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You searched for subject:(Protestant music). Showing records 1 – 12 of 12 total matches.

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Temple University

1. Tepera, Courtney. “FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY.

Degree: PhD, 2017, Temple University

Religion

Over the past fifty years, Christian contemporary music has joined hymnody and psalmody as a major form of evangelical liturgical and devotional song. While… (more)

Subjects/Keywords: Religion; Music; Sociology;

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APA (6th Edition):

Tepera, C. (2017). “FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,467763

Chicago Manual of Style (16th Edition):

Tepera, Courtney. ““FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY.” 2017. Doctoral Dissertation, Temple University. Accessed September 22, 2018. http://digital.library.temple.edu/u?/p245801coll10,467763.

MLA Handbook (7th Edition):

Tepera, Courtney. ““FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY.” 2017. Web. 22 Sep 2018.

Vancouver:

Tepera C. “FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY. [Internet] [Doctoral dissertation]. Temple University; 2017. [cited 2018 Sep 22]. Available from: http://digital.library.temple.edu/u?/p245801coll10,467763.

Council of Science Editors:

Tepera C. “FAITH COMES BY HEARING”: A SOCIOLOGICAL ANALYSIS OF CHRISTIAN CONTEMPORARY MUSIC AND AURAL PIETY. [Doctoral Dissertation]. Temple University; 2017. Available from: http://digital.library.temple.edu/u?/p245801coll10,467763


University of Edinburgh

2. Ritchie, Martin Scott. 'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617.

Degree: PhD, 2017, University of Edinburgh

 This thesis studied the experience of worship in Scotland in the first generations after the Scottish Protestant Reformation. It was inspired by the realisation that… (more)

Subjects/Keywords: experience of worship; Scottish Protestant Reformation; architecture; liturgy; music; preaching

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APA (6th Edition):

Ritchie, M. S. (2017). 'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/25907

Chicago Manual of Style (16th Edition):

Ritchie, Martin Scott. “'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed September 22, 2018. http://hdl.handle.net/1842/25907.

MLA Handbook (7th Edition):

Ritchie, Martin Scott. “'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617.” 2017. Web. 22 Sep 2018.

Vancouver:

Ritchie MS. 'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2018 Sep 22]. Available from: http://hdl.handle.net/1842/25907.

Council of Science Editors:

Ritchie MS. 'Dour-mongers all?' : the experience of worship in the Early Reformed Kirk, 1559-1617. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/25907


Boston University

3. Jente, Katherine E. Vocal solos in English for use in the Protestant church.

Degree: MA, Music, 1956, Boston University

 Statement of Problem The purpose of this thesis is to find, list and give a short description of vocal solos with English texts which will… (more)

Subjects/Keywords: Vocal music; Religious music; Protestant church

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APA (6th Edition):

Jente, K. E. (1956). Vocal solos in English for use in the Protestant church. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/23029

Chicago Manual of Style (16th Edition):

Jente, Katherine E. “Vocal solos in English for use in the Protestant church.” 1956. Masters Thesis, Boston University. Accessed September 22, 2018. http://hdl.handle.net/2144/23029.

MLA Handbook (7th Edition):

Jente, Katherine E. “Vocal solos in English for use in the Protestant church.” 1956. Web. 22 Sep 2018.

Vancouver:

Jente KE. Vocal solos in English for use in the Protestant church. [Internet] [Masters thesis]. Boston University; 1956. [cited 2018 Sep 22]. Available from: http://hdl.handle.net/2144/23029.

