subject:(Posthumanism)

Louisiana State University

1. Petitfils, Brad M. A posthuman curriculum: subjectivity at the crossroads of time.

Degree: PhD, Education, 2012, Louisiana State University

URL: etd-06042012-133038 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1022

► This investigation is focused on three critical issues facing educators in the 21st century: how technology is reshaping what it means to be human, the… (more)

Subjects/Keywords: hyperreality; curriculum; posthumanism

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APA (6^th Edition):

Petitfils, B. M. (2012). A posthuman curriculum: subjectivity at the crossroads of time. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06042012-133038 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1022

Chicago Manual of Style (16^th Edition):

Petitfils, Brad M. “A posthuman curriculum: subjectivity at the crossroads of time.” 2012. Doctoral Dissertation, Louisiana State University. Accessed December 08, 2019. etd-06042012-133038 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1022.

MLA Handbook (7^th Edition):

Petitfils, Brad M. “A posthuman curriculum: subjectivity at the crossroads of time.” 2012. Web. 08 Dec 2019.

Vancouver:

Petitfils BM. A posthuman curriculum: subjectivity at the crossroads of time. [Internet] [Doctoral dissertation]. Louisiana State University; 2012. [cited 2019 Dec 08]. Available from: etd-06042012-133038 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1022.

Council of Science Editors:

Petitfils BM. A posthuman curriculum: subjectivity at the crossroads of time. [Doctoral Dissertation]. Louisiana State University; 2012. Available from: etd-06042012-133038 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1022

Universiteit Utrecht

2. Glosowitz, M.A. Bio-cartography: Towards a New Theory of Portraying.

Degree: 2012, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/254627

► The project of bio-cartography interconnected the metamorphoses of subjectivity with the progress of representational thought, having drawn on the different fields of reflections concerned with… (more)

Subjects/Keywords: representation; feminism; posthumanism; bio-art

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APA (6^th Edition):

Glosowitz, M. A. (2012). Bio-cartography: Towards a New Theory of Portraying. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/254627

Chicago Manual of Style (16^th Edition):

Glosowitz, M A. “Bio-cartography: Towards a New Theory of Portraying.” 2012. Masters Thesis, Universiteit Utrecht. Accessed December 08, 2019. http://dspace.library.uu.nl:8080/handle/1874/254627.

MLA Handbook (7^th Edition):

Glosowitz, M A. “Bio-cartography: Towards a New Theory of Portraying.” 2012. Web. 08 Dec 2019.

Vancouver:

Glosowitz MA. Bio-cartography: Towards a New Theory of Portraying. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2019 Dec 08]. Available from: http://dspace.library.uu.nl:8080/handle/1874/254627.

Council of Science Editors:

Glosowitz MA. Bio-cartography: Towards a New Theory of Portraying. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/254627

Universiteit Utrecht

3. Woudstra, E.W. Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch.

Degree: 2016, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/338245

► Recent feminist scholarship has challenged the traditional Western notion of touch as an innocent form of engagement between individuals, with scholars such as Manning (2006),… (more)

▼ Recent feminist scholarship has challenged the traditional Western notion of touch as an innocent form of engagement between individuals, with scholars such as Manning (2006), Marks (2002) and Sobchack (2004) focusing on the social, political, and historical context of touch, and how touch has the potential to challenge Western dualisms such as the distinction between self and other. However, despite focus on the transcorporeality of touch, that is, the ability of touch to traverse bodily boundaries and entangle bodies with the world, the theoretical engagement with challenges to the notion of human corporeal integrity through bioscientific developments such as organ transplants, and the interaction of biology and technology through the plasticity of the body in incorporating organic and inorganic matter, has remained limited. This thesis, situated in a new materialist framework, explores a posthuman phenomenology of touch by diffractively reading Merleau-Ponty’s ontology of the flesh and Karen Barad’s quantum-philosophy of touch through one another. Within Wilsons (2015) framework for a feminist reading of the biological body, and efforts from disability studies scholars to crip feminist science and technology studies, this thesis engages with recent developments in neuroprosthetics – prosthetics connected directly with the nervous system, restoring sensimotoric function in amputees or tetraplegic patients. Specifically, this thesis will look at research by the Bensmaia Lab at the University of Chicago on the neural coding of touch, and explore the material entanglements of neuroscientific touch through exploring the military connections as well as practices of animal testing of the Bensmaia Lab. I argue for a reading of a posthuman phenomenology of touch, to contribute to feminist theory on touch by taking bioscientific developments and their consequent human-machine interactions and entanglements into account. Advisors/Committee Members: Tuin, Iris van der, Hoel, Aud Sissel.

Subjects/Keywords: touch; phenomenology; posthumanism; neuroscience; neuroprosthetics

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APA (6^th Edition):

Woudstra, E. W. (2016). Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/338245

Chicago Manual of Style (16^th Edition):

Woudstra, E W. “Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch.” 2016. Masters Thesis, Universiteit Utrecht. Accessed December 08, 2019. http://dspace.library.uu.nl:8080/handle/1874/338245.

MLA Handbook (7^th Edition):

Woudstra, E W. “Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch.” 2016. Web. 08 Dec 2019.

Vancouver:

Woudstra EW. Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch. [Internet] [Masters thesis]. Universiteit Utrecht; 2016. [cited 2019 Dec 08]. Available from: http://dspace.library.uu.nl:8080/handle/1874/338245.

Council of Science Editors:

Woudstra EW. Self/Touching: Towards a Posthuman Phenomenological Ethics of Touch. [Masters Thesis]. Universiteit Utrecht; 2016. Available from: http://dspace.library.uu.nl:8080/handle/1874/338245

Indiana University

4. Lutz, John Michael. Unhuman Encounters in Early Modern Drama .

Degree: 2017, Indiana University

URL: http://hdl.handle.net/2022/21869

► This dissertation uses contemporary posthumanist and media theory, early modern educational and literary humanist texts, and the dramatic work of Christopher Marlowe, Ben Jonson, John… (more)

Subjects/Keywords: posthumanism; early modern drama; Shakespeare

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APA (6^th Edition):

Lutz, J. M. (2017). Unhuman Encounters in Early Modern Drama . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/21869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lutz, John Michael. “Unhuman Encounters in Early Modern Drama .” 2017. Thesis, Indiana University. Accessed December 08, 2019. http://hdl.handle.net/2022/21869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lutz, John Michael. “Unhuman Encounters in Early Modern Drama .” 2017. Web. 08 Dec 2019.

