subject:(Poetics)

San Jose State University

1. Totten, Sara Jane. The Current Life.

Degree: MFA, English and Comparative Literature, 2013, San Jose State University

URL: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

► My project juxtaposes a diversity of social, personal, and political ideas within the texts of my poems, including not only a sampling from other… (more)

Subjects/Keywords: Poetics; Poetry

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APA (6^th Edition):

Totten, S. J. (2013). The Current Life. (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Totten, Sara Jane. “The Current Life.” 2013. Thesis, San Jose State University. Accessed February 26, 2021. https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Totten, Sara Jane. “The Current Life.” 2013. Web. 26 Feb 2021.

Vancouver:

Totten SJ. The Current Life. [Internet] [Thesis]. San Jose State University; 2013. [cited 2021 Feb 26]. Available from: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Totten SJ. The Current Life. [Thesis]. San Jose State University; 2013. Available from: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Exeter

2. Robles, Jaime Carla. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry.

Degree: PhD, 2013, University of Exeter

URL: http://hdl.handle.net/10871/14222

► This thesis is composed of two parts: Hoard, a collection of poems, and Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry, an inquiry into… (more)

▼ This thesis is composed of two parts: Hoard, a collection of poems, and Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry, an inquiry into the metaphor of darkness in late twentieth- and early twenty-first-century Anglophone poetry. Hoard includes four series of poems – ‘Red Boat’, ‘Hoxne’, ‘Quatrefoils’ and ‘White Swan’ – which use the Hoxne hoard as a metaphor for lost love. The second series is titled ‘Foundlings’, and is based on archival tokens from children who were abandoned to London’s Foundling Hospital in the mid-eighteenth century. The third series includes ‘Elegy’ and ‘Decorations’, and uses descriptions of the Staffordshire hoard along with eyewitness accounts of global conflict in the late-twentieth century to the present day. Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry examines the theme of loss presented in the poems Hoard, progressing from orphans to silenced women to bereavement to war to ecological disaster. The book is a series of mediations of a central topic and includes close readings that show how an individual contemporary writer uses the topic within his or her work. Meditation One posits that forms of loss appear in poetry as metaphors of darkness, and proceeds historically through the work of Dante, Shakespeare and Elizabeth Bishop and Charles Wright; the chapter ends with a close reading of John Burnside’s prose poem ‘Annunciations’ (Common Knowledge). Meditation Two looks at the mythological uses of the concept of darkness, especially as it represents ego loss, and discusses Joan Retallack’s ‘Afterrimages’; the chapter closes with a discussion of Rusty Morrison’s Whethering and when the true keeps calm biding its story. Meditation Three looks at the emotions of lost love, both familial and romantic, and includes a discussion of Martha Nussbaum’s theory of emotions and ethics. The chapter includes close readings of Elizabeth Robinson’s The orphan and its relations and Susan Howe’s That This. Meditation Four discusses the pain caused by war and the form of my long poem ‘Decorations’; it includes an examination of Seamus Heaney’s North. The chapter concludes with an essay on Maxine Chernoff’s book Without. Meditation Five discusses objects and how they become a part of the body and therefore become a potential locus for both pain and loss; the chapter closes with a close reading of Brenda Coultas’ The Handmade Museum. The themes and ideas are reiterated in the Conclusion.

Subjects/Keywords: Poetry; Poetics

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APA (6^th Edition):

Robles, J. C. (2013). 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/14222

Chicago Manual of Style (16^th Edition):

Robles, Jaime Carla. “'Dark lyrics' : studying the subterranean impulses of contemporary poetry.” 2013. Doctoral Dissertation, University of Exeter. Accessed February 26, 2021. http://hdl.handle.net/10871/14222.

MLA Handbook (7^th Edition):

Robles, Jaime Carla. “'Dark lyrics' : studying the subterranean impulses of contemporary poetry.” 2013. Web. 26 Feb 2021.

Vancouver:

Robles JC. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10871/14222.

Council of Science Editors:

Robles JC. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/14222

University of Arizona

3. Hadley, Drummond. The webbings .

Degree: 1966, University of Arizona

URL: http://hdl.handle.net/10150/317972

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Hadley, D. (1966). The webbings . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/317972

Chicago Manual of Style (16^th Edition):

Hadley, Drummond. “The webbings .” 1966. Masters Thesis, University of Arizona. Accessed February 26, 2021. http://hdl.handle.net/10150/317972.

MLA Handbook (7^th Edition):

Hadley, Drummond. “The webbings .” 1966. Web. 26 Feb 2021.

Vancouver:

Hadley D. The webbings . [Internet] [Masters thesis]. University of Arizona; 1966. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10150/317972.

Council of Science Editors:

Hadley D. The webbings . [Masters Thesis]. University of Arizona; 1966. Available from: http://hdl.handle.net/10150/317972

University of Arizona

4. Ross, Joan Moffitt, 1939-. Footholds .

Degree: 1969, University of Arizona

URL: http://hdl.handle.net/10150/318074

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Ross, Joan Moffitt, 1. (1969). Footholds . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/318074

Chicago Manual of Style (16^th Edition):

Ross, Joan Moffitt, 1939-. “Footholds .” 1969. Masters Thesis, University of Arizona. Accessed February 26, 2021. http://hdl.handle.net/10150/318074.

MLA Handbook (7^th Edition):

Ross, Joan Moffitt, 1939-. “Footholds .” 1969. Web. 26 Feb 2021.

Vancouver:

Ross, Joan Moffitt 1. Footholds . [Internet] [Masters thesis]. University of Arizona; 1969. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10150/318074.

Council of Science Editors:

Ross, Joan Moffitt 1. Footholds . [Masters Thesis]. University of Arizona; 1969. Available from: http://hdl.handle.net/10150/318074

University of British Columbia

5. McKeown, Thomas Wilson. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis.

Degree: PhD, English, 1983, University of British Columbia

URL: http://hdl.handle.net/2429/24318

► This dissertation argues that the coherent vision and single impulse which led to the major form of the Cantos also underlay Ezra Pound's seemingly disparite… (more)

Subjects/Keywords: Poetics

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APA (6^th Edition):

McKeown, T. W. (1983). Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis. (Doctoral Dissertation). University of British Columbia. Retrieved from http://hdl.handle.net/2429/24318

Chicago Manual of Style (16^th Edition):

McKeown, Thomas Wilson. “Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis.” 1983. Doctoral Dissertation, University of British Columbia. Accessed February 26, 2021. http://hdl.handle.net/2429/24318.

MLA Handbook (7^th Edition):

McKeown, Thomas Wilson. “Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis.” 1983. Web. 26 Feb 2021.

Vancouver:

McKeown TW. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis. [Internet] [Doctoral dissertation]. University of British Columbia; 1983. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/2429/24318.