Council of Science Editors:

Jente KE. Vocal solos in English for use in the Protestant church. [Masters Thesis]. Boston University; 1956. Available from: http://hdl.handle.net/2144/23029


Universidade Presbiteriana Mackenzie

4. Suenia Barbosa de Almeida. Martinho Lutero e os usos da música: o passado ainda canta.

Degree: 2011, Universidade Presbiteriana Mackenzie

Addresses issues relevant to the music and its relationship with the Protestant Reformation of the sixteenth century, whose main exponent the Augustinian monk Martin Luther.… (more)

Subjects/Keywords: reforma protestante; Martinho Lutero; música; protestant reformation; Martin Luther; music; education; MUSICA; educação

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APA (6th Edition):

Almeida, S. B. d. (2011). Martinho Lutero e os usos da música: o passado ainda canta. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Almeida, Suenia Barbosa de. “Martinho Lutero e os usos da música: o passado ainda canta.” 2011. Thesis, Universidade Presbiteriana Mackenzie. Accessed September 22, 2018. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Almeida, Suenia Barbosa de. “Martinho Lutero e os usos da música: o passado ainda canta.” 2011. Web. 22 Sep 2018.

Vancouver:

Almeida SBd. Martinho Lutero e os usos da música: o passado ainda canta. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2011. [cited 2018 Sep 22]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almeida SBd. Martinho Lutero e os usos da música: o passado ainda canta. [Thesis]. Universidade Presbiteriana Mackenzie; 2011. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=2247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Sanders, Gurvis Glenden. Music Education in the Protestant Church.

Degree: 1967, North Texas State University

 The purpose of this study was to determine and describe ways in which music education can be used in Protestant churches. During the last twenty… (more)

Subjects/Keywords: church music; music education; Protestant churches; Church music  – Protestant churches.; Music  – Instruction and study.; Choral singing.

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APA (6th Edition):

Sanders, G. G. (1967). Music Education in the Protestant Church. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sanders, Gurvis Glenden. “Music Education in the Protestant Church.” 1967. Thesis, North Texas State University. Accessed September 22, 2018. https://digital.library.unt.edu/ark:/67531/metadc663766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sanders, Gurvis Glenden. “Music Education in the Protestant Church.” 1967. Web. 22 Sep 2018.

Vancouver:

Sanders GG. Music Education in the Protestant Church. [Internet] [Thesis]. North Texas State University; 1967. [cited 2018 Sep 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sanders GG. Music Education in the Protestant Church. [Thesis]. North Texas State University; 1967. Available from: https://digital.library.unt.edu/ark:/67531/metadc663766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Thompson, Doris Bain, 1918-. Practical Approach to Protestant Church Music.

Degree: 1947, North Texas State Teachers College

 The purpose of this study is to make the Protestant church workers more efficient in their use of music in religious work by giving them… (more)

Subjects/Keywords: sacred music; church hymns; Protestantism; Protestant church; gospel songs; congregational singing; Church music  – Instruction and study.; Church music  – Protestant churches.

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APA (6th Edition):

Thompson, Doris Bain, 1. (1947). Practical Approach to Protestant Church Music. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699435/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thompson, Doris Bain, 1918-. “Practical Approach to Protestant Church Music.” 1947. Thesis, North Texas State Teachers College. Accessed September 22, 2018. https://digital.library.unt.edu/ark:/67531/metadc699435/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thompson, Doris Bain, 1918-. “Practical Approach to Protestant Church Music.” 1947. Web. 22 Sep 2018.

Vancouver:

Thompson, Doris Bain 1. Practical Approach to Protestant Church Music. [Internet] [Thesis]. North Texas State Teachers College; 1947. [cited 2018 Sep 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699435/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson, Doris Bain 1. Practical Approach to Protestant Church Music. [Thesis]. North Texas State Teachers College; 1947. Available from: https://digital.library.unt.edu/ark:/67531/metadc699435/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. MacGilvray, Brian. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.

