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University: University of Birmingham

You searched for subject:(Propri t s m caniques). Showing records 1 – 30 of 389 total matches.

[1] [2] [3] [4] [5] … [13]

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University of Birmingham

1. Leavy, Peter. Models, language, and fabricated histories : a portfolio of musical compositions with commentary.

Degree: PhD, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories : a portfolio of musical compositions with commentary. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Doctoral Dissertation, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Web. 15 Oct 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Internet] [Doctoral dissertation]. University of Birmingham; 2018. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

Council of Science Editors:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Doctoral Dissertation]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302


University of Birmingham

2. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 15 Oct 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 15 Oct 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Kontos, Constantinos. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2016, University of Birmingham

 This portfolio consists of a series of acousmatic compositions presented in stereophonic and multichannel formats. The works in this portfolio reflect a variety of different… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kontos, C. (2016). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Web. 15 Oct 2019.

Vancouver:

Kontos C. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kontos C. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Flurry, Henry Sever. Portfolio of compositions an exploration of the manipulation of modes.

Degree: m_ma, College of Arts & Law, 2016, University of Birmingham

 This thesis consists of a portfolio of compositions accompanied by a written commentary and audio recordings of the works. The commentary discusses each of the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Flurry, H. S. (2016). Portfolio of compositions an exploration of the manipulation of modes. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6845/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flurry, Henry Sever. “Portfolio of compositions an exploration of the manipulation of modes.” 2016. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/6845/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flurry, Henry Sever. “Portfolio of compositions an exploration of the manipulation of modes.” 2016. Web. 15 Oct 2019.

Vancouver:

Flurry HS. Portfolio of compositions an exploration of the manipulation of modes. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/6845/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flurry HS. Portfolio of compositions an exploration of the manipulation of modes. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6845/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Clemente, Manfredi. Between space and evocation: a portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This commentary consists of an attempt to discuss the problems raised by the way I approach composition and sound in general. My argument is based… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clemente, M. (2017). Between space and evocation: a portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Web. 15 Oct 2019.

Vancouver:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 15 Oct 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Welch, Alison Margaret. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.

Degree: m_ma, College of Arts & Law, 2017, University of Birmingham

 This dissertation considers the eights settings of the respond Dum Transisset Sabbatum from The Baldwin Part Books. The set of parts books is one of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Welch, A. M. (2017). The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7982/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Alison Margaret. “The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.” 2017. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/7982/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Alison Margaret. “The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum.” 2017. Web. 15 Oct 2019.

Vancouver:

Welch AM. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/7982/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch AM. The Baldwin part books and a case study of the eight settings of the respond Dum Transisset Sabbatum. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7982/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Furse, Edward Niel. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.

Degree: m_mmus, College of Arts & Law, 2010, University of Birmingham

 This thesis illustrates the extraordinary quality of Haydn’s Cello Concerto in C, Hob. VIIb: 1, and addresses the musicological literature in English that relates to… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Furse, E. N. (2010). Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Furse, Edward Niel. “Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Furse, Edward Niel. “Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto.” 2010. Web. 15 Oct 2019.

Vancouver:

Furse EN. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/516/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Furse EN. Perspectives on the reception of Haydn’s Cello Concerto in C, with particular reference to musicological writings in English on Haydn’s Concertos and the classical Concerto. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/516/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Garfield, Benjamin. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.

Degree: m_mmus, College of Arts & Law, 2010, University of Birmingham

A Portfolio of compositions investigating the diffusion of sound based on the movement of frequencies in the acousmatic medium, the relationships between traditional art music and acousmatic and popular music in the instrumental domain, and the interaction of sound and images in non-narrative works combining electroacoustic music with video.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garfield, B. (2010). Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/664/http://etheses.bham.ac.uk//id/eprint/664/12/Garfield_audio_files.rar

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garfield, Benjamin. “Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/664/http://etheses.bham.ac.uk//id/eprint/664/12/Garfield_audio_files.rar.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garfield, Benjamin. “Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye.” 2010. Web. 15 Oct 2019.

Vancouver:

Garfield B. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/664/http://etheses.bham.ac.uk//id/eprint/664/12/Garfield_audio_files.rar.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garfield B. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/664/http://etheses.bham.ac.uk//id/eprint/664/12/Garfield_audio_files.rar

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 15 Oct 2019.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 15 Oct 2019.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 15 Oct 2019.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Kinch, Simon David. Portfolio of Compositions: compositions of indeterminacy and predeterminacy.