Vancouver:

Lutz JM. Unhuman Encounters in Early Modern Drama . [Internet] [Thesis]. Indiana University; 2017. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2022/21869.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lutz JM. Unhuman Encounters in Early Modern Drama . [Thesis]. Indiana University; 2017. Available from: http://hdl.handle.net/2022/21869

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

5. Malaja, Valeria. Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?.

Degree: 2018, Leiden University

URL: http://hdl.handle.net/1887/58404

► The era of Anthropos or so called Anthropocene has been prevalent in the last decades, suggesting an overwhelming human influence upon the earth which propagates… (more)

Subjects/Keywords: posthumanism; bioart; anthropocentrism; metaphysics; Other

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APA (6^th Edition):

Malaja, V. (2018). Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/58404

Chicago Manual of Style (16^th Edition):

Malaja, Valeria. “Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?.” 2018. Masters Thesis, Leiden University. Accessed December 08, 2019. http://hdl.handle.net/1887/58404.

MLA Handbook (7^th Edition):

Malaja, Valeria. “Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?.” 2018. Web. 08 Dec 2019.

Vancouver:

Malaja V. Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1887/58404.

Council of Science Editors:

Malaja V. Anthropocene and Contemporary Art. To what extent does the performativity of bioart challenge the anthropocentric perception?. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/58404

University of Victoria

6. Novak, Irina. Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media.

Degree: Dept. of Pacific and Asian Studies, 2011, University of Victoria

URL: http://hdl.handle.net/1828/3288

► Technology in Japan has reached ubiquitous status and its development is one of the main priorities of state policy. which includes a wide range of… (more)

Subjects/Keywords: robots; popular culture; Japan; posthumanism

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APA (6^th Edition):

Novak, I. (2011). Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/3288

Chicago Manual of Style (16^th Edition):

Novak, Irina. “Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media.” 2011. Masters Thesis, University of Victoria. Accessed December 08, 2019. http://hdl.handle.net/1828/3288.

MLA Handbook (7^th Edition):

Novak, Irina. “Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media.” 2011. Web. 08 Dec 2019.

Vancouver:

Novak I. Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media. [Internet] [Masters thesis]. University of Victoria; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1828/3288.

Council of Science Editors:

Novak I. Do the Japanese dream of a robotic future? Expressing posthumanism in Japanese media. [Masters Thesis]. University of Victoria; 2011. Available from: http://hdl.handle.net/1828/3288

Vanderbilt University

7. Zumberge, Marianne Ellen. Fembots: Female Androids in Mainstream Cinema and Beyond.

Degree: MA, English, 2018, Vanderbilt University

URL: http://etd.library.vanderbilt.edu/available/etd-05212018-162607/ ;

► Science-fiction films of the past century have reflected the societal fears, social dynamics, and utopian desires of the filmgoing public. A staple character in this… (more)

Subjects/Keywords: Androids; Robots; Posthumanism; Film Studies

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APA (6^th Edition):

Zumberge, M. E. (2018). Fembots: Female Androids in Mainstream Cinema and Beyond. (Masters Thesis). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu/available/etd-05212018-162607/ ;

Chicago Manual of Style (16^th Edition):

Zumberge, Marianne Ellen. “Fembots: Female Androids in Mainstream Cinema and Beyond.” 2018. Masters Thesis, Vanderbilt University. Accessed December 08, 2019. http://etd.library.vanderbilt.edu/available/etd-05212018-162607/ ;.

MLA Handbook (7^th Edition):

Zumberge, Marianne Ellen. “Fembots: Female Androids in Mainstream Cinema and Beyond.” 2018. Web. 08 Dec 2019.

Vancouver:

Zumberge ME. Fembots: Female Androids in Mainstream Cinema and Beyond. [Internet] [Masters thesis]. Vanderbilt University; 2018. [cited 2019 Dec 08]. Available from: http://etd.library.vanderbilt.edu/available/etd-05212018-162607/ ;.

Council of Science Editors:

Zumberge ME. Fembots: Female Androids in Mainstream Cinema and Beyond. [Masters Thesis]. Vanderbilt University; 2018. Available from: http://etd.library.vanderbilt.edu/available/etd-05212018-162607/ ;

University of Missouri – Columbia

8. Matviyenko, Svitlana. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.

Degree: 2011, University of Missouri – Columbia

URL: http://hdl.handle.net/10355/14300

► [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation examines the connection between the discourses of psychoanalysis and posthumanism. It focuses on… (more)

Subjects/Keywords: posthumanism; psychoanalysis; cyborg; Jacques Lacan

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APA (6^th Edition):

Matviyenko, S. (2011). Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/14300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Matviyenko, Svitlana. “Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.” 2011. Thesis, University of Missouri – Columbia. Accessed December 08, 2019. http://hdl.handle.net/10355/14300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Matviyenko, Svitlana. “Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.” 2011. Web. 08 Dec 2019.

Vancouver:

Matviyenko S. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. [Internet] [Thesis]. University of Missouri – Columbia; 2011. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10355/14300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matviyenko S. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. [Thesis]. University of Missouri – Columbia; 2011. Available from: http://hdl.handle.net/10355/14300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Missouri – Columbia

9. Matviyenko, Svitlana. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.

Degree: 2011, University of Missouri – Columbia

URL: https://doi.org/10.32469/10355/14300

► [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation examines the connection between the discourses of psychoanalysis and posthumanism. It focuses on… (more)

Subjects/Keywords: posthumanism; psychoanalysis; cyborg; Jacques Lacan

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APA (6^th Edition):

Matviyenko, S. (2011). Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. (Thesis). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/14300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Matviyenko, Svitlana. “Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.” 2011. Thesis, University of Missouri – Columbia. Accessed December 08, 2019. https://doi.org/10.32469/10355/14300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Matviyenko, Svitlana. “Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg.” 2011. Web. 08 Dec 2019.

