subject:(Popular culture Political aspects South Africa)

University of Johannesburg

1. Lintvelt, Theresa. The implementation of popular culture in creative advertising strategy in post-apartheid South Africa.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/10005

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M.A. (Communication Studies)

This dissertation will concentrate on the manner in which the signification system of popular culture in advertising texts operate within the context… (more)

Subjects/Keywords: Popular culture - South Africa; Popular culture - Political aspects- South Africa; Popular culture - Social aspects - South Africa; Advertising, Political - South Africa

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APA (6^th Edition):

Lintvelt, T. (2014). The implementation of popular culture in creative advertising strategy in post-apartheid South Africa. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/10005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lintvelt, Theresa. “The implementation of popular culture in creative advertising strategy in post-apartheid South Africa.” 2014. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/10005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lintvelt, Theresa. “The implementation of popular culture in creative advertising strategy in post-apartheid South Africa.” 2014. Web. 21 Jan 2021.

Vancouver:

Lintvelt T. The implementation of popular culture in creative advertising strategy in post-apartheid South Africa. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/10005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lintvelt T. The implementation of popular culture in creative advertising strategy in post-apartheid South Africa. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/10005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

2. Van der Merwe, Schalk Daniel. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.

Degree: PhD, History, 2015, Stellenbosch University

URL: http://hdl.handle.net/10019.1/97935

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ENGLISH ABSTRACT: This thesis provides an analytical account of the interaction between political events and popular music culture with specific reference to recorded Afrikaans music… (more)

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ENGLISH ABSTRACT: This thesis provides an analytical account of the interaction between political events and popular music culture with specific reference to recorded Afrikaans music of the last 115 years. It starts with the first recordings of Boer national anthems during the Anglo-Boer War in 1900, and concludes with expressions of racial exclusivity in post-apartheid Afrikaans pop music. It reveals cases of compliance with, as well as resistance to, the master narrative of Afrikaner nationalism as it existed for most of the twentieth century, and gives examples of how these values persist in the present. By employing popular Afrikaans music as a lens, a clearer image of the agency of ordinary individuals (artists and listeners) emerges against a background of fundamental societal and political change. Furthermore, by looking at popular Afrikaans music over a wide historical period, salient themes (for example class tension and the ubiquitous efforts by cultural nationalist entrepreneurs to co-opt popular Afrikaans music into the Afrikaner nationalist project) in the development of Afrikaner culture over this period are highlighted, which helps to historicise the invocation of Afrikaner nostalgia in postapartheid Afrikaans pop.

AFRIKAANSE OPSOMMING: Hierdie tesis bied ‘n analitiese verhaling van die interaksie tussen politieke gebeure en populêre musiekkultuur met spesifieke verwysing na opgeneemde Afrikaanse musiek oor die laaste 115 jaar. Dit begin met die eerste opnames van die nasionale volksliedere van die Boererepublieke tydens die Anglo-Boereoorlog, en sluit af met uitdrukkings van rasseeksklusiwiteit in post-apartheid Afrikaanse popmusiek. Die tesis verskaf voorbeelde van die onderstuening van, en verset teen, die meesternarratief van Afrikanernasionalisme soos dit bestaan het vir groot gedeeltes van die twintigste eeu, en gee ook voorbeelde van hoe hierdie waardes nog manifesteer in die hede. Deur populêre musiek in te span as ‘n lens, word ‘n duideliker idee verkry van die lewens van gewone mense (kunstenaars en luisteraars), gesien teen ‘n agtergrond van fundamentele sosiale en politieke verandering. Deur 'n oorsig te skep van populêre musiek oor ‘n lang historiese tydperk, word sekere opvallende temas in die ontwikkeling van Afrikanerkultuur oor hierdie periode (byvoorbeeld klassespanning en die herhaalde pogings deur kulturele nasionalistiese entrepreneurs om populêre Afrikaanse musiek te ko-opteer vir die Afrikanernasionalistiese projek) blootgelê. Dit dra by daartoe om die tematiese gebruik van Afrikaner nostalgie in post-apartheid Afrikaanse popmusiek te historiseer.

Advisors/Committee Members: Grundlingh, Albert Mauritz, Muller, Stephanus, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of History..

Subjects/Keywords: Cultural identity – South Africa; Popular music, Afrikaans – South Africa; Popular music, Afrikaans – Social aspects; Popular music, Afrikaans – Influence; Popular culture – South Africa; Music – Social aspects – South Africa; Music – Political aspects – South Africa; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Van der Merwe, S. D. (2015). The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/97935

Chicago Manual of Style (16^th Edition):

Van der Merwe, Schalk Daniel. “The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.” 2015. Doctoral Dissertation, Stellenbosch University. Accessed January 21, 2021. http://hdl.handle.net/10019.1/97935.

MLA Handbook (7^th Edition):

Van der Merwe, Schalk Daniel. “The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015.” 2015. Web. 21 Jan 2021.

Vancouver:

Van der Merwe SD. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. [Internet] [Doctoral dissertation]. Stellenbosch University; 2015. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10019.1/97935.

Council of Science Editors:

Van der Merwe SD. The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. [Doctoral Dissertation]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/97935

Rhodes University

3. Parker, Jemima. Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics.

Degree: Faculty of Humanities, Political and International Studies, 2020, Rhodes University

URL: http://hdl.handle.net/10962/115006

► This thesis is concerned with the crisis of xenophobia in South Africa. It argues, firstly, that xenophobia itself is not primarily a reaction to poverty,… (more)

Subjects/Keywords: Xenophobia – South Africa; Nationalism – South Africa; Lazarus, Sylvain – Political and social views; Political culture – South Africa; Social change – South Africa – Political aspects; Discourse analysis – South Africa – Political aspects; South Africa – Politics and government – 1994-; Political science – Philosophy; Political sociology – South Africa

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APA (6^th Edition):

Parker, J. (2020). Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/115006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Parker, Jemima. “Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics.” 2020. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/115006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Parker, Jemima. “Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics.” 2020. Web. 21 Jan 2021.

Vancouver:

Parker J. Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics. [Internet] [Thesis]. Rhodes University; 2020. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/115006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parker J. Understanding popular resistance to xenophobia in South Africa: ‘people think’ and the possibility of alternative politics. [Thesis]. Rhodes University; 2020. Available from: http://hdl.handle.net/10962/115006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Cape Town

4. Kozain, Rustum. Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli.

Degree: Image, English Language and Literature, 1994, University of Cape Town

URL: http://hdl.handle.net/11427/20139

► The general aims of this dissertation are: to study a form of literature traditionally disregarded by a text-bound academy; to argue that form is an… (more)

Subjects/Keywords: Poets, Black - South Africa; Poets, Black - Great Britain; Aesthetics; Folk poetry - Political aspects - South Africa; Popular culture; Oral literature - South Africa

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APA (6^th Edition):

Kozain, R. (1994). Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kozain, Rustum. “Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli.” 1994. Thesis, University of Cape Town. Accessed January 21, 2021. http://hdl.handle.net/11427/20139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kozain, Rustum. “Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli.” 1994. Web. 21 Jan 2021.

