subject:(Poetics)

University of Georgia

1. Bilbrey, Mark. The dog poems & The poetics of prayer.

Degree: PhD, English, 2009, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/bilbrey_mark_a_200905_phd

► The Dog Poems, a poetry manuscript introduced by an essay titled “The Poetics of Prayer,” gives space and voice to characters (“dogs”) trapped by a… (more)

Subjects/Keywords: Poetics

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APA (6^th Edition):

Bilbrey, M. (2009). The dog poems & The poetics of prayer. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/bilbrey_mark_a_200905_phd

Chicago Manual of Style (16^th Edition):

Bilbrey, Mark. “The dog poems & The poetics of prayer.” 2009. Doctoral Dissertation, University of Georgia. Accessed February 21, 2020. http://purl.galileo.usg.edu/uga_etd/bilbrey_mark_a_200905_phd.

MLA Handbook (7^th Edition):

Bilbrey, Mark. “The dog poems & The poetics of prayer.” 2009. Web. 21 Feb 2020.

Vancouver:

Bilbrey M. The dog poems & The poetics of prayer. [Internet] [Doctoral dissertation]. University of Georgia; 2009. [cited 2020 Feb 21]. Available from: http://purl.galileo.usg.edu/uga_etd/bilbrey_mark_a_200905_phd.

Council of Science Editors:

Bilbrey M. The dog poems & The poetics of prayer. [Doctoral Dissertation]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/bilbrey_mark_a_200905_phd

University of Exeter

2. Robles, Jaime Carla. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry.

Degree: PhD, 2013, University of Exeter

URL: http://hdl.handle.net/10871/14222

► This thesis is composed of two parts: Hoard, a collection of poems, and Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry, an inquiry into… (more)

▼ This thesis is composed of two parts: Hoard, a collection of poems, and Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry, an inquiry into the metaphor of darkness in late twentieth- and early twenty-first-century Anglophone poetry. Hoard includes four series of poems – ‘Red Boat’, ‘Hoxne’, ‘Quatrefoils’ and ‘White Swan’ – which use the Hoxne hoard as a metaphor for lost love. The second series is titled ‘Foundlings’, and is based on archival tokens from children who were abandoned to London’s Foundling Hospital in the mid-eighteenth century. The third series includes ‘Elegy’ and ‘Decorations’, and uses descriptions of the Staffordshire hoard along with eyewitness accounts of global conflict in the late-twentieth century to the present day. Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry examines the theme of loss presented in the poems Hoard, progressing from orphans to silenced women to bereavement to war to ecological disaster. The book is a series of mediations of a central topic and includes close readings that show how an individual contemporary writer uses the topic within his or her work. Meditation One posits that forms of loss appear in poetry as metaphors of darkness, and proceeds historically through the work of Dante, Shakespeare and Elizabeth Bishop and Charles Wright; the chapter ends with a close reading of John Burnside’s prose poem ‘Annunciations’ (Common Knowledge). Meditation Two looks at the mythological uses of the concept of darkness, especially as it represents ego loss, and discusses Joan Retallack’s ‘Afterrimages’; the chapter closes with a discussion of Rusty Morrison’s Whethering and when the true keeps calm biding its story. Meditation Three looks at the emotions of lost love, both familial and romantic, and includes a discussion of Martha Nussbaum’s theory of emotions and ethics. The chapter includes close readings of Elizabeth Robinson’s The orphan and its relations and Susan Howe’s That This. Meditation Four discusses the pain caused by war and the form of my long poem ‘Decorations’; it includes an examination of Seamus Heaney’s North. The chapter concludes with an essay on Maxine Chernoff’s book Without. Meditation Five discusses objects and how they become a part of the body and therefore become a potential locus for both pain and loss; the chapter closes with a close reading of Brenda Coultas’ The Handmade Museum. The themes and ideas are reiterated in the Conclusion.

Subjects/Keywords: Poetry; Poetics

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APA (6^th Edition):

Robles, J. C. (2013). 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/14222

Chicago Manual of Style (16^th Edition):

Robles, Jaime Carla. “'Dark lyrics' : studying the subterranean impulses of contemporary poetry.” 2013. Doctoral Dissertation, University of Exeter. Accessed February 21, 2020. http://hdl.handle.net/10871/14222.

MLA Handbook (7^th Edition):

Robles, Jaime Carla. “'Dark lyrics' : studying the subterranean impulses of contemporary poetry.” 2013. Web. 21 Feb 2020.

Vancouver:

Robles JC. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10871/14222.

Council of Science Editors:

Robles JC. 'Dark lyrics' : studying the subterranean impulses of contemporary poetry. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/14222

University of British Columbia

3. Macfarlane, Walter Julian. Poetry as possibility .

Degree: 1971, University of British Columbia

URL: http://hdl.handle.net/2429/34413

► This thesis explores the concept of possibility in terms of an aesthetic theory applicable to poetry. The concept is widely used in different ways by… (more)

Subjects/Keywords: Poetics

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APA (6^th Edition):

Macfarlane, W. J. (1971). Poetry as possibility . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/34413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Macfarlane, Walter Julian. “Poetry as possibility .” 1971. Thesis, University of British Columbia. Accessed February 21, 2020. http://hdl.handle.net/2429/34413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Macfarlane, Walter Julian. “Poetry as possibility .” 1971. Web. 21 Feb 2020.

Vancouver:

Macfarlane WJ. Poetry as possibility . [Internet] [Thesis]. University of British Columbia; 1971. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/2429/34413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Macfarlane WJ. Poetry as possibility . [Thesis]. University of British Columbia; 1971. Available from: http://hdl.handle.net/2429/34413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of British Columbia

4. McKeown, Thomas Wilson. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis .

Degree: 1983, University of British Columbia

URL: http://hdl.handle.net/2429/24318

► This dissertation argues that the coherent vision and single impulse which led to the major form of the Cantos also underlay Ezra Pound's seemingly disparite… (more)

Subjects/Keywords: Poetics

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APA (6^th Edition):

McKeown, T. W. (1983). Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/24318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

McKeown, Thomas Wilson. “Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis .” 1983. Thesis, University of British Columbia. Accessed February 21, 2020. http://hdl.handle.net/2429/24318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

McKeown, Thomas Wilson. “Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis .” 1983. Web. 21 Feb 2020.