Vancouver:

Matviyenko S. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. [Internet] [Thesis]. University of Missouri – Columbia; 2011. [cited 2019 Dec 08]. Available from: https://doi.org/10.32469/10355/14300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matviyenko S. Lacan and the posthuman: prosthetic body in the works of Andy Warhol and David Cronenberg. [Thesis]. University of Missouri – Columbia; 2011. Available from: https://doi.org/10.32469/10355/14300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Colorado

10. Schmitt, Rachel M. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.

Degree: MA, Communication, 2017, University of Colorado

URL: https://scholar.colorado.edu/comm_gradetds/73

► This thesis proposes a rhetorical criticism of the curation process and material medium of the Voyager Golden Record, a phonograph archive of sounds and images… (more)

Subjects/Keywords: archive; frontier; memory; posthumanism; technology; Rhetoric

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APA (6^th Edition):

Schmitt, R. M. (2017). Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/comm_gradetds/73

Chicago Manual of Style (16^th Edition):

Schmitt, Rachel M. “Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.” 2017. Masters Thesis, University of Colorado. Accessed December 08, 2019. https://scholar.colorado.edu/comm_gradetds/73.

MLA Handbook (7^th Edition):

Schmitt, Rachel M. “Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.” 2017. Web. 08 Dec 2019.

Vancouver:

Schmitt RM. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. [Internet] [Masters thesis]. University of Colorado; 2017. [cited 2019 Dec 08]. Available from: https://scholar.colorado.edu/comm_gradetds/73.

Council of Science Editors:

Schmitt RM. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. [Masters Thesis]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/comm_gradetds/73

Universiteit Utrecht

11. Wijnandts, Y.K.C. When different interests intersect: Animal rights as a site to criticize multiculturalism.

Degree: 2014, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/298399

► My thesis aims to demonstrate how ethical imperialism takes place within Dutch multicultural society, using the recent debate on religious slaughtering as an example. Here… (more)

Subjects/Keywords: Ethics; animal studies; imperialism; posthumanism; cultural difference

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APA (6^th Edition):

Wijnandts, Y. K. C. (2014). When different interests intersect: Animal rights as a site to criticize multiculturalism. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/298399

Chicago Manual of Style (16^th Edition):

Wijnandts, Y K C. “When different interests intersect: Animal rights as a site to criticize multiculturalism.” 2014. Masters Thesis, Universiteit Utrecht. Accessed December 08, 2019. http://dspace.library.uu.nl:8080/handle/1874/298399.

MLA Handbook (7^th Edition):

Wijnandts, Y K C. “When different interests intersect: Animal rights as a site to criticize multiculturalism.” 2014. Web. 08 Dec 2019.

Vancouver:

Wijnandts YKC. When different interests intersect: Animal rights as a site to criticize multiculturalism. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2019 Dec 08]. Available from: http://dspace.library.uu.nl:8080/handle/1874/298399.

Council of Science Editors:

Wijnandts YKC. When different interests intersect: Animal rights as a site to criticize multiculturalism. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/298399

University of Alberta

12. Wall, David G. A Hole in the World, for Electric Guitar and MAX.

Degree: Doctor of Music, Department of Music, 2015, University of Alberta

URL: https://era.library.ualberta.ca/files/p2676z007

► A Hole in the World is an open composition for prepared electric guitar, archival recording, and audio programming. Text-fragments culled from my father’s recorded autobiography… (more)

Subjects/Keywords: improvisation; cyborg; computer; guitar; posthumanism; programming; memory

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APA (6^th Edition):

Wall, D. G. (2015). A Hole in the World, for Electric Guitar and MAX. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/p2676z007

Chicago Manual of Style (16^th Edition):

Wall, David G. “A Hole in the World, for Electric Guitar and MAX.” 2015. Doctoral Dissertation, University of Alberta. Accessed December 08, 2019. https://era.library.ualberta.ca/files/p2676z007.

MLA Handbook (7^th Edition):

Wall, David G. “A Hole in the World, for Electric Guitar and MAX.” 2015. Web. 08 Dec 2019.

Vancouver:

Wall DG. A Hole in the World, for Electric Guitar and MAX. [Internet] [Doctoral dissertation]. University of Alberta; 2015. [cited 2019 Dec 08]. Available from: https://era.library.ualberta.ca/files/p2676z007.

Council of Science Editors:

Wall DG. A Hole in the World, for Electric Guitar and MAX. [Doctoral Dissertation]. University of Alberta; 2015. Available from: https://era.library.ualberta.ca/files/p2676z007

Texas A&M University

13. Yi, Dongshin. A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism.

Degree: 2009, Texas A&M University

URL: http://hdl.handle.net/1969.1/ETD-TAMU-1296

► This dissertation considers the future convergence between gothic studies and humanism in the age of posthumanism and proposes ?cyborgothic? as a new literary genre that… (more)

▼ This dissertation considers the future convergence between gothic studies and humanism in the age of posthumanism and proposes ?cyborgothic? as a new literary genre that heralds that future. The convergence under consideration is already in progress in that an encounter between human and non-human consistently inspires the two fields, questioning the nature of humans and the treatment of such non-human beings as cyborgs. Such questioning, often conducted within the boundary of humanities, persistently interprets non-human beings as either representing or helping human shortcomings. Accordingly, answers are human-orientated or even human-centered in many cases, and ?cyborgothic,? generated out of retrospective investigation into gothic studies and prospective formulation of posthumanism, aims to present different, nonanthropocentric ways to view humans and non-humans on equal terms. The retrospective investigation into gothic studies focuses on Ann Radcliffe?s The Mysteries of Udolpho and Edmund Burke?s A Philosophical Enquiry into the Sublime and Beautiful to retrieve a gothic aesthetics of the beautiful, and in the second chapter, examines Mary Shelley?s Frankenstein against Kant?s aesthetics to demonstrate how this gothic aesthetics becomes obsolete in the tradition of the sublime. This dissertation then addresses Bram Stoker?s Dracula along with Bruno Latour?s Science in Action to reveal problems in fabricating scientific knowledge, especially focusing on sacrifices made in the process. In the forth chapter, I examine Sinclair Lewis?s Arrowsmith with William James?s pragmatism, and consider the question of how moral complications inherent in science have been handled in American society. The last chapter proposes Marge Piercy?s He, She and It as a same cyborgothic text, which tries to develop a way to acknowledge the presence of the cyborg?one that is at once aesthetical and ethical?so as to enable humans and cyborgs to relate each other on equal terms. Thus, ?cyborgothic? is being required as a literary attempt to present the age of posthumanism that is no longer anthropocentric. Advisors/Committee Members: McWhirter, David (advisor), Berthold, Dennis (committee member), Hawthorne, Melanie (committee member), O'Farrell, Mary Ann (committee member).