Vancouver:

Kozain R. Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli. [Internet] [Thesis]. University of Cape Town; 1994. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/11427/20139.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kozain R. Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli. [Thesis]. University of Cape Town; 1994. Available from: http://hdl.handle.net/11427/20139

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

5. Nkuna, Lucert Promise. Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/10205

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M.A. (Industrial Sociology)

Identity construction amongst the youth is a vital process as it shapes who they are and what they want to be. Rapid… (more)

Subjects/Keywords: Identity (Psychology) in youth - South Africa; Identity (Psychology) in adolescence - South Africa; Popular culture - South Africa; Shopping malls - Social aspects - South Africa

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APA (6^th Edition):

Nkuna, L. P. (2014). Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/10205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nkuna, Lucert Promise. “Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004.” 2014. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/10205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nkuna, Lucert Promise. “Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004.” 2014. Web. 21 Jan 2021.

Vancouver:

Nkuna LP. Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/10205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nkuna LP. Youth identity and popular culture at The Zone, Rosebank (Johannesburg), c. 2004. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/10205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

6. Kruger, Christoffel Johannes. 'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal.

Degree: 2012, University of Johannesburg

URL: http://hdl.handle.net/10210/5489

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D.Litt. et Phil.

The opponents of the White minority government in South Africa succeeded in 1994, by means of the electorial process, to obtain the… (more)

Subjects/Keywords: Social conflict - South Africa - KwaZulu-Natal.; Culture conflict - South Africa - KwaZulu-Natal; Racism - South Africa; Ethnic relations - Political aspects - South Africa- KwaZulu-Natal; Violence – South Africa – KwaZulu-Natal – History

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APA (6^th Edition):

Kruger, C. J. (2012). 'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/5489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kruger, Christoffel Johannes. “'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal.” 2012. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/5489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kruger, Christoffel Johannes. “'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal.” 2012. Web. 21 Jan 2021.

Vancouver:

Kruger CJ. 'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal. [Internet] [Thesis]. University of Johannesburg; 2012. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/5489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kruger CJ. 'n Strategiese ontleding van die konflik in die benede Umzimkulu-gebied van KwaZulu-Natal. [Thesis]. University of Johannesburg; 2012. Available from: http://hdl.handle.net/10210/5489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

7. Cowling, Lesley. Saving the Sowetan : the public interest and commercial imperatives in journalism practice.

Degree: Faculty of Humanities, Journalism and Media Studies, 2015, Rhodes University

URL: http://hdl.handle.net/10962/d1017781

► This thesis examines the complex ways in which notions of the public interest and commercial imperatives intertwine in journalism practice. It does this through a… (more)

▼ This thesis examines the complex ways in which notions of the public interest and commercial imperatives intertwine in journalism practice. It does this through a study of the 2004 takeover and relaunch of the Sowetan newspaper, the highest circulation daily in South Africa throughout the 1990s and an institution of black public life. The ‘public interest’ and ‘the commercial’ are recurring ideas in journalism scholarship and practice, and the relaunch appeared to be a challenge to reconcile the Sowetan’s commercial challenges with its historical responsibility to a ‘nation-building’ public. However, the research shows that the public/commercial aspects of journalism were inextricably entangled with Sowetan’s organisational culture, which was the matrix through which its journalism practice was expressed. Conflict in the organisation over the changes was not simply a contest between commercial realities and the public interest, with journalists defending a responsibility to the public and managers pushing commercial solutions, but a conflict between the culture of Sowetan “insiders”, steeped in the legacy of the newspaper, and “outsiders”, employed by the new owners to effect change. Another conclusion of the research is that commercial “realities” – often conceptualised as counter to the public interest – are highly mutable. Basic conditions, such as a dependence on advertising, exist. However, media managers must choose from a range of strategies to be commercially viable, which requires risk-taking, innovation and, often, guesswork. In such situations, the ‘wall’ between media managers and senior editors is porous, as all executives must manage the relationship between business and editorial imperatives. Executives tend to overlook culture as a factor in changing organisations, but I argue that journalism could benefit from engaging with management theory and organisational psychology, which offer ways to understand the specific dynamics of the organisation. Finally, I argue that the case of the Sowetan throws into question the idea that there may be a broadly universal journalism culture. The attachment of Sowetan journalists to their particular values and practice suggests that forms of journalism evolve in certain contexts to diverge from the ‘professional’ Anglo-American modes. These ‘journalisms’ use similar terms – such as the ‘public interest’ – but operationalise them quite differently. The responsibility to the public is imagined in very different ways, but remains a significant attachment for journalists.

Subjects/Keywords: Sowetan (Johannesburg, South Africa); Journalism – Economic aspects – South Africa – Soweto; Journalism – Political aspects – South Africa – Soweto; Black newspapers – South Africa – Soweto; Public interest – South Africa – Soweto; Corporate culture – South Africa – Soweto; Journalistic ethics – South Africa – Soweto; Journalism – Objectivity – South Africa – Soweto

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cowling, L. (2015). Saving the Sowetan : the public interest and commercial imperatives in journalism practice. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1017781

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cowling, Lesley. “Saving the Sowetan : the public interest and commercial imperatives in journalism practice.” 2015. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/d1017781.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cowling, Lesley. “Saving the Sowetan : the public interest and commercial imperatives in journalism practice.” 2015. Web. 21 Jan 2021.

Vancouver:

Cowling L. Saving the Sowetan : the public interest and commercial imperatives in journalism practice. [Internet] [Thesis]. Rhodes University; 2015. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/d1017781.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cowling L. Saving the Sowetan : the public interest and commercial imperatives in journalism practice. [Thesis]. Rhodes University; 2015. Available from: http://hdl.handle.net/10962/d1017781

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Nelson Mandela Metropolitan University

8. Chong, Sandra Pow. Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections.

Degree: Faculty of Arts, 2015, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/11416

► Political organisations are now using a two-way path of communication thanks to the development of technological platforms that work in-sync with the internet to allow… (more)

Subjects/Keywords: Communication – Political aspects – South Africa; Mass media – Political aspects – South Africa; Political campaigns – South Africa

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APA (6^th Edition):

Chong, S. P. (2015). Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/11416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chong, Sandra Pow. “Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections.” 2015. Thesis, Nelson Mandela Metropolitan University. Accessed January 21, 2021. http://hdl.handle.net/10948/11416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chong, Sandra Pow. “Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections.” 2015. Web. 21 Jan 2021.

Vancouver:

Chong SP. Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2015. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10948/11416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chong SP. Political communication: a case study of the Democratic Alliance and its use of digital media in the 2014 South African General Elections. [Thesis]. Nelson Mandela Metropolitan University; 2015. Available from: http://hdl.handle.net/10948/11416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

9. Van den Berg, Nita. Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/12070

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M.A. (Communication Studies)

Negotiation is at present a key concept in South Africa. It is also a comprehensive one. This is the motivation for this… (more)

Subjects/Keywords: Negotiation - Political aspects - South Africa; Communication - Political aspects - South Africa

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APA (6^th Edition):

Van den Berg, N. (2014). Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Van den Berg, Nita. “Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses.” 2014. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/12070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Van den Berg, Nita. “Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses.” 2014. Web. 21 Jan 2021.