Vancouver:

McKeown TW. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis . [Internet] [Thesis]. University of British Columbia; 1983. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/2429/24318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKeown TW. Ezra Pound’s early experiments with major forms, 1904-1925 : Directio Voluntatis . [Thesis]. University of British Columbia; 1983. Available from: http://hdl.handle.net/2429/24318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Simon Fraser University

5. Isaak, Glenn. The liminal text : T.S. Eliot's evolving poetics and The waste land.

Degree: 1991, Simon Fraser University

URL: http://summit.sfu.ca/item/3625

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Isaak, G. (1991). The liminal text : T.S. Eliot's evolving poetics and The waste land. (Thesis). Simon Fraser University. Retrieved from http://summit.sfu.ca/item/3625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Isaak, Glenn. “The liminal text : T.S. Eliot's evolving poetics and The waste land.” 1991. Thesis, Simon Fraser University. Accessed February 21, 2020. http://summit.sfu.ca/item/3625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Isaak, Glenn. “The liminal text : T.S. Eliot's evolving poetics and The waste land.” 1991. Web. 21 Feb 2020.

Vancouver:

Isaak G. The liminal text : T.S. Eliot's evolving poetics and The waste land. [Internet] [Thesis]. Simon Fraser University; 1991. [cited 2020 Feb 21]. Available from: http://summit.sfu.ca/item/3625.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Isaak G. The liminal text : T.S. Eliot's evolving poetics and The waste land. [Thesis]. Simon Fraser University; 1991. Available from: http://summit.sfu.ca/item/3625

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

San Jose State University

6. Totten, Sara Jane. The Current Life.

Degree: MFA, English and Comparative Literature, 2013, San Jose State University

URL: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

► My project juxtaposes a diversity of social, personal, and political ideas within the texts of my poems, including not only a sampling from other… (more)

Subjects/Keywords: Poetics; Poetry

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APA (6^th Edition):

Totten, S. J. (2013). The Current Life. (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Totten, Sara Jane. “The Current Life.” 2013. Thesis, San Jose State University. Accessed February 21, 2020. https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Totten, Sara Jane. “The Current Life.” 2013. Web. 21 Feb 2020.

Vancouver:

Totten SJ. The Current Life. [Internet] [Thesis]. San Jose State University; 2013. [cited 2020 Feb 21]. Available from: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Totten SJ. The Current Life. [Thesis]. San Jose State University; 2013. Available from: https://doi.org/10.31979/etd.y27j-ezry ; https://scholarworks.sjsu.edu/etd_theses/4404

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

7. Hadley, Drummond. The webbings .

Degree: 1966, University of Arizona

URL: http://hdl.handle.net/10150/317972

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Hadley, D. (1966). The webbings . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/317972

Chicago Manual of Style (16^th Edition):

Hadley, Drummond. “The webbings .” 1966. Masters Thesis, University of Arizona. Accessed February 21, 2020. http://hdl.handle.net/10150/317972.

MLA Handbook (7^th Edition):

Hadley, Drummond. “The webbings .” 1966. Web. 21 Feb 2020.

Vancouver:

Hadley D. The webbings . [Internet] [Masters thesis]. University of Arizona; 1966. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10150/317972.

Council of Science Editors:

Hadley D. The webbings . [Masters Thesis]. University of Arizona; 1966. Available from: http://hdl.handle.net/10150/317972

University of Arizona

8. Ross, Joan Moffitt, 1939-. Footholds .

Degree: 1969, University of Arizona

URL: http://hdl.handle.net/10150/318074

Subjects/Keywords: Poetics.

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APA (6^th Edition):

Ross, Joan Moffitt, 1. (1969). Footholds . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/318074

Chicago Manual of Style (16^th Edition):

Ross, Joan Moffitt, 1939-. “Footholds .” 1969. Masters Thesis, University of Arizona. Accessed February 21, 2020. http://hdl.handle.net/10150/318074.

MLA Handbook (7^th Edition):

Ross, Joan Moffitt, 1939-. “Footholds .” 1969. Web. 21 Feb 2020.

Vancouver:

Ross, Joan Moffitt 1. Footholds . [Internet] [Masters thesis]. University of Arizona; 1969. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10150/318074.

Council of Science Editors:

Ross, Joan Moffitt 1. Footholds . [Masters Thesis]. University of Arizona; 1969. Available from: http://hdl.handle.net/10150/318074

University of North Texas

9. Poch, John. Sorry Guard.

Degree: 2000, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc2455/

► Sorry Guard is a collection of poems with a critical introduction on poetic form. Form in poetry can be revealed vocally (how the poem sounds),… (more)

Subjects/Keywords: Poetics.; poetry; poetics

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APA (6^th Edition):

Poch, J. (2000). Sorry Guard. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Poch, John. “Sorry Guard.” 2000. Thesis, University of North Texas. Accessed February 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc2455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Poch, John. “Sorry Guard.” 2000. Web. 21 Feb 2020.

Vancouver:

Poch J. Sorry Guard. [Internet] [Thesis]. University of North Texas; 2000. [cited 2020 Feb 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poch J. Sorry Guard. [Thesis]. University of North Texas; 2000. Available from: https://digital.library.unt.edu/ark:/67531/metadc2455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Rossell, Broc Norman. Cark.

Degree: PhD, English, 2012, U of Denver

URL: https://digitalcommons.du.edu/etd/913

► A collection of poems with critical preface. The author expresses concern for responsibilities and obligations resulting from utterance and offers a means of reading… (more)

Subjects/Keywords: Contemporary poetics; Poems; Poetics; Poetry; Poetry

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APA (6^th Edition):

Rossell, B. N. (2012). Cark. (Doctoral Dissertation). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/913

Chicago Manual of Style (16^th Edition):

Rossell, Broc Norman. “Cark.” 2012. Doctoral Dissertation, U of Denver. Accessed February 21, 2020. https://digitalcommons.du.edu/etd/913.

