Thesis). Linköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-172349
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Grimmer, Carolin. “On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin.” 2020. Thesis, Linköping University. Accessed March 04, 2021.
http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-172349.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Grimmer, Carolin. “On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin.” 2020. Web. 04 Mar 2021.
Vancouver:
Grimmer C. On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin. [Internet] [Thesis]. Linköping University; 2020. [cited 2021 Mar 04].
Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-172349.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Grimmer C. On Longing and Belonging: the promise of queer community in Berlin. : A qualitative study of queer loneliness and community building in Berlin. [Thesis]. Linköping University; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-172349
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
16.
Holbrook, James.
Performing Queer History: Creating Community and Identity through Biographical Theatre.
Degree: 2020, The Catholic University of America
URL: http://hdl.handle.net/1961/cuislandora:214558
► Theatre and performance offer a unique opportunity to involve the queer community in the making of their stories and connect with an audience in an…
(more)
▼ Theatre and performance offer a unique opportunity to involve the queer community in the making of their stories and connect with an audience in an immediate and impactful way. Theatre can exist at all levels, from living room performances to national tours. It connects queers by offering a place to gather and a way to relate as a community. By telling their own stories, or watching their story performed, queer people can form bonds and learn from each other. This paper looks at works by Marvin Carlson, Elizabeth Freeman, Heather Love, and Ann Cvetkovich, focusing on understanding how queers relate to one another. The texts this paper examines deal with queer haunting and the need for a shareable, legitimate queer history.
Theater
LGBTQ studies
Performing arts
Biographical Theatre, Queer Haunting, Queer Theatre, Queer Theory, Theatre Theory
Drama
Degree Awarded: M.A. – Drama. The Catholic University of America
Advisors/Committee Members: The Catholic University of America (Degree granting institution), Tuite, Patrick (Thesis advisor), Lockwood, Samaine (Committee member), Stansell, Brent (Committee member).
Subjects/Keywords: Biographical Theatre; Queer Haunting; Queer Theatre; Queer Theory; Theatre Theory
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Record Details
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Holbrook, J. (2020). Performing Queer History: Creating Community and Identity through Biographical Theatre. (Thesis). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/cuislandora:214558
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Holbrook, James. “Performing Queer History: Creating Community and Identity through Biographical Theatre.” 2020. Thesis, The Catholic University of America. Accessed March 04, 2021.
http://hdl.handle.net/1961/cuislandora:214558.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Holbrook, James. “Performing Queer History: Creating Community and Identity through Biographical Theatre.” 2020. Web. 04 Mar 2021.
Vancouver:
Holbrook J. Performing Queer History: Creating Community and Identity through Biographical Theatre. [Internet] [Thesis]. The Catholic University of America; 2020. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1961/cuislandora:214558.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Holbrook J. Performing Queer History: Creating Community and Identity through Biographical Theatre. [Thesis]. The Catholic University of America; 2020. Available from: http://hdl.handle.net/1961/cuislandora:214558
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Queensland University of Technology
17.
Rodgers, Jessica.
Australian queer student activists' media representations of queer.
Degree: 2010, Queensland University of Technology
URL: https://eprints.qut.edu.au/41528/
► Queer student activists are a visible aspect of Australian tertiary communities. Institutionally there are a number of organisations and tools representing and serving gay, lesbian,…
(more)
▼ Queer student activists are a visible aspect of Australian tertiary communities. Institutionally there are a number of organisations and tools representing and serving gay, lesbian, bisexual, transgender, intersex and ‘otherwise queer identifying’ (GLBTIQ) students. ‘Queer’ is a contentious term with meanings ranging from a complex deconstructive academic theory to a term for ‘gay’. Despite the institutional applications, the definition remains unclear and under debate. In this thesis I examine queer student activists’ production of print media, a previously under-researched area. In queer communities, print media provides crucial grounding for a model of queer. Central to identity formation and activism, this media is a site of textuality for the construction and circulation of discourses of queer student media. Thus, I investigate the various ways Australian queer student activists construct queer, queer identity, and queer activism in their print media. I use discourse analysis, participant observation and semi-structured interviews to enable a thorough investigation of both the process and the products of queer student media. My findings demonstrate that queer student activists’ politics are grounded in a range of ideologies drawing from Marxism, Feminism, Gay Liberation, Anti-assimilation and Queer Theory. Grounded in queer theoretical perspectives of performativity this research makes relatively new links between Queer Theory and Media Studies in its study of the production contexts of queer student media. In doing so, I show how the university context informs student articulations of queer, proving the necessity to locate research within its social-cultural setting. My research reveals that, much like Queer Theory, these representations of queer are rich with paradox. I argue that queer student activists are actually theorising queer. I call for a reconceptualisation of Queer Theory and question the current barriers between who is considered a ‘theorist’ of queer and who is an ‘activist’. If we can think about ‘theory’ as encompassing the work of activists, what implications might this have for politics and analysis?
Subjects/Keywords: queer activism; student activism; Australian queer activism; queer media; community media; student media; activist media; queer history; queer theory
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Rodgers, J. (2010). Australian queer student activists' media representations of queer. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/41528/
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Rodgers, Jessica. “Australian queer student activists' media representations of queer.” 2010. Thesis, Queensland University of Technology. Accessed March 04, 2021.
https://eprints.qut.edu.au/41528/.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Rodgers, Jessica. “Australian queer student activists' media representations of queer.” 2010. Web. 04 Mar 2021.