Vancouver:

Van den Berg N. Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/12070.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van den Berg N. Die dinamika van politieke onderhandelingskommunikasie met toepassings op die Suid-Afrikaanse onderhandelingsproses. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12070

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Nelson Mandela Metropolitan University

10. Uwuoruya, Osabuohien Clifford. A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood.

Degree: 2018, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/36738

► The focus of this research study is on investigating how certain Nigerian youths expression of their agency at consuming popular music as a cultural product… (more)

Subjects/Keywords: Popular culture – South Africa – Port Elizabeth; Music and youth – Africa; Africa – In popular culture; Music and globalization – Africa; Socialism

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APA (6^th Edition):

Uwuoruya, O. C. (2018). A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/36738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Uwuoruya, Osabuohien Clifford. “A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood.” 2018. Thesis, Nelson Mandela Metropolitan University. Accessed January 21, 2021. http://hdl.handle.net/10948/36738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Uwuoruya, Osabuohien Clifford. “A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood.” 2018. Web. 21 Jan 2021.

Vancouver:

Uwuoruya OC. A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2018. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10948/36738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Uwuoruya OC. A sociological investigation of popular music consumption among Nigerian youths living at Summerstrand and Humewood. [Thesis]. Nelson Mandela Metropolitan University; 2018. Available from: http://hdl.handle.net/10948/36738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Michigan State University

11. Fuente Cuesta, Judit. Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation.

Degree: 2018, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:19466

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This dissertation explores the evolution of the most noteworthy female celebrities and influential women in Spanish popular culture, from the Francoist dictatorship (1939-1975) to neoliberal… (more)

Subjects/Keywords: Popular culture – Spain – History; Popular culture – Political aspects – Spain; Women in popular culture – Spain – History; Celebrities in popular culture – Spain – History; Women in popular culture; Popular culture – Political aspects; Popular culture; Celebrities in popular culture; European studies; European history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fuente Cuesta, J. (2018). Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:19466

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fuente Cuesta, Judit. “Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation.” 2018. Thesis, Michigan State University. Accessed January 21, 2021. http://etd.lib.msu.edu/islandora/object/etd:19466.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fuente Cuesta, Judit. “Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation.” 2018. Web. 21 Jan 2021.

Vancouver:

Fuente Cuesta J. Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation. [Internet] [Thesis]. Michigan State University; 2018. [cited 2021 Jan 21]. Available from: http://etd.lib.msu.edu/islandora/object/etd:19466.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fuente Cuesta J. Celebridades, poder y afectividad en Espana (1939-2015 : mujeres Espanolas como representacion de la nacion = Celebrities, power and affect in Spain (1939-2015) : Spanish women as embodiment of the nation. [Thesis]. Michigan State University; 2018. Available from: http://etd.lib.msu.edu/islandora/object/etd:19466

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Durban University of Technology

12. Ravjee, Latha. Graphic design for social justice in South Africa.

Degree: 2012, Durban University of Technology

URL: http://hdl.handle.net/10321/770

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Dissertation submitted in partial fulfilment of the academic requirements for the Master of Technology Degree: Graphic Design, Durban University of Technology, 2011.

In this dissertation… (more)

Subjects/Keywords: Graphic arts – Political aspects – South Africa; Social justice – South Africa; Political posters, South African

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ravjee, L. (2012). Graphic design for social justice in South Africa. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/770

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ravjee, Latha. “Graphic design for social justice in South Africa.” 2012. Thesis, Durban University of Technology. Accessed January 21, 2021. http://hdl.handle.net/10321/770.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ravjee, Latha. “Graphic design for social justice in South Africa.” 2012. Web. 21 Jan 2021.

Vancouver:

Ravjee L. Graphic design for social justice in South Africa. [Internet] [Thesis]. Durban University of Technology; 2012. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10321/770.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ravjee L. Graphic design for social justice in South Africa. [Thesis]. Durban University of Technology; 2012. Available from: http://hdl.handle.net/10321/770

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

13. Trossbach, Anne Roswitha. “Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach.

Degree: MA, Political Science, 2019, Stellenbosch University

URL: http://hdl.handle.net/10019.1/107245

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ENGLISH ABSTRACT: The last two decades have seen an impressive growth in Internet and Communication Technologies (ICTs) around the world, affecting almost every aspect of… (more)

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ENGLISH ABSTRACT: The last two decades have seen an impressive growth in Internet and Communication Technologies (ICTs) around the world, affecting almost every aspect of citizens’ lives, including politics. Soon after these technologies became widely available to the public, scholars have expressed a growing interest in how they might affect citizens. Since then, a new body of literature has emerged that seeks to measure relationships between Internet use and political attitudes and behaviour. Opinions differ largely between ‘cyber-optimists’ who believe that the Internet has the potential to increase citizens’ involvement in politics and foster positive political attitudes, and ‘cyber-pessimists’ who contend that the medium has done little to change the way citizens perceive politics and that it may even decrease levels of involvement. Yet, these studies have been conducted mainly in advanced democracies with almost universal access to the Internet and little is known about how the Internet and social media are utilised in the South African context. Given the effective utilisation of social media during the South African university hashtag movements in 2015 and the recent interruption of Internet access in countries such as Zimbabwe and the DRC in response to civilian unrest, it is surprising that only a few scholars have devoted attention to investigate the way in which Internet use affects citizen attitudes in Africa. With the aid of the Afrobarometer Round 6 survey of 2015 and a focus group discussion, this study seeks to fill this gap by utilising a mixed-methods approach to determine how the use of the Internet and social media affect political attitudes and behaviour of South Africans. It draws from a large body of the global, western literature to develop a framework that fits the context of the research. First, the study makes use of a quantitative approach to measure associations between Internet and social media use and political attitudes and behaviour. The correlations are suggest that growing Internet access in South Africa has begun to have an impact on citizens’ political attitudes and behaviour. Thereafter, the study attempts to determine underlying factors that might support statistical outcomes through the aid of a focus group discussion with students from Stellenbosch University. The global literature, in conjunction with the findings of this research study, suggests that the most active users are predominantly educated, young people. Therefore, university students are considered to be a suitable target group to conduct focus groups. The outcome of this research study intends to mark a step toward a closer investigation by South African scholars on how ICTs might shape citizen political attitudes and opinions.

AFRIKAANSE OPSOMMING: In die afgelope twee dekades is daar wêrelweld ‘n indrukwekkende groei in internet en kommunikasietegnologieë (IKT’s), wat byna elke aspek van die lewens van die burgers beïnvloed, insluitende die politiek. Kort nadat hierdie tegnologieë vir die publiek…

Advisors/Committee Members: Schulz-Herzenberg, Collette, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Political Science..

Subjects/Keywords: Internet – Social aspects – South Africa; Political behavior – South Africa; Communication in politics – South Africa; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Trossbach, A. R. (2019). “Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/107245

Chicago Manual of Style (16^th Edition):

Trossbach, Anne Roswitha. ““Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach.” 2019. Masters Thesis, Stellenbosch University. Accessed January 21, 2021. http://hdl.handle.net/10019.1/107245.

MLA Handbook (7^th Edition):

Trossbach, Anne Roswitha. ““Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach.” 2019. Web. 21 Jan 2021.

Vancouver:

Trossbach AR. “Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach. [Internet] [Masters thesis]. Stellenbosch University; 2019. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10019.1/107245.