MLA Handbook (7^th Edition):

Rossell, Broc Norman. “Cark.” 2012. Web. 21 Feb 2020.

Vancouver:

Rossell BN. Cark. [Internet] [Doctoral dissertation]. U of Denver; 2012. [cited 2020 Feb 21]. Available from: https://digitalcommons.du.edu/etd/913.

Council of Science Editors:

Rossell BN. Cark. [Doctoral Dissertation]. U of Denver; 2012. Available from: https://digitalcommons.du.edu/etd/913

University of Georgia

11. Lewis, Matthew Charles. Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm.

Degree: MA, English, 2009, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/lewis_matthew_c_200905_ma

► Anglo-Saxon Metrical Charm 3, Wið Dweorh, from the British Library MS Harley 585, provides evidence of remnants of shamanic thinking in the early Christian era… (more)

Subjects/Keywords: Anglo-Saxon poetics

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APA (6^th Edition):

Lewis, M. C. (2009). Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/lewis_matthew_c_200905_ma

Chicago Manual of Style (16^th Edition):

Lewis, Matthew Charles. “Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm.” 2009. Masters Thesis, University of Georgia. Accessed February 21, 2020. http://purl.galileo.usg.edu/uga_etd/lewis_matthew_c_200905_ma.

MLA Handbook (7^th Edition):

Lewis, Matthew Charles. “Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm.” 2009. Web. 21 Feb 2020.

Vancouver:

Lewis MC. Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm. [Internet] [Masters thesis]. University of Georgia; 2009. [cited 2020 Feb 21]. Available from: http://purl.galileo.usg.edu/uga_etd/lewis_matthew_c_200905_ma.

Council of Science Editors:

Lewis MC. Dreaming of dwarves: Anglo-Saxon dream theory, nightmares, and the Wid Dweorh charm. [Masters Thesis]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/lewis_matthew_c_200905_ma

University of Southern California

12. Razvi, Saba Syed. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.

Degree: PhD, Literature and Creative Writing, 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6292

► ""Synthetic Form & Deviant Transcendence: Interfaces Between Science & 21st Century Poetry"" is a collection of essays on contemporary writers whose particular engagement with science… (more)

▼ ""Synthetic Form & Deviant Transcendence: Interfaces Between Science & 21st Century Poetry"" is a collection of essays on contemporary writers whose particular engagement with science in their poems transcends the topical or superficial approach. This trend toward the structural use of science, in radically artificial ways, has created poems that enact synthetic rather than organic experiences by cleaving form from content, appealing to a hyperdimensional sensibility encouraged by the nascence of the digital age. The argument examines how poetry and science interact within this dynamic, and demonstrates in a case study of two books, that their connection is a product of the digital age, that it is synthetic, that it is structural rather than topical and derived from science’s now tertiary degree of removal from the world it studies. It examines how discussions of poetry and theories of poetics have interacted to allow a difference between form and content to enable this interplay of science in poetry, exploring ideas of form and of lyrical content to establish that they are separate, but connected, concepts. It examines how the digital age and the role of science and technology in our society have affected our cultural consciousness, enabled this distinction between form and content and its alliance with poetry and science to emerge, or at least, welcomed it into our reading experience. And finally, it explores how a number of poets writing for the page and a selection of some poets writing for new media have composed works affected by the interplay of these diverse ideas. The included case studies discuss Srikanth Reddy’s Facts for Visitors and Shanxing Wang’s Mad Science in Imperial City and the project will expand in the future to cover those books discussed in the concluding chapter, as well. ❧ ""In the Crocodile Gardens"", a collection of poems, is situated at the point of unraveling of familiar storytelling threads. The poems bloom out of the dissolution of inherited tales. Little Red Riding Hood dances a strip tease for the wolf. Melusine recasts her origin and creates herself a tail. Michelangelo’s ex-lover seeks revenge against him. Cyndi Lauper, the Marquis de Sade, Skinny Puppy, and Sappho speak as kindred voices. In other poems, the bones and corpses left behind in a battle speak through the sound of drums, maps open into dictionaries to interpret the connection between language and nation, demons and nature spirits speak to lovers about skin, science fictional worlds split open, fairytales speak through nightmare and burst their own conventions. This collection of poems explores the nature of transgression in emotionally contractual situations that have not retained their structural integrity. Through a landscape of amputated branches and swaying human limbs, echoes of body, place, and voice, through debate with fossils and jungles and the natural cycle of life, the characters in these poems confront the nature of acceptance and failure, interrogating just what constitutes an outside force and what can… Advisors/Committee Members: McCabe, SusanSt. John, David. (Committee Chair), Muske-Dukes, Carol. (Committee Member), Rosenthal, Margaret. (Committee Member).

Subjects/Keywords: poetry; poetics; science

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APA (6^th Edition):

Razvi, S. S. (2014). Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6292

Chicago Manual of Style (16^th Edition):

Razvi, Saba Syed. “Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.” 2014. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6292.

MLA Handbook (7^th Edition):

Razvi, Saba Syed. “Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems.” 2014. Web. 21 Feb 2020.

Vancouver:

Razvi SS. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6292.

Council of Science Editors:

Razvi SS. Synthetic form and deviant transcendence: interfaces between 21st c. poetry & science; & In the crocodile gardens: poems. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/88085/rec/6292

Universiteit Utrecht

13. Reijmersdal, Cécile van. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.

Degree: 2008, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/31716

► In de scriptie wordt een overzicht gegeven van verschillende cognitieve benaderingen van literatuur. Er wordt kritisch gekeken naar de bruikbaarheid van de besproken theorieën en… (more)

Subjects/Keywords: Letteren; Cognition; Poetics

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APA (6^th Edition):

Reijmersdal, C. v. (2008). Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31716

Chicago Manual of Style (16^th Edition):

Reijmersdal, Cécile van. “Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.” 2008. Masters Thesis, Universiteit Utrecht. Accessed February 21, 2020. http://dspace.library.uu.nl:8080/handle/1874/31716.

MLA Handbook (7^th Edition):

Reijmersdal, Cécile van. “Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature.” 2008. Web. 21 Feb 2020.