Vancouver:
Rodgers J. Australian queer student activists' media representations of queer. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2021 Mar 04].
Available from: https://eprints.qut.edu.au/41528/.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Rodgers J. Australian queer student activists' media representations of queer. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/41528/
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Ohio University
18.
Glasby, Hillery.
Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers.
Degree: PhD, English (Arts and Sciences), 2016, Ohio University
URL: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834
► This dissertation revisits Harriet Malinowitz's landmark 1995 publication Textual Orientations, where she argues for the integration of sexuality in the writing classroom and suggests the…
(more)
▼ This dissertation revisits Harriet Malinowitz's
landmark 1995 publication Textual Orientations, where she argues
for the integration of sexuality in the writing classroom and
suggests the field, "find out about its lesbian and gay students."
In order to learn how writing studies has addressed sexuality and
LGBTQ students, I provide a retrospective of the field's
scholarship since Malinowitz. I argue that although many of
Malinowitz's ideas have been taken up by
queer composition
scholars, queercentric writing environments, those that focus
primarily on LGBTQ experience, have been left largely unexamined.
In response, I argue that queercentric writing courses are more
appropriate and generative environments for LGBTQ student writers
because they foster
queer literacy sponsorship and provide LGBTQ
writers with alternative methodologies and rhetorical strategies
for (
queer) composing. Building from Deborah Brandt's literacy
sponsorship and Jonathan Alexander's sexual literacy, and
queer
literacies, I also argue for the potential of
queer literacy
sponsorship, which I define as the people, texts, and resources
that work in concert to foster LGBTQ literacies, widening and
deepening people's knowledge of the LGBTQ community and
queer
identities and politics. In service of this argument, and in
response to Malinowitz's call to learn more about LGBTQ students,
the dissertation incorporates some preliminary findings of an
IRB-approved pilot study focused on LGBTQ students' experiences in
mainstream writing classes at Ohio University. Finally, in an
attempt to "
queer the brew," as Malinowitz suggests, I argue for
queer methodologies of excess, failure, and ambivalence as
strategies for rhetorical resistance and alternative meaning making
for LGBTQ and other marginalized writers. Within a
queer rhetorical
context, I explore how LGBTQ writers benefit from being
(re)oriented toward the dynamic connections among sexual identity,
literacy learning, writing, agency, and ethos.
Advisors/Committee Members: Gradin, Sherrie (Committee Chair).
Subjects/Keywords: Rhetoric; Writing and sexuality; queercentric writing environments; queer ethos; LGBTQ student writers; Malinowitz; queer literacy sponsorship; queer methodologies; queer rhetoric; queer rhetorical agency; queer composition
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APA (6th Edition):
Glasby, H. (2016). Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834
Chicago Manual of Style (16th Edition):
Glasby, Hillery. “Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers.” 2016. Doctoral Dissertation, Ohio University. Accessed March 04, 2021.
http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834.
MLA Handbook (7th Edition):
Glasby, Hillery. “Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers.” 2016. Web. 04 Mar 2021.
Vancouver:
Glasby H. Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers. [Internet] [Doctoral dissertation]. Ohio University; 2016. [cited 2021 Mar 04].
Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834.
Council of Science Editors:
Glasby H. Politics and Pedagogies of Queer Doing and Being in the
Writing Classroom: Rhetoric and Composition's LGBTQ
Student-Writers. [Doctoral Dissertation]. Ohio University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834
University of Colorado
19.
Saint-Oyant, Melanie.
Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.
Degree: MA, 2017, University of Colorado
URL: https://scholar.colorado.edu/arth_gradetds/38
► Animation has been regarded as a marginalized medium, one that can carry nonnormative messages. The queerness of animation can be found in its form,…
(more)
▼ Animation has been regarded as a marginalized medium, one that can carry nonnormative messages. The queerness of animation can be found in its form, style, and narrative techniques. By analyzing the works of Japanese anime director, Satoshi Kon, specific
queer strategies and aesthetics can be teased out and explored. In particular, Kon’s use of reflexive cinematic devices to disorient, disrupt, and resist historical conventions create uniquely
queer works. By examining how these techniques lend themselves to queering normative codes, we begin to understand how
queer aesthetics are ones marked by resistance, creativity and transformation.
Advisors/Committee Members: Ernesto Acevedo-Muñoz, Melinda Barlow, Suranjan Ganguly.
Subjects/Keywords: animation; Japanese animation; queer aesthetics; queer animation; queer strategies; Satoshi Kon; Film and Media Studies
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Chicago ·
MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Saint-Oyant, M. (2017). Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/arth_gradetds/38
Chicago Manual of Style (16th Edition):
Saint-Oyant, Melanie. “Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.” 2017. Masters Thesis, University of Colorado. Accessed March 04, 2021.
https://scholar.colorado.edu/arth_gradetds/38.
MLA Handbook (7th Edition):
Saint-Oyant, Melanie. “Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon.” 2017. Web. 04 Mar 2021.
Vancouver:
Saint-Oyant M. Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. [Internet] [Masters thesis]. University of Colorado; 2017. [cited 2021 Mar 04].