Council of Science Editors:

McKeown TW. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis. [Doctoral Dissertation]. University of British Columbia; 1983. Available from: http://hdl.handle.net/2429/24318

Simon Fraser University

6. Isaak, Glenn. The liminal text : T.S. Eliot's evolving poetics and The waste land.

Degree: 1991, Simon Fraser University

URL: http://summit.sfu.ca/item/3625

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Isaak, G. (1991). The liminal text : T.S. Eliot's evolving poetics and The waste land. (Thesis). Simon Fraser University. Retrieved from http://summit.sfu.ca/item/3625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Isaak, Glenn. “The liminal text : T.S. Eliot's evolving poetics and The waste land.” 1991. Thesis, Simon Fraser University. Accessed February 26, 2021. http://summit.sfu.ca/item/3625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Isaak, Glenn. “The liminal text : T.S. Eliot's evolving poetics and The waste land.” 1991. Web. 26 Feb 2021.

Vancouver:

Isaak G. The liminal text : T.S. Eliot's evolving poetics and The waste land. [Internet] [Thesis]. Simon Fraser University; 1991. [cited 2021 Feb 26]. Available from: http://summit.sfu.ca/item/3625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Isaak G. The liminal text : T.S. Eliot's evolving poetics and The waste land. [Thesis]. Simon Fraser University; 1991. Available from: http://summit.sfu.ca/item/3625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of British Columbia

7. Macfarlane, Walter Julian. Poetry as possibility.

Degree: MA- MA, English, 1971, University of British Columbia

URL: http://hdl.handle.net/2429/34413

► This thesis explores the concept of possibility in terms of an aesthetic theory applicable to poetry. The concept is widely used in different ways by… (more)

Subjects/Keywords: Poetics

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APA (6^th Edition):

Macfarlane, W. J. (1971). Poetry as possibility. (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/34413

Chicago Manual of Style (16^th Edition):

Macfarlane, Walter Julian. “Poetry as possibility.” 1971. Masters Thesis, University of British Columbia. Accessed February 26, 2021. http://hdl.handle.net/2429/34413.

MLA Handbook (7^th Edition):

Macfarlane, Walter Julian. “Poetry as possibility.” 1971. Web. 26 Feb 2021.

Vancouver:

Macfarlane WJ. Poetry as possibility. [Internet] [Masters thesis]. University of British Columbia; 1971. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/2429/34413.

Council of Science Editors:

Macfarlane WJ. Poetry as possibility. [Masters Thesis]. University of British Columbia; 1971. Available from: http://hdl.handle.net/2429/34413

8. Rossell, Broc Norman. Cark.

Degree: PhD, English, 2012, U of Denver

URL: https://digitalcommons.du.edu/etd/913

► A collection of poems with critical preface. The author expresses concern for responsibilities and obligations resulting from utterance and offers a means of reading… (more)

Subjects/Keywords: Contemporary poetics; Poems; Poetics; Poetry; Poetry

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APA (6^th Edition):

Rossell, B. N. (2012). Cark. (Doctoral Dissertation). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/913

Chicago Manual of Style (16^th Edition):

Rossell, Broc Norman. “Cark.” 2012. Doctoral Dissertation, U of Denver. Accessed February 26, 2021. https://digitalcommons.du.edu/etd/913.

MLA Handbook (7^th Edition):

Rossell, Broc Norman. “Cark.” 2012. Web. 26 Feb 2021.

Vancouver:

Rossell BN. Cark. [Internet] [Doctoral dissertation]. U of Denver; 2012. [cited 2021 Feb 26]. Available from: https://digitalcommons.du.edu/etd/913.

Council of Science Editors:

Rossell BN. Cark. [Doctoral Dissertation]. U of Denver; 2012. Available from: https://digitalcommons.du.edu/etd/913

University of North Texas

9. Poch, John. Sorry Guard.

Degree: 2000, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc2455/

► Sorry Guard is a collection of poems with a critical introduction on poetic form. Form in poetry can be revealed vocally (how the poem sounds),… (more)

Subjects/Keywords: Poetics.; poetry; poetics

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APA (6^th Edition):

Poch, J. (2000). Sorry Guard. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Poch, John. “Sorry Guard.” 2000. Thesis, University of North Texas. Accessed February 26, 2021. https://digital.library.unt.edu/ark:/67531/metadc2455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Poch, John. “Sorry Guard.” 2000. Web. 26 Feb 2021.

Vancouver:

Poch J. Sorry Guard. [Internet] [Thesis]. University of North Texas; 2000. [cited 2021 Feb 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poch J. Sorry Guard. [Thesis]. University of North Texas; 2000. Available from: https://digital.library.unt.edu/ark:/67531/metadc2455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universiteit Utrecht

10. Reijmersdal, Cécile van. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.

Degree: 2008, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/31716

► In de scriptie wordt een overzicht gegeven van verschillende cognitieve benaderingen van literatuur. Er wordt kritisch gekeken naar de bruikbaarheid van de besproken theorieën en… (more)

Subjects/Keywords: Letteren; Cognition; Poetics

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APA (6^th Edition):

Reijmersdal, C. v. (2008). Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31716

Chicago Manual of Style (16^th Edition):

Reijmersdal, Cécile van. “Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.” 2008. Masters Thesis, Universiteit Utrecht. Accessed February 26, 2021. http://dspace.library.uu.nl:8080/handle/1874/31716.

MLA Handbook (7^th Edition):

Reijmersdal, Cécile van. “Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.” 2008. Web. 26 Feb 2021.

Vancouver:

Reijmersdal Cv. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2021 Feb 26]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31716.

Council of Science Editors:

Reijmersdal Cv. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31716

Delft University of Technology

11. Walker, Cameron (author). Making is Thinking: Poetic Pursuits in Architectural Design.

Degree: 2018, Delft University of Technology

URL: http://resolver.tudelft.nl/uuid:b9685370-8b26-4425-8fca-9693581784ff

► The title of the research, and consequently the guiding principle behind the design, making is thinking, stemmed from a frustration with the often-held view that… (more)