Council of Science Editors:

Trossbach AR. “Politics as usual?”-The influence of the internet on political values, attitudes, and behaviour in South Africa : A mixed study approach. [Masters Thesis]. Stellenbosch University; 2019. Available from: http://hdl.handle.net/10019.1/107245

14. Koekemoer, Anja. How the ANC, the DA and the EFF construct South Africa as a nation.

Degree: MA, Political Science, 2017, Stellenbosch University

URL: http://hdl.handle.net/10019.1/102844

► ENGLISH ABSTRACT: The ‘nation’ is a powerful social construct. How it is understood has significant consequences for a society and its people. Actors compete for… (more)

Subjects/Keywords: Nationalism – South Africa; Ethnic relations – Political aspects – South Africa; Post-apartheid era – South Africa; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Koekemoer, A. (2017). How the ANC, the DA and the EFF construct South Africa as a nation. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/102844

Chicago Manual of Style (16^th Edition):

Koekemoer, Anja. “How the ANC, the DA and the EFF construct South Africa as a nation.” 2017. Masters Thesis, Stellenbosch University. Accessed January 21, 2021. http://hdl.handle.net/10019.1/102844.

MLA Handbook (7^th Edition):

Koekemoer, Anja. “How the ANC, the DA and the EFF construct South Africa as a nation.” 2017. Web. 21 Jan 2021.

Vancouver:

Koekemoer A. How the ANC, the DA and the EFF construct South Africa as a nation. [Internet] [Masters thesis]. Stellenbosch University; 2017. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10019.1/102844.

Council of Science Editors:

Koekemoer A. How the ANC, the DA and the EFF construct South Africa as a nation. [Masters Thesis]. Stellenbosch University; 2017. Available from: http://hdl.handle.net/10019.1/102844

University of Johannesburg

15. Palmer, Simon Alfred. Riglyne vir 'n demokratiese onderwyskundige model.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/10006

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M.Ed. (Philosophy of Education)

The topic of the study was the establishment of guidelines for a democratic teaching model in South Africa. The emphasis of… (more)

Subjects/Keywords: Education and state - South Africa.; Schools - Political aspects - South Africa.; Educational change - South Africa

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APA (6^th Edition):

Palmer, S. A. (2014). Riglyne vir 'n demokratiese onderwyskundige model. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/10006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Palmer, Simon Alfred. “Riglyne vir 'n demokratiese onderwyskundige model.” 2014. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/10006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Palmer, Simon Alfred. “Riglyne vir 'n demokratiese onderwyskundige model.” 2014. Web. 21 Jan 2021.

Vancouver:

Palmer SA. Riglyne vir 'n demokratiese onderwyskundige model. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/10006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palmer SA. Riglyne vir 'n demokratiese onderwyskundige model. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/10006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

16. Leresche, Antoinette. The politics of tuberculosis : a policy analysis of the tuberculosis control programme.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/9767

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M.A. (Political Science)

Although an effective cure for tuberculosis exists, the incidence and mortality rate for TB in South Africa remain exceptionally high. The reason… (more)

▼

M.A. (Political Science)

Although an effective cure for tuberculosis exists, the incidence and mortality rate for TB in South Africa remain exceptionally high. The reason for this is both medical as well as sociopolitical. The purpose of this dissertation is to examine the inter-action of various differential variables which influence the control of TB in this country. TB whilst caused by a germ, is adversely affected by socioeconomic deprivation, which in turn has distinct political connotations in South Africa. The dissertation therefore examines the inter-play of the historical and present influences of sociopolitical factors on the TB situation at present. Another important aspect of TB control is the State's efforts to control TB through the TB Control Programme (TBCP). This dissertation discusses the objectives of the TBCP and meaSures its effectivity against the socio-political context in which it functions. This is followed by a series of suggestions including an examination of the financial implications of these. A non-governmental organisation (NGO), SANTA ( The South African National TB Association) is a further actor in the control of TB. As specified delegates of the State for TB health education, it is essential that their role be examined both in terms of the TBCP as well as in terms of their own stated objectives for TB control. This includes an examination of the role of NGOs in complimenting the activities of the State and their believability in the community they claim to serve. Further proposals are put forward with regard to ways in which SANTA can improve their believability, relevance and effectivity within TB control in South Africa. Further influencing factors are the impact of AIDS and political violence on TB and the ability of the various actors to control TB. These two aspects are discussed briefly and constitute areas for further research. In addition it would be relevant for some form of cost-benefit analysis to be conducted, in order to extend the scope of the policy analysis conducted here.

Subjects/Keywords: Tuberculosis - South Africa - Prevention; Tuberculosis - Political aspects - South Africa; Tuberculosis - Government policy - South Africa

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APA (6^th Edition):

Leresche, A. (2014). The politics of tuberculosis : a policy analysis of the tuberculosis control programme. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/9767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Leresche, Antoinette. “The politics of tuberculosis : a policy analysis of the tuberculosis control programme.” 2014. Thesis, University of Johannesburg. Accessed January 21, 2021. http://hdl.handle.net/10210/9767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Leresche, Antoinette. “The politics of tuberculosis : a policy analysis of the tuberculosis control programme.” 2014. Web. 21 Jan 2021.

Vancouver:

Leresche A. The politics of tuberculosis : a policy analysis of the tuberculosis control programme. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10210/9767.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leresche A. The politics of tuberculosis : a policy analysis of the tuberculosis control programme. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/9767

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Nelson Mandela Metropolitan University

17. Mpapela, Vuyo. Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment.

Degree: Faculty of Arts, 2017, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/19179

► South Africa‟s liberal democratic constitution allows for political competition for office, enhanced by the media‟s involvement or role, as both stakeholder and facilitator for debate… (more)

Subjects/Keywords: Mass media – Political aspects – South Africa; Democracy – South Africa – Communication; Communication in politics – South Africa

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APA (6^th Edition):

Mpapela, V. (2017). Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/19179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mpapela, Vuyo. “Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment.” 2017. Thesis, Nelson Mandela Metropolitan University. Accessed January 21, 2021. http://hdl.handle.net/10948/19179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mpapela, Vuyo. “Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment.” 2017. Web. 21 Jan 2021.

Vancouver:

Mpapela V. Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2017. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10948/19179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mpapela V. Our turn to eat?: an Interrogation of South African media discourse on allocation of value through cadre deployment. [Thesis]. Nelson Mandela Metropolitan University; 2017. Available from: http://hdl.handle.net/10948/19179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

18. Legge, Janet Helen. Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis.

Degree: Faculty of Humanities, English Language and Linguistics, 2013, Rhodes University

URL: http://hdl.handle.net/10962/d1005956

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Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa.… (more)