Available from: https://scholar.colorado.edu/arth_gradetds/38.
Council of Science Editors:
Saint-Oyant M. Queering Animation: the Animated Aesthetics of Queerness in the Works of Satoshi Kon. [Masters Thesis]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/arth_gradetds/38
Stockholm University
20.
Yelkenci, Nilay.
Queer Christian Responses to A Jihad for Love : The Case of Sweden.
Degree: Media Studies, 2012, Stockholm University
URL: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622
► This reception study, drawing on Robert White’s culturalist approach to religious media and Jane Mansbridge’s oppositional consciousness, explores the meaning-making process of Queer Christians…
(more)
▼ This reception study, drawing on Robert White’s culturalist approach to religious media and Jane Mansbridge’s oppositional consciousness, explores the meaning-making process of Queer Christians in Sweden about Parvez Sharma’s A Jihad for Love. The study argues that against a background where Muslims and Queer Muslims facing multiple forms of othering in Western mainstream media, queer-affirming Muslim alternative media can be a precursor to interfaith encounter and interreligious dialogue between Queer Christians and Queer Muslims. The results show that A Jihad for Love potentially increased the imagination and political interest of Queer Christians in Sweden in Queer Muslim lives. Finally, this study contributes to the reception of queer-affirming Muslim alternative media which has long been neglected and offers interesting insights about Queer Christian conceptualization of freedom, tolerance, secularism, religion and media in Swedish society.
Keywords: A Jihad for Love, religious media, queer affirming alternative Muslim media, Queer Muslims, Queer Christians, Sweden, interfaith dialogue, secularism
Subjects/Keywords: Queer-Affirming Alternative Muslim Media; Secularism; Sweden; Interfaith Dialogue; Queer Muslims; Queer Christians
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to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Yelkenci, N. (2012). Queer Christian Responses to A Jihad for Love : The Case of Sweden. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Yelkenci, Nilay. “Queer Christian Responses to A Jihad for Love : The Case of Sweden.” 2012. Thesis, Stockholm University. Accessed March 04, 2021.
http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Yelkenci, Nilay. “Queer Christian Responses to A Jihad for Love : The Case of Sweden.” 2012. Web. 04 Mar 2021.
Vancouver:
Yelkenci N. Queer Christian Responses to A Jihad for Love : The Case of Sweden. [Internet] [Thesis]. Stockholm University; 2012. [cited 2021 Mar 04].
Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Yelkenci N. Queer Christian Responses to A Jihad for Love : The Case of Sweden. [Thesis]. Stockholm University; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77622
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Connecticut
21.
GONZALEZ, LAZARO J.
Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio.
Degree: MA, Literatures, Cultures & Languages, 2020, University of Connecticut
URL: https://opencommons.uconn.edu/gs_theses/1479
► For decades, documentary filmmakers have combined academic research and narrative non-fiction, making the genre of documentary a resourceful tool to address certain agendas that…
(more)
▼ For decades, documentary filmmakers have combined academic research and narrative non-fiction, making the genre of documentary a resourceful tool to address certain agendas that exceed the boundaries of traditional research methodologies. My feature film
Villa Rosa (2016) as well as the work in progress of
Sexilio (2020…) combine the scholarly and cinematographic realms as a strategy to foreground
queer issues and the preservation of individual and collective memory. More specifically, my thesis will focus on rhetorical strategies used by
queer filmmakers and archivists when the so-called historical archive appears deficient. As a result, the filmmaking process itself must create the archive through performative triggers that help reconstruct ephemeral and emotional experiences. My own efforts as a documentary filmmaker and researcher working with
queer archives will also be woven into my presentation, as the result of the investigative process of creating an archive of Cuban
queer diasporas that includes personal and historical documents.
Advisors/Committee Members: Jacqueline Loss, Rosa helena Chinchilla, Ana Maria Diaz-Marcos, Miguel Gomes.
Subjects/Keywords: Sexile; Cuba; Mariel; queer cinema; queer exodus; Cuban diaspora; documentary; queer archive
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APA (6th Edition):
GONZALEZ, L. J. (2020). Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/1479
Chicago Manual of Style (16th Edition):
GONZALEZ, LAZARO J. “Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio.” 2020. Masters Thesis, University of Connecticut. Accessed March 04, 2021.
https://opencommons.uconn.edu/gs_theses/1479.
MLA Handbook (7th Edition):
GONZALEZ, LAZARO J. “Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio.” 2020. Web. 04 Mar 2021.
Vancouver:
GONZALEZ LJ. Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio. [Internet] [Masters thesis]. University of Connecticut; 2020. [cited 2021 Mar 04].
Available from: https://opencommons.uconn.edu/gs_theses/1479.
Council of Science Editors:
GONZALEZ LJ. Intersecciones entre Cine Documental y Archivos Queer: Notas a Propósito de Sexilio. [Masters Thesis]. University of Connecticut; 2020. Available from: https://opencommons.uconn.edu/gs_theses/1479
University of Toronto
22.
Zisman Newman, Laine Yale.
Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage.