▼ The title of the research, and consequently the guiding principle behind the design, making is thinking, stemmed from a frustration with the often-held view that the latter is of greater importance than the former. That thinking, as our intellect of the mind, is of a superior motive to the things we do or make with our hands, and this is a condition which belongs to both society and the individual’s psychology. However, I believe this is not the case. I have the view that making is fundamental to our being and complements our thinking as its equal. Part of the research was a search through history, to explore whether this distinction had always been made, and if not, why and how it had happened. The history of our intellectual developments is a long and very rich one, and it is the reason why we practice architecture the way we do today. It is essentially a question of representation: what architecture, and the other things of our making, represent, but also how those things are representative of the tools we use to make them. Yet the idea that the thing in question represents a larger, intellectual or philosophical field might not have always been the case. A contemporary art historian, makes an extraordinary case for an origin of architecture in the Archaic Greek temple which had to first exist before man could have the necessary perception of things to theorise about them. Like Heidegger before her, she reasons that it is in the beautifully made art work, through the human perception of depth, which belongs to all of our senses, that human beings can take the outlook upon themselves. In her argument, making is what allowed man to think. But really, the most fundamental conclusion from the research, and essential to the project, was that things, and architecture most definitely is a thing—philosophically speaking—are defined by the matter from which they are made. Yet this is often a mistrusted truth. Our history has made us doubt this truth. That same history has given us the practice to which we adhere today, but for those of us who believe in the importance of things, and their importance as our frame of reference for a sense of being in the world, or as Heidegger would call it, a sense of dwelling, then how those things are made is an ethical and extremely important question. However, to accept only our origin is to deny the rest of the human condition which belongs to the entirety of human history. Therefore, the scientific and political realm to which architecture now rightfully belongs, through our intellectual developments in representation, cannot be dismissed. Design then is about the mediation between the two—between our poetic, communicative origins, and our intellectual, instrumental present condition. In practice it is about the balance between thinking and making—our heads and our hands. Along side the philosophical undertaking of the research a series of making exercises were undertaken. These four cubes were made with only two rules. Firstly, the shape, the cube. And secondly, the… Advisors/Committee Members: Nottrot, Robert (mentor), Koorstra, Peter (mentor), van der Meel, Hubert (mentor), Delft University of Technology (degree granting institution).

Subjects/Keywords: Making; Poetics; Landscape

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APA (6^th Edition):

Walker, C. (. (2018). Making is Thinking: Poetic Pursuits in Architectural Design. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:b9685370-8b26-4425-8fca-9693581784ff

Chicago Manual of Style (16^th Edition):

Walker, Cameron (author). “Making is Thinking: Poetic Pursuits in Architectural Design.” 2018. Masters Thesis, Delft University of Technology. Accessed February 26, 2021. http://resolver.tudelft.nl/uuid:b9685370-8b26-4425-8fca-9693581784ff.

MLA Handbook (7^th Edition):

Walker, Cameron (author). “Making is Thinking: Poetic Pursuits in Architectural Design.” 2018. Web. 26 Feb 2021.

Vancouver:

Walker C(. Making is Thinking: Poetic Pursuits in Architectural Design. [Internet] [Masters thesis]. Delft University of Technology; 2018. [cited 2021 Feb 26]. Available from: http://resolver.tudelft.nl/uuid:b9685370-8b26-4425-8fca-9693581784ff.

Council of Science Editors:

Walker C(. Making is Thinking: Poetic Pursuits in Architectural Design. [Masters Thesis]. Delft University of Technology; 2018. Available from: http://resolver.tudelft.nl/uuid:b9685370-8b26-4425-8fca-9693581784ff

University of Southern California

12. Razvi, Saba Syed. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.

Degree: PhD, Literature and Creative Writing, 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6301

► ""Synthetic Form & Deviant Transcendence: Interfaces Between Science & 21st Century Poetry"" is a collection of essays on contemporary writers whose particular engagement with science… (more)

▼ ""Synthetic Form & Deviant Transcendence: Interfaces Between Science & 21st Century Poetry"" is a collection of essays on contemporary writers whose particular engagement with science in their poems transcends the topical or superficial approach. This trend toward the structural use of science, in radically artificial ways, has created poems that enact synthetic rather than organic experiences by cleaving form from content, appealing to a hyperdimensional sensibility encouraged by the nascence of the digital age. The argument examines how poetry and science interact within this dynamic, and demonstrates in a case study of two books, that their connection is a product of the digital age, that it is synthetic, that it is structural rather than topical and derived from science’s now tertiary degree of removal from the world it studies. It examines how discussions of poetry and theories of poetics have interacted to allow a difference between form and content to enable this interplay of science in poetry, exploring ideas of form and of lyrical content to establish that they are separate, but connected, concepts. It examines how the digital age and the role of science and technology in our society have affected our cultural consciousness, enabled this distinction between form and content and its alliance with poetry and science to emerge, or at least, welcomed it into our reading experience. And finally, it explores how a number of poets writing for the page and a selection of some poets writing for new media have composed works affected by the interplay of these diverse ideas. The included case studies discuss Srikanth Reddy’s Facts for Visitors and Shanxing Wang’s Mad Science in Imperial City and the project will expand in the future to cover those books discussed in the concluding chapter, as well. ❧ ""In the Crocodile Gardens"", a collection of poems, is situated at the point of unraveling of familiar storytelling threads. The poems bloom out of the dissolution of inherited tales. Little Red Riding Hood dances a strip tease for the wolf. Melusine recasts her origin and creates herself a tail. Michelangelo’s ex-lover seeks revenge against him. Cyndi Lauper, the Marquis de Sade, Skinny Puppy, and Sappho speak as kindred voices. In other poems, the bones and corpses left behind in a battle speak through the sound of drums, maps open into dictionaries to interpret the connection between language and nation, demons and nature spirits speak to lovers about skin, science fictional worlds split open, fairytales speak through nightmare and burst their own conventions. This collection of poems explores the nature of transgression in emotionally contractual situations that have not retained their structural integrity. Through a landscape of amputated branches and swaying human limbs, echoes of body, place, and voice, through debate with fossils and jungles and the natural cycle of life, the characters in these poems confront the nature of acceptance and failure, interrogating just what constitutes an outside force and what can… Advisors/Committee Members: McCabe, SusanSt. John, David. (Committee Chair), Muske-Dukes, Carol. (Committee Member), Rosenthal, Margaret. (Committee Member).

Subjects/Keywords: poetry; poetics; science

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APA (6^th Edition):

Razvi, S. S. (2014). Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6301

Chicago Manual of Style (16^th Edition):

Razvi, Saba Syed. “Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.” 2014. Doctoral Dissertation, University of Southern California. Accessed February 26, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6301.

MLA Handbook (7^th Edition):

Razvi, Saba Syed. “Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.” 2014. Web. 26 Feb 2021.

Vancouver:

Razvi SS. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Feb 26]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6301.