Vancouver:

Reijmersdal Cv. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2020 Feb 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31716.

Council of Science Editors:

Reijmersdal Cv. Cognitive poetics: hype or hope? A critical overview of cognitive approaches and their practical applications to literature. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31716

14. Bidwaikar, Shruti. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.

Degree: English, 2012, Pondicherry University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/5259

►

Vision, Experience and Experiment in Sri Aurobindo s Poetry and Poetics newlineThe field of poetics is considerably vast as it attempts to examine, and interpret… (more)

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Vision, Experience and Experiment in Sri Aurobindo s Poetry and Poetics newlineThe field of poetics is considerably vast as it attempts to examine, and interpret the concept of literature, its scope and definition, modes of creation and methods and criteria of interpretation in the changing field of literature. This discipline has a long historical legacy both in India and the West. Poets, critics, aestheticians, philosophers and artists have deliberated upon various nuances of poetics. Studying the past, scrutinizing it against the present and extending it to suit the understanding of the poet-critics help the aesthetic and critical movements to carry forward the tradition with additions from the individual talents.Bharata, Bhand#257;maha, Dandin, Udbhatta, Rudrata, and#256;nandavardhana, Abhinavgupta, Jagannath are only few names out of the many who kept the tradition of Sanskrit poetics alive. Poetics was developed in other classical and modern Indian languages from time to time; however, the present study attempts to draw only from Sanskrit poetics for its purpose of comparisons and corroborations. The lineage of Plato, Aristotle, Longinus, Horace, was carried forth by John Dryden, Dr. Johnson, William Wordsworth, Mathew Arnold, T.S. Eliot, F.R. Leavis, Northrope Frye, Harold Bloom who have made significant contributions to the Western critical traditions. The development of Sanskrit poetics in India and critical traditions are important in the context of comparative poetics. Both the traditions had many similar concepts which were concurrent to each other and distinct that they could be contrasted and contested.Sri Aurobindo (1872-1950) was a poet-critic and aesthetician who made an intensive and extensive study of poetry and poetics of the West and India. He was also a seer-poet and a yogi. But what is meant by the term and#8213;seer-poetand#8214;? One of the disciples of Sri Aurobindo, Nolini Kanta Gupta describes, and#8213;The vision of the Truth breaks out of the sense of delight, while the sense of delight finds its foundation in the truth.

Bibliography and Appendix include

Advisors/Committee Members: Sivaramakrishnan, Murali.

Subjects/Keywords: Sri Aurobindo; English Poetry; Poetics

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APA (6^th Edition):

Bidwaikar, S. (2012). Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. (Thesis). Pondicherry University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/5259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bidwaikar, Shruti. “Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.” 2012. Thesis, Pondicherry University. Accessed February 21, 2020. http://shodhganga.inflibnet.ac.in/handle/10603/5259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bidwaikar, Shruti. “Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -.” 2012. Web. 21 Feb 2020.

Vancouver:

Bidwaikar S. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. [Internet] [Thesis]. Pondicherry University; 2012. [cited 2020 Feb 21]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/5259.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bidwaikar S. Vision, experience and experiment in Sri Aurobindo’s poetry and poetics; -. [Thesis]. Pondicherry University; 2012. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/5259

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

15. Waller, Daniel James. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.

Degree: 2014, Leiden University

URL: http://hdl.handle.net/1887/29508

► A comprehensive and concise poetics of biblical Hebrew poetry—its poiesis or active making, the aesthetics of its genesis, the principles of its composition—is the goal… (more)

Subjects/Keywords: Hebrew Bible; Poetry; Cognitive Poetics

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APA (6^th Edition):

Waller, D. J. (2014). A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/29508

Chicago Manual of Style (16^th Edition):

Waller, Daniel James. “A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.” 2014. Masters Thesis, Leiden University. Accessed February 21, 2020. http://hdl.handle.net/1887/29508.

MLA Handbook (7^th Edition):

Waller, Daniel James. “A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach.” 2014. Web. 21 Feb 2020.

Vancouver:

Waller DJ. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. [Internet] [Masters thesis]. Leiden University; 2014. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/1887/29508.

Council of Science Editors:

Waller DJ. A Statement of Biblical Hebrew Verse: Reshaping the Argument and Taking a Cognitive Approach. [Masters Thesis]. Leiden University; 2014. Available from: http://hdl.handle.net/1887/29508

16. Robertson, Carolyn. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .

Degree: 2013, California State University – San Marcos

URL: http://hdl.handle.net/10211.8/515

This item was digitized as part of the "Retrospective Thesis Digitization Project." No abstract is available.

Subjects/Keywords: Poetics; Rothenberg, Jerome, 1931-

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APA (6^th Edition):

Robertson, C. (2013). Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . (Thesis). California State University – San Marcos. Retrieved from http://hdl.handle.net/10211.8/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Robertson, Carolyn. “Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .” 2013. Thesis, California State University – San Marcos. Accessed February 21, 2020. http://hdl.handle.net/10211.8/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Robertson, Carolyn. “Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature .” 2013. Web. 21 Feb 2020.

Vancouver:

Robertson C. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . [Internet] [Thesis]. California State University – San Marcos; 2013. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10211.8/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robertson C. Tracing Jerome Rothenberg's ethnopoetics: a universalist's vision of human nature . [Thesis]. California State University – San Marcos; 2013. Available from: http://hdl.handle.net/10211.8/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Southern California

17. Walser, Adrienne. Modernism's poetics of dislocation.

Degree: PhD, English, 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4156

► This dissertation, “Modernism’s Poetics of Dislocation,” contributes to the field of transnational modernism in its examination of writers whose birthplaces include England, Switzerland, and the… (more)