Degree: PhD, 2018, University of Toronto
URL: http://hdl.handle.net/1807/89773
► For marginalized queer artists, inequitable distribution of and access to performance space impact both the development process and production of artistic works. While a lack…
(more)
▼ For marginalized
queer artists, inequitable distribution of and access to performance space impact both the development process and production of artistic works. While a lack of ongoing or resident performance space for women’s productions in Canada has been documented (see, for example, Rina Fraticelli; Rebecca Burton; and Michelle MacArthur), less research has been conducted on
queer women’s and non-binary artists’ experience of space in the industry. Theatre and performance scholars (see, for example, Gay McAuley, Una Chaudhuri, Jill Dolan, and Laura Levin) have provided the groundwork for exploring the relationship among theatre sites, identities, and productions; and
queer geographers such as Natalie Oswin, Julie Podmore, Catherine Nash, and Kath Browne have developed invaluable theories and methodologies to unsettle the assumed neutrality of space. However, few scholars have brought these fields together, particularly in the context of performance in Canada. This doctoral project applies
queer and feminist theories of geography to
queer women’s and non-binary artists’ performance to explore how insecure and inequitable access to physical space affects both experiences of finding one’s place in the theatre industry and articulations of an imagined place on stage.
The germinal Western conceptions of the stage as placeless or “empty” (Brook) work to neutralize the theatre space by assuming all creators, performers, and audience members are easily oriented within it. For marginalized bodies, which are simultaneously hyper-visualized and unseen in dominant cultural spaces, the necessary conditions to access placelessness may be unobtainable, or may be experienced as a form of violent erasure of histories. Through a process of “unmapping” venues and close description and analysis of performances, this doctoral study questions how an intentional engagement with space and place on stage can actively destabilize the presumed universality and neutrality of performance space and combat broader gendered spatial inequities. Focusing on performances and events in Toronto, Ontario and Vancouver, British Columbia, this project develops a theory of “placefullness” as a means of understanding how artists actively resist spatial inequities in the theatre and performance industry in Canada.
Advisors/Committee Members: Goldstein, Tara, Drama.
Subjects/Keywords: Lesbian theatre; Queer geography; Queer theatre in Canada; Queer women; Theatre space; 0465
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APA ·
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MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Zisman Newman, L. Y. (2018). Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/89773
Chicago Manual of Style (16th Edition):
Zisman Newman, Laine Yale. “Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage.” 2018. Doctoral Dissertation, University of Toronto. Accessed March 04, 2021.
http://hdl.handle.net/1807/89773.
MLA Handbook (7th Edition):
Zisman Newman, Laine Yale. “Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage.” 2018. Web. 04 Mar 2021.
Vancouver:
Zisman Newman LY. Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage. [Internet] [Doctoral dissertation]. University of Toronto; 2018. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1807/89773.
Council of Science Editors:
Zisman Newman LY. Placefull Spaces: Queer Women and Non-Binary Artists Resisting an Emptied Stage. [Doctoral Dissertation]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/89773
University of New Orleans
23.
Woodlock, Natalie.
Subculture and Queer Subjectivity.
Degree: M.F.A., Fine Arts, 2018, University of New Orleans
URL: https://scholarworks.uno.edu/td/2531
► My work explores subculture as a form of cultural resistance to the dominant ideology. I'm concerned with the ambiguous relationship we occupy as subjects…
(more)
▼ My work explores subculture as a form of cultural resistance to the dominant ideology. I'm concerned with the ambiguous relationship we occupy as subjects to the material produced by popular culture, and how this is digested and understood by female viewers and cultural outsiders. The specific temporality of the
queer subject is a key theme in my work.
Advisors/Committee Members: Tony Campbell, Ariya Martin, Kathy Rodriguez.
Subjects/Keywords: Queer subjectivity; queer subculture; queer temporality; romance readers; baby dolls.; Fine Arts
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to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Woodlock, N. (2018). Subculture and Queer Subjectivity. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2531
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Woodlock, Natalie. “Subculture and Queer Subjectivity.” 2018. Thesis, University of New Orleans. Accessed March 04, 2021.
https://scholarworks.uno.edu/td/2531.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Woodlock, Natalie. “Subculture and Queer Subjectivity.” 2018. Web. 04 Mar 2021.
Vancouver:
Woodlock N. Subculture and Queer Subjectivity. [Internet] [Thesis]. University of New Orleans; 2018. [cited 2021 Mar 04].
Available from: https://scholarworks.uno.edu/td/2531.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Woodlock N. Subculture and Queer Subjectivity. [Thesis]. University of New Orleans; 2018. Available from: https://scholarworks.uno.edu/td/2531
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Cape Peninsula University of Technology
24.
Hatting, Christiaan.
The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
.