Council of Science Editors:

Razvi SS. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6301

Cornell University

13. Desai, Noor. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England.

Degree: PhD, English Language and Literature, 2015, Cornell University

URL: http://hdl.handle.net/1813/39390

► Unruly Lines argues that writers in early modern England use the figure of the line as a tool in developing new modes of representation, and… (more)

▼ Unruly Lines argues that writers in early modern England use the figure of the line as a tool in developing new modes of representation, and that their written lines are an index for political, aesthetic, and epistemological issues surfacing in the period. Asserting that textual materiality and the technical practices of playing were crucial to the development of literary form, this dissertation proposes that the poetic line and the line of dialogue find literary art reflecting broad early-modern cultural assumptions. By looking beyond literature to discourses as varied as the visual arts, mathematics, architecture, and law, the project offers a variety of different ways to see the written line anew. Examining moments wherein lines introduce ways of meaning distinct from verbal semantics, this project claims that early modern writers began perceiving in the written line a means to challenge and disrupt habituated strategies for apprehension. Evenly divided into sections on poetry and drama, this project proposes that the inventiveness and self-reflexivity for which the early modern period's literature is known stem from the line's ability to challenge ordered systems of representation-to contest the presumed "rules" of art. The first two chapters, which consider poetry by King James, John Donne, and William Shakespeare, argue that the shape and structure of verse lines mark poetry as a specialized mode of discourse capable of figuring forth ideas unattainable in other media. Visually ragged, uneven, or blatantly artful and ornamental lines, I argue, start to diagrammatically supplement and juxtapose vivid verbal images. The second half of the project then considers how players use lines of dialogue, and focuses on works by John Lyly, George Peele, and Shakespeare. These chapters explain how lines drawn into individual actors' parts (indicating their cues) function as technical devices for building-and breaking up and challenging-the limits of theatrical space. As each chapter demonstrates, poets and playwrights take advantage of the verbal line's inability to offer only semantic meaning by cultivating self-consciously disruptive and unruly representations. These texts take into account the experiences of readers and audiences, and strive to actively build, rather than simply report, knowledge. Advisors/Committee Members: Kalas, Rayna M (chair), Lorenz, Philip A (committee member), Cohen, Walter Isaac (committee member), Mann, Jenny C (committee member).

Subjects/Keywords: Shakespeare; Early Modern Literature; Poetics

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APA (6^th Edition):

Desai, N. (2015). Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/39390

Chicago Manual of Style (16^th Edition):

Desai, Noor. “Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England.” 2015. Doctoral Dissertation, Cornell University. Accessed February 26, 2021. http://hdl.handle.net/1813/39390.

MLA Handbook (7^th Edition):

Desai, Noor. “Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England.” 2015. Web. 26 Feb 2021.

Vancouver:

Desai N. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England. [Internet] [Doctoral dissertation]. Cornell University; 2015. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/1813/39390.

Council of Science Editors:

Desai N. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England. [Doctoral Dissertation]. Cornell University; 2015. Available from: http://hdl.handle.net/1813/39390

14. Bidwaikar, Shruti. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.

Degree: English, 2012, Pondicherry University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/5259

►

Vision, Experience and Experiment in Sri Aurobindo s Poetry and Poetics newlineThe field of poetics is considerably vast as it attempts to examine, and interpret… (more)

▼

Vision, Experience and Experiment in Sri Aurobindo s Poetry and Poetics newlineThe field of poetics is considerably vast as it attempts to examine, and interpret the concept of literature, its scope and definition, modes of creation and methods and criteria of interpretation in the changing field of literature. This discipline has a long historical legacy both in India and the West. Poets, critics, aestheticians, philosophers and artists have deliberated upon various nuances of poetics. Studying the past, scrutinizing it against the present and extending it to suit the understanding of the poet-critics help the aesthetic and critical movements to carry forward the tradition with additions from the individual talents.Bharata, Bhand#257;maha, Dandin, Udbhatta, Rudrata, and#256;nandavardhana, Abhinavgupta, Jagannath are only few names out of the many who kept the tradition of Sanskrit poetics alive. Poetics was developed in other classical and modern Indian languages from time to time; however, the present study attempts to draw only from Sanskrit poetics for its purpose of comparisons and corroborations. The lineage of Plato, Aristotle, Longinus, Horace, was carried forth by John Dryden, Dr. Johnson, William Wordsworth, Mathew Arnold, T.S. Eliot, F.R. Leavis, Northrope Frye, Harold Bloom who have made significant contributions to the Western critical traditions. The development of Sanskrit poetics in India and critical traditions are important in the context of comparative poetics. Both the traditions had many similar concepts which were concurrent to each other and distinct that they could be contrasted and contested.Sri Aurobindo (1872-1950) was a poet-critic and aesthetician who made an intensive and extensive study of poetry and poetics of the West and India. He was also a seer-poet and a yogi. But what is meant by the term and#8213;seer-poetand#8214;? One of the disciples of Sri Aurobindo, Nolini Kanta Gupta describes, and#8213;The vision of the Truth breaks out of the sense of delight, while the sense of delight finds its foundation in the truth.

Bibliography and Appendix include

Advisors/Committee Members: Sivaramakrishnan, Murali.

Subjects/Keywords: Sri Aurobindo; English Poetry; Poetics

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APA (6^th Edition):

Bidwaikar, S. (2012). Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. (Thesis). Pondicherry University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/5259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bidwaikar, Shruti. “Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.” 2012. Thesis, Pondicherry University. Accessed February 26, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/5259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bidwaikar, Shruti. “Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.” 2012. Web. 26 Feb 2021.

Vancouver:

Bidwaikar S. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. [Internet] [Thesis]. Pondicherry University; 2012. [cited 2021 Feb 26]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/5259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bidwaikar S. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. [Thesis]. Pondicherry University; 2012. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/5259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Penn State University

15. Mcmillan, Samuel Fell. Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule.

Degree: 2016, Penn State University

URL: https://submit-etda.libraries.psu.edu/catalog/rr171x20k

► This dissertation examines the authorial consequences of reason’s banishment. It addresses how medieval poets imagine their occupation when the faculty of mean, mediation, and measure… (more)

Subjects/Keywords: Middle Ages; Authorship; Poetics

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APA (6^th Edition):

Mcmillan, S. F. (2016). Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/rr171x20k

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mcmillan, Samuel Fell. “Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule.” 2016. Thesis, Penn State University. Accessed February 26, 2021. https://submit-etda.libraries.psu.edu/catalog/rr171x20k.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mcmillan, Samuel Fell. “Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule.” 2016. Web. 26 Feb 2021.

Vancouver:

Mcmillan SF. Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule. [Internet] [Thesis]. Penn State University; 2016. [cited 2021 Feb 26]. Available from: https://submit-etda.libraries.psu.edu/catalog/rr171x20k.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mcmillan SF. Medieval Authorship at Reason's End: The Roman de la Rose's Legacy of Misrule. [Thesis]. Penn State University; 2016. Available from: https://submit-etda.libraries.psu.edu/catalog/rr171x20k

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

16. Waller, Daniel James. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.

Degree: 2014, Leiden University

URL: http://hdl.handle.net/1887/29508

► A comprehensive and concise poetics of biblical Hebrew poetry—its poiesis or active making, the aesthetics of its genesis, the principles of its composition—is the goal… (more)

Subjects/Keywords: Hebrew Bible; Poetry; Cognitive Poetics

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APA (6^th Edition):

Waller, D. J. (2014). A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/29508

Chicago Manual of Style (16^th Edition):

Waller, Daniel James. “A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.” 2014. Masters Thesis, Leiden University. Accessed February 26, 2021. http://hdl.handle.net/1887/29508.