Subjects/Keywords: Gothic Literature; Posthumanism; Aesthetics; Ethics; Science Studies

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APA (6^th Edition):

Yi, D. (2009). A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-1296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yi, Dongshin. “A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism.” 2009. Thesis, Texas A&M University. Accessed December 08, 2019. http://hdl.handle.net/1969.1/ETD-TAMU-1296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yi, Dongshin. “A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism.” 2009. Web. 08 Dec 2019.

Vancouver:

Yi D. A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism. [Internet] [Thesis]. Texas A&M University; 2009. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-1296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yi D. A genealogy of cyborgothic: aesthetics and ethics in the age of posthumanism. [Thesis]. Texas A&M University; 2009. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-1296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Victoria University of Wellington

14. Dunkley, Kitty. Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood.

Degree: 2018, Victoria University of Wellington

URL: http://hdl.handle.net/10063/7696

► This thesis explores the extent to which Octavia Butler’s use of the Other, in her trilogy Lilith’s Brood, problematizes the construct of the Human subject… (more)

Subjects/Keywords: Posthumanism; Anti-Humanism; Science fiction; Octavia Butler

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APA (6^th Edition):

Dunkley, K. (2018). Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7696

Chicago Manual of Style (16^th Edition):

Dunkley, Kitty. “Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood.” 2018. Masters Thesis, Victoria University of Wellington. Accessed December 08, 2019. http://hdl.handle.net/10063/7696.

MLA Handbook (7^th Edition):

Dunkley, Kitty. “Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood.” 2018. Web. 08 Dec 2019.

Vancouver:

Dunkley K. Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10063/7696.

Council of Science Editors:

Dunkley K. Becoming-Posthuman: The Sexualized, Racialized and Naturalized Others of Octavia Butler’s Lilith’s Brood. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7696

Universiteit Utrecht

15. Idema, Tom Joeri. Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands.

Degree: 2007, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/24999

► This thesis deals with the cultural and scientific paradigm of "representation" and the ways in which forms of cultural expression challenge and transgress this paradigm.… (more)

Subjects/Keywords: Letteren; Deleuze; posthumanism; representation; minority politics

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APA (6^th Edition):

Idema, T. J. (2007). Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/24999

Chicago Manual of Style (16^th Edition):

Idema, Tom Joeri. “Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands.” 2007. Masters Thesis, Universiteit Utrecht. Accessed December 08, 2019. http://dspace.library.uu.nl:8080/handle/1874/24999.

MLA Handbook (7^th Edition):

Idema, Tom Joeri. “Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands.” 2007. Web. 08 Dec 2019.

Vancouver:

Idema TJ. Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2019 Dec 08]. Available from: http://dspace.library.uu.nl:8080/handle/1874/24999.

Council of Science Editors:

Idema TJ. Beyond Representationalism: Deleuze and Guattari, Feminist Posthumanism and Gloria Anzaldúa's Borderlands. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/24999

Southern Illinois University

16. Wood, Nicole E. From Seed to Fruit: A Posthuman Journey From Stage to Page.

Degree: MA, Speech Communication, 2010, Southern Illinois University

URL: http://opensiuc.lib.siu.edu/theses/392

► This thesis uses Cybernetic Fruit: A Posthuman Fairytale (a show directed by Shauna MacDonald and Nico Wood) to explore notions of posthumanism. The thesis… (more)

Subjects/Keywords: cybernetic fruit; cyborg; devising; performance studies; posthumanism

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APA (6^th Edition):

Wood, N. E. (2010). From Seed to Fruit: A Posthuman Journey From Stage to Page. (Masters Thesis). Southern Illinois University. Retrieved from http://opensiuc.lib.siu.edu/theses/392

Chicago Manual of Style (16^th Edition):

Wood, Nicole E. “From Seed to Fruit: A Posthuman Journey From Stage to Page.” 2010. Masters Thesis, Southern Illinois University. Accessed December 08, 2019. http://opensiuc.lib.siu.edu/theses/392.

MLA Handbook (7^th Edition):

Wood, Nicole E. “From Seed to Fruit: A Posthuman Journey From Stage to Page.” 2010. Web. 08 Dec 2019.

Vancouver:

Wood NE. From Seed to Fruit: A Posthuman Journey From Stage to Page. [Internet] [Masters thesis]. Southern Illinois University; 2010. [cited 2019 Dec 08]. Available from: http://opensiuc.lib.siu.edu/theses/392.

Council of Science Editors:

Wood NE. From Seed to Fruit: A Posthuman Journey From Stage to Page. [Masters Thesis]. Southern Illinois University; 2010. Available from: http://opensiuc.lib.siu.edu/theses/392

Southern Illinois University

17. McCarthy, Rebecca Leah. Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction.

Degree: MA, English, 2013, Southern Illinois University

URL: http://opensiuc.lib.siu.edu/theses/1311

► As science races to keep up with science fiction, many scientists are beginning to believe that the next step in human evolution will be… (more)

Subjects/Keywords: Android; Cyborg; Posthumanism; Science Fiction; Technology; Transhumanism

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APA (6^th Edition):

McCarthy, R. L. (2013). Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction. (Masters Thesis). Southern Illinois University. Retrieved from http://opensiuc.lib.siu.edu/theses/1311

Chicago Manual of Style (16^th Edition):

McCarthy, Rebecca Leah. “Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction.” 2013. Masters Thesis, Southern Illinois University. Accessed December 08, 2019. http://opensiuc.lib.siu.edu/theses/1311.