Degree: 2011, Cape Peninsula University of Technology
URL: http://etd.cput.ac.za/handle/20.500.11838/1605
► Cape Town, which is known as the Mother City of South Africa, is regarded as one of the most beautiful cities in the world: ‘heaven…
(more)
▼ Cape Town, which is known as the Mother City of South Africa, is regarded as one of the most beautiful cities in the world: ‘heaven at the tip of Africa’, and was voted by the premier gay travel guide, Spartacus International Gay Guide, as one of the top five gay travel destinations in the world. The well-publicised myth of gays as DINKs who need somewhere to spend their above average disposable income has led to the vigorous courting of the gay niche by a variety of organisations that seek new markets. However, South Africa, an emerging destination, is merely beginning to understand niche markets. The research was motivated by limited market intelligence about the economic impact and changes in inbound niche markets, especially with regard to the gay market in Cape Town. In order for Cape Town to remain successful in attracting the international gay market, Cape Town’s tourism planners, marketers and local community should be continuously reminded about the economic worth of gay tourists, as a weak rand relative to other major world currencies, and high standard of gay facilities make the City attractive for gay visitors who bring foreign currencies. Understanding the economic impact of gay tourism by using the 2009 MCQP as a case in reference is, therefore, of paramount importance for Cape Town marketers to ensure that they target the gay market effectively at present and in future. The purpose of the study was to analyse the economic impact of the 2009 MCQP on the local economy by translating the total sales effect obtained by multiplying direct sales with appropriate multipliers, into an analytical framework, namely the ‘System of equations for estimating local economic impact.’
Subjects/Keywords: mother city;
queer project;
MCQP
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Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Hatting, C. (2011). The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
. (Thesis). Cape Peninsula University of Technology. Retrieved from http://etd.cput.ac.za/handle/20.500.11838/1605
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Hatting, Christiaan. “The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
.” 2011. Thesis, Cape Peninsula University of Technology. Accessed March 04, 2021.
http://etd.cput.ac.za/handle/20.500.11838/1605.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Hatting, Christiaan. “The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
.” 2011. Web. 04 Mar 2021.
Vancouver:
Hatting C. The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
. [Internet] [Thesis]. Cape Peninsula University of Technology; 2011. [cited 2021 Mar 04].
Available from: http://etd.cput.ac.za/handle/20.500.11838/1605.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Hatting C. The economic impact of special events: a case study of the Mother City Queer project (MCQP) 2009
. [Thesis]. Cape Peninsula University of Technology; 2011. Available from: http://etd.cput.ac.za/handle/20.500.11838/1605
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Oregon State University
25.
Reddy-Best, Kelly.
Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community.
Degree: PhD, Design and Human Environment, 2013, Oregon State University
URL: http://hdl.handle.net/1957/39499
► The purpose of this study was to explore the relationship of dress and queer women and how their sexual identity influences their appearance management behaviors.…
(more)
▼ The purpose of this study was to explore the relationship of dress and
queer women and how their sexual identity influences their appearance management behaviors. I answered the following research questions: (1) How is gender identity constructed and negotiated in different spaces for
queer? (2) Does sexual identity influence dress choices of
queer women? (3) Where do
queer women look for fashion styles and trends? (4) What are
queer women's experiences with shopping for clothing and accessories? (5) Do
queer women feel anxiety, pressure, or discrimination from the fashion system and the appearance management behaviors in which they participate due to their sexual identity? To answer my research questions I conducted 20 in-depth, semi-structured interviews with 20
queer women living in the United States. After the first interview, each participant completed a short survey and took a picture of their outfit for 14 days. At the end of each week, the participants completed a follow-up interview. I coded the interviews in three phases and looked for emergent themes and patterns. Based on the results of this study I found that there is not one single way of being or becoming a
queer women. Most women in the sample did not feel a strong connection to masculinity or femininity. Fourteen women explained they felt in-between or androgynous. Four of the women purposefully rejected the terms masculinity and femininity and claimed, "gender
queer." Four women felt a strong connection to either the masculine or feminine identity. One of the women indicated a strong connection to or identification with the so-called femme-butch dichotomy. The 17 participants shifted back and forth in their portrayal of masculinity or femininity depending upon the anticipated future context. Ten participants indicated that they experienced stress or anxiety related to a fear of
queer invisibility or being mistaken for straight by other members of the
queer community. Four women in the sample related anecdotes about times when they felt discriminated against because of their appearance. Fifteen participants stated that they looked to family members, friends, or people around them for style ideas. Seven of the 15 participants indicated they specifically looked to other
queer individuals for inspiration. Eight participants named
queer or male celebrities and a ninth identified her father as her style icon. Many participants explained they looked to
queer celebrities as style icons. Very few participants reported having ever seen fashion advertisements specifically targeted at
queer women. Many of the participants had negative reactions to the
queer imagery, or lack there of in media. Participants described a wide variety of shopping experiences trying to find garments that fit, searching for garments in different gendered sections, and interacting with sales associates on the sales floor and in the fitting room. When asked what garments are hardest to find, the participants most frequently responded that they felt frustrated finding any clothing that…
Advisors/Committee Members: Pedersen, Elaine (advisor), Davis Burns, Leslie (committee member).
Subjects/Keywords: Queer; Lesbians – Clothing – United States
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APA ·
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Manager
APA (6th Edition):
Reddy-Best, K. (2013). Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community. (Doctoral Dissertation). Oregon State University. Retrieved from http://hdl.handle.net/1957/39499
Chicago Manual of Style (16th Edition):
Reddy-Best, Kelly. “Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community.” 2013. Doctoral Dissertation, Oregon State University. Accessed March 04, 2021.
http://hdl.handle.net/1957/39499.
MLA Handbook (7th Edition):
Reddy-Best, Kelly. “Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community.” 2013. Web. 04 Mar 2021.
Vancouver:
Reddy-Best K. Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community. [Internet] [Doctoral dissertation]. Oregon State University; 2013. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1957/39499.