MLA Handbook (7^th Edition):

Waller, Daniel James. “A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.” 2014. Web. 26 Feb 2021.

Vancouver:

Waller DJ. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/1887/29508.

Council of Science Editors:

Waller DJ. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/29508

University of Washington

17. Wyss, John Bradley. Divine Immolation.

Degree: 2016, University of Washington

URL: http://hdl.handle.net/1773/36632

Divine Immolation is a cycle of spiritual poetry, comprised of three sections that portray the soul transforming through metaphysical extremes. Advisors/Committee Members: Heuving, Jeanne (advisor).

Subjects/Keywords: Poetics; Poetry; Creative writing; english

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APA (6^th Edition):

Wyss, J. B. (2016). Divine Immolation. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/36632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wyss, John Bradley. “Divine Immolation.” 2016. Thesis, University of Washington. Accessed February 26, 2021. http://hdl.handle.net/1773/36632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wyss, John Bradley. “Divine Immolation.” 2016. Web. 26 Feb 2021.

Vancouver:

Wyss JB. Divine Immolation. [Internet] [Thesis]. University of Washington; 2016. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/1773/36632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyss JB. Divine Immolation. [Thesis]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/36632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Washington

18. Walker, Cora. Hindsight 2050.

Degree: 2017, University of Washington

URL: http://hdl.handle.net/1773/40067

► Hindsight 2050 is an anthology of science fiction stories taking place in a plausible, potentially near future. Misogyny, technological revolution, and an increasingly unstable capitalist… (more)

Subjects/Keywords: Poetics; Creative writing; Literature; English

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APA (6^th Edition):

Walker, C. (2017). Hindsight 2050. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Walker, Cora. “Hindsight 2050.” 2017. Thesis, University of Washington. Accessed February 26, 2021. http://hdl.handle.net/1773/40067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Walker, Cora. “Hindsight 2050.” 2017. Web. 26 Feb 2021.

Vancouver:

Walker C. Hindsight 2050. [Internet] [Thesis]. University of Washington; 2017. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/1773/40067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker C. Hindsight 2050. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Notre Dame

19. Ala Fink. Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>.

Degree: English, 2020, University of Notre Dame

URL: https://curate.nd.edu/show/tb09j389h7m

► This dissertation explores the importance of Hebraic righteousness in re-forming narrative and informing character development in Milton’s major poems. Where earlier scholarship has focused… (more)

▼ This dissertation explores the importance of Hebraic righteousness in re-forming narrative and informing character development in Milton’s major poems. Where earlier scholarship has focused on righteousness from a soteriological perspective, I argue that Milton turned instead to the narratives, and the language, of the Hebrew Bible. The place currently afforded to the Hebrew Bible in Milton’s poetics is mostly typological, and this approach tends to obscure events in the Hebrew Bible that do not cohere with moments in the Gospel and ignores their presence in, and influence on, the poetry. To investigate the depth and shape of Milton’s engagement with the Hebrew Bible, I analyze the ways in which narratives and characters in the Hebrew scriptures inform Milton’s late masterpieces. Milton’s reliance on the Hebrew Bible to shape his poems extends to the change that characters undergo in the poems and their subsequent development. I call this far-reaching engagement with the Hebrew Bible in Milton Hebraic poetics. The centrality of righteousness as understood in the Hebrew Bible for Milton’s poems lies in that it connects God and people and people to each other through ethical relations of reciprocity. The relational aspect accorded to righteousness in the Hebrew Bible largely stems from the etymological connectedness of “righteousness” and “justice,” which are derived from the same root in Hebrew. In each of the major poems, Hebraic righteousness serves as a model for the main characters’ actions: In Paradise Lost, the Son reminds the Father that divine justice is also divine righteousness by calling upon Abraham’s conversation with God regarding the destruction of Sodom, and Adam and Eve exercise their righteousness through discourse and hosting the angel Raphael; in Paradise Regained, the Son employs his understanding of Job’s perfect righteousness and of Moses’ mistake to sustain his rebuttals to Satan; and in Samson Agonistes, Samson’s development is modeled after Psalmic repentance that requires a belief that a retrieval of personal righteousness is always available through appeal to divine righteousness. Advisors/Committee Members: Elliott Visconsi, Committee Member, Laura L. Knoppers, Research Director, Gary Anderson, Committee Member, Stephen M. Fallon, Research Director.

Subjects/Keywords: John Milton; Poetics; Hebraism; Theology

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APA (6^th Edition):

Fink, A. (2020). Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/tb09j389h7m

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fink, Ala. “Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>.” 2020. Thesis, University of Notre Dame. Accessed February 26, 2021. https://curate.nd.edu/show/tb09j389h7m.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fink, Ala. “Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>.” 2020. Web. 26 Feb 2021.

Vancouver:

Fink A. Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>. [Internet] [Thesis]. University of Notre Dame; 2020. [cited 2021 Feb 26]. Available from: https://curate.nd.edu/show/tb09j389h7m.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fink A. Re-Forming Righteousness: Milton’s Hebraic Poetics</h1>. [Thesis]. University of Notre Dame; 2020. Available from: https://curate.nd.edu/show/tb09j389h7m

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Detroit Mercy

20. Hampel, Angela. the memory & poetics of the place we call HOME .

Degree: 2019, University of Detroit Mercy

URL: http://hdl.handle.net/10429/1935

► This thesis takes a deeper look into the place each of us call HOME. The topic is discussed from a phenomenological perspective, and revolves around… (more)

Subjects/Keywords: Architectural Theory; Memory; Poetics; Home

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APA (6^th Edition):

Hampel, A. (2019). the memory & poetics of the place we call HOME . (Thesis). University of Detroit Mercy. Retrieved from http://hdl.handle.net/10429/1935

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hampel, Angela. “the memory & poetics of the place we call HOME .” 2019. Thesis, University of Detroit Mercy. Accessed February 26, 2021. http://hdl.handle.net/10429/1935.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hampel, Angela. “the memory & poetics of the place we call HOME .” 2019. Web. 26 Feb 2021.

