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You searched for subject:(Polytonality). Showing records 1 – 6 of 6 total matches.

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Ohio University

1. Holmes, Thomas W. Creation Myths.

Degree: MM, Composition (Fine Arts), 2009, Ohio University

 <i>Creation Myths</i> is based on the concept of continuous creation and destruction. The melodies and motives rise and fall in a continuous process of renewal –… (more)

Subjects/Keywords: Fine Arts; Music; creation myths; wind ensemble; wind band; band; winds; music; brake drum; polytonality; polytonal

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APA (6th Edition):

Holmes, T. W. (2009). Creation Myths. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511

Chicago Manual of Style (16th Edition):

Holmes, Thomas W. “Creation Myths.” 2009. Masters Thesis, Ohio University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.

MLA Handbook (7th Edition):

Holmes, Thomas W. “Creation Myths.” 2009. Web. 16 Jun 2019.

Vancouver:

Holmes TW. Creation Myths. [Internet] [Masters thesis]. Ohio University; 2009. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.

Council of Science Editors:

Holmes TW. Creation Myths. [Masters Thesis]. Ohio University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511


Université Paris-Sorbonne – Paris IV

2. Malhaire, Philippe. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.

Degree: Docteur es, Musique et musicologie, 2012, Université Paris-Sorbonne – Paris IV

La polytonalité relève d’une démarche compositionnelle dont la définition d’ensemble s’avère extrêmement simple : il y a polytonalité quand deux ou plusieurs tonalités sont entendues… (more)

Subjects/Keywords: Koechlin; Polymusique; Milhaud; Polyscalarité; Polyharmonie; Polytonalité; Polymodalité; Ravel; Satie; Stravinsky; Koechlin; Milhaud; Polyharmony; Polymodality; Polymusic; Polyscalarité; Polytonality; Satie; Stravinsky

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APA (6th Edition):

Malhaire, P. (2012). Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040226

Chicago Manual of Style (16th Edition):

Malhaire, Philippe. “Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 16, 2019. http://www.theses.fr/2012PA040226.

MLA Handbook (7th Edition):

Malhaire, Philippe. “Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach.” 2012. Web. 16 Jun 2019.

Vancouver:

Malhaire P. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2012PA040226.

Council of Science Editors:

Malhaire P. Polytonalité. Exégèse d’une démarche compositionnelle : Polytonality. Exegesis of a compositional approach. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040226

3. David, Alexandre. L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce .

Degree: 2014, Université de Montréal

Subjects/Keywords: Coexistence; Éclectisme; Polytonalité; Instrumental; Poésie; Extra-musical; Eclecticism; Polytonality; Poetry

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APA (6th Edition):

David, A. (2014). L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

David, Alexandre. “L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce .” 2014. Thesis, Université de Montréal. Accessed June 16, 2019. http://hdl.handle.net/1866/11566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

David, Alexandre. “L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce .” 2014. Web. 16 Jun 2019.

Vancouver:

David A. L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce . [Internet] [Thesis]. Université de Montréal; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1866/11566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

David A. L'étude de la coexistence de mondes musicaux éloignés dans une seule et même pièce . [Thesis]. Université de Montréal; 2014. Available from: http://hdl.handle.net/1866/11566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Celi Ramos, Diego Alejandro. Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”.

Degree: A.Mus.D., Music, 2016, University of Illinois – Urbana-Champaign

 This dissertation explores the application of polymodality through contrapuntal and homophonic means, combined with heptatonic synthetic scales in jazz composition. The research concentrates on three… (more)

Subjects/Keywords: Jazz; Jazz Composition; Polymodality; Polytonality; Jazz Counterpoint; Synthetic Scales; Contemporary Jazz

…trends of jazz. Polymodality receives different names (e.g., polytonality, bimodality… …period. Among these various techniques, one widely used by many composers was polytonality… …Polytonality and Bitonality Concepts and Definitions The basic concept of polytonality is simple, and… …Mark McFarland states that “in its most literal interpretation, polytonality implies the… …Cope writes that polytonality “produces flexible resources that can foster a wide variety of… 

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APA (6th Edition):

Celi Ramos, D. A. (2016). Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/90533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Celi Ramos, Diego Alejandro. “Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”.” 2016. Thesis, University of Illinois – Urbana-Champaign. Accessed June 16, 2019. http://hdl.handle.net/2142/90533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Celi Ramos, Diego Alejandro. “Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”.” 2016. Web. 16 Jun 2019.

Vancouver:

Celi Ramos DA. Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2016. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2142/90533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Celi Ramos DA. Polymodality, counterpoint, and heptatonic synthetic scales in jazz composition; and its application in an original piece "Polymodal Jazz Suite for Quartet”. [Thesis]. University of Illinois – Urbana-Champaign; 2016. Available from: http://hdl.handle.net/2142/90533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Diamantis, Alexandros. Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ.

Degree: 2014, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

It is attempted to analyse operatic works of the Neoclassicism, which have one of the known ancient greek tragedies as a subject and that were… (more)

Subjects/Keywords: Νεοκλασικισμός; Αρχαία Ελλάδα; Τραγωδία; Δράμα; Όπερα; Μεσοπόλεμος; Ομάδα των έξι; Ονεγγέρ; Μιγιώ; Στραβίνσκυ; Κοκτώ; Σατί; Αντιγόνη; Μήδεια; Οιδίπους τύραννος; Σουρρεαλισμός; Κυβισμός; Ντανταϊσμός; Φωβισμός; Φουτουρισμός; Πολυτροπικότητα; Αρχαιοελληνικά μέτρα; Αποξένωση; Ανοικειοποίηση; Neoclassicism; Ancient Greece; Tragedy; Drama; Opera; Interwar period; Group of the six; Honegger; Milhaud; Stravinskij; Cocteau; Satie; Antigone; Medee; Oedipus Rex; Surrealism; Cubism; Dadaism; Fauvism; Futurism; Polymodality; Polytonality; Ancient greek measures; Alienation; Unfamiliarisation

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APA (6th Edition):

Diamantis, A. (2014). Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/35385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Diamantis, Alexandros. “Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ.” 2014. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed June 16, 2019. http://hdl.handle.net/10442/hedi/35385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Diamantis, Alexandros. “Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ.” 2014. Web. 16 Jun 2019.

Vancouver:

Diamantis A. Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10442/hedi/35385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Diamantis A. Το αρχαιοελληνικό δράμα στη δυτικοευρωπαϊκή όπερα του νεοκλασικισμού στο μεσοπόλεμο: τα παραδείγματα των Arthur Honegger, Darius Milhaud και Ιγκόρ Στραβίνσκυ. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2014. Available from: http://hdl.handle.net/10442/hedi/35385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed June 16, 2019. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 16 Jun 2019.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488

.