MLA Handbook (7^th Edition):

McCarthy, Rebecca Leah. “Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction.” 2013. Web. 08 Dec 2019.

Vancouver:

McCarthy RL. Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction. [Internet] [Masters thesis]. Southern Illinois University; 2013. [cited 2019 Dec 08]. Available from: http://opensiuc.lib.siu.edu/theses/1311.

Council of Science Editors:

McCarthy RL. Perfection: United Goal or Divisive Myth? A look into the concept of posthumanism and its theoretical outcomes in science fiction. [Masters Thesis]. Southern Illinois University; 2013. Available from: http://opensiuc.lib.siu.edu/theses/1311

KTH

18. Eriksson, Julia. Water world : An artificial shape of meaning.

Degree: Architecture, 2015, KTH

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166

►

Water World is a water reservoir in the shape of a mountain, with a steel grid body and a shell of shot concrete. It… (more)

▼

Water World is a water reservoir in the shape of a mountain, with a steel grid body and a shell of shot concrete. It is situated in the national city park Lill-Jansskogen in Stockholm and the emergence of this project is the disrepair of an existing reservoir. Humans, like all things alive, are dependent on water. We survive approximately three days without water. The stored water is the start of civilization, the first of all functions in society we would not cope without in case of collapse. Instead of habitually reshaping nature in accordance with our needs and wishes, this reservoir mimics nature with synthetic means. It questions the idea that we by technical means could create an equilibrium between nature and late capitalist society. Our systems handling water enables modern life. Water World celebrates this function, and life. After construction the man-made surface is exposed to decay and with time the interior structure will stand as a ruin marking the end of the era of globalisation.

Water World är en vattenreservoar inkapslad i ett konstgjort berg, med en stomme av stål och ett yttre av betong. Reservoaren är belägen i Lill-jansskogen i centrala Stockholm, Sveriges enda nationalstadspark. Människan liksom alla levande varelser är beroende av vatten för sin överlevnad. Vi överlever ca tre dagar utan vatten. Det lagrade vattnet är början påcivilisationen, den första av samhällets funktioner vi inte skulle klara oss utan vid en eventuell kollaps. Istället för att vanemässigt forma naturen efter våra behov och önskningar försöker reservoaren efterlikna naturen med syntetiska medel. Den ifrågasätter idén om att vi med teknikens hjälp kan skapa en balans mellan natur och vår senkapitalistiska kultur. De system människan har utvecklat för att lagra vatten möjliggör våra moderna liv. Water World hyllar denna funktion, och livet. När konstruktionen är färdig kommer den av människan formade ytan med tiden förfalla och interiörens struktur lämnas som en ruin att markera slutet av eran av globalisering.

Subjects/Keywords: Mountain; water reservoir; materialism; posthumanism; water fall

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APA (6^th Edition):

Eriksson, J. (2015). Water world : An artificial shape of meaning. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Eriksson, Julia. “Water world : An artificial shape of meaning.” 2015. Thesis, KTH. Accessed December 08, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Eriksson, Julia. “Water world : An artificial shape of meaning.” 2015. Web. 08 Dec 2019.

Vancouver:

Eriksson J. Water world : An artificial shape of meaning. [Internet] [Thesis]. KTH; 2015. [cited 2019 Dec 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eriksson J. Water world : An artificial shape of meaning. [Thesis]. KTH; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-156166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Duquesne University

19. Wilson, Richard Landrum. Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology.

Degree: PhD, Theology, 2017, Duquesne University

URL: https://dsc.duq.edu/etd/156

► A cadre of scientists, philosophers, and ethicists labeled transhumanists and posthumanists argue that by strategic use of technology we can greatly enhance human beings into… (more)

▼ A cadre of scientists, philosophers, and ethicists labeled transhumanists and posthumanists argue that by strategic use of technology we can greatly enhance human beings into our next stage of evolution. Rather than leave the evolutionary process to natural results, transhumanists and posthumanists want to shape humanity to meet our own desires. This direct goal of changing human beings has profound implications for Christian faith and practices. At the same time, there is no reason to think that the utilization of technological enhancements will not happen. As such, to best meet the challenge, it is unavoidable for Christians to engage transhumanism and posthumanism in an attempt to help guide which technologies should be pursued and which should be avoided. This project works toward that end. Beginning with competing views of what it means to be human the common positions of physicalism and substance dualism are shown wanting despite strong arguments in their favor. This project argues for a middle position – ensoulment – that attempts to take the best of both approaches but minimize their weaknesses. Likewise, this project examines the moral positions that propose the only moral criteria that matters is either “personhood only” or “human nature only.” Both of these positions are likewise found wanting and a third mediating position is pursued – an agency of relational responsibility. With these preliminary issues established, this project then proceeds to develop a hermeneutic of enhancement from a Christian perspective. The hope is that by following this model, Christians can help guide, accept, or reject various technologies as they are presented. The push for human enhancement cannot be stopped – there are simply too many goods to be obtained by their pursuit. However, any particular enhancement is not inevitable, and by utilizing the hermeneutic proposed in this project Christians can principally evaluate which enhancements should be allowed and which should be avoided. Advisors/Committee Members: Darlene Weaver, Elizabeth A. Cochran, Gerald Magill.

Subjects/Keywords: Christianity; Enhancement; Hermeneutic; Posthumanism; Therapy; Transhumanism

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APA (6^th Edition):

Wilson, R. L. (2017). Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/156

Chicago Manual of Style (16^th Edition):

Wilson, Richard Landrum. “Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology.” 2017. Doctoral Dissertation, Duquesne University. Accessed December 08, 2019. https://dsc.duq.edu/etd/156.