▼ This dissertation, “Modernism’s Poetics of Dislocation,” contributes to the field of transnational modernism in its examination of writers whose birthplaces include England, Switzerland, and the West Indies, and whose writing is defined by modernity’s multi-directional movements. I examine the work of Blaise Cendrars, Mina Loy, and Jean Rhys as modernist modes of early twentieth-century travel writing. Neither they nor their writing fit into categories delineated by national or cultural lines. Thus, I argue that their texts, which have yet to be fully investigated as travel writing, complicate not only this genre, but modernism’s literary genealogies. Their models of modernist travel serve as a contrast to its narratives of exile and expatriation that rely on fixed categories of self and place. These dynamic intercultural texts of movement anticipate contemporary forms of mobility and identities that negotiate the local and the global. By focusing on these writers, whose lives and work cross myriad borders, this project remaps modernism’s terrain and challenges its mono-national literary frameworks through an interrogation of the lines that have previously delineated its literatures. ❧ Because this group of writers inhabited many communities, forming relationships across national and cultural spaces, their texts and literary methods are cross-pollinated products of synergistic collaborations and exchanges across various locations and intellectual coteries. Unlike the expatriates gathered in Paris, who more often than not remained attached to their home countries, the writers examined here demonstrate in their geographical and literary promiscuity little nostalgia for home or allegiance to a country. Enacting shifting landscapes and multiple perspectives, their texts serve as a foil to the teleological journeys depicted in conventional travel writing and modernist novels of travel, which typically differentiate between home and away, and feature a central subject anxiously safeguarding borders. If modernist writing tends to exhibit anxiety about displacement—about the self becoming unmoored from its origins—these forms of travel writing understand the self as unstable and subject to continual reconfiguration. In contrast to conventional travel writing, in which difference is a threat to a traveler’s logic of a coherent identity, the texts of the writers that I examine in this project challenge rigid constructions of the self and other. Their poetics of dislocation reflect the contacts, exchanges, and the dissonance of modernity. Advisors/Committee Members: Boone, Joseph A. (Committee Chair), McCabe, Susan (Committee Member), Nguyen, Viet Thanh (Committee Member), Lippit, Akira Mizuta (Committee Member).

Subjects/Keywords: travel; modernism; travel writing; poetics

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APA (6^th Edition):

Walser, A. (2014). Modernism's poetics of dislocation. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4156

Chicago Manual of Style (16^th Edition):

Walser, Adrienne. “Modernism's poetics of dislocation.” 2014. Doctoral Dissertation, University of Southern California. Accessed February 21, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4156.

MLA Handbook (7^th Edition):

Walser, Adrienne. “Modernism's poetics of dislocation.” 2014. Web. 21 Feb 2020.

Vancouver:

Walser A. Modernism's poetics of dislocation. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2020 Feb 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4156.

Council of Science Editors:

Walser A. Modernism's poetics of dislocation. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71011/rec/4156

Montana Tech

18. Durham, Rebecca A. Half-life of Empathy.

Degree: MFA, 2017, Montana Tech

URL: https://scholarworks.umt.edu/etd/11086

► This collection of ecopoems interrogates the complex human/non-human relationship in the Anthropocene. Rooted in the author’s deep fascination and scientific knowledge of nature, these… (more)

Subjects/Keywords: ecopoetry; Anthropocene; poetics; Montana; Poetry

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APA (6^th Edition):

Durham, R. A. (2017). Half-life of Empathy. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/11086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Durham, Rebecca A. “Half-life of Empathy.” 2017. Thesis, Montana Tech. Accessed February 21, 2020. https://scholarworks.umt.edu/etd/11086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Durham, Rebecca A. “Half-life of Empathy.” 2017. Web. 21 Feb 2020.

Vancouver:

Durham RA. Half-life of Empathy. [Internet] [Thesis]. Montana Tech; 2017. [cited 2020 Feb 21]. Available from: https://scholarworks.umt.edu/etd/11086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Durham RA. Half-life of Empathy. [Thesis]. Montana Tech; 2017. Available from: https://scholarworks.umt.edu/etd/11086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Detroit Mercy

19. Hampel, Angela. the memory & poetics of the place we call HOME .

Degree: 2019, University of Detroit Mercy

URL: http://hdl.handle.net/10429/1935

► This thesis takes a deeper look into the place each of us call HOME. The topic is discussed from a phenomenological perspective, and revolves around… (more)

Subjects/Keywords: Architectural Theory; Memory; Poetics; Home

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APA (6^th Edition):

Hampel, A. (2019). the memory & poetics of the place we call HOME . (Thesis). University of Detroit Mercy. Retrieved from http://hdl.handle.net/10429/1935

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hampel, Angela. “the memory & poetics of the place we call HOME .” 2019. Thesis, University of Detroit Mercy. Accessed February 21, 2020. http://hdl.handle.net/10429/1935.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hampel, Angela. “the memory & poetics of the place we call HOME .” 2019. Web. 21 Feb 2020.

Vancouver:

Hampel A. the memory & poetics of the place we call HOME . [Internet] [Thesis]. University of Detroit Mercy; 2019. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10429/1935.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hampel A. the memory & poetics of the place we call HOME . [Thesis]. University of Detroit Mercy; 2019. Available from: http://hdl.handle.net/10429/1935

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

20. Garay, Christopher. Infinite Hallways: “Parabola Heretica” and Other Journeys.

Degree: 2013, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc407839/

► This creative thesis collects five fictional stories, as well as a critical preface entitled “Fractals and the Gestalt: the Hybridization of Genre.” The critical preface… (more)

Subjects/Keywords: Genre; science fiction; Poetics

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APA (6^th Edition):

Garay, C. (2013). Infinite Hallways: “Parabola Heretica” and Other Journeys. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc407839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Garay, Christopher. “Infinite Hallways: “Parabola Heretica” and Other Journeys.” 2013. Thesis, University of North Texas. Accessed February 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc407839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Garay, Christopher. “Infinite Hallways: “Parabola Heretica” and Other Journeys.” 2013. Web. 21 Feb 2020.

Vancouver:

Garay C. Infinite Hallways: “Parabola Heretica” and Other Journeys. [Internet] [Thesis]. University of North Texas; 2013. [cited 2020 Feb 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc407839/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garay C. Infinite Hallways: “Parabola Heretica” and Other Journeys. [Thesis]. University of North Texas; 2013. Available from: https://digital.library.unt.edu/ark:/67531/metadc407839/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New Orleans

21. Bradburd, Douglas. Word Blind.

Degree: M.F.A., Drama and Communications, 2006, University of New Orleans

URL: https://scholarworks.uno.edu/td/354

Following a referenced and annotated introduction that discusses the author's poetics, 'word blind' includes thirty of the author's current poems. Advisors/Committee Members: Lavender, William, Lazer, Hank, Schultz, Susan.