Degree: PhD, Musicology, 2017, Case Western Reserve University

 Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i> (1606), a collection of thirty-six Calvinist <i>chansons spirituelles</i>, are a neglected source of evidence… (more)

Subjects/Keywords: Art History; Art Criticism; Music; Philosophy; Religious History; Theology; Claude Le Jeune; Octonaires; Academy of Poetry and Music; Neoplatonism; Calvinism; Protestant music; vanitas; vanity; cosmology; ontology; musique mesuree; chansons spirituelles

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APA (6th Edition):

MacGilvray, B. (2017). The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404

Chicago Manual of Style (16th Edition):

MacGilvray, Brian. “The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.” 2017. Doctoral Dissertation, Case Western Reserve University. Accessed September 22, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404.

MLA Handbook (7th Edition):

MacGilvray, Brian. “The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>.” 2017. Web. 22 Sep 2018.

Vancouver:

MacGilvray B. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2017. [cited 2018 Sep 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404.

Council of Science Editors:

MacGilvray B. The Subversion of Neoplatonic Theory in Claude Le Jeune’s <i>Octonaires de la vanité et inconstance du monde</i>. [Doctoral Dissertation]. Case Western Reserve University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1481567182875404

8. Paulo Dorfman. A música sacra de Leo Schneider : uma voz no deserto.

Degree: Master, 2008, Escola Superior de Teologica

Este trabalho constitui-se como um estudo analítico da obra musical sacra do compositor Porto Alegrense Leo Schneider (1910-1978) baseado em uma seleção de suas principais… (more)

Subjects/Keywords: Leo Schneider; História da Música Sacra Brasileira; História da Música Protestante no Brasil; RELIGIÃO E EDUCAÇÃO; Leo Schneider; History of Brazilian Sacred Music; History of Protestant Music in Brazil; TEOLOGIA

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APA (6th Edition):

Dorfman, P. (2008). A música sacra de Leo Schneider : uma voz no deserto. (Masters Thesis). Escola Superior de Teologica. Retrieved from http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=127 ;

Chicago Manual of Style (16th Edition):

Dorfman, Paulo. “A música sacra de Leo Schneider : uma voz no deserto.” 2008. Masters Thesis, Escola Superior de Teologica. Accessed September 22, 2018. http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=127 ;.

MLA Handbook (7th Edition):

Dorfman, Paulo. “A música sacra de Leo Schneider : uma voz no deserto.” 2008. Web. 22 Sep 2018.

Vancouver:

Dorfman P. A música sacra de Leo Schneider : uma voz no deserto. [Internet] [Masters thesis]. Escola Superior de Teologica; 2008. [cited 2018 Sep 22]. Available from: http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=127 ;.

Council of Science Editors:

Dorfman P. A música sacra de Leo Schneider : uma voz no deserto. [Masters Thesis]. Escola Superior de Teologica; 2008. Available from: http://tede.est.edu.br/tede/tde_busca/arquivo.php?codArquivo=127 ;

9. Terry, Terry Carel. B. B. McKinney: a shaping force in southern Protestant music.

Degree: 1981, North Texas State University

 When, at age forty-nine, B.B. McKinney becae the Music Editor for the Baptist Sunday School Board, he began a career as probably the most influential… (more)

Subjects/Keywords: church music; Protestant churches; Southern Protestantism; music history; Baylus Benjamin McKinney

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APA (6th Edition):

Terry, T. C. (1981). B. B. McKinney: a shaping force in southern Protestant music. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798135/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Terry, Terry Carel. “B. B. McKinney: a shaping force in southern Protestant music.” 1981. Thesis, North Texas State University. Accessed September 22, 2018. https://digital.library.unt.edu/ark:/67531/metadc798135/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Terry, Terry Carel. “B. B. McKinney: a shaping force in southern Protestant music.” 1981. Web. 22 Sep 2018.

Vancouver:

Terry TC. B. B. McKinney: a shaping force in southern Protestant music. [Internet] [Thesis]. North Texas State University; 1981. [cited 2018 Sep 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798135/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Terry TC. B. B. McKinney: a shaping force in southern Protestant music. [Thesis]. North Texas State University; 1981. Available from: https://digital.library.unt.edu/ark:/67531/metadc798135/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Santos, Jane Borges de Oliveira. Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920).