Degree: m_mmus, College of Arts & Law, 2010, University of Birmingham

 A portfolio of three compositions - 2494.8 cm(2), a graphic score; Stjepan + Natalia, a piano duet composed using serial practices; and Satellites, and acousmatic… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kinch, S. D. (2010). Portfolio of Compositions: compositions of indeterminacy and predeterminacy. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1174/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kinch, Simon David. “Portfolio of Compositions: compositions of indeterminacy and predeterminacy.” 2010. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/1174/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kinch, Simon David. “Portfolio of Compositions: compositions of indeterminacy and predeterminacy.” 2010. Web. 15 Oct 2019.

Vancouver:

Kinch SD. Portfolio of Compositions: compositions of indeterminacy and predeterminacy. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/1174/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kinch SD. Portfolio of Compositions: compositions of indeterminacy and predeterminacy. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/1174/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Clay, Jeremy David. Portfolio of compositions.

Degree: m_mmus, College of Arts & Law, 2012, University of Birmingham

 This thesis and portfolio of compositions is an investigation into the possibilities of reusing ideas from past music, specifically those used in the field of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clay, J. D. (2012). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clay, Jeremy David. “Portfolio of compositions.” 2012. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clay, Jeremy David. “Portfolio of compositions.” 2012. Web. 15 Oct 2019.

Vancouver:

Clay JD. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clay JD. Portfolio of compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3237/http://etheses.bham.ac.uk//id/eprint/3237/8/01_Contraction_%5Bworkshop%2C_not_final_version%5D.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/9/02_Until_the_Middle.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/10/03_A_Little_Character.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/11/04_Dancing_with_girls_by_the_cemetery.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/12/05_Appendix_1_-_Subverting_Garcia.mp3 ; http://etheses.bham.ac.uk//id/eprint/3237/13/06_Appendix_2_-_Watch_My_Flight.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 15 Oct 2019.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 15 Oct 2019.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Carpenter, James John. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 15 Oct 2019.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Knotts, Shelly. A portfolio of compositions: commentary.

Degree: m_mmus, College of Arts & Law, 2013, University of Birmingham

 I present here a Portfolio of Compositions totalling five works composed between October 2007 and September 2011 at the University of Birmingham Electroacoustic Music Studios.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knotts, S. (2013). A portfolio of compositions: commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Knotts, Shelly. “A portfolio of compositions: commentary.” 2013. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Knotts, Shelly. “A portfolio of compositions: commentary.” 2013. Web. 15 Oct 2019.

Vancouver:

Knotts S. A portfolio of compositions: commentary. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knotts S. A portfolio of compositions: commentary. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4304/http://etheses.bham.ac.uk//id/eprint/4304/7/Knotts13PhD_1_Chordophonia_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/8/Knotts13PhD_2_Vanishing_Point_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/9/Knotts13PhD_4_For_Piano_Music.wav ; http://etheses.bham.ac.uk//id/eprint/4304/10/Knotts13PhD_7_XYZ_BiLE-Music.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 15 Oct 2019.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

21. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: m_ph, College of Arts & Law, 2014, University of Birmingham

 My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 15 Oct 2019.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5144/http://etheses.bham.ac.uk//id/eprint/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

22. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 15 Oct 2019.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

23. Cogle, Joanna Marie. Portfolio of compositions: explorations of genre within a classical idiom.

Degree: m_mmus, College of Arts & Law, 2014, University of Birmingham

 I originally intended for this portfolio to consist of pieces mixed between electroacoustic tape parts and live acoustic parts. The actual portfolio I have produced… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cogle, J. M. (2014). Portfolio of compositions: explorations of genre within a classical idiom. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cogle, Joanna Marie. “Portfolio of compositions: explorations of genre within a classical idiom.” 2014. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cogle, Joanna Marie. “Portfolio of compositions: explorations of genre within a classical idiom.” 2014. Web. 15 Oct 2019.

