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You searched for subject:(Progressive Rock). Showing records 1 – 14 of 14 total matches.

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1. Cottin, Maxime. Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock.

Degree: Docteur es, Arts, musicologie, 2014, Nice

L'objectif de la thèse est d'établir une physionomie du maximalisme musical présent dans le répertoire de la popular music, plus précisément celui du Rock Progressif… (more)

Subjects/Keywords: Rock progressif; Musique populaire moderne; King Crimson; Progressive rock; Popular music; King Crimson

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APA (6th Edition):

Cottin, M. (2014). Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock. (Doctoral Dissertation). Nice. Retrieved from http://www.theses.fr/2014NICE2045

Chicago Manual of Style (16th Edition):

Cottin, Maxime. “Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock.” 2014. Doctoral Dissertation, Nice. Accessed January 20, 2020. http://www.theses.fr/2014NICE2045.

MLA Handbook (7th Edition):

Cottin, Maxime. “Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock.” 2014. Web. 20 Jan 2020.

Vancouver:

Cottin M. Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock. [Internet] [Doctoral dissertation]. Nice; 2014. [cited 2020 Jan 20]. Available from: http://www.theses.fr/2014NICE2045.

Council of Science Editors:

Cottin M. Le maximalisme dans la Popular Music : L'exemple de King Crimson et du rock progressif : Maximalism in Popular Music : The example of King Crimson and Progressive Rock. [Doctoral Dissertation]. Nice; 2014. Available from: http://www.theses.fr/2014NICE2045


University of Ottawa

2. Blakeley, Ryan. Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock .

Degree: 2017, University of Ottawa

 This thesis examines the music of contemporary British progressive rock artist Steven Wilson and explores the ways in which specific musical influences have informed and… (more)

Subjects/Keywords: Popular Music; Progressive Rock; Timbre; Form; Genre; Influence; Steven Wilson

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APA (6th Edition):

Blakeley, R. (2017). Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/36026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blakeley, Ryan. “Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock .” 2017. Thesis, University of Ottawa. Accessed January 20, 2020. http://hdl.handle.net/10393/36026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blakeley, Ryan. “Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock .” 2017. Web. 20 Jan 2020.

Vancouver:

Blakeley R. Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock . [Internet] [Thesis]. University of Ottawa; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10393/36026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blakeley R. Genre and Influence: Tracing the Lineage of Timbre and Form in Steven Wilson's Progressive Rock . [Thesis]. University of Ottawa; 2017. Available from: http://hdl.handle.net/10393/36026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Youngstown State University

3. Enlow, Rebecca M. "Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>.

Degree: MM, Dana School of Music, 2019, Youngstown State University

 Arjen Lucassen created the rock opera album <i>The Human Equation </i>, a part of the Ayreon Universe (a series of connected concept albums), to tell… (more)

Subjects/Keywords: Music; progressive rock; music theory; Ayreon; The Human Equation

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APA (6th Edition):

Enlow, R. M. (2019). "Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1560258556998774

Chicago Manual of Style (16th Edition):

Enlow, Rebecca M. “"Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>.” 2019. Masters Thesis, Youngstown State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1560258556998774.

MLA Handbook (7th Edition):

Enlow, Rebecca M. “"Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>.” 2019. Web. 20 Jan 2020.

Vancouver:

Enlow RM. "Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>. [Internet] [Masters thesis]. Youngstown State University; 2019. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1560258556998774.

Council of Science Editors:

Enlow RM. "Bridge to the Other Side”- Musical Signifiers of Life and Death in Ayreon’s <i>The Human Equation </i>. [Masters Thesis]. Youngstown State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1560258556998774

4. Koss, Michael Paul. From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 .

Degree: 2011, University of Arizona

 The intent of this dissertation is to examine the way Genesis retained progressive rock elements during its 1978-91 pop-rock period. Genesis began composing music in… (more)

Subjects/Keywords: Genesis; Music; Progressive; Rock; Theory

progressive rock elements during its 1978-91 pop-rock period. Genesis began composing music in a pop… …rock style in 1978, adapting to the changes in rock by incorporating progressive rock… …albums considered in the pop-rock genre, identifying some of the progressive rock elements in… …Genesis. The progressive rock elements pertinent to this study are defined using scholarly… …literature and analyses of Genesis and other established progressive rock bands. Analytical charts… 

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APA (6th Edition):

Koss, M. P. (2011). From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/145489

Chicago Manual of Style (16th Edition):

Koss, Michael Paul. “From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 .” 2011. Doctoral Dissertation, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/145489.

MLA Handbook (7th Edition):

Koss, Michael Paul. “From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 .” 2011. Web. 20 Jan 2020.