Council of Science Editors:
Reddy-Best K. Fashioning queer bodies : intersections of dress, identity, and anxiety in the queer women's community. [Doctoral Dissertation]. Oregon State University; 2013. Available from: http://hdl.handle.net/1957/39499
University of Manchester
26.
Ting, Chih-Chi.
Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan.
Degree: 2016, University of Manchester
URL: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305827
► AbstractThis thesis seeks to trace the representations of male homosexuality in Taiwanese society since the 1970s, with a specific focus on the legacies and representations…
(more)
▼ AbstractThis thesis seeks to trace the
representations of male homosexuality in Taiwanese society since
the 1970s, with a specific focus on the legacies and
representations of Pai Hsien-yung’s novel Niezi (Crystal Boys,
published in 1983), widely regarded as the first full-length novel
themed on homosexuality in Taiwan’s literary history. Set in 1970s
Taiwan during the Martial Law period, the novel’s portrayal of the
underground homosexual community and male prostitution culture
based in Taipei’s New Park (now 228 Park) did not capture critical
attention or gain commercial success when published, owing to the
then conservative social atmosphere. Nonetheless, after the lifting
of Martial Law, as Taiwan became a democratised nation with mature
elective democracy and participation in globalised cultural
circuits, Niezi became canonised and politicised as the iconic text
for a sequence of social activism regarding homosexual human rights
in academia and related cultural activities in the 1990s and 2000s.
Even today, Niezi is still considered the most debatable
representative homosexual literary text in Taiwan’s homosexual
community. While Niezi’s iconic status has stood the test of time
over the past three decades, the changing interpretations of the
text offer a great resource through which to examine the
representations of male homosexuality in Taiwan during this period.
Taiwanese society transformed from an authoritarian regime in the
1970s and 1980s, to quasi-democracy in the early 1990s, then full
elective democracy in the mid-1990s, and now Taiwan has fully
joined the globalised circuits of the capitalist economy, with free
markets, cross-cultural communication and rapid flows of
information. This social transformation brought about changing
interpretations of Niezi, in which male homosexuality was no longer
a social taboo, and activist cultural critics started to demand
equal rights for homosexuals inspired by Euro-American theoretical
discourse and social reform. The social transformation also saw two
visual adaptations of the novel through the forms of film and
television, which I shall examine in this thesis. I will also
demonstrate not just how male homosexuality has been represented in
different social contexts, but also what has contributed to the
endurance of Niezi’s legacies in the past three decades. In
addition, while there was a great amount of homosexual literature
produced after the lifting of Martial Law owing to social
liberalisation, the thesis will also consider Niezi’s continuing
iconic status.
Advisors/Committee Members: Alderson, David.
Subjects/Keywords: Niezi; Queer Subculture; Adaptation; Taiwan
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APA (6th Edition):
Ting, C. (2016). Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305827
Chicago Manual of Style (16th Edition):
Ting, Chih-Chi. “Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan.” 2016. Doctoral Dissertation, University of Manchester. Accessed March 04, 2021.
http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305827.
MLA Handbook (7th Edition):
Ting, Chih-Chi. “Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan.” 2016. Web. 04 Mar 2021.
Vancouver:
Ting C. Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2021 Mar 04].
Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305827.
Council of Science Editors:
Ting C. Niezi and Its Legacies: Tracing the Emergence of Gay and
Queer Subcultures in Taiwan. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:305827
Cornell University
27.
Ensor, Sarah.
Spinster Ecology: Rethinking Relation In The American Literary Environment.
Degree: PhD, English Language and Literature, 2012, Cornell University
URL: http://hdl.handle.net/1813/31148
► Spinster Ecology develops a practice of queer ecocriticism by articulating intersections between nineteenth-century American literature and twentieth-century environmental thought. Focusing on texts by Sarah Orne…
(more)
▼ Spinster Ecology develops a practice of
queer ecocriticism by articulating intersections between nineteenth-century American literature and twentieth-century environmental thought. Focusing on texts by Sarah Orne Jewett, Henry David Thoreau, and Rachel Carson in which attention to the natural world is interwoven with a particularly reticent form of social interaction, the dissertation argues for the relational capacity of interpersonal and environmental forces typically understood to preclude connection: distance and remoteness, absence and silence, backwardness and death. Rethinking these categories as relational helps both to identify and to remedy a theoretical impasse that currently divides
queer theory from ecocriticism: namely, the fields' conflicting stances toward (reproductive) futurity and toward the status of desire, pleasure, and limitation. Early attempts at queering ecocriticism have tended to emphasize nonnormative uses of natural spaces or to trouble the conceptions of nature and "the natural" that undergird mainstream environmentalism. My project, by contrast, locates
queer theory's contribution to ecocriticism in questions of temporality, sociality, and tone. More specifically, I identify the spinster as a model for paradigms of relation, transmission, and inheritance that are indirect or askance. Taking heed of spinsterliness not only as a characterological or biographical phenomenon but also in its formal and stylistic instantiations, I argue, can help
queer ecocriticism better engage literature. Whereas ecocritics tend to apologize for the way in which their attention to texts distances them from political engagement and the physical environment alike, this project makes a case for literariness in part by making a case for the relational and ethical capacities of distance itself.