Degree: PhD, Educação, 2009, University of São Paulo

A pesquisa teve como objetivo estudar as escolas americanas de confissão protestante na província e depois estado se São Paulo, na perspectiva de conhecer como… (more)

Subjects/Keywords: american schools professing protestant faith; escolas americanas de confissão protestante; music in the school; música na escola; musical practices; práticas musicais; province of São Paulo; província de São Paulo

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APA (6th Edition):

Santos, J. B. d. O. (2009). Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920). (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/48/48134/tde-09012012-092026/ ;

Chicago Manual of Style (16th Edition):

Santos, Jane Borges de Oliveira. “Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920).” 2009. Doctoral Dissertation, University of São Paulo. Accessed September 22, 2018. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-09012012-092026/ ;.

MLA Handbook (7th Edition):

Santos, Jane Borges de Oliveira. “Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920).” 2009. Web. 22 Sep 2018.

Vancouver:

Santos JBdO. Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920). [Internet] [Doctoral dissertation]. University of São Paulo; 2009. [cited 2018 Sep 22]. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-09012012-092026/ ;.

Council of Science Editors:

Santos JBdO. Igreja e escola na perspectiva das práticas musicais em colégios históricos americanos de confissão protestante (São Paulo: 1870-1920). [Doctoral Dissertation]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/48/48134/tde-09012012-092026/ ;


University of South Africa

11. Lagerwall, Renée. Contemporary attitudes towards music in South African Protestant churches.

Degree: 1996, University of South Africa

 This dissertation examines the attitudes of people regarding the worship music that is being used in South African Protestant churches during the last decade of… (more)

Subjects/Keywords: Church; Music; Attitudes; Protestant; South African; Trends; Contemporary; Worship; Denomination

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APA (6th Edition):

Lagerwall, R. (1996). Contemporary attitudes towards music in South African Protestant churches. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/17161

Chicago Manual of Style (16th Edition):

Lagerwall, Renée. “Contemporary attitudes towards music in South African Protestant churches.” 1996. Masters Thesis, University of South Africa. Accessed September 22, 2018. http://hdl.handle.net/10500/17161.

MLA Handbook (7th Edition):

Lagerwall, Renée. “Contemporary attitudes towards music in South African Protestant churches.” 1996. Web. 22 Sep 2018.

Vancouver:

Lagerwall R. Contemporary attitudes towards music in South African Protestant churches. [Internet] [Masters thesis]. University of South Africa; 1996. [cited 2018 Sep 22]. Available from: http://hdl.handle.net/10500/17161.

Council of Science Editors:

Lagerwall R. Contemporary attitudes towards music in South African Protestant churches. [Masters Thesis]. University of South Africa; 1996. Available from: http://hdl.handle.net/10500/17161


University of Florida

12. Wilson, James. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).

Degree: Religion, 2008, University of Florida

 Although there has been a great deal of academic analysis of both the punk/alternative subculture(s) and western (re)interpretation of Hindu religious traditions, to date no… (more)