Subjects/Keywords: Poetry; Poetics

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APA (6^th Edition):

Bradburd, D. (2006). Word Blind. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bradburd, Douglas. “Word Blind.” 2006. Thesis, University of New Orleans. Accessed February 21, 2020. https://scholarworks.uno.edu/td/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bradburd, Douglas. “Word Blind.” 2006. Web. 21 Feb 2020.

Vancouver:

Bradburd D. Word Blind. [Internet] [Thesis]. University of New Orleans; 2006. [cited 2020 Feb 21]. Available from: https://scholarworks.uno.edu/td/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bradburd D. Word Blind. [Thesis]. University of New Orleans; 2006. Available from: https://scholarworks.uno.edu/td/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Northeastern University

22. Capogna, Frank Robert. Beyond the frame: modernist ekphrasis and museum politics.

Degree: PhD, Department of English, 2017, Northeastern University

URL: http://hdl.handle.net/2047/D20241926

► This dissertation argues that the public art museum and its practices of collecting, organizing, and defining cultures at once enabled and constrained the poetic forms… (more)

▼ This dissertation argues that the public art museum and its practices of collecting, organizing, and defining cultures at once enabled and constrained the poetic forms and subjects available to American and British poets of a transatlantic long modernist period. I trace these lines of influence particularly as they shape modernist engagements with ekphrasis, the historical genre of poetry that describes, contemplates, or interrogates a visual art object. Drawing on a range of materials and theoretical formationsfrom archival documents that attest to modernist poets lived experiences in museums and galleries to Pierre Bourdieus sociology of art and critical scholarship in the field of Museum StudiesI situate modernist ekphrastic poetry in relation to developments in twentieth-century museology and to the revolutionary literary and visual aesthetics of early twentieth-century modernism. This juxtaposition reveals how modern poets revised the conventions of, and recalibrated the expectations for, ekphrastic poetry to evaluate the museums cultural capital and its then common marginalization of the art and experiences of female subjects, queer subjects, and subjects of color.; Analyzing the ekphrastic poetry of Katharine Bradley and Edith Cooper, Marianne Moore, Siegfried Sassoon, H. D., and Melvin Tolson, Beyond the Frame asserts that these poets radically reconstitute the poetics of ekphrasis by locating their poetic speakers within museums and attending to their critical acts of looking at art on display. In the process, their ekphrastic poems convey aesthetic meanings anti-heteronormative, anti-colonial, and anti-racistthat undermine the museums exclusionary framings of cultural history. Contributing to recent conversations in the New Modernist Studies on the public institutions that shaped the development of modernism, and in Historical Poetics on the synchronic and culturally contingent nature of poetic genres, I show modernist ekphrasis to be representative of the ways in which the modernist literary field was constituted in unsettled relation to the forms of institutional authority and cultural capital against which it is often defined. Beyond the Frame thus offers a new perspective on the intersections among poetic discourse, visual culture, and cultural institutions in modernist poetry, and a context for historicizing turn-of-the-century public art museums through poems written in and about objects in their collections.

Subjects/Keywords: art; modernism; museums; poetics; poetry

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APA (6^th Edition):

Capogna, F. R. (2017). Beyond the frame: modernist ekphrasis and museum politics. (Doctoral Dissertation). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20241926

Chicago Manual of Style (16^th Edition):

Capogna, Frank Robert. “Beyond the frame: modernist ekphrasis and museum politics.” 2017. Doctoral Dissertation, Northeastern University. Accessed February 21, 2020. http://hdl.handle.net/2047/D20241926.

MLA Handbook (7^th Edition):

Capogna, Frank Robert. “Beyond the frame: modernist ekphrasis and museum politics.” 2017. Web. 21 Feb 2020.

Vancouver:

Capogna FR. Beyond the frame: modernist ekphrasis and museum politics. [Internet] [Doctoral dissertation]. Northeastern University; 2017. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/2047/D20241926.

Council of Science Editors:

Capogna FR. Beyond the frame: modernist ekphrasis and museum politics. [Doctoral Dissertation]. Northeastern University; 2017. Available from: http://hdl.handle.net/2047/D20241926

University of St. Andrews

23. Rodgers, Sarah Anne. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .

Degree: 2014, University of St. Andrews

URL: http://hdl.handle.net/10023/6347

► Since the advent of capture technologies poets have advanced, through their experimental practice, an expanded understanding of what constitutes a text to incorporate not only… (more)

▼ Since the advent of capture technologies poets have advanced, through their experimental practice, an expanded understanding of what constitutes a text to incorporate not only its content, but also its construction. Reframed by morphological and mechanical perspectives, our changing relationship with sound and image was constituent to a cumulative process of artistic abstraction that would, in time, come to define modernity. By highlighting the importance of technologies such as telegraphy and electricity in the conception of poetry as a connecting force, of photography and cinema in the recalibration of our perceptions of subject and object, and of gramophony, radio, television and computing technologies as key agents in a process of naturalization regarding the relationship between poetry and its audience, this thesis will attempt to illustrate the progression of technology-led abstraction in oral, written and music based poetries from the beginning of the industrial age to the present day. Our relationship with the communication technologies we invent has become increasingly interwoven with the epistemological structures such mechanisms advance. This thesis will propose that as a consequence, the ways we organise and remediate texts, sounds and images into new, creative contexts that utilize the mass communication technologies and distribution networks of our modern experience positions electronic music, rap, digital memes and other interdisciplinary modes of digital expression as significant poetic forms. Our day-to-day engagement with diverse media allows us to reconfigure all our manifestations of self and any examination of mass media’s impact on poetic expression must likewise constitute a reading of both literary and popular materials. To this end, this thesis will consider the progressive technologization of our engagement with oral, written and music-based poetries that media technologies facilitate within the context of the praxis of prominent poets, their literary theories and those of the literary movements they endorsed. Advisors/Committee Members: Paterson, Don (advisor).