Advisors/Committee Members: Samuels, Shirley R (chair), Sachs, Aaron (committee member), Bogel, Fredric Victor (committee member), Francois, Anne-Lise (committee member).
Subjects/Keywords: American literature; ecocriticism; queer theory
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APA (6th Edition):
Ensor, S. (2012). Spinster Ecology: Rethinking Relation In The American Literary Environment. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/31148
Chicago Manual of Style (16th Edition):
Ensor, Sarah. “Spinster Ecology: Rethinking Relation In The American Literary Environment.” 2012. Doctoral Dissertation, Cornell University. Accessed March 04, 2021.
http://hdl.handle.net/1813/31148.
MLA Handbook (7th Edition):
Ensor, Sarah. “Spinster Ecology: Rethinking Relation In The American Literary Environment.” 2012. Web. 04 Mar 2021.
Vancouver:
Ensor S. Spinster Ecology: Rethinking Relation In The American Literary Environment. [Internet] [Doctoral dissertation]. Cornell University; 2012. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1813/31148.
Council of Science Editors:
Ensor S. Spinster Ecology: Rethinking Relation In The American Literary Environment. [Doctoral Dissertation]. Cornell University; 2012. Available from: http://hdl.handle.net/1813/31148
Texas A&M University
28.
Rigda, Ryan S.
Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports.
Degree: PhD, Communication, 2018, Texas A&M University
URL: http://hdl.handle.net/1969.1/174096
► This dissertation examines three case studies that draw on the queer potential of performances of gender and athleticism that challenge the gender binary in sport.…
(more)
▼ This dissertation examines three case studies that draw on the
queer potential of
performances of gender and athleticism that challenge the gender binary in sport. For
generations, sport has served as a social institution that divides athletes based on social
constructions of sex and gender. In doing so, performances of gender in sport have come to be
equated with performances of athleticism. This means that male athletes are expected to perform
male athleticism and female athletes are expected to perform female athleticism. This
dissertation looks for places within sport that represent a
queer potential for disruption of the
gender binary. By viewing individual performances of gender and athleticism that do not meet
socially accepted performances of male and female athleticism as unstable differential relations,
we can begin to destabilize the gender binary in sport. Using the case studies of Outsports, the
sport of quidditch, and figure skater Johnny Weir, I argue that although there are places in sport
that function as antagonisms, which have the potential to destabilize the gender binary, to some
extent, they are still bound by normative understandings of sex, gender, and sexuality. Within
each case study, I explore the ways in which gender norms are constantly policed by the sport
community and work to establish difference as a determinate identity, rather than unstable
differential relations.
The work in this dissertation reveals the strength of the hegemonic discourses that
surround sport, particularly in relation to sex, gender, and sexuality. Despite the
queer potential
of each case study, the male perspective dominates sports and reinforces the commitment to a
gender binary. The commitment to the gender binary in sport will remain the downfall of most
attempts to
queer sport because we are always limited to gendered and sexed categories of male
and female. This is further compounded by the addition of sexuality to athletic identity. As the
narratives used by Outsports show, coming out as a gay athlete is not novel or even disruptive.
The inclusion of gay athletes into mainstream sports confines sexuality to the already gendered
structure of sport. By participating in these hegemonic institutions they are further entrenching
the negative impacts of the system, privileging those LGBTQ athletes who can serve as token
examples of inclusion. With that in mind, I offer three critical implications for this research.
First, I argue that these case studies suggest a move towards a
queer understanding of
athleticism. Second, as I have already eluded to, even in moments of
queer resistance, sport still
privileges the male identity. Third, I explore the implications of moving sport research into the
field. Using the sport of quidditch, I argue that sport research could benefit from expanding the
scope of the text by examining identity construction at the level of performance.
Advisors/Committee Members: Dubriwny, Tasha (advisor), Poirot, Kristan (committee member), Jones Barbour, Jennifer (committee member), Humphrey, Daniel (committee member).
Subjects/Keywords: Rhetoric; Sport Communication; Queer Theory
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APA ·
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MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Rigda, R. S. (2018). Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/174096
Chicago Manual of Style (16th Edition):
Rigda, Ryan S. “Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports.” 2018. Doctoral Dissertation, Texas A&M University. Accessed March 04, 2021.
http://hdl.handle.net/1969.1/174096.
MLA Handbook (7th Edition):
Rigda, Ryan S. “Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports.” 2018. Web. 04 Mar 2021.
Vancouver:
Rigda RS. Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports. [Internet] [Doctoral dissertation]. Texas A&M University; 2018. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1969.1/174096.
Council of Science Editors:
Rigda RS. Rhetoric, Sport, and Queer/Theory: Gender and Athleticism in Queer Sports. [Doctoral Dissertation]. Texas A&M University; 2018. Available from: http://hdl.handle.net/1969.1/174096
Texas A&M University
29.
Carrasco, Matthew Gregory.
Queering Online Place: LGBT+ Performances Motivate Social Media Design.