Vancouver:

Hampel A. the memory & poetics of the place we call HOME . [Internet] [Thesis]. University of Detroit Mercy; 2019. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10429/1935.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hampel A. the memory & poetics of the place we call HOME . [Thesis]. University of Detroit Mercy; 2019. Available from: http://hdl.handle.net/10429/1935

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Southern California

21. Walser, Adrienne. Modernism's poetics of dislocation.

Degree: PhD, English, 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4163

► This dissertation, “Modernism’s Poetics of Dislocation,” contributes to the field of transnational modernism in its examination of writers whose birthplaces include England, Switzerland, and the… (more)

▼ This dissertation, “Modernism’s Poetics of Dislocation,” contributes to the field of transnational modernism in its examination of writers whose birthplaces include England, Switzerland, and the West Indies, and whose writing is defined by modernity’s multi-directional movements. I examine the work of Blaise Cendrars, Mina Loy, and Jean Rhys as modernist modes of early twentieth-century travel writing. Neither they nor their writing fit into categories delineated by national or cultural lines. Thus, I argue that their texts, which have yet to be fully investigated as travel writing, complicate not only this genre, but modernism’s literary genealogies. Their models of modernist travel serve as a contrast to its narratives of exile and expatriation that rely on fixed categories of self and place. These dynamic intercultural texts of movement anticipate contemporary forms of mobility and identities that negotiate the local and the global. By focusing on these writers, whose lives and work cross myriad borders, this project remaps modernism’s terrain and challenges its mono-national literary frameworks through an interrogation of the lines that have previously delineated its literatures. ❧ Because this group of writers inhabited many communities, forming relationships across national and cultural spaces, their texts and literary methods are cross-pollinated products of synergistic collaborations and exchanges across various locations and intellectual coteries. Unlike the expatriates gathered in Paris, who more often than not remained attached to their home countries, the writers examined here demonstrate in their geographical and literary promiscuity little nostalgia for home or allegiance to a country. Enacting shifting landscapes and multiple perspectives, their texts serve as a foil to the teleological journeys depicted in conventional travel writing and modernist novels of travel, which typically differentiate between home and away, and feature a central subject anxiously safeguarding borders. If modernist writing tends to exhibit anxiety about displacement—about the self becoming unmoored from its origins—these forms of travel writing understand the self as unstable and subject to continual reconfiguration. In contrast to conventional travel writing, in which difference is a threat to a traveler’s logic of a coherent identity, the texts of the writers that I examine in this project challenge rigid constructions of the self and other. Their poetics of dislocation reflect the contacts, exchanges, and the dissonance of modernity. Advisors/Committee Members: Boone, Joseph A. (Committee Chair), McCabe, Susan (Committee Member), Nguyen, Viet Thanh (Committee Member), Lippit, Akira Mizuta (Committee Member).

Subjects/Keywords: travel; modernism; travel writing; poetics

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APA (6^th Edition):

Walser, A. (2014). Modernism's poetics of dislocation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4163

Chicago Manual of Style (16^th Edition):

Walser, Adrienne. “Modernism's poetics of dislocation.” 2014. Doctoral Dissertation, University of Southern California. Accessed February 26, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4163.

MLA Handbook (7^th Edition):

Walser, Adrienne. “Modernism's poetics of dislocation.” 2014. Web. 26 Feb 2021.

Vancouver:

Walser A. Modernism's poetics of dislocation. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Feb 26]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4163.

Council of Science Editors:

Walser A. Modernism's poetics of dislocation. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4163

22. Robertson, Carolyn. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .

Degree: 2013, California State University – San Marcos

URL: http://hdl.handle.net/10211.8/515

This item was digitized as part of the "Retrospective Thesis Digitization Project." No abstract is available.

Subjects/Keywords: Poetics; Rothenberg, Jerome, 1931-

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APA (6^th Edition):

Robertson, C. (2013). Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . (Thesis). California State University – San Marcos. Retrieved from http://hdl.handle.net/10211.8/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Robertson, Carolyn. “Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .” 2013. Thesis, California State University – San Marcos. Accessed February 26, 2021. http://hdl.handle.net/10211.8/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Robertson, Carolyn. “Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .” 2013. Web. 26 Feb 2021.

Vancouver:

Robertson C. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . [Internet] [Thesis]. California State University – San Marcos; 2013. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10211.8/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robertson C. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . [Thesis]. California State University – San Marcos; 2013. Available from: http://hdl.handle.net/10211.8/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

23. Garay, Christopher. Infinite Hallways: “Parabola Heretica” and Other Journeys.

Degree: 2013, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc407839/

► This creative thesis collects five fictional stories, as well as a critical preface entitled “Fractals and the Gestalt: the Hybridization of Genre.” The critical preface… (more)

Subjects/Keywords: Genre; science fiction; Poetics

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APA (6^th Edition):

Garay, C. (2013). Infinite Hallways: “Parabola Heretica” and Other Journeys. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Garay, Christopher. “Infinite Hallways: “Parabola Heretica” and Other Journeys.” 2013. Thesis, University of North Texas. Accessed February 26, 2021. https://digital.library.unt.edu/ark:/67531/metadc407839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Garay, Christopher. “Infinite Hallways: “Parabola Heretica” and Other Journeys.” 2013. Web. 26 Feb 2021.

Vancouver:

Garay C. Infinite Hallways: “Parabola Heretica” and Other Journeys. [Internet] [Thesis]. University of North Texas; 2013. [cited 2021 Feb 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garay C. Infinite Hallways: “Parabola Heretica” and Other Journeys. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New Orleans

24. Bradburd, Douglas. Word Blind.

Degree: M.F.A., Drama and Communications, 2006, University of New Orleans

URL: https://scholarworks.uno.edu/td/354

Following a referenced and annotated introduction that discusses the author's poetics, 'word blind' includes thirty of the author's current poems. Advisors/Committee Members: Lavender, William, Lazer, Hank, Schultz, Susan.

Subjects/Keywords: Poetry; Poetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bradburd, D. (2006). Word Blind. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bradburd, Douglas. “Word Blind.” 2006. Thesis, University of New Orleans. Accessed February 26, 2021. https://scholarworks.uno.edu/td/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bradburd, Douglas. “Word Blind.” 2006. Web. 26 Feb 2021.

Vancouver:

Bradburd D. Word Blind. [Internet] [Thesis]. University of New Orleans; 2006. [cited 2021 Feb 26]. Available from: https://scholarworks.uno.edu/td/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bradburd D. Word Blind. [Thesis]. University of New Orleans; 2006. Available from: https://scholarworks.uno.edu/td/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Montana Tech

25. Durham, Rebecca A. Half-life of Empathy.

Degree: MFA, 2017, Montana Tech

URL: https://scholarworks.umt.edu/etd/11086

► This collection of ecopoems interrogates the complex human/non-human relationship in the Anthropocene. Rooted in the author’s deep fascination and scientific knowledge of nature, these… (more)

Subjects/Keywords: ecopoetry; Anthropocene; poetics; Montana; Poetry

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APA (6^th Edition):

Durham, R. A. (2017). Half-life of Empathy. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/11086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Durham, Rebecca A. “Half-life of Empathy.” 2017. Thesis, Montana Tech. Accessed February 26, 2021. https://scholarworks.umt.edu/etd/11086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Durham, Rebecca A. “Half-life of Empathy.” 2017. Web. 26 Feb 2021.