Subjects/Keywords: Poetics; Music; Technology; Media

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APA (6^th Edition):

Rodgers, S. A. (2014). From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/6347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rodgers, Sarah Anne. “From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .” 2014. Thesis, University of St. Andrews. Accessed February 21, 2020. http://hdl.handle.net/10023/6347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rodgers, Sarah Anne. “From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries .” 2014. Web. 21 Feb 2020.

Vancouver:

Rodgers SA. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . [Internet] [Thesis]. University of St. Andrews; 2014. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/10023/6347.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodgers SA. From Memnon to Gangnam : a diachronic study of the interaction of technology with oral, written and music-based poetries . [Thesis]. University of St. Andrews; 2014. Available from: http://hdl.handle.net/10023/6347

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Washington

24. Wyss, John Bradley. Divine Immolation.

Degree: 2016, University of Washington

URL: http://hdl.handle.net/1773/36632

Divine Immolation is a cycle of spiritual poetry, comprised of three sections that portray the soul transforming through metaphysical extremes. Advisors/Committee Members: Heuving, Jeanne (advisor).

Subjects/Keywords: Poetics; Poetry; Creative writing; english

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APA (6^th Edition):

Wyss, J. B. (2016). Divine Immolation. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/36632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wyss, John Bradley. “Divine Immolation.” 2016. Thesis, University of Washington. Accessed February 21, 2020. http://hdl.handle.net/1773/36632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wyss, John Bradley. “Divine Immolation.” 2016. Web. 21 Feb 2020.

Vancouver:

Wyss JB. Divine Immolation. [Internet] [Thesis]. University of Washington; 2016. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/1773/36632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyss JB. Divine Immolation. [Thesis]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/36632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Washington

25. Walker, Cora. Hindsight 2050.

Degree: 2017, University of Washington

URL: http://hdl.handle.net/1773/40067

► Hindsight 2050 is an anthology of science fiction stories taking place in a plausible, potentially near future. Misogyny, technological revolution, and an increasingly unstable capitalist… (more)

Subjects/Keywords: Poetics; Creative writing; Literature; English

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APA (6^th Edition):

Walker, C. (2017). Hindsight 2050. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Walker, Cora. “Hindsight 2050.” 2017. Thesis, University of Washington. Accessed February 21, 2020. http://hdl.handle.net/1773/40067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Walker, Cora. “Hindsight 2050.” 2017. Web. 21 Feb 2020.

Vancouver:

Walker C. Hindsight 2050. [Internet] [Thesis]. University of Washington; 2017. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/1773/40067.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker C. Hindsight 2050. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40067

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Cornell University

26. Desai, Noor. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England .

Degree: 2015, Cornell University

URL: http://hdl.handle.net/1813/39390

► Unruly Lines argues that writers in early modern England use the figure of the line as a tool in developing new modes of representation, and… (more)

▼ Unruly Lines argues that writers in early modern England use the figure of the line as a tool in developing new modes of representation, and that their written lines are an index for political, aesthetic, and epistemological issues surfacing in the period. Asserting that textual materiality and the technical practices of playing were crucial to the development of literary form, this dissertation proposes that the poetic line and the line of dialogue find literary art reflecting broad early-modern cultural assumptions. By looking beyond literature to discourses as varied as the visual arts, mathematics, architecture, and law, the project offers a variety of different ways to see the written line anew. Examining moments wherein lines introduce ways of meaning distinct from verbal semantics, this project claims that early modern writers began perceiving in the written line a means to challenge and disrupt habituated strategies for apprehension. Evenly divided into sections on poetry and drama, this project proposes that the inventiveness and self-reflexivity for which the early modern period's literature is known stem from the line's ability to challenge ordered systems of representation-to contest the presumed "rules" of art. The first two chapters, which consider poetry by King James, John Donne, and William Shakespeare, argue that the shape and structure of verse lines mark poetry as a specialized mode of discourse capable of figuring forth ideas unattainable in other media. Visually ragged, uneven, or blatantly artful and ornamental lines, I argue, start to diagrammatically supplement and juxtapose vivid verbal images. The second half of the project then considers how players use lines of dialogue, and focuses on works by John Lyly, George Peele, and Shakespeare. These chapters explain how lines drawn into individual actors' parts (indicating their cues) function as technical devices for building-and breaking up and challenging-the limits of theatrical space. As each chapter demonstrates, poets and playwrights take advantage of the verbal line's inability to offer only semantic meaning by cultivating self-consciously disruptive and unruly representations. These texts take into account the experiences of readers and audiences, and strive to actively build, rather than simply report, knowledge. Advisors/Committee Members: Lorenz, Philip A (committeeMember), Cohen, Walter Isaac (committeeMember), Mann, Jenny C (committeeMember).

Subjects/Keywords: Shakespeare; Early Modern Literature; Poetics

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APA (6^th Edition):

Desai, N. (2015). Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/39390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Desai, Noor. “Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England .” 2015. Thesis, Cornell University. Accessed February 21, 2020. http://hdl.handle.net/1813/39390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Desai, Noor. “Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England .” 2015. Web. 21 Feb 2020.