Degree: MS, Computer Science, 2017, Texas A&M University
URL: http://hdl.handle.net/1969.1/173255
► Despite political advances, LGBT+ experiences on social media are affected by a history of marginalization. LGBT+ people adjust the presentation of their gender and sexual…
(more)
▼ Despite political advances, LGBT+ experiences on social media are affected by a history of marginalization. LGBT+ people adjust the presentation of their gender and sexual identities in response to social pressures, but their level of visibility differs between social media. We interviewed seventeen LGBT+ students at a socially-conservative university to investigate: (1) how do social media affect LGBT+ user experience of managing self presentation; and (2) how do social media affect participation in LGBT+ communities?
We found that LGBT+ users prefer to present their identities through sharing photos and political articles. LGBT+ users benefit from impersonal communities on reddit and more personal bonds on Tumblr. LGBT+ users rely on the perceived difficulty-of-use of a social network to an intolerant audience to gauge how visible they can be.
We develop implications for design that motivate
queer social media, which give people abilities to define their visibility on social media, in contrast with the HCI design principle of indiscriminate ‘making visible’.
Advisors/Committee Members: Kerne, Andruid (advisor), Henderson, Kathryn (committee member), Da Silva, Dilma (committee member).
Subjects/Keywords: social media; queer; lgbt; ethnography
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APA ·
Chicago ·
MLA ·
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Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Carrasco, M. G. (2017). Queering Online Place: LGBT+ Performances Motivate Social Media Design. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/173255
Chicago Manual of Style (16th Edition):
Carrasco, Matthew Gregory. “Queering Online Place: LGBT+ Performances Motivate Social Media Design.” 2017. Masters Thesis, Texas A&M University. Accessed March 04, 2021.
http://hdl.handle.net/1969.1/173255.
MLA Handbook (7th Edition):
Carrasco, Matthew Gregory. “Queering Online Place: LGBT+ Performances Motivate Social Media Design.” 2017. Web. 04 Mar 2021.
Vancouver:
Carrasco MG. Queering Online Place: LGBT+ Performances Motivate Social Media Design. [Internet] [Masters thesis]. Texas A&M University; 2017. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1969.1/173255.
Council of Science Editors:
Carrasco MG. Queering Online Place: LGBT+ Performances Motivate Social Media Design. [Masters Thesis]. Texas A&M University; 2017. Available from: http://hdl.handle.net/1969.1/173255
University of Newcastle
30.
Sharp, Megan.
Women in punk creating queer identity spaces: strategies of resistance revisited.
Degree: PhD, 2018, University of Newcastle
URL: http://hdl.handle.net/1959.13/1355298
► Research Doctorate - Doctor of Philosophy (PhD)
This research presents a contemporary snapshot of queer engagement with punk fields in an Australian and UK context.…
(more)
▼ Research Doctorate - Doctor of Philosophy (PhD)
This research presents a contemporary snapshot of queer engagement with punk fields in an Australian and UK context. Conducted from an ‘insider’ position, the study finds that queer women and gender diverse people are configuring resistance to hegemonically masculine music scenes by building communities of praxis. Through a Do It Together (DIT) spirit, marginalised groups are dualistically initiating resistance and collectivism at gigs, making zines and forming bands, as well broadly positioning intersectionality as key to creating safe(r) punk spaces. Queer punx are using resistance as practical tool of foregrounding productivity and longevity in their scenes though generating ephemeral archives where remembering is both affective and transformative. Queer punx deconstruct what we know of the spatiality of resistance – how it is invoked, configured, unpacked and reconfigured. Incorporating affective atmospheres into an analysis of queer(ed) punk space as sites of resistance, this research analyses affective, spatial and temporal spaces of collective embodiments. Drawing on interviews, formal participant observation, as well as reflexively drawing on 15 years of lived experience and relationship building within punk scenes, this study revisits Halberstam’s concepts of <i>strategies of resistance</i> and <i>rewriting narratives</i> to add a new perspective to understanding punk practice. Considering Muñoz’s <i>queer futurity</i> as well as Hammers’ <i>collective authorisation</i>, queer women and gender diverse people’s experiential knowledges and identities are explored to contribute new knowledge to a queer archive. Importantly, this research problematises feminist constructions of women and gender diverse people as invisible subjects, instead remarking them as hypervisible but unknowable.
Advisors/Committee Members: University of Newcastle. Faculty of Education & Arts, School of Humanities and Social Science.
Subjects/Keywords: queer; punk; feminism; subculture
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Sharp, M. (2018). Women in punk creating queer identity spaces: strategies of resistance revisited. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1355298
Chicago Manual of Style (16th Edition):
Sharp, Megan. “Women in punk creating queer identity spaces: strategies of resistance revisited.” 2018. Doctoral Dissertation, University of Newcastle. Accessed March 04, 2021.
http://hdl.handle.net/1959.13/1355298.
MLA Handbook (7th Edition):
Sharp, Megan. “Women in punk creating queer identity spaces: strategies of resistance revisited.” 2018. Web. 04 Mar 2021.
Vancouver:
Sharp M. Women in punk creating queer identity spaces: strategies of resistance revisited. [Internet] [Doctoral dissertation]. University of Newcastle; 2018. [cited 2021 Mar 04].
Available from: http://hdl.handle.net/1959.13/1355298.
Council of Science Editors:
Sharp M. Women in punk creating queer identity spaces: strategies of resistance revisited. [Doctoral Dissertation]. University of Newcastle; 2018. Available from: http://hdl.handle.net/1959.13/1355298
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Open Access Theses and Dissertations