Vancouver:

Durham RA. Half-life of Empathy. [Internet] [Thesis]. Montana Tech; 2017. [cited 2021 Feb 26]. Available from: https://scholarworks.umt.edu/etd/11086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Durham RA. Half-life of Empathy. [Thesis]. Montana Tech; 2017. Available from: https://scholarworks.umt.edu/etd/11086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New South Wales

26. Wentworth, Isabelle. ‘Catching Time’: the synchrony of minds, bodies and objects in literature.

Degree: Arts and Media, 2019, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/64876 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true

► Recent work in the neuroscience of time perception has revealed that humans have an unconscious capacity to ‘catch’, or synchronise with, other people’s subjective experience… (more)

▼ Recent work in the neuroscience of time perception has revealed that humans have an unconscious capacity to ‘catch’, or synchronise with, other people’s subjective experience of time. This process has, I argue, been profoundly intuited by authors in their fictional explorations of time and subjectivity. Literary discourse offers a privileged site for explorations of temporal synchronisation, as authors are able to frame, refract and nuance the relationships they depict, so broadening our understanding of the role of subjective temporality within them. Yet there is a lack of understanding of the precise ways in which time, bodies and environments are intertwined, both in literary studies and cognitive science. This is a significant gap, because subjective time — the experience of temporal properties of events and processes, in particular duration — provides the organising fabric of conscious experience, both for fictional and actual minds.My methodology combines cognitive poetics, cognitive linguistics and cognitive historicism. Through this multifaceted lens, I show how thinking through this intersubjective time can help us understand questions of style, character and plot in narrative. Furthermore, my research expands our understanding of temporal synchronisation, revealing aspects of this cognitive phenomenon that science hasn’t yet established.In particular, literature demonstrates that temporal synchronisation can occur through two avenues: between people, as cognitive science has studied, and which I explore in my first chapter through Don DeLillo’s The Body Artist. Secondly, between people and objects —a phenomenon which has been illuminated by literature, rather than cognitive science. My second chapter starts here, looking at the influence that family homes can have on their inhabitants in Lisa Gorton’s The Life of Houses. Expanding my analysis beyond the bounds of the Western, Anglophone world, I show how this human/object temporal influence exists across linguo-cultural regions, exploring Isabel Allende’s La casa de los espíritus and Martín Felipe Castagnet’s Los cuerpos del Verano. My contribution is theoretical, offering not just original readings of texts but new methodological directions for literature and cognitive science, gesturing towards a new way of understanding time, bodies and environment. Advisors/Committee Members: Danta, Chris, Arts and Media, Faculty of Arts & Social Sciences, UNSW.

Subjects/Keywords: Embodiment; Time; Cognitive poetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wentworth, I. (2019). ‘Catching Time’: the synchrony of minds, bodies and objects in literature. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/64876 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Wentworth, Isabelle. “‘Catching Time’: the synchrony of minds, bodies and objects in literature.” 2019. Doctoral Dissertation, University of New South Wales. Accessed February 26, 2021. http://handle.unsw.edu.au/1959.4/64876 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Wentworth, Isabelle. “‘Catching Time’: the synchrony of minds, bodies and objects in literature.” 2019. Web. 26 Feb 2021.

Vancouver:

Wentworth I. ‘Catching Time’: the synchrony of minds, bodies and objects in literature. [Internet] [Doctoral dissertation]. University of New South Wales; 2019. [cited 2021 Feb 26]. Available from: http://handle.unsw.edu.au/1959.4/64876 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true.

Council of Science Editors:

Wentworth I. ‘Catching Time’: the synchrony of minds, bodies and objects in literature. [Doctoral Dissertation]. University of New South Wales; 2019. Available from: http://handle.unsw.edu.au/1959.4/64876 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62826/SOURCE02?view=true

27. Nolan, Sarah. Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry.

Degree: 2015, University of Nevada – Reno

URL: http://hdl.handle.net/11714/2505

► The shift toward and identification of what I am calling unnatural ecopoetics represents an important development for ecopoetics and more broadly for ecocriticism – first, through… (more)

▼ The shift toward and identification of what I am calling unnatural ecopoetics represents an important development for ecopoetics and more broadly for ecocriticism – first, through broader applicability of ecopoetic theory and second, through increased clarity surrounding the term ecopoetics. The identification and detailed breakdown of the central tenets of both early ecopoetics and the unnatural ecopoetics I am espousing here helps stabilize a field that has long been afflicted with conflicting definitions and understandings. Since its inception, the lack of clarity inherent within the term ecopoetics has been surprisingly detrimental to the field's expansion. I propose defining ecopoetics as a theoretical lens that studies the methods by which poets attempt to express the material and nonmaterial elements of real-world environmental experience, including subjective elements of that encounter, through poetic form and language. Put another way, ecopoetics investigates how poets attempt to use unique forms to capture the multiple elements that constitute lived experience while simultaneously foregrounding the textual space in which such expression occurs. Rather than separating the material world from nonmaterial aspects of experience, this understanding of the term ecopoetics focuses on the ways in which individual memory, personal experience, ideology, and the limitations of the senses shape experience and, just as importantly, on how new forms and experimentation with language can work to expose the agential power of the material and nonmaterial worlds alike. Unnatural ecopoetics employs experimental forms and self-reflexive commentary to express the disjointed and nonlinear aspects of experience while simultaneously moving the inherent limitations of the text to the fore. By continuing to move the definition of ecopoetics forward in this way, I not only expand the applicability of ecopoetic theory across literary studies and gain a more diverse understanding of the ways in which people from a variety of economic situations, cultures, locations, and ethnic backgrounds understand and interact with their environments, but also acknowledge the ways in which nature and culture are irreversibly intertwined. Advisors/Committee Members: Slovic, Scott (advisor), Keniston, Ann (committee member), Glotfelty, Cheryll (committee member), Sagebiel, John (committee member), Starrs, Paul (committee member).

Subjects/Keywords: ecocriticism; ecopoetics; ecopoetry; poetics; poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nolan, S. (2015). Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry. (Thesis). University of Nevada – Reno. Retrieved from http://hdl.handle.net/11714/2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nolan, Sarah. “Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry.” 2015. Thesis, University of Nevada – Reno. Accessed February 26, 2021. http://hdl.handle.net/11714/2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nolan, Sarah. “Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry.” 2015. Web. 26 Feb 2021.