Vancouver:

Koss MP. From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 . [Internet] [Doctoral dissertation]. University of Arizona; 2011. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/145489.

Council of Science Editors:

Koss MP. From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 . [Doctoral Dissertation]. University of Arizona; 2011. Available from: http://hdl.handle.net/10150/145489


University of Otago

5. Burns, Robert G. H. Transforming Folk: Innovation and Tradition in English Folk–Rock Music .

Degree: 2010, University of Otago

 From a mixed methodology perspective that includes ethnology, musicology and cultural anthropology, I argue that, despite initial detachment from folk revivalism, English folk–rock has moved… (more)

Subjects/Keywords: Englishness; folk–rock; folk music; British national identity; tradition; rock music; music innovation; musical change; progressive rock; British folk movement; Great Britain; history and criticism; popular music

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APA (6th Edition):

Burns, R. G. H. (2010). Transforming Folk: Innovation and Tradition in English Folk–Rock Music . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/451

Chicago Manual of Style (16th Edition):

Burns, Robert G H. “Transforming Folk: Innovation and Tradition in English Folk–Rock Music .” 2010. Doctoral Dissertation, University of Otago. Accessed January 20, 2020. http://hdl.handle.net/10523/451.

MLA Handbook (7th Edition):

Burns, Robert G H. “Transforming Folk: Innovation and Tradition in English Folk–Rock Music .” 2010. Web. 20 Jan 2020.

Vancouver:

Burns RGH. Transforming Folk: Innovation and Tradition in English Folk–Rock Music . [Internet] [Doctoral dissertation]. University of Otago; 2010. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10523/451.

Council of Science Editors:

Burns RGH. Transforming Folk: Innovation and Tradition in English Folk–Rock Music . [Doctoral Dissertation]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/451


University of Washington

6. Osborn, Brad. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.

Degree: 2010, University of Washington

Rock songs are generally considered formally simplistic, based around alternation of verse and chorus, the latter functioning as the song’s selling point—an easily identifiable advertisement… (more)

Subjects/Keywords: Form; Rock Music; Terminally-Climactic Forms; Through-Composed Forms; Experimental Rock; Post-Rock; Math-Rock; Art Rock; Progressive Rock

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APA (6th Edition):

Osborn, B. (2010). Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/15910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Osborn, Brad. “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.” 2010. Thesis, University of Washington. Accessed January 20, 2020. http://hdl.handle.net/1773/15910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Osborn, Brad. “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music.” 2010. Web. 20 Jan 2020.

Vancouver:

Osborn B. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. [Internet] [Thesis]. University of Washington; 2010. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1773/15910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Osborn B. Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. [Thesis]. University of Washington; 2010. Available from: http://hdl.handle.net/1773/15910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

7. Lessard, Guillaume. Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale .

Degree: 2016, Université de Montréal

 Ce mémoire propose un regard transdisciplinaire : historique, sociologique et musical sur Harmonium, un groupe culte de folk-rock progressif québécois des années 1970. Y sont… (more)

Subjects/Keywords: Harmonium; Québec; Scènes musicales; Musical scenes; Folk; Rock progressif; Progressive rock; Contre-culture; Counter-culture; Identité; Identity; Histoire publique; Public history; Mémoire publique; Public memory; Récit historique; Historical narrative

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APA (6th Edition):

Lessard, G. (2016). Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/13665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lessard, Guillaume. “Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale .” 2016. Thesis, Université de Montréal. Accessed January 20, 2020. http://hdl.handle.net/1866/13665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lessard, Guillaume. “Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale .” 2016. Web. 20 Jan 2020.

Vancouver:

Lessard G. Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1866/13665.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lessard G. Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/13665

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Bonilla Sierra, Viviana. De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability.

Degree: Docteur es, Matériaux, mécanique, génie civil, électrochimie, 2015, Grenoble Alpes

 Les analyses structurale et mécanique des pentes rocheuses constituent des éléments clés pour l'évaluation de leur stabilité. L'utilisation complémentaire de la photogrammétrie et des modèles… (more)

Subjects/Keywords: Stabilité de falaises rocheuses; Photogrammétrie; Plans de discontinuité non-persistants; Ponts rocheux; Rupture progressive; Modélisation numérique par DFN-DEM; Rock slope stability; Photogrammetry; Non-Persistent discontinuities; Rock bridges; Progressive failure; DFN-DEM numerical modelling; 620

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APA (6th Edition):

Bonilla Sierra, V. (2015). De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability. (Doctoral Dissertation). Grenoble Alpes. Retrieved from http://www.theses.fr/2015GREAI072

Chicago Manual of Style (16th Edition):

Bonilla Sierra, Viviana. “De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability.” 2015. Doctoral Dissertation, Grenoble Alpes. Accessed January 20, 2020. http://www.theses.fr/2015GREAI072.

MLA Handbook (7th Edition):

Bonilla Sierra, Viviana. “De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability.” 2015. Web. 20 Jan 2020.

Vancouver:

Bonilla Sierra V. De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability. [Internet] [Doctoral dissertation]. Grenoble Alpes; 2015. [cited 2020 Jan 20]. Available from: http://www.theses.fr/2015GREAI072.

Council of Science Editors:

Bonilla Sierra V. De la photogrammétrie à la modélisation 3D : évaluation quantitative du risque d'éboulement rocheux : The use of photogrammetry and 3D discrete element models to better assess rock slope stability. [Doctoral Dissertation]. Grenoble Alpes; 2015. Available from: http://www.theses.fr/2015GREAI072

9. Shannon, Mark Thomas. Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972.

Degree: MA -MA, Music, 2018, York University

 This thesis presents three of my popular music compositions and places these works in their historical context. The discussion spans the years 1967 to 1972,… (more)

Subjects/Keywords: Music; Music; Composition; Songs; Songwriting; The Beatles; Yes; Led Zeppelin; Psychedelic; Psychedelia; 1960s; The sixties; 1970s; The seventies; Rock 'n' roll; Progressive rock; Art rock; Blues rock; Sgt. Pepper; Sgt. Pepper's Lonely Hearts Club Band; Close to the Edge; Whole Lotta Love; You Need Love; Blues; Rock; Prog

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APA (6th Edition):

Shannon, M. T. (2018). Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34530

Chicago Manual of Style (16th Edition):

Shannon, Mark Thomas. “Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972.” 2018. Masters Thesis, York University. Accessed January 20, 2020. http://hdl.handle.net/10315/34530.

MLA Handbook (7th Edition):

Shannon, Mark Thomas. “Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972.” 2018. Web. 20 Jan 2020.

Vancouver:

Shannon MT. Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972. [Internet] [Masters thesis]. York University; 2018. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10315/34530.

Council of Science Editors:

Shannon MT. Three Rock Music Compositions and the Groups that Inspired Them: The Beatles, Yes, and Led Zeppelin, From 1967 to 1972. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34530


University of Gothenburg / Göteborgs Universitet

10. Palmqvist, Morgan. Första klass mot framtiden. En musiksociologisk studie av Blå Tåget.

Degree: 2018, University of Gothenburg / Göteborgs Universitet

 This doctoral thesis will examine and highlight the factors, driving forces and conditions that led to the band Blå Tåget being formed in the late… (more)

Subjects/Keywords: Blå Tåget; Swedish progressive music; rock music; pop music; singer-songwriter; visa; cultural capital; habitus; social field; creative class; poetry; creativity; Pierre Bourdieu; Richard Florida

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APA (6th Edition):

Palmqvist, M. (2018). Första klass mot framtiden. En musiksociologisk studie av Blå Tåget. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/55575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palmqvist, Morgan. “Första klass mot framtiden. En musiksociologisk studie av Blå Tåget.” 2018. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed January 20, 2020. http://hdl.handle.net/2077/55575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palmqvist, Morgan. “Första klass mot framtiden. En musiksociologisk studie av Blå Tåget.” 2018. Web. 20 Jan 2020.

Vancouver:

Palmqvist M. Första klass mot framtiden. En musiksociologisk studie av Blå Tåget. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2018. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2077/55575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palmqvist M. Första klass mot framtiden. En musiksociologisk studie av Blå Tåget. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2018. Available from: http://hdl.handle.net/2077/55575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Maurício Dotto Martucci. Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra.

Degree: 2010, Universidade Federal de São Carlos

The film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyds concept album, tells the Pinks story, a musician, that was born… (more)

Subjects/Keywords: Filmes musicais; Rock; Parker, Alan William, 1944-; Bakhtin, Mikhail Mikhailovitch, 1895-1975; Dialogismo; Romance polifônico; Adaptação; Tradução intersemiótica; Narrativa; Narrativa audiovisual; Música; Drama musical; Pink Floyd; The Wall; Rock progressivo; Ópera rock; Roger Waters; Segunda gerra mundial; Nazismo; CINEMA; Dialogism; Polyphonic novel; Adaptation; Intersemiotic translation; Narrative; Audiovisual narrative; Cinema; Music; Musical film; Music drama; Pink Floyd; The Wall; Rock; Progressive rock; Rock opera; Roger Waters; Allan Parker; World war II; Nazism

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APA (6th Edition):

Martucci, M. D. (2010). Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra. (Thesis). Universidade Federal de São Carlos. Retrieved from http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=3904

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martucci, Maurício Dotto. “Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra.” 2010. Thesis, Universidade Federal de São Carlos. Accessed January 20, 2020. http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=3904.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martucci, Maurício Dotto. “Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra.” 2010. Web. 20 Jan 2020.

Vancouver:

Martucci MD. Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra. [Internet] [Thesis]. Universidade Federal de São Carlos; 2010. [cited 2020 Jan 20]. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=3904.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martucci MD. Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra. [Thesis]. Universidade Federal de São Carlos; 2010. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=3904

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Bohling, Christopher. FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON.

Degree: M.M., Music, 2012, University of Kansas

 This thesis constructs a coherent system of analysis for the improvised and non-improvised music of the progressive rock band King Crimson, with the intention that… (more)

Subjects/Keywords: Music; Fine arts; Performing arts; Fripp, Robert; Improvisation; Jazz; King Crimson; Progressive; Rock

progressive rock. Blues rock, as exemplified by groups such as Cream and John Mayall’s Bluesbreakers… …chord progressions, which sometimes consist of only two chords. Progressive rock, which had… …notably by Procul Harum and the Nice. Progressive rock often featured improvisation in both the… …were some progressive rock bands whose music consisted of primarily carefully-composed… …progressive rock umbrella improvised extensively and well outside the standard formats used in acid… 

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APA (6th Edition):

Bohling, C. (2012). FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/10873

Chicago Manual of Style (16th Edition):

Bohling, Christopher. “FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON.” 2012. Masters Thesis, University of Kansas. Accessed January 20, 2020. http://hdl.handle.net/1808/10873.

MLA Handbook (7th Edition):

Bohling, Christopher. “FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON.” 2012. Web. 20 Jan 2020.

Vancouver:

Bohling C. FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON. [Internet] [Masters thesis]. University of Kansas; 2012. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1808/10873.

Council of Science Editors:

Bohling C. FREEDOM AND CONSTRUCTION: NEW CONCEPTS OF FORM IN THE IMPROVISATIONS AND COMPOSITIONS OF KING CRIMSON. [Masters Thesis]. University of Kansas; 2012. Available from: http://hdl.handle.net/1808/10873

13. Heim, Matthew D. Reflections.

Degree: DMA, College-Conservatory of Music: Composition, 2012, University of Cincinnati

 The work consists of two contrasting panels. The first panel reflects life; the second, death. While grieving over the recent death of someone in my… (more)

Subjects/Keywords: Music; Music Composition; Chamber Music; Minimalism; Progressive Rock; Saxophone Quartet; Acoustic Guitar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Heim, M. D. (2012). Reflections. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337007594

Chicago Manual of Style (16th Edition):

Heim, Matthew D. “Reflections.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337007594.

MLA Handbook (7th Edition):

Heim, Matthew D. “Reflections.” 2012. Web. 20 Jan 2020.

Vancouver:

Heim MD. Reflections. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337007594.

Council of Science Editors:

Heim MD. Reflections. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337007594


University of Southern California

14. Wineland, Margaret A. To answer a need: the history, significance, and future of the women's club house.

Degree: Master of Historic Preservation, Historic Preservation, 2015, University of Southern California

 ""To Answer a Need"" distinguishes the typology of the women’s club house and relates the history of the Women's Club Movement, specifically examining Southern California… (more)

Subjects/Keywords: architectural history; women's club house; study clubs; department clubs; Sorosis; clubhouse architecture; redevelopment; women's club movement; the Women's Rights Movement; the Progressive Era; women's history; gendered space; feminist architectural theory; adaptive reuse; women's organization; single-sex education; girls' school; historic tax credits; Julia Morgan; clubwomen; the Ebell Club; Women's Twentieth Century Club of Eagle Rock; Irving Gill; Louis Gill; The La Jolla Woman's Club; The Archer School for Girls; Clara Burdette; Caroline Severance; women's education; True Woman; women's suffrage; Sumner Hunt; Hunt and Burns; the Friday Morning Club

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wineland, M. A. (2015). To answer a need: the history, significance, and future of the women's club house. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/538633/rec/7489

Chicago Manual of Style (16th Edition):

Wineland, Margaret A. “To answer a need: the history, significance, and future of the women's club house.” 2015. Masters Thesis, University of Southern California. Accessed January 20, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/538633/rec/7489.

MLA Handbook (7th Edition):

Wineland, Margaret A. “To answer a need: the history, significance, and future of the women's club house.” 2015. Web. 20 Jan 2020.

Vancouver:

Wineland MA. To answer a need: the history, significance, and future of the women's club house. [Internet] [Masters thesis]. University of Southern California; 2015. [cited 2020 Jan 20]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/538633/rec/7489.

Council of Science Editors:

Wineland MA. To answer a need: the history, significance, and future of the women's club house. [Masters Thesis]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/538633/rec/7489

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