▼

Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa. They both appeal to young audiences of between 18 and 34 years of age, approximately, and target middle-class, educated groups of readers. My interest in Cosmopolitan and FHM lies in their ability to influence and shape their readers' actions, values, identities and relationships, in particular with the other gender. My analysis is focused on the cover pages and the Editor's letters of six copies of each magazine, ranging from April to September 2003, providing me with a corpus of 12 cover pages and 12 Editor's letters. I adopt a critical perspective through the use of Fairclough's (1989) Critical Discourse Analysis, supported by Mills (1995) Feminist Stylistics, McLoughlin's (2000) textual analysis of cover pages and Kress & van Leeuwen's (1996) visual analysis tools. By combining these different methodologies my research falls into what is newly termed Feminist Critical Discourse Analysis (Lazar 2005). The cover page analyses used primarily McLoughlin and Kress & van Leeuwen and provides an element of pure genre analysis, while the analysis of the Editor's letters were subject to Fairclough's three inter-related stages of analysis, namely: a Description of the formal textual elements of the letters, an Interpretation which analyses the processes of text production and interpretation, and lastly an Explanation of the socio-historical context. Through an analysis of these magazines, whose interests are being served and how the readers are shaped and positioned by the magazines can be identified. My analyses revealed conflicting discourses within each magazine, however it was Cosmopolitan that revealed more tension and conflict in terms of identifying and representing women, while FHM subscribed, for the most part, uniformly to the "new lad" ideology. However, while Cosmopolitan attempted to show a forward-thinking and emancipatory view of the roles of men and women in society, both magazines covertly sustain patriarchal dominance and hegemonic masculinity. In conclusion, I reveal the need for consumers of the mass media to become more critically aware of the ideologies that are promoted through the differing tools of the media and that only through this critical awareness can any further movement towards equal relations between men and women be made.

KMBT_363

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Subjects/Keywords: For Him Magazine (South Africa); Cosmopolitan (South Africa); Discourse analysis – Social aspects; Mass media and language; Mass media criticism; Women in mass media; Sex role in mass media; Women in popular culture; Men in popular culture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Legge, J. H. (2013). Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1005956

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Legge, Janet Helen. “Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis.” 2013. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/d1005956.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Legge, Janet Helen. “Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis.” 2013. Web. 21 Jan 2021.

Vancouver:

Legge JH. Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis. [Internet] [Thesis]. Rhodes University; 2013. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/d1005956.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legge JH. Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis. [Thesis]. Rhodes University; 2013. Available from: http://hdl.handle.net/10962/d1005956

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Western Cape

19. Fletcher, Elizabeth. South African crime fiction and the narration of the post-apartheid .

Degree: 2013, University of the Western Cape

URL: http://hdl.handle.net/11394/4287

► In this dissertation, I consider how South African crime fiction, which draws on a long international literary history, engages with the conventions and boundaries of… (more)

Subjects/Keywords: Crime fiction; South Africa; Post-apartheid; Popular culture

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APA (6^th Edition):

Fletcher, E. (2013). South African crime fiction and the narration of the post-apartheid . (Thesis). University of the Western Cape. Retrieved from http://hdl.handle.net/11394/4287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fletcher, Elizabeth. “South African crime fiction and the narration of the post-apartheid .” 2013. Thesis, University of the Western Cape. Accessed January 21, 2021. http://hdl.handle.net/11394/4287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fletcher, Elizabeth. “South African crime fiction and the narration of the post-apartheid .” 2013. Web. 21 Jan 2021.

Vancouver:

Fletcher E. South African crime fiction and the narration of the post-apartheid . [Internet] [Thesis]. University of the Western Cape; 2013. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/11394/4287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fletcher E. South African crime fiction and the narration of the post-apartheid . [Thesis]. University of the Western Cape; 2013. Available from: http://hdl.handle.net/11394/4287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Western Cape

20. Mashiyi, Sikelelwa Anita. Spaza Hip hop in the townships of Khayelitsha .

Degree: 2019, University of the Western Cape

URL: http://hdl.handle.net/11394/6966

► Since the arrival of hip-hop in Cape Town and indeed South Africa in the 1980s, a diverse and vibrant range of hip-hop sub-genres has developed… (more)

Subjects/Keywords: Spaza hip-hop; Hip-hop; Popular culture; South Africa; African music

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APA (6^th Edition):

Mashiyi, S. A. (2019). Spaza Hip hop in the townships of Khayelitsha . (Thesis). University of the Western Cape. Retrieved from http://hdl.handle.net/11394/6966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mashiyi, Sikelelwa Anita. “Spaza Hip hop in the townships of Khayelitsha .” 2019. Thesis, University of the Western Cape. Accessed January 21, 2021. http://hdl.handle.net/11394/6966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mashiyi, Sikelelwa Anita. “Spaza Hip hop in the townships of Khayelitsha .” 2019. Web. 21 Jan 2021.

Vancouver:

Mashiyi SA. Spaza Hip hop in the townships of Khayelitsha . [Internet] [Thesis]. University of the Western Cape; 2019. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/11394/6966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mashiyi SA. Spaza Hip hop in the townships of Khayelitsha . [Thesis]. University of the Western Cape; 2019. Available from: http://hdl.handle.net/11394/6966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

21. Burgess, Meryl. The sport for development legacies of the 2010 FIFA World Cup.

Degree: MA, Political Science, 2011, Stellenbosch University

URL: http://hdl.handle.net/10019.1/17928

► ENGLISH ABSTRACT: During the last decade, a significant trend could be observed with regards to the growth of the number of sport for development initiatives… (more)

▼ ENGLISH ABSTRACT: During the last decade, a significant trend could be observed with regards to the growth of the number of sport for development initiatives globally, as well as the increasing range of stakeholders involved in the sport for development field. Many international organisations and institutions began to put more emphasis on the use of sport and sport activities to initiate social change. This was further observed with the growing trends in sport for development activities within the Global South. In order to explore the impacts of the trends in sport for development, this study examined the recent sport for development trends in South Africa and in what way the 2010 FIFA World Cup has affected it. This study attempts to do this by exploring the historical underpinnings of sport for development in South Africa, as well as current trends in the field. The study further examines the sport for development initiatives that have been implemented during the 2010 FIFA World Cup, and explores their ramifications for the sport for development landscape in South Africa. With its assessment of the sport for development legacies of the 2010 FIFA World Cup, this study builds on the existing international literature by an increasing number of scholars assessing the trends in sport for development as well as evaluating the effectiveness of the field for promoting development. Moreover, due to the recent increase in developing countries in the Global South hosting sport mega-events, with a purpose to achieve social development objectives through the event (for example, South Africa and the 2010 World Cup), this study builds on literature examining a potential link between sport mega-events and sport for development. As a point of departure this study looked to provide an overview of the sport for development field, the recent debates raised among scholars as well as a theoretical framework informing the field. The study then looked towards the historical underpinnings of sport for development in South Africa, creating a framework for the analysis of the empirical study regarding the sport for development initiatives implemented during the World Cup. The main findings of this study included the rapid growth of sport for development initiatives during the World Cup period, the increase and range in public and private actors forming institutional arrangements and partnerships in sport for development initiatives and the outcomes and implications of those trends for the South African sport for development context. Through the hosting of the 2010 FIFA World Cup, it was found that the sport mega-event was ultimately used as a strategic opportunity for initiatives to achieve objectives and aims including the creation of awareness of initiatives, potentially meeting new partners and funders, and increasing participant numbers. Moreover, through the formation of institutional arrangements and partnerships, implementing organisations could potentially ensure sustainability of the initiative due… Advisors/Committee Members: Cornelissen, Scarlett, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Political Science..