Vancouver:

Nolan S. Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry. [Internet] [Thesis]. University of Nevada – Reno; 2015. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/11714/2505.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nolan S. Unnatural Ecopoetics: Unlikely Spaces in Contemporary Poetry. [Thesis]. University of Nevada – Reno; 2015. Available from: http://hdl.handle.net/11714/2505

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of St. Andrews

28. Rodgers, Sarah Anne. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .

Degree: 2014, University of St. Andrews

URL: http://hdl.handle.net/10023/6347

► Since the advent of capture technologies poets have advanced, through their experimental practice, an expanded understanding of what constitutes a text to incorporate not only… (more)

▼ Since the advent of capture technologies poets have advanced, through their experimental practice, an expanded understanding of what constitutes a text to incorporate not only its content, but also its construction. Reframed by morphological and mechanical perspectives, our changing relationship with sound and image was constituent to a cumulative process of artistic abstraction that would, in time, come to define modernity. By highlighting the importance of technologies such as telegraphy and electricity in the conception of poetry as a connecting force, of photography and cinema in the recalibration of our perceptions of subject and object, and of gramophony, radio, television and computing technologies as key agents in a process of naturalization regarding the relationship between poetry and its audience, this thesis will attempt to illustrate the progression of technology-led abstraction in oral, written and music based poetries from the beginning of the industrial age to the present day. Our relationship with the communication technologies we invent has become increasingly interwoven with the epistemological structures such mechanisms advance. This thesis will propose that as a consequence, the ways we organise and remediate texts, sounds and images into new, creative contexts that utilize the mass communication technologies and distribution networks of our modern experience positions electronic music, rap, digital memes and other interdisciplinary modes of digital expression as significant poetic forms. Our day-to-day engagement with diverse media allows us to reconfigure all our manifestations of self and any examination of mass media’s impact on poetic expression must likewise constitute a reading of both literary and popular materials. To this end, this thesis will consider the progressive technologization of our engagement with oral, written and music-based poetries that media technologies facilitate within the context of the praxis of prominent poets, their literary theories and those of the literary movements they endorsed. Advisors/Committee Members: Paterson, Don (advisor).

Subjects/Keywords: Poetics; Music; Technology; Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rodgers, S. A. (2014). From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/6347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rodgers, Sarah Anne. “From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .” 2014. Thesis, University of St. Andrews. Accessed February 26, 2021. http://hdl.handle.net/10023/6347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rodgers, Sarah Anne. “From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .” 2014. Web. 26 Feb 2021.

Vancouver:

Rodgers SA. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . [Internet] [Thesis]. University of St. Andrews; 2014. [cited 2021 Feb 26]. Available from: http://hdl.handle.net/10023/6347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodgers SA. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . [Thesis]. University of St. Andrews; 2014. Available from: http://hdl.handle.net/10023/6347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

29. Guo, Suei-Ci. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.

Degree: Master, Chinese Literature, 2012, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

► Fang Hui âYing Kui Lu Suiâ is one of widely discussed literary productions among Tang and Song poems of eight lines collections, which could be… (more)

▼ Fang Hui âYing Kui Lu Suiâ is one of widely discussed literary productions among Tang and Song poems of eight lines collections, which could be viewed in âYing Kui Lu Sui Literary Criticismâ edited by Li, Qing-Jia; among the most important criticisms are Ping Ban, Ping Hao, Zha Shen-Xing, Ji Yun, and Xu Ying Fang. Xu Ying Fang is one of the most important poets and poetry critics in Yun Na. âLu Sui Ji Yaoâ is edited in the purpose of teaching students during Xuâs late years of being the chairman in Jing Zheng college. This literary production has twelve chapters; the first six chapters are about the poems, which are worthy to be followed, and the later six ones are vice versa. However, Xu passes away before finishing this work. The reason why Xu Ying Fang edits this production bases on the criticism of âYing Kui Lu Suiâ (written by Fang Hui), and âYing Kui Lu Sui Kan Wuâ (written by Ji Yun), yet the literary figure of âLu Sui Ji Yaoâ is different from that of Fang Hui. Comparing to the late Qing dynasty, which is prevalent to the movement of Song poetry with Tong-Guang style, Xu Ying Fangâs reflections toward Tang and Song poetry reversely present the most important feature of poetics in Qing Dynasty- neutrality. Xu partially accepts Fang Huiâs proposition of âone ancestor and three predecessorsâ; and he further advances the idea of lists Li Shang-Yin, and Wang An Shi into the followers of Du Fu. Moreover, he even raises poetics status of Chen Yu Yi above Chen Shih Dao. Therefore, in âLu Sui Ji Yaoâ, Du Fu is the most listed poet among Tang Dynasty poets, and Chen Yu Yi is the poet among Song Dynasty poets; the above arrangement is the most vivid poetic feature, which Xu Ying Fong breaks through Fang Huiâs previous propositions. The advantages and weaknesses about poetry appeared among Xu Ying Fongâs literary production are not judaged by times nor poets themselves. His literary criticism is deeply affected by neutral concept and textual research in Qing Dynasty poetics. As a result, âLu Sui Ji Yaoâhas been accounted as an important status among the relative works of âYing Kui Lu Suiâ. Advisors/Committee Members: Xian-Zong Gong (chair), Chao-ming Liu (chair), Hung-Chang Liao (committee member).

Subjects/Keywords: Ying Kui Lu Sui; Xu Yin -Fang; Tang and Song poetics; Du Fu poetics; Qing Dynasty poetics; Ji Yun

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Guo, S. (2012). The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Guo, Suei-Ci. “The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.” 2012. Thesis, NSYSU. Accessed February 26, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Guo, Suei-Ci. “The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.” 2012. Web. 26 Feb 2021.

Vancouver:

Guo S. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. [Internet] [Thesis]. NSYSU; 2012. [cited 2021 Feb 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guo S. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

San Jose State University

30. Goodwin, Nicholas Grant. The Body Dysmorphic.

Degree: MFA, English and Comparative Literature, 2011, San Jose State University

URL: https://doi.org/10.31979/etd.ajaj-3qte ; https://scholarworks.sjsu.edu/etd_theses/4091

► The Body Dysmorphic is a book of poetry situated around the absurdity of the human body in a world of fast advancing technologies, or… (more)

Subjects/Keywords: Apollinaire; Baudelaire; French Symbolism; Gothic; Poetics; Queer

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APA (6^th Edition):

Goodwin, N. G. (2011). The Body Dysmorphic. (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.ajaj-3qte ; https://scholarworks.sjsu.edu/etd_theses/4091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Goodwin, Nicholas Grant. “The Body Dysmorphic.” 2011. Thesis, San Jose State University. Accessed February 26, 2021. https://doi.org/10.31979/etd.ajaj-3qte ; https://scholarworks.sjsu.edu/etd_theses/4091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Goodwin, Nicholas Grant. “The Body Dysmorphic.” 2011. Web. 26 Feb 2021.

Vancouver:

Goodwin NG. The Body Dysmorphic. [Internet] [Thesis]. San Jose State University; 2011. [cited 2021 Feb 26]. Available from: https://doi.org/10.31979/etd.ajaj-3qte ; https://scholarworks.sjsu.edu/etd_theses/4091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodwin NG. The Body Dysmorphic. [Thesis]. San Jose State University; 2011. Available from: https://doi.org/10.31979/etd.ajaj-3qte ; https://scholarworks.sjsu.edu/etd_theses/4091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations