Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Pragmatic dramaturgy). Showing records 1 – 2 of 2 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


Deakin University

1. PRIOR, YONI MERIONNETH. Pragmatic dramaturgy: the creative management of limits in performance-making processes.

Degree: School of Communication and Creative Arts, 2015, Deakin University

This thesis proposes the lens of pragmatic dramaturgy as a way of understanding the complex interactions between process and performance that define theatre practice, and investigates the ways in which performance making practice is shaped by encounters with a range of limits that impact the creative process. Advisors/Committee Members: Vincs Kim, Meehan Michael, Glow Hilary, Johanson Katya.

Subjects/Keywords: Pragmatic dramaturgy; Theatre; Performance arts; Dance; Ethnography

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

PRIOR, Y. M. (2015). Pragmatic dramaturgy: the creative management of limits in performance-making processes. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30088805

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PRIOR, YONI MERIONNETH. “Pragmatic dramaturgy: the creative management of limits in performance-making processes.” 2015. Thesis, Deakin University. Accessed May 09, 2021. http://hdl.handle.net/10536/DRO/DU:30088805.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PRIOR, YONI MERIONNETH. “Pragmatic dramaturgy: the creative management of limits in performance-making processes.” 2015. Web. 09 May 2021.

Vancouver:

PRIOR YM. Pragmatic dramaturgy: the creative management of limits in performance-making processes. [Internet] [Thesis]. Deakin University; 2015. [cited 2021 May 09]. Available from: http://hdl.handle.net/10536/DRO/DU:30088805.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PRIOR YM. Pragmatic dramaturgy: the creative management of limits in performance-making processes. [Thesis]. Deakin University; 2015. Available from: http://hdl.handle.net/10536/DRO/DU:30088805

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Valéria Aparecida Nalin. Os atos diretivos nas peças psicológicas de Nelson Rodrigues.

Degree: 2016, University of São Paulo

Nesta dissertação observamos como atos de fala da classe dos diretivos se comportam em situações interacionais presentes em dois textos dramatúrgicos de Nelson Rodrigues, A Mulher sem Pecado (1993 [1941]) e Anti-Nelson Rodrigues (1993 [1973]) e quais as condições de felicidade foram necessárias para haver estas ocorrências. Como aporte teórico, utilizamos a Teoria dos Atos de Fala de John Searle (1981 [1969] e 2002 [1979]), usando, para tal, as condições de felicidade propostas em sua obra Os actos de fala (1981 [1969]) e as taxinomias apresentadas em seu segundo livro sobre a teoria, Expressão e Significado (2002 [1979]). Amparamos também nossa pesquisa nos estudos de Catherine Kerbrat-Orecchioni (1990; 1992; 1994 e 2006) no concernente aos processos interacionais, necessários para este trabalho. Nas interações analisadas, observamos o estabelecimento de tensões psicológicas cuja ocorrência se deu através da realização de atos de fala da classe dos diretivos (cf. Searle 2002 [1979]), atos estes, responsáveis pelo jogo de forças hierárquicas entre os interactantes que buscaram ocupar o posição alta da interação, como vemos nos Capítulos III e IV desta pesquisa. Os resultados obtidos foram satisfatórios, pois o autor apresenta marcas linguísticas enunciativas importantes em seus textos dramatúrgicos, deixando pistas relevantes para os atores quando de suas enunciações enunciadas e abre novos caminhos rumo à outras pesquisas acerca da verossimilhança enunciativa dos atuantes das artes cênicas, bem como proporciona aos estudos pragmáticos um novo campo de observações de fenômenos linguístico-enunciativo.

In this dissertation we observe how speech acts of the class of directors behave in interactional present situations in two dramaturgical texts of Nelson Rodrigues, The Woman without Sin (1993 [1941]) and Anti-Nelson Rodrigues (1993 [1973]) and the which conditions of happiness were required to occur on these events. As a theoretical framework we use the Theory of Speech Acts by John Searle (1981 [1969] and 2002 [1979]), using, for such happiness proposed conditions in his work The speech acts (1981 [1969]) and taxonomies presented in his second book on the theory, Expression and Meaning (2002 [1979]). also we admit on our research Catherine Kerbrat-Orecchioni\'s studies(1990, 1992, 1994 and 2006) regarding the interaction processes, that are needed for this paper. In the analyzed interactions, we observe the establishment of psychological tensions occurred by performing speech acts of the governing class (cf. Searle 2002 [1979]), these acts, responsible for the set of hierarchical power between interactants who sought to occupy the high position of the interaction, as we see in Chapters III and IV of this research. The results achieved were satisfactory, because the author presents important enunciative linguistic marks on their dramaturgical texts and left relevant clues for the actors when they set enunciations enuciated and open new ways towards other researches on the enunciative verisimilitude of active…

Advisors/Committee Members: Maria Cristina Fernandes Salles Altman, José Batista Dal Farra Martins, Margarida Maria Taddoni Petter.

Subjects/Keywords: Atuação; Dramaturgia; Dtos de fala diretivos; Interações; Pragmática; Acting; Dramaturgy; Interactions; Pragmatic; Speech acts directors

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nalin, V. A. (2016). Os atos diretivos nas peças psicológicas de Nelson Rodrigues. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12122016-122058/

Chicago Manual of Style (16th Edition):

Nalin, Valéria Aparecida. “Os atos diretivos nas peças psicológicas de Nelson Rodrigues.” 2016. Masters Thesis, University of São Paulo. Accessed May 09, 2021. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12122016-122058/.

MLA Handbook (7th Edition):

Nalin, Valéria Aparecida. “Os atos diretivos nas peças psicológicas de Nelson Rodrigues.” 2016. Web. 09 May 2021.

Vancouver:

Nalin VA. Os atos diretivos nas peças psicológicas de Nelson Rodrigues. [Internet] [Masters thesis]. University of São Paulo; 2016. [cited 2021 May 09]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12122016-122058/.

Council of Science Editors:

Nalin VA. Os atos diretivos nas peças psicológicas de Nelson Rodrigues. [Masters Thesis]. University of São Paulo; 2016. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-12122016-122058/

.