MLA Handbook (7^th Edition):

Wilson, Richard Landrum. “Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology.” 2017. Web. 08 Dec 2019.

Vancouver:

Wilson RL. Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology. [Internet] [Doctoral dissertation]. Duquesne University; 2017. [cited 2019 Dec 08]. Available from: https://dsc.duq.edu/etd/156.

Council of Science Editors:

Wilson RL. Techno-Salvation: Developing a Christian Hermeneutic of Enhancement Technology. [Doctoral Dissertation]. Duquesne University; 2017. Available from: https://dsc.duq.edu/etd/156

20. Kilbourn, Alyssa G. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy.

Degree: MA, English, 2016, St. Cloud State University

URL: https://repository.stcloudstate.edu/engl_etds/73

► Since 9/11, superheroes have become a popular medium for storytelling, so much so that popular culture is inundated with the narratives. More recently, the… (more)

Subjects/Keywords: Posthumanism; Superheroes; Television; Fantasy Theme Analysis

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APA (6^th Edition):

Kilbourn, A. G. (2016). Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy. (Masters Thesis). St. Cloud State University. Retrieved from https://repository.stcloudstate.edu/engl_etds/73

Chicago Manual of Style (16^th Edition):

Kilbourn, Alyssa G. “Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy.” 2016. Masters Thesis, St. Cloud State University. Accessed December 08, 2019. https://repository.stcloudstate.edu/engl_etds/73.

MLA Handbook (7^th Edition):

Kilbourn, Alyssa G. “Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy.” 2016. Web. 08 Dec 2019.

Vancouver:

Kilbourn AG. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy. [Internet] [Masters thesis]. St. Cloud State University; 2016. [cited 2019 Dec 08]. Available from: https://repository.stcloudstate.edu/engl_etds/73.

Council of Science Editors:

Kilbourn AG. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy. [Masters Thesis]. St. Cloud State University; 2016. Available from: https://repository.stcloudstate.edu/engl_etds/73

University of Colorado

21. Schmitt, Rachel M. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.

Degree: MA, 2017, University of Colorado

URL: https://scholar.colorado.edu/comm_gradetds/88

► This thesis proposes a rhetorical criticism of the curation process and material medium of the Voyager Golden Record, a phonograph archive of sounds and images… (more)

Subjects/Keywords: archive; frontier; memory; posthumanism; technology; Communication; Rhetoric

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APA (6^th Edition):

Schmitt, R. M. (2017). Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/comm_gradetds/88

Chicago Manual of Style (16^th Edition):

Schmitt, Rachel M. “Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.” 2017. Masters Thesis, University of Colorado. Accessed December 08, 2019. https://scholar.colorado.edu/comm_gradetds/88.

MLA Handbook (7^th Edition):

Schmitt, Rachel M. “Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology.” 2017. Web. 08 Dec 2019.

Vancouver:

Schmitt RM. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. [Internet] [Masters thesis]. University of Colorado; 2017. [cited 2019 Dec 08]. Available from: https://scholar.colorado.edu/comm_gradetds/88.

Council of Science Editors:

Schmitt RM. Archiving the “Best of Ourselves” on the Voyager Golden Records: Rhetorics of the Frontier, Memory, and Technology. [Masters Thesis]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/comm_gradetds/88

University of Manitoba

22. Shaw, David. Entanglement and response: locating human responsibility in Karen Barad’s agential realism.

Degree: English, Film, and Theatre, 2017, University of Manitoba

URL: http://hdl.handle.net/1993/32567

► The role of “the human” remains a contentious issue in the field of critical posthumanism. While there is broad agreement that the liberal humanist conception… (more)

Subjects/Keywords: Posthumanism; Agential Realism; Karen Barad; Agency; Responsibility

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APA (6^th Edition):

Shaw, D. (2017). Entanglement and response: locating human responsibility in Karen Barad’s agential realism. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/32567

Chicago Manual of Style (16^th Edition):

Shaw, David. “Entanglement and response: locating human responsibility in Karen Barad’s agential realism.” 2017. Masters Thesis, University of Manitoba. Accessed December 08, 2019. http://hdl.handle.net/1993/32567.

MLA Handbook (7^th Edition):

Shaw, David. “Entanglement and response: locating human responsibility in Karen Barad’s agential realism.” 2017. Web. 08 Dec 2019.

Vancouver:

Shaw D. Entanglement and response: locating human responsibility in Karen Barad’s agential realism. [Internet] [Masters thesis]. University of Manitoba; 2017. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1993/32567.

Council of Science Editors:

Shaw D. Entanglement and response: locating human responsibility in Karen Barad’s agential realism. [Masters Thesis]. University of Manitoba; 2017. Available from: http://hdl.handle.net/1993/32567

Victoria University of Wellington

23. Shaw, Carolyn. Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability.

Degree: 2019, Victoria University of Wellington

URL: http://hdl.handle.net/10063/8247

► This PhD examined a therapist’s experience of illness/disability to see if any new light could be shed on music therapy whilst also finding ways to… (more)