Subjects/Keywords: Political science; Dissertations – Political science; Sports and state – South Africa; Sports – South Africa – Sociological aspects; Sports – Political aspects – South Africa; Sports – Economic aspects – South Africa; Political Science; World Cup (Soccer)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Burgess, M. (2011). The sport for development legacies of the 2010 FIFA World Cup. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/17928

Chicago Manual of Style (16^th Edition):

Burgess, Meryl. “The sport for development legacies of the 2010 FIFA World Cup.” 2011. Masters Thesis, Stellenbosch University. Accessed January 21, 2021. http://hdl.handle.net/10019.1/17928.

MLA Handbook (7^th Edition):

Burgess, Meryl. “The sport for development legacies of the 2010 FIFA World Cup.” 2011. Web. 21 Jan 2021.

Vancouver:

Burgess M. The sport for development legacies of the 2010 FIFA World Cup. [Internet] [Masters thesis]. Stellenbosch University; 2011. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10019.1/17928.

Council of Science Editors:

Burgess M. The sport for development legacies of the 2010 FIFA World Cup. [Masters Thesis]. Stellenbosch University; 2011. Available from: http://hdl.handle.net/10019.1/17928

Rhodes University

22. Qoza, Phiwokazi. Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University.

Degree: Faculty of Humanities, Political and International Studies, 2020, Rhodes University

URL: http://hdl.handle.net/10962/141692

► It has been argued that individuals participate in activism due to an identification with the preferences and interests of an emerging group of actors or… (more)

▼ It has been argued that individuals participate in activism due to an identification with the preferences and interests of an emerging group of actors or in solidarity with a pre-existing network that has resorted to a number of protest repertoires in order to make claims or demands. Additionally, an emerging instance of protest is often linked to an image of previous protest events through the employment of a combination of master frames which function as discursive articulation of the encounter in familiar terms, creating a frame resonance which recruits adherents and constituents. To understand why some bystanders to protest transcended to actors in protest and the development of frames within a protest cycle, a performance ethnography is employed to observe and analyse choreographies of protest which took place at an institution of higher education in South Africa during the 2015 re-emergence of wide-spread student activism. It is found that in encountering an atmosphere of protest there emerged a relation of feeling, referred to as “feeling the vibe or atmosphere”, which those who became protest performers resolved in ways which increased their capacity to act in favour of co-constituting that atmosphere. During the encounter between the bystander body and the atmosphere of protest, non-linear somatic communication, characterised by active and passive gestures and postures, occurred through which protest performers developed contact and connection with other bodies as a result of the displacement of space. This thesis suggests that participation in activism can be about going with the flow of movement in an uncertain and ambiguous moment and is not limited to an identification with the pre-existing organization of preferences and interests as a frame of resonance emerges to signify somatic communication which differentiated bodies in the duration of protest performance. Therefore, this thesis uses the theory of affect to situate student activism in-between the politics of performance and the performance of politics whereupon the rhythm of song creates an opening for the kinaesthetic to create form from spontaneous movement of the body as an event of the movement of perception and the perception of movement.

Subjects/Keywords: College students – Political activity – South Africa; Student protesters – South Africa; Student movements – South Africa; Higher education and state – South Africa; Performance art – Political aspects – South Africa; Protest songs – South Africa

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APA (6^th Edition):

Qoza, P. (2020). Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/141692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Qoza, Phiwokazi. “Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University.” 2020. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/141692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Qoza, Phiwokazi. “Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University.” 2020. Web. 21 Jan 2021.

Vancouver:

Qoza P. Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University. [Internet] [Thesis]. Rhodes University; 2020. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/141692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Qoza P. Choreographies of protest performance as recruitment to activism and the movement of perception during the 2015 re-emergence of student activism at Rhodes University. [Thesis]. Rhodes University; 2020. Available from: http://hdl.handle.net/10962/141692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

23. Loubser, Reinet. Evil and violence : illiberal beliefs in South Africa’s liberal democracy.

Degree: MA, Political Science, 2015, Stellenbosch University

URL: http://hdl.handle.net/10019.1/97829

►

ENGLISH ABSTRACT: This thesis examines beliefs regarding spiritual conceptions of evil among South Africans and the role that such attitudes may play in outbreaks of… (more)

▼

ENGLISH ABSTRACT: This thesis examines beliefs regarding spiritual conceptions of evil among South Africans and the role that such attitudes may play in outbreaks of public and other forms of violence. In examining these illiberal attitudes and consequent violence, the thesis contributes to the discourse on democratic consolidation in South Africa. It is argued that illiberal values – such as the belief in evil as a literal force which may be countered with violence - present a challenge to the country‟s liberal democratic system of governance. The thesis is both quantitative and qualitative in nature. It includes a longitudinal analysis of the secondary data of the World Values Survey. The latter is used for two purposes: to measure the extent of beliefs in evil among South Africans and to find predictors for these beliefs. Quantitative analysis revealed that the beliefs in evil is widespread in South Africa and that over half the population may believe that violence can be used to rid communities of persons deemed evil. However, despite an exhaustive quantitative analysis of independent variables – including demographic, socio-economic and attitudinal factors as well as trust and tolerance, locus of control and religiosity - no definitive predictors of the attitudes regarding evil could be found. It is concluded that the beliefs in question are so universal and entrenched in South Africa that they cannot be associated with any particular demographic or other group. In the absence of quantitative findings, the thesis turns to qualitative analysis to explain the widespread nature of illiberal beliefs in South Africa. The thesis examines the country‟s serious problems with crime and violence. It also posits that South Africa has experienced a decivilisation process in which liberal values have to compete with the absolute individualism of an Hobbesian state of nature.

AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek geloof in spirituele konsepsies van onheil onder Suid-Afrikaners en die rol wat sulke oortuigings kan speel in die uitbreek van openbare en ander soort geweld. Deur hierdie illiberale houdings en gevolglike geweld te ondersoek, maak die tesis „n bydrae tot die diskoers oor demokratiese konsolidasie in Suid-Afrika. Daar word geargumenteer dat illiberale waardes – soos die geloof in bose magte as „n letterlike verskynsel wat met geweld gekonfronteer mag word – „n uitdaging aan die land se liberale demokratiese regeerstelsel bied. Die tesis is beide kwantitatief en kwalitatief van aard. Dit sluit „n longitudinale analiese van die sekondêre data van die “World Values Survey” in. Laasgenoemde is gebruik te bereiking van twee doelwitte: om die omvang van die geloof in onheil onder Suid-Afrikaners te bepaal en om voorspellende onafhanklike veranderlikes vir hierdie oortuigings te vind. Kwantitatiewe analiese het bevind dat die geloof in onheil baie algemeen in Suid-Afrika voorkom en dat meer as die helfde van die bevolking glo dat geweld gebruik kan word om van sogenaamde bose persone in die gemeenskap ontslae te…

Advisors/Committee Members: Du Toit, Pierre, Steenekamp, Cindy Lee, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Political Science..

Subjects/Keywords: Democracy – South Africa – Moral and ethical aspects; Politics and culture – South Africa; Violence – South Africa; Liberalism – South Africa; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Loubser, R. (2015). Evil and violence : illiberal beliefs in South Africa’s liberal democracy. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/97829

Chicago Manual of Style (16^th Edition):

Loubser, Reinet. “Evil and violence : illiberal beliefs in South Africa’s liberal democracy.” 2015. Masters Thesis, Stellenbosch University. Accessed January 21, 2021. http://hdl.handle.net/10019.1/97829.