Vancouver:

Cogle JM. Portfolio of compositions: explorations of genre within a classical idiom. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cogle JM. Portfolio of compositions: explorations of genre within a classical idiom. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5188/http://etheses.bham.ac.uk//id/eprint/5188/3/Miniopera_mix_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/4/Out_of_the_overflow_Electronics_with_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/5/Out_of_the_overflow_Electronics_without_violin_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/6/Song_of_Old_Age_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/7/Song_of_the_Daughters_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/8/Song_of_the_Neigbours_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/9/The_Lingerer_Electronics_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/10/When_all_around_is_fading_final_version_midi_Cogle14MMus.wav ; http://etheses.bham.ac.uk//id/eprint/5188/11/When_all_around_is_fading_ums_march_2013_recording_Cogle14MMus.wav

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

24. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 15 Oct 2019.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

25. Ibbett, David Roger. Towards an integrated art music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 15 Oct 2019.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Minchella, Damon. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.

Degree: d_ph, College of Arts & Law, 2019, University of Birmingham

 Popular music is one of the United Kingdom’s most readily engaged with and exported cultural forms. Commensurate with such a positioning, there exists a wealth… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minchella, D. (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Thesis, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Web. 15 Oct 2019.

Vancouver:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

27. Hindmarsh, David. A portfolio of acousmatic compositions.

Degree: PhD, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: 780; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarsh, D. (2010). A portfolio of acousmatic compositions. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/758/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514510

Chicago Manual of Style (16th Edition):

Hindmarsh, David. “A portfolio of acousmatic compositions.” 2010. Doctoral Dissertation, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/758/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514510.

MLA Handbook (7th Edition):

Hindmarsh, David. “A portfolio of acousmatic compositions.” 2010. Web. 15 Oct 2019.

Vancouver:

Hindmarsh D. A portfolio of acousmatic compositions. [Internet] [Doctoral dissertation]. University of Birmingham; 2010. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/758/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514510.

Council of Science Editors:

Hindmarsh D. A portfolio of acousmatic compositions. [Doctoral Dissertation]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/758/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514510


University of Birmingham

28. Shaw, Martyn. The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).

Degree: PhD, 2014, University of Birmingham

 Charles Nicholson (1795-1837) was one of the most important figures in the evolution of the flute. His influence on the design of the Boehm flute… (more)

Subjects/Keywords: 780; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shaw, M. (2014). The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600325

Chicago Manual of Style (16th Edition):

Shaw, Martyn. “The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Doctoral Dissertation, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/4923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600325.

MLA Handbook (7th Edition):

Shaw, Martyn. “The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Web. 15 Oct 2019.

Vancouver:

Shaw M. The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Internet] [Doctoral dissertation]. University of Birmingham; 2014. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/4923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600325.

Council of Science Editors:

Shaw M. The 'Nicholsonian effect' : aspects of 'tone' in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Doctoral Dissertation]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4923/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600325


University of Birmingham

29. Coull, Rosalyn. Portfolio of compositions : emotion, meaning & narrative in electroacoustic music.

Degree: PhD, 2015, University of Birmingham

 This thesis comprises a portfolio of acousmatic compositions which explore the evocation of emotion and the expression of meaning in electroacoustic music. These works, created… (more)

Subjects/Keywords: 781.3; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coull, R. (2015). Portfolio of compositions : emotion, meaning & narrative in electroacoustic music. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6026/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655812

Chicago Manual of Style (16th Edition):

Coull, Rosalyn. “Portfolio of compositions : emotion, meaning & narrative in electroacoustic music.” 2015. Doctoral Dissertation, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/6026/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655812.

MLA Handbook (7th Edition):

Coull, Rosalyn. “Portfolio of compositions : emotion, meaning & narrative in electroacoustic music.” 2015. Web. 15 Oct 2019.

Vancouver:

Coull R. Portfolio of compositions : emotion, meaning & narrative in electroacoustic music. [Internet] [Doctoral dissertation]. University of Birmingham; 2015. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/6026/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655812.

Council of Science Editors:

Coull R. Portfolio of compositions : emotion, meaning & narrative in electroacoustic music. [Doctoral Dissertation]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6026/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655812


University of Birmingham

30. Hutchins, Charles Celeste. Portfolio of compositions.

Degree: PhD, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: 780; M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of compositions. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566110

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of compositions.” 2012. Doctoral Dissertation, University of Birmingham. Accessed October 15, 2019. http://etheses.bham.ac.uk//id/eprint/3919/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566110.

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of compositions.” 2012. Web. 15 Oct 2019.

Vancouver:

Hutchins CC. Portfolio of compositions. [Internet] [Doctoral dissertation]. University of Birmingham; 2012. [cited 2019 Oct 15]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566110.

Council of Science Editors:

Hutchins CC. Portfolio of compositions. [Doctoral Dissertation]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566110

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