Subjects/Keywords: absurdists, african, age, alienated, alienation, america, anarchy, androgynous, animal, apache, ardhanari, ardhanarishvara, asia, asian, aurobindo, austin, babaji, baby, bally, band, bands, beat, beatles, beats, bhagavad, bhaktivedanta, bisexual, blackmore, bourdieu, bredren, britain, britpop, buddhist, candomble, cappo, caste, catholic, cbgb, cccs, cd, certeau, chaitanya, cheb, chidester, chrissie, christ, christian, christianity, church, churches, cornershop, crispian, cromags, cult, currie, dada, dadaist, dance, dasa, dawkins, dc, debord, defex, demoniac, demonic, desi, desis, deva, devi, dharma, dicks, dischord, discordian, doctrine, dogen, donaldson, doxa, dub, durkheim, durkheimian, east, eastern, easwaran, edward, electronic, electronica, emerson, empowerment, enoch, essentialist, ethnomusicology, europe, family, feminism, feminist, francisco, gaudiya, gay, geeta, gender, georgetown, gita, goddess, gods, gopal, goth, gothic, grrrl, gurdjieff, habitus, haidakhan, haidakkan, hardcore, hare, heavy, hijra, hindu, hinduism, hindustani, hindustva, hippie, hippies, hippy, homophile, homosexuality, hooliganism, huq, hutnyk, hybrid, hybridity, hynde, ian, icon, iconographic, iconographically, iggy, immigration, india, indian, indians, indic, indopagan, industrial, ishtalinga, iskcon, islam, istalinga, jah, jamaican, jati, jesus, jew, jewish, kali, kalra, karene, kesava, keshava, kigen, kominas, krishna, krishnacore, krishnamu, kriya, kula, labels, lesbian, lgbqt, liberation, lingayat, lingayatism, logic, london, lora, los, ludwig, lydon, magick, mahabharata, mahadevi, mallott, mantra, marx, marxian, mckaye, mclaren, meera, meierhenry, meme, memetic, milagros, mills, minor, mods, morrissey, mother, movement, murti, music, muslim, narayanan, natalia, negotiation, negotiatory, neo, neopagan, nervous, new, nrm, occult, ogd, omkara, oreintalized, orient, orientalism, orishas, oto, pagan, paki, paramahansa, paramatma, parampara, parvati, pena, phansigar, pistols, plur, poly, pop, posicore, posrip, postcolonial, postmodern, postpunk, practice, prana, praxis, pretenders, priest, prison, production, proletariat, protestant, prubhupada, psychick, puja, pujari, punjab, punjabi, punk, purana, queer, ram, ramayana, rape, rastafarian, rave, raver, ravers, ray, record, recording, reggae, religion, religious, resemblance, riot, ritual, rivethead, rock, romanticists, rushdie, sabbah, sagoo, salman, sampradaya, sanatana, santeria, sect, sects, sex, shaiva, shaivism, shaker, shakta, shakti, shaktism, shankara, shelter, shiva, siddhanta, sikh, singer, situationalist, ska, skinhead, smiths, soho, soteriological, soteriology, soto, spex, spr, squip, stapleton, stooges, straightedge, styrene, subculture, subgenius, swastika, swingjugend, syncretic, syncretism, tantra, taqwacore, tatalia, techno, texas, thealogy, theology, theravada, thoreau, thugee, thugs, tirtha, tomas, transcendentalism, transcendentalists, transgendered, tribal, utilitarian, vaishnava, vaishnavism, vasudha, veda, vedanta, vedantic, vedas, vedic, veerashaiva, veerashaivism, vegetarian, vietnam, vipashyana, vipasyana, virashaivism, virinder, vishnu, vivienne, voodoo, voudou, washington, wave, weber, weberian, wegrzyn, west, western, wicca, wittgenstein, wittgensteinian, womanism, womanist, yippie, yippies, yoga, yogananada, yoni, york, yoruba, youth, zen; Religion

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APA (6th Edition):

Wilson, J. (2008). Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0024095

Chicago Manual of Style (16th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Masters Thesis, University of Florida. Accessed September 22, 2018. http://ufdc.ufl.edu/UFE0024095.

MLA Handbook (7th Edition):

Wilson, James. “Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s).” 2008. Web. 22 Sep 2018.

Vancouver:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Internet] [Masters thesis]. University of Florida; 2008. [cited 2018 Sep 22]. Available from: http://ufdc.ufl.edu/UFE0024095.

Council of Science Editors:

Wilson J. Punk Rock Puja (Mis)appropriation, (Re)Interpretation, and Dissemination of Hindu Religious Traditions in the North American and European Underground Music Scene(s). [Masters Thesis]. University of Florida; 2008. Available from: http://ufdc.ufl.edu/UFE0024095

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