MLA Handbook (7^th Edition):

Loubser, Reinet. “Evil and violence : illiberal beliefs in South Africa’s liberal democracy.” 2015. Web. 21 Jan 2021.

Vancouver:

Loubser R. Evil and violence : illiberal beliefs in South Africa’s liberal democracy. [Internet] [Masters thesis]. Stellenbosch University; 2015. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10019.1/97829.

Council of Science Editors:

Loubser R. Evil and violence : illiberal beliefs in South Africa’s liberal democracy. [Masters Thesis]. Stellenbosch University; 2015. Available from: http://hdl.handle.net/10019.1/97829

Nelson Mandela Metropolitan University

24. Ayankoya, Kayode A. A framework for the implementation of social media marketing strategies in political campaigning.

Degree: Faculty of Business and Economic Sciences, 2013, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/d1020118

► The concept of social media has grown rapidly in the last years. This can be attributed to the rate of adoption and the penetration of… (more)

▼ The concept of social media has grown rapidly in the last years. This can be attributed to the rate of adoption and the penetration of social media around the world. Currently, there is an estimate of over two billion people that are actively using social media. The increased usage of social media has changed the way people interact and communicate. Literature suggests that Internet-enabled social networks (relationship between or among individuals and groups) are developing faster than offline relationships. Previous studies have linked social media to the social network theories that define social relationships based on the actors, the ties that exist and the flow of resources among them. This is made possible by social networking sites and other Internet enabled services that allow friends to meet, connect and interact. Social media allow for individuals, groups or organisations to build their social network of friends and followers. It also facilitates the formation of communities with common interest. Social media facilitate the creation and exchange of content such as text messages, images, audio and video formats among individuals or communities that share a common interest or belong to the same social network. Social capital theorists suggest that the ties that exist in social interaction like on social media have the ability to create benefit for the actors in the networks. This provides the foundation to study the benefits that individuals and organisations can obtain from social media. The opportunity to target and communicate directly with the target market and potential customer qualifies social media as a valuable marketing tool and an important component of the integrated marketing communication. As a marketing communication tool, social media introduces a completely new paradigm into marketing communications. Therefore marketing professionals and academics are continuously seeking how to take advantage of social media for different industries. In the field of politics, the use of marketing concepts to engage voters and drive collective participation in political processes has become critical due to stiff competition. The use of social media for political campaigning and engagement could be beneficial, but politicians and political organisations are not taking full advantage of the concept. Previous studies show that organisations are aware of the opportunities that social media could provide for their organisations. However, they are reluctant because they are faced with the problems of lack of information on how to implement social media for business purposes. This treatise investigates the approach and critical success factors for the use of social media for political campaigning and engagement. To evaluate the conceptual framework that was suggested by this study based on the literature review and case studies, an empirical study was conducted among the members of the Democratic Alliance in the Eastern Cape. A survey was conducted among the members of the Democratic Alliance in the Eastern Cape…

Subjects/Keywords: Online social networks – Political aspects – South Africa; Social networks – South Africa; Campaign management – South Africa; Branding (Marketing) – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ayankoya, K. A. (2013). A framework for the implementation of social media marketing strategies in political campaigning. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1020118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ayankoya, Kayode A. “A framework for the implementation of social media marketing strategies in political campaigning.” 2013. Thesis, Nelson Mandela Metropolitan University. Accessed January 21, 2021. http://hdl.handle.net/10948/d1020118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ayankoya, Kayode A. “A framework for the implementation of social media marketing strategies in political campaigning.” 2013. Web. 21 Jan 2021.

Vancouver:

Ayankoya KA. A framework for the implementation of social media marketing strategies in political campaigning. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2013. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10948/d1020118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ayankoya KA. A framework for the implementation of social media marketing strategies in political campaigning. [Thesis]. Nelson Mandela Metropolitan University; 2013. Available from: http://hdl.handle.net/10948/d1020118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

25. Scholtz, Brink. 'The Most Amazing Show' : performative interactions with post-election South African society and culture.

Degree: MA, Faculty of Humanities, Drama, 2008, Rhodes University

URL: http://hdl.handle.net/10962/d1006193

► This research investigates contemporary South African performance within the context of prominent social and cultural change following the political transition from an apartheid state to… (more)

Subjects/Keywords: The Most Amazing Show; Performance – South Africa; Theater – South Africa; Theater – Political aspects – South Africa; South Africa – Politics and government – 1994-

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Scholtz, B. (2008). 'The Most Amazing Show' : performative interactions with post-election South African society and culture. (Masters Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1006193

Chicago Manual of Style (16^th Edition):

Scholtz, Brink. “'The Most Amazing Show' : performative interactions with post-election South African society and culture.” 2008. Masters Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/d1006193.

MLA Handbook (7^th Edition):

Scholtz, Brink. “'The Most Amazing Show' : performative interactions with post-election South African society and culture.” 2008. Web. 21 Jan 2021.

Vancouver:

Scholtz B. 'The Most Amazing Show' : performative interactions with post-election South African society and culture. [Internet] [Masters thesis]. Rhodes University; 2008. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/d1006193.

Council of Science Editors:

Scholtz B. 'The Most Amazing Show' : performative interactions with post-election South African society and culture. [Masters Thesis]. Rhodes University; 2008. Available from: http://hdl.handle.net/10962/d1006193

Rhodes University

26. Lochner, Eben. The democratisation of art CAP as an alternative art space in South Africa.

Degree: Faculty of Humanities, Fine Art, 2011, Rhodes University

URL: http://hdl.handle.net/10962/d1002205

► While formal arts education was inaccessible to many during Apartheid, community-based centres played a significant role in the training of previously disadvantaged artists. By engaging… (more)

▼ While formal arts education was inaccessible to many during Apartheid, community-based centres played a significant role in the training of previously disadvantaged artists. By engaging in a socio-political critique of the history of South African art, this thesis argues that even though alternative art spaces are often marginalised, they remain essential to the diversification and democratisation of contemporary South African art today with its re-entry into the international art scene. According to Lize van Robbroeck (2004:52), “some of the fundamental ideals of community arts need to be revised to enrich, democratize and diversify [South Africa's] cultural practice.” The aim of my Thesis is to investigate this statement in relation to the contribution the Community Arts Project (CAP) in Cape Town (1977-2003). CAP and other art centres have played an indispensable role in the establishment of black artists and in producing a locally reflective artistic practice in South Africa, even into the 21st century. Through researching the changes the organisation underwent between the 1980s and 1990s, the ways in which such art centres constantly need to respond to the changing sociopolitical landscape around them become clear. Within South Africa these centres were seen to play a significant part in the liberation struggle and then later in nation building. While these centres were well supported by foreign donors in the late 1980s, such funding was withdrawn in 1991 and the majority of art centres collapsed, illustrating to some degree that the training of artist was not valued outside the context of the struggle against apartheid. By interviewing key people and by reading documentation stored at the Manuscripts and Archives department of UCT I have discovered some of the different benefits and hindrances of working in community art centres both during and after Apartheid. This thesis argues that these centres still play a vital role in contributing to the development of South Africa's local art practice and should not be relegated to the sideline.