▼ This PhD examined a therapist’s experience of illness/disability to see if any new light could be shed on music therapy whilst also finding ways to navigate disability as a practitioner. There has not been adequate research attention given to the experiences of music therapists who have an illness/disability. The position is often negotiated in isolation with minimal tools and resources. An arts-based autoethnography was used to determine how the close examination of one’s personal experience with illness/disability can impact on practice, how the work can be negotiated, and to uncover any new practical or theoretical meanings. Furthermore, it looked to determine what arts-based autoethnography could offer one’s practice. A poststructural lens was used that drew on social constructionism, feminism, and the work of Michel Foucault. Data generated from a music therapist’s practice, experiences of illness/disability, literature, and professional documents were analysed using Foucault’s “critical ontology of ourselves” (Foucault, 1984b, p. 47). Hidden processes of problematic ableism were found within the practice examined as well as in some educational and professional encounters. These regimes of ableism were supported by universalising and dichotomising discourses, namely humanism, western normativity, limited observable understandings of disability, and the enforcement of able/disabled divide through many binaries. The methodology provided the tools to reposition the practice to politicise disability and address ableism. Addressing ableism was found to be more complex than simply incorporating disability issues into existing contemporary frameworks. The analysis led to the development of Post-Ableist Music Therapy (PAMT). PAMT extended the relational ethic beyond what was present in the prior practice by drawing on aspects of posthumanism, agonistic plurality, and increasing the visibility of disability studies and crip theory. Therefore, PAMT offers a different lens to the critical orientations’ apparatus: a social justice practice not based on empowerment and humanism but on agonism and posthumanism instead. As there is a lag in the theorisation of ableism, PAMT provides an alternative framework that can be applied to current approaches to increase our professional consciousness of ableism. By repositioning the practice and exploring alternative subjectivities, the professional and personal narratives of a therapist experiencing illness/disability became more integrated, working with–not against–each other in a shared activism. The methodology fostered an increased ethical care of the self; offered tools that critiqued what we are; experimented with going beyond the limits imposed on us. The use of such tools could have wider application in the everyday practices of therapists. The findings have significant implications for practice and training, as the challenges people and societies face cannot be adequately dealt with without tools to explicitly uncover and address normalisation and ableism. Advisors/Committee Members: Hoskyns, Sarah, Cornforth, Sue.

Subjects/Keywords: Music therapy; Posthumanism; Ableism; Disability; Practitioner-patient

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APA (6^th Edition):

Shaw, C. (2019). Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8247

Chicago Manual of Style (16^th Edition):

Shaw, Carolyn. “Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability.” 2019. Doctoral Dissertation, Victoria University of Wellington. Accessed December 08, 2019. http://hdl.handle.net/10063/8247.

MLA Handbook (7^th Edition):

Shaw, Carolyn. “Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability.” 2019. Web. 08 Dec 2019.

Vancouver:

Shaw C. Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2019. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10063/8247.

Council of Science Editors:

Shaw C. Developing post-ableist music therapy: An autoethnography exploring the counterpoint of a therapist experiencing illness/disability. [Doctoral Dissertation]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8247

Linköping University

24. Nilsson, Anna. Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan.

Degree: Language and Literature, 2019, Linköping University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597

► Syftet med studiet är att undersöka hur romanens protagonist kan läsas som en posthumanistisk karaktär, där det granskas hur hon relaterar till Haraways cyborg,… (more)

Subjects/Keywords: Posthumanism Esoterism Cyborg; General Literature Studies; Litteraturvetenskap

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APA (6^th Edition):

Nilsson, A. (2019). Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan. (Thesis). Linköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nilsson, Anna. “Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan.” 2019. Thesis, Linköping University. Accessed December 08, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nilsson, Anna. “Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan.” 2019. Web. 08 Dec 2019.

Vancouver:

Nilsson A. Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan. [Internet] [Thesis]. Linköping University; 2019. [cited 2019 Dec 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nilsson A. Cyborgkvinnan och korrespondenserna : Posthumanism och esoteriska inslag i Majgull Axelssons roman Aprilhäxan. [Thesis]. Linköping University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157597

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

25. Sasse, Julie Rae. Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini .

Degree: 2013, University of Arizona

URL: http://hdl.handle.net/10150/311191

► Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup… (more)

▼ Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup and symbolic meanings have changed over time from deities, demons, and oddities of nature to unconscious states of being and the socially and culturally marginalized. This dissertation will examine a history of hybrid beings and the work of Australian artist Patricia Piccinini. Her silicone sculptures, photographs, installations, and videos are hyperrealistic representations of composite beings that appear to have blended rather than fragmented characteristics of human and animal, which sets them apart from their historic precedents. Piccinini suggests that her hybrids are products of genetic engineering, ostensibly created to serve human beings as comforters, nurturers, protectors, and surrogates for humans and endangered species alike. I argue that Piccinini's hybrids shed light on the hubris and commercialism inherent in bioscientific advances, yet they also reveal a kind of societal ambivalence regarding the posthuman era. Her works suggest utopian aspirations for the future while mourning the loss of humanity as it has been known. Examining Piccinini's art through the lens of liminality and the body, I will contextualize her hybrids within cultural and art historical models from ancient Egypt and Greece through the Victorian eras. In particular, I will establish common ground with Mary Shelley's Frankenstein (1818), which served as an early inspiration for Piccinini's images and conceptual aims. I will also highlight hybrid imagery in Dada and Surrealism and feminist art to reveal the similarities and differences in their approaches and intent. Piccinini's works operate within Donna J. Haraway's notion of the cyborg; therefore, I will also analyze her art within that theoretical model. In addition, I will compare and contrast Piccinini's art to early hyprerrealist sculptors and contemporary artists working in this manner. Piccinini's hybrids establish that both humans and animals are social constructs, and that society has a responsibility for the life forms it creates. Ultimately, this project demonstrates that Piccinini's hybrids are not cautionary tales of a dystopian future but representations of the biotechnological sublime. Advisors/Committee Members: Ivey, Paul E (advisor), Ivey, Paul E. (committeemember), Moore, Sarah J. (committeemember), Busbea, Larry D. (committeemember).

Subjects/Keywords: Frankenstein; hybridity; hyperrealism; posthumanism; postmodernism; Art; cyborg

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APA (6^th Edition):

Sasse, J. R. (2013). Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/311191

Chicago Manual of Style (16^th Edition):

Sasse, Julie Rae. “Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini .” 2013. Doctoral Dissertation, University of Arizona. Accessed December 08, 2019. http://hdl.handle.net/10150/311191.

MLA Handbook (7^th Edition):

Sasse, Julie Rae. “Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini .” 2013. Web. 08 Dec 2019.

Vancouver:

Sasse JR. Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini . [Internet] [Doctoral dissertation]. University of Arizona; 2013. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10150/311191.