Vancouver:

Desai N. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England . [Internet] [Thesis]. Cornell University; 2015. [cited 2020 Feb 21]. Available from: http://hdl.handle.net/1813/39390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Desai N. Unruly Lines: Poetic Measure And Dramatic Convention In Early Modern England . [Thesis]. Cornell University; 2015. Available from: http://hdl.handle.net/1813/39390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

27. Guo, Suei-Ci. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.

Degree: Master, Chinese Literature, 2012, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

► Fang Hui âYing Kui Lu Suiâ is one of widely discussed literary productions among Tang and Song poems of eight lines collections, which could be… (more)

▼ Fang Hui âYing Kui Lu Suiâ is one of widely discussed literary productions among Tang and Song poems of eight lines collections, which could be viewed in âYing Kui Lu Sui Literary Criticismâ edited by Li, Qing-Jia; among the most important criticisms are Ping Ban, Ping Hao, Zha Shen-Xing, Ji Yun, and Xu Ying Fang. Xu Ying Fang is one of the most important poets and poetry critics in Yun Na. âLu Sui Ji Yaoâ is edited in the purpose of teaching students during Xuâs late years of being the chairman in Jing Zheng college. This literary production has twelve chapters; the first six chapters are about the poems, which are worthy to be followed, and the later six ones are vice versa. However, Xu passes away before finishing this work. The reason why Xu Ying Fang edits this production bases on the criticism of âYing Kui Lu Suiâ (written by Fang Hui), and âYing Kui Lu Sui Kan Wuâ (written by Ji Yun), yet the literary figure of âLu Sui Ji Yaoâ is different from that of Fang Hui. Comparing to the late Qing dynasty, which is prevalent to the movement of Song poetry with Tong-Guang style, Xu Ying Fangâs reflections toward Tang and Song poetry reversely present the most important feature of poetics in Qing Dynasty- neutrality. Xu partially accepts Fang Huiâs proposition of âone ancestor and three predecessorsâ; and he further advances the idea of lists Li Shang-Yin, and Wang An Shi into the followers of Du Fu. Moreover, he even raises poetics status of Chen Yu Yi above Chen Shih Dao. Therefore, in âLu Sui Ji Yaoâ, Du Fu is the most listed poet among Tang Dynasty poets, and Chen Yu Yi is the poet among Song Dynasty poets; the above arrangement is the most vivid poetic feature, which Xu Ying Fong breaks through Fang Huiâs previous propositions. The advantages and weaknesses about poetry appeared among Xu Ying Fongâs literary production are not judaged by times nor poets themselves. His literary criticism is deeply affected by neutral concept and textual research in Qing Dynasty poetics. As a result, âLu Sui Ji Yaoâhas been accounted as an important status among the relative works of âYing Kui Lu Suiâ. Advisors/Committee Members: Xian-Zong Gong (chair), Chao-ming Liu (chair), Hung-Chang Liao (committee member).

Subjects/Keywords: Ying Kui Lu Sui; Xu Yin -Fang; Tang and Song poetics; Du Fu poetics; Qing Dynasty poetics; Ji Yun

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Guo, S. (2012). The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Guo, Suei-Ci. “The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.” 2012. Thesis, NSYSU. Accessed February 21, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Guo, Suei-Ci. “The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry.” 2012. Web. 21 Feb 2020.

Vancouver:

Guo S. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. [Internet] [Thesis]. NSYSU; 2012. [cited 2020 Feb 21]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guo S. The Study of Xu Yin-Fan's 'Lu Sui Ji YaoâTHEORY of Poetry. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0806112-123714

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Georgia

28. Robinson, Jason R. Colors of poetry: computational deconstruction.

Degree: MA, Romance Languages, 2006, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/robinson_jason_r_200605_ma

► It should be reasonable to believe that computer software could aid in poetry analysis and creation the same way that software already helps graphic artists… (more)

Subjects/Keywords: Poetics and Technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Robinson, J. R. (2006). Colors of poetry: computational deconstruction. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/robinson_jason_r_200605_ma

Chicago Manual of Style (16^th Edition):

Robinson, Jason R. “Colors of poetry: computational deconstruction.” 2006. Masters Thesis, University of Georgia. Accessed February 21, 2020. http://purl.galileo.usg.edu/uga_etd/robinson_jason_r_200605_ma.

MLA Handbook (7^th Edition):

Robinson, Jason R. “Colors of poetry: computational deconstruction.” 2006. Web. 21 Feb 2020.

Vancouver:

Robinson JR. Colors of poetry: computational deconstruction. [Internet] [Masters thesis]. University of Georgia; 2006. [cited 2020 Feb 21]. Available from: http://purl.galileo.usg.edu/uga_etd/robinson_jason_r_200605_ma.

Council of Science Editors:

Robinson JR. Colors of poetry: computational deconstruction. [Masters Thesis]. University of Georgia; 2006. Available from: http://purl.galileo.usg.edu/uga_etd/robinson_jason_r_200605_ma

Miami University

29. Seibel, George L., IV. Being a Poet.

Degree: MA, English, 2012, Miami University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

► This thesis is a parodic ars poetica wherein the social role of poetry is explored and exploded satirically through a variety of methods, including process-based… (more)

Subjects/Keywords: poetics; ars poetica; humor; parody; satire

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Seibel, George L., I. (2012). Being a Poet. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

Chicago Manual of Style (16^th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Masters Thesis, Miami University. Accessed February 21, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

MLA Handbook (7^th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Web. 21 Feb 2020.

Vancouver:

Seibel, George L. I. Being a Poet. [Internet] [Masters thesis]. Miami University; 2012. [cited 2020 Feb 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

Council of Science Editors:

Seibel, George L. I. Being a Poet. [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

30. Jayasree Sukumaran. Feminist poetics in Alice Munro and Anita Desai;.

Degree: English, 2015, University of Calicut

URL: http://shodhganga.inflibnet.ac.in/handle/10603/48723

newline

Bibliography p.280-302

Advisors/Committee Members: M. Snehaprabha.

Subjects/Keywords: English; Feminist poetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sukumaran, J. (2015). Feminist poetics in Alice Munro and Anita Desai;. (Thesis). University of Calicut. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/48723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sukumaran, Jayasree. “Feminist poetics in Alice Munro and Anita Desai;.” 2015. Thesis, University of Calicut. Accessed February 21, 2020. http://shodhganga.inflibnet.ac.in/handle/10603/48723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sukumaran, Jayasree. “Feminist poetics in Alice Munro and Anita Desai;.” 2015. Web. 21 Feb 2020.

Vancouver:

Sukumaran J. Feminist poetics in Alice Munro and Anita Desai;. [Internet] [Thesis]. University of Calicut; 2015. [cited 2020 Feb 21]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/48723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sukumaran J. Feminist poetics in Alice Munro and Anita Desai;. [Thesis]. University of Calicut; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/48723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations