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You searched for subject:(Production of presence). Showing records 1 – 5 of 5 total matches.

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University of Pretoria

1. Groenewald, Anneli. Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper.

Degree: MA, Unit for Creative Writing, 2015, University of Pretoria

 The role and potential relevance of the humanities, specifically of literature and literary criticism in the 21st century, has been increasingly called into question. Literary… (more)

Subjects/Keywords: UCTD; Marlene van Niekerk; Die sneeuslaper; Production of presence; Gumbrecht

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Groenewald, A. (2015). Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/46199

Chicago Manual of Style (16th Edition):

Groenewald, Anneli. “Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper.” 2015. Masters Thesis, University of Pretoria. Accessed December 10, 2019. http://hdl.handle.net/2263/46199.

MLA Handbook (7th Edition):

Groenewald, Anneli. “Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper.” 2015. Web. 10 Dec 2019.

Vancouver:

Groenewald A. Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper. [Internet] [Masters thesis]. University of Pretoria; 2015. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2263/46199.

Council of Science Editors:

Groenewald A. Die “produksie van teenwoordigheid” in Marlene van Niekerk se kortverhaalbundel, Die sneeuslaper. [Masters Thesis]. University of Pretoria; 2015. Available from: http://hdl.handle.net/2263/46199


Karlstad University

2. Kubitzek, Barbara. Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?.

Degree: Faculty of Arts and Social Sciences (starting 2013), 2019, Karlstad University

  This thesis focuses on the challenges in production to create a live-action cinematic virtual reality film that aims to trigger a certain emotional response… (more)

Subjects/Keywords: Cinematic Virtual Reality (CVR) film; Cognition and Emotion; Production Challenges; Presence; Immersion; Remediation; Cinema of Attractions; Directing Techniques; Storytelling Strategies; Virtual Reality; Film Studies Theory and Practice; Filmisk Virtuell Verklighet; Kognition och Känsla; Produktion; Humanities and the Arts; Humaniora och konst

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APA (6th Edition):

Kubitzek, B. (2019). Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71319

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kubitzek, Barbara. “Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?.” 2019. Thesis, Karlstad University. Accessed December 10, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71319.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kubitzek, Barbara. “Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?.” 2019. Web. 10 Dec 2019.

Vancouver:

Kubitzek B. Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?. [Internet] [Thesis]. Karlstad University; 2019. [cited 2019 Dec 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71319.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kubitzek B. Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?. [Thesis]. Karlstad University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71319

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

3. LUCIANA BARROSO GATTASS. [en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] A emergência de um novo fenômeno – a literatura digital – na esfera disciplinar dos estudos literários provoca a reorganização e invenção de seus… (more)

Subjects/Keywords: [pt] REMEDIACAO; [en] REMEDIATION; [pt] INTERATIVIDADE; [en] INTERACTIVITY; [pt] MATERIALIDADE; [en] MATERIALITY; [pt] INTERMIDIALIDADE; [en] INTERMIDIALITY; [pt] PRODUCAO DE PRESENCA; [en] PRODUCTION OF PRESENCE; [pt] LITERATURA DIGITAL; [en] DIGITAL LITERATURE; [pt] PROCESSOS ERGODICOS; [en] ERGODIC AESTHETICS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

GATTASS, L. B. (2019). [en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=38750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

GATTASS, LUCIANA BARROSO. “[en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 10, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=38750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

GATTASS, LUCIANA BARROSO. “[en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS.” 2019. Web. 10 Dec 2019.

Vancouver:

GATTASS LB. [en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2019 Dec 10]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=38750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

GATTASS LB. [en] DIGITAL LITERATURE: THEORETICAL AND AESTHETIC REFLECTIONS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=38750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Grzeskowiak, Julia. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.

Degree: Design, 2017, York University

 In the pursuit of speed and efficiency, contemporary visual communication eradicates the essence of the individual in favour of certainty. Mass production and the rational… (more)

Subjects/Keywords: Fine arts; Design; Graphic design; Design education; Graphic design education; Craft; Craftsmanship; Handcraft; Analogue production; Digital production; Aesthetics; Perception; Haptic; Visual communication; Form and representation; Semiotics; Semiology; Physical thinking; Risk; Form; Phenomenology; Reviving; Design research; Fine arts; Handmade; Bricolage; Nature; Imperfection; Visual language; Physical knowledge; Tacit; Tacit knowledge; Contemporary communication; Found object; Transformation; Hybrid methodology; Discipline of design; Craft practice; Aesthetic perception; Workmanship of risk; Workmanship of certainty; David Pye; Peter Dormer; Glenn Adamson; Production; Work of art; Design and art; Design and craft; Form and function; Print; Print design; Poster; Posters; Book; Book design; Thread; Sewing; Sewn; Sew; Abstract; Flower; Flowers; Signifier and signified; Signifier; Signified; Aesthetic philosophy; Philosophy of aesthetics; Heidegger; Deleuze; Badiou; William morris; Virilio; Content; Thinking; Making; Designer; Conceptual knowledge; Conceptual; Individual; Culture; Communication culture; Critique; Material; Physical presence; Sensitivity; Artist; Authenticity; Inquiry; Design inquiry; Language; Surprise; Uncertainty; Physical practice; Digital culture; Mdes

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APA (6th Edition):

Grzeskowiak, J. (2017). Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33624

Chicago Manual of Style (16th Edition):

Grzeskowiak, Julia. “Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.” 2017. Masters Thesis, York University. Accessed December 10, 2019. http://hdl.handle.net/10315/33624.

MLA Handbook (7th Edition):

Grzeskowiak, Julia. “Reviving Craft in a Context of Design: Physical Practice in a Digital Culture.” 2017. Web. 10 Dec 2019.

Vancouver:

Grzeskowiak J. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. [Internet] [Masters thesis]. York University; 2017. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/10315/33624.

Council of Science Editors:

Grzeskowiak J. Reviving Craft in a Context of Design: Physical Practice in a Digital Culture. [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33624


Brno University of Technology

5. Hýl, Petr. Slovinské národní divadlo v Lublani .

Degree: 2009, Brno University of Technology

SLOVINSKÉ NÁRODNÍ DIVADLO V LUBLANI Autorská zpráva k diplomové práci Bc. Petr Hýl vedoucí práce: doc. ing. arch. Zdeněk Makovský; SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2009). Slovinské národní divadlo v Lublani . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Thesis, Brno University of Technology. Accessed December 10, 2019. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Web. 10 Dec 2019.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani . [Internet] [Thesis]. Brno University of Technology; 2009. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani . [Thesis]. Brno University of Technology; 2009. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.