Council of Science Editors:

Sasse JR. Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini . [Doctoral Dissertation]. University of Arizona; 2013. Available from: http://hdl.handle.net/10150/311191

Princeton University

26. Cooper, Samuel Durham. Aristophanes, Posthumanism, and the Roots of Science Fiction .

Degree: PhD, 2016, Princeton University

URL: http://arks.princeton.edu/ark:/88435/dsp017p88ck02j

► Previous scholars have characterized science fiction as a genre that begins either in 1600 CE, with so-called “modern science,” or in the 19th century CE,… (more)

Subjects/Keywords: Aristophanes; Comedy; Posthumanism; Science Fiction; Technology; Transhumanism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cooper, S. D. (2016). Aristophanes, Posthumanism, and the Roots of Science Fiction . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp017p88ck02j

Chicago Manual of Style (16^th Edition):

Cooper, Samuel Durham. “Aristophanes, Posthumanism, and the Roots of Science Fiction .” 2016. Doctoral Dissertation, Princeton University. Accessed December 08, 2019. http://arks.princeton.edu/ark:/88435/dsp017p88ck02j.

MLA Handbook (7^th Edition):

Cooper, Samuel Durham. “Aristophanes, Posthumanism, and the Roots of Science Fiction .” 2016. Web. 08 Dec 2019.

Vancouver:

Cooper SD. Aristophanes, Posthumanism, and the Roots of Science Fiction . [Internet] [Doctoral dissertation]. Princeton University; 2016. [cited 2019 Dec 08]. Available from: http://arks.princeton.edu/ark:/88435/dsp017p88ck02j.

Council of Science Editors:

Cooper SD. Aristophanes, Posthumanism, and the Roots of Science Fiction . [Doctoral Dissertation]. Princeton University; 2016. Available from: http://arks.princeton.edu/ark:/88435/dsp017p88ck02j

27. Smitz, Mikael. "En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen.

Degree: Culture and Education, 2015, Södertörn University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237

► The intention of this study is to investigate the human/animal-relation as a power relation in Sara Lidman’s novel The Tar Pit (Tjärdalen, 1953). With… (more)

Subjects/Keywords: posthumanism; anthropocentrism; Sara Lidman; The Tar Pit; animals; posthumanism; antropocentrism; Sara Lidman; Tjärdalen; djur

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Smitz, M. (2015). "En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Smitz, Mikael. “"En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen.” 2015. Thesis, Södertörn University. Accessed December 08, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Smitz, Mikael. “"En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen.” 2015. Web. 08 Dec 2019.

Vancouver:

Smitz M. "En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen. [Internet] [Thesis]. Södertörn University; 2015. [cited 2019 Dec 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smitz M. "En by är ingen lagård" : en undersökning av människa/djur-relationen i Sara Lidmans Tjärdalen. [Thesis]. Södertörn University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Hultenius, Petra. Materialitetens betydelse i Kulturskolans dansundervisning.

Degree: 2019, , Dance Pedagogy Department

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544

► This is a study that looks at the teaching process of making a dance show within the Community School of Arts from a posthumanist… (more)

Subjects/Keywords: Dance education; Community School of Arts; posthumanism; Dansundervisning; kulturskolor; posthumanism; Arts; Konst; Didactics; Didaktik; Pedagogical Work; Pedagogiskt arbete; Performing Arts; Scenkonst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hultenius, P. (2019). Materialitetens betydelse i Kulturskolans dansundervisning. (Thesis). , Dance Pedagogy Department. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hultenius, Petra. “Materialitetens betydelse i Kulturskolans dansundervisning.” 2019. Thesis, , Dance Pedagogy Department. Accessed December 08, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hultenius, Petra. “Materialitetens betydelse i Kulturskolans dansundervisning.” 2019. Web. 08 Dec 2019.

Vancouver:

Hultenius P. Materialitetens betydelse i Kulturskolans dansundervisning. [Internet] [Thesis]. , Dance Pedagogy Department; 2019. [cited 2019 Dec 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hultenius P. Materialitetens betydelse i Kulturskolans dansundervisning. [Thesis]. , Dance Pedagogy Department; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-544

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

29. Schweiger, Robert Junior. Posthumanism in late Soviet science fiction.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/45799

► Becoming posthuman does not mean letting go of all human ethics. Rather, the posthuman turn is about a pluralisation of perspectives, which does not mean… (more)

Subjects/Keywords: Soviet Union; science fiction; posthumanism; Tarkovsky; Strugatsky; Lem

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APA (6^th Edition):

Schweiger, R. J. (2017). Posthumanism in late Soviet science fiction. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/45799

Chicago Manual of Style (16^th Edition):

Schweiger, Robert Junior. “Posthumanism in late Soviet science fiction.” 2017. Masters Thesis, Leiden University. Accessed December 08, 2019. http://hdl.handle.net/1887/45799.

MLA Handbook (7^th Edition):

Schweiger, Robert Junior. “Posthumanism in late Soviet science fiction.” 2017. Web. 08 Dec 2019.

Vancouver:

Schweiger RJ. Posthumanism in late Soviet science fiction. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1887/45799.

Council of Science Editors:

Schweiger RJ. Posthumanism in late Soviet science fiction. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/45799

UCLA

30. Brown, Shelina Louise. Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present.

Degree: Musicology, 2018, UCLA

URL: http://www.escholarship.org/uc/item/2hn2d12t

► This dissertation involves the development of a theoretical framework for understanding non-normative gendered vocal subjectivities emergent within counter-hegemonic, experimental vocal performances. In particular, I choose… (more)

Subjects/Keywords: Music; Bracha Ettinger; Feminism; Posthumanism; Psychoanalysis; Vocality; Yoko Ono

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brown, S. L. (2018). Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/2hn2d12t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brown, Shelina Louise. “Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present.” 2018. Thesis, UCLA. Accessed December 08, 2019. http://www.escholarship.org/uc/item/2hn2d12t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brown, Shelina Louise. “Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present.” 2018. Web. 08 Dec 2019.

Vancouver:

Brown SL. Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present. [Internet] [Thesis]. UCLA; 2018. [cited 2019 Dec 08]. Available from: http://www.escholarship.org/uc/item/2hn2d12t.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown SL. Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968 - Present. [Thesis]. UCLA; 2018. Available from: http://www.escholarship.org/uc/item/2hn2d12t

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations