Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Postmodernist english literature). Showing records 1 – 2 of 2 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters

1. Correia, Ernesto Domingos Camacho. A narratological analysis of D. M. Thoma`s: the white hotel (1981).

Degree: 2013, Universidade da Madeira

“A Narratological Analysis of D. M. Thomas’s The White Hotel (1981)” originated within a seminar on British Postmodernist Literature during the first Master’s Degree in “British and North-American Culture and Literature” (2001-04) at the Universidade da Madeira set up by the Department of English and German Studies. This dissertation seeks to present a narratological analysis of Thomas’s novel. The White Hotel stands as a paradigmatic example of the kind of literature that has dominated the British literary scene in the past three decades, commonly referred to as postmodernist fiction, owing to its formal craftsmanship (multiplicity of narrative voices and perspectives, mixing of differing genres and text types, inclusion of embedded narratives) alongside the handling of what are deemed as postmodernist topoi (the distinction between truth and lies, history and fantasy, fact and fiction, the questioning of the nature of aesthetic representation, the role the author and the reader hold in the narrative process, the instability of the linguistic sign, the notion of originality and the moral responsibility the author has towards his/her work), The narratological approach carried out in this research reveals that Thomas’s text constitutes an aesthetic endeavour to challenge the teleological drive that is inherent in any narrative, i. e., the inevitable progression towards a reassuring end. Hence, the subversion of narrative telling, which is a recurrent feature in Thomas’s remaining literary output, mirrors the contemporary distrust in totalising, hierarchised and allencompassing narratives. In its handling of historical events, namely of the Holocaust, The White Hotel invites us to reassess the most profound beliefs we were taught to take for granted: progress, reality and truth. In their place the novel proposes a more flexible conception of both the world and art, especially of literary fiction. In other terms, the world appears as a brutal chaotic place the subject is forced to adjust to. Accordingly, the literary work is deemed hybrid, fragmented and open. So as to put forth the above-mentioned issues, this research work is structured in three main chapters. The initial chapter – “What is Postmodernism?” – advances a scrutiny not only of the seminal but also of more recent studies on postmodernist literary criticism. Following this, in Chapter II – “Postmodernist British Fiction” – a brief overview of postmodernist British fiction is carried out, focusing on the fictional works that, in my opinion, are fundamental for the periodising of British postmodernism. In addition, I felt the need to include a section – “D. M. Thomas as a Postmodernist Novelist” – in which the author’s remaining literary output is briefly examined. Finally, Chapter III – “A Narratological Analysis of The White Hotel” – proposes a narratological analysis of the novel according to the particular Genettian analytical model. To conclude, my dissertation constitutes an approach to D. M. Thomas’s The White Hotel as a text whose very existence is… Advisors/Committee Members: Costa, Dominique.

Subjects/Keywords: The White Hotel; Postmodernist english literature; Narratology; Postmodernist novel; Thomas, D. M.; D. M. Thomas's novels; .; Centro de Artes e Humanidades

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Correia, E. D. C. (2013). A narratological analysis of D. M. Thoma`s: the white hotel (1981). (Thesis). Universidade da Madeira. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:digituma.uma.pt:10400.13/311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Correia, Ernesto Domingos Camacho. “A narratological analysis of D. M. Thoma`s: the white hotel (1981).” 2013. Thesis, Universidade da Madeira. Accessed October 23, 2019. http://www.rcaap.pt/detail.jsp?id=oai:digituma.uma.pt:10400.13/311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Correia, Ernesto Domingos Camacho. “A narratological analysis of D. M. Thoma`s: the white hotel (1981).” 2013. Web. 23 Oct 2019.

Vancouver:

Correia EDC. A narratological analysis of D. M. Thoma`s: the white hotel (1981). [Internet] [Thesis]. Universidade da Madeira; 2013. [cited 2019 Oct 23]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:digituma.uma.pt:10400.13/311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Correia EDC. A narratological analysis of D. M. Thoma`s: the white hotel (1981). [Thesis]. Universidade da Madeira; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:digituma.uma.pt:10400.13/311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

2. Delfino, Andrew Steven. Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club.

Degree: MA, English, 2007, Georgia State University

While scholars have analyzed the masculinity crisis portrayed in American fiction, few have focused on postmodernist fiction, few have examined masculinity without using feminist theory, and no articles propose an adequate solution for ending normative masculinity’s dominance. I examine the masculinity crisis as it is portrayed in two postmodernist novels, David Foster Wallace’s novel Infinite Jest and Chuck Palahniuk’s novel Fight Club. Both novels have male characters that ran the gamut of masculinities, but those that are the most successful at avoiding gender stereotypes (Donald Gately in Infinite Jest, and the narrator in Fight Club) develop a masculinity which incorporates strong, phallic masculinity and nurturing, testicular masculinity, creating a balanced gender. At the same time, both novels examine postmodernist fiction’s future. Post-postmodernist fiction, similar to well-rounded masculinity, seeks to be more emotionally open with the reader while still using irony and innovation for meaningful effects, not just to be clever. Advisors/Committee Members: Christopher Kocela - Chair, Paul J. Voss, Calvin Thomas.

Subjects/Keywords: post-postmodernist fiction; postmodernist fiction; masculinity; Fight Club; Chuck Palahniuk; Infinite Jest; David Foster Wallace; English Language and Literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Delfino, A. S. (2007). Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_theses/20

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Delfino, Andrew Steven. “Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club.” 2007. Thesis, Georgia State University. Accessed October 23, 2019. https://scholarworks.gsu.edu/english_theses/20.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Delfino, Andrew Steven. “Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club.” 2007. Web. 23 Oct 2019.

Vancouver:

Delfino AS. Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club. [Internet] [Thesis]. Georgia State University; 2007. [cited 2019 Oct 23]. Available from: https://scholarworks.gsu.edu/english_theses/20.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delfino AS. Becoming the New Man in Post-PostModernist Fiction: Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahnuik's Fight Club. [Thesis]. Georgia State University; 2007. Available from: https://scholarworks.gsu.edu/english_theses/20

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.