Subjects/Keywords: Arts and society – South Africa; Democracy and the arts – South Africa; Art – Political aspects – South Africa; Apartheid and art – South Africa

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APA (6^th Edition):

Lochner, E. (2011). The democratisation of art CAP as an alternative art space in South Africa. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lochner, Eben. “The democratisation of art CAP as an alternative art space in South Africa.” 2011. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/d1002205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lochner, Eben. “The democratisation of art CAP as an alternative art space in South Africa.” 2011. Web. 21 Jan 2021.

Vancouver:

Lochner E. The democratisation of art CAP as an alternative art space in South Africa. [Internet] [Thesis]. Rhodes University; 2011. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/d1002205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lochner E. The democratisation of art CAP as an alternative art space in South Africa. [Thesis]. Rhodes University; 2011. Available from: http://hdl.handle.net/10962/d1002205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Nelson Mandela Metropolitan University

27. [No author]. Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM.

Degree: Faculty of Arts, 2015, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/5709

► This research study investigates Lotus FM, as one of many South African Media components that are catering for one specific cultural or religious group. The… (more)

Subjects/Keywords: Public broadcasting – Political aspects – South Africa; Radio stations – South Africa; Post-apartheid era – South Africa; Identity politics – South Africa

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APA (6^th Edition):

author], [. (2015). Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/5709

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

author], [No. “Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM.” 2015. Thesis, Nelson Mandela Metropolitan University. Accessed January 21, 2021. http://hdl.handle.net/10948/5709.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

author], [No. “Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM.” 2015. Web. 21 Jan 2021.

Vancouver:

author] [. Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2015. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10948/5709.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Identity in the media in a post-apartheid radio station in South Africa: the case of Lotus FM. [Thesis]. Nelson Mandela Metropolitan University; 2015. Available from: http://hdl.handle.net/10948/5709

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Baylor University

28. Greer, Jonathan David. Paul Simon's Graceland and its social and political statements on apartheid in South Africa.

Degree: M.M., Music., 2007, Baylor University

URL: http://hdl.handle.net/2104/4854

► Paul Simon's Graceland album is one of the most controversial rock-and-roll albums in history because of its strong connection with South Africa during the apartheid.… (more)

Subjects/Keywords: World music – Political aspects – South Africa.; Popular music – Political aspects – South Africa.; Simon, Paul, 1941-

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APA (6^th Edition):

Greer, J. D. (2007). Paul Simon's Graceland and its social and political statements on apartheid in South Africa. (Masters Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/4854

Chicago Manual of Style (16^th Edition):

Greer, Jonathan David. “Paul Simon's Graceland and its social and political statements on apartheid in South Africa.” 2007. Masters Thesis, Baylor University. Accessed January 21, 2021. http://hdl.handle.net/2104/4854.

MLA Handbook (7^th Edition):

Greer, Jonathan David. “Paul Simon's Graceland and its social and political statements on apartheid in South Africa.” 2007. Web. 21 Jan 2021.

Vancouver:

Greer JD. Paul Simon's Graceland and its social and political statements on apartheid in South Africa. [Internet] [Masters thesis]. Baylor University; 2007. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/2104/4854.

Council of Science Editors:

Greer JD. Paul Simon's Graceland and its social and political statements on apartheid in South Africa. [Masters Thesis]. Baylor University; 2007. Available from: http://hdl.handle.net/2104/4854

University of Cape Town

29. Jeppie, Shamil. Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959.

Degree: Image, Michaelis School of Fine Art, 1990, University of Cape Town

URL: http://hdl.handle.net/11427/24109

Subjects/Keywords: Popular culture; Popular music; Music; Motion pictures - Social aspects - South Africa - Cape Town - H; South Africa; Cape Town; History

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APA (6^th Edition):

Jeppie, S. (1990). Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/24109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jeppie, Shamil. “Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959.” 1990. Thesis, University of Cape Town. Accessed January 21, 2021. http://hdl.handle.net/11427/24109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jeppie, Shamil. “Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959.” 1990. Web. 21 Jan 2021.

Vancouver:

Jeppie S. Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959. [Internet] [Thesis]. University of Cape Town; 1990. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/11427/24109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jeppie S. Aspects of popular culture and class expression in inner Cape Town, circa 1939-1959. [Thesis]. University of Cape Town; 1990. Available from: http://hdl.handle.net/11427/24109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

30. Drewett, Michael. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.

Degree: Faculty of Humanities, Sociology and Industrial Sociology, 2004, Rhodes University

URL: http://hdl.handle.net/10962/d1007098

► The censorship of popular music in South Africa during the 1980s severely affected South African musicians. The apartheid government was directly involved in centralized state… (more)

▼ The censorship of popular music in South Africa during the 1980s severely affected South African musicians. The apartheid government was directly involved in centralized state censorship by means of the Directorate of Publications, while the South African Broadcasting Corporation exercised government censorship at the level of airplay. Others who assisted state censorship included religious and cultural interest groups. State censorship in turn put pressure on record companies, musicians and others to practice self-censorship. Many musicians who overtly sang about taboo topics or who used controversial language subsequently experienced censorship in different forms, including police harassment. Musicians were also subject to anti-apartheid forms of censorship,such as the United Nations endorsed cultural boycott. Not all instances of censorship were overtly political, but they were always framed by, and took place within, a repressive legal-political system. This thesis found that despite the state's attempt to maintain its hegemony, musicians sought ways of overcoming censorship practices. It is argued that the ensuing struggle cannot be conceived of in simple binary terms. The works of Antonio Gramsci, Michel Foucault and Pierre Bourdieu, in particular, are applied to the South African context in exploring the localized nuances of the cultural struggle over music censorship. It is argued that fragmented resistance to censorship arose out of the very censorship structures that attempted to silence musicians. Textual analysis brought to light that resistance took various forms including songs with provocative lyrics and titles, and more subtle means of bypassing censorship, including the use of symbolism, camouflaged lyrics, satire and crossover performance. Musicians were faced with the challenge of bypassing censors yet nevertheless conveying their message to an audience. The most successful cases negotiated censorial practices while getting an apparent message across to a wide audience. Broader forms of resistance were also explored, including opposition through live performance, counter-hegemonic information on record covers, resistance from exile, alignment with political organizations and legal challenges to state censorship. In addition, some record companies developed strategies of resistance to censorship. The many innovative practices outlined in this thesis demonstrate that even in the context of constraint, resistance is possible. Despite censorship, South African musicians were able to express themselves through approaching their music in an innovative way.

Subjects/Keywords: Censorship – South Africa; Popular music – Censorship – South Africa; Popular music – Censorship – South Africa – History; Popular music – Social aspects – South Africa; Popular music – Political aspects – South Africa; Popular music – South Africa – History and criticism; Protest songs – South Africa – History and criticism

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APA (6^th Edition):

Drewett, M. (2004). An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Drewett, Michael. “An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.” 2004. Thesis, Rhodes University. Accessed January 21, 2021. http://hdl.handle.net/10962/d1007098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Drewett, Michael. “An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s.” 2004. Web. 21 Jan 2021.

Vancouver:

Drewett M. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. [Internet] [Thesis]. Rhodes University; 2004. [cited 2021 Jan 21]. Available from: http://hdl.handle.net/10962/d1007098.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drewett M. An analysis of the censorship of popular music within the context of cultural struggle in South Africa during the 1980s. [Thesis]. Rhodes University; 2004. Available from: http://hdl.handle.net/10962/d1007098

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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